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The Journal of Indian Art, Vol. 4, Nos. 33-37 - - 1892. 
London: W. Griggs, 1892. Hardbound. Contents are VG or better, front inner hinge and gutter weak. Bottom 3 inches of spine cloth attached only at back hinge. Edges of 6 leaves chipped with small pieces of margin area missing. There is light off-setting from each colored plate onto the facing page (usually a blank page, so no text is marred). The volume is ex-library from the Museum of Fine Arts, Boston, with a stamp on the title page, a sticker on the back free end paper, and the remnant of a pocket inside the back cover. In addition, each color plate is library-stamped on the reverse. A personal bookplate of William Sturgis Bigelow, Boston surgeon and collector of Asian (especially Japanese) art. He donated his entire collection of 25,000 works of art to the MFA. The contents are bound consecutively but without original covers, as various "chapters" of a book. The original paper covers are bound together, in order, at the back of the volume.. Green gilt embossed publisher's cloth. Unpaginated, and filled with breathtaking colored chromolithographs and other two-tone plates and images (1 folding bw plate, 1 folding color plate, 2 double-page color plates, and 28 single color plates). A bit heavy at 6 pounds and will require extra postage. Scholarly literature on the decorative arts in India is scanty and mainly in learned journals. The Journal of Indian Art and Industries (1886-1916) is the most important and contains numerous pioneering studies. Original front and rear wraps from each issue are bound in at the rear. These covers have the contents of each issue printed on them. This is the exceedingly rare third volume of this seminal and Influential periodical on Indian arts. See article by Peter H. Hoffenberg entitled "John Lockwood Kipling, W. H. Griggs and The Journal of Indian Art and Industry" written in 2003 for a complete description of this periodical. He states: "...Kipling's and Buck's vision encouraged use of the latest photographic and reproductive innovations to ensure accurate and attractive illustrations of lasting quality. Griggs and his editorial staff took advantage of that encouragement and of the most current technology to produce exquisite color chromo- and photo-lithographs bound in leather. Black and white illustrations were also included...No doubt the publisher applied chromo-lithographic technologies from Britain and the continent, but the pages of the Journal also included illustrations resulting from innovative work in the heliogravure and collotype sections of India's own Revenue and Agriculture Department, particularly the offices devoted to the Survey of India. " The first 4 or 5 volumes of this publication seem exceedingly scarce.
[Bookseller: Mullen Books, Inc. ABAA / ILAB]
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