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Displayed below are selected recent viaLibri matches for books published in 1660
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[Maison du Roi]
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1660 - 1656 - 1657 Recueil de 10 documents concernant l'organisation, la reglementation et le fonctionnement de la Maison du Roi, de la Reine d'Anjou ; relies en un volume petit in-8 ; plein veau havane, dos decore et dore (reemboitage dans une reliure ancienne) : 1- Mariniere (Sieur de La) : Estat general des officiers domestiques et Commencaux de la Maison du Roy. Ensemble l'Ordre et Reglement qui doit etre observe en la Maison de sa Majeste, tire des Memoires de M. de Saintot, Maistre des Ceremonies de France. Mis en ordre par le Sieur de la Mariniere. Paris, Jean Guignard le Pere, 1660 ; (22), 240 pp. Rare. 2- Ordre et Reglement qui doit estre tenu et observe en la Maison du Roy... Marin Leche, 1657 ; 80 pp. 3- Extrait des Privileges et Exemptions accordez par sa Majeste aux Officiers de la Prevoste de son Hostel et Grande Prevoste de France. 8 pp. 4- Estat General... (idem 1er titre) Marin Leche, 1657 ; 48 pp. 5- Recueil des Privileges... Idem, 1657 ; (16) pp. 6- Recueil de declarations du Roy... 1656 ; 64 pp. 7- Edict du Roy portant revocation des annoblissements accordez... 1657 ; 16 pp. 8- Declaration du Roy, portant reglement et creation d'Officiers sur le faict des Chasses... Marin Leche, 1656 ; 8 pp. 9- Arrest du Conseil d'Estat du Roy du 22 novembre 1656, portant confirmation des Privileges attribuez aux Officiers Commencaux de la Maison de Monsieur le Duc d'Anjou... Marin Leche, 1656 ; 8 pp. et 8 pp. 10- Arrest du Conseil d'Estat du Roy, donne en faveur des Gentilshommes de noms et d'Armes [...] pour la decharge des taxes sur les annoblis et droicts de Franc-Fiefs. Marin Leche, 1657 ; 8 pp. et 8 pp. Rare (Thiebaud, 336-337 ; absent de Vicaire, Menessier, etc.). Important ensemble qui concerne tout le fonctionnement des Palais royaux, de la garde aux cuisines en passant par la Chambre du Roy, ses medecins, bibliothecaire, secretaires, la chasse et la fauconnerie, les haras, toute l'alimentation, l'habillement, etc. Tous les noms des occupants des divers charges et metiers sont donnes, ce qui en fait un document genealogique de premier ordre. Quelques minuscules travaux de vers en marge de quelques feuillets et quelques aureoles claires par endroits, sans aucune gravite, bon etat general.
[Bookseller: Librairie Ancienne Clagahe] |
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VV. AA.
HISTOIRE DE L'EDITION FRANCAISE.
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1°. LE LIVRE CONQUERANT. DU MOYEN AGE AU MILIEU DU XVII° SIECLE. 629 pp. 2°. LE LIVRE TRIOMPHANT 1660-1830. 653 pp. 3°. LE TEMPS DES EDITEURS. DU ROMANTISME A LA BELLE EPOQUE. 539 pp. 4°. LE LIVRE CONCURRENCE 1900-1950. 609 pp.Enc. editorial con sobrecubierta. Muchísimas ilustraciones. Perfecto estado de conservación. Promodis. Paris, 1982-86. BIBLIOFILIA-BIBLIOGRAFÍA ENCUADERNACIÓN Despacho 1 57
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Boniel de Catilhon (Me Antoine) :
La vie de Messire Claude Expilly, chevalier, Conseiller du Roy en son Conseil d'Estat, et President au Parlement de Grenoble.
