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Displayed below are some selected recent viaLibri matches for books published in 1600

        Nobiltà di dame, libro altra volta chiamato il Ballarino. Libro,altra volta,chiamato il ballarino . : Aggiontovi il basso,et il Soprano della Musica:et con l'intavolatura del Liuto a? ciascun ballo . Nuovamente dal proprio Auttore corretto, ampliato di nuovi Balli,di belle regole et alla perfetta Theorica ridotto: Con le creanze necessarie a? Cavalieri ,e Dame.Ornato di vaghe e bellissime Figure in Rame. Alli ser.mi sig.ri Duca, et Duchessa di Parma, e di Piacenza, ec.

      Veetia, presso il Muschio, ad istantia dell'auttore, 1600, - in-4, (ff. 12), pp. 370, (ff. 3), legatura coeva in pergamena floscia, titolo ms. al dorso. Frontespizio inciso, con titolo entro elaborata cornice architettonica, tavola incisa con ritratti in ovale dei Duca e Duchessa di Parma e Piacenza e 35 magnifiche incisioni a piena pagina di coppie di ballerini, realizzate da Giacomo Franco. Ciascuna tavola ritrae una dama e un gentiluomo, in magnifici abiti d'epoca testimonianza della moda del tempo, con rimarcabili dettaglio e nitidezza. Seconda edizione, dedicata a Ranuccio Farnese e Margherita Aldobrandina, largamente ampliata dal Caroso stesso (compositore e coreografo, 1526- ca. 1605) rispetto alla prima, pubblicata nel 1581. Celebre quanto bella opera cincequecentesca dedicata al ballo e alla musica di accompagnamento alla danza: descrive i balli più apprezzati presso le corti italiana, francese e spagnola, includendo anche le arie musicali, con relativa notazione per liuto. "The work sets down in great detail the manner of execution of the dances fashionable at the courts of Italy, France and Spain during the Renaissance. Herein are described menuets, gaillardes, caprioles, canaries, pavanes etc. together with their airs, accompanied by musical notations for the lute. The Engravings (some of them repeated) are full-length representation of both ladies and gentlemen and the costume of the epoch is rendered with valuable wealth of detail" (C. W. Beaumont, Bibl. Of Dancing, pp.24-25). Esemplare assai bello, fresco e marginoso. Magriel, Bibl. of dancing, p.44; Eitner II, 341. Derra de Moroda, 528. Teatro Regio, Mostra del libro e documento di danza, p.58. Non presente in: Mortimer Italia e Beaumont. [Attributes: Hard Cover]

      [Bookseller: Libreria Antiquaria Pregliasco]
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        Il Giovedì Grasso p (sic) memoria di certa vittoria ottenuta d:la Rep.ca nel friuli si fa pub.ca festa nella piazza di S:m.co dove assiste il Doge...

      1600. Acquaforte, ottima impressione su carta vergata, mm 247x156, firmata "Giacomo Franco Forma con privilegio" in basso, tratta dalla raccolta "Habiti d'huomeni et donne veneziane...Trionfi Feste Cerimonie pubbliche della mobilissima città di Venetia", che si proponeva di illustrare in ogni aspetto la vita cittadina, inclusi i giochi che dividevano la cittadinanza in due squadre. La raccolta venne pubblicata dopo il 1591, anno in cui Franco ottenne il privilegio di stampa dal senato. Foglio in ottime condizioni con buoni margini con minime tracce di sporco superficiale e piccole macchie marginali. Traccie illeggibili di scrittura manoscritta sopra il titolo. Piccola mancanza di carta all'angolo superiore destro.

      [Bookseller: Libreria Antiquaria Perini s.a.s.]
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        3 Large Vellum Christian Choir Book Leaves In Manuscript Separately Framed C160o Lbc

      Not Attributed 1600 - Color ; 3 LARGE VELLUM CHRISTIAN CHOIR BOOK LEAVES in MANUSCRIPT separately framed VG Framed Color c1600 Aprox 18 x 24", not examined out of frame which is aprox 23" x28". Vellum leaves in old style wooden frames with bright gilding held with gilt ruled matting. The leaves themselves are gilt illuminated with color & pictorial embellishments. [Spain? , 16th-17th Century. ]. Framed by Buchanan and Riguel , Virginia. Shipped in a large box. Manuscript: : Hymns: : Illuminated NOTE: The 'blur" in the center of the first photo is actually a small piece of paper inadvertently left on the outside of the glass when the photo was taken, The manuscripts are in intact condition and there is no blur. Manuscript: : Hymns: : Illuminated ; 12 [Attributes: Hard Cover]

      [Bookseller: poor man's books (mrbooks)]
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        English Cookery 1600 - 1800

      Over fifty rare and interesting titles ranging from 1600 - 1850. The works are all essentially cookery books but some early titles also include receipts for cosmetics, perfumes, medicines and gardening. Many of these early books are very rarely offered in commerce; a few individual items are also shown here. Please contact me for the full list.

      [Bookseller: The Antiquarian Book Company]
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        Vergilius com commentarijs. Opera Vergiliana: antea corrupta: con mendosa: nunc vero multorum exemplarium collatione in integrum restituta: docte: con familiariter exposita

      Venetiis, per A. de Zannis de Portesio 1600 - Folio. 3 parts in 1. 7 [of 8] preliminary leaves, 122, 250, 47 leaves, illustrations 32 cm. 18th century quarter vellum over marbled boards, leather spine label, page ends washed yellow. Armorial bookplate of M. Bruen. Title page supplied in manuscript as the 1529 Lyon edition. Not in Adams or Brunet. Modified woodcut illustrations based off Gruninger Strasbourg edition of 1502. About half of the woodcuts have been crudely augmented in color wash by an amateurish hand. Contemporary ink annotations. Scattered spotting and staining, some pages trimmed and shaved close. Dampstain affecting text and woodcut to 100 leaves. This is an oversized or heavy book, that requires additional postage for international delivery outside the US. [Attributes: Hard Cover]

      [Bookseller: Sequitur Books]
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        Shanameh (Book of Kings)

      circa 1600 - This is a manuscript. Incomplete. Just 2 leaves. In Farsi, of a work authored by the Persian poet Ferdowsi around 1600 A.D., the ShanNameh is the national epic of the Persian speaking world. It tells the mythical and historical past of Iran from the creation of the world up until the Islamic conquest of Iran in the 7th century. 2 folio leaves from teh Book of Kings, written on ivory colored oriental Persian paper, in elegant classic Nastilik calligraphy in black within a polychrome panel whose borders are drawn in liquid gold and blue. Some discoloration standard for the age.

      [Bookseller: Meir Turner]
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        Histoire Naturelle et Moralle des Indes, tant Orientalles qu'Occidentalles: Ou,il est traicte des choses remarquables du Ciel, des Elemens, Metaux, Plantes & Animaux qui sont propres de ce pays.

