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Displayed below are some selected recent viaLibri matches for books published in 1612

        Institutionum linguae turcicae libri quatuor quorum I Continens partem isagoges grammaticae turcicae priorem de orthographia turcarabicaII... partem posteriorem de etymologia Turcorum III Complectiitur diversa linguae turcicae exercitia and duas proverbiorum turcicorum centurias IV Dictionarium est latino turcicum and vicissim turcico latinum Authore in ms descriptore Hieronymo Megisero... Leipzig sumptibus authoris 1612

      COLLATION: )?(8, A1,?? , A2-8, B-E8 F4 (-F4 blank); Aa-FF8 Gg4 (Gg4 blank); 3A-3C8 ; 4A-4G8 4H² , woodcut on verso of 4H1, colophon on 4H2recto. Contents: )?(1a title (verso blank); )?(2-8a dedication()?(8b blank); A1a title to part 1;A1b Petrus Kirstenius lectori; ?1a-?2a dedicatory verses by Megiser to Hector von Ernaw (see below); ?2b blank; A2a F3verso -text of part 1; Aa-Gg3verso - text of part 2; 3A-3C7recto- text of part 3; 4A1-4H1recto - text of part 4; 4H1verso- woodcut of Megiser's arms; 4H2recto - verses 'Ad insignia H. Megiseri' by Peter Ailber* and colophon (verso blank). Interleaved: the leaves have been foliated 1-421 (inclusive of blanks) and on the final pastedown is a note about the number of printed (169) and the number of written (95) leaves totalling 264. *Ailber (1587-1648) theologian and writer (see VD17) was at this time rector of the school in Prague. BINDING: Vellum manuscript leaf (Daniel xiii, Susannah and the elders; oddly enough Megiser's teacher N. Frischlin wrote a comedy called Susanna) with title written on spine, and two inscriptions in Arabic on upper cover, one reading 'Law kana allah ma'na, Man yakunu 'alaina' (If God be for us, who can be against us?) [Romans viii. 31]                                                                               

      [Bookseller: Maggs Bros. Ltd.]
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        Minerva Britanna or a garden of heroical Devises furnished and adorned with Emblemes and Impresas of sundry natures Newly devised moralized and published By Henry Peacham Mr of Artes

        First Edition. Small 4to. [Text: 200 x 150 mm]. [xv], 100, [4 (blank, title to Part 2, blank, "The Author to his Muse")], 101-212, [1 (blank)] pp. Title within an elaborate woodcut architectural frame with a vignette in the centre of a hand emerging from behind a curtain and writing on a scroll, large woodcut of the crest of Henry, Prince of Wales within a wreath of roses and thistles on the verso, 100 woodcut emblems in Part 1, royal arms of Henry, Prince of Wales between palm and laurel branches on the title to Part 2, 104 woodcut emblems in Part 2, all within decorative frames, woodcut ornaments in spaces throughout. Title-page a little dusty, small holes through E4 and G4 (just touching a letter of text on each leaf), small stain in the blank fore-margin of X1-2. Early 19th-century morocco, covers panelled in gilt, the central panel with a blind tooled design, gilt spine, green endpapers, gilt edges, green ribbon marker (spine and headcaps a little rubbed). London: by Wa: Dight, [  

      [Bookseller: Maggs Bros. Ltd.]
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        Franicher (Franeker)

      Copperplate engraving of the Dutch city of Franeker, as seen from above. With explanatory title (Franicher) in a cartouche at the top (33). ca. 1612-48. Overall size: 29,5 x 17 cm; plate size: 14 x 16,2 cm. Good state. Some age related discolouration. Handlaid paper. This print originates from 'Lodovico Guicciardini, Descrittione di tutti i Paesi bassi (...), Blaeu or Janssonius, between 1612-1648'. This was an influential account of the history and the arts of the Low Countries, accompanied by city maps by various leading engravers. Deys 2001(Franeker 2.2).

      [Bookseller: Historisch Antiquariaat A.G. van der Ste]
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        [MAP OF LIER] Lier. Lira, elegans et amoenum Brabantiae.

      Cologne, Petrus von Brachel, 1612. One sheet. Ink on paper. Copper engraving. Hand coloured. One fold. Slightly warped, slightly discoloured on he fold. The colouring is done wrong: red is where blue should be and the other way around. 420x530 mm. City map of Lier (Lierre) in Belgium. From: Liber Quartus Urbium Praecipuarum Totius Mundi.

      [Bookseller: Historisch Antiquariaat A.G. van der Ste]
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        Pestilentz Guardien. Für allerley Stands Personen / mit Säuberung der inficierten Häuser Beth-Leingewandt / Kleider etc. ...

      Ingolstadt, Angermayr, 1612. 2 Teile in 1 Band. Erstausgabe. Seiten 144 und 81-203. 8° GanzPergament. Vorderer fliegender Vorsatz fehlt. Kupfer auf dem Titelblatt. Leichte Gebrauchsspuren. Die Seiten angabe beim 2. Teil ist wohl ein Fehler des Druckers, das Buch ist vollständig. Siehe Photo. Hippolyt Guarinoni (auch: Ippolito Guarinoni und Hippolytus Guarinonius) war Arzt, Universalgelehrter und Architekt in Hall in Tirol. - Dieses Werk ist in 7 Abschnitte unterteilt: 1. Guardi (= Empfehlung) für den gesunden Menschen, 2. Guardi für Priester, Krankenwärter und Todtengräber, 3. Guardi für die infizierten Häuser, 4. Guardi für die Friedhöfe, 5. Guardi für Kleider und Wäsche, 6. Guardi gegen verschiedene Irrtümer, 7. Guardi für Leute, die von der \"Salzsur\" (Salzlauge) geschädigt und verbrannt wurden. (Quelle: Wikipedia.) Mit Buchschmuck. Versand D: 5,90 EUR

      [Bookseller: BerlinAntiquariat]
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        Plaidoyé de Me. Pierre de La Marteliere, advocat en la Cour, fait en Parlement, assisté de Mes. Antoine Loisel, Denis Boutillier, Omer Tallon anciens advocats, les Grand Chambre, Tournelle, & de l'Edict assemblees les dixseptiesme & dixneufiesme decembre, mil six cens unze. Pour le recteur et Université de Paris, deffendeurs & opposans. Contre les Jesuites demandeurs, & requerans l'entherinement des lettres patentes par eux obtenuës, afin de pouvoir lire & enseigner en ladite Université.

      - Paris, Jean Petit-Pas, 1612. In-4, plein vélin souple, (2), 95, (5) p., prem. et dern. f. bl., armoiries royales au titre, bandeaux, lettrines, gr. sur bois. Rare édition originale in-4° imprimée à Paris, de cette pièce historique dans l'histoire tourmentée des relations entre la compagnie de Jésus et l'université de Paris. Par lettres patentes du 12 octobre 1609, Henri IV avait accordé aux jésuites le droit d’enseigner dans leur collège parisien, provoquant la réaction immédiate de la Sorbonne. Dans les suites de l’assassinat roi et des accusations contre la Compagnie d’avoir fomenté le régicide, la Faculté prenait la décision de s’opposer à leur arrivée et déposait un recours devant le Parlement de Paris. Le 15 décembre 1611 fut notifiée aux Jésuites une citation à comparaître. Pierre de La Martelière plaida pour l'Université, Montholon pour les jésuites. A l’issu des audiences, l'avocat général Servin somma les Jésuites de se soumettre aux doctrines de la Sorbonne concernant les libertés de l'Église gallicane. Le Parlement adopta les conclusions de Servin et leur interdit de s'interposer dans l'instruction de la jeunesse. L'arrêt figure en fin de ce document ainsi que la permission d'imprimer datée du 18 janvier 1612. Les hostilités entre l’Université de Paris et les jésuites ne prirent vraiment fin qu’à la suppression de la Compagnie en 1762. (‘Bibliothèque historique de la France’, 44650). Quelques rousseurs. Bel exemplaire, dans sa première reliure de vélin souple. [Attributes: First Edition]

      [Bookseller: Librairie HATCHUEL]
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        "T'Loff vande mutse, ende van een blaevvve scheen; Met noch ander ghenoeghelicke boerten ende quicken, Soo uyt het Grieckx, Latijn en Franchoys in rijm overgheset als selffs Poeetelick gedicht: Tot vermaeckelickheyt van alle luyden nieuwelickx in druck ghebracht; partly translated from Greek, Latin and French, Leyden, J. Paets Iacobszoon, 1612.".

      Contemporary vellum, 4º, (8)+1-[32]+1-148 pp. Rare, independent publication with introduction by the publisher Paedts and a Sonnet and thereafter Visscher's works [I] 't Loff der Mutse, [II] 't Loff van een Blaeuvve Scheen, [III] Van den Os op den Esel and Roemers Brabbeling, oft Ghenoeghelicke Boerten: [IV] eerste boeck, [V] tweede boek, [VI] derde boeck and [VII] Eenighe Raetsels. The Ghenoeghelicke Boerten contains amusing texts as epigrams. In good condition, with only a few minor stains. B2288.