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1660 Grenoble, Philippe Charuys, 1660 ; in-4 ; plein velin ivoire muet (reliure de l'epoque) ; 166 pp., (1) f. blanc, portrait grave a l'eau-forte en frontispice. EDITION ORIGINALE. Antoine Boniel de Catilhon etait le neveu de Claude Expilly qui avait epouse Isabeau de Catilhon. Exemplaire de M. Perrin, avocat a Grenoble, a qui il a ete offert par Gasparde Expilly, fille de Claude et veuve en secondes noces de Claude de Fassion, sieur de Brion qui succeda a Claude Expilly dans sa charge d'avocat-general puis de President du Parlement, selon une note manuscrite signee de sa main et datee de juin 1661 ; puis de Monsieur Duclos du Vernay, Tresorier de France en sa generalite de Dauphine, qui etait le petit neveu de feu M. Perrin, dont il herita (note de sa main datee de Miribel -dans l'Ain-, le 18 aout 1734). Ne a Voiron (1561-1636), magistrat et poete, il fit ses etudes au college des Jesuites de Tournon puis a Paris, ou il fit son droit ; apres un long voyage en Italie ou il frequenta pas mal de savants, il recut son bonnet de docteur des mains de Cujas, un des plus fameux juristes de son temps. Recu avocat en Parlement de Grenoble en 1583, il fit de brillants debuts, se lia avec Lesdiguieres dont il fut un fidele compagnon et devint Procureur General a la Chambre des Comptes en 1595, puis avocat general en Parlement de Dauphine. E ces differents postes, il avait pu mettre en pratique son grand sens de la diplomatie et ses grandes connaissances du droit. En 1608, il fit paraitre son celebre "Plaidoyez de M. Claude Expilly...". Il participa aux negociations pour fixer les limites precises de la Savoie et du Dauphine puis du Comtat-Venaissin. Tres bon exemplaire.
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ROBERT, Nicolas
Variae ac multiformes florum species appressae ad vinum et aeneis tabulis. - Diverses fleurs desinées et gravées d'après le naturel.
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Paris, F. Poilly 1660. Quer-4°. Kupfertitel und 28 (statt 30, die Tafel Nr. 7 handkoloriert) Kupfertafeln auf starkem Papier [es fehlen Tafeln Nr. 29 und 30]. Späterer blauer Pappbd. (fleckig, berieben und bestossen). [Vorgebunden:] Weyen, Herman. Muscarum scarabeorum vermium[que] varie figure & formae omnes primo ad vivum coloribus depictae & ex collectione Arundelian. 6 Radierungen mit Darstellung von Schmetterlingen etc. [nach Wenzel Hollar]. Titel in ornamentaler Kartouche. Paris, [chez Poilly], rue St. Jacques à l'image St. Benoist près le Poste, 1651. - 1 Tafel mit hinterlegtem Eckabriss, die fünfte Tafel mit durchgehendem Einriss (alt hinterlegt), durchgehend gebräunt und fleckig sowie mit Feuchtigkeitsspur, Vorsatz mit Stempel und handschr. Besitzervermerk. - N. Robert: Durchgehend fleckig, 5 Bll. mit starker Feuchtigkeitsspur, 1 Bl. mit hinterlegtem Eckabriss, 1 Bl. verso mit Bleistiftkritzelei von Kinderhand. - Sammelband mit zwei Kupferstichfolgen, die ohne Text erschienen. - Hunt, Cat. of botanical books 282. Stafleu/Cowan, Bd. 4, S. 810.
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[Parent].
La Muse en belle humeur, contenant la magnifique e
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La Muse en belle humeur, contenant la magnifique entree de leurs majestez dans leur bonne ville de Paris, suivant l'ordre du roy donne a messieurs de Rhodes et de Saintot, grand maistre et maistre des ceremonies. Avec les eloges du roy et de la reyne, princes et seigneurs de la Cour, chancelier, presidents et chefs de compagnie qui s'y sont trouves : le tout en vers burlesques. P., J.B. Loyson, (1660), in-4, demi-basane fauve, dos a nerfs, piece de titre olive (rel. moderne), 2 ff.n.ch., 81-(1) pp. (L.76).edition originale inconnue des bibliographies courantes ou specialisees a l'exception de Cioranescu (III, 51824). Le nom de l'auteur se trouve a la derniere page, dans l'extrait du privilege. Notre exemplaire ne contient pas la "grande figure" annoncee dans le privilege, et qui n'est pas mentionnee par Cioranescu. *R Il s'agit de la description-celebration (a la maniere de Scarron ou plut"t de Berthaut) de l'entree de Louis XIV et de la Cour dans Paris. Le roi, encore sous la tutelle d'Anne d'Autriche et de Mazarin, venait d'epouser Marie-Therese d'Autriche. Le poeme en