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Displayed below are some selected recent viaLibri matches for books published in 1700

        Chili

      Valk & Schenk 1700 - Valk & Schenk Amsterdam c1700 copper engraved map with original colouring. overall size 51 x 60 cm; plate 37 x 47 cm. paper evenly toned with some discolouration and faint foxing; fold as issued; habd written annotation on verso; o/w excellent cond. A highly decorative map of Chili, with the North orientated to the left, and embellished with a large decorative and two further cartouches, two compass roses, sailing ships and sea monsters. The map was republished by Valk and Schenk from a plate by Jansson. [ref: 3248]

      [Bookseller: Angelika C. J. Friebe Ltd. - MapWoman]
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        MANOSCRITTO TITOLATO "LIBRO DI EDITTI DECRETI E NOTIFICAZIONI VESCOVILI" D. DONATO POPOLI RACCOLSE E ORDIN

      1700. LATINO 0,7 Bel manoscritto con legatura a cartelliina chiusa da laccio di cuoio in tutta pergamena, con titoli manoscritti alla coperta ant e al dorso, quest' ultimo con applicazioni decorative in cuoio.All' interno raccolta di editti, notificazioni ecc. in forma sciolta o rilegata, in bella grafia sono riportate le spiegazioni di questi.Pagine numerate, le ultime bianche, alcune con richiami a fine pagina. Raccolta vasta e particolareggiata, indice all' inizio USATO

      [Bookseller: Biblioteca di Babele]
 2.   Check availability:     maremagnum.com     Link/Print  


        Antique Print-SEA CHART-NORWAY-SOGNEFJORD-Van Keulen-ca. 1700

      1700 - Antique print, titled: 'Paskaart van de Kust van Noorwegen Beginnende van de Wtweer Klippen tot aan Swartenos ' - Sea chart of the Norwegian west coast. The map covers the area from the Sognefjord north to Swartenes. With a large decorative cartouche with lumber theme (top right), and a mythological figure fighting a sea monster around the scale bars (lower right). Description: From "De Nieuwe Groote Ligtende Zee-Fakkel, 't Eerste Deel" edited by Claas Jansz. Voogt and Gerard van Keulen, originally published 1687-1706, but reprinted a few times until the end of the 18th century. We are not sure from which exact edition this map is.Artists and Engravers: Made by an anonymous engraver after 'Johannes van Keulen'. Johannes van Keulen (1654-1711). The Dutch produced a remarkable number of enterprising and prolific map and chart makers but not even the Blaeu and Jansson establishments could rival the vigour of the van Keulen family whose business was founded in 1680 and continued under their name until 1823. The firm was founded by Johannes van Keulen who was registered as a bookseller in Amsterdam in 1678. Engraving, with contemporary handcolouring on hand laid paper. Anonymous. Fair, given age. Original middle fold, as issued. Top and lower margins cropped to the image edge. A tear in the top edge of the middle fold. Lower middle fold and top right margin corner browned. Two small dampstains in the lower left of the image. Paper edges with some paper loss and remargining, particularly at the bottom. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. The overall size is ca. 59.7 x 51.9 cm. The image size is ca. 56 x 44.4 cm. The overall size is ca. 23.5 x 20.4 inch. The image size is ca. 22 x 17.5 inch. Storage location: Overasselt-327

      [Bookseller: ThePrintsCollector]
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        Antique Map-COAST-EUROPE-ENGLAND-FRANCE-PORTUGAL-SPAIN-Mount and Page-ca. 1700

      - Antique Map, titled: 'A Chart of the Sea-Coast from England to the Streights.' - A map showing the European coastline from the South of England (and North of France) to the Strait of Gibraltar and the northern coast of Africa. Soundings are indicated in the Channel, Strait and along the Spanish and Portuguese coasts. Rocks, islands, etc. are also indicated. Etching/engraving on hand laid paper. Description: Published by Mount & Page, London.Artists and Engravers: Publisher: Mount and Page. Condition: Good, given age. Original middle fold, as issued. Left and right margins cropped close to the image area (right with very slight loss of image). Both margins extended with contemporary paper (backed with acid-free archival tape on the rear) for framing purposes. A crease beside the middle fold, from the top into the image. A few small tears in the margin edges. A small closed tear in the right edge of the image, just above the punched library stamp (Brooklyn Public Library; backed with contemporary paper). General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: BG-B3-12 The overall size is ca. 23.5 x 18.5 inch. The image size is ca. 22.5 x 17.8 inch. The overall size is ca. 59.8 x 46.9 cm. The image size is ca. 57.1 x 45.2 cm.

      [Bookseller: ThePrintsCollector]
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        Ohne Titel (biblische Szene, möglicherweise Skizze für ein Gemälde oder Altarbild). Auf dünnem Büttenpapier.

      (um 1700). - Bildausschnitt ca. 25 x 19 cm. Blattgröße ca. 28 x 20 cm. Vgl. Thieme-B. VIII, 346.- Rechts unten monogrammiert "P. D.". Auf der Rückseite weitere Rötelstift-Skizzen mit 3 Personen und 2 männlichen Köpfen.- Pietro (Pier) Dandini (Florenz 1646 - 1712) entstammte einer der großen Florentiner Malerfamilien des 17. Jahrhunderts, der auch seine beiden Onkeln Cesare Dandini (1596 - 1657) und Vincenzo Dandini (1607 - 1674) angehörten. Bei Letzterem ausgebildet und von den Medici stark protegiert, erhielt er zahlreiche Aufträge zu Kirchenausstattungen in Florenz, Rom und Pisa, bei welchen er auch oft in Freskotechnik arbeitete.- Aus der Sammlung des Malers und Grafikers Fritz (Friedrich Rudolf) Cernajsek (Wien 1910 - 1996 Perchtoldsdorf). Graphik - Varia

      [Bookseller: Antiquariat MEINDL & SULZMANN OG]
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        An Account of the Islands of Orkney. To Which is Added, An Essay Concerning the Thule of the Ancients

      Jacob Tonson within Gray's-Inn-Gate, next Gray's Inn-Lane, London 1700 - x, 182pp. Fold out map and plate. G : in Good condition. Spine rubbed. Sm Top corner of fep missing. Book-plate on paste-down. Plated bright [Attributes: First Edition]

      [Bookseller: Barter Books Ltd]
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        England 1817 - 1894 West Hoboken, USA). Dreimaster vor Gibraltar. Öl auf Leinwand, um 1880. Unten rechts schwach signiert. 29,5 x 40 cm. Gerahmt.

      Seestück unter dunklen Wolken mit mehreren Segelschiffen und Segelbooten unter britischer Flagge, darunter ein imposanter Dreimaster unter vollen Segeln. Als Kulisse der Felsen von Gibraltar, den Buttersworth selbst wohl nie zu Gesicht bekam, hier frei ergänzt um eine Burganlage auf dem Gipfel (die in ähnlicher Form auch auf einem Kupferstich von Aveline nach Crepy (um 1700) dargestellt ist).- James Edward Buttersworth ergriff als Sohn eines Marinemalers den Beruf seines Vaters und schuf zahlreiche Seestücke und detailgetreue Schiffsporträts. Von historischem Interesse ist neben derDokumentation zahlreicher Regatten auch die Entwicklung der Seefahrt im 19. Jahrhundert, die sich anhand seiner Bilder nachvollziehen lässt.- Mit wenigen kleinen Restaurierungen.- Siehe Farbtafel.

      [Bookseller: Antiquariat Daniel Schramm e.K.]
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        Réflexions sur la nature des remèdes, leurs effets, et leur manière d?agir, leurs indications et contre-indications, et le bon et mauvais usage qu?on peut en faire. Appuyées d?exemples, d?histoires et d?observations considérables.

