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Displayed below are some selected recent viaLibri matches for books published in 1600

        Hans Vater.

      ca. 1600.(). Original etching. 29 x 18.5 cm. (11.5 x 7.25 in) in the plate. Titled in the plate. VG-NF.

      [Bookseller: Wittenborn Art Books]
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        Rare Antique Master Print-LANDSCAPE-TAVERN-Savery-Ca. 1600

      - Antique Master Print, untitled. A landscape with a tavern. Etching on laid paper. Description: Rare, uncommon landscape. State: Third state of 3. Ref: Hollstein 12.Artists and Engravers: Made by 'Jacob Savery' after own design. Jacob Savery I (ca. 1565-1603) originated from Flanders. He moved to Amsterdam and was active as a landscape painter. Condition: Good, given age. Ample margins, some surface soiling. Light staining at left bottom corner and margins, mostly visible on rear. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: Q1-080 LATPC The overall size is ca. 6 x 5.1 inch. The image size is ca. 4.8 x 3.5 inch. The overall size is ca. 15.2 x 13 cm. The image size is ca. 12.3 x 9 cm.

      [Bookseller: ThePrintsCollector]
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        Antique Print-FRANCE-LIMOUSIN-LIMOGES-Kaerius-Hondius-c. 1600

      - Antique print, titled: 'Totius Lemovici et Confinium (.).' - A handsome and detailed map of Limousin/Limoges, prepared by the well-known engraver, Petrus Kaerius. With an insert view of Limoges at top right. Two strapwork cartouches and scale. Copperplate engraving / etching with contemporary hand colouring on hand laid paper. Description: Source unknown, to be determined.Artists and Engravers: Made by 'Jodocus Hondius' after an anonymous artist. Jodocus Hondius (1563-1612) was the founder of the famous 17th century Dutch map publishing family. Hondius, along with sons Jodocus II and Henricus and son-in-law Jan Janssonius, was prominent in Dutch cartography and competed with the emerging Blaeu family map business. When Jodocus Hondius acquired the copperplates of the Mercator atlas and decided to re-issue them in 1606, he prepared this map for inclusion in his Atlas sive Cosmographicae. Condition: Good, given age. Edges slightly browned. A few minor small creases. Some miniscule holes near middle fold, hardly visible. Original middle fold as issued. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: BG-B1-35 The overall size is ca. 21.1 x 15.7 inch. The image size is ca. 19.4 x 13.5 inch. The overall size is ca. 53.5 x 40 cm. The image size is ca. 49.2 x 34.2 cm.

      [Bookseller: ThePrintsCollector]
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        Antique Print-SENEGAL-GULF OF GUINEA-ST. THOMAE-AFRICA-Mercator-Hondius-c. 1600

      - Antique print, titled: 'Guineae Nova Descriptio.' - This very decorative map shows the West African coast from Senegal (the 'Rio Senega' is the Senegal River) to Cape Lopez on the Gulf of Guinea just below the equator. The island of St. Thomae, which today forms a Portuguese province, is shown in detail in the small inset bottom left. Part of Libya is also depicted. The ocean is rendered in the typical moire style of Mercator, and the several strapwork designs are simple yet imposing. The map is one of six new maps of Africa to be included in Hondius' first edition of Mercator's Atlas. Etching/engraving on hand laid paper. Description: Source unknown, to be determined.Artists and Engravers: Made by 'Mercator-Hondius' after an anonymous artist. Mercator was born in Rupelmonde in Flanders and studied in Louvain under Gemma Frisius, Dutch writer, astronomer and mathematician. The excellence of his work brought him the patronage of Charles V, but in spite of his favor with the Emperor he was caught up in the persecution of Lutheran protestants and charged with heresy, fortunately without serious consequences. No doubt the fear of further persecution influenced his move in 1552 to Duisburg, where he continued the production of maps, globes and instruments. Mercator's sons and grandsons, were all cartographers and made their contributions in various ways to his atlas. Rumold, in particular, was responsible for the complete edition in 1595. The map plates were bought in 1604 by Jodocus Hondius who, with his sons, Jodocus II and Henricus, published enlarged editions which dominated the map market for the following twenty to thirty years. Condition: Good, given age. Very small tear upper middle fold, hardly visible. Light vertical crease left and right of middle fold. A few small unobtrusive creases. Original middle fold as issued. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: BG-B1-37 The overall size is ca. 20.5 x 15.6 inch. The image size is ca. 19.4 x 13.7 inch. The overall size is ca. 52 x 39.7 cm. The image size is ca. 49.3 x 34.7 cm. [Attributes: First Edition]

      [Bookseller: ThePrintsCollector]
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        Antique Master Print-ARCHITECTURE-COLOSSEUM-ROME-Hondius-Stevens-1600

      - Antique Master Print, titled: 'Colosseum ad vivum Romae.' - View of the Colosseum in Rome. Engraving on hand laid paper. paper. Watermark: Pot Description: No. 3 from a series. State: First state of 3. Ref: New Hollstein 47. Artists and Engravers: Made by 'Hendrick Hondius' after 'Pieter Stevens'. Hendrik Hondius I (1573-1650) was one the very active printmaker/publishers in the early part of the 17th. Century. He was based in The Hague. Pieter Stevens II, Flemish (c. 1567-1624 or after). Pieter Stevens probably trained in Antwerp before becoming a master landscape painter there in 1589. His early drawings were of ancient monuments in Rome and Naples, and were most likely copies of Jan Brueghel the Elder’s work. Stevens was appointed court painter to Emperor Rudolf II in Prague in 1594. During this period, he specialized in scenes of peasant life and mountains. His designs were used as furniture decorations and also engraved. From 1620 to 1624, Stevens worked for Prince Charles of Liechtenstein. Condition: Very good, given age. Ample margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: LA-Expo-P6-56 The overall size is ca. 11.2 x 8.9 inch. The image size is ca. 10.7 x 8.4 inch. The overall size is ca. 28.4 x 22.7 cm. The image size is ca. 27.2 x 21.3 cm.