vers burlesques suit l'ordre donne par les roi a ses maitres de ceremonies, imprime en marge et date du 25 ao"t 1660. *R Apres deux "revues des bourgeois a la plaine de Grenelle et a Vincennes", attendant avec impatience l'arrivee du cortege, nous voyons successivement defiler : ordres mendiants, eglises paroissiales, l'Universite, les tailleurs, la Monnaie, la Cour des Aides, la Chambre des Comptes, le Parlement, les bagages de Mazarin, de la reine et de Monsieur, Fouquet, les Mousquetaires, la garde, la maison du roi, les gouverneurs de province, etc. *R Page 59, "le roy salue la Reyne Mere, la Reyne d'Angleterre, etc. devant l'Hostel de Beauvais". Suivent les differentes phases de l'accueil du roi, avec une description detaillee et souvent haute en couleurs du protocole, des costumes, des ornements, etc. Le poeme s'acheve avec la description des carrosses et caleches fermant le cortege : la reine, princesses du sang, dames d'honneur, duc de Guise, Mademoiselle, etc... *R Les 4 derniers feuillets contiennent une evocation tres vivante, parfois cocasse des "types parisiens", gens du peuple et bourgeois, ayant assiste au defile. *RRelies avec, memes editeur et date : *R- Remerciement de messieurs les Provinciaux a messieurs les Prevost des marchands et eschevins de la ville de Paris, sur la glorieuse et triomphante entree de leurs masjestez en leur bonne ville de Paris, en vers burlesques. 8 pp. (titre compris). *R Les "Provinciaux" epuises d'avoir attendu pendant pres d'un mois l'entree du roi, sont finalement soulages d'avoir assiste au "triomphe". Le poeme est signe des initiales F.C. *R- La Liste generale et particuliere de messieurs les colonels, capitaines, lieutenants, enseignes, etc... avec l'ordre qu'ils doivent tenir dans leur marche... Brochure sans titre ni acheve d'imprimer. Pagine p. [3]-8, mais les reclames sont exactes et le texte suit. *R Particulierement interessant en ce qui concerne les costumes et les couleurs distinguant les differents officiers et autres personnalites de la ville pendant le defile. *RReunion tres precieuse : ce "triomphe" constitue en fait le "tombeau" de la poesie en vers burlesques, en vogue dans les annees 1630-1650 et dont la decadence co-ncide avec la publication en 1659 du chant VIII (inacheve) du Virgile travesti de Scarron, champion du genre. *R Herite d'un courant oublie de la litterature medievale, occulte pendant l'ere petrarquiste et renaissante, le burlesque nait veritablement pendant le regne de Louis XIII et se developpe lors des "vacances du pouvoir" qui suivent la mort du roi. Parodies de poemes epiques, pamphlets frondeurs ou tableaux de moeurs, le genre connait alors son apogee. *R L'annee suivant La Muse en belle humeur, tout rentre dans l'ordre : Mazarin disparait, Louis XIV monte sur le tr"ne a l'age de 23 ans, la mort de Scarron en 1660 a libere la future madame de Maintenon... Fini la rigolade ! comme le dit Viollet-le-Duc dans sa Bibliotheque Poetique (I, 105) :"A compter de cette epoque, nous ne trouverons donc plus que bien rarement de ces tentatives hardies et folles (...) le genie, en obeissant aux regles, leur donna une nouvelle et plus forte autorite ; la mediocrite forcee de s'y soumettre, devint froide et plate de ridicule qu'elle etait et l'ennui en fit justice..." *R Oeuvre de "transition". A tous points de vue, cette plaquette constitue donc l'un des derniers documents, sinon le dernier, de l'age d'or de la poesie burlesque. *R Infimes piq"res. Les deux derniers feuillets ont ete remontes. Tres agreable exemplaire. OCCASION
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COLLETET (Attribué à François)]
Explication et description de tous les Tableaux,
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- Peintures, Figures, Dorures, Brodures, Reliefs, & autres enrichissemens, qui estoient exposez à tous les Arcs de Triomphe, Portes & Portiques, à l'Entrée triomphante de leurs Majestez ; tant Faubourg, que Porte sainct Antoine, Cymetiere S. Jean, Pont Nostre-Dame, Marché-neuf, que la grande & Magnifique Piramide de la Place Dauphine. L'explication des devises sont en trois autres Cayers separez. Paris, Jean Baptiste Loyson, 1660, in-4 de 12 pp., demi-veau maroquiné cerise, titre or au dos [Rel. mod.]. Pas dans Ruggieri. Voir dans le cat. Soleinne (V, 163) deux autres pièces semblables mais avec un titre légèrement différent. Plaquette rare. Le catalogue Soleinne décrit un recueil de plusieurs pièces semblables à la nôtre, toutes imprimées à Paris en 1600 et rédigées pour la plupart par François Colletet, "qui avait obtenu un privilège du roi à cet effet". Le texte donne la description des somptueux décors apprêtés pour l'entrée à Paris de Louis XIV et Marie-Thérèse d'Autriche, dont le mariage venait d'être célébré. Excellent exemplaire