      Paris: Marc Orry, 1600 A good copy of the 2nd French edition of Joseph Acosta's important work on the New World first published in Spanish in 1590. Acosta was a Jesuit, who spent 17 years in South America and Mexico. His work, based on careful observation, formed one of the first accounts of the New World. This copy is in probably contemporary full vellum binding with yapp edges. The original ties have gone. It is difficult to say if the binding was hard or soft cover, because at some point in its history, it has had an old stiff embossed wallpaper with gilt birds and flowers, used to form new endpapers. There are no pages before the title page, which has had a strip added at the bottom and which is coming loose. Contents: title page; dedication pp ii-iv; advert; poems 4pp; Extrait du Privilege du Roi 1p; Text in 7 books pp 1-375; table of contents 34 pp. The text pages are numbered on the recto only. With decorative head pieces and initial capitals. The text is very clean with just the occasional mark, and some light underlining at p 238, but p 58 is missing. P 31 is mispaginated as p 13; p 267 is un-numbered and p 97 is very thin with a hole in the bottom margin. The final third of the book is quite difficult to open fully - probably because of the way the endpapers have been added.

      [Bookseller: E C Books]
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        Satire op de hygiëne - Crispijn de Passe naar Hendrick Goltzius, ca. 1600.

      Worst maken; satire op de hygi?ne, ?Jannot en Margot", kopergravure uit ca. 1600 door Crispijn de Passe.Het idee voor de sc?ne komt van Hendrick Goltzius (?HGoltius jnve[n]t[or]??), hetgeen zeer uitzonderlijk is in Goltzius? verder zeer sophisticated oeuvre. Een oudere vrouw (Margot) vult een darm en maakt een worst. Een man (Jannot) met een narrenkap op z'n rug legt een hand op haar schouder en wijst naar waar ze mee bezig is. Jannot lacht omdat zij bloedworst maakt in een weinig hygi?nische mand en over het zakje voor haar gezicht dat zou moeten voorkomen dat haar neus in de worst druppelt. Margot antwoordt dat Jannot gek is, zij vindt zich zelf zeer wel hygi?nisch en heeft ook het zwijn binnengelaten dat ze bij de haard laat zitten. Margot meent dat het zwijn het liefst bij Jannot wil zijn, Jannot is immers zo slim als een bloedworst (gemaakt van zwijn). De gevulde worst is een dubbelzinnige verwijzing naar ontlasting. De komische discussie tussen de twee gaat over de hygi?ne op dat gebied.De nabij Venlo geboren Hendrick Goltzius (1558-1616) leerde het vak van glasschilder bij zijn vader Jan Goltz te Duisburg. Van 1574 tot 1576 kreeg hij les in de graveertechniek van de uit Haarlem uitgeweken dichter, graveur, theoloog en wijsgeer Dirck Volckertsz Coornhert te Xanten. In navolging van Coornhert vestigde hij zich in Haarlem, waar hij in 1582 een bloeiend atelier had. Samen met de Vlaamse schilder-theoreticus Karel van Mander en de schilder Cornelis Cornelisz richtte hij in Haarlem een ??Academy? op. In deze periode perfectioneerde Goltzius een extreem elegante stijl, be?nvloed door het mani?risme van Bartholomeus Spranger.In 1590-91 reisde hij naar Itali?, waar hij enkele maanden in Rome verbleef en waar hij de beroemdste antieke beelden natekende. De kennismaking met de werken uit de oudheid en Renaissance betekende een ommekeer in Goltzius? stijl, die soberder en realistischer werd. Na zijn terugkeer in 1591 ontstonden zijn meest beroemde prenten, de zogenaamde ?Meisterstiche??, taferelen uit het leven van Maria gemaakt op de manier van oude meesters als Albrecht D?rer en Parmigianino. Tegen 1600 begon Goltzius ook te schilderen. Zijn schilderijen hebben meestal mythologische onderwerpen. Zijn tekeningen hebben belangrijk bijgedragen aan de ontwikkeling van de kunst in zijn tijd, vooral door zijn weergave van het landschap en de (naakt)figuur. Het Teylers Museum organiseerde in 2003 een grote overzichtstentoonstelling van het werk van Goltzius.De prentenuitgeverij van Crispijn de Passe (1564-1637) was bijzonder productief (ca. 14.000 prenten) met een grote vari?teit aan onderwerpen en genres (onder meer produceerde hij ge?llustreerde boeken in samenwerking met een boekdrukker, wat een tamelijk nieuw fenomeen was). De Passe hield het productieproces voor een groot gedeelte in eigen hand door zelf ook te graveren en ontwerpen te leveren; zijn drie tekenende en graverende kinderen werkten al jong in het bedrijf mee. Zij opereerden eerst vanuit Keulen, later vanuit Utrecht, met nauwe handelscontacten in Londen en Parijs en richtten zich op een internationale klantenkring.Referentie: New Hollstein Dutch XV, nr. 645; Crispijn de Passe and his progeny (1564-1670): a century of print production, door Ilja M.Veldman (2001), p.144 Er ligt een exemplaar van deze gravure in het RijksprentenkabinetPrijs: VERKOCHT.

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
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        Pergrinatie der Patriarchen

      Artist: Allertsz H ; issued in : Amsterdam; date: 1600 - - technic: Copper print; colorit: original colored; size (in cm): 30,5 x 17,5 - description: Map shows on 2 inset maps the holy land and Jerusalem with the contiguous countries with Cyprus. With 6 beautiful biblical scenes.

      [Bookseller: Antique Sommer& Sapunaru KG]
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        AUREUM VELLUS, Oder Güldin Schatz und Kunstkammer: Darinnen der aller fürnembsten, fürtreffenlichsten / ausserlesenesten / herrlichsten und bewehrtesten Auctorum Schrifften Bücher / aus dem gar uhralten Schatz und ubergebliebnen / verborgenen / hinerhaltenen Reliquien und Monumenten der AEgyptorum, Arabum / Chaldaeorum & Assyrorum Königen und Weysen. Von dem edlen / Hocherleuchten / fürtreflichen / bewehrten Philosopho Salomone Trisamosine (so des grossen Philosophi und Medici Theophrasti Paracelsi Praeceptor gewesen) in sonderbare unterschiedliche Tractetlein disponirt / und in das Deutsch gebracht. Zampt anderer Philosophischen / alter unnd newer Scribenten sonderbaren Tractetlein / alles zuvor niemalen / weder erhört noch gesehen / wie d

      I: Erstlich Gedruckt zu Rorschach am Bodensee. II: Erstlich gedruckt im Gotteshaus S. Gallen Reichshoff / Rorschach am Bodensee. (G. Straub) 1599. (i.e. 1600). - 1.-2. Teil (von 5) in einem Band. 8°. 7 n.n. Bl., 214 S., 1 Bl., Titel, 165 S. Mit einem Holzschnittporträt von Paracelsus und 7 Holzschnitten im Text. Lederband um 1820 mit schwarzem goldgeprägtem Rückenschild und wenig Rückenvergoldung. Brüning 737. - Ferguson II, 469 (incplt.). - Sudhoff 244. - Zweite Ausgabe nach 1598 (dort in Quart). Der fehlende 3. Teil erschien ebenfalls in Rorschach 1600, ein 4. und 5. Teil erschien in Basel 1604 in Quart. - Enthält die Schriften des Salomon Trismosin, -angeblicher Lehrer von Paracelsus, der aber ebensowenig existierte wie Basilius Valentinus, sowie Schriften von Paracelsus und von Korndorff. Offenbar wollte der Herausgeber des Werkes die Bedeutung der Schriften Paracelsus hervorstreichen in dem er ihm einen Lehrer unterschob der in allen Bereichen der alchemistischen Künsten beschlagen war. Trismosin konnte Metalle transmutieren, kannte den Jungbrunnen und die Essenz zum Erfolg bei Frauen. Die Schriften im 2. (und im fehlenden 3. Teil) wurden zum Teil Paracelsus untergeschoben, sind zum Teil aber auch aus den früher erschienenen Druckausgaben übernommen. Der Titel bezieht sich auf die griechische Sage vom goldenen Vlies. Das Holzschnittporträt ist eine verkleinerte Wiedergabe des Holzschnittes aus der Paracelsus Ausgabe von Huser. Die anderen Holzschnitte zeigen Laborgeräte. - Ueber den Druckort streiten sich die Experten. Straub hat seine Offizin offenbar während der Arbeit von Rorschach nach St. Gallen verlegt. - Die vorliegende Ausgabe in Oktav ist im Handel und in den Bibliotheken wesentlich seltener nachweisbar als die 1598 gedruckte Ausgabe in Quart. - Durchgehend stark gebräunt, stellenweise wasserrandig. Haupttitel später neu eingehängt und im Innenfalz hinterlegt. Dadurch das Porträt auf Titel verso mit kleinem Bildverlust. Letztes Blatt mit kleinem Eckabriss (ohne Textverlust).