      A Rouen, chez François Vaultier, MDCC., 1700, - in-8vo, (16 x 9.5 cm), 8 ff. (titre, faux-titre, épître, préface, approbation, privilège du roi) + 378 p. + 17 ff. (table des matières), nom écrit à l?encre d?époque au début de l?ouvrage ?PONCET?, reliure pleine basane marbrée, dos à cinq nerfs, entrenerfs ornés, manque de cuir en bas du dos, dorure effacée, coins et dos usés. Première édition. François de Saint André (1677-1725), médecin de Louis XIV, il s?appelait ?Monsieur de Saint-André? d?après sa nomination comme médecin royale. Hirsch le mentionne avec un autre titre ?Réflexions sur les causes des maladies et de leurs symptomes? (1687). Deux feuilles tâchées d?encre et une feuille un peu déchirée. Sinon pages en bon état.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. Krivatsy, Catalogue of 17th century printed books, p. 1026; Hirsch, 1,134.

      [Bookseller: Harteveld Rare Books Ltd.]
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        Contes et nouvelles de la Fontaine (2 Bde.). Aquarelles de Maurice Leroy.

      8, 211 u. 185 S., mit 40 lithographierten, handkolorierte Abb. Und einer compl. beiliegenden s/w-Folge der Lithographien., Broschur m. Transp.-OU., Transp.-OU. m. kleiner Fehlstelle sonst sehr schönes Exemplar N 18 de 50 exemplaires numerote sur pur fil du Marais. Tirage limite de total 1700 exemplaires numerotes. Aquarelles de Maurice Leroy coloriées a la main dans les Ateliers de Maurice Beaufumé. Aussserdem ein Originalaquarell von Maurice Leroy aus dem Buch.

      [Bookseller: antiquariat peter petrej]
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        Antique Print-WORLD-EASTERN HEMISPHERE-AFRICA-ASIA-EUROPE-Scherer-c. 1700

      - Antique print, titled: 'Proiectio Optica Aequinoctia lis Hemishaerii Orientalis' - Map of the Eastern Hemisphere with Africa, Europe, Asia and Nova Hollandia with the eastern and southeastern coast of Australia uncharted. Relief shown pictorially. Engraving / etching with hand colouring on hand laid paper. Description: Source unknown, to be determined.Artists and Engravers: Made by 'Heinrich Scherer' after an anonymous artist. Heinrich Scherer (1628-1704) was a Professor of Hebrew, Mathematics and Ethics at the University of Dillingen until about 1680. Thereafter he obtained important positions as Official Tutor to the Royal Princes of Mantua and Bavaria. It was during his time in Munich as Tutor to the Princely house of Bavaria that his lifetime’s work as a cartographer received acclaim and recognition. Scherer’s world atlas, the Atlas Novus, first published in Munich between 1702 and 1710 and reissued in a second edition between 1730 and 1737, forms a singularly unusual, almost revolutionary work in terms of the development of European mapmaking at the beginning of the 18th Century. Condition: Good, given age. Small damp stain top right edge. Edges partly browned. One tiny spot in image. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: BG-B6-15 Iscra The overall size is ca. 8.5 x 10.6 inch. The image size is ca. 7.3 x 9.3 inch. The overall size is ca. 21.5 x 27 cm. The image size is ca. 18.5 x 23.7 cm.

      [Bookseller: ThePrintsCollector]
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        Solomon's Idolatry (Salomos Götzendienst).

      ca. 1700.(). Pen, brush and India ink over sanguine on handmade paper, mounted on paper. 333 x 457 mm. Signed "K. H. S." and stamped l.r. Minor vertical crease, else NF.

      [Bookseller: Wittenborn Art Books]
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        Martelaars-Boek, Ofte Historie der Hollandse Martelaren, welke om de Christen Catholijke Gods-Dienst, Soo ten tijden van de woeste Heidenen, als der Hervormde Nieugesinden seer wreed sijn omgebragt. & Naader bewijs en bygevoedge anmerkingen, wegens eeinge kort gemelde saaken, in het Hollands Katholijk martelaars-boek, met de levens det Hollands Heyligen, en Christen Oudheden.

      Antwerpen: Petrus Pratanus 1700 - Three works in one volume. These are comprised of the two volumes of the Martelaars-Boek, and then a continuation, printed the following year by Pieter vander Meersche (also in Antwerp). Three title pages & two engraved additional title pages. Recent (1950’s?) quarter calf with gilt titles to the spine. brown card boards. New end papers, followed by original end papers. 2 engraved titles, portrait of Opmeer, and 31 full page engravings of martyrs and grisly ends they succumbed to! A Roman Catholic response to the Protestant Martyrologies. First edition thus (1st Dutch edition - previously Latin). Printed largely in black letter, with some (largely registers) in a lighter Roman Type style. The recent binding is clean and tidy. Not fabulous, but very functional. No significant marking. The pages of the works are slightly darkened, but sound and tidy. Small library mark (cancelled and illegible) to the title of volume 1. Light staining / water marks to some pages. There are a few marginalia in ink. A few chips to page edges, consistent with age but not affecting text. [xxx], 1-372, [xii], 1-362, 1-94. pp + plates. [Attributes: First Edition; Hard Cover]

      [Bookseller: Harrison-Hiett Rare Books NVvA/ILAB PBFA]
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        An Account of the Islands of Orkney. To Which is Added, An Essay Concerning the Thule of the Ancients

      London: Jacob Tonson within Gray's-Inn-Gate, next Gray's Inn-Lane. G : in Good condition. Spine rubbed. Sm Top corner of fep missing. Book-plate on paste-down. Plated bright. 1700. First Edition. Contemporary panelled calf. 200mm x 120mm (8" x 5"). x, 182pp. Fold out map and plate. .

      [Bookseller: Barter Books Ltd]
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        Ratisbona Politica. Staatisches Regenspurg. Das ist: Erster Theil des erneuerten Mausoloei oder herrlich-gezierten Grabs Deß Bayrischen Apostels und Blut-Zeugens Christi S. Emmerami, welches Coelestinus deß Kayserl. und Gefürsten Reichs-Stifft zu St. Emmeram in Regenspurg Prälat vor Jahren kurtz-beschribner mit ungemeinen Nutzen zum drittenmal in Druck hervor gegeben Anjetzo aber auf inständiges Verlangen mit Einmischung der Bayrischen Denckwürdigkeiten vermehrt / mit schönen Kupfferen geziert Und in das Staatisch-, Clösterlich-, Kirchisch- und Heilige Regenspurg Abgetheilt durch Anselmum Abbten daselbst.

      822 S:Dedicatio (13) S. 1 Frontispiz 4 gefalteten Kupfertafeln Register Halbleder, Lederecken, roter Dreiseitenschnitt, Rücken mit 4 Bünden, Frakturschrift Buch in altersgemäß sehr guter Erhaltung, Einband gut, Seiten hell und sauber, vereinzelt Verfärbungen durch Kupfer Frontispiz mit Ansicht v. Regensburg fehlt von den 14 orig. Kupfern sind nur vier am Ende des Buches vorhanden. Johann Baptist Kraus OSB (geboren als Joseph Emmeram Wolfgang Kraus, auch Johann Baptist Krauß * 12. Januar 1700 in Regensburg 14. Juni 1762 im Kloster Sankt Emmeram) war Benediktiner und von 1742 bis 1762 Fürstabt des Klosters Sankt Emmeram.