      [Bookseller: ThePrintsCollector]
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        Antique Map-BRITISH ISLES-BRITTANNICARUM-Wierix-Ortelius-c. 1600

      - Antique map, titled: 'Britannicarum Insularum Typus.' - (British Isles.) The very decorative map shows the British Isles including England, Scotland, Wales and Ireland including decorative scroll-cartouches and ships. Etching / engraving on hand laid (verge type) paper. Watermark: Shield with horn. Description: From an undetermined Latin ed. of the Ortelius Atlas: 'Theatrum Orbis Terrarum'. The map was first published in the 1595 edition of Ortelius' atlas. The map was made based upon modern information from Mercator's 1564 map of the British Isles, improved by a new outline from Saxton's 1579 map (Meurer p. 197, Karrow 56/16, p. 387-388) and ancient knowledge from Diodorus Siculus, Plinius, Appianus, Tacitus, Cæsar, Strabo and numerous other Roman writers. Ref: Van den Broecke #192; Shirley, R.W. (BI to 1650) 186, pl.42. Artists and Engravers: Made by 'Jan Wierix' after 'Abraham Ortelius'. Koeman notes that Jan Wierix was the engraver of this map incl. the very decorative ships. Abraham Ortelius was born 1528 in Antwerp. He studied mathematics, Greek and Latin and travelled a lot across Europe. He established a business in dealing with books and drawing maps. His first remarkable map was a 8 sheet world map in the year 1564, but only three copies have survived. In 1570 he issued the "Theatrum Orbis Terrarum", the first modern "Atlas" with uniformly sized maps in a systematic collection. The term "Atlas" was not used until Mercator introduced it 20 years later. Most of the maps in Theatrum have been engraved by Frans Hogenberg. At the time of publication, the atlas was the most expensive book ever printed. Nevertheless it was a big success and around 7000 copies have been printed until 1612 in many editions and six different languages. Beside the Theatrum, Ortelius compiled a series of historical maps and published it in the "Parergon Theatri" which was bound with the Theatrum from 1579 onwards or published separately. Condition: Excellent, given age. Very nice dark impression. Remains tape from attachment to matting on rear. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: B17-04 The overall size is ca. 23.4 x 18.5 inch. The image size is ca. 19.9 x 14.4 inch. The overall size is ca. 59.5 x 47 cm. The image size is ca. 50.5 x 36.5 cm.

      [Bookseller: ThePrintsCollector]
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        Antique Master Print-DIRCK-THEODORUS COORNHERT-Van Haarlem-Muller-ca. 1600

      - Antique Master Print, titled: 'Theodorus Coornhertius Amstelredamus.' - Portrait of Dirck Coornhert. Dirck Volckertszoon Coornhert (1522-1590), also known as Theodore Cornhert, was a Dutch writer, philosopher, translator, politician, theologian and artist. Coornhert is often considered the Father of Dutch Renaissance scholarship. (source wikipedia) Engraving on hand laid paper. Watermark: Coat of arms with a French Lily. Description: Source unknown, to be determined. State: First state of 2. Ref: New Hollstein 34 II; Bartsch 34. Famous Mannerist portrait of Coornhert.Artists and Engravers: Made by 'Jan Harmensz. Muller' after 'Cornelis Cornelisz. Van Haarlem'. Jan Harmensz. Muller (1571-1628) was a reknown Dutch mannerist engraver, draughtsman and painter. He was the eldest son of Harmen Jansz. Muller (1540-1617), the Amsterdam book printer, engraver and publisher. The family business, called De Vergulde Passer ('The gilded compasses'), was situated in Warmoesstraat, and Jan Muller worked there for many years. He may have been apprenticed to Hendrik Goltzius in Haarlem. Between 1594 and 1602 he is thought to have gone to Italy, where he stayed in Rome and Naples. His work can be found in major museums worldwide. Cornelis Cornelisz. Van Haarlem (1562-1638) was a Mannerist painter from Haarlem. Condition: Very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: Q1-134 LATPC The overall size is ca. 5.7 x 8 inch. The image size is ca. 5 x 7.3 inch. The overall size is ca. 14.6 x 20.2 cm. The image size is ca. 12.7 x 18.6 cm.

      [Bookseller: ThePrintsCollector]
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        Deutsches Autorecht. Juristisches Organ des Allgemeinen Deutschen Automobil-Clubs. 1) 6. Jahrgang 1931. 24 Hefte (cpl.) 2) 7. Jahrgang 1932 21 Hefte (cpl.) 3) 8. Jahrgang 1933 12 Hefte (cpl.) 4) 9. Jahrgang 1934 12 Hefte (cpl.) 5) 10. Jahrgang 1935 12 Hefte (cpl.) 6) 11. Jahrgang 1936 12 Hefte (cpl.) 7) 12. Jahrgang 1937 12 Hefte (cpl.) 8) 13. Jahrgang 1938 12 Hefte + Sonderbeilage (cpl.) 9) 14. Jahrgang 1939 12 Hefte (cpl.) 10) 15. Jahrgang 1940 12 Hefte (cpl.)

      4 - ca. 1600 S. als Halbleinen m. Rücken-Schild fest gebunden, sehr gute Exemplare, ohne Einträge (keine Bibliotheksexemplare) Zehn komplette Jahrgänge. (alle in neuer. lat. Schrift, keine Fraktur)

      [Bookseller: Antiquariat Kyra Maralt]
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        Rare Antique Master Print-PROOF-MYTHOLOGY-PANTHEON-GREEK GODS-Anonymous-ca. 1600

      - Antique Master Print, untitled. Pantheon of the Greek or Roman Gods. Shows, among others, Zeus, Minerva, Selene and Two depictions of Mercury. Etching on hand laid paper. Description: Source unknown, to be determined. Ref: Undescribed. Rare. Maybe a proof before lettering.Artists and Engravers: Made by 'Anonymous' after own design. Anonymous Italian print, apparantly undescribed Condition: Very good, given age. Ample margins. Left margin uneven from binding. Margins with scattered small stains. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Storage location: Q2-235 LATPC The overall size is ca. 13 x 6.9 inch. The image size is ca. 11.3 x 4.1 inch. The overall size is ca. 33 x 17.6 cm. The image size is ca. 28.7 x 10.5 cm. [Attributes: Soft Cover]

      [Bookseller: ThePrintsCollector]
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        Briefe in fanzösisch mit Tinte in Schönschrift geschrieben

      Von Hand zusammengebunden, nur noch der Rücken des Einbandes erhalten. Duplikate vom König an die Fürsten(?) geschriebener Briefe. Durch aufgezeichnet königlich Schallermal unterschrieben(?). Um 1600. ca. 193 beschriebene Seiten. Folio. Seiten durch Wurm- und Tintenfraß beschädigt. ohne Einband.-3/4)Bild einer Seite.

      [Bookseller: Antikbuch24]
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        Biographisch-bibliographisches Kirchenlexikon (24 Bände) - Bd. I - XIV: Grundwerk A - Z/ Bd. XV - XXIV: Ergänzungsbände und Register zu Band I - XXIV (Heft).

      je Band ca. 1600 Spalten zweireihig Gebundene Ausgabe Die hier angebotenen Bände befinden sich in einem ordentlich erhaltenen Zustand KOMPLETTPREIS für 24 Bände bei Versand ins Ausland erfragen Sie bitte zuerst die Versandkosten

      [Bookseller: Petra Gros]
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        Rare Antique Master Print-MYTHOLOGY-JUPITER & CALYSTO-Vinckboons-ca. 1600

      - Antique Master Print, titled: 'A Jove mentito Phoeben stupratur [.].' - Rare antique master print. The story of Jupiter and Calisto. Engraving on laid paper. Watermark: Pot. Made by an anonymous engraver after 'David Vinckboons'. David Vinckboons (baptized 13 August 1576 – c.1632 ) was a Dutch Golden Age painter of Flemish origin. He was one of the more influential painters and print designers in the Netherlands in the early 17th. century. Condition: Good, given age. No margins, browned, small hole restored lower right corner text area. Thin paper spot at top left, backed. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. The overall size is ca. 8.1 x 6.3 inch. The image size is ca. 8.1 x 6.3 inch. The overall size is ca. 20.5 x 16 cm. The image size is ca. 20.5 x 16 cm.