      [Bookseller: Daniel Thierstein]
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        Pianta prospettica della città e delle lagune intagliata in legno dal monogrammista C. S. (Christoph Stimmer) per la "Cosmographia" di Sebastiano Munster, Basilea, 1550

      Basilea: Heinrich Petri, (1600) - Xilografia di mm 247 x 386, foglio di mm 307 x 396. Carta vergata. Edizione tedesca. Marginalmente lungo il lato superiore, al di fuori del legno ed in caratteri romani, i numeri di pagina clxxxviii, clxxxix, il titolo: "'Contrafehtung der furnemen statt Venedig sampt den umbligenden inseln". Nella pianta diversi nomi in latino ed italiano (in tedesco Teutsch-haus: Fondaco dei Tedeschi). In basso a sinistra il monogramma C. S. con sottostante il cavallo. A destra del monogramma due grandi riquadri con inserite due brevi descrizioni della città in caratteri tipografici: "Die Statt Venedig hat 62 pfarkirchen und 41 closter. Sie hat so vil canalen/ oder wasser fluss als sie gassen hat. Es seind darin 400 offentlischer brucken und /steg on die besundere gezelt.Item schiff so man zu allen hantierungen brauchen/ mag findt do bey 8000. Im werckhaus Arsenal genant das mit einer mau/ren umbfangen ist seind stets 400 meister und gesellen dieon underlass grosse /morschiff bereiten undmachen. In der inseln Murano macht man die hubschen/ Venediger undcrystalliner glasser, die man haraus und in alle lender bringt./Es begreifft umsich die stadtt Venedig acht welcher eilen. Und wie wol sie gar-/im more light, ist siedoch beschirmrt vonn demongestimen more durchein naturlich/ gestad so sich umb die statt umbherzencht gleich als ein onberwegliche mauer,das/ dem more demsturm nimpt das es die statt niuberfallen mag. An funft ortern hat es / breite lucken, dardurch man faren mag besunder bey den zweien Castellen zu Latin/ Duo propugnacula genant und bey der bischiffichen statt Chioza, die 25 mey-/len von Venedig ghen Ferrar zu ligt. Es ligen 25 inseln umb die statt und werden fast/ alle von geistlichen leuten bewonet ". Vi è ripetuta la rappresentazione convenzionale città -laguna già ideata da Bordone, ma esasperata ancor di più nella deformazione delle distanze e delle superfici. La prospettiva della città si differenzia per il punto di vista più ribassato rispetto le piante di Giovanni Andrea Vavassore e del Bordone; innegabile è invece, una certa affinità con laconcezioneprospettica del De'Barbari. La prima edizione della Cosmografia con laveduta di Venezia è del 1550, in tedesco, le successive edizioni appaiono fino al 1628. Nel 1559 c'è un'edizione in latino. Malgrado la massiccia tiratura sembra che il legno non sia stato ripassato o rifatto. L'unica modifica notata è la cancellazione della scritta in alto a sinistra "Brenta fl" in alcuni esemplari, tra i quali questo, della tarda edizione in lingua tedesca. Cassini (1982) N°11; Moretto N° 13; Schultz (1970) N° 14; Romanelli, Biadene (1982) N° 8 17mo secolo [Attributes: First Edition]

      [Bookseller: Libreria Emiliana ]
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        Partie orientale du temporel, de l Archevesche et Eslectorat de Treves

      Artist: Sanson Nicolas ( - 1667 ) Paris; issued in : Paris; date: 1681 1600 - - technic: Copper print; colorit: original colored; condition: Very good; size (in cm): 42 x 55,5 - description: Map shows the Rheinlandpfalz with Trier, Koblenz and Dietz - vita of the artist: Nicolas Sanson (1600?1667) was a French cartographer, termed by some the creator of French geography, in which he's been called the father of French cartography.Active from 1627, Sanson issued his first map of importance, the "Postes de France", which was published by Melchior Tavernier in 1632. After publishing several general atlases himself he became the associate of Pierre Mariette, a publisher of prints.In 1647 Sanson accused the Jesuit Philippe Labbe of plagiarizing him in his Pharus Galliae Antiquae; in 1648 he lost his eldest son Nicolas, killed during the Fronde. Among the friends of his later years was the great Condé. He died in Paris on 7 July 1667. Two younger sons, Adrien (d. 1708) and Guillaume (d. 1703), succeeded him as geographers to the king.In 1692 Hubert Jaillot collected Sanson's maps in an Atlas nouveau. See also the 18th century editions of some of Sanson's works on Delamarche under the titles of Atlas de géographie ancienne and Atlas britannique; and the Catalogue des cartes et livres de géographie de Sanson (1702).

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Estat et Seigneurie de l Eves. De Lyege ou sont les Comtes de Hasbain, de Lootz et de Horn.

      Artist: Sanson Guillaume ( - 1667 ) Paris; issued in : Paris; date: 1692 1600 - - technic: Copper print; colorit: original colored; condition: Very good; size (in cm): 56 x 32,5 - description: Map shows the area of Lyege and the river Meuse from Roermund to Charlemont - vita of the artist: Nicolas Sanson (1600?1667) was a French cartographer, termed by some the creator of French geography, in which he's been called the father of French cartography.Active from 1627, Sanson issued his first map of importance, the "Postes de France", which was published by Melchior Tavernier in 1632. After publishing several general atlases himself he became the associate of Pierre Mariette, a publisher of prints.In 1647 Sanson accused the Jesuit Philippe Labbe of plagiarizing him in his Pharus Galliae Antiquae; in 1648 he lost his eldest son Nicolas, killed during the Fronde. Among the friends of his later years was the great Condé. He died in Paris on 7 July 1667. Two younger sons, Adrien (d. 1708) and Guillaume (d. 1703), succeeded him as geographers to the king.In 1692 Hubert Jaillot collected Sanson's maps in an Atlas nouveau. See also the 18th century editions of some of Sanson's works on Delamarche under the titles of Atlas de géographie ancienne and Atlas britannique; and the Catalogue des cartes et livres de géographie de Sanson (1702).

