Higden Ranulph

POLYCRONICON [translated by John de Trevisa]

      Southwark Peter Treveris at ye expences of John Reynes 1527, the 16th day of May RARE. First Illustrated Edition and only the third issuance of the book after the Caxton printing of 1482 and the Wynken de Worde printing of 1495. With the exception of the woodcut of the musical notation on n5r, which first appeared in the printing of 1495 (and was the earliest printed musical notation in an English book), ALL THE WOODCUT ILLUSTRATIONS APPEAR HERE FOR THE FIRST TIME. Double column, black letter, zylographic title printed in red between two parts of a large woodcut block printed in red and black (Hodnett 2489, state 2), the upper portion featuring the royal arms, a portrait of Henry VIII, and the arms of London, the larger lower portion showing St. George; full page woodcut of a battle on z6v, 6 smaller woodcuts in the text (one repeated), woodcut musical notation on n5r, several 10-line and smaller woodcut initials. John ReynesÕ printerÕs mark, colophon with hunting scenes. Folio (273 x 190 mm), handsomely bound in full brown pigskin gilt, with gilt central device of the Earl of Warwick on each cover, edges gilt, by Zaehnsdorf. Fo. CCCxlvi A very handsome copy of this rare and desirable book. Complete but for the title page and colophon leaf supplied in very skillful facsimile, first twelve and last eight leaves skillfully repaired in the margins, slightly affecting text in a few places, occasional minor dust soiling, some leaves possibly supplied from another copy. A very attractive, wide-margined copy. RARE AND IMPORTANT. Only the third printing of one of the most important pieces of early English historical prose. Higden's POLYCRONICON, a world history from the Creation to 1360 A.D., was translated by Trevisa at the command of Thomas, Earl of Berkeley (d. 1361). The work draws on over 40 sources, and synthesizes a continuous diachronic and multicultural history, beginning with the Biblical account of the Creation and moving through the history of the Semitic, Hellenic, Roman, and medieval-European cultures. It served as a model for innumerable later histories, both universal and localized. The POLYCRONICON was Caxton's most ambitious printing project. It is his longest book in terms of page count, and the second-longest in terms of word count (after the GOLDEN LEGEND of 20 November 1483). It is also Caxton's most ambitious work as an editor and a writer; for Caxton significantly revised the extant English translation of the POLYCRONICON, updating its terminology considerably; and he also authored an original history of England to serve as Book 8 of the text--a writing effort which stands as Caxton's greatest achievement as an author. This printing is the third, after CaxtonÕs original in 1482.