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Displayed below are some selected recent viaLibri matches for books published in 1600

        [Six series of religious prints in one volume:] [1] Iconvm sacrarvm piæpiorvm meditationi deservientivm Farrago, qvas avariis viris doctis excogitatas in vnvm velvt fascem collegit et piorvm vsvi editit Ioannes Gallæus [...]. Antwerp, I. Galle, 1648. [2] Præcipva vitæ Iesv et Mariæ meditantibvs sacra imaginvm typis effigvrata. Antwerp, I. Galle, [n.d.]. [3] Vita beatissimæ virginis Mariæ imaginibvs expressa. Antwerp, I. Galle, [n.d.]. [4] Elogia ab excellentibus virtvtibvs ac eminenti gloria b.

      "4°: [1] engr. tp, 3 pages with a printed table of contents, 69 numbered prints, all signed: ‘Ioannes Galle exc', some with ‘C. de Mallery fecit' and ‘Joan. Barbe sculpsit'; [2] engr. tp and 43 numbered prints, all with ‘Th: Galle exc' or ‘Io Galle exc', some signed ‘Phillipus de Mallerij fecit' or ‘C. de Mallerij fecit'; [3] engr. tp. and 33 prints without numbering, all signed ‘Io Galle exc. cum privilegio' and with ‘C. de Mallery sculp' (some with ‘Cornelius Galle sculp'); [4] engr. tp and 39 numbered prints, all but one signed ‘Ioannes Galle exc' (one signed ‘T. Galle exc'), some with ‘C. de Mallery fe'; [5] engr. tp and 28 prints without numbering, all signed ‘Joannes Galle exc'; [6] engr. title and 11 numbered prints. Title engr. signed ‘Ioannes Galle Excud.' (probably replacing the name of Th. Galle), all prints signed ‘Theodor. Galle excud'. On the title and some prints ‘C. de Mallerij fecit', other prints have ‘I.B. Barbe sculp.' and ‘C. Galle sculps'. All prints also mention ‘M. de Vos' or ‘P. de Jode figuravit'. Cont. overlapping vellum. Joannes Galle (Antwerp 1600-1676) was engraver and publisher in Antwerp. He was the son of Th. Galle (Antwerp ca 1571-1633) who probably was the first publisher of these print series. The engravers were Karel de Mallerij (Antwerp ca 1571-ca 1635) and his son Philip de Mallerij (Antwerp ca. 1598-?), Jean Baptiste Barbé (Antwerp 1578-1649), and Cornelis Galle (I Antwerp 1576-1650, II Antwerp 1615-1678). Most of the prints can therefore be dated before ca. 1630. The impressions are all very good and form an excellent example of the work of the famous Antwerp school of engraving in the first decennia of the seventeenth century.".

      [Bookseller: Antiquariaat A.G. VAN DER STEUR]
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        Cyprus, insula laeta choris, blandorum et mater amorum/Insular. Aliquot Aegaei Maris Antiqua Descrip. Ex conatibus geographicis Abrahami Ortelij Antverpiani

      1600. Incisione in rame, mm 360x472, colore originale d'epoca, testo latino al verso.Decorativa carta storica di Cipro contornata da nove piccole mappe delle isole greche (Eubea al centro, Dilos e Rinia, Chios, Ikaria, Rodi ( a sin.) e Samo, Kos, Lesbos, Lemnos (a destra). Tratta dal "Parergon" che Ortelio pubblicò come integrazione del "Theatrum Orbis Terrarum" il primo atlante moderno, comprendente carte di tutte le zone del mondo; la geniale intuizione di Ortels, latinizzato successivamente, fu appunto questa: prima d'allora la produzione cartografica era stata irregolare, locale a livello di produzione ed i pochi atlanti, i cosiddetti "Atlanti Lafreriani" erano costituiti su richiesta raccogliendo carte di alcune zone, ignorando le altre. Ortelius riunì in un unico corpus la produzione cartografica eterogenea del periodo, costituendo la base per un'impresa editoriale di enorme successo, pubblicata dal 1570 al 1612. Copper engraving, mm 360x472, original color, latin text on verso. Ten maps on one plate. Showing Rinia and Dilos, Nicaria, Euboea, Samos, Keos (near Euboea), Rhodus, Chios, Cyprus, Lesbos, Lemnos.From "Parergon", the first ever published historical atlas thought by Ortelius to be an enlargement of his "Theatrum Orbis Terraum" the first modern atlas with maps of the whole world. Broecke, Ortelius Atlas maps, 216

      [Bookseller: Libreria Antiquaria Perini s.a.s.]
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        De Furtis Tractatus, Novus et Singularis, In Quo Contractationum..

      1600. Frankfurt, 1600,. Frankfurt, 1600, A Scarce Treatise on Theft Bonifacio, Giovanni [1547-1635]. De Furtis Tractatus, Novus et Singularis, In Quo Contractationum, Alienarumque Rerum Occupationum Materia Universa Diligenter Examinatur, Complures Leges Venetae Commemorantur, Quidque in Praxi Observandum sit Demonstratur: Iudicibus, Advocatis, Atque Adeo Omnibus Legum Studiosis Utilissimus & Iucundissimus, Quorum Usui Textum ab Allegationibus, Characterum Diversitate Distinximus. Frankfurt: Typis Apud Ioannem Saurium, Impensis Nicolai Bassaei, 1600. [viii], 550, [48] pp. Octavo (6-1/4" x 3-3/4"). Contemporary vellum with lapped edges, edges of text block colored green, early hand-lettered title to spine. Light soiling and a few minor stains, later armorial bookplate (of Alexander Grant) to verso of title page. Woodcut title-page device, head-piece and tail-piece. Light toning to text, somewhat heavier in places, small contemporary owner signature to front free paper. A handsome copy of a scarce title. $1,250. * Second edition. This treatise on theft in Roman and civil law, a topic that includes rape, adultery, fraud and piracy, was first published in 1599. Its third and final edition was published in 1646. The author was a Venetian, but his text was aimed at a pan-European audience. All editions of this work are scarce. OCLC locates 1 copy of this title in North America at the Library of Congress, which has a copy of the third edition. Our copy belonged to Alexander Grant, a military officer from the distinguished Scottish family who served in the Scots Parliament and the first five Parliaments of Great Britain. Verzeichnis der im Deutschen Sprachraum Erschienenen Drucke des 16. Jahrhunderts B6613.

      [Bookseller: The Lawbook Exchange, Ltd.]
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        Cyprus, insula laeta choris, blandorum et mater amorum/Insular. Aliquot Aegaei Maris Antiqua Descrip. Ex conatibus geographicis Abrahami Ortelij Antverpiani

      Antwerp 1600 - Incisione in rame, mm 360x472, colore originale d'epoca, testo latino al verso.Decorativa carta storica di Cipro contornata da nove piccole mappe delle isole greche (Eubea al centro, Dilos e Rinia, Chios, Ikaria, Rodi ( a sin.) e Samo, Kos, Lesbos, Lemnos (a destra). Tratta dal "Parergon" che Ortelio pubblicÚ come integrazione del "Theatrum Orbis Terrarum" il primo atlante moderno, comprendente carte di tutte le zone del mondo; la geniale intuizione di Ortels, latinizzato successivamente, fu appunto questa: prima d'allora la produzione cartografica era stata irregolare, locale a livello di produzione ed i pochi atlanti, i cosiddetti "Atlanti Lafreriani" erano costituiti su richiesta raccogliendo carte di alcune zone, ignorando le altre. Ortelius riunÏ in un unico corpus la produzione cartografica eterogenea del periodo, costituendo la base per un'impresa editoriale di enorme successo, pubblicata dal 1570 al 1612. Copper engraving, mm 360x472, original color, latin text on verso. Ten maps on one plate. Showing Rinia and Dilos, Nicaria, Euboea, Samos, Keos (near Euboea), Rhodus, Chios, Cyprus, Lesbos, Lemnos.From "Parergon", the first ever published historical atlas thought by Ortelius to be an enlargement of his "Theatrum Orbis Terraum" the first modern atlas with maps of the whole world. Broecke, Ortelius Atlas maps, 216 cartografia.