      [Bookseller: ThePrintsCollector]
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        M. ManilI Astronomicon a Iosepho Scaligero : ex vetusto codice Gemblacensi infinitis mendis repurgatum Eivsdem Iosephi Scaligeri notae, quibus auctoris prisca astrologia explicatur, castigationum caussae redduntur, portentosae transpositiones in eo auctore antiquitus commissae indicantur.

      [Lugduni Batavorum]: ex officina Plantiniana, apud Christophorum Raphelengium, Academiae Lugduno-Batavae typographum, 1600. Half-Leather. Good. 8vo.. [32], 131p., [5],[18], 510p., [1]., diagrams. Two volumes in one. Half leather with marbled boards. New endpapers. Some rubbing of the leather at the spine edges. Four raised bands, title and author in gilt in panels two and three, date in gilt to the spine base. Title page (worst page) browned, names and date in faded ink, two lines written in Latin, edges frayed , some loss. Page three has two words partly obscured by a stain. Page edges discoloured with age, some creasing. From the Library of Patrick James Fitzpatrick, Emeritus Professor of Philosophy at Durham University. Text - Greek, Latin

      [Bookseller: Pinwell Books]
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        12 Rare Antique Prints-MONTHS-ZODIAC-YEAR-HUNTING-FISHING-Lucini-Tempesta-1600

      - Antique series of prints, titled: 'Illustissimo et Reverendissimo d.d. Petro Cardinali Aldobrandino Menses XII Anni Solaris'. It consists of the title page and 11 (of 12) prints depicting the months of the year. The title page contains the title within a decorative border, with the signs of the zodiac to the left and right, time personified below the title, and two solar deities on chariots above the title. Gennaro (January): Kitchen scene; Febraro (February): Jousting tournament; Marzo (March): Hunting and shepherds; Aprile (April): Gardening; Maggio (May): Falcon and dog hunting; Giugno (June): Harvest, shearing sheep and washing wool; Luglio (July): Harvest and threshing; Agosto (August): Fishing and swimming; Settembre (September): Grape harvest and making wine; Ottobre (October): Sowing and ploughing; Novembre (November): Duck hunting, pigs rooting in the forest, and forestry. This set lacks december. Original etching/engraving on a verge type handlaid paper. Engraved by Antonius Lucini fec. Published by Pet. De Iode excud. Anton Francesco Lucini (1610 � after 1661) was an Italian engraver and printmaker, best known for his etchings of the work Dell'Arcano del Mare by Sir Robert Dudley. Petrus, or Pieter de Jode I (Antwerp: 1570-1634) was a Flemish Baroque painter and engraver. He learned drawing and engraving first from his father, the map maker Gerard de Jode, and later from Hendrik Goltzius. Condition: Very good, given age. Left edges uneven from binding. Occasional small creases and tears in the margins, thumbing. 6 of the sheets with browned left edge. One print with paper damage in the left margin, backed with contemporary paper. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. The overall size is ca. 12.8 x 9.6 inch. The image size is ca. 10.8 x 7.9 inch. The overall size is ca. 32.5 x 24.5 cm. The image size is ca. 27.5 x 20 cm.

      [Bookseller: ThePrintsCollector]
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        Chronica del inclito emperador de Espana don Alonso VII deste nombre rey de Castilla y Leon, hijo de don Ramon de Borgona. Sacada de un libro muy antoguo escrito de mano con letras de los godos, por relacion de los mismos que lo vieron.En Madrid, por Luis Sanchez , 1600.

      En Madrid, por Luis Sanchez 1600 - Cm. 29, pp. (24) 491 (1). Bel marchio tip. al frontespizio (raff. le armi reali), graziose testatine e capilettera xil. Quindici splendidi stemmi xil. di grande formato in corrispondenza dei capitoli dedicati ai grandi casati spagnoli (casa de Sandoval, casa de Osorio, casa de Acuña, casa de Belasco, casa de Castro, casa de Zuñiga, casa de los Guzmanes, casa de Haro, casa de Mendoça, casa de los Manriques, casa de Padilla, casa de los Ponce de Leon, casa de Quiñones, casa de Toledo, casa de Touar). Legatura coeva in piena perg. molle. Piccoli restauri alla legature, bruniture dovute alla qualità della carta, macchiette più evidenti alle prime e ultime carte. Piccolo lavoro di tarlo al margine basso delle prime cc. pergamena antica, lievi aloni perlopiù marginali. Nel complesso buon esemplare. Prudencio de Sandoval (1553-1620), storico nativo di Valladolid, fu anche ecclesiastico di rango. Cronache della gesta del Alfonso VII, detto l'Imperatore, re di Leon e Castiglia; seguono capitoli monografici dedicati a quindici grandi casati spagnoli. Poco comune prima edizione. Cfr. Brunet, V, 124; Graesse, VI, 263 Kvk. [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Apuleio]
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        Verification des lieux impugnez de faux, tant en la preface, qu?aux livres de l?institution de la Saincte Eucharistie de nostre Seigneur; par le Docteur Du-Pui (Du Puy), Chantre de l?Eglise de Bazas; le Docteur Boulenger, & les Theologiens de Bordeaux, en leur Descouverte, Response, & Inventaire.2 parties ens.