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Bildnis von Oskar Maria Graf. Original Fotografie; Silbergelatine-Abzug (1963; wohl späterer Abzug). Bildformat: 25,5 x 37,7 cm. Rückseitig handschriftliche Datierung, Widmung und Bezeichnung von Stefan Moses in Bleistift sowie Copyright Aufkleber. - Leichte Knickspur, nur im Bildglanz sichtbar, zwei kleine Eck-Klebereste. - Siehe die ABBILDUNG.

      - Sprache: Deutsch Gewicht in Gramm: 1600

      [Bookseller: FOTO-Antiquariat Joachim und Silvia FAHL]
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        ANNALS OF THE HONORABLE EAST-INDIA COMPANY. From their establishment by the charter of Queen Elizabeth, 1600, to the union of the London and English East-India Companies, 1707-8 .

      London, printed by Authority of the Honorable Court of Directors, 1810, 1600. FIRST EDITION 1810, 3 volumes, complete set. 4to, approximately 315 x 250 mm, 12½ x 10 inches, pages: viii, 1-572; [4], 1-677; [4], 1-693, all with half-titles, bound in half morocco, gilt lettering to spines, gilt top edges, marbled boards and endpapers. Volume 1 lacking pages 77-78, Volume 3 lacking pages 69-72, the same pages are missing in the Bodleian Library's set, the text appears complete, 22 pages of light foxing and 7 pages with slightly heavier foxing to Volume 1, shallow creases and scoring to some margins, looks like a paper fault, 2 small edge tears neatly repaired, nowhere near text, light foxing to blank endpapers, bookplate on pastedowns and small bookseller's label to lower edge, a few small handling marks otherwise a very good tight clean set. See: Catalogue of the Goldsmiths' Library of Economic Literature, Volume 2, page 86 Commerce section; The Kress Library of Business and Economics 1777-1817, page 284, B. 5619. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton P.B.F.A.]
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        Colonia.

      - Kupferstich um 1600, Stecher unbekannt., 37 x 50 cm. äußerst seltene Plan der Deutlich verkleinerte Version des Planes von Arnold Mercator. Achtspaltige Legende 1 - 44 in italienischer Sprache unter dem Plan. Der Titel COLONIA in den westlich gelegenen Feldern an der Stadtmauer. Verzeichnet unter Nr. 3 in: Köln in Vogelschauansichten Werner Schäfke 1992. Der Sich ist auf Japanpapier aufgezogen. ** Photos auf Wunsch im JPG-Format erhältlich.**

      [Bookseller: Kunsthandlung Goyert]
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        Ecce Homo. Et si hic non esset homo non liberaretur homo. (Urbino 1593-1680, pittore, incisore, architetto)

      1600. Bulino originale, (mm 274x194), un cm. di margine sui quattro lati (lieve restauro al verso del margine inferiore) Il titolo indicato appare su un cartiglio in basso della scena; la firma si legge ai piedi di una colonnina: "Hieronimus Cialdierus Urbinum I.F." . Incisione estremamente rara del Cialdieri (Urbino 1593-1680, pittore, incsore, architetto) artista che ha lasciato pochissimi rami. Il Cristo coronato di spine è a figura intera, mostrato al popolo da Caifa e da tre armati. Il Gesù ha figura dolcissima e colma di dolore umano. (Lieve restauro della carta al verso delmargine inferiore).

      [Bookseller: Libreria Antiquaria Pregliasco]
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        Portugaliae Pars

      1600 - Rare battle plan illustrating the ill-fated Drake expedition to Portugal. N.d. [ca. 1600]. [Frankfurt]. Georg Keller. Trimmed to neat line and remargined, in the style of a Lafreri map, in order to fit into a larger binding. 280 mm x 200 mm. Exceedingly rare map depicting the battle between the English Armada and Spanish Galleons off the Coast of Lisbon, during the failed Drake-Norreys expedition of 1589. This rare map shows the Spanish and English fleets arrayed off the coast of Portugal, during the opening stages of an epic contest. To add artistic drama to the view, the ships take on an exaggerated size, compared to the coastline in the background. Enraged by England's piracy and heresy, in 1588, Phillip II assembled what was by far the largest naval fleet to date. It sailed from Lisbon to attack England. However, a combination of brave and clever English resistance, Spanish incompetence and terrible weather resulted in the complete failure of the mission and the loss of most of the Spanish fleet. The 'Defeat of the Armada' was one of the momentous events of British history. Sir Francis Drake (1540-96) was one of the leaders of the resistance to the Armada. Following the defeat of the Armada, Elizabeth and her ministers quickly moved to strike a deathblow to Spanish naval power. In 1589, the English mounted the Drake-Norreys Expedition, led by Sir Francis Drake as admiral and Sir John Norreys as general. The commanders of the so-called "English Armada" unwisely decided to attack Corunna, in Galicia, on their way to Lisbon. While they managed to create quite a bit of havoc for the Spaniards, the diversion seriously weakened the English fleet and spoiled the element of surprise, as the Spanish garrison in Lisbon was alerted and given two weeks notice to shore up its defences. Once the English arrived off of Portugal, they became bogged down in a protracted series of naval battles, the Spanish maintaining the upper hand. Political leaders in London refused to authorize re-enforcements for the fleet. Drake and Norreys were forced to withdrawal with heavy losses both in lives and ships. The Spanish victory marked a revival of Philip II's naval power.

      [Bookseller: HS Rare Books]
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        Satire op de hygiëne - Crispijn de Passe naar Hendrick Goltzius, ca. 1600.