      [Bookseller: Franklin61]
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        Portraits of Illustrious Personages

      np 1700 - With 23 monochrome watercolor portraits attributed to Adrian van der Werff; each followed by an engraved portrait of the subject by Peter van Gunst, et al. Watercolor portraits approx. 12 1/4 x 7 7/8 inches (310 x 200 mm) on sheets measuring 15 1/2 x 9 7/8 inches (393 x 250mm). Portraits: Henry VII [England]; Henry VIII [England]; Catherine d'Arragon; Anne Boleyn; Jane Seymour; Catharine Parre, Edward VI [England]; Mary Stuart; Jane Grey; Queen Mary [Bloody Mary]; Thomas Crammer; William Laud; Charles V [Don Carlos I]; Charles I [Great Britain]; Henrietta Marie de France; James I [Great Britain]; Anne Hyde [Wife of James II]; George Villiers, Duke of Buckingham; Maurice Prince of Orange; James IV [King of Scotland]; Marguerite [Queen of James IV of Scotland]; Guillaume Premier Prince d'Orange; Hamilton Count of Aran. Watercolors & engravings clean & attractive. Folio. WITH 23 WATERCOLOR PORTRAITS. The engravers represented are : Peter van Gunst (8); Cornelius Vermeulen (5); B. Audran (2); Charles Simonneau (3); Gerard Valck (5).With a fascinating note "This book was brought to this country by J.W. Bouton of New York some thirty years ago was purchased from him by William H. Piper & Co. of Boston (Publishers) for $250; was sold to Mrs Sutton the founder of the Eben Dale Sutton Library (of the Peabody Institute) salem Mass; was purchased from the estate by Charles Lauriat Co. of Boston whom I have acquired it from.The various person through whos(sic) hands this book has passed are all of the opinion that the drawings areby Adrian van der Werff (1659 & 1722)."Signed in a different hand "John L. Dudley, Jr. June, 1911." 19th-Century full gilt-paneled scarlet morocco, richly gilt floral spine compartments, a.e.g. by Bedford; joints rubbed, other occasional edge wear. Small crimson leather bookplate of John L. Dudley, Jr With 23 monochrome watercolor portraits attributed to Adrian van der Werff; each followed by an engraved portrait of the subject by Peter van Gunst, et al. Watercolor portraits approx. 12 1/4 x 7 7/8 inches (310 x 200 mm) on sheets measuring 15 1/2 x 9 7/8 inches (393 x 250mm). Portraits: Henry VII [England]; Henry VIII [England]; Catherine d'Arragon; Anne Boleyn; Jane Seymour; Catharine Parre, Edward VI [England]; Mary Stuart; Jane Grey; Queen Mary [Bloody Mary]; Thomas Crammer; William Laud; Charles V [Don Carlos I]; Charles I [Great Britain]; Henrietta Marie de France; James I [Great Britain]; Anne Hyde [Wife of James II]; George Villiers, Duke of Buckingham; Maurice Prince of Orange; James IV [King of Scotland]; Marguerite [Queen of James IV of Scotland]; Guillaume Premier Prince d'Orange; Hamilton Count of Aran. Watercolors & engravings clean & attractive. Folio [Attributes: Signed Copy]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Histoire de la Decouverte et de la Conquete du Perou

      1700 - First French edition. 2 vols. Folding map & 13 engraved plates. 12mo. Contemporary sprinkled calf, spines richly gilt in compartments, with red morocco label to each, headcaps repaired. [xxxviii], 307; [vi], 408pp. Amsterdam, J. L. de Lorme, A standard work on the discovery, conquest, and the subsequent civil war in Peru. The author arrived in Peru in the entourage of the first viceroy, Blasco Nunez Vela, and witnessed the campaigns against the Incas as well as the civil war between factions of Spanish conquerors. Sabin, 106259; Palau, 379639. [Attributes: First Edition; Hard Cover]

      [Bookseller: Maggs Bros. Ltd ABA, ILAB, PBFA, BA]
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        Mare Mediterraneum exhibens oras Hispaniae, Galliae, ItaliaeÖ

      Amsterdam, 1700 - Incisione in rame, colorata díepoca, 495x1165. Gerard e Leonard Valck o Valk, padre e figlio, furono tra i pi? noti stampatori della fine del periodo díoro della cartografia fiamminga, autori di numerose carte, lavorando spesso in societ? con Schenk. Decorativa carta in bella coloritura. Ottimo esemplare, seppur con una piccola mancanza reintegrata in basso destra, rifilata alla lastra a sin. e lievi aloni in basso. cartografia.

      [Bookseller: libreria antiquaria perini Sas di Perini]
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        Antique Print-PALEMBANG-SUMATRA-INDONESIA-VOC-SHIPS-Van der Aa-c. 1700

      - Antique print, titled: 'La Ville de Palimbang dans L’Ile de Sumatra.' - A very decorative, impressive engraving of Palembang in Sumatra. Two views on one sheet. In the upper part the overall view with a sea battle in the foreground. Below the burning city, finely engraved ships and a compass rose. The VOC decided to gain a foothold in Palembang because of the rich gold deposits and pewter mining possibilities. On the engraving, we see the small fortress of 1. Cambare, 2. Fort Matapurl. 3 Fort Bamagangian & 4. The Royal Palace. All under siege by a large number of Dutch ships, the fortifications going up in flames. Copperplate engraving / etching with hand colouring on hand laid paper. Description: Source unknown, to be determined.Artists and Engravers: Made by 'Pierre van der Aa' after an anonymous artist. Pieter van der Aa was born 1659 in Leyden, Holland. He started his own book publishing business when he was twenty-three. Within fifty years in his business, he published a huge amount of highly decorative maps and atlases. His Nouvel Atlas was reissued by Covens & Mortier. He died 1733 in Leyden. Condition: Good, given age. Soft small crease top right. Original middle fold as issued. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: BG-E1-16 The overall size is ca. 14.1 x 12.3 inch. The image size is ca. 13.6 x 11.2 inch. The overall size is ca. 35.7 x 31.3 cm. The image size is ca. 34.5 x 28.5 cm.

      [Bookseller: ThePrintsCollector]
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        Planisphaerium terrestre, cum utroque coelesti hemesphaerio, sive diversa orbis terraquei". Altkolorierte Kupferstichkarte von Adam Friedrich Zürner.

      Amsterdam, Schenck und Valck, nach 1700. - Shirley 639. - Zürner`s work is relatively unknown, appearing usually in other publishers` atlases, such as Schenk`s Atlas Contractus. The present issue shows the routes of Magellan, Dampier, Tasman, Gaetani and Chaumont. California is tentatively depicted as an island with dotted lines, but coloured as a peninsula. - Restaurierter Einriss bis ins Bild (ohne Verlust), kleinere angerandete Randausrisse (ohne Bildberührung). *** /// *** Copyright: Matthaeus Truppe - Stubenberggasse 7 - A-8010 Graz - +43 316 829552 *** /// *** Sprache: Deutsch Gewicht in Gramm: 0 Aus: Pieter Schenck und Gerard Valck, Atlas contractus sive Mapparum Geographicarum Sansoniarum auctarum er correctarum.