      A La Rochelle, Par Hierosme Haultin, M. DC., 1600, - in-4to, 24 (de 28 p., manquent 2 ff. (a7 & a8 = p. 13 à 16) + p. 1-178 p.; + p.1-454 p. + 1 f. ?Fautes a corriger? + 2 ff. bl. (sign. a6 e6-p6 Q-z6 Aa-Zz6 Aaa-Eee6 Fff4 Ggg8 reliure cuir récent, étui. Philippe de Mornay est sans contredit un des plus beaux caractères de l?histoire moderne. Appelé à jouer un des premiers rôles, à une époque importante de l?histoire de France, il allia un zèle ardent à une grande modération. Tout le monde (sic!) se rappelle le portrait qu?en fait Voltaire dans la Henriade.C?est dans l?Epître dédicatoire "A Messieurs de l'Eglise romaine" qui manquent les 2 ff. ( â7-â8). titre avec vignette gravée sur bois, lettrines, en-têtes et fin de châpitres gravées sur bois. Exemplaire rogné un peu court au début.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. Brunet III, 1911; Quérard 2, 705. [Attributes: Hard Cover]

      [Bookseller: Harteveld Rare Books Ltd.]
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        A Geographical Historie of Africa Written in Arabicke and Italian by Iohn Leo a More borne in Granada and brought up in Barbarie Wherein he hath at large described not onely the qualities situations and true distances of the regions cities townes mountaines rivers and other places throughout all the north and principall partes of Africa but also the descents and families of their kings the causes and events of their warres with their manners customes religions and civile government and many other memorable matters gathered partly out of his own diligent observations and partly out of the ancient records and Chronicles of the Arabians and Mores Before which out of the best ancient and moderne writers is prefixed a generall description of Africa and also a particular treatise of all the maine lands and Iles undescribed by Iohn Leo Translated and collected by Iohn Pory lately of Gonevill and Caius College in Cambridge

      First Edition in English. Folding engraved map. Large 8vo. Nineteenth century calf, rebacked. [8], 420pp. London, [Eliot's Court Press] Imp. Georg. Bishop,

      [Bookseller: Maggs Bros. Ltd.]
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        Epistolarum libri X ; eiusdem Panegyricus Traiano dictus

      Paulus Stephanus (Paul Estienne), Geneva 1600 - Early paneled calf, rebacked ca. 19th c., endpapers refreshed, hinges worn and cracked, held by cords, corners bumped, wear at edges, title foxed, scattered mostly light foxing and browning - generally quite clean internally and an attractively printed Estienne edition of Pliny's letters. [28], 646, [blank], [28], [8], 168, 151 pp. Size: Quarto (4to). Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: History; Antiquarian & Rare. Inventory No: 046524. [Attributes: Hard Cover]

      [Bookseller: Pazzo Books (ABAA-ILAB)]
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        Principia Teologica Quae ad Actus

      Manoscritto Secolo XVII (1600) - 1vol cm 19,5 x14 , manoscritto cartaceo su carta preparata, in latino di unica mano, legatura con pagina antifonario cart rosso e nero(sec.XVI), cc 297 nn di cui 12 bianche, in chiarissima ed elegante grafia, ogni foglio impresso a secco a forma di graticola, con margini laterali e linee, perfetto. 1 volume 19,5 x14 cm, manuscript on prepared paper, Latin, single-handed written, binding with old antiphonary page black and red (sec.XVI), cc 297 nn of which 12 blank, very clear and elegant handwriting, each leaf dry stamped with side margins and lines, excellent copy. [Attributes: Hard Cover]

      [Bookseller: Redaelli Alberto]
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        Paesaggio con Tobia e l’angelo

      1600 - Bulino, 1600, firmato e datato in lastra in basso a destra. Da un soggetto di Gillis de Saen. Magnifica prova, impressa su carta vergata coeva priva di filigrana, rifilata al rame e completa della linea marginale, in ottimo stato di conservazione. Rara. Engraving, 1600, signed and dated on plate on lower right. From a subject of Gillis de Saen. Magnificent work, printed on contemporary laid paper without watermark, trimmed to platemark and with full marginal line, in excellent condition. Rare. Hollstein 4. Dimensioni 280 205mm [Attributes: Signed Copy]

      [Bookseller: Libreria Antiquarius]
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        Graetia Foederata

      Artist: Sanson Guillaume ( - 1667) Paris; issued in: Paris; date: ca 1690 1600 - - technic: Copper print; - colorit: colored; - condition: Very good; - size (in cm): 42 x 51; - description: Decorative map of Greece with its islands and a title cartouche.;; -vita of the artist: Nicolas Sanson (1600?1667) was a French cartographer, termed by some the creator of French geography, in which he's been called the father of French cartography.Active from 1627, Sanson issued his first map of importance, the "Postes de France", which was published by Melchior Tavernier in 1632. After publishing several general atlases himself he became the associate of Pierre Mariette, a publisher of prints.In 1647 Sanson accused the Jesuit Philippe Labbe of plagiarizing him in his Pharus Galliae Antiquae; in 1648 he lost his eldest son Nicolas, killed during the Fronde. Among the friends of his later years was the great Condé. He died in Paris on 7 July 1667. Two younger sons, Adrien (d. 1708) and Guillaume (d. 1703), succeeded him as geographers to the king.In 1692 Hubert Jaillot collected Sanson's maps in an Atlas nouveau. See also the 18th century editions of some of Sanson's works on Delamarche under the titles of Atlas de géographie ancienne and Atlas britannique; and the Catalogue des cartes et livres de géographie de Sanson (1702).

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Roy et Dessert de Barca et l Egypte.

      Artist: Sanson Nicolas ( - 1667) Paris; issued in: Paris; date: ca 1655 1600 - - technic: Copper print; - colorit: original colored; - condition: Some restoration at lower centerfold; - size (in cm): 34 x 53; - description: Map shows Egypt with Lybia; -vita of the artist: Nicolas Sanson (1600?1667) was a French cartographer, termed by some the creator of French geography, in which he's been called the father of French cartography.Active from 1627, Sanson issued his first map of importance, the "Postes de France", which was published by Melchior Tavernier in 1632. After publishing several general atlases himself he became the associate of Pierre Mariette, a publisher of prints.In 1647 Sanson accused the Jesuit Philippe Labbe of plagiarizing him in his Pharus Galliae Antiquae; in 1648 he lost his eldest son Nicolas, killed during the Fronde. Among the friends of his later years was the great Condé. He died in Paris on 7 July 1667. Two younger sons, Adrien (d. 1708) and Guillaume (d. 1703), succeeded him as geographers to the king.In 1692 Hubert Jaillot collected Sanson's maps in an Atlas nouveau. See also the 18th century editions of some of Sanson's works on Delamarche under the titles of Atlas de géographie ancienne and Atlas britannique; and the Catalogue des cartes et livres de géographie de Sanson (1702).

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Parte septentrional do Reyno de Portugal

      Artist: Sanson Guillaume ( - 1667) Paris; issued in: Paris; date: ca 1654 1600 - - technic: Copper print; - colorit: colored; - condition: Very good; - size (in cm): 41 x 53; - description: Map shows the northern part of Portugal until Lissabon; -vita of the artist: Nicolas Sanson (1600?1667) was a French cartographer, termed by some the creator of French geography, in which he's been called the father of French cartography.Active from 1627, Sanson issued his first map of importance, the "Postes de France", which was published by Melchior Tavernier in 1632. After publishing several general atlases himself he became the associate of Pierre Mariette, a publisher of prints.In 1647 Sanson accused the Jesuit Philippe Labbe of plagiarizing him in his Pharus Galliae Antiquae; in 1648 he lost his eldest son Nicolas, killed during the Fronde. Among the friends of his later years was the great Condé. He died in Paris on 7 July 1667. Two younger sons, Adrien (d. 1708) and Guillaume (d. 1703), succeeded him as geographers to the king.In 1692 Hubert Jaillot collected Sanson's maps in an Atlas nouveau. See also the 18th century editions of some of Sanson's works on Delamarche under the titles of Atlas de géographie ancienne and Atlas britannique; and the Catalogue des cartes et livres de géographie de Sanson (1702).