      [Bookseller: Antiquariaat A.G. VAN DER STEUR]
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        "Historie der Neder-landscher ende haerder na-buren oorlogen ende geschiedenissen tot den jare 1612. Nu de latstemael bij hem voor sijne doodt merckelijck verbetert en in 32 boecken voltrocken. ‘s Gravenhage, wed. en erve".

      Geillustreerd met kaart door H. Geelkercken naar P. Bertius, gegraveerde titel, auteursportret en 84 portetgravures in de tekst (door C. van de Queboren).

      [Bookseller: Antiquariaat A.G. VAN DER STEUR]
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        Artillerie, c'est a dire: Vraye instruction de l'artillerie et de toutes ses appartenances. Avec une declaration de tout ce qui est de l'office d'un general d'icelle, tant en un siege, qu'en un lieu assiegé. Item des batteries, contre-batteries, ponts, mines & galleries, & de toutes fortes de machines requises au train: Avec un enseignement de preparer toute sorte de feux artificiels, tant pour xesiouyr ses amis, que pour molester & endommager, & par eau & par terre ses ennemis. Le tout recueill.

      Contemporary vellum, lower right corner of front and corner of back cover damaged, else a very good copy of this rare edition, with a contemporary ownership mark at the final endpaper. pag.: [6] 144, 6. With engr. titleborder with a centrepiece titlepage mounted, woodcut printer's device on the typographic titlepage and 29, mostly double-page folded engravings. 2: PI, PI2 A-S4 a4 (a4 blank). Diego Ufano was associated with the Spanish armies in the Netherlands. His book on artillerie first appeared in 1612. The first edition of the French translation was published in Zutphen in 1621. According to Simoni this edition was based on the French edition that was published in Frankfurt in 1614, for which Theodor de Bry copied the original plates (which are subsequently copied in our edition), and printed by Paulus van Ravesteyn at Amsterdam, with the ‘nobilitas' device of Theodore Rodenburgh he used. Apparently Johannes Janssonius in Amsterdam bought the remaining copies of the Zwolle publisher and republished the book als a title-issue. He simply added a new titlepage, consisting of an engraved border with a new titlepage pasted on in the centre. In his work Ufano describes a method used for salving guns, which had to be recovered after being lost occasionally when armies crossed rivers. The illustration shows one of the earliest depictions of a diver, using a large hood made of cow's hide. A respiration tube was connected to his helmet and was kept above by a pig's blatter, allowing the diver to breathe when he didn't go any deeper then a few meters. B0119.B0119

      [Bookseller: Antiquariaat A.G. VAN DER STEUR]
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        Le Théâtre des antiquitez de Paris. Où est traicté de la fondation des églises & chapelles de la Cité, Université, ville & diocèse de Paris: comme aussi de l'institution du Parlement, fondation de l'Université & collèges, & autres choses remarquables. Divisé en quatre livres.

      

      [Bookseller: Henry Sotheran Ltd.]
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        Tableau de l'inconstance des mauvais anges et démons, où il est amplement traité des sorciers et de la sorcellerie. Livre tres-utile et necessaire non seulement aux juges, mais à tous ceux qui vivent sous les loix chrestiennes. Avec un discours contenant la procedure faite par les Inquisiteurs d’Espagne & de Navarre, à 53 magiciens, apostats, juifs & sorciers, en la ville de Logrogne en Castille, le 9 novembre 1610. En laquelle on voit combien l’exerci

      Paris, Nicolas Buon, 1612; in-4; [18] leafs, 571 [+1] pages, [12] leafs, bound in speckled begining C 19th calf, boards tooled with gilt floral border, spine with five raise bands, stampled in gilt in compartments, gilt morocco lettering label, edges speckled red, marbled endpapers. One of the first two original editions published in 1612, the other was released by "Jean Berjon". Our copy contains, facing the title page, a folding engraving: "Description de l'assemblée des sorciers qu'on appelle Sabbat" signed by Crespin. According to Grillot de Givry, the original of this representation was a lost painting by Bartholomaeus Spranger. De Lancre's work is a core text of the french witchcraft. Not only that it contains one of the most detailed accounts of the witches' Sabbath that survives (almost one third of the work describes the Sabbath in elaborated detail), but it is also crucial to understanding the historical context of the great witchcraft persecutions of the 16th and 17th centuries. The text is the more important considering that the original trial records on which it is based were destroyed in the 18th century, so that it remains as a singular witness to the prosecution. Magistrate of the Bordeaux Parlement, Pierre de Lancre (1553-1631) was charged by Henri IV with conducting a famous witch hunt in 1609 in Labourd, in the Basque region of France situated in the extreme southwest bordering Spain and Navarre. Here, over four months he sentences to death several dozen persons. The account of his criminal investigation laid the foundations for the anthropology of the Basque Country for three centuries. The book contains also a precise account of a giant celebration of punishment and forgiveness for sins of witchcraft hold by the Spanish Inquisition in the city of Logrono on 7 and 8 november 1610. A lot of other topics are also covered, such as witches transformation, the Sabbath feast, Satan's coupling with witches, lycanthropy, the witches' mark, healing through illicit means or the pact with the devil. Modern research has established that De Lancre's standpoint is not so much that of a witchcraft theorist (as in the case of his contemporaries Bodin or Del Rio) but rather that of the ethnographer. He was married to the grand-niece of Montaigne.A remarkable well preserved copy of this extremley rare and weird work, very clean inside in a magnificent binding (minor restoration expertly done at spine). Photos available on request.---------------------------------------------------------------------------------------------------------------------------------Paris, Nicolas Buon, 1612; in-4 de [18] feuillets, 571 [+1] pages, [12] feuillets, reliure du début du XIXe siècle veau porphyre, petite dentelle, dos à nerfs orné de motifs dorés, pièce du titre rouge, tranches rouges. Notre exemplaire contient en tête une grande gravure en taille douce signée de Crespin et repliée: "Description de l'assemblée des sorciers qu'on appelle Sabbat".Pierre de Lancre, érudit et homme de cour, était conseiller au parlement de Bordeaux, quand il fut envoyé par Henri IV dans le pays de Labourd, province du Pays basque français, pour y instruire plusieurs procès en sorcellerie. Selon Pierre Larousse, "il fit infliger des tortures atroces à tous ces malheureux et en fit brûler vifs plus de cinq cents qui, à la suite des tortures, s"étaient reconnus coupables de magie et de sorcellerie". Le ''Tableau de l'inconstance des mauvais anges'' qu'il publia in 1612 lui valut d'être nommé conseiller d'état."Volume assez recherché et peu commun." (Brunet, III, 809); "Livre curieux, l'un des plus recherchés sur les procès de sorcellerie." (Caillet, III, 6064); Dorbon, Bibliotheca esoterica, no 2467, for an incomplete copy of the original edition from 1612, Guaita 461

      [Bookseller: Teletes]
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        Historia Septem Infantivm de Lara. Historia de los Siete Infantes de Lara

      First edition. A remarkable suite of 40 etchings depicting the Spanish romancero of the Seven Infants of Lara, illustrated by Vaenius (1556 - 1629) with the engravings of the Italian Tempesta (1555 - 1630). The work represents one of the most significant Spanish medieval legends, a chivalry chronic traditionally attributed to Fernan Gonzalez, which deals with the murder of 7 brothers by the hands of the Moors in the 11th century after the betrayal of their uncle Rodrigo, and were later avenged by their half brother Mudarra, son of the Lord of Lara and a Moorish Lady; "one of the most romantic (stories) in Spanish history" (Ticknor). Each etching contains below a parallel Spanish and Latin explanatory text. Tempesta was an Italian artist and engraver active the later part of the 16th century and first quarter of the 17th; his style is strongly marked by the Mannerism and later the Baroque, he worked under Vasari in the decoration of the Palazzo Vecchio in Florence. Vaenius was a Belgian artist and humanist, famous for his production of emblem books -some of which have come to be known as masterpieces of the 17th century book illustration-, and for having been the teacher to Peter Paul Rubens. Provenance: binding inscribed "Libres de deffin gravee 135 nº-66 estampes"; engraved bookplate on front pastedown from Mailly, also with manuscript ownership inscription to title. Palau 87773. Peeters-Fontainas 1331. Funck 404. Simoni (BL London) V-25. Illustr.

      [Bookseller: HS Rare Books]
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        Comentarios de las cosas en los Paises Baxos de Flandes, desde el ano de mil y quinientos y noventa y quatro, hasta el de mil y quinientos y nouenta y ocho

      First edition. A contemporary war chronicle, and a relevant source for the history of the Low Countries and the war with Spain, written in the form of an autobiographical account, thus not engaging in historic remarks, but based in the experiences of the author, a soldier in the war, although a brief historic overview of the events leading to the war is given. The illustration comprises a full page portrait of the author standing in armor, with his shield against a tree, signed by the cipher FND(?), and woodcut arms on title page. His personal approach to the work is outlined in the last chapter "Y porque estos misescritos, o comentarios, no son mas que unas breves memorias de lo que vi y alcance a saber del tiempo en que milite en la guerra de Flandes, y va escrito mas como soldado que como historiador" (CLVII pp. v158-159). Cabrera de Cordoba would later use this book for the confection of his chronicle (1619), relying considerably on the un-biasness of a soldier who only wrote on his own experience, rather than with ideological positions taken, as earlier chroniclers such as Ulloa and Cornejo. Provenance: Libreria Roque Pidal; Isidoro Fernandez, bookplate on front pastedown. Palau, 366877. The Pelican and its Ungrateful Children: The Construction and Evolution of the Image of Dutch Rebelliousness in Golden Age Spain. In: The Journal of Early Modern History, vol. 11, nr. 4-5 (2007), p. 285-302.

