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Displayed below are some selected recent viaLibri matches for books published in 1725

        Goa. Goa

      Augsburg 1725 - Delineata sulla scia della più grande veduta di Jeremias Wolff, l’opera offre quaranta riferimenti topografici. Il Leopold, era un modesto incisore ed editore di Augsburg; la sua serie di vedute di città, da cui questa incisione è tratta, venne pubblicata con pochissima tiratura, rendendo quindi le opere particolarmente rare. Incisione in rame, in ottimo stato di conservazione. In the wake of Jeremias Wolff’s bigger view, this work presents many topographical references. Leopold was a modest engraver and publisher in Augsburg; the series of city views, from which this one is taken, has been published in a very limited circulation, which means these works are very rare. Copperplat, in excellent condition. Dimensioni 300 200mm

      [Bookseller: Libreria Antiquarius]
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        La magnificence du roiaume de France, ou l'on voit ses villes, maisons de plaisance et autres choses remarquables representées en tailles-douces tres exactes, avec une courte Description dessous chaque figure. Divisées en deux tomes. 2 Teile in 1 Band.

      - Leiden, Pieter van der Aa, um 1725, Quer-Kl.-4°, Titelblatt in rot (etwas knittrig), Inhaltsverzeichnis sowie 173, teils ausfaltbaren Kupferstich-Tafeln mit Ansichten, Plänen und Karten, restaurierter, goldgeprägter Original-Ganzledereinband *Atlas / Frankreich / Frankreichatlas [Attributes: Hard Cover]

      [Bookseller: Antiquariat Martin Barbian & Grund GbR]
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        The Voiage and Travaile of Sir John Maundevile, Kt., Which treateth of the Way to Hierusalem; and of Marvayhles of Inde, with other Ilands and Countryes. Now publish'd entire from an Original MS. in the Cotton Library.

      London: printed for J. Woodman, D. Lyon and C. Davis, 1725 - Octavo (229 x 135 mm). Mid 19th-century green morocco, titles to spine decorated gilt in compartments, decorative gilt frames to covers, edges and turn-ins gilt, marbled endpapers. Spine faded, boards slightly sprung, occasional faint foxing; an excellent copy. Title page printed in red and black. Second edition in English. The Voyages de Jehan de Mandeville chevalier first appeared in manuscript in France c.1357. The first edition in English was printed in 1499; in 1725 this new edition was prepared from the Cotton manuscript in the British Museum, printed by William Boyer in an issue of 350 copies, establishing the standard English text. Now known to have been confected from a variety of earlier sources, the Travels purports to be the personal account of Sir John Mandeville, born and bred in St Albans, who left England in 1322 and travelled the world for many years, serving the sultan of Cairo and visiting the Great Khan, and finally in 1357 in age and illness setting down his account of the world. That account covers his travels to the Middle East and Palestine in the first part, before he continues to India, Tibet, China, Java, and Sumatra, then returns westward via Arabia, Egypt and North Africa. Mandeville "enjoyed widespread popularity in the fifteenth century and was respected by scholars and cartographers, Columbus among them, who consulted it as a reliable source on the Far East" (Howgego). From the library of Irish judge and discerning book collector William O'Brien (1832-99), which was endowed on his death to the Milltown Park Jesuit Library, Dublin. This copy bears his post-mortem bookplate and the Milltown Park library ticket and bequest label to the front pastedown. Howgego V, M13; ESTC T100822.

      [Bookseller: Peter Harrington. ABA member]
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        l'Art de conduire et de régler les pendules et les montres: a l'usage de ceux qui n'ont aucune connoissance d'horlogerie. Paris, for the author and Michael Lambert (colophon: printed by H.L. Guerin and L.F. Delatour), 1759. 12mo. With illustrations on 4 folding engraved plates. Contemporary mottled calf, gold-tooled spine.

      Poggendorff I, col. 168; Tardy, Bibliogr. Mesure du Temps 30; not in Bibl. Horlogère de Monsieur R.P. First edition of a basic instruction on clocks and watches for beginners in the profession or trade and for all owners of clocks and watches in general. Ferdinand Berthoud (1725-1807), was a famous Swiss mechanic of clocks, watches, chronometers and the like who lived and worked at Paris since 1745. He was the inventor of the marine clock, and together with Pierre Leroi he was considered the best in his field. Berthoud was a member of the Institut de France and of the London Royal Society. He wrote a considerable number of esteemed books on his specialty, of which the present is the primer on the subject, teaching the very first beginners in the field. The book was also published in Dutch. With the bookplate of Renato Rabaiotti. Binding slightly rubbed near the edges. Very good copy.

      [Bookseller: ASHER Rare Books (Since 1830)]
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        ALL THE FAMILIAR COLLOQUIES OF DESIDERIUS ERASMUS, OF ROTERDAM, CONCERNING MEN, MANNERS, AND THINGS, TRANSLATED INTO ENGLISH

      London: J. Darby, et al., 1725. Quarter Leather. Very Good binding. The translation by Nathan Bailey who as considered to be a patient scholar ... [who] kept as close as he could to Erasmus's Latin without compromising his own English [see Craig R. Thompson's Introduction to his edition of the Colloquies, University of Toronto Press]. Rebound in quarter bound morocco over marbled boards. 608 pp., index. Front joint tender. Very Good binding.