      Worst maken; satire op de hygi?ne, ?Jannot en Margot", kopergravure uit ca. 1600 door Crispijn de Passe.Het idee voor de sc?ne komt van Hendrick Goltzius (?HGoltius jnve[n]t[or]??), hetgeen zeer uitzonderlijk is in Goltzius? verder zeer sophisticated oeuvre. Een oudere vrouw (Margot) vult een darm en maakt een worst. Een man (Jannot) met een narrenkap op z'n rug legt een hand op haar schouder en wijst naar waar ze mee bezig is. Jannot lacht omdat zij bloedworst maakt in een weinig hygi?nische mand en over het zakje voor haar gezicht dat zou moeten voorkomen dat haar neus in de worst druppelt. Margot antwoordt dat Jannot gek is, zij vindt zich zelf zeer wel hygi?nisch en heeft ook het zwijn binnengelaten dat ze bij de haard laat zitten. Margot meent dat het zwijn het liefst bij Jannot wil zijn, Jannot is immers zo slim als een bloedworst (gemaakt van zwijn). De gevulde worst is een dubbelzinnige verwijzing naar ontlasting. De komische discussie tussen de twee gaat over de hygi?ne op dat gebied.De nabij Venlo geboren Hendrick Goltzius (1558-1616) leerde het vak van glasschilder bij zijn vader Jan Goltz te Duisburg. Van 1574 tot 1576 kreeg hij les in de graveertechniek van de uit Haarlem uitgeweken dichter, graveur, theoloog en wijsgeer Dirck Volckertsz Coornhert te Xanten. In navolging van Coornhert vestigde hij zich in Haarlem, waar hij in 1582 een bloeiend atelier had. Samen met de Vlaamse schilder-theoreticus Karel van Mander en de schilder Cornelis Cornelisz richtte hij in Haarlem een ??Academy? op. In deze periode perfectioneerde Goltzius een extreem elegante stijl, be?nvloed door het mani?risme van Bartholomeus Spranger.In 1590-91 reisde hij naar Itali?, waar hij enkele maanden in Rome verbleef en waar hij de beroemdste antieke beelden natekende. De kennismaking met de werken uit de oudheid en Renaissance betekende een ommekeer in Goltzius? stijl, die soberder en realistischer werd. Na zijn terugkeer in 1591 ontstonden zijn meest beroemde prenten, de zogenaamde ?Meisterstiche??, taferelen uit het leven van Maria gemaakt op de manier van oude meesters als Albrecht D?rer en Parmigianino. Tegen 1600 begon Goltzius ook te schilderen. Zijn schilderijen hebben meestal mythologische onderwerpen. Zijn tekeningen hebben belangrijk bijgedragen aan de ontwikkeling van de kunst in zijn tijd, vooral door zijn weergave van het landschap en de (naakt)figuur. Het Teylers Museum organiseerde in 2003 een grote overzichtstentoonstelling van het werk van Goltzius.De prentenuitgeverij van Crispijn de Passe (1564-1637) was bijzonder productief (ca. 14.000 prenten) met een grote vari?teit aan onderwerpen en genres (onder meer produceerde hij ge?llustreerde boeken in samenwerking met een boekdrukker, wat een tamelijk nieuw fenomeen was). De Passe hield het productieproces voor een groot gedeelte in eigen hand door zelf ook te graveren en ontwerpen te leveren; zijn drie tekenende en graverende kinderen werkten al jong in het bedrijf mee. Zij opereerden eerst vanuit Keulen, later vanuit Utrecht, met nauwe handelscontacten in Londen en Parijs en richtten zich op een internationale klantenkring.Referentie: New Hollstein Dutch XV, nr. 645; Crispijn de Passe and his progeny (1564-1670): a century of print production, door Ilja M.Veldman (2001), p.144 Er ligt een exemplaar van deze gravure in het RijksprentenkabinetPrijs: VERKOCHT.

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
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        Brief mit eigenh. U. ("Il Card[inale] di S[anta] Sev[eri]na").

      Rom, 27. II. 1599 [d. i. 1600]. - 1 S. auf Doppelblatt. 4to. Mit Adresse (Faltbrief). Als römischer Großinquisitor an den Bischof von Civita Castellana, d. i. Andrea Longo (1582-1607). Da die Inqusition erfahren habe, daß Orinthio Acquarelli aus Rieti im Hause des Pompeo Rossi an einem Freitag Fleisch verzehrt habe, wird der Bischof angewiesen, die Beweisgrundlagen vor Ort zu überprüfen. - Santorio war Berater mehrer Päpste, eifriger Gegenreformator, Großinquisitor und Großpönitentiar. Der sehr einflußreiche Kardinal, der selbst fast Papst geworden wäre, war als Inquisitor gefürchtet: Er leitete u. a. Verfahren gegen Campanella und Heinrich IV. von Frankreich und zeichnete für die Verurteilung des Philosophen Giordano Bruno verantwortlich, der zehn Tage vor diesem Brief als Ketzer verbrannt worden war. Der hier erwähnte Acquarelli ist aus den Inquisitionsakten als Mithäftling Brunos bekannt. - Die Datierung des Briefes mit "27. Februar 1599" ist als "27. Februar" 1600 zu lesen, da es bis ins 17. Jhdt. hinein in Rom der Brauch war, das Jahr mit dem 25. März beginnen zu lassen. - Stärker wasserrandig und mit Randläsuren; kleinere Löcher durch Tintenfraß.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Satire op de hygiëne - Crispijn de Passe naar Hendrick Goltzius, ca. 1600.

      Worst maken; satire op de hygiëne, ?Jannot en Margot", kopergravure uit ca. 1600 door Crispijn de Passe.Het idee voor de scène komt van Hendrick Goltzius (?HGoltius jnve[n]t[or]?'), hetgeen zeer uitzonderlijk is in Goltzius? verder zeer sophisticated oeuvre. Een oudere vrouw (Margot) vult een darm en maakt een worst. Een man (Jannot) met een narrenkap op z'n rug legt een hand op haar schouder en wijst naar waar ze mee bezig is. Jannot lacht omdat zij bloedworst maakt in een weinig hygiënische mand en over het zakje voor haar gezicht dat zou moeten voorkomen dat haar neus in de worst druppelt. Margot antwoordt dat Jannot gek is, zij vindt zich zelf zeer wel hygiënisch en heeft ook het zwijn binnengelaten dat ze bij de haard laat zitten. Margot meent dat het zwijn het liefst bij Jannot wil zijn, Jannot is immers zo slim als een bloedworst (gemaakt van zwijn). De gevulde worst is een dubbelzinnige verwijzing naar ontlasting. De komische discussie tussen de twee gaat over de hygiëne op dat gebied.De nabij Venlo geboren Hendrick Goltzius (1558-1616) leerde het vak van glasschilder bij zijn vader Jan Goltz te Duisburg. Van 1574 tot 1576 kreeg hij les in de graveertechniek van de uit Haarlem uitgeweken dichter, graveur, theoloog en wijsgeer Dirck Volckertsz Coornhert te Xanten. In navolging van Coornhert vestigde hij zich in Haarlem, waar hij in 1582 een bloeiend atelier had. Samen met de Vlaamse schilder-theoreticus Karel van Mander en de schilder Cornelis Cornelisz richtte hij in Haarlem een ??Academy? op. In deze periode perfectioneerde Goltzius een extreem elegante stijl, beïnvloed door het maniërisme van Bartholomeus Spranger.In 1590-91 reisde hij naar Italië, waar hij enkele maanden in Rome verbleef en waar hij de beroemdste antieke beelden natekende. De kennismaking met de werken uit de oudheid en Renaissance betekende een ommekeer in Goltzius? stijl, die soberder en realistischer werd. Na zijn terugkeer in 1591 ontstonden zijn meest beroemde prenten, de zogenaamde ?Meisterstiche?', taferelen uit het leven van Maria gemaakt op de manier van oude meesters als Albrecht Dürer en Parmigianino. Tegen 1600 begon Goltzius ook te schilderen. Zijn schilderijen hebben meestal mythologische onderwerpen. Zijn tekeningen hebben belangrijk bijgedragen aan de ontwikkeling van de kunst in zijn tijd, vooral door zijn weergave van het landschap en de (naakt)figuur. Het Teylers Museum organiseerde in 2003 een grote overzichtstentoonstelling van het werk van Goltzius.De prentenuitgeverij van Crispijn de Passe (1564-1637) was bijzonder productief (ca. 14.000 prenten) met een grote variëteit aan onderwerpen en genres (onder meer produceerde hij geïllustreerde boeken in samenwerking met een boekdrukker, wat een tamelijk nieuw fenomeen was). De Passe hield het productieproces voor een groot gedeelte in eigen hand door zelf ook te graveren en ontwerpen te leveren; zijn drie tekenende en graverende kinderen werkten al jong in het bedrijf mee. Zij opereerden eerst vanuit Keulen, later vanuit Utrecht, met nauwe handelscontacten in Londen en Parijs en richtten zich op een internationale klantenkring.Referentie: New Hollstein Dutch XV, nr. 645; Crispijn de Passe and his progeny (1564-1670): a century of print production, door Ilja M.Veldman (2001), p.144 Er ligt een exemplaar van deze gravure in het RijksprentenkabinetPrijs: VERKOCHT.