      [Bookseller: Matthaeus Truppe Antiquariat]
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        Bolivia

      , 1700s - 1800s. 1700s - 1800s. The letters span from the 1700s to the 1800s and most are addressed to Francisco Ruiz De Sorzano, a very important man during the colonial period in the La Paz area of today Bolivia. He had important business relations with Peru, and was the owner of lands in what today is the border between Peru and Bolivia. He was also possibly a descendant of the King of Spain. The letters deal with commerce and various historical accounts. This collection is rife with untapped material and will be a true treasure to historians specializing in Bolivian culture. While many letters still have wax seal remnants, most do not have postal markings meaning they were undoubtedly hand carried in the 1700s. Sorzano's great great grandson, Jose Luis Tejada Sorzano, became President of Bolivia during the Chaco War. Sorzano was the Vice President at the time but was elected President after Daniel Salamanca Urey was forced to resign. The Chaco War was a costly conflict between Bolivia and Paraguay. Hostile incidents began as early as 1928 over the Chaco Boreal, a wilderness region of about 100,000 square miles (259,000 square km) north of the Pilcomayo River and west of the Paraguay River that forms part of the Gran Chaco. The conflict stemmed from the outcome of the War of the Pacific (1879-84), in which Chile defeated Bolivia and annexed that nation's entire coastal region. Thereafter, Bolivia attempted to break out of its landlocked situation through the Río de La Plata system to the Atlantic coast; athwart that route lay the Gran Chaco, which the Bolivians thought had large oil reserves. Paraguay formally declared war on May 10, 1933 launching a series of attacks along an extended front late in October and made such impressive gains that the Bolivian president Daniel Salamanca replaced Kundt with General Enrique Peñaranda. After Bolivian counterattacks put Paraguayan forces on the defensive, a truce was arranged on June 12, 1935. About 100,000 men lost their lives in the war. A peace treaty was arranged by the Chaco Peace Conference, which included Argentina, Brazil, Chile, Peru, Uruguay, and the United States. It was signed in Buenos Aires on July 21, 1938. Paraguay gained clear title to most of the disputed region, but Bolivia was given a corridor to the Paraguay River and a port (Puerto Casado). The war had caused disruption of the Bolivian economy, provoking demands for reform among the deprived Bolivian masses. Argentina was given the main credit for the settlement, and Argentine investors profited greatly from Paraguay's territorial gain. Sorzano as president had a responsibility to bring an end to the disastrous Chaco War. By June 1935, a ceasefire was reached with Paraguay, however, the terms granted most of the Chaco Boreal region to Paraguay, reducing Bolivia's territory considerably. This earned Tejada the disdain of the military and he was removed from office in a coup d'etat led by generals José David Toro and Germán Busch a year later.

      [Bookseller: University Archives ]
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        Amerique septentrionale divisee en ses principales parties,.Par le s. Sanson .

      Mortier 1700 - Pieter Mortier; Amsterdam, c1700 copper engraved map with original outline colouring; overall 63 x 98,5 cm; plate 57 x 88 cm. fold as issued; additional folds; some cracks in the green outline colouring; paper evenly toned; some browning, foxing, rust spots; off-set; on verso: hand written annotation; remnants of old paper guard; o/w vg cond. two sheets joined. A very beautiful map of Northern and Central America with a very large insular California by Jaillot, first published in 1674 for his ‘Atlas Nouveau’, based on a similar maps by Sanson of 1656 and 1669. Jaillot republished this map on a much larger scale and reissued it between 1685 and 1695. It was separately published on two sheets. Large decorative cartouche embellished with the coat-of-arms of the French King, indigenous people and fauna, and a large vignette with mile scales, again decorated with natives. This map was republished by Mortier and does not bear a date in the title banner nor anywhere else on the map, though there areraces of the date having been erased; however, Mortier started publishing this map from 1692 onwards though Tooley is dating it at 1700. - Mortier (1661-1711) was a Dutch publisher, map and book seller in Amsterdam who was is in strong competition with Valck & Schenk et al in publishing and distributing maps by Sanson and Jaillot. see Burden 438/619; Tooley (America) 37 [ref: 3258] £2,600

      [Bookseller: Angelika C. J. Friebe Ltd. - MapWoman]
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        Antique Print-VENUS-BIRTH-MERMAN-CHERUB-Boucher-Duflos-Ca. 1700

      - Antique print, titled: 'La Naissance de Venus.' - ('The Birth of Venus'). Venus surrounded by mermen, sea nymphs and cherubs. Etching / engraving on hand laid paper. Description: Source unknown, to be determined.Artists and Engravers: Made by 'Claude Duflos' after 'Francois Boucher'. Claude Duflos (Paris 1665-1727) was a French engraver. It is not known by whom he was instructed, but his style resembles that of Francois de Poilly. Francois Boucher (1703-1770) was a prominent French painter in the rococo style. He is known for idyllic, pastoral scenes and voluptuous treatment of classical themes. Condition: Excellent, given age. Margin edges a little soiled, caption below image soiled and with some small foxing stains. Some faint small stains in the image. Restored damages in the top and left margins (backed with paper, not affecting image). General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: GV-B1-08 The overall size is ca. 16.1 x 20.6 inch. The image size is ca. 14.4 x 19.3 inch. The overall size is ca. 40.9 x 52.2 cm. The image size is ca. 36.5 x 49 cm.

      [Bookseller: ThePrintsCollector]
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        Mare Mediterraneum exhibens oras Hispaniae, Galliae, Italiae...

      1700. Incisione in rame, colorata d'epoca, 495x1165. Gerard e Leonard Valck o Valk, padre e figlio, furono tra i più noti stampatori della fine del periodo d'oro della cartografia fiamminga, autori di numerose carte, lavorando spesso in società con Schenk. Decorativa carta in bella coloritura. Ottimo esemplare, seppur con una piccola mancanza reintegrata in basso destra, rifilata alla lastra a sin. e lievi aloni in basso.

      [Bookseller: Libreria Antiquaria Perini s.a.s.]
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        Manners, Customs and Dress During The Middle Ages, and During The Renaissance Period (+) Military and Religious Life if the Middle Ages and At The End of the Renaissance (+) Science and Literature in the Middle Ages and at the Period of the Renaissance (+) The Eighteenth Century: Its Institutions, Customs and Costumes. France, 1700-1789

      Bickers and Son no date, London - Vibrant Azure blue full-leather with extensive and exquisite gilt tooling to covers, spine and edges; five raised-bands; A.E.G. Paginations as follows in order of title presentation above: xvii, 554 pp with 19 chromolithographs (from title-page) and "upwards of 400" engravings within the text. xx, 504 pp., with 14 chromolithographs and "upwards of 400" engravings within the text. xvii, (1), 551 pp., with 13 chromolithographs and "upwards of 400" full and part-page wood engravings; xvi, (2), 489 pp. with 21 chromolithographs and 351 full and part-page wood engravings. The titles are presented in order of publication, as deduced from the wording in various Prefaces. None of these volumes is presented with a publication date, and all appear to be first or very early editions. The initial volume in this series, on "ARTS IN THE MIDDLE AGES. and at the Period of the Renaissance" is not present in this set of four volumes. The success of this volume precipitated the issuance of these subsequent volumes by Lacroix. A stunning set, with fantastic shelf appeal and wonderful tactile satisfaction. You will be very pleased with this set. The fourth volume here appears to be the final published work of this series, despite predictions in previous volumes. Each binding is signed on the rear free endpaper with a monogram containing the letter Sph. VG+, the lightest of scuffing to the extremities, a stunning set. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Mullen Books, ABAA]
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        Carte Nouvelle de L’Amerique Angloise Contenant La Virginie, Mary-Land, Caroline, Pensylvania Nouvelle Iorck. N: Iarsey N: France, et Les Terres Nouvellement Decouerte Dresse sur les Relations les Plus Nouvelles par le Sieur S a Amsterdam Chez Pierre Mortier Libraire Avec Privilege de nos Seigneurs les Etats