      [Bookseller: Black Swan Books, Inc.]
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        RULES AND EXAMPLES OF PERSPECTIVE PROPER FOR PAINTERS AND ARCHITECTS, etc. In English and Latin: containing a most easie and expeditious method to delineate in perspective all designs relating to architecture,

      London, London, Printed for J. Senex and R. Gosling; W. Innys; J. Osborn and T. Longman, n.d. circa 1725.. In English and Latin: containing a most easie and expeditious method to delineate in perspective all designs relating to architecture, after a New Manner, Wholly free from the Confusion of Occult Lines: by that Great Master Thereof, Andrea Pozzo, Soc. Jes. Engraven in 105 ample folio plates, and adorn’d with 200 initial letters to the Explanatory Discourses: Printed from Copper-Plates on Ye best Paper by John Sturt. Done into English from the original printed at Rome 1693 in Lat. and Ital. By Mr. John James of Greenwich. Translation of the 1693 Roman edition of part 1 "Perspectiva pictorum et architectorum". SECOND ENGLISH EDITION circa 1725. Folio, approximately 390 x 260 mm, 15¼ x 10¼ inches, engraved title page, preceded by added engraved Latin title page repeating that in the first edition of 1693, both title pages with large different engraved vignette, LACKING ENGRAVED FRONTISPIECE (though we have the plate lx which bears the title of Perraults's A Treatise of the Five Orders of Colums in Architecture, See Eileen Harris No. 704), large engraved headpiece to Dedication with portrait of dedicatee Queen Anne with decorative initial, 210 interesting historiated engraved initials, engraved unnumbered plate of drawing instruments opposite half-title, 102 engraved plates, some merely diagrams (2 plates for LIII numbered LXIIIA and LIIIB each with separate descriptions, plate C is duplicated), each numbered plate faces a page of parallel text in Latin and English and 2 different engraved historiated initials, no pagination, unnumbered text leaves: 7 (prelims and description to First Figure), 50 (descriptions), 4 (Notes for Beginners, Answer to Objection made about the Point of Sight in Perspective, and 2 pages of index). Bound in modern quarter calf over grey boards with small vellum corners, raised bands and gilt rules, gilt lettered red morocco label, new endpapers. The Latin engraved title page lacks a large piece from lower corner with loss of small lower corner of vignette, part of date and name of T. Longman, repaired with neat hand inked restoration to image and name, but date wrongly corrected to MDCCVII whereas it should be MDCXCIII as in the first edition, the leaf is reinserted, slightly worn at edges, slightly creased, slightly trimmed at margins with no loss, and repaired and strengthened on reverse, the English engraved title is slightly dusty, very slightly worn at edges, lacking small piece from lower corner and with a closed tear to vignette, neatly repaired on reverse with no loss, diagonal crease across lower corner affecting vignette, Dedication page dusty and slightly foxed, lightly stained and with neat repair to lower corner, verso with pale brown stain, small neat repair to lower corner of a2, small chip to lower corners of b1 and b2 both slightly foxed and lightly stained, c1 and c2 faintly stained, small chip and tear to fore-edge of description leaf for plate II and plate III, repaired neatly with transparent tape, very occasional slight pale foxing, mainly to text pages, occasional small pale stain to margins, plates XXII and XXXIV are torn across without loss and repaired with transparent tape on reverse, PLATES XXIV, XXIX, XLIX, and L ARE MISSING and replaced from another copy printed on greyish paper, probably from the 1741 edition, slightly worn at edges and now trimmed and repaired at edges with no loss of image, plates XXXIV, XLII, LXI, LXXIX and LXXXIII reinserted with small repairs to edges, small corner missing from text page to plate LXI, no loss, small pale stain to upper inner corner of text pages describing plates LXXVII to LXXXII, large closed tear to final leaf of index, neatly repaired with no loss. DEFECTS ARE: LACKS FRONTISPIECE, 6 PLATES ARE SMALLER AND FROM ANOTHER EDITION 1741?, 4 EDGES HAVE REPAIRS PLUS OTHER REPAIRS MENTION IN THE DESCRIPTION. WITH NO LOSS TO IMAGES. A good tight solid made up working copy. The "Approbation" has the printed names of Christopher Wren, John Vanbrugh and Nicholas Hawksmoor. The subscribers' list not called for in this edition, See; Eileen Harris, British Architectural Books and Writers, 1556-1785, page 374, No. 704. Andrea Pozzo (1642 – 1709) was an Italian Jesuit, Baroque painter and architect, decorator, stage designer, and art theoretician. He was best known for his grandiose frescoes using illusionistic technique called quadratura, in which architecture and fancy are intermixed. His masterpiece is the nave ceiling of the Church of Sant'Ignazio in Rome. Through his techniques, he has become one of the most remarkable figures of the Baroque period. He is also noted for the architectural plans of the Ljubljana Cathedral (1700), inspired by the designs of the Jesuit churches Il Gesù and S. Ignazio in Rome. (Wikipedia). See: Laurence Hall Fowler, The Fowler Architectural Collection of the John Hopkins University, pages 207-208. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
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        The Student's Companion: or, the Reason of the Laws of England. Shewing, the principal reasons and motives whereon our laws and statutes are grounded, in the most essential and capital points, not only in civil but criminal cases; Together with the law it self. So as to convey to all students, and others, the fundamental knowledge of the law, necessary in their studies.

      London: Printed by E. and R. Nutt, and R. Gosling, for T. Corbett, 1725 - Octavo (193 x 114 mm). Contemporary calf, recent red label period style, two-line blind border on sides, blind swag-and-pendant border at inner edge of both sides. Ownership inscription on front free endpaper: "Ambrose Dawson puchased from Dr Hodsons Library". Ambrose Dawson (1707-1794), physician; 20th-century bookplate of Robert J. Hayhurst, Lancashire retail chemist and bibliophile, whose main library of naval history was complemented by a subsidiary of collection of eighteenth-century literature in well-preserved contemporary bindings. Extremities of spine and corners worn, front joint cracked but sound, back joint partially cracked, dampstain to front endpapers, some foxing but overall this remains an appealing copy in period calf. First edition. Giles Jacob (bap. 1686-1744), "the leading legal writer of his age, was less notable for his style. than for the variety of his work. Jacob was prolific, and some of his efforts aimed to reach relatively new markets. The Students Companion, or, Reason of the Law. like Jacob's The Common Law Common-Placed (1726), were among a growing number of printed books intended to help law students with their studies. The Students Companion organized and digested statutes and cases, while The Common Law Common-Placed served as a ready commonplace book and reference guide for legal terms. The latter also attracted critics who felt that printed study aids took away the useful work of manual notetaking" (Yale Law School, Taussig Collection online). Jacob had a notable spat with Alexander Pope and the law writer's stylistic shortcomings were highlighted in The Dunciad Variorum (1729): "Jacob, the scourge of Grammar, mark with awe, / Nor less revere him, blunderbuss of Law". Decidedly uncommon: ESTC locates copies at only four British and Irish institutional libraries (BL, Scotland, Cambridge, Ireland) and OCLC adds another six locations worldwide. See Julia Rudolph, Common Law and Enlightenment in England, 1689-1750 (2013). [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        The Works of Shakespeare, from Mr Pope's Edition

      Octavo. Full maroon calf, black and maroon leather spine labels, spines richly stamped in gilt; all edges stained red. Very good (minor rubbing; small snag at top of spine on volume 4 and volume 9). An attractive set. 9 volumes complete. Alexander Pope's edition of Shakespeare first appeared in 1725.