      [Bookseller: HS Rare Books]
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        Elegantiae Latini sermonis. [On the part-title for part 2, under "Aloisae Sigeae":] Satyrae sotadicae, de arcanis amoris et veneris, ...[The Netherlands? ca. 1750?]. 12mo. With a title-page that looks more like a half-title and gives the impression that the book is a collection of sermons by Meursius, and a part-title for part 2 that gives the author's female pseudonym and the true title. Boards (ca. 1900), covered with paste-paper. Untrimmed.

      KVK & WorldCat (3 copies?); cf. Gay-Lemonnyer III, 218-19 (other eds.); Kearney, The private case 363-408 (idem); Rose, Register of erotic books 4240-80 (idem). Rare edition, in the original Latin, of a famous erotic prose dialogue by Nicolas Chorier (1612-1692), recounting the sexual initiation of Ottavia, an innocent but intensely motivated young girl. Chorier first published it in Latin in the 1660s under the pseudonym "Aloisia Sigea" and claimed it was translated by Johannes Meursius from a Spanish manuscript. It went through numerous editions and was translated into several European languages, including Dutch, English, French and German. This "vastly dilated and wholly libidinous parody of women's educational aspirations" (Turner) had a profound influence on European erotic literature. The title-page, which looks more like a half-title, was probably intended to hide the true nature of the book, making it appear to be a collection of sermons by Meursius. This title is found already on editions thought to date from ca. 1680. The part-title for the second part gives the pseudonym and title used for the earliest and many later editions.With library stamp, flyleaf with manuscript note in German on Chorier, some soiling. Overall in good condition.

      [Bookseller: Antiquariaat FORUM BV]
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        The Temple of Diana At Ephesus & (2) The Dismantling of the Colossus At Rhodes and Replacing With The New. & (3). Alexander In Battle With Darius and (4) The City of Semiramidis.

      1612 - A set of 4 Etched copper engravings c1612 (no later than 1625). Depicting: (1) The Temple of Diana At Ephesus. + (2) The Dismantling of the Colossus At Rhodes and Replacing With The New. + (3). Alexander In Battle With Darius and (4) The City of Semiramidis and Building its walls from boats on the Euphrates. Condition; Light age spots in two places on one image, although hardly noticed, light creasing at corners and odd minor age faults commensurate with age. Trimmed but with 4 margins, tipped onto later 19th century soft card at top edges. Very Good+. Uniform size: 22 x 28.5 cm. *They seem to be numbered 2, 3, 4 and IV, so perhaps part of a different series? the legends or titles beneath the scenes are in Latin. **An artist now known for his prints and printmaking his works are held in The Metropolitan Museum in NY in the Elisha Whittlesy Collection, The National Academy in Rome and the Spanish National Archive among others. Peter Paul Rubens was a pupil of his in 1580. Guaranteed all genuine.

      [Bookseller: Colophon Books. PBFA]
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        RACCOLTA D'ALCUNE RIME di scrittori mantovani fatta per Eugenio Cagnani. Con una lettera cronologica et altre prose, et rime dello stesso...

      Osanna, 1612. in-4, pp. 214, (2), leg. p. pergamena rigida del XVIII secolo, dorso a nervetti con tassello e titolo in oro, tagli spruzzati. L'opera è divisa in cinque parti, ciascuna con fontespizio proprio. Sui titoli stemma di Francesco Gonzaga, duca di Mantova e dedicatario dell'opera. Numerosi capilettera, testatine e finalini in legno. Rara edizione originale. La raccolta si apre con una interessantissima Lettera cronologica, dedicata a Francesco Gonzaga, in cui l'autore rivive tutta la cultura rinascimentale mantovana favorita dal meceneatismo dei Gonzaga. Vi si fanno le lodi del Folengo, del Castiglione, del Tasso, dei Capilupi, ma vi sono anche menzionati giuristi, retori e storici. Viene inoltre ricordato l'insegnamento del Pomponazzi e la rappresentazione dell'Orfeo di Monteverdi. Il volume comprende poi due trattatelli in prosa (Dell'amicizia e Contro il vizio dell'ingratitudine), le Rime dell'autore e, infine, quelle dei poeti-artigiani (calzolaio, libraio, venditore di cipolle, venditore di ferrarezza ed altri non specificati). Queste ultime si è creduto a lungo scritte dal Cagnani stesso, ma "Carlo D'Arco dimostrò in seguito l'esistenza di ciascuno degli artigiani compresi nella raccolta, e si preferisce tuttora credere che l'attribuzione dei testi agli occasionali poeti menzionati dal Cagnani possa avere qualche probabilità, anche se le poesie degli artigiani non si discostano in nulla, per stile e riferimenti culturali, da quelle del raccoglitore" (D.B.I., XVI, p. 301, a cura di C. Mutini). "Il Cagnani fu poeta elevato, rimatore prezioso e sicuro, versificatore assai piacevole, tanto che i suoi versi possono interessare ed essere ammirati anche oggi, per una loro finezza di espressione ed anche per una non caduca preziosità di ispirazione. Ma Cagnani va più in là: egli non scrive versi fine a sé stessi, ma tenta -pur in un ambito ristretto- una innovazione di forme che si riallaccia a tutta una tradizione culturale, non certo di poco conto. Il suo nome rimane a giusto titolo, e ben degnamente, nella storia della letteratura mantovana del Cinquecento" (L. Corveja, Un delicatissimo poeta cinquecentesco: Eugenio Cagnani. Quando anche i Ministri delle Finanze componevano, in: "La reggia", a. VIII, n. 2, Mantova, maggio 2000, pp. 9-11). E. Cagnani (1577-1614), poeta ed erudito mantovano, ricoprì diversi importanti incarichi presso la corte della sua città natale. Tesoriere generale e segretario, fu spesso inviato in missioni diplomatiche e politiche. "Nel suo complesso, quindi, si può ben dire come Eugenio Cagnani sia stato certamente una delle figure più interessanti e di maggiore spicco della corte gonzaghesca ai tempi di Vincenzo Gonzaga" (L. Corveja, op. cit.). ICCU, IT\ICCU\MODE\020407. BL 17th Century Italian Books, 167. Libreria Vinciana, 2356 ("Opera ignota alle maggiori bibliografie"). S.P. Michel, Repertoire des ouvrages imprimés en langue italienne au XVII siècle conservés dans les bibliothèques de France, Paris, 1968, II, p. 12. Splendida copia. [152]

      [Bookseller: Studio Bibliografico Scriptorium]
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        Tableau de l'inconstance des mauvais anges et démons, où il est amplement traité des sorciers et de la sorcellerie Livre tres-utile et necessaire non seulement aux juges, mais à tous ceux qui vivent sous les loix chrestiennes. Avec un discours contenant la procedure faite par les Inquisiteurs d’Espagne & de Navarre, à 53 magiciens, apostats, ju

      Paris, Nicolas Buon, 1612; in-4; [18] leafs, 571 [+1] pages, [12] leafs, bound in speckled begining C 19th calf, boards tooled with gilt floral border, spine with five raise bands, stampled in gilt in compartments, gilt morocco lettering label, edges speckled red, marbled endpapers. One of the first two original editions published in 1612, the other was released by "Jean Berjon". Our copy contains, facing the title page, a folding engraving: "Description de l'assemblée des sorciers qu'on appelle Sabbat" signed by Crespin. According to Grillot de Givry, the original of this representation was a lost painting by Bartholomaeus Spranger. De Lancre's work is a core text of the french witchcraft. Not only that it contains one of the most detailed accounts of the witches' Sabbath that survives (almost one third of the work describes the Sabbath in elaborated detail), but it is also crucial to understanding the historical context of the great witchcraft persecutions of the 16th and 17th centuries. The text is the more important considering that the original trial records on which it is based were destroyed in the 18th century, so that it remains as a singular witness to the prosecution. Magistrate of the Bordeaux Parlement, Pierre de Lancre (1553-1631) was charged by Henri IV with conducting a famous witch hunt in 1609 in Labourd, in the Basque region of France situated in the extreme southwest bordering Spain and Navarre. Here, over four months he sentences to death several dozen persons. The account of his criminal investigation laid the foundations for the anthropology of the Basque Country for three centuries. The book contains also a precise account of a giant celebration of punishment and forgiveness for sins of witchcraft hold by the Spanish Inquisition in the city of Logrono on 7 and 8 november 1610. A lot of other topics are also covered, such as witches transformation, the Sabbath feast, Satan's coupling with witches, lycanthropy, the witches' mark, healing through illicit means or the pact with the devil. Modern research has established that De Lancre's standpoint is not so much that of a witchcraft theorist (as in the case of his contemporaries Bodin or Del Rio) but rather that of the ethnographer. He was married to the grand-niece of Montaigne.A remarkable well preserved copy of this extremley rare and weird work, very clean inside in a magnificent binding (minor restoration expertly done at spine). Photos available on request.---------------------------------------------------------------------------------------------------------------------------------Paris, Nicolas Buon, 1612; in-4 de [18] feuillets, 571 [+1] pages, [12] feuillets, reliure du début du XIXe siècle veau porphyre, petite dentelle, dos à nerfs orné de motifs dorés, pièce du titre rouge, tranches rouges. Notre exemplaire contient en tête une grande gravure en tailledouce signée de Crespin et repliée: "Description de l'assemblée des sorciers qu'on appelle Sabbat".Pierre de Lancre, érudit et homme de cour, était conseiller au parlement de Bordeaux, quand il fut envoyé par Henri IV dans le pays de Labourd, province du Pays basque français, pour y instruire plusieurs procès en sorcellerie. Selon Pierre Larousse, "il fit infliger des tortures atroces à tous ces malheureux et en fit brûler vifs plus de cinq cents qui, à la suite des tortures, s"étaient reconnus coupables de magie et de sorcellerie". Le ''Tableau de l'inconstance des mauvais anges'' qu'il publia in 1612 lui valut d'être nommé conseiller d'état."Volume assez recherché et peu commun." (Brunet, III, 809); "Livre curieux, l'un des plus recherchés sur les procès de sorcellerie." (Caillet, III, 6064); Dorbon, Bibliotheca esoterica, no 2467, for an incomplete copy of the original edition from 1612, Guaita 461