      [Bookseller: libreria antiquaria perini Sas di Perini]
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        Les Monts Pyrenées, ou sont remarqués les Passages de France en Espagne.Paris, Hubert Jaillot, 1719. Engraved map on 2 assembled sheets (54.5 x 88 cm). With title in decorated cartouche (signed F.C.) in upper right corner and scalebars in decorated cartouche in the lower left corner. Coloured in outline.

      Pastoureau, Jail. II C map 166. Large map of the Pyrenees, a mountain range on the border between France and Spain, after Nicolas Sanson (1600-1675). Apparently printed from the original plates, differing from the map issued in Mortier's "Jaillot-Atlas".Very good copy, slightly browned.

      [Bookseller: Antiquariaat FORUM BV]
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        Corpus Iuris Civilis Prudentum Responsa Causarumque rescripta complectens. In quatuor Tomos distributum. Adiectae sunt praeter Accursij glossas clarissimorum Iurisconsultorum Goveani, Conani, Duareni, Cuiacii & Hottomani aliorumque eximie obseruationes. Item, veteres - renovata quae vocantur Longobardorum leges, una cum commentariis

      Gabriel Carterius, sumpt. Ioannae Furnerianae, 1600. 4 voll. (di cui l'ultimo, il "Parvum Volumen", è suddiviso in varie parti) in-4° (260x195mm), pp. (32), colonne 2160 [la numerazione è per colonne anziché per pagine]; coll. 3068; pp. (16), coll. 2210, pp. (20); (16), 1012, (2); (8), 488; pp. (254) di "Promptuarium Universi Iuris Civilis" ossia di indice generale su tre colonne; pp. (8), coll. 364, pp. (10) di "Veteres-Renovatae Longobardorum Leges". Legature settecentesche in p. pergamena rigida con titolo calligrafato in antico su dorsi a tre nervi rilevati. Frontespizi autonomi per le varie parti, con titolo in rosso e nero entro sontuosa bordura architettonica figurata incisa in xilografia. Testo in rosso e nero su due colonne, fregi tipografici in xilografia. Differente impresa tipografica all'ultima parte dell'ultimo volume, con un leone rampante e il motto entro cartiglio "De Forti Dulcedo". Strappo restaurato alle coll. 1595-1598 del primo vol., gora alle coll. 1983-1986 dello stesso vol. Piccoli lavori di tarlo, fioriture ed aloni sparsi di lieve entità, mancanza all'angolo inferiore esterno dell'ultima c. del secondo vol., qualche restauro alle legature. Antiche firme di possesso. Ex-libris. Bell'esemplare. Cinquecentina lionese (con le parti risultanti impresse in varie date) del "Corpus Iuris Civilis" giustinianeo, la massima codificazione del diritto romano, di capitale importanza nella storia della cultura giuridica occidentale, qui ampliato della sezione concernente il diritto presso i Longobardi. Cfr. Adams, C-2675. Stintzing, I, 206 e sgg. Manca a STC French Books. Latino

      [Bookseller: Libreria Antiquaria Galleria Gilibert]
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        Kinderszenen. Zwei Original Fotografien; Silbergelatine-Abzüge; Vintage prints (1927) Bildformat: 14,0 x 15,0 und 16,0 x 19,0 cm. Auf genarbten Passepartout-Karton mit geprägtem Rand montiert. Im Rahmen der Zeit. - Auf dem Passepartout Karton jeweils signiert und datiert. Fotografien infolge der Montage etwas wellig; schön erhalten. Die beiden Abzüge mit der Anmutung von Edeldrucken. - Siehe die ABBILDUNGEN

      - Sprache: Deutsch Gewicht in Gramm: 1600

      [Bookseller: FOTO-Antiquariat Joachim FAHL]
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        Geschichte der bildenden Kunst in Österreich Band 4 Barock [Gebundene Ausgabe] Hellmut Lorenz (Herausgeber, Mitarbeiter), Sibylle Appuhn-Radtke (Mitarbeiter), Karl Möseneder (Mitarbeiter) Der vierte B

      Der vierte Band der österreichischen Kunstgeschichte ist der Epoche des Barock gewidmet und bietet eine sorgfältige Auswahl aus dem reichen Kunstschaffen, das sich in Österreich im Zeitraum zwischen etwa 1600 und 1780/90 entfaltet hat. Dabei sind stets auch die Beziehungen zur Kunst der benachbarten Regionen berücksichtigt, so dass die Barockkunst Österreichs als integraler Bestandteil der überregionalen Kunstlandschaft Mitteleuropa verständlich werden kann. Einleitende Abschnitte behandeln das Gesamtbild der Epoche, die Vielfalt der Kunstproduktion in Österreich und ihre historischen Rahmenbedingungen sowie das für den Barock so charakteristische Phänomen des Zusammenklanges der einzelnen Künste im Bestreben nach einer übergreifenden Einheit. Konzentrierte Überblicksdarstellungen der einzelnen künstlerischen Medien erläutern den entwicklungsgeschichtlichen Zusammenhang, die Kurzmonographien der über 340 ausgewählten Objekte sind der spezifischen Eigenart der Kunstwerke gewidmet. Das Team der Autoren international anerkannte Kunsthistoriker/innen hat die Texte in enger Zusammenarbeit aufeinander abgestimmt, so dass sich ein dichtes Gesamtbild der Bildenden Künste des Barock in Österreich und ihrer wechselseitigen Verflechtung ergibt, das dem aktuellsten Stand der Forschung entspricht. Eine Auswahl der bedeutendsten Kunstwerke findet sich in vorzüglichen Farbreproduktionen im Tafelteil, so dass der vorliegende Band die Qualität und Vielfalt der vielleicht fruchtbarsten Epoche der Kunst in Österreich auch optisch eindrucksvoll vermitteln kann. Für alle Interessierten, die mehr wollen als einen Kurzführer fürs jeweilige Bauwerk bzw. Kunstwerk, für Kunstkenner und mit einiger Mühe auch für Laien eine große Bereicherung Co-Autor Sibylle Appuhn-Radtke, Hellmut Lorenz, Karl Möseneder Zusatzinfo 540 Abb., davon ca. 120 farb. Sprache deutsch Maße 265 x 195 mm Gewicht 2845 g Einbandart Leinen im Schuber Themenwelt Kunst Musik Theater Malerei Plastik Barock Künstler Österreich Kunst ISBN-10 3-7913-2050-5 / 3791320505 ISBN-13 978-3-7913-2050-2 / 9783791320502 Geschichte der bildenden Kunst in Österreich Band 4 Barock [Gebundene Ausgabe] Hellmut Lorenz (Herausgeber, Mitarbeiter), Sibylle Appuhn-Radtke (Mitarbeiter), Karl Möseneder (Mitarbeiter) Geschichte der bildenden Kunst in Österreich, 6 Bde., Bd.4, Barock [Gebundene Ausgabe] Hellmut Lorenz (Herausgeber, Mitarbeiter), Sibylle Appuhn-Radtke (Mitarbeiter), Karl Möseneder (Mitarbeiter)

      [Bookseller: Buchservice Lars Lutzer]
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        Compendium of Forest Law in Tudor English