      [Bookseller: Houle Rare Books & Autographs]
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        Conference de l'ordonnance de Louis XIV du mois d'aout 1669 sur le fait de EDITION ORIGINALE

      à Paris: Chez la veuve Saugrain et Pierre Prault, 1725. Fine. Chez la veuve Saugrain et Pierre Prault, à Paris 1725, 2 Vol. in-4 (18x25cm), (16) 883pp. et (4) 796pp. (2), relié. - Edition performed by Gallon. Full brown calf time. Back to nerves ornate. Part of title in red morocco; volume number gilt framed wheels. Caps head partly frayed. Lack tail of Volume 2. Friction. Sunny bites. Good practices. The wood has been considerable raw material for both the construction and marine heating, its use and exploitation have always been considerably regulated. Gallon has not only collected the orders of Louis XIV, but also all those related to it since the year 1115. It thus establishes a true story of the forests and woods of France. Some decrees relating to hunting and fishing, as activities related to water and forests. As it is, the orders are discussed. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale réalisée par Gallon. Reliure en plein veau brun d'époque. Dos à nerfs richement orné. Pièce de titre en maroquin rouge ; tomaison dorée encadrée de roulettes. Coiffes de tête en partie élimées. Manque en queue du tome 2. Frottements. Piqûres éparses. Bons exemplaires. Le bois ayant été une matière première considérable, tant pour la marine que la construction et le chauffage, son utilisation et son exploitation ont toujours été considérablement règlementées. Gallon a non seulement rassemblé les ordonnances de Louis XIV mais également toutes celles qui s'y rapportent depuis l'an 1115. Il établit ainsi une véritable histoire des forêts et bois de France. Certains décrets se rapportent à la chasse et à la pêche, comme activités afférentes aux eaux et forêts. Quant il ya lieu, les ordonnances se trouvent commentées.

      [Bookseller: Librairie Le Feu Follet]
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        Namurcum. Namur

      Augsburg 1725 - Delineata sulla scia della più grande veduta di Jeremias Wolff, l’opera offre quaranta riferimenti topografici. Il Leopold, era un modesto incisore ed editore di Augsburg; la sua serie di vedute di città, da cui questa incisione è tratta, venne pubblicata con pochissima tiratura, rendendo quindi le opere particolarmente rare. Incisione in rame, in ottimo stato di conservazione. In the wake of Jeremias Wolff’s bigger view, this work presents many topographical references. Leopold was a modest engraver and publisher in Augsburg; the series of city views, from which this one is taken, has been published in a very limited circulation, which means these works are very rare. Copperplat, in excellent condition. Dimensioni 300 200mm

      [Bookseller: Libreria Antiquarius]
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        Iconologia, of uytbeeldingen des verstands: Om uyt te drucken, en te vinden, 't begrip van alle sinnebeelden, invallen, devijsen of sinteykenen. Amsterdam, Dirck Pietsz. Pers, 1644. 4to. With engraved allegorical frontispiece and 196 emblematic woodcut illustrations (ca. 8.5 x 6 cm) in the text by Jan Christoffel Jegher. Parchment (ca. 1725?).

      - Landwehr, Emblem books Low Countries 683; Praz, p. 474. First Dutch edition, newly and extensively illustrated, of a famous encyclopaedia of iconology, the Iconologia of Cesare Ripa (1560- 1645). It describes about 650 symbolic human or semi-human figures, illustrates nearly 200, and was intended as a guide for all kinds of artists, writers, orators and amateurs. In the present 1644 edition the Amsterdam publisher, bookseller and poet Dirck Pietersz. Pers (1581-1659) translated and edited Ripa's text and Castellini's additions and made further additions of his own. He also included 196 woodcut illustrations cut for this edition based on a selection of those in the 1630 edition. It was in this form that Ripa's work was best known to artists in the Dutch golden age and it remained in use by painters and designers for the decorative arts far into the 18th century. With water stains throughout, serious in the first few and last few leaves, and marginal tears or restorations in a few leaves, but still in good condition and with large margins. The binding is uniformly abraded but structurally sound. An important source of knowledge and inspiration for artists of the Dutch golden age. [Attributes: First Edition]

      [Bookseller: Antiquariaat FORUM BV]
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        Esposizione ragionata della contestazione, che sussiste tra le due Repubbliche di Venezia, e di Olanda. [Vienna or Venice?], 1785. 8vo. With a woodcut decoration on the title-page. Contemporary blue-grey marbled wrappers.

      Pollio, p. 119; Rives Childs, Casanoviana XXXII.2 (p. 74); WorldCat (3 copies this edition, 3 another ed. & 2 ambiguous). One of the rare first two Italian editions (apparently by the same printer, priority uncertain) of an interesting diplomatic pamphlet by Giacomo Casanova (1725-1798), world famous for his romantic and sexual adventures with numerous noble women. In the years 1772 to 1776 the Venetian Zannovich brothers successfully defrauded two Dutch merchants in a complicated swindle with bills of exchange, cargos of non-existent ships and uncovered debts. Amsterdam officials found Venice's failure to take action against the perpetrators exasperating and believed that a Venetian diplomat had abetted the brothers. This was the situation when Casanova stepped in and attempted to influence public opinion by writing at least three pamphlets about the incident in 1784 and 1785. He exposed the perpetrators and argued that the Venetian diplomat was another ignorant victim of their fraud. Very good copy. The wrapper is slightly faded near the spine, where it also has a couple small holes. Rare example of Casanova's skills in the seduction of disputing governments rather than women.