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
 21.   Check availability:     NVvA     Link/Print  


        New Testament from an unidentified 16th-century edition of the Geneva

      1600 - BIBLE. NEW TESTAMENT. [New Testament from an unidentified late 16th- century Bible, Geneva version.] Folio. Lacks title page, else the complete New Testament. Leaves 488-626, signed 4M2-5M2. Newly bound in full undyed calf, leather spine label, incorrectly dated "1557" at foot of spine. Margins of first leaf neatly strengthened, else very good. A neatly bound early New Testament in English. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Joseph J. Felcone Inc., ABAA]
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        Romane Historie

      1600. First Edition . LIVY. The Romane Historie Written by T. Livius of Padua. Also, the Breviaries of L. Florus: with a Chronologie to the whole Historie: and the Topographie of Rome in old time. London: Adam Islip, 1600. Thick folio (8 by 13 inches), contemporary full paneled brown calf rebacked in calf-gilt, red morocco spine label, raised bands. $12,000.First edition in English of Livy's monumental history of Rome, translated by Philemon Holland, scarce in contemporary paneled calf.Titus Livius commenced his great history between 27 and 25 B.C., completing it only shortly before his death in A.D. 17. His genius lay in lively storytelling rather than critical history; his aim was to rekindle his fellow Romans' patriotic spirit by recounting their ancestors' heroic deeds. ""Livy's heroes were to revive again and again—in 18th-century Virginia and in Revolutionary Paris. There are still statues in the public parks of the founders of the American and French Republics clad in the togas or the armor of Cincinnatus or HoratiusÂ… Livy, not Virgil, gave Rome her epic"" (Rexroth, 92-93). ""This was the first of that stately array of folio translations of the classics which issued from the pens of Philemon Holland, the 'translator generall in his age"" (Pforzheimer 495). ""Holland's knowledge of Greek and Latin was accurate and profound, and his renderings are made in a vivid, familiar and somewhat ornamented English"" (Drabble, 469). The section on the ""Topographie of Rome in old time"" is translated from the work of J. Bartholomew Marlian. With woodcut-engraved title, initials, head- and tailpieces, woodcut portrait of Livy, and a woodcut-engraved portrait of Queen Elizabeth, to whom this edition is dedicated, on verso of title. Occasional mispagination as issued without loss of text; without initial blank. STC 16613. Brueggemann, 634. Harris, 94. Lowndes, 1374. Owner signature. Early inked marginalia.Interior with some leaves expertly cleaned; first two and several other leaves with expert paper restoration, including a bit of loss to one letter on title page; a few leaves with minor wormholing; expert restoration to boards. An extremely good copy.

      [Bookseller: Bauman Rare Books]
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        La Dafne.

      Florence, Giorgio Marescotti, 1600. - 4to. (24) pp. With armorial woodcut to title page and printer's device to verso of final leaf. Modern half vellum with handwritten spine title and marbled covers using old material. Exceptionally rare first publication of the libretto of the first opera in musical history, also the first opera libretto ever printed. The music by Jules Caccini and Jacopoto Peri, composed for the first performance on the occasion of a carnival soirée at the Palazzo Corsi in Florence in 1598, is lost. Ottavio Rinuccini (1562-1621), who also wrote the textbook for "Euridice", was not an occasional librettist, but a court poet among who also composed sonnets and verse drama (cf. Honolka, Geschichte des Librettos, p. 22). The present libretto was probably published for a later performance at the Corsis' in August 1600 (for the history of genesis and performance history cf. the extensive account in Sonneck I, p. 339-345). Rinuccini's "Dafne" was again performed, with new music by Marco da Gagliano (1582-1643), in 1608: this score is preserved to this day, and the opera has been performed repeatedly on European stages throughout the 20th century. - Marescotti's fine woodcut device on the final page shows a naval emblem with the motto "Et vult et potest". Very occasional slight browning. On leaf C2v the setting error "DEL" has been corrected by "AL" pasted over the erroneous word. A fine copy. Edit 16, CNCE 29328. BM-STC Italian 556. Sartori 7015. Sonneck 339. Wotquenne 47. Wolffheim II, 1083. Fuld 61.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Torat Moshe [Commentary on the Book of Genesis]

      , 1600. 1600. JUDAICA. Torat Moshe [Commentary on the Book of Genesis]. Amsterdam: Solomon Proops, 1710. Folio (10-1/2 by 16 inches), contemporary full dark brown calf rebacked in calf gilt, red morocco spine label, raised bands. $5300.Amsterdam edition of Alshekh

      [Bookseller: Bauman Rare Books ]
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        La strega e il capitano

      Con 16 acqueforti su rame, di cui 6 a piena pagina e 10 nel testo, di Aligi Sassu firmate a matita (cm 20x15; 5x14). cm 34x25. pp. 76 (6). . Ottimo (Fine). . Edizione di 130 + X es. numerati e firmati. . Sciardelli aveva inviato all'amico Sciascia, siciliano come lui, alcuni documenti di un processo di stregoneria (Milano 1600) perché potesse svilupparne una storia. Sciascia scrisse il racconto dopo aver riletto il capitolo XXXI dei Promessi Sposi, come lui stesso dichiara: ''Se l'attenzione non mi si fosse fermata, ossessivamente come la puntina del disco che gira sullo stesso solco, alla frase con cui Manzoni, a vituperio del Settala, ricorda l'atroce caso''.

      [Bookseller: Studio Bibliografico Marini]
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        Gesamtansicht.

      - Altkol. Holzschnitt aus Sebastian M

      [Bookseller: Kunsthandlung Goyert]
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        sive amorum hortus: in quinque areolas divisus & fragantissimis CXLVIII celeberrimorum poetarum flosculis refertus, opera Damasi Blyenburgy Batavi, H.F. (Part 1: Venerum Blyenburgicarum, sive Horti Amoris, areola prima: Ad amicam; 2: Areoloa secunda: Laudes; 3: Areola tertia: Ad se ipsum; 4: Areola quarta, Ad Venerem & Cupidinem; 5: Areoloa quinta: Ad animum, mentem, mortem et similia.

      Dordrecht (Dordraci), Ex typographia Isaaci Canini, impensis Davidis Episcopii, 1600. - 8vo. 5 parts in 1: (XVI),865 (recte 871),(1 blank)(84 appendix) p. Contemporary limp overlapping vellum 16 cm (Ref: Brunet 1,982: 'Ce recueil de pi

      [Bookseller: Antiquariaat Fragmenta Selecta]
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        Torat Moshe [Commentary on the Book of Genesis]

      1600. JUDAICA. Torat Moshe [Commentary on the Book of Genesis]. Amsterdam: Solomon Proops, 1710. Folio (10-1/2 by 16 inches), contemporary full dark brown calf rebacked in calf gilt, red morocco spine label, raised bands. $5300.Amsterdam edition of Alshekh’s popular commentary on the Book of Genesis, a wide-margined, large folio copy in contemporary calf boards.Rabbi Alshekh reworked his sermons into commentaries on most of the books of the Bible: “Alshekh’s commentaries, which are permeated with religious-ethical and religious-philosophical ideas supported by ample quotations from talmudic and midrashic sources, became very popular and have often been reprinted” (Encyclopaedia Judaica). Alshekh published his commentary on the Book of Genesis during his lifetime in Constantinople circa 1593; Moses’ son Hayyim later expanded his father’s commentary with an index. Text in Hebrew. Vinograd, Amsterdam 925. Light embrowning, beautifully bound.