      [Bookseller: Teletes]
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        Discorso al Serenissimo Don Cosimo II.Intorno alle cose, che Stanno in su l'acqua, o che in quella si muovono

      Florence: Cosimo Giunti, 1612. Hardcover. Near Fine. 4to - over 9¾ - 12" tall. (2) ff, 77 pp, (1), (1) f with printer's emblem. Bound with: [GALILEI, Galileo & CASTELLI, Benedetto]. Risposta alle Opposizioni del S. Lodovico delle Colombe, e del S. Vincenzo di Grazia... Florence, Cosimo Giunti, 1615. (1) ff, (2), 319 [ie 335] pp with numerous mispaginations, (5) including printer's emblem. Bound in contemporary limp vellum with MS title on spine, "Galileo Galilei Opera', internally very fresh, an excellent copy in all respects. A remarkable pairing of two Galileana bound together by a contemporary follower of the power struggle between Galileo and the Aristotelians. The second augmented edition of Galileo's classic on hydrostatics, published the same year within months of the first edition, represents his first published work in physics (Drake, p. 179). The Discorso is hailed by historians of science as having united for the first time two previously separate disciplines: statics and dynamics, resulting in a new science of mechanics, containing his first published statements on the concept of moment, an abstract concept of physical force which has been shown to have dominated his early physical thinking, and contains several first announcements concerning some of his great astronomical discoveries relating to sunspots, the triple form of Saturn, and the phases of Venus. The present 2nd edition contains significant additional text concerning this important concept. The Risposta, one of the scarcest of Galileo's works on the market, contains his lengthy and scathing replies to his critics only a year before his official castigation by the Catholic Church. Two years after the publication of the Sidereus Nuncius which assured his place in the history of science, and after displaying his telescopic discoveries in Rome, Galileo returned to Florence and devoted himself to the study of floating bodies, "the real, intrinsic and total cause why some bodies float and others sink." In the Discorso, Galileo supports Archimedes and opposes Aristotle on the behavior of bodies in water, arguing that the reason some solids sink is the excess of their weight over the weight of water. Employing the concept of moment- "the force with which the mover moves and the floating body resists" -and the principle of virtual velocities, Galileo far surpasses the hydrostatic considerations of Archimedes: "The new method enables Galileo to unify statics and dynamics into a new science of mechanics which became the foundation of modern physics" (Rose, The Italian Renaissance of Mathematics, p. 287). As noted above, the second edition may be distinguished from the first by the additional material contained therein; notably, Galileo drew attention to these additions by printing them in Roman type rather than Italic. Among these additions are Galileo's first announcements of the Sun's rotation period, his announcements of sunspots, and his discovery of the "horns" of Saturn.

      [Bookseller: Martayan Lan, Inc.]
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        D? ragguagli di Parnaso. Centuria prima. *** + D? ragguagli di Parnaso. Centuria seconda. UNITO : Pietra del paragone politico. Tratta dal Monte Parnaso. Dove si toccano i governi delle maggiori Monarchie dell'Universo. - Nova aggiunta alla Pietra del parangone (sic). *** + Commentarii sopra Cornelio Tacito. Come sono stati lasciati dall'Autore. Opera non ancora stampata & grandemente desiderata da tutti li Virtuosi. *** + La bilancia politica di tutte le opere .. parte seconda, nella quale si comprendono le osservationi, et considerationi politiche sopra il primo libro delle storie di Cornelio Tacito e sopra la vita di Giulio Agricola. Scritta dal medesimo auttore. Il tutto illustrato dagli avvertimenti del Cavalier Ludovico Du May. UNITO : Parte terza, contenente alcune lettere politiche, et historiche ... ricovrate, ristabilite, e raccomodate, dalla diligenza e cura di Gregorio Leti.

      Venezia, Pietro Farri, 1612, 4to m.pelle mod. (ben eseguita) pp. (20)-478-(2)-(40). Editio princeps. Vinciana, 3561- Graesse I, 456 - Brunet I, 1019 - Gamba, 514 - Firpo, 17. *** + Venezia, Barezzi, 1613, 4to m.pelle mod. (ben eseguita) pp. (20)-453-(3)-(20) Editio princeps. Vinciana, 3561- Graesse I, 456 - Brunet I, 1019 - Gamba, 514 - Firpo, 19. + Cormopoli, per Giorgio Teler, 1615, editio princeps (assai rara). 8vo (antica asportazione di timbro, rappezzata, al frontespizio) pp. (76) + (8). Vinciana, 337 - Graesse I, 457 - Brunet I, 1019 - Gamba, 514 - Parenti, Luoghi falsi, 62. La 'Pietra del Paragone', pur postuma, ? considerata come la continuazione dei 'Ragguagli', una terza centuria. Piantanida e Gamba (op. citate) dicono che 'non ? certo sia del B.' o che 'venne da altre mani impiastricciata'. La questione della 'vera' prima edizione della 'Pietra di Paragone' ? assai complessa; Piantanida propende per questa, altri non si pronunciano e Parenti riferisce di una edizione 'veneziana' apparsa nel 1614. *** + Cosmopoli, G.B. della Piazza, 1677, 4to m.pelle mod. (ben eseguita) pp. (8)-519 due antiche asportazioni di timbri, rappezzati, al frontespizio figurato. Editio princeps. Vinciana, 346 (Si tratta, seguendo Piantanida, che la definisce 'rara ediz. sconosciuta alle principali bibl.' della sola prima parte dell'opera, costituita dalle Osservazioni sopra i sei libri degli Annali di Tacito. La seconda e la terza sono note sotto il titolo 'La bilancia politica ...') *** + Castellana, per Giovanni Hermano Widerhold, 1678, 4to m.pelle mod. (ben eseguita) pp. (22)-272 (ma erroneam. num. 472)-48. UNITO : Ibidem, (40)-319 con capilettera e test. xil. Graesse I, 457 - Vinciana, 347 - Gamba, 514 - Parenti, Falsi luoghi, 45 ( ritiene possa trattarsi di stampa ginevrina). Firpo, DBI 11, 17 la identifica come Chatelaine, borgata alle porte di Ginevra. Interessante 'ensemble' delle opere del Boccalini, in prima edizione per tre volumi, in seconda per il quarto. I quattro vol. (indivisibili) :

      [Bookseller: Libreria Piani già' Naturalistica snc]
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        Sententia dell' Eccelso Conseglio di Diece. Contra Anzolo Badoer cavalier. | Sententie vanden Hoogen Raedt van de Thiene. Teghens Anzolo Badoer ridder.The Hague, Hillebrant Jacobsz. van Wouw, 1612. 4to. With a woodcut vignette on title-page, 2 woodcut decorated initials (2 series, both arabesque). With the Italian text in italic, the Dutch text in textura and with incidental roman. Sewn in later plain paper wrapper.

      Knuttel 1938a; STCN (5 copies); cf. ICCU: PUVE19213 (1612 Venice ed., in Italian only); for Badoer: Diz. Biogr. Italiani 5 (1963) (on www.treccani.it). First bilingual (Italian and Dutch) edition of a sentence pronounced by the government of the Venetian Republic (the Consiglio dei Dieci or Council of Ten) on 21 April 1612, declaring Anzolo Badoer (in absentia) a traitor, stripping him of his knighthood, confiscating his property, banishing him from the city and the Republic's territories and sentencing him to be hanged, in the original Italian with a parallel Dutch translation. It also offers a reward for his capture dead or alive (4000 ducats if captured in the Republic and 6000 ducats if captured abroad). Anzolo or Angelo Badoer (1565- 1630) was the eldest son of Alberto Badoer (1540-1592), who had served as Venetian ambassador to Spain, the Holy Roman Empire and Rome until his premature death. Anzolo succeeded to his father's knighthood and followed him into diplomatic service as Venetian ambassador to France from 1602 until he came into conflict with the Council of Ten in 1607.With a large "9" on the title-page in red pencil. In very good condition. An important document of dramatic intrigues, here published with a Dutch translation.