      c. 1700 - 59 x 91 cm. Detallado mapa a gran escala de las colonias británicas en Norteamérica, publicado por Pierre Mortier (1661-1711) y atribuido en el título al cartógrafo francés Nicolas Sanson (1600-1667). Está inspirado en el excepcional New Map of the English Empire In America, de Robert Morden-Brown, el cual fue publicado por primera vez alrededor de 1698 en Londres. Mortier era un exitoso editor de libros y mapas establecido en Amsterdam, quien reconocía la superioridad de la cartografía francesa de la época. Tuvo conocimiento y acceso a los mapas de Sanson, los cuales eran publicados en París por Jaillot desde 1681. Algunos de ellos fueron vueltos a grabar y republicar por Mortier. Esta interesante Carte Nouvelle apareció con los dos folios unidos en su afamado Neptune François, y en hojas separadas en el Atlas nouveau des cartes marines. Representa la costa este de Estados Unidos y Canadá, desde Florida y el Golfo de México hasta Labrador, la Bahía de Hudson y Groenlandia más al norte. Hacia el occidente llega hasta el Río Mississippi. Abarca los actuales territorios de Canadá, Nueva Inglaterra, Nueva York, Pennsylvania, Maryland, Virginia, Carolina del Norte, Carolina del Sur, Florida, entre otros. Entre muchas características notables de este mapa, se encuentra el hecho de ser el primer plano impreso de una ciudad colonial británica en un mapa que no es inglés. Al respecto, incluye un recuadro sin título del puerto de Boston, que a su vez sirve para ocultar los territorios desconocidos ubicados hacia el occidente. Se diferencia del mapa de Morden en que no incluye un recuadro del Atlántico, por lo demás, la cartografía sigue siendo la misma. Sobrio cartouche con el título y el pie de imprenta ubicado en la esquina superior izquierda. Muestra también un título alternativo y pie de imprenta en la esquina superior derecha: Partie orientale de l'Amerique Angloise. Debajo de éste, una pequeña rosa de los vientos. Muestra redes fluviales, minas y depósitos minerales, asentamientos de nativos americanos, fuertes, árboles que indican la presencia de bosques y algunos bancos frente a las costas de Nueva Escocia y Terranova. El relieve se ilustra de manera gráfica con pequeñas montañas. Como se puede observar, se encuentran presentes los Grandes Lagos (Superior, Michigan, Hurón, Erie y Ontario). Muchos de los topónimos fueron traducidos al francés, mientras que algunos se conservaron en inglés, como Copper Mine, cerca de lo que actualmente es la ciudad de Chicago. Sin duda este atractivo mapa se distingue porque muestra los grandes malentendidos geográficos que se tenían sobre América hacia finales de siglo XVII. Como el punto de desembocadura del río Mississippi en el Golfo de México, orientado más hacia el occidente; la inusual forma de los Grandes Lagos; o la cadena montañosa que discurre desde Míchigan hasta Florida y que se conecta con los Montes Apalaches. Este último rasgo es uno de los errores cartográficos más misteriosos que se pueden encontrar en los mapas de Norteamérica. Otra característica destacada es la forma inusual y alongada que tiene Green Bay (llamada aquí Bay de Puans); el perfil de la península de Delaware; y los límites de Pennsylvania que se extienden más al norte. Grabado en placa de cobre. Impreso en dos hojas unidas, en un papel de excelente calidad. Coloreado a mano. Márgenes estrechos. Muy buen estado de conservación.

      [Bookseller: Bolivar Old Prints]
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        Seated man, reading.

      ca. 1700.(). Original etching and drypoint. 8.5 x 7.5 cm. (3.5 x 3 in) in the plate. Titled in the plate. NF.

      [Bookseller: Wittenborn Art Books]
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        Antique Print-QUEEN SEMIRAMIS-ASSYRIA-LION HUNTING-Valk-De Lairesse-c. 1700

      - Antique print, titled: 'Virtus Viri' - This plate shows the Assyrian Queen Semiramis hunting lions. A woody landscape with the Assyrian queen on horseback at right, accompanied by other horsemen, a group of hunters showing two dead lions at left, a biga loaded with weapons and a group of camels in left background , engraved by Gerardum ( Gerard) de Lairesse and published by Gerard Valk in c. 1700. Engraving / etching. on A verge type of hand-laid paper paper. Description: Source unknown, to be determined.Artists and Engravers: Made by 'Gerard de Lairesse' after an anonymous artist. Gerard de Lairesse (Liege; 1640-1711) was a Belgian Golden Age engraver, painter and art theorist.Painter and etcher. Born at Liege, 1660 to Berlin, 1665 to Amsterdam; moved to The Hague around 1684. Condition: Good, given age. Light foxing, mainly visible in the margins. Original middle fold as issued. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: BG-B13-Iscra 34 The overall size is ca. 23.5 x 17.6 inch. The image size is ca. 19 x 14.4 inch. The overall size is ca. 59.7 x 44.7 cm. The image size is ca. 48.3 x 36.6 cm.

      [Bookseller: ThePrintsCollector]
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        Prospect von des uhralten und berühmten Haupt Stadt Meissen, samt dem vortrefflichen hertzoglichen Schlosse Albregts-Berg

      0 - Amstel(odami), (1700). Kupferstich auf Bütten. 50 x 60 cm (Platte). 52,8 x 61,9 cm (Blatt). - gebräunt, entlang des Mittelfalzes einige Risse, Rückseite ganzflächig mit Japanpapier kaschiert

      [Bookseller: Antiquariat Hardner]
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        Bolivia

      1700s - 1800s. The letters span from the 1700s to the 1800s and most are addressed to Francisco Ruiz De Sorzano, a very important man during the colonial period in the La Paz area of today Bolivia. He had important business relations with Peru, and was the owner of lands in what today is the border between Peru and Bolivia. He was also possibly a descendant of the King of Spain. The letters deal with commerce and various historical accounts. This collection is rife with untapped material and will be a true treasure to historians specializing in Bolivian culture. While many letters still have wax seal remnants, most do not have postal markings meaning they were undoubtedly hand carried in the 1700s. Sorzano's great great grandson, Jose Luis Tejada Sorzano, became President of Bolivia during the Chaco War. Sorzano was the Vice President at the time but was elected President after Daniel Salamanca Urey was forced to resign. The Chaco War was a costly conflict between Bolivia and Paraguay. Hostile incidents began as early as 1928 over the Chaco Boreal, a wilderness region of about 100,000 square miles (259,000 square km) north of the Pilcomayo River and west of the Paraguay River that forms part of the Gran Chaco. The conflict stemmed from the outcome of the War of the Pacific (1879-84), in which Chile defeated Bolivia and annexed that nation's entire coastal region. Thereafter, Bolivia attempted to break out of its landlocked situation through the Río de La Plata system to the Atlantic coast; athwart that route lay the Gran Chaco, which the Bolivians thought had large oil reserves. Paraguay formally declared war on May 10, 1933 launching a series of attacks along an extended front late in October and made such impressive gains that the Bolivian president Daniel Salamanca replaced Kundt with General Enrique Peñaranda. After Bolivian counterattacks put Paraguayan forces on the defensive, a truce was arranged on June 12, 1935. About 100,000 men lost their lives in the war. A peace treaty was arranged by the Chaco Peace Conference, which included Argentina, Brazil, Chile, Peru, Uruguay, and the United States. It was signed in Buenos Aires on July 21, 1938. Paraguay gained clear title to most of the disputed region, but Bolivia was given a corridor to the Paraguay River and a port (Puerto Casado). The war had caused disruption of the Bolivian economy, provoking demands for reform among the deprived Bolivian masses. Argentina was given the main credit for the settlement, and Argentine investors profited greatly from Paraguay's territorial gain. Sorzano as president had a responsibility to bring an end to the disastrous Chaco War. By June 1935, a ceasefire was reached with Paraguay, however, the terms granted most of the Chaco Boreal region to Paraguay, reducing Bolivia's territory considerably. This earned Tejada the disdain of the military and he was removed from office in a coup d'etat led by generals José David Toro and Germán Busch a year later.

      [Bookseller: University Archives]
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        Antique Master Print-COUPLE-FONDLE-BREAST-Moreelse-Gole-ca. 1700

      - Antique print, untitled. It shows: a loving couple, the man fondling the woman's bared breast. Mezzotint, on laid paper. Description: After a design by the Carravaggist painter Paulus Moreelse from Utrecht. State: only state. Ref: Hollstein 199, Wessely 199. Artists and Engravers: Engraved by J. Gole after P. Moreelse. Jacob Gole (ca. 1660-1737) belonged to a group of French refugees who came to the Northern Netherlands in the end of the 17th. Century. He worked in close collaboartion with Cornelis Dusart and specialized in the making of mezzotints. Condition: Very good, thread margins. Nice impression General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: Q2-279 LA The overall size is ca. 5.9 x 7.7 inch. The image size is ca. 5.9 x 7.7 inch. The overall size is ca. 15 x 19.6 cm. The image size is ca. 14.9 x 19.5 cm.