      [Bookseller: Antiquariaat FORUM BV]
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        Taurinum. Turin

      Augsburg 1725 - Delineata sulla scia della più grande veduta di Jeremias Wolff, l’opera offre quaranta riferimenti topografici. Il Leopold, era un modesto incisore ed editore di Augsburg; la sua serie di vedute di città, da cui questa incisione è tratta, venne pubblicata con pochissima tiratura, rendendo quindi le opere particolarmente rare. Incisione in rame, in ottimo stato di conservazione. In the wake of Jeremias Wolff’s bigger view, this work presents many topographical references. Leopold was a modest engraver and publisher in Augsburg; the series of city views, from which this one is taken, has been published in a very limited circulation, which means these works are very rare. Copperplat, in excellent condition. Dimensioni 300 200mm

      [Bookseller: Libreria Antiquarius]
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        A Journey Through the Austrian Netherlands.

      London: Printed for J. Pemberton, and J. Hooke,, 1725. Containing the modern history and description of all the provinces, towns, castles, palaces &c. of that fruitful, populous country, so long the scene of wars and dreadful ravages, till it was by the treaty of Utrecht yielded to the Emperor of Germany. With an account of all the remarkable battles and sieges; taken from the most authentic narratives. To which is prefixed, an introduction, containing the ancient history of the whole seventeen provinces. Octavo (195 x 115 mm). Near-contemporary panelled calf, titles to red label to spine, gilt decoration to spine in compartments, edges speckled red. With the ownership inscription of George Courthop, dated 10 July 1729. Slight wear to extremities, small chip to head of spine, top edge dust toned; an excellent copy. First edition. Macky, a post officer and spy, turned to travel writing in 1714 in an attempt to assuage his debts. His first work, A Journey through England in Familiar Letters, was published in 1714, and was followed by, A Journey through Scotland in 1723. A Journey through the Austrian Netherlands was "undertaken instead of a promised volume on Ireland" and "probably masked his espionage work in the territories" (ODNB). Macky had first visited the region in 1713 when he fled to Flanders to escape his numerous creditors in England. This copy additionally with the bookplate of Robert J. Hayhurst to the front pastedown, heir to a successful chain of dispensing chemists, based in Nelson, Lancashire: "A collector of books, in a delightful room at his home, white-painted bookshelves stacked high on all the available wall space show to advantage the hand-tooled leather bindings of a collection that has been acquired slowly and with discrimination over the years" (The Chemist and Druggist, 7 September 1957).

      [Bookseller: Peter Harrington]
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        Ättartal för Swea och Götha konunga hus, efter trowärdiga historier och documenter i underdånighet upräknadt.

      Sthlm, J. L. Horrn, 1725. Folio. (4),92,95-97,96-140,(74) s. & 1 träsnittsplansch & 16 grav. plr. Med 9 inklistrade grav. illustrationer och en mängd träsnittsillustrationer i texten. Ljusbrunt lackat hfrbd från cirka 1900 med upphöjda bind, guldornerad rygg, röd titeletikett och pergamentskodda hörn. Röda snitt. Innerfalsarna delvis spruckna. Enstaka fläckar. Blad Ggg1 i registret med en stor bortriven marginalbit med fint gjord uppfodring och liten bokstavsförlust. De större planscherna bundna så att de bildar hela uppslag. Emanuel Cederströms exlibris. Hesse Svensk numismatisk bibliografi 1455. Warmholtz Bibliotheca historica Sueo-Gothica 6510 som dock måste "tilstå, at författaren mycket utan ringaste bevis antagit, samt rätt ofta, genom egen upfinning, ökt släktlederna". Arbetet utgavs efter författarens död av sonen Johan Fredrik Peringskiöld. De avslutande opaginerade sidorna upptas av släkttabeller och register. Flera av planscherna återfinns också i Peringskiölds "Monumenta Uplandica" och "Monumenta Ullerakerensia". Emanuel Cederström (1848-1920), som var bror till konstnären Gustaf Cederström, bodde på Krusenberg utanför Uppsala och var en kulturhistoriskt intresserad samlare. Hans boksamling uppgick till 3000-4000 volymer. Delar av sina konst- och kulturhistoriska samlingar donerade han till bland annat Nordiska museet och Nationalmuseum.

      [Bookseller: Mats Rehnström]
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        I ieroglifici overo Commentarii delle occulte significationi de gl'Egittij, et altre Nationi...

      Presso Gio. Battista Combi, 1725. Cm. 33, pp. (84) 806. Frontespizio in rosso e nero con marchio tipografico centrale, moltissime figure incise nel testo. Solida legatura coeva in piena pergamena rigida, dorso a nervi. Un po' brunito il frontespizio e poche tracce d'uso sparse, complessivamente esemplare assi genuino e ben conservato, come è piuttosto raro per quest'opera che a causa delle sue curiose figure veniva sassiduamente consultata. Si tratta della seconda edizione del volgarizzamento (la prima fu impressa nel 1602) dell'opera del bellunese Giovanni Pietro Dalle Fosse (1477-1560). Il frontespizio recita pure "Fatica non solo utile, e dilettevole a' i Studiosi, ma necessaria ancora a' Pittori, Scultori, et a' quelli, che di Statue, di Medaglie, et altre Antichità si dilettano." partendo dai geroglifici aveva l'ambizione con la sua ricca iconografia, di essere fonte per il vasto mondo degli "artefici" dell'arte. Cfr. Praz (521); Caillet e Dorbon che citano altre edizioni.

      [Bookseller: Studio Bibliografico Benacense]
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        Das uber vier Malefitz-Personen ergangene Justitz-Rad/ als über I. Leopold Fixeln, II. Christoph Kranichfelden, III. Abraham Hoffmann, und IV. Anna Sophia Wanckin. Die alle viere allhier vor Berlin Anno 1725. d. 21. Febr. damit vom Leben zum Tode gebracht wurden, ist mit historischer Beschreibung ihrer an der Damm-Mühle bei Quielitz verübten Frevel-That in Kupfern und Drucke abgebildet.