      [Bookseller: ASHER Rare Books (Since 1830)]
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        [Letter to M[adam]e la Duchelle d'Avegry[?]]. [Paris, December? 1703]. Small 4to (19 x 14 cm). Autograph letter in French, signed, written in dark brown ink in a Latin hand on paper.

      For Verjus and his role in the missions of the Far East, see: Frederik Vermote, The role of urban real estate in Jesuit finances and networks between Europe and China, 1612-1778, doctoral thesis, University of British Columbia (Vancouver 2013). Signed autograph letter written by Antoine Verjus (1632-1706), Parisian Jesuit procurator for the Indian and Chinese missions from 1678 to 1702 and, on the evidence of the present letter still in 1703. He reports on various Jesuits who have left for China, notes the importance of the work and the honour it has brought to others (explicitly noting the Duchess of Alba), and appears to be seeking patronage. In the 1690s Verjus had corresponded with Leibniz and helped him establish contacts in China. He spent much of his career attempting to establish a safer and more reliable connection between Europe and China. He distrusted the motives of his colleagues in other European countries, even fellow Jesuits, and succeeded in diverting funding for missions from Lisbon to Paris. He found much support in Germany, however, especially the Prince-Bishop of Münster, Ferdinand von Fürstenberg. "Verjus' correspondence ... illustrates his pivotal role in reshaping Jesuit transport and communication networks." (Vermote p. 32). The letter was formerly folded horizontally and vertically, probably for sending, and one corner is slightly damaged with no loss of text. In very good condition. An important primary source on French Jesuit missionary work in China and it financing.

      [Bookseller: ASHER Rare Books (Since 1830)]
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        Elegantiae Latini sermonis. [On the part-title for part 2, under "Aloisae Sigeae":] Satyrae sotadicae, de arcanis amoris et veneris, .[The Netherlands? ca. 1750?]. 12mo. With a title-page that looks more like a half-title and gives the impression that the book is a collection of sermons by Meursius, and a part-title for part 2 that gives the author's female pseudonym and the true title. Boards (ca. 1900), covered with paste-paper. Untrimmed.

      - KVK & WorldCat (3 copies?); cf. Gay-Lemonnyer III, 218-19 (other eds.); Kearney, The private case 363-408 (idem); Rose, Register of erotic books 4240-80 (idem). Rare edition, in the original Latin, of a famous erotic prose dialogue by Nicolas Chorier (1612-1692), recounting the sexual initiation of Ottavia, an innocent but intensely motivated young girl. Chorier first published it in Latin in the 1660s under the pseudonym "Aloisia Sigea" and claimed it was translated by Johannes Meursius from a Spanish manuscript. It went through numerous editions and was translated into several European languages, including Dutch, English, French and German. This "vastly dilated and wholly libidinous parody of women's educational aspirations" (Turner) had a profound influence on European erotic literature. The title-page, which looks more like a half-title, was probably intended to hide the true nature of the book, making it appear to be a collection of sermons by Meursius. This title is found already on editions thought to date from ca. 1680. The part-title for the second part gives the pseudonym and title used for the earliest and many later editions.With library stamp, flyleaf with manuscript note in German on Chorier, some soiling. Overall in good condition.

      [Bookseller: Antiquariaat FORUM BV]
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        Elegantiae Latini sermonis. [On the part-title for part 2, under "Aloisae Sigeae":] Satyrae sotadicae, de arcanis amoris et veneris, ...[The Netherlands? ca. 1750?]. 12mo. With a title-page that looks more like a half-title and gives the impression that the book is a collection of sermons by Meursius, and a part-title for part 2 that gives the author's female pseudonym and the true title. Boards (ca. 1900), covered with paste-paper. Untrimmed.

      KVK & WorldCat (3 copies?); cf. Gay-Lemonnyer III, 218-19 (other eds.); Kearney, The private case 363-408 (idem); Rose, Register of erotic books 4240-80 (idem). Rare edition, in the original Latin, of a famous erotic prose dialogue by Nicolas Chorier (1612-1692), recounting the sexual initiation of Ottavia, an innocent but intensely motivated young girl. Chorier first published it in Latin in the 1660s under the pseudonym "Aloisia Sigea" and claimed it was translated by Johannes Meursius from a Spanish manuscript. It went through numerous editions and was translated into several European languages, including Dutch, English, French and German. This "vastly dilated and wholly libidinous parody of women's educational aspirations" (Turner) had a profound influence on European erotic literature. The title-page, which looks more like a half-title, was probably intended to hide the true nature of the book, making it appear to be a collection of sermons by Meursius. This title is found already on editions thought to date from ca. 1680. The part-title for the second part gives the pseudonym and title used for the earliest and many later editions.With library stamp, flyleaf with manuscript note in German on Chorier, some soiling. Overall in good condition.

      [Bookseller: Antiquariaat FORUM BV]
 23.   Check availability:     NVvA     Link/Print  


        Pezaro (Italy)

      Published between 1572-1612, from Civitates orbis terrarum - A detailed hand colored engraved map of Pesaro, Italy by Braun and Hogenberg. Overall very good condition with dimensions of 16"x21.75". Foxing and staining throughout, repair to right corner, repairs along middle crease, sections of paper missing from the crease.

      [Bookseller: Arader Galleries San Francisco]
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        Il Tesoro della Sanità. Nel qual s'insegna il modo di conservar la sanità, & prolungar la vita, et si tratta della natura de' cibi, & de' remedij de' nocumenti loro

      [Giovanni Domenico Tarino], 1612. In-16° (126x87mm), pp. (32), 480, legatura coeva p. pergamena rigida. Impresa tipografica al frontespizio. Testatine, finalini e capilettera ornati in xilografia. Indice preliminare. Normali bruniture. Bell'esemplare. Rara edizione torinese di questo trattato sugli effetti del cibo e del vino sulla salute, pubblicato per la prima volta in latino a Pesaro nel 1565 col titolo "De bonitate et vitio alimentorum"; la prima edizione in volgare apparse invece a Roma nel 1586. Il trattato discorre dei più svariati alimenti: i frumenti, i vegetali, le carni, pesci, i condimenti, i vini.Castore Durante (Gualdo Tadino, 1529-Viterbo, 1590), fu medico e studioso di botanica. Cfr. Westbury, 83. Paleari, 267. Simon, Gastr., 537. Vicaire, 303. B.I.N.G., n. 741 e sgg. Simon, Bacch., II, 201 e Addenda n. 4. Oberlé, 73.

      [Bookseller: Libreria Antiquaria Galleria Gilibert]
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        Animalium quadrupedum omnis generis verae et artificiosissimae delineationes in aes incisae et edita ab Adriano Collardo.

      - Antwerpen, [ca. 1612]. Oblong 8vo (18.8 x 12.4 cm). 19 beautiful contemporarily hand-coloured engravings including the engraved title page depicting Orpheus charming and taming the birds and beasts of the forest. All are mounted on contemporary paper and nicely framed in five sections in a tortoise-shell setting.l An exceptional suite in a contemporary coloured state. Of the 19 plates, only 2 have the normally present numbering and engraved signature: "Adrian. Collaert fecit et excud". The other 16 are most probably some sort of proof prints before letters and numbers, which is very unusual and completely unknown in any bibliography; the leading expert, Sam Segal, whom we consulted, also knew nothing of it. He also confirmed the contemporary colouring, all done in the same brilliant hand. Nissen quotes an engraved title and 19 engravings; therefore we are lacking one plate only, which makes this an almost complete set of the already very rare suite of the animalium. The plates depict men (mostly in hunting scenes), apes, cows, bulls, horses, lions, dogs, camels, goats, deer, pigs, elephants, wolves, rhinoceroses, a chameleon, etc. - one of the nicest sets of engravings on animals from this great Flemish artist. A few plates with an old, small, repaired tear and one with a tiny damaged spot in the image, some of the mounts with old paper repairs, but overall in very good condition, with great vibrant colouring, some heightened with gold. Nissen ZBI, 924; Wood 293. Bridson & White, Animal and Anatomical Illustration in Art & Science, D61 only quotes numbered and signed suites of prints. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Antiquariaat Schierenberg]
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        Tableau de l'inconstance des mauvais anges et démons, où il est amplement traité des sorciers et de la sorcellerie. Livre tres-utile et necessaire non seulement aux juges, mais à tous ceux qui vivent sous les loix chrestiennes. Avec un discours contenant la procedure faite par les Inquisiteurs d’Espagne & de Navarre, à 53 magiciens, apostats, ju