      [Bookseller: ThePrintsCollector]
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        Le Parfait Jardinier ou Instruction pour Les Jardins Fruitiers et Potagers. Avec un Traite des Orangers, suivi de Reflexions sur L'Agriculture. Tome II.

      Paris, par la Compagnie des Libraires 1700 - 4°-Quart, 567 Seiten, Ganzledereinband, Rückentitel und Buchkanten goldgeprägt, Avers und Revers berieben, Rücken am Titel aufgeplatzt (siehe Foto), Buchblock vollständig und mit fester Bindung, erste Vorsatzseite hat sich von Einband gelöst, Rückseite das gleiche, Anschnitte altersentsprechend lichtrandig, Restaurationsbedürftig, [Attributes: Hard Cover]

      [Bookseller: Das Büchergespann]
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        2 Antique Prints-NOVA ZEMBLA-BEAR-BARENTZ-BEHOUDEN HUYS-PC Hooft-Luyken-1700

      - 2 Original antique prints, the first captioned' Tocht naer Nova Zemla in den Jaere MDXCVI' (the journey to Nova Zembla), showing whales, polar bears and walruses, and sailors hunting a walrus from a dinghy. The second print is captioned 'Hoedaanig de Hollanders in de Jaaren 1596. en 1597. in Nova Zembla hebben overwintert' (How the Dutch passed the winter of 1596-97 on Nova Zembla). It shows four images on the plate: a polar bear devouring one of the explorers; the wreck of the ship, and transportation of goods; shooting and slaughtering a polar bear near the Behouden Huys (the wooden lodge they built from material salvaged from their ship); carrying goods to shore. Original etching/engraving on a verge type paper. Description: This attractive original old antique print / plate was published in several works by Hugo de Groot ('Nederlandtsche Jaerboeken' published in 1681.), P.C. Hooft ('Nederlandsche Historien .', published 1703-1704.), P.C. Bor ('Oorsprongk, begin, en vervolgh der Nederlandsche oorlogen', published in 1680.)or Jean Le Clerc (Histoire des Provinces-Unies des Pays Bas.', or 'Geschiedenissen der Vereenigde Nederlanden.' by Jean Le Clerc, 1723-1728 or 1730.) This print originates from the work by P.C. Hooft.Artists and Engravers: Author: Pieter Corneliszoon Hooft (1581-1647) - Knight in the Order of Saint Michael - was a Dutch historian, poet and playwright from the period known as the Dutch Golden Age. Print engraved by Jan Luyken. Jan Luyken (1649-1712) belonged to the best engravers of the period. Condition: Very good. Original middle fold as issued. Minimal staining in margin. Small black spot in top of one print. General age-related toning and occasional light stains from handling. Please study image carefully. Storage location: A308-30 The overall size is ca. 6.2 x 5.3 inch. The image size is ca. 5.2 x 4.2 inch. The overall size is ca. 15.8 x 13.4 cm. The image size is ca. 13.1 x 10.6 cm.

      [Bookseller: ThePrintsCollector]
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        ORNATUS MULIEBRIS ANGLICANUS, Or the Severall Habits of English Women, From the Nobilitie to the Contry Woman, as They Are in These Times, 1640 .

      (London, [Henry Overton]) circa 1700.. Issue unknown as LACKING TITLE PAGE, late 17th or early 18th century, small 4to, approximately 260 x 200 mm, 10¼ x 7½ inches, 26 etched plates, complete, image size approximately 135 x 132 mm, 5¼ x 2 7/8, varying very slightly, good impressions, all plates numbered in lower corner of image, a few bound slightly out of order, the collection handsomely bound in modern half calf over new marbled sides, patterned gilt dividing lines, raised bands, gilt rules and gilt floral ornament in 5 compartments, gilt lettered red morocco label, new endpapers. A collection of 25 full length elegant and attractive costume plates of English gentlewomen and 1 of a kitchen maid, originally published in 1640. Very popular, there were many issues up to the end of the 18th century. The plates in our collection are on laid paper with 2 different watermarks: the Strasburg Lily and the Fleur de Lys, and are in Pennington's State ii. Plate 1 very slightly chipped at fore-edge and at lower outer corner, neatly repaired, small closed tear to inner edge of No.9, another to inner margin of No.10, lower margin of No.14 and No.15, 2 tiny closed tears to corner of No.16, another closed tear 60 mm (2 3/8") to outer margin of No.12, not entering image, all neatly repaired on reverse, very light creasing to lower blank margin corner of No.11 plus a very small pale brown spot in same corner. A very good complete set of these famous Hollar plates, lacking title page as noted. Pennington, Wenceslaus Hollar, page 292, 1778-1803A; Colas, Bibliographie du Costume, 1464; Hiler, Bibliography of Costume, page 443. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
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        Romagna olim Flaminia

      1700.

      [Bookseller: Libreria Trippini Sergio]
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        Sinus Gangeticus vulgo Golfo de Bengala Nova descriptio.

      Gerard Valk and Peter Schenk 1700 - Sinus Gangeticus vulgo Golfo de Bengala Nova descriptio. by J.Jansson/ G. Valk and P. Schenk originally published by Jan Jansson for his Atlas Maior, Amsterdam, 1650; re-issued by Gerard Valk and Peter Schenk, Amsterdam, c1700+. copper engraved map with original outine colouring; plate mark 47 x 54 cm. fold as issued; evenly toned; some largerstains top margin not affecting image; some slightly darker patches within map; some slight soiling; on verso: green partially coming through; o/w vg cond. Very decorative map of the Bay of Bengal with parts of India, Ceylon, Burma/ Myanmar and Sumatra; with a nice large cartouche; the North is orientated to the right.

      [Bookseller: Angelika C. J. Friebe Ltd. - MapWoman]
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        2 Rare Antique Prints-SATIRE-BAD-GOOD-MARRIAGE-DEVIL-Schenk-ca. 1700-1720

      - 2 Antique prints, titled: 'Das Gutte Hausshalten' & 'Das böse Haushalten.' - (The good Household & The angry Household.) The good versus the bad marriage. The good marriage: Man and Woman are joined by a yoke. Together they carry the weight attached to it, and they hold a burning heart. The bad marriage: The man and woman are connected by a yoke. On the yoke sits Satan, who stokes the fire in the woman with bellows. At right bottom a hen and rooster are fighting. Handcoloured etching & engraving on hand laid paper. Description: Published by Pieter/ Petrus Schenk / Schenck the elder (1660-1711/1713), a German engraver and cartographer active in Amsterdam and Leipzig. One of his specialties was the mezzotint. Rare undescribed satire, contemporary coloring.Artists and Engravers: Anonymous. Condition: Very good, given age. Full margins, some browning. Small stains in the left margin, a brown spot in the lower right margin. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: Q2-154 TPC The overall size is ca. 7.9 x 12 inch. The image size is ca. 6.9 x 10.6 inch. The overall size is ca. 20 x 30.6 cm. The image size is ca. 17.6 x 26.8 cm.

      [Bookseller: ThePrintsCollector]
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        Antique Print-BOUQUET-HAREBELL-ROSE-CARNATION-LILY-Schenk-1700

      - Untitled print, showing: a classical bouquet in a vase, including Rose, Lily, Harebell and Carnation. Important Note: This print is sold with matting, which adds substantially to shipping cost. We can ship without matting. Inquire about reduced pricing. Handcoolured engraving on a verge type handlaid paper. Description: Exact source unknown, to be determined. Ca. 1700 (estimate).Artists and Engravers: Published by Pieter Schenk. Petrus Schenck, or Pieter, or Peter Schenk the elder (1660-1711/1713) was a German engraver and cartographer active in Amsterdam and Leipzig. Condition: Excellent, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Professionally matted, not examined out of matting. Storage location: DPO22-01 The overall size is ca. 16.9 x 21.3 inch. The image size is ca. 9.1 x 13.4 inch. The overall size is ca. 43 x 54 cm. The image size is ca. 23 x 34 cm.