      Berlin, Rüdiger (1725). Titel in Rot. u. Schwarz, mit 4 Porträt-Kupfertafeln. 128 S. (r. 126 S., Pag. springt von S. 6 auf 9). Umschlag aus Herrnhuter-Papier. 4°. Huelke-Etzler 1966. - Mit den Portraits der wegen Raubmordes Verurteilten; es gibt wenige Exemplar, die auch ein Frontispiz haben. - Der Verfasser, Prediger zu St. Nicolai in Berlin, erzählt genüsslich die Folterung des Christoph Kranichfeld und sein Bekehrungswerk während dessen.

      [Bookseller: Antiquariat Uwe Turszynski]
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        Histoire des chevaliers hospitaliers de S. Jean de Jerusalem, appellez depuis les chevaliers de Rhodes, et aujourdhui les chevaliers de Malthe.

      5 Bände. Mit 1 gest. Frontispiz, 1 gest. Titelvign., gest. Portrait von Vertot und 4 gefalt. Kupferkarten Dekorative braune HLdr.-Bde. des 19. Jhdts., mit rotem Rückenschild. 26 x 20 cm. Vgl. Graesse VI/II, 288. Lipperheide Of 18 Brunet V, 1149 Cohen-Ricci 1011 (alle zur Quartausgabe von 1725).Berühmte Geschichte des Johanniter- bzw. Malteser-Ordens. Die Karten zeigen Malta, Rhodos und den Mittelmeerraum (diese mit kurzem Einriss). - Aus der Charlesworth Masonic Library. - gering berieben, gutes Exemplar!

      [Bookseller: Antiquariat Turszynski]
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        Carte le Duchè de Ferrare a l’Eglise

      Amsterdam 1725 - La bottega di produzione, pubblicazione e vendita di materiale cartografico della famiglia fu fondata da Joachim Ottens (1663 – 1719), ma ebbe il periodo di maggiore sviluppo e produzione tra il 1720 ed il 1750 sotto la guida dei figli Reiner (1698 -1750) e Joshua (1704 – 1765). La produzione della bottega Ottens è enorme; include copie di praticamente tutte le mappe sino ad allora prodotte e disponibili, raggiungendo il numero di oltre 800 lastre, raccolte in 15 volumi di atlanti. Le carte sono caratterizzate dal fatto di essere finemente colorate a mano con colori accesi, mentre scarsa è la loro reperibilità sul mercato. Il seguente gruppo di carte è tratto dal Atlas Maior, pubblicato intorno al 1730. Incisioni in rame, finemente colorate a mano in epoca, ampli margini, in eccellente stato di conservazione. Rare. La mappa è una riduzione di quella realizzata da Pierre Mortier, a sua volta ispirata da Nicolas Sanson. La bottega di produzione, pubblicazione e vendita di materiale cartografico della famiglia fu fondata da Joachim Ottens (1663 – 1719), ma ebbe il periodo di maggiore sviluppo e produzione tra il 1720 ed il 1750 sotto la guida dei figli Reiner (1698 -1750) e Joshua (1704 – 1765). La produzione della bottega Ottens è enorme; include copie di praticamente tutte le mappe sino ad allora prodotte e disponibili, raggiungendo il numero di oltre 800 lastre, raccolte in 15 volumi di atlanti. Le carte sono caratterizzate dal fatto di essere finemente colorate a mano con colori accesi, mentre scarsa è la loro reperibilità sul mercato. Il seguente gruppo di carte è tratto dal Atlas Maior, pubblicato intorno al 1730. Incisioni in rame, finemente colorate a mano in epoca, ampli margini, in eccellente stato di conservazione. Rare. La mappa è una riduzione di quella realizzata da Pierre Mortier, a sua volta ispirata da Nicolas Sanson. Tooley p. 479 - A. Alberghini (a cura di) "Ferrara." p. 62 Dimensioni 305 260mm

      [Bookseller: Libreria Antiquarius]
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        Praga. Prag

      Augsburg 1725 - Delineata sulla scia della più grande veduta di Jeremias Wolff, l’opera offre quaranta riferimenti topografici. Il Leopold, era un modesto incisore ed editore di Augsburg; la sua serie di vedute di città, da cui questa incisione è tratta, venne pubblicata con pochissima tiratura, rendendo quindi le opere particolarmente rare. Incisione in rame, in ottimo stato di conservazione. In the wake of Jeremias Wolff’s bigger view, this work presents many topographical references. Leopold was a modest engraver and publisher in Augsburg; the series of city views, from which this one is taken, has been published in a very limited circulation, which means these works are very rare. Copperplat, in excellent condition. Dimensioni 300 200mm

      [Bookseller: Libreria Antiquarius]
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        A Journey Through the Austrian Netherlands. Containing the modern history and description of all the provinces, towns, castles, palaces &c. of that fruitful, populous country, so long the scene of wars and dreadful ravages, till it was by the treaty of Utrecht yielded to the Emperor of Germany. With an account of all the remarkable battles and sieges; taken from the most authentic narratives. To which is prefixed, an introduction, containing the ancient history of the whole seventeen provinces.

      London: Printed for J. Pemberton, and J. Hooke, 1725 - Octavo (195 x 115 mm). Near-contemporary panelled calf, titles to red label to spine, gilt decoration to spine in compartments, edges speckled red. With the ownership inscription of George Courthop, dated 10 July 1729. Slight wear to extremities, small chip to head of spine, top edge dust toned; an excellent copy. First edition. Macky, a post officer and spy, turned to travel writing in 1714 in an attempt to assuage his debts. His first work, A Journey through England in Familiar Letters, was published in 1714, and was followed by, A Journey through Scotland in 1723. A Journey through the Austrian Netherlands was "undertaken instead of a promised volume on Ireland" and "probably masked his espionage work in the territories" (ODNB). Macky had first visited the region in 1713 when he fled to Flanders to escape his numerous creditors in England. This copy additionally with the bookplate of Robert J. Hayhurst to the front pastedown, heir to a successful chain of dispensing chemists, based in Nelson, Lancashire: "A collector of books, in a delightful room at his home, white-painted bookshelves stacked high on all the available wall space show to advantage the hand-tooled leather bindings of a collection that has been acquired slowly and with discrimination over the years" (The Chemist and Druggist, 7 September 1957). [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Kurzer Begrif Teutscher Reichs-Historie Darinnen die Haupt-Veränderungen des Teutschen Reichs verfasset und aus bewährten Seribenten erläutert worden