      The original owner's tastes and anxieties are evident from the contents: there are sections discussing noble entertainments such as "hawkinge and huntinge in the forrest" (fol. 22 and 30) and hunting methods (fol. 42), including the use of "Dogges ... in the forrest" (fol. 19 and 23), and the taking of hare and certain birds by "royal hawkes" (fol. 21). There are also the concerns of the landowner in "common [rights to wood and hunting] in the forrest" (fol. 46), and lists of practical animal keeping, such as the "beastes and fowles" one can keep in a warren (hare, coneys [rabbits], pheasant and partridge) (fol. 21). A few entries even hint he may have held high social status: the "Earles del [the earl's part, of the] forrest" (fol. 6), and practical sections on the employment of officials: "fforesters", "bedell of the forrest", "woodwardes" and "steward of the forrest" (fol. 55). Whether for the noble pursuit of hunting game, or for more mundane practices such as fattening pigs on fallen acorns, the forest played a central part in the economy of medieval England. Thus from the Norman period onwards, a wide and complex body of rights and legislation built up around it. Those who owned estates needed to know their rights, and thus compilations such as these, often as here with easy reference tools such as subject indices at their front, were produced for elites. This text is entirely secular and noble in subject; written almost entirely in Tudor English with short Latin quotes, and contains a condensed form of legal knowledge on this subject drawn from half a millennium of English history. The language it is set in suggests it was produced at the behest of a secular landowner, rather than an ecclesiastic, legal professional, or other who may have been expected to read Latin. The result is a fine patchwork of legal snippets from law codes, charters and court rulings, drawing its history from the eleventh century onwards - the last words on the back pastedown are careful to draw the differences between the populations of Britain at that time: "Saxons" (i.e. the Anglo-Saxons who appeared in the fifth century and ruled until 1066), "Romans" (i.e. the Britons who ruled before the Anglo-Saxons and were subsequently pushed to the fringes of the British Isles) and the "Normans", also commenting there on the legal precedence of the grand Norman inventory of English lands and goods known as the Domesday Book here the "booke of domesdaye", also called "the Roull of wynchester").

      [Bookseller: HS Rare Books]
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        De Gutta Podagrica Chiragrica et Arthritica. Libri Duo . in quibus natura earum, & curatio, miro ordine discutitur, & enucleatur. Et medicamenta non vulgaria, magnaeque vis, et efficatiae praestantissimae, et que a nullo unquam antea fortasse excogitata, proponuntur.

      Societatis Aspirantium cura, 1600., Verona, - Two parts in 1. Small 4to. [xxiv], 118, [1] pp. Printer�s woodcut device [5 snakes over landscape], woodcut initials and tailpiece [rear], errata & colophon; old ink marginalia p.36, underlining pp. 97-99. Original vellum; lacks ties. Ownership inscription on title: Hugo De Salins Belnensis Doct. Med. [d.1659],* and another signature, obscured. Bookplate of Ch�teau de Montrevost [Cuisery, France]. EARLY SEVENTEENTH CENTURY WORK ON GOUT & RHEUMATOID ARTHRITIS: : HUGUES DE SALINS� COPY. First edition of this rare work on the nature, cause and treatment of rheumatoid arthritis and gout. The status of gout in the late sixteenth century was such that gout was said by Turberville to be found in �horses, capons, and falcons.� (p. 64). John Gerard�s Herball, 1597, stated that Gout-wort, or Herba Gerardi, was a native herb that could be used with some benefit, supported further by Culpeper. According to Copeman, Thomas Sydenham (1624-1689), suffered from gout and wrote the classic description of the disease, and was the first to be able to differentiate between rheumatoid arthritis and gout. The present work was written decades earlier. Francesco India cites Galen (Chap. 1), Ambroise Par� (Chap. 12) and Jean Fernel (Chapters 5, 7, 8). India makes two 15-page tables of causes which he uses to organize his data. � PROVENANCE: Hugues de Salins: The British Library catalogue lists a �Hugues de Salins; see: Jean Baptiste de Salins, D�fense du vin de Bourgogne, 1704.� This may be a descendent. See: Soci�t� d�Histoire, d�Arch�ologie et de Litt�rature de l�arrondissement de Beaune, M�moires, ann�e, 1890, Volumes 15-16, Beaune, 1891, pp. 75, 177. Mentions the wife of Hugues de Salins as buried in 1626, and Hugues de Salins buried in 1659. � Francisci Indiae, an Italian philosopher and physician, who is little known, wrote the present work and two others: Hygiphylus: sive de febre maligna dialogus, 1593. Hygiophilvs Tertivs Vel De Symptomatvm Febri Malignae Svper, 1599. [*See: Fr�d�ric Paulhan, Catalogue des legs Gide & Teissier-Rolland, 1892, p. 212. Showing a copy of Strabo�s Strabonis rerum geographicarum libri XVII, [1571], with the same provenance inscription is this book. This inscription must date prior to 1892.] � Copeman, W.S.C., A Short History of the Gout and the Rheumatics Diseases, pp. 53, 64. Locations: British Library; Edinburgh University; Middle Temple Library; Wellcome Library. [Attributes: First Edition]

      [Bookseller: Jeff Weber Rare Books, ABAA]
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        Ven Ioannes Palafox Episcopus Angelopolitan et Postea

      A lively portrait of Bishop Juan de Palafox y Mendoza (1600 - 1659), amongst the most influential figures of Mexico in the 17th century; the painting is signed "Franco", possibly Ignacio Franco, active in Queretaro in the 18th century. Palafox was a natural son to Jaime Palafox, Marquis of Ariza, he studied at the University of Alcala de Henares and Salamanca; in 1639 he is appointed Bishop of Tlaxcala (Puebla de los Angeles), where his efforts on protecting the native population, including his prohibition of converting the natives by the use of force, gained fame and love. In 1642, by command of the King, Palafox deposed Viceroy Diego Lopez de Pacheco Cabrera, himself becoming interim Viceroy during the same year; although a brief period of time, he supported the appointment of creoles to public office, tried to reduce taxes to promote the economy, and favored commerce. Undisputable men of letters, Palafox founded the Schools of Saint Peter and Saint Paul, giving to the later a magnificent library, today called the Palafoxiana. The portrait here presented is after a composition by Franz Regis Goetz: Palafox is surrounded by allegories and emblems, a subject not uncommon under the reign of Charles III of Spain (for example those portraits by Miguel Cabrera and Juan Patricio Morlete), when the beatification of Palafox was under course, promoted by Fray Alejandro de la Concepcion. The iconography of this portrait, as well as others, is closely associated with the Convents of the Discalced Carmelites, who supported the cause for beatification. Palafox is depicted in a medallion portrait, surrounded by a series of emblems and allegorical images, amongst them: to the top left a women with open arms under the Sun and the Holy Ghost -in the form of a pigeon-, the chest with the portraits of Saint John Evangelist and Saint John the Baptist, then follows a personification of the Church with a legend allusive to the construction of the Cathedral of Puebla de los Angeles, then a personification of the Faith, Prudence, and later Santa Teresa de Avila. The medallion is set on top of an open book entitled Anotationes in Epistolas Seraphicae Virgo Santa There[siae].

      [Bookseller: HS Rare Books]
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        Gesamtansicht, "Oldenbvrg".

      - Holzschnitt v. Hammelmann, um 1600, 16 x 27,8 Selten. Nicht bei Fauser. Eine der ältesten gedruckten Ansichten der Stadt Oldenburg.

      [Bookseller: Antiquariat Nikolaus Struck]
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        De Gutta Podagrica Chiragrica et Arthritica. Libri Duo ... in quibus natura earum, & curatio, miro ordine discutitur, & enucleatur. Et medicamenta non vulgaria, magnaeque vis, et efficatiae praestantissimae, et que a nullo unquam antea fortasse excogitata, proponuntur.