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Geoffrey Beard
Upholsterers and Interior Furnishing in England, 1530-1840
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USA: Yale University Press. Please note that deliveries to addresses in the UK and Europe will be in 4-14 business days. Other countries should refer to Alibris standard times. This richly illustrated book is a history of the upholstery trade in Britain over three hundred years. It surveys the changing styles that affected this art form, the craftsmen who made the furniture and the kings and courtiers who purchased it, and the events — from coronations to funerals — at which upholstery played a leading role. Geoffrey Beard, an eminent authority on the lives and work methods of craftsmen in the decorative arts, brings his wide knowledge of the historical background of furniture making and usage in England to bear on this new branch of furniture history. Drawing on the texts of 44 important contemporary manuscripts, he moves chronologically, setting the activities of upholsterers and their patrons against the wider panoply of English history. He discusses, for example, the early upholstery done on the instructions of the important agency controlling work for the crown, the Great Wardrobe; the archaic traditions of the London craft guilds that grounded the upholsterer's work prior to the restoration of Charles II in 1660; the extensive refurbishing of royal palaces after 1660; the sudden rise in popularity of needleworked upholstery in the beginning of the eighteenth century; the change from rococo style to neoclassicism in the 1760s; the introduction of Egyptian motifs in the early nineteenth century; and the subsequent change to the ornamental excesses of Gothic, Louis Quatorze, or one of the fashionable revivals. With its 376 illustrations, 220 of which are in color, this volume is an authoritative and gorgeous chronicle of the production of fine furnishings in England. The book has been awarded the 1996 prize by the Confederation of InternationalAntique Dealers (CINOA) ISBN10: 0300071353.
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Winstanley,W[illiam] signs Dedication
ENGLANDS TRIUMPH. A more exact History of His Majesties Escape after the Battle of Worcester, with A Chronologicall Discourse of his Straits and dangerous Adventures into France, and His Removes from place to place till His Return into England, with the most Remarkable Memorials since, to this present September 1660.
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Printed by J(ohn) G.(ismond) for Nathaniel Brook, and are to be sold at the Angel in Cornhill, London 1660 - Frontispiece portrait of Charles the Second. Small ocatvo contemporary panelled calf rebacked on 4 raised bands with gilt spine label (top corner bumped/corners bit worn). Portrait + titlepage +[8pp prelims +128pp. Blindstamped coat of arms ownership on fly leaf of O.L. Morton, small repair stamp of Gray, Cambridge. Surface damage to portrait of Charles II, titlepage with name erased making small hole to blank area, name Eliz. Ridley at foot, ornamental border cropped at top & cut off at outer margin. In text the top margin is sometimes cropped into the running header, the paper is uniformly tanned but still supple, p25 has a small marginal repair with 3 letters completed in manuscript, p17 with clean tear repaired. *The biography ends with a fulsome account of the appearance and character of the King - "though what I shall say herein will come as far short of his admirable Endowments as the Light of a Candle to that of the Sun. 1 volume.
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SETTANO Quinto.
SATIRE TRADOTTE IN TERZA RIMA DALLO STESSO AUTORE. Ricavate dal Ms.Autografo. In Zurigo (ma Firenze), a spese della Compagnia, l'anno 1767.