      Johann Felix Bielcken , Jena, 1725 - 307 Seiten +Register Halbledereinband,die Seiten 243 - 246 mit großem Ausriß,ca 40 % Textverlust ,sonst gering gebräunter Text. Sprache: Deutsch Gewicht in Gramm: 550

      [Bookseller: Herr Klaus Boettcher]
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        Das edle Pferd in der Reitschule - Ch. Graeger Verlag Halle um 1920 - 1930

      Nach den 14 Blättern der Kupferstecher A. u. E. Nunzer, Norimberg 1725 (Reprint, Faksimile Nürnberg). - Großformatige Mappe mit Leinenrücken im Format 45 x 31,5 cm. Alle 14 Blätter in sehr ordentlicher Erhaltung, tlw nur vom Schwarzkarton gelöst, auf dem die Blätter ursprünglich aufkaschiert waren. Ein Blatt in Übergrösse und daher 1x gefalzt. - Mappe etwas angestaubt, ansonsten gut. - Stammt aus dem Vorlass eines Botschafters i. R. - Bankverbindungen in Österreich und Deutschland.

      [Bookseller: Antiquariat Birgit Gerl]
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        Corcyra. Corfu

      Augsburg 1725 - Delineata sulla scia della più grande veduta di Jeremias Wolff, l’opera offre quaranta riferimenti topografici. Il Leopold, era un modesto incisore ed editore di Augsburg; la sua serie di vedute di città, da cui questa incisione è tratta, venne pubblicata con pochissima tiratura, rendendo quindi le opere particolarmente rare. Incisione in rame, in ottimo stato di conservazione. In the wake of Jeremias Wolff’s bigger view, this work presents many topographical references. Leopold was a modest engraver and publisher in Augsburg; the series of city views, from which this one is taken, has been published in a very limited circulation, which means these works are very rare. Copperplat, in excellent condition. Dimensioni 300 200mm

      [Bookseller: Libreria Antiquarius]
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        Historia hepatica. In hac tertia editione, numeris tandem omnibus absoluta. Seu theoria ac praxis omnium morborum hepatis, & bilis, cum ejusdem visceris anatome pluribus in partibus nova . (Miteingebunden): Derselbe. Orationes. 2 Bände.

      Geneva, de Tournes 1725 - 4°. 14 nn. Bll., 784 S.; 1 n.n. Bl.; S. 785-1230, 4 nn. Bll., 30 S., 1 Bl, 19 S., 26 S., 1 Bl., 48 S. Mit 10 mehrfach gef., gest. Tafeln von J. G. Seiller. Lederbände d.Z. auf 5 Bünden, mit goldgeprägtem Rückenschild, goldgepr. Deckel- und Stehkantenfileten sowie reicher Rückenvergoldung (Ecken etwas bestossen, leicht berieben). Dritte, wesentlich erweiterte Ausgabe. - Mit Texten des Verfassers und Beiträge von Jacopo Vercellone, Giovanni Tommaso Giudetti, Giovanni Maria Lancisi u.a. - Stellenweise mit teils stärkerer Feuchtigkeitsspur, Innendeckel mit ExLibris, Vorsatz mit Eckabschnitt. - Hirsch-H. I, 519. - Blake 46. - Wellcome II, 161. Lang la

      [Bookseller: Buch + Kunst + hommagerie Sabine Koitka]
 25.   Check availability:     IberLibro     Link/Print  


        Systema Iurisprudentiae Medicae. Quo casus forenses a JCtis et medicis decidendi explicantur omniumque facultatum sententiis confirmantur, in partem dogmaticam et practicam partitum, casibus, relationibus, iudiciis, responsis et defensionibus iuridicis et medicis for sp. illustratum.

      Halae, Typis et Impensis Orphanotrophei, 1725. 412, 640, 213 Seiten, 47 unpag. S. 8°. Ganzledereinband der Zeit mit 5 Bünden und Rückentitel. Weiterer Untertitel: In usum iurisprudentiae et medicinae, seorsum iudiciorum ciuilium et ecclesiasticorum directum et cum praefatione Christiani Thomasii etc. Indiceque reali instructum. Mit einem Vorwort des deutschen Juristen und Philosophen Christian Thomasius. Herausgegeben vom Waisenhaus in Halle. Mit einer Vignette auf dem Titelblatt (\"illo splendente leuabor\"). Der erste Teil des Buches (\"pars dogmatica\") ist durchgängig auf Latein geschrieben und dementsprechend in Antiqua gesetzt. Der zweite Teil, die eigentliche \"Jurisprudenz\" (\"pars practica siue casuistica\"), enthält zahlreiche Dokumente unterschidlicher Fälle, in denen Forensiker zugezogen wurden. Hier sind Titel und einige juristische Technizismen, sowie das Urteil (Epicrisis) auf Lateinisch geschrieben, der Rest (die Nachfragen der Rathsmeister und die entsprechenden Berichte der Mediziner) ist auf Deutsch (und entsprechend in fraktur gesetzt). Der zweite Teil (pars practica siue casuistica) enthält 65 Fälle. Der Appendix enthält weitere 36 Fälle, die allerdings etwas intransparent nummeriert sind (einige Nummern wiederholen sich, andere werden übersprungen). Außerdem enthält das Buch ein Sachregister (allerdings fast ausschließlich zu lateinischen Termini) und ein Blatt mit Korrekturen zu den Teilen I und II und zum Appendix. Bei den meisten Fällen sind Leichen involviert. Das Buch ist zum Teil mit Majuskeln gesetzt und präsentiert an einigen Stellen dezenten Buchschmuck. Die Widmung an den König Friedrich Wilhelm von Preußen ist mit einem Stich versehen, auf dem das königliche Wappen zu sehen ist. Das Titelblatt ist mit roter und schwarzer Tinte gedruckt worden. Der Rücken des Einbandes ist gold geprägt (Reste sind zu erahnen), sowie auch das Titelschild (hier ist die Goldprägung noch gut erhalten). Der Schnitt wurde wohl marmoriert und ist am Kopf etwas stärker koloriert. Das Buch befindet sich sonst in einem sehr guten Zustand. Siehe Foto. Versand D: 5,90 EUR

      [Bookseller: BerlinAntiquariat]
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        Faro di Messina

      Augsburg 1725 - Delineata sulla scia della più grande veduta di Jeremias Wolff, l’opera offre quaranta riferimenti topografici. Il Leopold, era un modesto incisore ed editore di Augsburg; la sua serie di vedute di città, da cui questa incisione è tratta, venne pubblicata con pochissima tiratura, rendendo quindi le opere particolarmente rare. Incisione in rame, magnifica coloritura coeva, in ottimo stato di conservazione. Dimensioni 300 205mm

      [Bookseller: Libreria Antiquarius]
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        The Works of William Shakespear in Six Volumes. Collated and Corrected by the former Editions, By Mr. Pope. + The Seventh Volume. (.) with a Preface By Dr. Sewell.