      Paris, Nicolas Buon, 1612; in-4; [18] leafs, 571 [+1] pages, [12] leafs, bound in speckled begining C 19th calf, boards tooled with gilt floral border, spine with five raise bands, stampled in gilt in compartments, gilt morocco lettering label, edges speckled red, marbled endpapers. One of the first two original editions published in 1612, the other was released by "Jean Berjon". Our copy contains, facing the title page, a folding engraving: "Description de l'assemblée des sorciers qu'on appelle Sabbat" signed by Crespin. According to Grillot de Givry, the original of this representation was a lost painting by Bartholomaeus Spranger. De Lancre's work is a core text of the french witchcraft. Not only that it contains one of the most detailed accounts of the witches' Sabbath that survives (almost one third of the work describes the Sabbath in elaborated detail), but it is also crucial to understanding the historical context of the great witchcraft persecutions of the 16th and 17th centuries. The text is the more important considering that the original trial records on which it is based were destroyed in the 18th century, so that it remains as a singular witness to the prosecution. Magistrate of the Bordeaux Parlement, Pierre de Lancre (1553-1631) was charged by Henri IV with conducting a famous witch hunt in 1609 in Labourd, in the Basque region of France situated in the extreme southwest bordering Spain and Navarre. Here, over four months he sentences to death several dozen persons. The account of his criminal investigation laid the foundations for the anthropology of the Basque Country for three centuries. The book contains also a precise account of a giant celebration of punishment and forgiveness for sins of witchcraft hold by the Spanish Inquisition in the city of Logrono on 7 and 8 november 1610. A lot of other topics are also covered, such as witches transformation, the Sabbath feast, Satan's coupling with witches, lycanthropy, the witches' mark, healing through illicit means or the pact with the devil. Modern research has established that De Lancre's standpoint is not so much that of a witchcraft theorist (as in the case of his contemporaries Bodin or Del Rio) but rather that of the ethnographer. He was married to the grand-niece of Montaigne.A remarkable well preserved copy of this extremley rare and weird work, very clean inside in a magnificent binding (minor restoration expertly done at spine). Photos available on request.---------------------------------------------------------------------------------------------------------------------------------Paris, Nicolas Buon, 1612; in-4 de [18] feuillets, 571 [+1] pages, [12] feuillets, reliure du début du XIXe siècle veau porphyre, petite dentelle, dos à nerfs orné de motifs dorés, pièce du titre rouge, tranches rouges. Notre exemplaire contient en tête une grande gravure en tailledouce signée de Crespin et repliée: "Description de l'assemblée des sorciers qu'on appelle Sabbat".Pierre de Lancre, érudit et homme de cour, était conseiller au parlement de Bordeaux, quand il fut envoyé par Henri IV dans le pays de Labourd, province du Pays basque français, pour y instruire plusieurs procès en sorcellerie. Selon Pierre Larousse, "il fit infliger des tortures atroces à tous ces malheureux et en fit brûler vifs plus de cinq cents qui, à la suite des tortures, s"étaient reconnus coupables de magie et de sorcellerie". Le ''Tableau de l'inconstance des mauvais anges'' qu'il publia in 1612 lui valut d'être nommé conseiller d'état."Volume assez recherché et peu commun." (Brunet, III, 809); "Livre curieux, l'un des plus recherchés sur les procès de sorcellerie." (Caillet, III, 6064); Dorbon, Bibliotheca esoterica, no 2467, for an incomplete copy of the original edition from 1612, Guaita 461

      [Bookseller: Teletes]
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        Globus Coelestris

      Amsterdam 1612 - Carta geografiaca tratta dal "Tabularum Geographicarum contractarum" di Petrus Bertius, edizione latina del 1616. L'opera contiene 219 carte che illustrano questa nuova versione della geografia del Bertius, per la prima volta pubblicata nel 1600 con le carte di Barent Langenes e Cornelis Claesz. Le carte derivano dal grande Mercator/Hondius atlas, delle quali molte rappresentano una semplice riduzione. Incisione in rame, carta leggermente brunita, per il resto in ottimo stato di conservazione. A superior rival to the pocket Ortelius atlas appeared about 1598, under the imprint of Barent Langenes and Cornelis Claesz. Claesz also published the Tabularum Geographicarum Contractarum, edition with texy by Petrus Bertius, in 1600. After the death of Cornelis Claesz in 1609, Jodocus Hondius II became the new publisher of the work, composed by 7 parts in 1, with engraved title-page and 220 full-page engraved maps in text. All the maps were newly engraved and slightly larger in size, because Hondius was not able to acquire the original plates. With the new plates the work was definitely improved and enjoyed a growing demand of the public, which at that time had the choice between the Atlas Minor by Mercator and Bertius' Tabularum Geographicarum. The 219 plates, with the oval world map appearing twice, were produced to illustrate a new version of the geography of Bertius, published in 1616. According to King, their correct attribution is by Hondius, after Mercator and Hondius, taken from Bertius, who was only responsible for revising his text again. Copperplates, in very good conditions. Dimensioni 135 100mm

      [Bookseller: Libreria Antiquarius]
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        Teilansicht, Place Royal ( heute Place de Vosges ) mit Darstellung der Feierlichkeiten ( am 5.-7. April 1612 ) anläßlich der Ankündigung der Hochzeit von Ludwig XIII mit Anna von Österreich (1601-1666).

      - Kupferstich v. J.(an) Ziarnko, 1612, 25,5 x 31,7 Nicht bei Fauser und Drugulin. Nachweis in der Bibliothek National in Paris. Wohl Einblattdruck. Jan Ziarnko ( 1675-1626) gilt als einer der wichtigsten polnischen Kupferstecher. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Nikolaus Struck]
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        Institutionum linguae Turcicae, libri quatuor [.].

      (Leipzig [and Breslau, Kirstenius] sumptibus authoris), 1612. - 8vo. 4 parts in one volume. (8), (30 [instead of 28!] incl. final blank, with extra dedication to Hector von Ernau), (52 incl. final blank), (24 incl. final blank), (58) ff., interleaved and with generous stretches of blanks between individual parts; annotated and foliated 1-421 throughout by the annotator. Title page printed in red and black. Megiser's full-page coat of arms at the end of the Turkish-Latin dictionary. Contemporary vellum binding using a 15th century Biblical manuscript leaf (Daniel 13, "Susannah and the Elders"), with handwritten title to spine. Two Arabic inscriptions to upper cover (one reading "Law kana Allah ma'na, man yakunu 'alaina" - translated from Romans 8:31, "If God be with us, who can be against us?"). First edition of "the first full-fledged Turkish grammar to be published in Europe" (Smitskamp), "a landmark in Turkish studies" (Navari), one of the most important works produced by the versatile scholar Megiser (1554-1619) from Stuttgart. This copy contains not only the rare additional printed dedication to the Carinthian nobleman Hector von Ernau, but also the extensive handwritten notes of the contemporary Arabist Johann Melchior Mader. In fact, this unique volume constitutes the fullest document extant about an only vaguely known and unresearched triangle of early 17th century enthusiasts of Arabic: Megiser, Ernau, and Mader, only the first of whom achieved fame. - The most obvious asset of the present copy lies in Mader's generous scholarly annotations both in the text as well as on the interleaved pages which expand the book, usually encompassing a mere 167 leaves, to two and a half times its normal size. While the additions in the interleaving are mostly light, those on the blanks inserted between the individual parts are often quite extensive. Part one (concerned with the Arabic alphabet and spelling, printed by the physician and orientalist Kirsten in Breslau and the only part to contain letterpress Arabic) is followed by 5½ densely handwritten pages of "Sententiae et proverbia Arabica", with 63 numbered sayings (both in Arabic script as well as in transliteration and Latin - and occasionally German - translation). Part two discusses grammar proper; part three contains specimen Turkish versions of the Lord's Prayer, the Apostles' Creed, the Decalogue, and Psalm 51, as well as two centuries of Turkish proverbs transliterated in Roman italics (including Latin, Italian, and German translations). Here, Mader has in several cases provided the Turkish in carefully pointed Ottoman script, and has sometimes corrected the printed text. In the blanks following this section, Mader has added a little over 26 closely written pages of "Proverbia et Sententiae Turcica" (he stops numbering them at 179, with a good ten pages to go). The fourth and final part offers a Latin-Turkish as well as a Turkish-Latin dictionary; this latter section in particular is replete with Mader's handwritten additions, which expand the printed word list by a generous third. At the end are another three pages of handwritten "Proverbia et Sententiae Persicae", underlining Mader's specific interest in paroemiography - a focus shared by many scholars of the time, including Erpenius. The study of proverbs was thought to offer a window into the culture and mentality behind a language, and the literally hundreds of additional examples here given by Mader not only significantly expand the known corpus of oriental adages, but with their transliterations also tell us more about the pronunciation of early 17th century Turkish. - The other merit of this volume lies in Mader's notes about the editorial genesis and authorship of Megiser's work. At the end of the extra dedication to Ernau (two printed leaves in which Megiser calls Ernau "autor", inserted between A1 and A2 and not present in any other known copy), Mader asserts that Ernau is indeed the real author of this Introduction to Turkish. Megiser, writes Mader, inserted the extra dedi [Attributes: First Edition]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        ANGLIAE, SCOTIAE, ET HIBERNIAE, SIVE BRITANNICAR: INSULARUM DESCRIPTIO’. Map of the British Isles, North orientated to the right. Two cartouches and heraldic shield. From the Latin text edition of the Theatrum Orbis Terrarum by

      Abraham Ortelius 1592 ( - 1612) - 34x49cm. Full contemporary colour. Excellent condition. van den Broecke 16.