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- Cm.22x14,4. Pg.168. Legatura coeva in cartone muto, con dorso rinforzato. Tassello con titoli manoscritti al dorso. Esemplare in barbe. Settano è lo pseudonimo usato per le presenti Satire dal poeta Lodovico Sergardi (Siena, 1660-1726), originariamente composte in latino. Fu Direttore della Fabbrica di San Pietro sotto Papa Alessandro VIII e attento fustigatore del malcostume curiale. > Melzi, III, 61. Gamba, 2442, e Parenti, 204, citano la prima edizione italiana di Zurigo (Firenze), 1760. [Attributes: Hard Cover]
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COLLETET (François);
L'Explication des Figures et Peintures qui sont représentées sur le Pont Nostre-Dame pour l'Entrée du Roy & de la Reyne : Avec les preparatifs qui furents faits pour l'Entrée de la Reine Marie de Medicis, sur le mesme Pont Nostre-Dame. Ensemble la Liste des Nations qui doivent paroistre à l'entrée de la Reyne en ville de Paris.
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chez la veuve David Ferrand, Sur l'imprimé à Paris & à Rouen 1660 - In-4 de 4 pp., cartonnage, pièce de titre sur le premier plat (reliure moderne). Fils du poète Guillaume Colletet, François Colletet, à l'âge de 31 ans, inaugure en 1659 sa carrière de journaliste en se mettant à la solde du libraire Loyson, concurrent en ce domaine de Cardin Besongne, au moment du mariage du roi et de l'entrée de la reine, et en publiant mainte brochures ou feuilles volantes sur les événements et les cérémonies du jour. Ces opuscules, devenus rares aujourd'hui, constituent des comptes rendus détaillées sur les événements d'actualité sans périodicité régulière et destinés à rester sans lendemain. Cette production irrégulière continua jusqu'en 1662. [Attributes: Hard Cover]
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JANSSONIUS JOANNIS
TERRITORIO TREVIGIANO AMSTERDAM, 1660 CA.
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Incisione su rame tratta dal Janssonius Joannis "Atlantis Majoris, sive Cosmographiae Universalis Tomus Septimus quo continetur Italia", mm.375x483 + ampi marg. bianchi. Titolo contenuto entro bellissimo cartiglio vivacemente colorato all'epoca (figure allegorica che legge e puttini con fasci di grano e uva). Carta lievemente arrossata in modo uniforme, peraltro ottimo stato. Non comune.
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Hoffmann, Friedrich:
De fato physico et medico eiusque rationali explicatione. Halae Magdeburgicae, Henckel, (1724), 4°, (2), 53, (1) pp., OBrosch.
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- Friderici Hoffmanni de fato physico et medico eiusque rationali explicatione disquisitio in qua multa subtilioris indaginis argumenta de fato stoicorum, Spinozae, medico et physico, de fortuna, provindentia divina, harmonia praestabilita, miraculis nec non de declinatione fati curatius paullo tractantur et excutiuntur.Friedrich Hoffmann (1660-1742) (also 'Hofmann') was born on 19 February 1660 in Halle, where he also died on 12 November 1742. Called 'the second Hippocrates' and the 'Aesculapius Hallensis', he was among the most widely read medical authors of the eighteenth century, and is best known for his systematic discussion of the iatromechanical model of medicine - similar to what Hermann Boerhaave (1668-1738) was developing at Leiden - that views the human body as a hydraulic machine wholly governed by mechanical laws."Despite his admiration of Leibniz, Hoffmann borrowed few ideas from him, rejecting his doctrine of pre-established harmony in favor of a version of physical influx between the rational and the sensitive soul (De fato physico, 1724). Hoffmann argued that Leibniz's doctrine, apart from remaining unproven, involved a double determinism by denying the rational soul and the body the ability to affect each other, and as such was inconsistent with God's goodness (De potentia, 1729). Hoffmann was convinced of this real connection, however inscrutable it may be (Exercitatio, 1728)." The Dictionary of Eighteenth Century German Philosophers, edited by Manfred Kuehn and Heiner Klemme
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(ZACHARIE DE LISIEUX Louys FONTAINES en religion.)
Relation du pays de Jansenie, ou il est traite des singularitez qui s'y trouvent, des coustumes, moeurs & religion de ses habitans.