      - 7 volumes. Jacon Tonson & (vol. 7) Printed by J. Darby et al., London 1725. 4to. Title in vol. 1 printed and red and black. Frontispiece portrait missing. Vol. 1 with engraved plate showing the monument over Shakespeare's grave in Stratford. Contemporary full mottled calf bindings with richly gilt spines (with red and dark green titlelabels). Bindings with traces of age. Hinges and spineends professonally repaired. Label with author's name on spine of vo. 7 renewed. Armorial early 19th century British bookplate on front pastedown in each volume. * Complete set of this famous edition of Shakespeare's works, edited by Alexander Pope, the seventh edition in total of Shakespeare's complete works. Volumes 2-6 were published in 1725 whereas the title pages say 1722 or 1723. Volume 7, containing poetry, was edited by Dr. Sewell and was printed elsewhere in London, 1725, matching the Pope volumes. [Attributes: Hard Cover]

      [Bookseller: Vangsgaards Antikvariat Aps]
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        Geneva. Genf

      Augsburg 1725 - Delineata sulla scia della più grande veduta di Jeremias Wolff, l’opera offre quaranta riferimenti topografici. Il Leopold, era un modesto incisore ed editore di Augsburg; la sua serie di vedute di città, da cui questa incisione è tratta, venne pubblicata con pochissima tiratura, rendendo quindi le opere particolarmente rare. Incisione in rame, in ottimo stato di conservazione. In the wake of Jeremias Wolff’s bigger view, this work presents many topographical references. Leopold was a modest engraver and publisher in Augsburg; the series of city views, from which this one is taken, has been published in a very limited circulation, which means these works are very rare. Copperplat, in excellent condition. Dimensioni 300 200mm

      [Bookseller: Libreria Antiquarius]
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        Vue et Representation de la Bataille de Cassano, donnèe le 16 d’aoust 1705

      L’Aia 1725 - Grande incisione raffigurante la battaglia di Cassano d'Adda del 16 agosto 1705 - durante la guerra di successione spagnola -vinta, recita la didascalia, dal Principe Eugenio di Savoia. Il 16 agosto 1705, il territorio di Cassano d'Adda fu infatti il tragico scenario di un violento fatto d'armi, giocato tra le truppe al comando di Eugenio di Savoia e i soldati Francesi guidati dal generale Vendome. Lo scontro, che interessò la zona compresa tra la località Cantarana e Cascine San Pietro, in realtà si concluse senza una netta vittoria delle parti in contesa. Tratta dal "Batailles Gagnèes par le Serenissime Prince Fr. Eugene de Savoye." di Jean Dumon, edito nel 1725. Incisione in rame di Jean Huchtenburg. Jan van Huchtenburgh (1647-1733), pittore olandese ed incisore raffirgurò prevalentemente soggetti di battaglie. Nel 1708-1709 ha accompagnato il generale austriaco Principe Eugenio di Savoia-Carignano (1663-1736) nelle sue campagne. Tra le altre opere, dipinse 11 battaglie vittoriose riportate dal principe sia sui Turchi che sui Francesi. Quando Eugenio decide di realizzare un volume con le opere dell'artista, autorizzò le incisioni dai dipinti, sotto il suo patrocinio e sotto la guida dello scrittore francese Jean Dumont. Insieme, realizzarono un volume di 132 pagie di testo e 11 tavole incise da Huchtenburg stesso dai suoi dipinti. L'opera venne pubblicata nel 1725. Molto decorativa. "Large engraving depicting the Battle of Cassano d'Adda of August 16th, 1705 - during the War of Spanish Succession. Taken from "atailles gagnées par le sérénissime prince Fr. Eugène de Savoye sur les ennemis de la foi et sur ceux de l’empereur et de l’empire, en Hongrie, en Italie, en Allemagne et aux Pais-Bas, dépeintes et gravées en taille-douce par le Sr Jean Huchtenburg avec des explications historiques par Mr J. Du Mont". The Hague, 1725 This is one of 11 engravings by Jean van Huchtenburg (1647 - 1733). Dutch painter and engraver, He was highly favoured by prince Eugene and employed by him as artist. Huchtenburg accompanied him on campaign in 1708-1709. Among other work, he finally produced a set of eleven paintings, all of identical size, that satisfied Eugene. They included both the great battles against the Turks and his victories in the west, during the War of Spnish Succession. Eugene authorised the engraving of Huchtenburg's paintings for a work under his patronage and the autorship of a French writer Jean Dumont. Together Dumont and Huchtenburg produced a text of 132 page and Huchtenburg engraved all the plates himself. The book was published as a folio volume in The Hague, 1725, under the title Batailles gagnées par le sérénissime prince Fr. Eugène de Savoye sur les ennemis de la foi et sur ceux de l’empereur et de l’empire, en Hongrie, en Italie, en Allemagne et aux Pais-Bas, dépeintes et gravées en taille-douce par le Sr Jean Huchtenburg avec des explications historiques par Mr J. Du Mont. Copper engraving, in very good condition." Dimensioni 575 450mm

      [Bookseller: Libreria Antiquarius]
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        Biblia, Das ist: Die ganze Heilige Schrifft des Alten und Neuen Testaments. Wie solche von Herrn Doctor Martin Luther Seel. Im Jahr Chriti 1522, in unsere Deutsche Mutter-Sprach zu übersetzen angefangen, anno 1534 zu End gebracht und vor einigen Jahren bereits mit den Summarien Herrn Johann Sauberti Seel. auch mit dem vielfältigen und lehrreichen Nutzen, über alle Kapitel des Herrn D. Salomon Blassens Seel. ausgefertigt, anjetzt mit ganz neuen und schönen Kupfer-Bildnissen nebst derenselben beygedruckten Lebens-Läufen, auch andern annehmlichen Figuren samt deren kurzen Auslegungen und angehengten Moralien ausgezieret, dann von denen vorhin eingeschlichenen Druck-Fehlern auf das fleissigste gereiniget, uber dieses sind nicht allein des Seel.