      [Bookseller: Garwood & Voigt]
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        L'ARTE VETRARIA DISTINTA IN LIBRI SETTE DEL R. P. ANTONIO NERI FIORENTINO. NE QUALI SI SCOPRONO, EFFETTI MARAVIGLIOSI, & INSEGNANO SEGRETI BELLISSIMI, DEL VETRO NEL FUOCO & ALTRE COSE CURIOSE

      Firenze (1612) - Modesto Giunta. 1 vol. in-4° (200 mm x 140 mm). [8], 114, [6] p. Legatura settecentesca in mezza pergamena con piatti in cartonato rivestiti di carta decorata con motivi geometrici e floreali; tassello rosso con titolo in oro al dorso. Leggera brunitura al margine bianco di alcune pagine iniziali; restauro al frontespizio (perfettamente eseguito, praticamente invisibile). Ottima copia. Il primo ed il più famoso trattato sulla fabbricazione del vetro, su come colorarli e sulla realizzazione di gemme artificiali. Grazie alle sue scoperte, l'arte vetraria di Venezia divenne famosa in tutto il mondo. A FUNDAMENTAL WORK IN THE GLASS ART. ENGLISH TRANSLATION ON REQUEST

      [Bookseller: Studio Bibliografico Archetypon]
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        LIBER RITVALIS Episcopatvs Avgvstensis, distinctvs in tres partes, et ad vsvm Romanvm accomodatvs. Continens Canones et Ritus sacros, qui in administratione Sacramentorum, & caeteris muniis Ecclesiasticis, praesertim Pastoralibus rire obeundis, obseruaridebent. Rituale für die Diozöse Augsburg, herausgegeben von Heinrich von Knöringen. - In lateinischer und deutscher Sprache. - Schöner Dillinger Druck, durchgehend in Rot u. Schwarz, die Gesänge in Choralnotation auf Notensystem von vier Linien.

      Ioannis Mayer. Dillingen., 1612.. 4 Bll., 55, 171, 279 Seiten. hardcover Ledereinband der Zeit (Original) über Holzdeckeln, intakte Messingschließen, roter Schnitt, 2 Seiten lose, Einband mit Spuren der Zeit (kl. Einriss am Buchrücken, Leder mit Alterserscheinungen, Einband etwas Wurmstichig), Gelenk etwas gelockert, aber intakt, altersgerechter guter Gesamteindruck. Bilder auf Anfrage. Mit ganzseitigem Wappenholzschnitt als Frontispiz. Titelbordüre u. zahlreichen Holzschnitt-Initialen sowie Choralnotation in Typendruck. Druck durchgehend in Schwarz und Rot. Versand D: 5,00 EUR Religion; Christentum; 17. Jahrhundert; Musik; LATEINISCH (Sprache)

      [Bookseller: René Burkert]
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        Pestilentz Guardien. Für allerley Stands Personen / mit Säuberung der inficierten Häuser Beth-Leingewandt / Kleider etc. .

      Angermayr, Ingolstadt 1612 - Hippolyt Guarinoni (auch: Ippolito Guarinoni und Hippolytus Guarinonius) war Arzt, Universalgelehrter und Architekt in Hall in Tirol. - Dieses Werk ist in 7 Abschnitte unterteilt: 1. Guardi (= Empfehlung) für den gesunden Menschen, 2. Guardi für Priester, Krankenwärter und Todtengräber, 3. Guardi für die infizierten Häuser, 4. Guardi für die Friedhöfe, 5. Guardi für Kleider und Wäsche, 6. Guardi gegen verschiedene Irrtümer, 7. Guardi für Leute, die von der "Salzsur" (Salzlauge) geschädigt und verbrannt wurden. (Quelle: Wikipedia.) Mit Buchschmuck. Vorderer fliegender Vorsatz fehlt. Kupfer auf dem Titelblatt. Leichte Gebrauchsspuren. Die Seiten angabe beim 2. Teil ist wohl ein Fehler des Druckers, das Buch ist vollständig. Siehe Photo. Seiten 144 und 81-203. [Attributes: First Edition]

      [Bookseller: BerlinAntiquariat, Karl-Heinz Than]
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        Assunzione della Maddalena

      1612 - Acquaforte e bulino, 1612, firmata e datata in lastra in basso. Da un soggetto di Luca Cambiaso. Magnifica prova, impressa su carta vergata coeva, rifilata al rame, in ottimo stato di conservazione. Raffaello Schiaminossi fa parte della folta schiera di artisti nativi del piccolo borgo di San Sepolcro. Membro della corporazione fiorentina dei pittori a partire dal 1596, si dedica con successo all’incisione, traducendo ed interpretando a stampa disegni di Ventura Salimbeni, Federico Barocci, Paolo Veronese ed appunto Luca Cambiaso. La sua arte incisoria è del tutto particolare ed innovativa, caratterizzata dal forte uso del chiaroscuro, realizzato attraverso l’uso di una fitta serie di linee incrociate, alternate ad aree intagliate delicatamente. Uno dei migliori lavori dell’artista. Etching and engraving, 1612, signed and dated in the plate at the bottom. After Luca Cambiaso. Magnificent proof, printed on contemporary laid paper, trimmed to the copperplate, in excellent condition. Raffaello Schiaminossi is part of the large group of native artists of the small village of St. Seplocro. Member of the Guild of Florentine painters from 1596, he devoted himself with success incision, translating and interpreting printed design by Ventura Salimbeni, Federico Barocci, Paolo Veronese and precisely Luca Cambiaso. Its art of engraving is quite special and innovative, characterized by strong use of chiaroscuro, realized through the use of a dense series of crossed lines, alternating with areas carved gently. One of the best works of the artist. Bartsch XVII, p. 232, 91. Dimensioni 197x280. Dimensioni [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Libreria Antiquarius]
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        The Accedence of Armory

      

      [Bookseller: Maggs Bros. Ltd.]
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        Rugiae, Usedomiae, et Iulinae, Wandalicarum insularum Vera descriptio. Cum privilegio decennali.' u. 'Holsatiae Descriptio. Marco Iordano Holsato auctore':.

      - Altkolorierter Kupferstich n. Mark Jorden b. Abraham Ortelius in Antwerpen, 1612, 30,5 x 49,5 van den Broecke S. 87, 1612S55. Koeman Ort 41. - Zwei Karten auf einem Blatt. - Links Holstein (30,5 x 24,5) rechts Rügen mit Usedom und Wollin und die Küste Vorpommerns (30,5 x 20).

      [Bookseller: Antiquariat Norbert Haas]
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        Discours oeconomique, non moins utile que récréatif -

      Chez Martin Le Menestrier 1612 -, Rouen - 1 volume. In-12. 45 pp. Reliure d'époque plein veau glacé. Dos lisse finement orné. Triple filet dorés en encadrement sur les plats. Filet doré sur les coupes. Tranches dorées. Intérieur très propre. Très bel exemplaire. Réimpression du XVIIIe siècle, sous la date de 1612, de ce traité économique, dont la première édition a été imprimée en 1569. L'auteur propose de s'enrichir par l'élevage raisonné des poules. [Attributes: Hard Cover]

      [Bookseller: Librairie KOEGUI]
 38.   Check availability:     IberLibro     Link/Print  


        Lexicon Pentaglotton: Hebraicum, Chaldicum, Syriacum, Talmudico-Rabbinicum, et Arabicum

      Typis Joannis Jacobi Hennei Hanoviae (Hanau) 1612 - In-folio. (8 feuillets), 1992 colonnes et (141 feuillets). Plein vélin estampé à froid sur ais, riche décor de filets et de roulettes encadrant un blason à l'aigle becquée et couronnée frappée d'une croix. Fermoirs de laiton. Coupes biseautées.Trace d'attache de chaine au bas du second plat. Reliure allemande du temps. (Papier légèrement roussi). Très bel exemplaire de l'oeuvre majeure du grand orientaliste luthérien Valentin Schindler, professeur d'hébreu et de langues orientales à Wittenberg puis Helmstedt, publiée la même année à Hanau et Francfort par Jean Ruland, dans la même collation, avec les caractères de l'imprimeur d'Hanau Jakob Hans Jakob Henne. En plus de l'hébreu, du chaldéen, du syriaque, du talmudo-rabbinique et de l'arabe, Valentin Schindler se réfère au perse, à l'éthiopien et au turc, pour faciliter l'étude de la Bible hébraïque, des paraphrases chaldéennes, du Nouveau Testament syriaque, du Talmud de Babylone et de Jérusalem, du Midraschim et de tous les commentaires rabbiniques, des textes des philosophes et théologiens arabes, du Coran, d'Avicenne etc. Cet impressionnant dictionnaire, publié de manière posthume un an avant le Dictionnaire arabe-latin de Raphelenge, est suivi par "Rasche Theboth", ou traité des abréviations hébraïques, de Walter Keuchen, qui eut soin de l'ensemble de l'édition. Typographie en caractères hébraïques et romains. (Graesse VI, 305) Valentin Schindler is famous for his dictionary "Lexicon Pentaglotton: Hebraicum, Chaldicum, Syriacum, Talmudico-Rabbinicum, et Arabicum", in which the vocabulary of Hebrew and of four other Semitic languages is translated to Latin. It was published posthumously in 1612, one year before the 1613 Arabic-Latin lexicon of Franciscus Raphelengius.