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Espagne Par N Sanson le Fils Geog. du Roy

      Artist: Sanson Nicolas ( - 1667) Paris; issued in: Paris; date: ca 1650 1600 - - technic: Copper print; - colorit: gouache; - condition: Perfect condition; - size (in cm): 14,5 x 16,5; - description: Map shows total Spain with Portugal and the Balearic island of Mallorca, Menorca and Ibiza with a decorative title cartouche.; -vita of the artist: Nicolas Sanson (1600?1667) was a French cartographer, termed by some the creator of French geography, in which he's been called the father of French cartography.Active from 1627, Sanson issued his first map of importance, the "Postes de France", which was published by Melchior Tavernier in 1632. After publishing several general atlases himself he became the associate of Pierre Mariette, a publisher of prints.In 1647 Sanson accused the Jesuit Philippe Labbe of plagiarizing him in his Pharus Galliae Antiquae; in 1648 he lost his eldest son Nicolas, killed during the Fronde. Among the friends of his later years was the great Condé. He died in Paris on 7 July 1667. Two younger sons, Adrien (d. 1708) and Guillaume (d. 1703), succeeded him as geographers to the king.In 1692 Hubert Jaillot collected Sanson's maps in an Atlas nouveau. See also the 18th century editions of some of Sanson's works on Delamarche under the titles of Atlas de géographie ancienne and Atlas britannique; and the Catalogue des cartes et livres de géographie de Sanson (1702).

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Les Montagnes des Alpes.

      Artist: Sanson/ Jaillot Charles Hubert Nicolas ( - 1667) Paris; issued in: Paris; date: ca 1690 1600 - - technic: Copper print; - colorit: colored; - condition: Very good; - size (in cm): 56 x 87; - description: Big map of Savoie and Piemonte and the principality Milano.; -vita of the artist: Nicolas Sanson (1600?1667) was a French cartographer, termed by some the creator of French geography, in which he's been called the father of French cartography.Active from 1627, Sanson issued his first map of importance, the "Postes de France", which was published by Melchior Tavernier in 1632. After publishing several general atlases himself he became the associate of Pierre Mariette, a publisher of prints.In 1647 Sanson accused the Jesuit Philippe Labbe of plagiarizing him in his Pharus Galliae Antiquae; in 1648 he lost his eldest son Nicolas, killed during the Fronde. Among the friends of his later years was the great Condé. He died in Paris on 7 July 1667. Two younger sons, Adrien (d. 1708) and Guillaume (d. 1703), succeeded him as geographers to the king.In 1692 Hubert Jaillot collected Sanson's maps in an Atlas nouveau. See also the 18th century editions of some of Sanson's works on Delamarche under the titles of Atlas de géographie ancienne and Atlas britannique; and the Catalogue des cartes et livres de géographie de Sanson (1702).

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Tobias with the angel catching the fish in the river Tigris

      In a hilly landscape with trees is Tobias catching a fish in the river Tigris. On the left foreground Tobias is sitting with the angel beside the river and on the right of the print he is leaving the scene with his companion and a dog. Lettered below: 'TOBJAS hic....'; signed on the bottom left:'EG. de saen inuent' and right:'Hen. Hondius sculps et excud. / 1600'; above left:'cum privil' and dedication to the prince Fred. Henry of Orange:'Ill. mo... / dedic. H. Hondius' Etching and engraving on paper, trimmed within platemark; total: 203 x 278 mm; only state; New Hollstein 4; W. 3, H IX 5 ; Kramm III p. 719

      [Bookseller: Historisch Antiquariaat A.G. van der Ste]
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        Madonna della scodella

      The Madonna, seated with the infant Christ on her lap, holds a bowl for the infant Baptist to drink from; S. Anne watches from behind with a hand raised. The preparatory drawing is at the Louvre (ex coll. Mariette, Inv. 7142). First engraving realized by Annibale Carracci after 1600, showing the signs of a renewed approach to engraving. Remarkable is in fact the strong chiaroscuro, emphasized by the hatched background against which are disposed the sculpted figures. Although the figures are engaged in simple and natural activities, the composition is carefully studied and masterfully engraved with regular hatchings and signs. This composition became immediately highly popular as its numerous copies testify (seventeen are documented). From the second state the name of the publisher was added, Nicolaes van Aelst, publisher active in Brussels and Rome. In the latter city he had a workshop in via della Pace from 1582 to 1613. Three states of this print are documented, however the exemplar at the Museum in Bologna (Inv. 4730) is suggested to be a fourth state. Signed above right: 'Annib. Carracius in./ et fecit. 1606./ Nico van Aelst for.' Etching and engraving on laid paper with a vague circular watermark, small margins; platemark: 123 x 161 mm, total: 125 x 163 mm; state III/3 (or III/4); warn out plate on the corners; on the verso cifres in characoal, top right and left corner restored, lower left margin also; selected literature: Bartsch (1818), XVIII vol., p.186, n. 9; Le Blanc (1854), p. 606, n. 6; Nagler (1858) p. 458, n. 1053; The Illustrated Bartsch (1980), p. 395, 9-I (186) and (1996), 39 (2 Comm.), p. 256,n. 3906.020

      [Bookseller: Historisch Antiquariaat A.G. van der Ste]
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        Schweizer Illustrierte Zeitung, XX - XXVIII Jg. 1931 - 1939. [Pro Jahrgang 52 Hefte, jeweils in 1 Bd zus. 9 Bde.].

      2 (38.5 x 30 cm), je ca. 1600 - 1900 S. mit den eingebundenen Umschlägen, unzähl. s/w-Abb. nach Photographien, zahlreiche interessante Inserate., (Neuere) Privat-HLwd. m. gold. Rückenpräg., Einbände selten min. berieben, Papier etw. gebräunt, allg. sehr schöne Exemplare. Nicht kollationiert. - Interessantes, inhaltlich wie haptisch schwergewichtiges Dokument über die Befindlichkeit der Schweiz und der Welt von 1931-1939. Die ganze Vorkriegszeit und die Machtergreifung der Nazis, der Beginn des Spanischen Bürgerkrieges, usw. wird umfangreich beleuchtet.- Die Schweizer Illustrierte wurde 1911 unter dem Namen Schweizer Illustrierte Zeitung (SIZ) gegründet. Seit der Ausgabe Nr. 37 vom 6. September 1965 heisst sie nur noch Schweizer Illustrierte. In den Anfangsjahren waren historische und politische Themen stärker präsent als heute, wo sie eher zur Regenbogenpresse gezählt werden muss.