      Verona,: Societatis Aspirantium cura, 1600.. Two parts in 1. Small 4to. [xxiv], 118, [1] pp. Printer�s woodcut device [5 snakes over landscape], woodcut initials and tailpiece [rear], errata & colophon; old ink marginalia p.36, underlining pp. 97-99. Original vellum; lacks ties. Ownership inscription on title: Hugo De Salins Belnensis Doct. Med. [d.1659],* and another signature, obscured. Bookplate of Ch�teau de Montrevost [Cuisery, France]. EARLY SEVENTEENTH CENTURY WORK ON GOUT & RHEUMATOID ARTHRITIS: : HUGUES DE SALINS� COPY. First edition of this rare work on the nature, cause and treatment of rheumatoid arthritis and gout. The status of gout in the late sixteenth century was such that gout was said by Turberville to be found in �horses, capons, and falcons.� (p. 64). John Gerard�s Herball, 1597, stated that Gout-wort, or Herba Gerardi, was a native herb that could be used with some benefit, supported further by Culpeper. According to Copeman, Thomas Sydenham (1624-1689), suffered from gout and wrote the classic description of the disease, and was the first to be able to differentiate between rheumatoid arthritis and gout. The present work was written decades earlier. Francesco India cites Galen (Chap. 1), Ambroise Par� (Chap. 12) and Jean Fernel (Chapters 5, 7, 8). India makes two 15-page tables of causes which he uses to organize his data. � PROVENANCE: Hugues de Salins: The British Library catalogue lists a �Hugues de Salins; see: Jean Baptiste de Salins, D�fense du vin de Bourgogne, 1704.� This may be a descendent. See: Soci�t� d�Histoire, d�Arch�ologie et de Litt�rature de l�arrondissement de Beaune, M�moires, ann�e, 1890, Volumes 15-16, Beaune, 1891, pp. 75, 177. Mentions the wife of Hugues de Salins as buried in 1626, and Hugues de Salins buried in 1659. � Francisci Indiae, an Italian philosopher and physician, who is little known, wrote the present work and two others: Hygiphylus: sive de febre maligna dialogus, 1593. Hygiophilvs Tertivs Vel De Symptomatvm Febri Malignae Svper, 1599. [*See: Fr�d�ric Paulhan, Catalogue des legs Gide & Teissier-Rolland, 1892, p. 212. Showing a copy of Strabo�s Strabonis rerum geographicarum libri XVII, [1571], with the same provenance inscription is this book. This inscription must date prior to 1892.] � Copeman, W.S.C., A Short History of the Gout and the Rheumatics Diseases, pp. 53, 64. Locations: British Library; Edinburgh University; Middle Temple Library; Wellcome Library.

      [Bookseller: Jeff Weber Rare Books]
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        Bibliotheca Belgica, bibliographie générale des Pays-Bas.Bruxelles, 1964-1975. 7 volumes (including index vol.). Large 4to (28 x 21 cm). With numerous black and white illustrations. Uniform red cloth.

      Complete set of the revised edition of the Bibliotheca Belgica : a comprehensive bibliography of books printed in, or relating to, Belgium. It includes all books printed in Belgium up to 1600, and major publications up to 1800, classified in alphabetical order. The Belgian librarian Van der Haeghen (1830-1913) started the project in 1879.Bindings slightly rubbed along the extremities and slightly worn along the hinges, otherwise in very good condition.

      [Bookseller: Antiquariaat FORUM BV]
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        Centuria o Historia de los famosos hechos el gran Conde de Barcelona don Bernardo Barcino, y de don Zinofre su hijo, y otros Cavalleros dela provincia de Cathaluña. Sacada a luz por el Reverendo Padre.

      Sebastian de Cormallas,, Barcelona: 1600 - 22 hojas, 213 folios, 7 hojas. Pergamino original con el lomo rotulado. La portada tiene una restauración antigua en el margen superior y está manchada y desgastada, en el folio 83 hay una restauración marginal que no afecta. Los últimos diez folios tienen una mancha ténue en el centro. Puntos de óxido ocasionales y alguna manchita menor. Palau 24138 y 24139, 307175. Salvá 1531. Ejemplar de la biblioteca de Joan Lluís Gili, con su ex-libris. La obra de Barellas escrita como una historia de Cataluña es en realidad uno de los últimos de los libros de caballerias publicados en España. En 1776 Pedro Angel Tarazona lo publicó de buena fe con el título de Semanario curioso, histórico, erudito, comercial, publico y económico; El Blason de Cataluña.

      [Bookseller: Els Llibres del Tirant]
 15.   Check availability:     IberLibro     Link/Print  


        Les Monts Pyrenées, ou sont remarqués les Passages de France en Espagne.Paris, Hubert Jaillot, 1719. Engraved map on 2 assembled sheets (54.5 x 88 cm). With title in decorated cartouche (signed F.C.) in upper right corner and scalebars in decorated cartouche in the lower left corner. Coloured in outline.

      Pastoureau, Jail. II C map 166. Large map of the Pyrenees, a mountain range on the border between France and Spain, after Nicolas Sanson (1600-1675). Apparently printed from the original plates, differing from the map issued in Mortier's "Jaillot-Atlas".Very good copy, slightly browned.

      [Bookseller: Antiquariaat FORUM BV]
 16.   Check availability:     Biblio     Link/Print  


        Bibliotheca Belgica, bibliographie générale des Pays-Bas.Bruxelles, 1964-1975. 7 volumes (including index vol.). Large 4to (28 x 21 cm). With numerous black and white illustrations. Uniform red cloth.

      Complete set of the revised edition of the Bibliotheca Belgica: a comprehensive bibliography of books printed in, or relating to, Belgium. It includes all books printed in Belgium up to 1600, and major publications up to 1800, classified in alphabetical order. The Belgian librarian Van der Haeghen (1830-1913) started the project in 1879.Bindings slightly rubbed along the extremities and slightly worn along the hinges, otherwise in very good condition.

      [Bookseller: Antiquariaat FORUM BV]
 17.   Check availability:     NVvA     Link/Print  


        Adoration of the Magi / Adorazione dei Magi (Oil on Canvas, circa 1600)

      Venetia (Venice), 1600 This is an original painting from the end of the XVIth or the beginning of the XVIIth Century (circa 1600). Oil on Canvas. Unsigned, but this style is from the Venetian School. The painting is in very good condition considering its age, more than 400 years old. The size of the painting is 61cm x 81cm.

      [Bookseller: Louis Caron]
 18.   Check availability:     IOBABooks     Link/Print  


        Der Achte Teil aller Schriften

      Martin Luther, Der Achte Teil aller Schriften, Jena 1600, Tobiam Steinman Original cream blind stamped full leather over wooden boards, five raised bands, one claps missing. Complete and in very good clean condition. Book size 33cm X 22cm. Text in German.

      [Bookseller: Avoca Antiquarian Books]
 19.   Check availability:     IOBABooks     Link/Print  


        Histoire d?un voyage fait en la terre du Bresil, dite Amerique, contenant la navigation et choses remarquables, veues sur mer par l'Auteur. Le comportement de Villegagnon en ce pais la. Les moeurs et facons de viure estranges des Sauvages Bresilians: avec un colloque de leur langage. Ensemble la description de plusieurs Animaux, Poissons diformes, Arbres, Herbes, Fruicks, Racines, et autres c

      Quatrieme edition, Dediee a Madame la Princesse d'Orange. Pour les Heritiers d'Eustache Vignon. [Geneve]. 1600. Small 8vo. a2-c3, 478, (16)pp, errata. 9 woodcut plates, one of which is the folding Indian Battle, one duplicated plate. (Plates p.121, folding p.238/9, p.241, p.248, p.259 (duplicate of 241), p.299, p.312, p.364, p.382.) Engraved headpieces and tailpieces. Musical notation within the text (Eduardo Prado considered this the first Brazilian musical document in existence). Later vellum with new endpapers. Yapped foredge. Woodcut bookstamp laurel wreath crest with initials AIC on title. Slight foxing and toning throughout. A few marginal stains and a couple of closed tears. Repaired paper fault to margin 65/66. Jean de Léry (1536?1613) explorer, writer and Calvinist. He trained for the ministry in Geneva where this volume was published. In 1556, aged 20, he embarked upon the first Protestant Mission to the New World. This is still regarded as the most significant early work on Brazil. Léry's descriptions of the Tupi are so detailed that anthropologist Claude Lévy-Strauss later referred to the Histoire d'un voyage as "the breviary of the ethnographer." It also served as a source for sixteenth-century essayist Michel de Montaigne's famed "Des cannibales." Rodrigues 1397. Borba de Moraes 472. Sabin 40152.