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[Paris, Thierry et Barbin, 1660 ? ]. In-12 (157 x 100 millimetres) plein velin epoque, titre a l'encre sur le dos, 118 pages. (Velin sali. Il manque les 4 feuillets liminaires et la carte du pays de Jansenie.) ETAT MOYEN. ***___***___*** In-12 (157 X 100 millimetres) full vellum time, title with ink on the back, 118 pages. (Dirtied Vellum. It misses the 4 preliminary layers and the chart of the country of JansUnie.) allegorical Account little running in the form of imaginary voyage in country of JansUnie, "extremely pleasant & fertile province, located between the Libertine who limits it to the East (...); Desesperie which closes the Western part, & Calvinie which touches it with North." CIORANESCU 67444. WILLAERT 3078. FAIR. Recit allegorique peu courant sous forme de voyage imaginaire en pays de Jansenie, "province fort agreable & fertile, situee entre la Libertine qui la borne a l'Orient (...) ; la Desesperie qui ferme la partie occidentale, & la Calvinie qui la touche au Septentrion." CIORANESCU 67444. WILLAERT 3078.
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Herausgegeben von Schwinges, Rainer C
Universität im öffentlichen Raum
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Schwabe, Basel - Universität im öffentlichen Raum (Schwabe Basel) ISBN: 978-3-7965-2423-3 gebunden XII, 533 S., 7 Graf. - 22,6 x 16 cm Universität im öffentlichen Raum Herausgegeben von Schwinges, Rainer C Verlag : Schwabe Basel ISBN : 978-3-7965-2423-3 Einband : gebunden Preisinfo : 84,00 Eur[D] / 120,00 CHF UVP Alle Preisangaben in CHF (Schweizer Franken) sind unverbindliche Preisempfehlungen. Legende: UVP = unverbindliche Preisempfehlung, iVb = in Vorbereitung. Seiten/Umfang : XII, 533 S., 7 Graf. - 22,6 x 16 cm Erschienen : 1. Aufl. 08.2008 Gewicht : 850 g Aus der Reihe : Veröffentlichungen der Gesellschaft für Universitäts- und Wissenschaftsgeschichte 10 verwandte Themen : Universität Geschichte Öffentlichkeit Funktion Gesellschaft 84,00 Eur[D] VGUW Veröffentlichungen der Gesellschaft für Universitäts- und Wissenschaftsgeschichte in Verbindung mit Rüdiger vom Bruch, Notker Hammerstein, Walter Höflechner, Rainer A. Müller, Wolfgang Pross. Herausgegeben von Rainer Christoph Schwinges. ISSN 1660-6388 Die Gesellschaft für Universitäts- und Wissenschaftsgeschichte (GUW) betrachtet Universität, Bildung und Wissenschaft als ein historisch gewachsenes, vielfach vernetztes soziales und kulturelles System. Sie bemüht sich um die Einheit der Geschichte und möchte vor allem die langfristigen, oft «stillen» Veränderungen verständlich machen, die Universität, Bildung und Wissenschaft in vormodernen und modernen Gesellschaften hervorgerufen haben. Universität und Öffentlichkeit – aus vierfacher Perspektive beleuchtet In welcher Beziehung stehen Universität und öffentlicher Raum? Im vorliegenden Band zeigen die von Rainer Christoph Schwinges versammelten Beiträge, dass es wenige Leitplanken gibt, an denen man sich in dieser Frage orientieren könnte. Die Universität scheint im öffentlichen Raum keine klare Funktion einzunehmen, nutzt ihn weder als Bühne noch als soziale Umwelt, Aneignungsraum, Standort- oder Zukunftsfaktor. Aus unterschiedlichen Blickwinkeln untersuchen Beiträge aus den Niederlanden, Österreich und der Schweiz dieses Verhältnis mit dem Ziel, dass sich die Universität ihre ursprüngliche Identität als Kommunikationsgemeinschaft wieder aneignet. Aus vierfacher Perspektive nehmen die Beiträge die Relationen zwischen Universität und Öffentlichkeit in den Blick. Dabei geht es zunächst um die Selbstdarstellung der Universität. Die behandelten Themen reichen hier von der öffentlichen Gesundheitspflege im Mittelalter über das Zeremoniell der Doktorpromotionen und Universitätsjubiläen bis hin zur Frage nach dem Nutzen von Universität und Wissenschaft. Umgekehrt wird auch die Aussenwahrnehmung der Universität durch den öffentlichen Raum behandelt. Spannungen und Auseinandersetzungen in und um die Gelehrtenrepublik, Bildung und Kommerz, Funktion und Repräsentanz der Universitätsbauten sowie um den universitären «Käfig voller Narren» in Karikatur und Satire sind Themen, die behandelt werden. Die dritte Perspektive zielt auf die wissenschaftliche und soziale Verantwortung gegenüber der Öffentlichkeit und beschreibt Gelehrte zwischen Karriere und Kontrolle, prüft das Konzept «Menschenwürde», historisiert den Diskurs über Wissenschaft und Verantwortung oder fragt danach, was genau unter «Universitäts und Wissenschaftspolitik» zu verstehen ist. Schliesslich werden «Universität und Gesellschaft» direkt mit Beiträgen zur öffentlichen Wirkung von Rektoratsreden, zur Stellung von Professoren und Studenten, zur «Sprengung des Elfenbeinturms» und zu einer der wichtigsten universitären Zukunftsfragen in den beiderseitigen Beziehungen konfrontiert.