      [Bookseller: antiquariat peter petrej]
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        Theatrvm Terræ Sanctae et Biblicarum Historiarum cum tabulis geographicis ære expressis. Avctore, Christiano Adrichomio, Delpho.

      Coloniae Agrippinae, in Officina Birckmannica, sumptibus Arnoldi Mylij (Arnold Mylius), 1600. - Groß-4°. 38 cm. Gestochener Titel [5] Blatt, 286 Seiten, [15] Blatt. Ganzlederband der Zeit mit Lederschließen. 3. Auflage. Vergleiche Graesse, Tresor de Livres rares et precieux, Tome 1, S. 21. Mit 12 (von 12= Komplett!!) Karten: "Situs Terrae Promissionis SS Bibliorum.", "Tribus aser", "Tribus Ephraim , Beniamin.", "Tribus Gad.", "Tribus Zabulon, Isachar.", Tribus Ivda", "Dimidia Tribus Manasse.", Tribus Neptalin.", Pharan desertum.", "Tribus Ruben.", "Tribus Simeon.", "Ierusalem.", Exemplar aus der aufgelösten Capuciner-Bibliothek Crefeld mit Bibliotheksstempel auf Titel, Eintrag auf Innendeckel. Einband mit deutlichen Gebrauchsspuren, berieben, bestoßen, 2 Ecken stark bestoßen, Außenfalz teils gerissen aber fest, 2 Lederschließen abgerissen, Titelblatt mit großem Tintenfleck, Einband und Buchblock mit mehreren winzigen Wurmlöchern. Die Jerusalem-Karte mit Randläsuren, teils hinterlegte Einrisse. Gutes, innen und Karten in gutem bis sehr gutem Zustand. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Lenzen]
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        Sefer HaChinuch. [The book of Education].

      Venice Giovanni di Gara 1600 - Second edition. 4to, 228 ll., old ownership signature to front endpaper, reads: R. Josefe Coen. Pages edges slightly rubbed and browned. Professionally restored tear to one leaf. Modern brown calf boards. A very good copy. Exposition of the 613 commandments of the Torah, first published anonymously in 13th century Spain. With introduction by Rabbi Yehuda Aryeh of Modena. This work systematically discusses the commandments (mitzvot) both from a legal and a moral perspective, by first linking the mitzvah to its Biblical source and then addressing its philosophical roots. Following this, the book presents a brief overview of the halakha (practical Jewish law) governing its observance - usually based on Maimonides' Mishneh Torah, also noting the punishment for disobedience - and closes with a summary as to the mitzva's applicability. The sixteenth century Italian author and Talmudist Gedaliah ibn Yahyah ben Joseph ( [Attributes: Hard Cover]

      [Bookseller: Shapero Rare Books]
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        SEPTIZONIUM imp. SEVERI... Views of Rome [Set title]

      57th plate of 100 portraying Rome's palaces and ruins and even reconstruction of ancient buildings in Rome. The second state of these etchings were collected in the publication by Peter Schenck:'Roma aeterna, sive ipsius aedificiorum Romanorum, integrorium collapsorumque, conspectus duplex. ' In the 'Aedificiorum Index':'57. Sepulcrum, Septizonium Severi', view on the reconstruction of the facade of the so called Septizonium a building constructed by will of emperor Septimius Severus, completely dismanteled by 1600. Inscribed on the bottom in Latin and Dutch:'SEPTIZONIUM imp. SEVERI... / Pet. Schenck exc: Amstelod: cum Privil:' Etching on paper with margins; platemark: 165 x 198 mm; total: 190 x 254 mm; state I/2; some dirt along the external margins; lettering in blue ink iin he sky; on the verso pencil annotation of numbers; Hollstein 1497-1596; Nagler 177; Le Blanc 19; Wurzbach 313

      [Bookseller: Historisch Antiquariaat A.G. van der Ste]
 31.   Check availability:     Biblio     Link/Print  


        SEPTIZONIUM SEVERI... Views of Rome [Set title]

      58th plate of 100 portraying Rome's palaces and ruins and even reconstruction of ancient buildings in Rome. The second state of these etchings were collected in the publication by Peter Schenck:'Roma aeterna, sive ipsius aedificiorum Romanorum, integrorium collapsorumque, conspectus duplex. ' In the 'Aedificiorum Index':'58. Sepulcrum, Septizonium Severi', view on the ruins of the so called Septizonium, a building constructed by will of emperor Septimius Severus, completely dismanteled by 1600. For this representation the source might have been a plate from Lafreri's 'Speculum Romanae Magnificentiae' (1574). Inscribed on the bottom in Latin and Dutch:'SEPTIZONIUM SEVERI... / P. Schenck exc: Amstelod: cum Privil:' Etching on paper with margins; platemark: 167 x 198 mm; total: 191 x 254 mm; state I/2; some dirt along the external margins; Hollstein 1497-1596; Nagler 177; Le Blanc 19; Wurzbach 313

      [Bookseller: Historisch Antiquariaat A.G. van der Ste]
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        Precetti Morali e Civili Con molti, & varij essempi: opera utilissima à qualunque sorte persone

      VENEZIA: Appresso Sebastian Combi - Venetia, 1600. Rilegato. DISCRETO. 10,7 15,5. USATO

      [Bookseller: Biblioteca di Babele]
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        Portrait of Carel Utenhove

      Beautiful half-length portrait of Carel Utenhove, humanist from Gent, later also burgomaster of the city. De Passe was his intimate friend since his stay in Cologne. 'Matthias Quad has left an excellent account of Carel Utenhove, relating that he was a linguistic genius. [...] Utenhove died in 1600 at the age of 64, and the city council allowed him to be borne to the Protestant cemetery outside the city walls followed by a solemn procession of nobles and scholars. Utenhove' s verses are found on De Passe' s prints from 1591 to 1600, so he was his first contributor. He usually signed with the Latinised form of his name, but sometimes with the Greek one, and occasionally supplied poems for allegories, such as the 'Anthropomorphooseoos eikones' or 'The ages of man'(1599) [...] In 1595, De Passe drew and engraved Utenhove' s portrait in his honour ('Honoris ipsius causa dipingebat...'). The likeness was later copied in a silver medallion by Simon de Passe, probably as a present for one of Utenhove' s relatives. There are two Latin poems on the portrait. One is by the Neo-Latin poet Paul Melissus, the other an encomium by the well-known Heidelberg physician and scholar Johannes Posthius which echoes the figure of speech introduced by Dürer and widely applied in the sixteenth and seventeenth centuries, namely that a portrait may reproduce someone's outer appearance but cannot record his spirit. A person's spirit, which lives on his work, is regarded as the best part of a human being, not his physical appearance. Posthius's verse expressed this idea as follows: 'In this print one sees what was mortal: / The eloquent mouth and face of Utenhove. / The image of his spirit, expressed in his learned books, / Will survive all ages, immortal.' [...].In 1595, the year in which the portrait was engraved, Utenhove sent it to the Antwerp historian Emanuel van Meteren in London, who pasted both the print and the covering letter into his album amicorum.' [Veldman, p. 58-60] Engraving on paper with margins; plate mark: 156 x 107 mm, total: 169 x 120 mm; only state; Hollstein 833, Franken/Passe 910, v. Someren 5662

      [Bookseller: Historisch Antiquariaat A.G. van der Ste]
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        The Romane Historie (.) Written by T. Livius of Padua. Also, the Breviaries of L. Florus: with a Chronologie to the whole Historie: and the Topographie of Rome in old time.