      [Bookseller: Paul Haynes Rare Books ABA ILAB]
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        Duodecim specula ...Antwerp, “Theodore Galle” [= Jan Galle], [ca. 1675? (engraved by Theodore Galle 1610)]. [1], XII ll. World Cat (1 copy). With: 2) [VOS, Maerten de, artist]. Speculum vitae humanae per decem aetatis gradus distinctum.[Antwerp], Jan Galle, [ca. 1675 (engraved by Gerard de Jode ca. 1590)]. 10 ll. Hollstein XLIV, M. de Vos 1468-1477, 3rd ed. 3) [VIRGIN MARY & JESUS - LIFE]. Praecipua vitae Jesu et Mariae ... [with Jesuit IHS device and motto, "Acta et mysteria" at head of title-page]. Antwerp, Jan Galle, [ca. 1675? (engraved by Karel & Philip de Mallery ca. 1630?)]. 44 ll. Not in Holstein; WorldCat. 4) LEEUW, Siardo de (artist?). Elogia ab excellentibus virtutibus ... B. Virgini ...Antwerp, Jan Galle, [ca. 1675? (engraved by Karel de Mallery ca. 1630?)]. 40 ll. WorldCat (3 copies). 5) [VIRGIN MARY - LIFE]. Virginis Mariae vita.Antwerp, Theodor Galle, [ca. 1610?]. [18] ll. WorldCat (1 copy). 6) [VIRGIN MARY - LIFE & CHRIST - PASSION & RESSURECTION]. Psalterii B. Mariae Virginis aut rosarii inventor, ...[Antwerp], Jan Galle, [ca. 1675]. ll. A-Q. not in Hollstein; WorldCat. 7) [HENSBERG, Vincent L.]. Miracula et beneficia SS. rosario Virginis Matris devotis ...Antwerp, Jan Galle, [ca. 1675 (engraved 1610)]. [1], 15 ll. WorldCat (1 copy). 8) [PORTRAITS - 4 CHURCH FATHERS]. [Each print with its own title:] S. Hieronymus ... S. Ambrosius ... S. Augustinus ... S. Gregorius.Antwerp, Jan Galle (engraved by Jan Collaert, ca. 1625?), [ca. 1675?]. 4 ll. Not in Hollstein; WorldCat. 9) [VIRGIN MARY]. S. Maria protectrix Carthusianorum.Antwerp, Gaspar Hubert [engraver's name erased: F[?] Ila[?] del[?] et fec], [ca. 1690?]. [15] ll. Not in Hollstein; WorldCat. 10) [CHRIST - 7 SHEDDINGS OF BLOOD]. Typus 7 effusionum sanguinis Christi[Antwerp], Jan Galle, [ca. 1675?]. [1], 7 ll. [but most numbers erased]. Not in Hollstein; WorldCat. 11) [CHRIST - PASSION & RESURRECTION]. Passio et resurrectio, domini nostri Jesu ChristiAntwerp, Jan Galle, [ca. 1675 (engraved by Theodore Galle?, 1605)]. 22 ll. WorldCat (1 copy?); not in Hollstein. 12) [CHRIST & APOSTLES]. IHS.[Antwerp?, Joannes Galle?], [ca. 1675?, (engraved by Filibert Bouttats the younger, Théodore van Merlen and Gaspar Huybrechtsz.]. [17] ll. Not in Hollstein; WorldCat. 13) AVONT, Pieter van, artist. [Life of Christ].[Antwerp?], Jan Huybrechtsz., [ca. 1675]. [8] ll. Not in Hollstein; WorldCat. 14) [RELIGIOUS LESSONS]. [incipit:] De kercke vanden levenden godt de welcke is de pilaert ...[Antwerp], (engraved by Michiel vander Gucht), [ca. 1680?]. [14] ll. Not in Hollstein; WorldCat.14 engraved print series. 4to. 18th-century vellum.

      14 extremely rare 17th-century religious print series, several not found in the literature and possibly unique. Some are emblematic and some Jesuit, and most were published by Jan Galle II (1600-1676). Generally in very good condition.Detailed description on request.

      [Bookseller: ASHER Rare Books (Since 1830)]
 21.   Check availability:     NVvA     Link/Print  


        Antiquae Urbis Perfecta et Nova Delineatio

      Roma 1600 - Pianta a volo d'uccello di Roma antica. Anonima, è disegnata nello stile della pianta di Ambrogio Brambilla, Antiquae Urbis perfecta imago, edita da Van Aelst intorno al 1580. Oriente in alto. Rubrica di 90 numeri in basso. Incisione su rame, in ottimo stato di conservazione. Opera molto rara Anonymous bird's-eye view of ancient Rome in the style of Brambilla's view of about 1580. At the bottom is a table with 90 names, keyed to sites on the view. Relief conveyed pictorially. Oriented with east at top. Very Rare. Hülsen, 41; Scaccia Scarafoni, C. Piante di Roma, 24 Dimensioni 524 400mm

      [Bookseller: Libreria Antiquarius]
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        Dominio Veneto nell'Italia

      Bologna 1600 - ESEMPLARE IN COLORITURA COEVA. Carta geografica tratta da "L'Italia" a cura di Fabio Magini, edito a Bologna tra il 1620 ed il 1640. La carta dello Stato veneto in generale rappresenta l’insieme delle nozioni raccolte per tutte le altre tredici carte dei territori che componevano lo stato, ad eccezione del territorio di Trento. Dal punto di vista del riliievo cartografico, l'opera presenta diverse analogie con quella realizzata dal Mercator nel 1589. Le carte del Magini in coloritura coeva sono assolutamente rarissime. Dimensioni 495 315mm

      [Bookseller: Libreria Antiquarius]
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        Asia Partivorbis maxima.

      Colonia 1600 - Rara ed affascinante carta dell’Asia. Matthaus Quad era un cartografo tedesco risiedente a Colonia, città che, all’epoca, era il punto nevralgico della cartografia tedesca. Questa carta, presa da dal suo "Fascilus Geographicus", è stata stampata da Johannes Bussemacher. Scarce early map of the Asia from Quad's Atlas Geographische Handbuch, published by Johann Bussemacher. Quad's map is a marvelous amalgam of early cartographic information and mis-inforamtion. The Korean peninsula does not appear. Japan is shaped in a very curious C shape. The Philippines is oddly misconfigured and much of SE Asia is mishaped or conjectural. Rich dark impression and full color, with wide margins. Dimensioni 300 210mm

      [Bookseller: Libreria Antiquarius]
 24.   Check availability:     AbeBooks     Link/Print  


        Die österreichischen Maler des 20. Jahrhunderts. 6 Bände (= Komplett inkl. der 2 Ergänzungsbände).

      Gr.-8. Zusammen über 1600 S., mit zahlreichen Abbildungen. Orig.-Ganzleinenbände mit Orig.-Schutzumschlägen. - 1. Bd: A-F 2. Bd: G-K 3. Bd. L-R 4. Bd: S-Z Ergänzungsband 1: A-K Ergänzungsband 2: L-Z. Originalverpackt. Bestzustand.

      [Bookseller: erlesenes Antiquariat und Buchhandlung]
 25.   Check availability:     booklooker.de     Link/Print  


        Dies Caniculares Hoc Est Colloquia Tria Et Viginti Physica, nova et penitus.