      [Bookseller: ThePrintsCollector]
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        2 Antique Master Prints-AMSTERDAM-CITY HALL-Van Call-ca. 1700

      - 2 Antique prints, untitled. Amsterdam City Hall. Etching, on laid paper. Description: Very early example of colorprinting. State: only state. Ref: A/L 77, Nijmegen 42. Artists and Engravers: Made by J. van Call after own design. Jan van Call (1656-1705) was together with Johannes Teyler one of the earliest colorprinters in the Netherlands. His prints were sometimes printed by Pieter Schenck in Amsterdam. Condition: Reasonable, no margins and with several old folds. Printed a la poupee in several colors. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: R1-096 LA The overall size is ca. 8.3 x 6.1 inch. The image size is ca. 8.3 x 6.1 inch. The overall size is ca. 21 x 15.4 cm. The image size is ca. 21 x 15.4 cm.

      [Bookseller: ThePrintsCollector]
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        La maniere de se bien préparer à la mort par des considérations sur la cene, la passion, & la mort de Jesus-Christ; avec de trés-belles estampes emblematiques

      George Gallet, Anvers 1700 - (10 1/8 x 8 inches). 63, [1], [20]pp. 42 engraved plates (lettered A-C, and numbered 1-39), after Romeyn de Hooghe. Twentieth century smooth tan calf, spine gilt with raised bands in six compartments, minor spotting Illustrated after the Dutch artist Romeyn de Hooghe. This series of engravings after Romeyn de Hooghe's was first printed for David de la Vigne's Miroir de la bonne mort (Amsterdam or Antwerp, 1673). In the present work, the images are reversed and re-engraved. Each of the plates depict a man contemplating a religious image in order to ease the passing of death. The text provides a commentary and an appropriate verse of scripture for each plate. The present French edition is bound with, as issued, the Dutch translation of David de La Vigne's aforementioned work, containing short Biblical quotations and explanatory notes for each plate. Cohen-De Ricci 232; Brunet 1733; Graesse II, 130; Landwehr p. 84. [Attributes: Hard Cover]

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
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        Antique Print-AUSTRIA-AUSTRIAE ARCHIDUCATUS-Schenk-Visscher-c. 1700

      - Antique print, titled: 'Austriae Archiducatus pars superior in omnes ejusdem ( ).' - Spectacular large map of Upper and Lower Austria between Passau and Wien with figurative cartouche and armorial vignette. Printed on two sheets and joined. Published by Pieter Schenk junior from the plate by Nicolaas Visscher. With 2 beautiful cartouches. Copperplate engraving / etching with contemporary hand colouring on hand laid paper. Description: Source unknown, to be determined.Artists and Engravers: Made by 'Nicolaes Visscher' after 'Pieter Schenk'. For nearly a century the members of the Visscher family were important art dealers and map publishers in Amsterdam. The founder of the business, C. J. Visscher, had premises near to those of Pieter van den Keere and Jodocus Hondius whose pupil he may have been. From about 1620 he designed a number of individual maps, including one of the British Isles, but his first atlas consisted of maps printed from plates bought from van den Keere and issued as they stood with some additions of his own, including historical scenes of battles and sieges for which he had a high reputation. Some maps bear the latinized form of the family name: Piscator. After Visscher's death his son and grandson, both of the same name, issued a considerable number of atlases, constantly revised and brought up to date but most of them lacking an index and with varying contents. The widow of Nicholaes Visscher II carried on the business until it finally passed into the hands of Pieter Schenk. Pieter Schenk / Petrus Schenck ( 1660-1718/19) was born in Germany, but settled in Amsterdam where he first became a pupil of Gerard Valck, the engraver. In 1687 he married Valck's sister and thereafter the Schenk and Valck families were active over a long period with a wide range of interests as print sellers, publishers of books, maps, topographical and architectural drawings and globes. Although they produced some original maps, most of their atlases consisted of printings from revised and re-worked plates originally by Jansson, the Visschers, the Sansons and others. Willebrordus vander Burght was a 17th century Dutch cartographer. Condition: Good, given age. Left side 2 soft vertical creases. Left fold with minimal tear bottom edge. A few small spots in the margins. Original folds. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: BG-B5-48 The overall size is ca. 35.6 x 21.1 inch. The image size is ca. 33.5 x 18 inch. The overall size is ca. 90.5 x 53.7 cm. The image size is ca. 85 x 45.8 cm.

      [Bookseller: ThePrintsCollector]
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        Antique Print-JAMAICA-CARIBBEAN-Visscher-c. 1700

      - Antique print, titled: 'Americae Septentrionalis ampla insula ; a Christophoro Columbo detecta, in suas gubernationes peraccurate distincta' - Large and detailed map of the island divided in thirteen precincts. Great detail of the topography, settlements, and plantations. With stunning title cartouche, compass rose and scale. Etching / engraving with contemporary hand colouring on hand laid paper. Description: Source unknown, to be determined.Artists and Engravers: Made by 'Nicolaes Visscher' after an anonymous artist. The Visscher family were art and map dealers in Amsterdam during the 17th century. Funded by C. J. Visscher (1587-1652), the business was continued by his son and grandson both named Nicolas. Nicolas Visscher I was born 1618 in Wenns, Austria. He died 1679 in Linz. After the death of Nicolas II, his widow passed the business to Pieter Schenk. Condition: Good, given age. Some vertical creases. Neatly repaired paper separation lower middle fold. A few small spots. Original middle fold as issued. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: Overasselt-Lade 10-15 The overall size is ca. 24.3 x 21.1 inch. The image size is ca. 23.3 x 20.3 inch. The overall size is ca. 61.8 x 53.6 cm. The image size is ca. 59.1 x 51.5 cm.

      [Bookseller: ThePrintsCollector]
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        Antique Print-OVERIJSSEL-TRANSISALANIA-NETHERLANDS-Schenk-Visscher-c. 1700

      - Antique print, titled: 'Transisalania Provincia vulgo Over-yssel.' - Attractive original handcoloured map of the province of Overijssel, The Netherlands. With beautiful title cartouche, compass rose and key. Copperplate engraving / etching with contemporary hand colouring on hand laid paper. Description: Originally published by C.J. Visscher in 1658. This ed. published by Pieter Schenk with the address of N. Visscher and Pet. Schenk junior: Exact age and ed. to be determined, but before 1775.Artists and Engravers: Made by 'Nicolaes Visscher' after 'Pieter Schenk'. Made by an anonymous engraver after 'N. ten Have'. The Visscher family were art and map dealers in Amsterdam during the 17th century. Funded by C. J. Visscher (1587-1652), the business was continued by his son and grandson both named Nicolas. Nicolas Visscher I was born 1618 in Wenns, Austria. He died 1679 in Linz. After the death of Nicolas II, his widow passed the business to Pieter Schenk. Pieter Schenk / Petrus Schenck ( 1660-1718/19) was born in Germany, but settled in Amsterdam where he first became a pupil of Gerard Valck, the engraver. In 1687 he married Valck's sister and thereafter the Schenk and Valck families were active over a long period with a wide range of interests as print sellers, publishers of books, maps, topographical and architectural drawings and globes. Although they produced some original maps, most of their atlases consisted of printings from revised and re-worked plates originally by Jansson, the Visschers, the Sansons and others. Peter Schenk the Younger (1693-1775) was a Dutch engraver and map publisher active in Amsterdam and Leipzig. Condition: Good, given age. Edges with a few tiny tears. Top and right margins damp stained, not affecting image. Neatly repaired paper separation lower middle fold. Original middle fold as issued. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: BG-B5-08 The overall size is ca. 23.8 x 20.7 inch. The image size is ca. 22 x 17.3 inch. The overall size is ca. 60.5 x 52.5 cm. The image size is ca. 56 x 44 cm.