      London Adam Islip 1600 - Folio, (10), 1404, (40) pp., woodcut title, initials, head-and tailpieces, woodcut of Queen Elizabeth, to whom this edition is dedicated, on verso of title page and portrait of Livy. Contemporary dark brown calf rebacked, blind-panelled boards, raised bands, corners worn, a fine example. Philemon Holland's Livy was the first in a series of unabridged translations of canonical Roman works that made him, in Thomas Fuller's famous phrase "the translator general in his age" (Peter Culhane, Philemon Holland's Livy). "Holland's first book, the first complete rendering of Livy into English, was published in 1600 when he was nearly fifty. It was a work of great importance, presented in a grand folio volume of 1458 pages, and dedicated to the queen. The translation set out to be lucid and unpretentious, and achieved its aim with marked success. It is accurate, and often lively, and although it does not attempt to imitate the terseness of Latin, it avoids prolixity. As part of his book Holland translated two other substantial works—an ancient epitome of Roman history which provides an outline of the lost books of Livy, and Bartolomeo Marliani's guide to the topography of Rome—as well as some smaller texts. These were taken from the edition of Livy published in Paris in 1573; by translating them, Holland was making available in English a great learned compendium of historical knowledge, not simply a single ancient author" (ODNB). One of the greatest and certainly the most popular of the Roman writers of history, Titus Livius began his great work between 27 and 25 B.C., completing it only shortly before his death about ten years later. In it he gives the complete history of the city of Rome, from its foundation to the death of Augustus. Because he was writing under the emperor Augustus, Livy's history emphasizes the great triumphs of Rome. He wrote his history with embellished accounts of Roman heroism in order to promote the new type of government implemented by Augustus when he became emperor. In Livy's preface to his history, he said that he did not care whether his personal fame remained in darkness, as long as his work helped to "preserve the memory of the deeds of the world's preeminent nation." [Attributes: Hard Cover]

      [Bookseller: Shapero Rare Books]
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        La rizographie ou les sources, elemens, & perfecçions de l'écritture Italiene

      Paris: [Circa 1600]. Oblong 4to (188 x 278 mm). Four leaves letterpress, including the scarce "Extraict des Registres de Parlement." Engraved title and 31 calligraphic plates by Simon Wynhoutz Frisius. Old marbled wrappers. Some staining. Provenance: purchased from Marlborough Rare Books, 1981. FIRST EDITION of the second of Le Gangneur's three writing manuals. As scribe in the King's Chamber under Henri III and Henri IV, Le Gangneur was granted a privilege to publish his manuals on 1 October 1599. The Netherlandish engraver Simon Wynhoutz Frisius captured the fine and florid style of one of the greatest calligraphers of the age. Adams L-387; Becker, The Practice of Letters 44; Bonacini 1039-41; Brunet III:934; Destailleur 842. From the Collection of Arthur & Charlotte Vershbow.

      [Bookseller: Riverrun Books & Manuscripts]
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        Facetiae facetiarum, hoc est- Ioco- seriorum fasciculus novus, Pathopoli, G. Severum [ = Leiden, Phil. de Croy ], 1645, 12o, ( 4 ) + 595 + ( 1 ) pag., 19e eeuws half leer ( aan onderzijde band: J.F. Boersema ).

      Geillustreerd met frontispice met scenes uit studentenleven. Bevat 18 delen, meest over seks en dronkenschap. Een ( Hans Pumbsack ) in het Duits, de andere in het latijn. Oorspronkelijk verschenen in 1600 met 12 delen. Door het Vaticaan verboden. Willems 1635, Cf. Brunet 1157-1158.

      [Bookseller: Antiquariaat A.G. VAN DER STEUR]
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        Tobias with the angel catching the fish in the river Tigris.

      "In a hilly landscape with trees is Tobias catching a fish in the river Tigris. On the left foreground Tobias is sitting with the angel beside the river and on the right of the print he is leaving the scene with his companion and a dog. Lettered below: 'TOBJAS hic....'; signed on the bottom left:'EG. de saen inuent' and right:'Hen. Hondius sculps et excud. / 1600'; above left:'cum privil' and dedication to the prince Fred. Henry of Orange:'Ill. mo... / dedic. H. Hondius' "."Etching and engraving on paper, trimmed within platemark; total: 203 x 278 mm; only state; New Hollstein 4; W. 3, H IX 5 ; Kramm III p. 719"

      [Bookseller: Antiquariaat A.G. VAN DER STEUR]
 38.   Check availability:     NVvA     Link/Print  


        Jürgen Klauke: (Pro) Securitas. Original-Fotografie auf hochglänzendem Agfa Fotopapier (1986 / 1988). Bildformat: 52,5 x 61,0 cm. Rückseitig in Bleistift von Jürgen Klauke signiert und datiert. - Leichte Knickspuren, sehr leichte Druckspuren, wohl beim Herstellungsprozess entstanden, beides fast nur im Bildglanz sichtbar. - Motiv aus der "Pro Securitas" Fotoreihe.

      - Sprache: Deutsch Gewicht in Gramm: 1600

      [Bookseller: FOTO-Antiquariat Joachim FAHL]
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        Oude Hollandsche landen, heeren, luyden, rechten en rechtsplegingen, oprechten van 't Hoff van Hollandt Zeelant en West-Vrieslandt, Leenhoff in Hollandt en den hogen-raedt etc. Amsterdam, S. v. Esvelt, 1743.

      4°, halfleer, (8)+228 pag.C1580."Roberts pag. 231; Dekkers pag. 128. Jacob van Oudenhoven (1600/1601 - 1690) was predikant met historische belangstelling. Dit werk werd posthuum gepubliceerd."

      [Bookseller: Antiquariaat A.G. VAN DER STEUR]
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        Delineatio historica fratrvm minorvm ... / Historische af-beeldinghe der Minder-broeders van de Nederlandtsche provincie, die om 't gheloof wreedelijck van de Geusen ghedoodt zijn. Antwerpen, Plantijn/Moretus, 1635.