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( SLOANE , Hans ) .
Histoire de la Jamaique , traduite de l ' anglais . Londres , Nourse , 1751 . 2 volumes in-12 , (2) ff , 285 pp , (1) f , 248 pp , 6 gravures hors-texte , veau tachete , dos lisse orne , pieces de maroquin rouge , tranches marbrees , filet dore sur les coupes ( reliure de l ' epoque , de qualite ) .
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Sir Hans Sloane ( 1660-1753 ) accompagnale duc d ' Albemarle nomme gouverneur de la Jamaique en 1687 ; son sejour lui permit d ' etudier les ressources naturelles de l ' ile , son agriculture , soncommerce , etc . Traduit de l ' anglais par Raulin . Splendide exemplaire , tres pur . ( Sabin , 82167 ) . .
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Lincoln Cathedral
Catalogue of the Wren Library of Lincoln Cathedral
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Cambridge University Press. New Please note that deliveries to addresses in the UK and Europe will be in 4-14 business days. Other countries should refer to Alibris standard times. There was certainly a collection of books at Lincoln Cathedral in the twelfth century, and its origins were perhaps earlier still; but little interest seems to have been taken in building up the library until the second half of the seventeenth century, with the appointment in 1660 of the bibliophile Michael Honywood, a Fellow of Christ's College, Cambridge, as Dean. The present Wren Library's collection of some 8, 000 printed books is based largely on his private library, bequeathed to the Dean and Chapter of Lincoln on his death in 1681. Much of Honywood's library was put together during seventeen years of voluntary exile in the Low Countries from 1643. It is consequently rich in sixteenth-and seventeenth-century continental literature, including rare Italian plays, European pamphlets and broadsides interpreting the English political situation, a collection of Dutch ballads, and many religious books and tracts. The splendid English collection includes 1600 STC items, and 2, 650 printed between 1641 and 1700, over 100 of which are not recorded in Wing. In addition there are some 100 incunables. This complete catalogue of books printed before 1801 is the first since 1859, and offers the detail and precision required by modern scholars, bibliographers and libraries. Titles are given at some length to indicate subject coverage, and format, pagination, and details of illustrations are recorded. The catalogue notes which books belonged to Honywood, whose importance as a collector is thus established. A set of concordances keyed to the main entries covers STC, Wing, Adams, and Goff. ISBN10: 0521020727.
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More, H
AN EXPLANATION OF THE GRAND MYSTERY OF GODLINESS
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London, W. Morden, 1660... First edition. Printed by F. Flesher. Rebound in full black imitation leather, with the title in gilt on a red spine label, five raised bands, all edges marbled. Title, v-xxx, 546, (28). Front board is starting, wear at head and heel, otherwise very good. Text block is fine.
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CELLARIUS (Andreas);
Coeli stellati Christiani haemisphaerium posteriorus.