      [Bookseller: Bauman Rare Books]
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        Lettera autografa indirizzata ad un Cardinale veneziano. Datata Venezia, 17 marzo 1600

      1600. 1 pag. scritta in italiano, datata in fine Venezia, 17 marzo 1600. Interessante missiva inerente a disordini e tumulti in Cividale. Il Capello come si legge dalla lettera ha tentato più volte di accomodarli con tutte le sue forze e autorità ma senza ottenere risultati positivi. Vincenzo Cappello fu celebre patrizio veneziano (1570-1648).

      [Bookseller: Libreria Antiquaria Pregliasco]
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        Nagasaki miyage [= Souvenir of Nagasaki].Nagasaki, Yamato-ya Yoshihei juo, Koka 4 [= 1847]. 23 x 15.5 cm. Text and illustrations printed from 42 woodblocks, with an astrological figure and constellation on the title-page, 12 double-page and 6 full-page illustrations. Original publisher's blue paper wrappers in the traditional Japanese fukurotoji manner.

      - Hillier, Art of the Japanese book, passim; Huibert Paul, Nederlanders in Japan, 1600-1854, p. 58; WorldCat (8 copies); for Bunsai: Masanobu Hosono, Nagasaki prints and early copperplates, p. 45. Beautiful copy of a rare and gorgeously illustrated woodblock tour of sights in Nagasaki and surroundings, giving special attention to the Dutch (and Chinese) traders, with text mostly in Japanese characters and woodcuts with landscapes, interiors, festival processions, and city views by Isono Bunsai (also known as Bunsai Madaki). Hillier notes that "although separate sheet prints of the Dutch and Chinese traders were produced in some numbers in Nagasaki from c. 1750, the earliest book on the town and its foreign commerce published in the town itself [the Nagasaki miyage] did not appear until 1847".With 2 Japanese owner's stamps. With a water stain in the first 7 and last 8 double leaves, but otherwise in very good condition. The wrappers are slightly worn, but remains in good condition overall. A lovely example of Edo art spreading to a new market and a fascinating Japanese view of the Dutch and other foreigners.

      [Bookseller: ASHER Rare Books]
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        S.Salvador

      Artist: Ogilby John ( - 1676 ) London; date: 1700 1600 - - technic: Copper print; condition: Very good; size (in cm): 23,5 x 32 - description: Total view and harbour of S. Salvador in Brasil - vita of the artist: John Ogilby was a Scottish translator, impresario and cartographer. Best known for publishing the first British road atlas, he was also a successful translator, noted for publishing his work in handsome illustrated editions.

      [Bookseller: Antique Sommer& Sapunaru KG]
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        Lectionum memorabilium et reconditarum [with] Index Absolutiss

      Leonhard Reinmichel, Lauingen 1600 - 3 volumes bound in 2 in contemporary vellum, soiled, spines split and spine strips loose, scattered foxing, pages uniformly browned, occasional dampstains, generally minor, pencil ticks in the margins throughout. The necessary 1608 index bound at the end with a separate title. 1012pp; 1074pp; (104)pp. Relentlessly anti-catholic, often echoing Joachim of Fiore's much earlier works. Often described as a history, it contains legends, folklore (the Jackdaw of Rheims, various talking animal stories), prophecy (the Sybelline oracles) and a host of strange collected stories, religious (stories of the popes including Pope Joan) and secular. There is a portrait and description of Wolf in Dibdin's Bibliomania (1811, pages 146-147). He describes it as "a commonplace book of as many curious, extraordinary, true and false occurences as ever were introduced into two ponderous folios." and notes that "The number of strange cuts in it used to amuse my dear children". Size: Octavo (8vo). Illustrator: Jost Amman, Jacob Lederlein etc. Quantity Available: 1. Shipped Weight: 2-3 kilos. Inventory No: 046364. [Attributes: Hard Cover]

      [Bookseller: Pazzo Books (ABAA-ILAB)]
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        Dell'istorie fiorentine di Scipione Ammirato. Libri venti dal principio della città insino all'anno MCCCCXXXIIII nel quale Cosimo de Medici il Vecchio fu restituito alla patria. Con una tavola copiosissima delle cose più notabili

      In Firenze, nella Stamperia di Filippo Giunti, 1600 - In 4°, piena perg. coeva, tassello al dorso con tit. in oro, pp.(8nn)-752-(56nn) + (2nn di Errata e Registro). Marca xilografata al front. (in ovale stemma mediceo tra due figure che tengono tra le mani giglio fiorentino. Testatina xilografata raffigurante veduta panoramica di Firenze alla dedicatoria ("Al Serenissimo Sig. il Signor Don Ferdinando de Medici"), bei capilettera xilografati, al registro giglio fiorentino sorretto da putti, appoggiato su un basamento che reca il motto "Nil candidus". Importante opera sulla storia di Firenze. Minimi segni d'uso alle cuffie compless. Qualche arrossatura alle prime pagine. Edizione originale assai rara. (cfr) Adams, 982 - Gamba 1196 in nota, Brunet I, 238

      [Bookseller: TABERNA LIBRARIA - ALAI - ILAB]
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        Mosè e il serpente di bronzo