      4°, 52 pag. (deels verso blanco). Origineel sierpapier omslag, geillustreerd. C1890."Funck pag. 281; BCNI 8801. Geillustreerd met gegraveerd titelvignet en wapen, 2 houtsneden en 20 fraaie gravures van A.P. [= Andries Pauli of Pauwels, 1600-1639, Antwerps graveur]. Betreft de moord op: Joh. Amicus, de zes martelaren van Alkmaar, Engelb. Terburgius, de elf martelaren van Gorcum, F. Reynerus a Lintris, J. Mahusius, W. Goudanus, J. Cuyper, A. Beverloo, Nic. Delfius, J. Scheurmans, Joh. van Amsterdam, Joh. Gray, Joh. Puteanus, M. Suetens, Alb. v. Leyden, Th. v. Beringhen, J. v. Delft."

      [Bookseller: Antiquariaat A.G. VAN DER STEUR]
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        Explanatio digestorum secundum Justi Henningii Boehmeri compendium

      ca. 1600 S., 23 x 19 cm Halbleder der Zeit Kommentierende Nachschrift in vier Bänden. 1798-1799 geschrieben. Lateinische Handschrift auf Papier. Kapitale mit Fehlstellen, Gelenke teils eingerissen, bestoßen und beschabt. Gebräunt, teils etwas tintenfleckig , Preis inkl. MwSt. .

      [Bookseller: Versand-Antiquariat Konrad von Agris]
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        Madonna della scodella.

      "The Madonna, seated with the infant Christ on her lap, holds a bowl for the infant Baptist to drink from; S. Anne watches from behind with a hand raised. The preparatory drawing is at the Louvre (ex coll. Mariette, Inv. 7142). First engraving realized by Annibale Carracci after 1600, showing the signs of a renewed approach to engraving. Remarkable is in fact the strong chiaroscuro, emphasized by the hatched background against which are disposed the sculpted figures. Although the figures are engaged in simple and natural activities, the composition is carefully studied and masterfully engraved with regular hatchings and signs. This composition became immediately highly popular as its numerous copies testify (seventeen are documented). From the second state the name of the publisher was added, Nicolaes van Aelst, publisher active in Brussels and Rome. In the latter city he had a workshop in via della Pace from 1582 to 1613. Three states of this print are documented, however the exemplar at the Museum in Bologna (Inv. 4730) is suggested to be a fourth state. Signed above right: 'Annib. Carracius in./ et fecit. 1606./ Nico van Aelst for.'"."Etching and engraving on laid paper with a vague circular watermark, small margins; platemark: 123 x 161 mm, total: 125 x 163 mm; state III/3 (or III/4); warn out plate on the corners; on the verso cifres in characoal, top right and left corner restored, lower left margin also; selected literature: Bartsch (1818), XVIII vol., p.186, n. 9; Le Blanc (1854), p. 606, n. 6; Nagler (1858) p. 458, n. 1053; The Illustrated Bartsch (1980), p. 395, 9-I (186) and (1996), 39 (2 Comm.), p. 256,n. 3906.020"

      [Bookseller: Antiquariaat A.G. VAN DER STEUR]
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        M. ManilI Astronomicon a Iosepho Scaligero : ex vetusto codice Gemblacensi infinitis mendis repurgatum Eivsdem Iosephi Scaligeri notae, quibus auctoris prisca astrologia explicatur, castigationum caussae redduntur, portentosae transpositiones in eo auctore antiquitus commissae indicantur.

      [32], 131p., [5],[18], 510p., [1]., diagrams. Two volumes in one. Half leather with marbled boards. New endpapers. Some rubbing of the leather at the spine edges. Four raised bands, title and author in gilt in panels two and three, date in gilt to the spine base. Title page (worst page) browned, names and date in faded ink, two lines written in Latin, edges frayed , some loss. Page three has two words partly obscured by a stain. Page edges discoloured with age, some creasing.

      [Bookseller: Pinwell Books]
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        Madonna della scodella

      - The Madonna, seated with the infant Christ on her lap, holds a bowl for the infant Baptist to drink from; S. Anne watches from behind with a hand raised. The preparatory drawing is at the Louvre (ex coll. Mariette, Inv. 7142). First engraving realized by Annibale Carracci after 1600, showing the signs of a renewed approach to engraving. Remarkable is in fact the strong chiaroscuro, emphasized by the hatched background against which are disposed the sculpted figures. Although the figures are engaged in simple and natural activities, the composition is carefully studied and masterfully engraved with regular hatchings and signs. This composition became immediately highly popular as its numerous copies testify (seventeen are documented). From the second state the name of the publisher was added, Nicolaes van Aelst, publisher active in Brussels and Rome. In the latter city he had a workshop in via della Pace from 1582 to 1613. Three states of this print are documented, however the exemplar at the Museum in Bologna (Inv. 4730) is suggested to be a fourth state. Signed above right: 'Annib. Carracius in./ et fecit. 1606./ Nico van Aelst for.' Etching and engraving on laid paper with a vague circular watermark, small margins; platemark: 123 x 161 mm, total: 125 x 163 mm; state III/3 (or III/4); warn out plate on the corners; on the verso cifres in characoal, top right and left corner restored, lower left margin also; selected literature: Bartsch (1818), XVIII vol., p.186, n. 9; Le Blanc (1854), p. 606, n. 6; Nagler (1858) p. 458, n. 1053; The Illustrated Bartsch (1980), p. 395, 9-I (186) and (1996), 39 (2 Comm.), p. 256,n. 3906.020

      [Bookseller: Antiquariaat A.G. van der Steur]
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        Predigt Johannes des Täufers. Lavierte Tuschfederzeichnung in Braun.

       Um 1600. Auf feinem Bütten mit Wasserzeichen \"Großes Wappenschild mit 4 und B (legiert)\". 31,5 x 41 cm (blattgroß). Großes, viellfiguriges Blatt des Manierismus. Die Figuren werden mit einer feinen Umrißlinie wiedergegeben, die mit sicherem Strich die meist komplizierten Bewegungen und viele Drehungen beschreibt. Die Lavierung modelliert die Zeichnung und unterstreicht die Bewegungen effekvoll. Johannes steht im linken Drittel des Bildes auf einem Felsen, seine erhöhte Position wird durch seinen Fingerzeig nach oben aufgenommen und verstärkt. Die Figurengruppen links und rechts am Bildrand werden jeweils durch Bäume kompositorisch gestützt. - Zuschreibung durch Direktor der Albertina, Dr. Konrad Oberhuber, Schreiben vom 21.05.1990. - Vertikale Knick -bzw. Quetschspur, geglättet. Drei Ecken sorgsam und kaum wahrnehmbar ergänzt, ein winzige Restaurierung rechts von der Johannes Figur. Manierismus, Schule von Fontainebleau, 2. Schule von Fontainebleau, Predigt des Johannes, Johannes der Täufer,

      [Bookseller: Kunstantiquariat Joachim Lührs]
 46.   Check availability:     buchfreund.de     Link/Print  

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