OVIDE.

P. Ovidii Nasonis Fastorum libri diligenti emendatione Parisus impressi aptissimisq[ue] figuris ornati com[m]entaribus Antonio CONSTANTINO Fanensi : Paulo MARSO Piscinate vuris clarissimis additis quibusda[m] versibus qui deerant in aliis codicibus : insuper gracis characteribus bi deerant in aliis impressionibus : appositis rebus notabilibus quibusdam in margine una cum tabula in ordine alphabeti : que nullo in alio codice impressa reperies.

      Paris, [Antoine Bonnemere pour] Jean Granjon, sans date [vers 1512]. In-folio, demi-veau brun, dos a trois nerfs, etiquette ancienne en pied du dos, plats estampes de quatre roulettes a froid poussees en long, ais de bois biseautes, fermoirs de cuir et laiton, [14] feuillets liminaires (titre imprime en rouge et noir, preface et la table) et 262 feuillets, bois dans le texte. (Coiffes usees, reliure frottee, travail de vers traversant les plats et le volume avec atteinte au texte sans gravite. Coin du plat superieur restaure ainsi que le tiers superieur du second ais.) BON EXEMPLAIRE. ***___***___*** Folio, brown half-calf, back with three nerves, label old in foot of the back, stamped dishes of four casters cold thorough longitudinally, bevelled wood boards, clasps of leather and brass, [14] layers preliminary (title printed in red and black, foreword and the table) and 262 layers, drink in the text. (Used Caps, rubbed binding, work of worms crossing the dishes and volume with attack with the text without gravity. Corner of the higher dish restored as well as one the higher third of the second board.) Beautiful edition given by Bartolomeo MERULA with the comments of the philologists and poets Antonio CONSTANTI and Paolo MARSO. Printed as a Roman by Antoine BONNEMERE it was divided between the Gilles booksellers of GOURMONT, Denis ROCE, Olivier SENANT and Jean GRANJON. It is illustrated of 7 figures engraved on wood with two or three compartments. This Parisian edition is a copy of the printed Milanese edition in 1510 by Leonhard PACHEL, which derived from the Venetian editions of the text. Beautiful specimen with the address of Jean GRANJON, in his first binding decorated with casters to the stork and flowerets. Library of J. LASSBERG (Bavaria? ). This edition misses with GOOD. Belle edition donnee par Bartolomeo MERULA avec les commentaires des philologues et poetes Antonio CONSTANTI et Paolo MARSO. Imprimee en romain par Antoine BONNEMERE elle fut partagee entre les libraires Gilles de GOURMONT, Denis ROCE, Olivier SENANT et Jean GRANJON. Elle est illustree de 7 figures gravees sur bois a deux ou trois compartiments. Cette edition parisienne est une copie de l'edition milanaise imprimee en 1510 par Leonhard PACHEL, laquelle derivait des editions venitiennes du texte. Bel exemplaire a l'adresse de Jean GRANJON, dans sa premiere reliure ornee de roulettes a la cigogne et de fleurettes. De la bibliotheque de J. LASSBERG (Baviere ? ). Cette edition manque a la Bibliotheque nationale. MOREAU, Inventaire..., II, 421. RENOUARD 395 pour la marque typographique.