      Oberusel (Ursellis), In Archiepiscopatu Moguntinensi, apud Cornelium Suterium, Impensis Ionnis Theobaldi Schönwetteri, M. DC., 1600, - gr. in-8vo, (25x15 cm, 4 Bl. + 824 S. + 58 S. (Index + Errata), mit hs. Notizen d. Z., Namenseintrag oben am Titelblatt weggeschnitten nur noch ?Sum. Helvetij?, hs. Eintrag ?Ex Libris Matthio Doutaz Grueriensis Theologi 1813?, Pergament Einband, Rücken auf 4 Bünden, Vorderdeckel oben durch Wasserschaden gebleicht. Reste von 2 Schliessen. Première édition. ?A eu dans son temps le plus grand succès, et a été souvent cité? (Brunet). Simon MAIOLUS (1520-1597), Bishop of Volturara, was an Italian canon lawyer. This encyclopedic work, Dies caniculares, translates to "Dog days" but covers a wide range of topics in natural history. First published in 1597, the book had several later editions. Maiolus is mentioned in the early history of the explanation of fossils by Charles Lyell as a pioneer of volcanic description. The text cannot be considered entirely scientific, however, since it also discusses ghosts, spirits, vampires, and magic. Index at rear. Latin text. Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

      [Bookseller: Harteveld Rare Books Ltd.]
 26.   Check availability:     ZVAB     Link/Print  


        De Leone Belgico eiusque Topographica atque historica descriptione liber

      Hogenberg 1600 Hogenberg, (Köln, um 1600). 53 Kupfertafeln mit 496 S. (248 Doppelblätter) begleitendem Text, Halbleder-Einband, quart-quer, (berieben/bestoßen/etwas fleckig/einige Knickspuren und kleine Randläsuren/einige Tafeln lose) - Fragment dieses Werkes über den Spanisch-Niederländischen Krieg (Achtzigjähriger Krieg) mit Darstellungen von Schlachten, Belagerungen, Prozessen, Hinrichtungen usw. / Titelseite liegt als Kopie bei / Text lateinisch - Versand D: 5,90 EUR Geschichte,Alte Drucke vor 1850

      [Bookseller: Celler Versandantiquariat]
 27.   Check availability:     buchfreund.de     Link/Print  


        Concordantiae Graecolatinae Testamenti Novi, nunc primum plenae editae : & diu multumque desideratae, ut optimae duces ad veram vocum illius interpretationem futurae. Accessit huic editioni supplementum eorum omnum quae hactenus desiderabantur, tam eorum quae ad calcem libri reiecta, quam quae omissa desiderari poterant

      [Geneva]: Oliva Pauli Stephani, 1600. First edition. Hardcover. g+ to vg. Folio (13 3/4 x 9"). [6] leaves, 535, [1], 133 [i.e. 131] (page 131 of the supplement misnumbered 133), [1]pp. Modern half brown morocco over grey linen, with gold lettering and decoration to spine. Modern marbled endpapers. Large engraved title vignette. Decorative head-, tailpieces, and initials. Concordance begun by Robert Estienne and completed by Henri Estienne, Théodore Bèze and others; dedication and preface by Henri Estienne. Poem on Henri Estienne by Paul Estienne on leaves 5a-b. The heading of the poem within the "Vineyard" border first used by Robert Estienne in the folio Bible of 1538-40. This work is the reprint of Henri Estienne's edition of 1594, with the addition of the supplement.Offsetting to the first three leaves. Minor and sporadic age-toning / foxing throughout. Previous owner's inscription dated New York 1830 to blank leaf facing title page. Previous owner's name at upper margin of title page (not affecting lettering). Ex-library bookplate on inside of front cover, and stamp to first original fly leaf. Preliminary matters in Latin, text in ancient Greek. Binding in very good, interior in good+ to very good condition.

      [Bookseller: Eric Chaim Kline - Bookseller ]
 28.   Check availability:     ABAA     Link/Print  


        Allegoria del Bene e del Male (Le Virtù allo specchio)

      1600 - Bulino, 1600 circa, firmato in lastra in basso al centro. Da un disegno di Cornelis Ketel. Esemplare del terzo stato di quattro, prima che l'indirizzo di Laurentius. Bellissima prova, stampata su carta vergata coeva, rifilata al rame o con piccoli margini, due lievi pieghe di carta orizzontali, per il resto in ottimo stato di conservazione. Questo superba e monumentale opera, ricca di dettagli allegorici, già suscitò molto interesse negli artisti contemporanei di Saenredam, confermando la sua posizione come una delle più importanti personalità artistiche nella cerchia di Goltius. Nella sua biografia di Cornelis Ketel, per esempio, Carel van Mander ha dedicato una descrizione completa di questa stampa, riferendosi ad essa come "Deughtspiegel", lo specchio della Virtù. Il titolo latino impresso nella stampa - Naturae seguitur semina quisque suae -può essere tradotto come: "Ognuno segue il seme della propria natura". Un'interpretazione dettagliata di questa immagine, accademicamente e iconograficamente complessa, sarebbe troppo ambiziosa nel contesto di una breve voce di catalogo, ma è comunque possibile affrontare il tema di fondo dell'immagine. Una personificazione della Beneficentia è posta al centro della composizione, affiancato dalla Gratitudine e dalla Ingratitudine. Le iscrizioni che accompagnano forniscono ulteriori indizi per il programma iconografico qui rappresentato: due serpenti, che si mordono con rabbia uno con l'altro, sono avvolti attorno alla gamba destra della personificazione maschile dell’Ingratitudine, mentre il ginocchio sinistro poggia su un teschio. In primo piano a destra si trova una bara con la scritta - Mors.Oblivio -. L'immagine suggerisce che dimenticare è un atto di gentilezza non meno terribile della morte. La figura femminile in ginocchio sulla sinistra rappresenta uno scenario opposto. Lei è pienamente consapevole della gentilezza che le è mostrata, come conferma l'obelisco dietro di lei dove si legge - Aet (Ernis) M (emoria) -. Il leone dall’aspetto docile posto ai piedi della figura simboleggiante la Beneficentia, che ha fatto amicizia con un piccolo cane, sono ulteriori caratteristiche di gratitudine. La scena principale si trova racchiusa in una cornice allegorica riccamente decorata. Sulla destra della cornice si trovano Diana e Efeso, visto dare alla luce un bambino, identificato come Malignitas secondo l'iscrizione. A sinistra, Apollo assiste una giovane donna che mette al mondo un neonato innocente, che viene identificato con l’iscrizione Bona indolis. Bell’esemplare di questo capolavoro di Saenredam. Engraving, circa 1600, signed at lower center. After Cornelis Ketel. Example of the third state of four, before the address of Laurentius. A fine impression, printed on contemporary laid paper, trimmed to the platemark or with small margins, 2 small horizontal paper folds, otherwise in good condition. This superb monumental print, rich in allegoric detail, already impressed Saenredam’s contemporaries, confirming his position as one of the most outstanding artistic personalities in Goltius’s circle. In his biography of Cornelis Ketel, for instance, Carel van Mander dedicated a full description to this print, referring to it as the "Deughtspiegel" (Mirror of Virtue). The Latin title lettered in the print Naturae seguitur semina quisque suae can be translated as: "Everyone follows the seed of his own nature". A detailed interpretation of this academic and iconographically complex image would be too ambitious in the context of a brief catalogue entry, but it is nonetheless possible to address the underlying theme of the image. A personification of Beneficentia /Charity) can be seen at the center of the composition, flanked by Gratitude and Ingratitude. The accompanying inscriptions provide further clues to the iconographic program represented here, Two snakes, angrily biting each other, are wound around the right leg of the male personification of Ingratitude, while the left knee rests on a sk [Attributes: Signed Copy]

      [Bookseller: Libreria Antiquarius]
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        Concordantiae Graecolatinae Testamenti Novi, nunc primum plenae editae : & diu multumque desideratae, ut optimae duces ad veram vocum illius interpretationem futurae. Accessit huic editioni supplementum eorum omnum quae hactenus desiderabantur, tam eorum quae ad calcem libri reiecta, quam quae omissa desiderari poterant