      Nürnberg (o. J.) [1725] Johann Andrea Endters Seel. Sohn und Erben, - 1181 Seiten + Register Ledereinband stark berieben und bestoßen mit Bezugsfehlstellen, Gelenke stark strapaziert, Rückengoldprägung verblichen, Innengelenke geplatzt und mit Textilgewebeband ordentlich geklebt, Seiten stark und schief beschnitten, teilweise mit marginalem Textverlust, Stege und Paginierung sind teilweise weggefallen. Seiten durchweg angerändert, mit kleinen Einrissen und Einschnitten, durchweg gebräunt. Insgesamt lesbares und brauchbar erhaltenes Exemplar. , Preise inkl. Mwst. Sprache: Deutsch Gewicht in Gramm: 4676

      [Bookseller: Versand-Antiquariat Konrad von Agris]
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        Kabinet van Nederlandsche Outheden en Gezichten, Deel 1 (van 2 Deelen)]. Fragment mit 102 (von 150) Ansichten auf 51 (statt 75 Blatt).

      Ohne Verlag und Jahr [W. Barents 1725?], Ohne Ort [Amsterdam] - 51 gezählte Blatt (von insgesamt 75 des ersten Teils). Pappband des 18. Jahrhunderts mit Kleisterpapierdeckeln. Der holländische Maler und Kupferstecher A. Rademaker (1675-1735) sammelte 300 seiner teils nach älteren Vorlagen gestochenen Ansichten am umfangreichsten in dem hier unvollständig vorliegenden Werk: Es handelt sich dabei um ein Fragment des ersten Teils (von insgesamt 2 Teilen), der auf 75 Blatt 150 durchnumerierte kleinformatige niederländische Ansichten enthielt, von denen nur noch 51 Blatt mit 102 Ansichten vorhanden sind. Es fehlen die Nrn. 1-40, 71/72, 101/102, 113/114 und 115/116. Die Nrn. 45-48, 103 und 137 sind zudem von Laienhand unschön teilkoloriert worden, so daß insgesamt 96 der dekorativen, aus dem 17. Jahrhundert datierenden Ansichten vorhanden sind, darunter zahlreiche Ruinen und Wasserschlösser sowie Egmont op Zee, Velsen, Kastricum, Spaerwoude, Spaerwouer-Poort, Hillegom, Lis, Rynsburg, Warmont, Leyderdorp, Katwyk op Ryn, Lemuyden, Soeterwoude, Valkenburg, Schevelinge, Koningsvelt, Overtschie, Spangen und Delfshaven. Der Einband leicht berieben und die Tafeln zum Teil am Rand etwas braunfleckig, die Innengelenke durchs Heraustrennen der fehlenden Tafeln aufgeplatzt. Trotz der starken Gebrauchsspuren noch immer akzeptables Konvolut der dekorativen Blätter. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Rolf Bulang]
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        Dialogue sur la musique des anciens. A Monsieur de ***.

      Noël Pissot, A Paris 1725 - In-12 de (8)-126-(6) pp., veau brun, dos orné à nerfs, pièce de titre en maroquin rouge, armes sur les plats, tranches jaspées (reliure de l'époque). Edition originale posthume publiée par Jacques Morabin qui signe l'avertissement, illustrée de 7 planches gravées hors-texte. « Bien que le Dialogue sur la musique des Anciens soit le seul de ses ouvrages à avoir survécu, l'abbé de Châteauneuf a vu son nom passer à la postérité à la fois en raison de son amitié pour Ninon de Lenclos et pour avoir tenu sur les fonts François-Marie Arouet, le futur Voltaire. Publié de manière posthume en 1725, ce texte délicieux se fonde sur un événement réel : le voyage en France, de Pantaléon Hebenstreit (1668-1750). Le virtuose et compositeur allemand s'était produit à la cour mais aussi chez Ninon devant « une compagnie nombreuse ». Il avait fait entendre un instrument dont il était l'inventeur et qui, sous le conseil de Louis XIV, porte toujours son nom de Pantaléon : « C'était une sorte de tympanum, mais ce qu'on y remarquait de plus singulier (parce qu'on l'avait inutilement tenté jusqu'ici, c'est qu'au lieu des chordes de Clavessin (qui se sentent toujours de leur matière) c'étaient des chordes de luth ». En savant mondain qui fuit la pédanterie, Châteauneuf convoque l'ensemble des textes relatifs à la musique, tant antiques, bibliques que modernes, mais sans pour autant en étaler les sources. La forme choisie n'est pas celle du traité ou de la dissertation, mais celle d'un dialogue qui reproduit l'habile artifice du prologue du Banquet de Platon ». Un narrateur très discret décrit le cadre dans lequel se déroule une conversation, arbitrée par Leontium-Ninon, entre Theagène qui voue à l'Antiquité « une admiration qui tenait du culte » et son démon, Callimaque, qui se réservait la liberté de passer du moins en apparence dans le parti opposé, selon les Compagnies où il se rencontrait ». (Manuel Couvreur et Thierry Favier, Le Plaisir musical en France au XVIIe siècle 2006, p. 91.) Bel exemplaire aux armes d'Alexandre de la Rochefoucauld, duc de la Roche-Guyon, marquis de Liancourt (1690-1762), avec cachet sur le titre. Olivier-Hermal-Roton, pl. 710 ; Fétis, I, 255. [Attributes: First Edition]

      [Bookseller: Bonnefoi Livres Anciens]
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