      [Bookseller: ThePrintsCollector]
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        Antique Print-BRABANT-BREDA-BERGEN OP ZOOM-NETHERLANDS-Schenk-Visscher-c. 1700

      - Antique print, titled: 'Brabantiae Batavae Pars Occidentalis : sive Antuerpiensis Tetrarchiae Pars Septentrionalis comprehendens Baroniam Bredanam, Marchionatum Bergensem ad Zoman aliasque minores ditiones.' - Highly detailed map of the region between Bergen Op Zoom, Breda, Hoogstraten and Sandvliet, The Netherlands Copperplate engraving / etching with contemporary hand colouring on hand laid paper. Description: Published by Pieter Schenk c. 1700.Artists and Engravers: Made by 'Nicolaes Visscher' after 'Pieter Schenk'. Made by an anonymous engraver after 'N. ten Have'. The Visscher family were art and map dealers in Amsterdam during the 17th century. Funded by C. J. Visscher (1587-1652), the business was continued by his son and grandson both named Nicolas. Nicolas Visscher I was born 1618 in Wenns, Austria. He died 1679 in Linz. After the death of Nicolas II, his widow passed the business to Pieter Schenk. Pieter Schenk / Petrus Schenck ( 1660-1718/19) was born in Germany, but settled in Amsterdam where he first became a pupil of Gerard Valck, the engraver. In 1687 he married Valck's sister and thereafter the Schenk and Valck families were active over a long period with a wide range of interests as print sellers, publishers of books, maps, topographical and architectural drawings and globes. Although they produced some original maps, most of their atlases consisted of printings from revised and re-worked plates originally by Jansson, the Visschers, the Sansons and others. Peter Schenk the Younger (1693-1775) was a Dutch engraver and map publisher active in Amsterdam and Leipzig. Condition: Good, given age. Minor paper separation lower middle fold; repaired. Horizontal crease left to right. A soft crease in the left edge of the sheet. Brown stain right to lower middle fold. A few spots in the margins. Original middle fold as issued. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: BG-B5-09 The overall size is ca. 24.4 x 20.9 inch. The image size is ca. 22.7 x 19.2 inch. The overall size is ca. 62 x 53.2 cm. The image size is ca. 57.7 x 48.7 cm.

      [Bookseller: ThePrintsCollector]
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        Palazzi Mocenighi a S. Samuello

      Venezia: Coronelli (1700) - Incisione su rame all'acquaforte e bulino, 41 x 36 cm alla battuta. Foglio 72 x 50 cm. Due piccoli cartigli centrali, entro cornice; in alto: "Palazzi Mocenighi a S. Samuello. Architetto Andrea Palladio". In basso: "In continovazione dell'Atlante Veneto e Privilegio dell'Ecc Senato MDCC". Veduta dentro cornice architettonica incisa con stemma de gli Aronauti e corona. Fa parte di: "Singolarita di Venezia, e del serenissimo suo dominio, diuise in piu parti, che si distribuiscono unite, e separate, spiegate ne'XLV tomi della Biblioteca sua uniuersale del p. ex-generale Coronelli, tomo centesimo-nono delle opere da esso pubblicate. Palazzi." Bellissimo foglio a pieni margini e con incisione su cornice incisa. 18mo secolo

      [Bookseller: Libreria Emiliana ]
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        Antique Master Print-RENAUD-ARMIDE-OPERA-ENCHANTMENT-Picart-Chereau-ca. 1700

      - Antique Master Print, titled: 'Seduit par de Magiques Charmes le vaillant Renaud s'amollit et loin du tumulte des Armes ' - Renaud, magically charmed by Armide, lies in her arms in her garden. Several putti and cupids are around, playing music, bearing garlands and reading. Armide, Princess of Damascus and a sorceress, fell in love with the crusader Renaud. Armide uses her magic to make Renaud fall in love with her too. Image inspired by one of three operas: Armide by Jean-Baptiste Lully, Renaud by Antonio Sacchini and Renaud by Henri Desmarets. Etching/engraving on laid paper. Description: Published by Basan in Paris, ca. 1700Artists and Engravers: Made by 'F. Chereau' after 'B. Picart'. Francois Chereau (1680-1729) was a French engraver who had studied with Pierre Drevet and Gerard Audran. Francois acquired Audran's plates in 1718 about the same time he was accepted to the Academy. Bernard Picart (1673-1733) was a French painter and engraver. He received his art education from his father, Etienne (1632-1721), from Le Brun and Jouvenet at the Royal Academy. His talents developed rapidly: at the age of sixteen he gained honors at the Academy of Paris. His prints in the "French" taste were very popular. His way of working was also very influential for the book illustration in the Netherlands. Condition: Excellent, given age. Left margin cropped close to the platemark. Small closed tears in the margin edges (not neraly affecting image). The image clean and crisp, a very nice impression. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: GV-P1-14 The overall size is ca. 18.5 x 23.8 inch. The image size is ca. 17.5 x 19.4 inch. The overall size is ca. 47.1 x 60.4 cm. The image size is ca. 44.4 x 49.2 cm.

      [Bookseller: ThePrintsCollector]
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        La Mer Mediterranée divisée en ses Principales Parties ou Mers par G. Valck

      Mar Mediterraneo 1700 - Raffigurazione del bacino del mar Mediterraneo edita ad Amsterdam da G. Valck. Stampata su due fogli. Coloritura coeva all'acquerello. Piccoli restauri mm 476x848

      [Bookseller: Sergio Trippini]
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        Antique Print-NEWFOUNDLAND-HUDSON BAY-CANADA-GREENLAND-Van Keulen-c. 1700

      - Antique print, titled: 'Pascaarte vande Noorder Zee custen van America, Vande West-hoeck van Ysland-doorde Straet Davis en Hudson, tot aen Terra Neuf' - Sea chart of Hudson Bay, Labrador, Newfoundland, James, Island and Greenland. Compass roses, loxodromic lines, and ships decorate the oceans and both the title and distance scale are embellished with scene of hunters, trading, Native Americans and animals. The title cartouche is truly astonishing, with a hunter fully dressed in fur hunting a polar bear family with bow and arrow. This map was first drawn in 1680 and is based on Doncker's final chart of Hudson Bay and the Arctic, with nearly identical cartouches. Etching / engraving with contemporary hand colouring on hand laid paper. Description: Source unknown, to be determined. Ref: References: Burden, 515, State 2 (of 4); Koeman, Keu (10); Campbell, Early Maps, p.31, pl.11; Kershaw, 206, pl.209. Artists and Engravers: Made by 'Johannes van Keulen' after an anonymous artist. Johannes van Keulen, born in 1654, was a bookseller in Amsterdam and funded a publishing company in 1678. The family owned company was successful until middle of 19th century, also the sons and grandsons of Johannes had large contribution. The two major atlases have been the Zee Atlas first published 1680 and the Zee-Fakkel first printed 1681 with editions up to 1803. He died in 1711. Condition: Good, given age. Some vertical creases. Professional restorations by leafcasting, especially near the edges. A few minor spots. Original middle fold as issued. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: BG-B7-17 The overall size is ca. 23.8 x 20.9 inch. The image size is ca. 23.1 x 19.8 inch. The overall size is ca. 60.4 x 53.2 cm. The image size is ca. 58.6 x 50.3 cm.

      [Bookseller: ThePrintsCollector]
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