      Oliva Pauli Stephani, [Geneva] 1600 - Folio (13 3/4 x 9"). [6] leaves, 535, [1], 133 [i.e. 131] (page 131 of the supplement misnumbered 133), [1]pp. Modern half brown morocco over grey linen, with gold lettering and decoration to spine. Modern marbled endpapers. Large engraved title vignette. Decorative head-, tailpieces, and initials. Concordance begun by Robert Estienne and completed by Henri Estienne, Théodore Bèze and others; dedication and preface by Henri Estienne. Poem on Henri Estienne by Paul Estienne on leaves 5a-b. The heading of the poem within the "Vineyard" border first used by Robert Estienne in the folio Bible of 1538-40. This work is the reprint of Henri Estienne's edition of 1594, with the addition of the supplement.Offsetting to the first three leaves. Minor and sporadic age-toning / foxing throughout. Previous owner's inscription dated New York 1830 to blank leaf facing title page. Previous owner's name at upper margin of title page (not affecting lettering). Ex-library bookplate on inside of front cover, and stamp to first original fly leaf. Preliminary matters in Latin, text in ancient Greek. Binding in very good, interior in good+ to very good condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)]
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        Corsica

      Colonia 1600 - Bella e rara carta, tratta dall'opera di M. Quad "Fasciculus Geographicus Complectens Praeciparum Totius orbis Regionum tabulas circiter centum. una cum earundum Enarrationibus" edito a Colonia da J. Bussemacher, nel 1608. Incisione su rame, lieve e uniforme brunitura,grinze lungo la piega centrale, nel complesso in buono stato di conservazione. Testo latino al verso. Rare map of Corsica, engraved by Mattheus Quad; from "Fasciculus Geographicus Complectens Praeciparum Totius orbis Regionum tabulas circiter centum. una cum earundum Enarrationibus" Cologne, J. Bussemacher, 1608. Copper engraving, browned, creasing to centerfold, otherwise in good condition. Verso text: Latin. F. Cervoni, "Image de la Corse", 16 Dimensioni 310 230mm

      [Bookseller: Libreria Antiquarius]
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        Maison Rustique, Or The Countrie Farme

      Published by Bonham Norton, London 1600 - ,[4 blanks] [xxx], 901 pages, [27] [4 blanks], first section illustrated with a vignette on the title page, 6 illustrated first letters and 3 pages of tables, second section divided into 7 books each with an illustrated first letter, this section also contains 2 full page annotated diagrams of animals, 16 illustrations of varying sizes, and 20 square designs that resemble celtic knots throughout the text, translated from the French by Richard Surflet New edition , victorian reback with new leather front and rear [then], the spine looks like it might be original with later added gilt, not sure, rubbing to spine, joints slightly rubbed, internally, early pages stained at the top to pg 36, mostly in the margiin, last few pages with stains to lower corner, occasional other stain, trimming to head just encroaching on the titles here and there throughout, neat repair to tears on two plates [pages 329 and 331], a nice complete copy in good condition , full calf, gilt rules and blindstamped patterning front and rear, 5 raised bands on spine, gilt and blindstamped decoration in compartments, gilt ruless and titles on spine, all page edges marbeld , octavo, 21.5 x 16 cms Hardback ISBN: [Attributes: Hard Cover]

      [Bookseller: Keoghs Books]
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        Dell'istorie fiorentine di Scipione Ammirato. Libri venti dal principio della città insino all'anno MCCCCXXXIIII nel quale Cosimo de Medici il Vecchio fu restituito alla patria. Con una tavola copiosissima delle cose più notabili

      In Firenze, nella Stamperia di Filippo Giunti, 1600. In 4°, piena perg. coeva, tassello al dorso con tit. in oro, pp.(8nn)-752-(56nn) + (2nn di Errata e Registro). Marca xilografata al front. (in ovale stemma mediceo tra due figure che tengono tra le mani giglio fiorentino. Testatina xilografata raffigurante veduta panoramica di Firenze alla dedicatoria ("Al Serenissimo Sig. il Signor Don Ferdinando de Medici"), bei capilettera xilografati, al registro giglio fiorentino sorretto da putti, appoggiato su un basamento che reca il motto "Nil candidus". Importante opera sulla storia di Firenze. Minimi segni d'uso alle cuffie compless. Qualche arrossatura alle prime pagine. Edizione originale assai rara. (cfr) Adams, 982 - Gamba 1196 in nota, Brunet I, 238

      [Bookseller: Taberna Libraria]
 33.   Check availability:     maremagnum.com     Link/Print  


        The Principal Navigations, Voiages, Traffiques and Discoveries of the English Nation.....; The Third and Last Volume of the Voyages, Navigations, Traffiques, and Discoveries of the English Nation...

      London: George Bishop, Ralph Newberie and Robert Barker, 1600. Hard Cover. Fair. Volume 3 only, of 3 volumes of the second edition; folio (11" x 7 1/2"); [16]607-620[1-868]. The Voyage to Cadiz is bound in here (pp. 607-620), which is usually bound into volume 1. Bound in 19th century 3/4 calf over marbled boards; sprinkled edges. Printed on laid paper, the text is very clean and bright; page 550 is misnumbered 534; page 608 is misnumbered 680; H3, H4, Lll3, Lll4 and Lll5 with very light marginal dampstain. Piece missing from spine and front board separated, text block is sharp and square. volume 3 is entirely about the Americas and is one of the earliest English books on the subject of travel and exploration. Notably, pages 132-134 is "conteining a report of the true state and commodities of Newfoundland, by M. Anthonie Parkhurst, Gentleman, 1578." Pforzheimer 443. Sabin 29595.

      [Bookseller: Charles Parkhurst Rare Books, Inc.]
 34.   Check availability:     Biblio     Link/Print  


        Histoire Naturelle et Moralle des Indes, tant Orientalles qu'Occidentalles: Ou,il est traicte des choses remarquables du Ciel, des Elemens, Metaux, Plantes & Animaux qui sont propres de ce pays.

      Marc Orry, Paris 1600 - A good copy of the 2nd French edition of Joseph Acosta's important work on the New World first published in Spanish in 1590. Acosta was a Jesuit, who spent 17 years in South America and Mexico. His work, based on careful observation, formed one of the first accounts of the New World. This copy is in probably contemporary full vellum binding with yapp edges. The original ties have gone. It is difficult to say if the binding was hard or soft cover, because at some point in its history, it has had an old stiff embossed wallpaper with gilt birds and flowers, used to form new endpapers. There are no pages before the title page, which has had a strip added at the bottom and which is coming loose. Contents: title page; dedication pp ii-iv; advert; poems 4pp; Extrait du Privilege du Roi 1p; Text in 7 books pp 1-375; table of contents 34 pp. The text pages are numbered on the recto only. With decorative head pieces and initial capitals. The text is very clean with just the occasional mark, and some light underlining at p 238, but p 58 is missing. P 31 is mispaginated as p 13; p 267 is un-numbered and p 97 is very thin with a hole in the bottom margin. The final third of the book is quite difficult to open fully - probably because of the way the endpapers have been added. [Attributes: Hard Cover]

      [Bookseller: ecbooks]
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        Il nuovo itinerario dItalia. Ora corretto, supplito, & accresciuto di molet erudizioni storiche, e di figure in rame. Nel quale si descriuono li viaggi principali della medesima, gli Stati, Citta, Isole, Porti, Fortezze, & altri Luoghi, e loro curiosità e distanze: Con la notizia de Vescouati, e Arciuescouati compresi in essa.