      1600. "Bulino, 1600, firmata in lastra, nel margine inferiore "Dominicus Custos Chalcographus humill. obseruantiae ergo DDdt. Augustae Vindelicor.". Da un soggetto di Ferraù Fenzoni. Nel margine inferiore, l'iscrizione latina: "Hic serpens animat, quos exanimauerat alter; Vnus ut innumeras mortes tulit anguis Auerni. Ore extincta salus quae fuit, aere redit. Sie vitas Agni mors tulit innumeras." ; "Reverendiss.o Principi et Dno. D. Wolfgago Praeposito ac Dno [...]lvacensi. Principi svo Clementiss.o" . Nell'immagine, in basso su una pietra, il nome dell'inventor "Ferav. Fenson. Fav. Inv" Ferraù Fenzoni. Bellissima prova, impressa su carta vergata coeva con filigrana ""grande scudo con vaso e grappolo d'uva"", rifilata al rame, leggere pieghe centrali, per il resto in buono stato di conservazione. Margine inferiore rifilato con perdita dell'ultima riga di testo, contenente le parole "Anno Santo." La splendida opera riproduce l'omonimo affresco realizzato dall'artista Ferraù Fenzoni (1562-1645), detto anche Ferraù da Faenza, per decorare la Scala Santa. Il pittore faentino, tra il 1587 e il 1591, fu coinvolto, insieme ad una ventina di artisti, nella decorazione della Scala Santa, diretto da Domenico Fontana per volere di Sisto V. Il progetto prevedeva un ciclo di affreschi che ricopriva volte e pareti delle scale, annullando qualsiasi elemento murario e mirando al raggiungimento di una esclusiva rappresentazione pittorica. Del Mosè e il serpente di bronzo sono noti due disegni preparatori: uno conservato presso il Museo nazionale di Budapest, dove è rappresentato un nudo che si contorce cercando di liberarsi da un serpente, e l'altro nel Gabinetto dei disegni e stampe degli Uffizi, che presenta uno schizzo dell'intera composizione. La scena biblica rappresentata è basata sul Libro dei Numeri 21, 4-9, Dopo che Edom si rifiuta di far passare Israele, Mosè decide di aggirare da sud l'ostacolo, il popolo fa voto a Jahvé per poter vincere il re di Arad che sbarrava il cammino di Atarim. Nonostante la vittoria, Israele prese a lamentarsi ancora una volta con Mosè. Come punizione Dio invia loro dei serpenti velenosi che, coi loro morsi causarono la morte di diversi Israeliti. Il popolo allora supplicò Mosè di pregare il Signore per allontanare i serpenti.). Il Signore disse a Mosè: ""Fatti un serpente e mettilo sopra un'asta; chiunque, dopo essere stato morso, lo guarderà resterà in vita"". Mosè allora fece un serpente di rame e lo mise sopra l'asta; quando un serpente aveva morso qualcuno, se questi guardava il serpente di rame, restava in vita. L'affresco di Fanzoni fu tradotto a bulino anche da Francesco Villamena, nel 1597. Questa incisione del Custos fu realizzata in occasione dell'Anno Santo del 1600." "Engraving, 1600, inscribed at lower margin "Hic serpens animat, quos exanimauerat alter; Vnus ut innumeras mortes tulit anguis Auerni. Ore extincta salus quae fuit, aere redit. Sie vitas Agni mors tulit innumeras." ; "Reverendiss.o Principi et Dno. D. Wolfgago Praeposito ac Dno [...]lvacensi. Principi svo Clementiss.o. Dominicus Custos Chalcographus humill. obseruantiae ergo DDdt. Augustae Vindelicor." . After a subject by Ferraù Fenzoni. A very good impression, printed with tone on contemporary laid paper with ""large shield with a vase with grapes"", trimmed to the paltemark, light central folds, otherwise good conditions. Lacking the last line of text, with words "Anno Santo" (Holy Year). The scene reproduces the famous fresco by the artist Ferraù Fenzoni (1562-1645) for the Scala Santa. All the frescoes in the palace were executed by a group of painters directed by Giovanni Fontana. Two preparatory drawings of the fresco are known: one kept at the Budapest National Museum, which shows a naked writhing trying to get rid of a snake, and the other one in the Cabinet of Drawings and Prints of the Uffizi, that presents a sketch of the entire composition. The biblical scene represented is based on the book of Numbers 21: 4-9, In the biblical story, following their Exodus from Egypt, the Israelites set out from Mount Hor, where Aaron was buried, to go to the Red Sea. However they had to detour around the land of Edom. Frustrated and impatient, they complained against Yahweh and Moses, and in response God sent ""fiery serpents"" among them. For the sake of the ones who were repentant, Moses was instructed by God to erect a ""serpent of bronze"" which was used to heal those who looked upon it. Moses made a bronze snake and mounted it on a pole. The fresco was also engraved by Francesco Villamena in 1597. Custos' work was printed for the Holy Year 1600." Scavizzi, 'Bollettino', xlv (1960), p. 111 e ss. 376 510

      [Bookseller: Libreria Antiquarius]
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        Les Carreaux de Revetement de l'ancienne russie - 1-re Partie XV-e - XVII-e siecles (Die Wandfliesen des alten Russland) - Russisch/Französisch 1938 komplett

      Die Wandfliesen des alten Rußland - Teil 1. 15 Jh. - 17. Jh. Leinenmappe mit 87 farb. Tafeln auf Einzelblättern. Komplett. Mit einem 91seitigen russisch/französischen Erläuterungsband in Broschurbindung, Inhalt: Apercu historique sur la production et l'emploi des cerreaux de revètement dans l'ancienne Russie. Reliefs et balustres en brique du XVeme siecle. Carreaux vernisses et carreaux de poele de XVIeme siecle. La ceramique de Pskov. Le ceramique de villes Staritza et Dmitrov. La ceramique de Moscou. Carreaux en terre culte du XVIeme siecle. Carreaux emailles a sujets en relief. Die Erläuterung trägt die Nummer 356. Die Leinenmappe ist gering bestoßen, wenig berieben, leicht angeschmutzt, unbeschädigt, Innenklappen gering angebräunt, etwas lichtrandig, Vorderdeckelinnenseite mit kleinem Besitzervermerk, Farbtafeln sehr leicht angebräunt, kaum angeschmutzt, unbeschädigt, Erläuterungsband auf Einband und Rücken etwas lichtrandig, etwas angebräunt, wenig angeschmutzt, Schnitt etwas angebräunt, wenig angeschmutzt, Seiten leicht angebräunt, sauber, Gesamtzustand gut. ca. 1600 gr.

      [Bookseller: Verlag IL]
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        Les actes du synode universel de la saincte réformation, tenu à Monpelier le quinzième de may 1598. Satyre menipae

      Rare second edition, first published the previous year. Full sheepskin Tawny late nineteenth back to 5 pet. Nerves, double gilt fillets enclosing the nerves, parts black and red title. Triple fillet border on covers. Little miss at the end of each joint, binding rubbed, clipped short. Guillaume Reboul (1560-1611), famous French writer and pamphleteer which most of the work seems focused on his obsessive hatred of Protestants. Itself from a Protestant family, he converted and will almost immediately excommunicated ultimate satire against Pope will cost beheading in Rome. His work is mainly satirical and pamphleteer, there falls a careful reading and a taste for Rabelais. The Synod makes the scene and the actors of Protestantism whose purpose is sworn atheism and the ruin of souls, the staging is more funny and offbeat it is not a story, but synod with a real profession of faith and action of each major character of Protestantism. His immoderate taste for satire to criticize violently pushed as the Jesuits, the English, the Germans? The Protestant doctrine and his ministers. Note the passages in dialect Languedoc. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! chez le libertin imprimeur juré de la sainte réformation et se vendent au coin de la loge A Montpellier 1600 in 12 223pp. relié

      [Bookseller: Librairie Le Feu Follet]
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        Ivliacum Iulic, oder Gulich, . Johann bussemacher impr.':.

      - Kupferstich v. Matthias Quad aus Geographisch Handtbuch. . b. Johann Bussemacher in Köln, 1600, 23 x 31,5 Meurer Qua 6, 38. - Am rechten Rand Titelkartusche, darunter Rollwerkskartusche mit Maßstab. - Zeigt das Herzogtum Jülich zwischen Venlo, Nordeifel, Bonn und Essen.

      [Bookseller: Antiquariat Norbert Haas]
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        De Leone Belgico eiusque Topographica atque historica descriptione liber

      Hogenberg, (Köln, um 1600). 53 Kupfertafeln mit 496 S. (248 Doppelblätter) begleitendem Text, Halbleder-Einband, quart-quer, (berieben/bestoßen/etwas fleckig/einige Knickspuren und kleine Randläsuren/einige Tafeln lose) - Fragment dieses Werkes über den Spanisch-Niederländischen Krieg (Achtzigjähriger Krieg) mit Darstellungen von Schlachten, Belagerungen, Prozessen, Hinrichtungen usw. / Titelseite liegt als Kopie bei / Text lateinisch -

      [Bookseller: Celler Versandantiquariat]
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