      [Bookseller: Librairie Veyssière Sigma]
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        Discours sur l'impuissance de l'homme et de la femme Auquel est déclaré que c'est qu'impuissance empeschant & séparant le mariage. Comment elle se cognoist. Et qui doit estre observé aux procès de séparation pour cause d'impuissance, conformément au saints canons & décrets; & à ce qu'en escrit les théologiens & canonistes... seconde édition.

      P., Vve J. Du Brayet, & N. Rousset, 1612, pet. in 8°, de 4 ff.-226pp., pl. veau marbré époque, dos orné, bel exemplaire. Seconde édition augmentée. L'avocat Tagereau recense ici les cas, règles et procédures en cas d'impuissance, et se déclare assez opposé à l'épreuve du "congrès" souvent imposée dans ce genre de procès. Définition du mariage, impuissance de l'homme et qualité de sa semence, comment se reconnaît l'impuissance, procès, congrès, séparations, restitution de la dot, conseils... L'ouvrage fût réimprimé par Liseux en 1887. ¶ Gay Amour, femmes I.926 "la plaisante procédure du congrès ... était d'une indécence monstrueuse, mais elle faisait les délices des juges... Elle ne fut abolie que sous Louis XIV"

      [Bookseller: L'intersigne Livres anciens]
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        Historia Septem Infantivm de Lara. Historia de los Siete Infantes de Lara

      1612 - Magnific suite of etchins by Tempesta, illustrating the Spanish chronicle of the murder of the Infantes de Lara. 1612. Antwerp. Philip Lisaert. In 4to oblong (290 mm x 225 mm). title + 40 plates. Very rare in contemporary vellum over boards, front board inscribed “Livres de deffin gravee 135 nº-66 estampes”. Title page with ownership inscription “Mailly”; a remarkably good copy, very fresh and clean, with the plates in strong impressions, wide margins and in its entirely genuine condition. 8,000 $ First edition. A remarkable suite of 40 etchings depicting the Spanish romancero of the Seven Infants of Lara, illustrated by Vaenius (1556 – 1629) with the engravings of the Italian Tempesta (1555 – 1630). The work represents one of the most significant Spanish medieval legends, a chivalry chronic traditionally attributed to Fernan Gonzalez, which deals with the murder of 7 brothers by the hands of the Moors in the 11th century after the betrayal of their uncle Rodrigo, and were later avenged by their half brother Mudarra, son of the Lord of Lara and a Moorish Lady; "one of the most romantic (stories) in Spanish history" (Ticknor). Each etching contains below a parallel Spanish and Latin explanatory text. Tempesta was an Italian artist and engraver active the later part of the 16th century and first quarter of the 17th; his style is strongly marked by the Mannerism and later the Baroque, he worked under Vasari in the decoration of the Palazzo Vecchio in Florence. Vaenius was a Belgian artist and humanist, famous for his production of emblem books –some of which have come to be known as masterpieces of the 17th century book illustration-, and for having been the teacher to Peter Paul Rubens. Provenance: binding inscribed “Libres de deffin gravee 135 nº-66 estampes”; engraved bookplate on front pastedown from Mailly, also with manuscript ownership inscription to title. Palau 87773. Peeters-Fontainas 1331. Funck 404. Simoni (BL London) V-25. Illustr. [Attributes: First Edition; Hard Cover]

      [Bookseller: HS Rare Books]
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        Sententia dell' Eccelso Conseglio di Diece. Contra Anzolo Badoer cavalier. | Sententie vanden Hoogen Raedt van de Thiene. Teghens Anzolo Badoer ridder.The Hague, Hillebrant Jacobsz. van Wouw, 1612. 4to. With a woodcut vignette on title-page, 2 woodcut decorated initials (2 series, both arabesque). With the Italian text in italic, the Dutch text in textura and with incidental roman. Sewn in later plain paper wrapper.

      - Knuttel 1938a; STCN (5 copies); cf. ICCU: PUVE\019213 (1612 Venice ed., in Italian only); for Badoer: Diz. Biogr. Italiani 5 (1963) (on www.treccani.it). First bilingual (Italian and Dutch) edition of a sentence pronounced by the government of the Venetian Republic (the Consiglio dei Dieci or Council of Ten) on 21 April 1612, declaring Anzolo Badoer (in absentia) a traitor, stripping him of his knighthood, confiscating his property, banishing him from the city and the Republic's territories and sentencing him to be hanged, in the original Italian with a parallel Dutch translation. It also offers a reward for his capture dead or alive (4000 ducats if captured in the Republic and 6000 ducats if captured abroad). Anzolo or Angelo Badoer (1565- 1630) was the eldest son of Alberto Badoer (1540-1592), who had served as Venetian ambassador to Spain, the Holy Roman Empire and Rome until his premature death. Anzolo succeeded to his father's knighthood and followed him into diplomatic service as Venetian ambassador to France from 1602 until he came into conflict with the Council of Ten in 1607.With a large "9" on the title-page in red pencil. In very good condition. An important document of dramatic intrigues, here published with a Dutch translation.

      [Bookseller: ASHER Rare Books]
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        Histoire de la guerre des Bataves et des Romains, d'apr

      - STCN (4 copies); cf. Admirante, Bib. Militar, p. 770; Muller, Historieplaten 66. One of three simultaneous issues of the first and only edition of a luxurious and beautifully illustrated semi-mythological history of the Batavian revolt against the Roman empire in 69-70 AD. The author and publisher spared no expense to produce a lavish book, with coloured folding maps, and illustration plates copied from those engraved by Antonio Tempesta for Otto van Veen, Batavorum cum Romanis Bellum (1612). During the Dutch revolt against Spain, the Batavian revolt against Rome took on symbolic meaning and a powerful aura of patriotism.With tears along the fold of one map, but otherwise in very good condition, with a marginal water stain at the foot of the half-title. The binding is tattered. A patriotic show-piece on the Batavian revolt.

      [Bookseller: ASHER Rare Books]
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        THE GENERALL HISTORIE OF SPAINE, Containing all the memorable things that have past in the Realmes of Castille, Leon, Navarre, Arragon, Portugall, Granado, &c. and by what meanes they were united, and so continue under Philip the third, King of Spaine...

      London: Printed by A. Islip and G. Eld, 1612. [vi], 1380 pages of text, followed by [xxvii] of index, [i] blank (complete). Woodcut allegorical title page. Full leather binding, with early boards; later rebacking in period style; hinges repaired with tinted Japanese tissue. Corners slightly bumped, and spine extremities worn with loss. Minor ink marginalia in an attractive and contemporary hand scattered throughout text. Sabin 47118. Title continues "...now raigning; Written in French by Lewis de Mayerne Turque, unto the yeare 1583: Translated into English, and continued unto these times by Edward Grimeston, Esquire." First edition in English.. First Edition. Hardcover. Very good+ condition. Folio.

      [Bookseller: Kurt Gippert Bookseller (ABAA) ]
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        Recueil des edicts de pacification, ordonnances et déclarations faites par les Rois de France sur les moyens plus propres pour appaiser les troubles et séditions, survenues pour le fait de la religion

      New expanded edition edicts until 1610; in all likelihood, the first was published in 1599. Velin Full time. Smooth back. Title in black pen partly illegible. Endpapers are detached from the boards. Loose seams with some projections of notebooks. A gallery to 1 cm in the right margin affecting a letter p. 169 and following three and p. 69 to 72. Pale wetness low mage on the first pages. The first edict of Charles IX of 17 January 1561 and the last Declaration of roy Louys 13 of 22 May 1610 or 17 edicts, including the edicts of Nantes issued by Henry IV in 1598; all relate to the religious wars and their consequences. Pierre Belloys was an advisor of Henry IV. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! S.n. S.l. 1612 in-12 (8x14,7cm) 426pp. (15) relié

      [Bookseller: Librairie Le Feu Follet]
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        Croc, Vernalis. [Crocus varieties].

      Frankfurt, Germany. Ca. 1612. Engraving with handcolor, image 13 1/4 x 8 1/4 inches on sheet size 15 x 10 inches. Spot (approximately 1 inch circle) to lower left image, otherwise very good condition. From Emanuel Sweert's Florilegium, first issued in 1612, with five subsequent editions. "Emanuel Sweert, a Dutch florist, was at one time Praefectus of the gardens of the Emperor Rudolf II, and it was at his behest that the work was produced. Although it did not contain prices it also served as a catalogue of plants offered for sale by Sweert at the Frankfurt Fair." (de Belder catalogue). The intaglio processes of engraving and etching had only recently been applied to botanical illustration, allowing for a finer, more spontaneous line than the woodcut. This is a lovely image of crocus bulbs.

      [Bookseller: oldimprints.com]
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