      8. Gest. Titel, Titel, 4 Bll., 614 S., 7 Bll. Mit 25 (statt 24 angegebenen) gef. Kupferstich-Plänen. Pergamentband der Zt. auf 5 Bünden m. Rü.beschriftung v. alter Hd. Einbd. etw. angeschmutzt u. an den Kanten bestoßen, Läsur am unt. Kapital, Vorsätze gebräunt, Titel m. kl. Monogrammstempel, im Text vereinz. braunfleckig aber sauber. ADB 32, S. 397. Neue Ausgabe des erstmals 1600 in Antwerpen in lateinischer Sprache erschienenen Werkes des Antwerpener Ratsherrn und gelehrten Reiseschriftstellers Franz Schott (1549-1622). Schott verwertete darin das Werk des Philologen Stephan Pighius Hercules Prodicius, Karten seines, ihm nahe stehenden Landsmannes Ortelius, Werke unterschiedlicher Schriftsteller und außerdem persönliche Mitteilungen seines Bruders Andreas S., der als Jesuit längere Zeit in Italien verweilt hatte. "So ist ein Gemisch von Geschichte, Geographie, Topographie, Dichtung und Wegweiser entstanden, in welchem die Rücksicht auf die Stimmen des Alterthums und auf die kirchlichen Zustände, Gebäude u. s. w. sich weit vordrängt .. " (ADB). - Mit reizenden Stadtplänen aus der Vogelperspektive von Venedig, Bologna, Ferrara, Rom, Ancona, Genua etc. u. einer Gesamtkarte von Italien.

      [Bookseller: Antiquariat Löcker]
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        Spoletvm Vmbriae Capvt

      Roma 1600 - Acquaforte e bulino, 1600, firmata in lastra in basso. Esemplare nel secondo stato di due, con la data 1613; il primo stato, datato 1600, è descritto solo dal Tooley. Magnifica prova, impressa su carta vergata coeva, rifilata alla linea marginale su tre lati, poco entro in basso con perdita della cornice ornamentale inferiore, restauro all’angolo superiore sinistro perfettamente eseguito, per il resto in ottimo stato di conservazione. La pianta prospettica e planimetrica edita dal Thomassin è opera di Francesco Parenzi o Parenzio ed è dedicata a Paolo Giordano Orsini, il cui stemma di famiglia appare nel bellissimo cartiglio sulla sinistra. Philippe Thomassin si stabilisce a Roma verso il 1585 dove incide soprattutto soggetti religiosi alla bottega del Duchetti, del Vaccari e del Clodio. Come d’uso nel periodo però, dal 1588, diviene anche editore, ottenendo nel 1599 il beneficio del privilegio da papa Clemente VIII. Bibliografia: Bella, Cartografia Rara, p. 137, 129 II/II; Bury, The Print in Italy, p. 234. Dimensioni 535x395. Etching and engraving, 1600, signed on lower plate. Example in the second state of two, dated 1613; the first state, 1600, has been listed only by Tooley. Magnificent work, printed on contemporary laid paper trimmer to marginal line on three sides, slightly inside the margin on lower part, with the consequent loss of part of the decorative frame, minor repair on upper left corner perfectly executed, otherwise in excellent condition. Perspective and planimetric plan published by Thomassin and realized by Francesco Parenzi or Parenzio, dedicated to Paolo Giordano Orsini, whose family coat of arms is depicted in the beautiful cartouche on the left. Philippe Thomassin moved to Rome in 1585, where he engraved mainly religious subjects in the workshops of Duchetti, Vaccari and Clodio. As usual in those times, he became also a publisher in 1588 and was granted the Pope’s privilege in 1599 by Clemente VIII. Bibliografia: Bella, Cartografia Rara, p. 137, 129 II/II; Bury, The Print in Italy, p. 234. Dimensioni 535x395. Bella, Cartografia Rara, p. 137, 129 II/II; Bury, The Print in Italy, p. 234. Dimensioni 535 395mm [Attributes: Signed Copy]

      [Bookseller: Libreria Antiquarius]
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        Mosè e il serpente di bronzo

      1600 - Bulino, 1600, firmata in lastra, nel margine inferiore "Dominicus Custos Chalcographus humill. obseruantiae ergo DDdt. Augustae Vindelicor.". Da un soggetto di Ferraù Fenzoni. Nel margine inferiore, l’iscrizione latina: "Hic serpens animat, quos exanimauerat alter; Vnus ut innumeras mortes tulit anguis Auerni. Ore extincta salus quae fuit, aere redit. Sie vitas Agni mors tulit innumeras." ; "Reverendiss.o Principi et Dno. D. Wolfgago Praeposito ac Dno [.]lvacensi. Principi svo Clementiss.o" . Nell’immagine, in basso su una pietra, il nome dell’inventor "Ferav. Fenson. Fav. Inv" Ferraù Fenzoni. Bellissima prova, impressa su carta vergata coeva con filigrana "grande scudo con vaso e grappolo d'uva", rifilata al rame, leggere pieghe centrali, per il resto in buono stato di conservazione. Margine inferiore rifilato con perdita dell’ultima riga di testo, contenente le parole "Anno Santo." La splendida opera riproduce l’omonimo affresco realizzato dall’artista Ferraù Fenzoni (1562-1645), detto anche Ferraù da Faenza, per decorare la Scala Santa. Il pittore faentino, tra il 1587 e il 1591, fu coinvolto, insieme ad una ventina di artisti, nella decorazione della Scala Santa, diretto da Domenico Fontana per volere di Sisto V. Il progetto prevedeva un ciclo di affreschi che ricopriva volte e pareti delle scale, annullando qualsiasi elemento murario e mirando al raggiungimento di una esclusiva rappresentazione pittorica. Del Mosè e il serpente di bronzo sono noti due disegni preparatori: uno conservato presso il Museo nazionale di Budapest, dove è rappresentato un nudo che si contorce cercando di liberarsi da un serpente, e l'altro nel Gabinetto dei disegni e stampe degli Uffizi, che presenta uno schizzo dell'intera composizione. La scena biblica rappresentata è basata sul Libro dei Numeri 21, 4-9, Dopo che Edom si rifiuta di far passare Israele, Mosè decide di aggirare da sud l’ostacolo, il popolo fa voto a Jahvé per poter vincere il re di Arad che sbarrava il cammino di Atarim. Nonostante la vittoria, Israele prese a lamentarsi ancora una volta con Mosè. Come punizione Dio invia loro dei serpenti velenosi che, coi loro morsi causarono la morte di diversi Israeliti. Il popolo allora supplicò Mosè di pregare il Signore per allontanare i serpenti.). Il Signore disse a Mosè: "Fatti un serpente e mettilo sopra un'asta; chiunque, dopo essere stato morso, lo guarderà resterà in vita". Mosè allora fece un serpente di rame e lo mise sopra l'asta; quando un serpente aveva morso qualcuno, se questi guardava il serpente di rame, restava in vita. L’affresco di Fanzoni fu tradotto a bulino anche da Francesco Villamena, nel 1597. Questa incisione del Custos fu realizzata in occasione dell’Anno Santo del 1600. Engraving, 1600, inscribed at lower margin "Hic serpens animat, quos exanimauerat alter; Vnus ut innumeras mortes tulit anguis Auerni. Ore extincta salus quae fuit, aere redit. Sie vitas Agni mors tulit innumeras." ; "Reverendiss.o Principi et Dno. D. Wolfgago Praeposito ac Dno [.]lvacensi. Principi svo Clementiss.o. Dominicus Custos Chalcographus humill. obseruantiae ergo DDdt. Augustae Vindelicor." . After a subject by Ferraù Fenzoni. A very good impression, printed with tone on contemporary laid paper with "large shield with a vase with grapes", trimmed to the paltemark, light central folds, otherwise good conditions. Lacking the last line of text, with words "Anno Santo" (Holy Year). The scene reproduces the famous fresco by the artist Ferraù Fenzoni (1562-1645) for the Scala Santa. All the frescoes in the palace were executed by a group of painters directed by Giovanni Fontana. Two preparatory drawings of the fresco are known: one kept at the Budapest National Museum, which shows a naked writhing trying to get rid of a snake, and the other one in the Cabinet of Drawings and Prints of the Uffizi, that presents a sketch of the entire composition. The biblical scene represented is based on the book of Numbers 21: 4-9, In the biblical story, fo

      [Bookseller: Libreria Antiquarius]
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