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Amsterdam 1660 440 x 515 mm. Magnifique carte celeste de l'hemisphere austral executee par Andreas Cellarius, parue dans l'edition originale de son grand atlas celeste intitule Atlas Coelestis, seu Harmonia Macrocosmica, publie en 1660 a Amsterdam par Joannes Janssonius. Cette carte est une interpretation chretienne du monde celeste. Les constellations sont ici representees par des personnages et des elements de la Bible, et les signes du zodiaque remplaces par six des apotres : Mathieu, Simon, Judas, Mathias, Pierre ou encore Andre ; mais aussi l'archange Gabriel, Job, Raphael, Joseph, et Marie-Madeleine. Les bordures sont ornees de nombreux angelots. Entierement dedie au monde celeste, l'Atlas Coelestis est le seul atlas du genre elabore a l'epoque de l'age d'or de la cartographie hollandaise. Les cartes celestes de Cellarius sont a ce jour les plus remarquables. D'origine allemande ou polonaise, Cellarius fut mathematicien et recteur de l'ecole de latin a Hoorn, au nord d'Amsterdam. Premiere edition, sans numerotation sur la planche. Magnifique exemplaire dans de tres beaux coloris de l'epoque avec rehauts d'or. A spectacular celestial chart of the southern hemisphere in full original color heightened with gold, from Andreas Cellarius' Atlas Coelestis, seu Harmonia Macrocosmica, first edition without plate number. This is a Christian interpretation of the skies, with constellations replaced by biblical figures, and signs of the zodiac transformed to six of the apostles: Matthew, Simon, Judas, Mathias, Peter, or Andrew, but also the archangel Gabriel, Job, Raphael, Joseph or Mary Magdalene. Numerous putti all around the hemisphere. Published in 1660 by Joannes Janssonius in Amsterdam, the Atlas Coelestis is the only Dutch celestial atlas produced in the heydays of Dutch cartography. These remarkably engraved star charts are considered the most splendid celestial depictions of all time. Probably of German or Polish origin, Cellarius was rector of the Latin School at Hoorn, north of Amsterdam. Van der Krogt, HM23:1.
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Juvenal, Decimus Junius & Wenceslaus Hollar
Mores Hominum. The Manners Of Men, Described in sixteen Satyr, By Juvenal...Whereunto is added the Invention of seventeen Designes in Picture: With Arguments to the Satyrs...Together with a large Comment, clearing the Author in every place, wherein he see
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London:: R(ichard) Hodgkinson,, 1660.. First Edition Thus.. Handsome contemp. mottled calf, blind ruled, spine banded and extra gilt with floral designs, small pinworm holes in joints, edges marbled in blue-green and red, previous owner's name R(ossel) H(ope) R(obbins) (1912-1990, famous American medievalist and author of the Ency. of Witchcraft and Demonology) stamped on front paste-down, a dark dampstain has unfortunately made the first 12 leaves soft and defective at fore-edge (the port. has some loss, the frontis.has the stain visible at edge as do the first two plates) no text is lost, corner of 3Z2 bent and untrimmed ; the rest of the book is generally quite nice.. Royal Folio. 403 x 257mm. . Frontis. (after R. Streeter) and 16 full-page plates etched by Wenceslaus Hollar (1-7 after L. Dankers, 8 & 11 after Francis Barlow, the rest after Streeter), port. of Stapleton by Pierre Lombart. Stapylton [Stapleton], Sir Robert (1607 or 9?!1669), translator and playwright,. " In 1647 he ... published a complete translation of Juvenal's satires, lightly revising those satires already published. His preface presents Juvenal as an arbiter of manners: OI have for my Country's sake taught him our Language, which if you allow him to speake intelligibly and profitably, you may please to naturalize him by your VotesO (Juvenal's Sixteen Satyrs, sig. A6v)...At the Restoration, Charles II named Stapylton, now resident in London, as one of the gentleman ushers to the privy chamber. In the same year Stapylton's edition of Juvenal was extensively reworked for publication as Mores hominum which, like his Pliny of 1644, had copious marginal notes and commentary. Dryden's description of Holiday as one whose OInterpretation, and illustrations of Juvenal are as Excellent, as the Verse of his Translation E are lame and pitifulO could equally well be applied to Stapylton (Works of John Dryden, 4.70). However, Stapylton is linguistically somewhat closer to the original than Dryden's longer and more energetic version.."[Oxford DNB]#11;#11;#11;Hollar (1607-1677), Bohemian by birth, did most of his work in England, producing more than two thousand prints in his lifetime. He is often considered the greatest engraver living in England in the seventeenth century. Wing J1280. Pforzheimer 568. ESTC r21081. Lowndes 1249. Schweiger I,515. Parthay/Pennington 429-445. Goodland 584. Hazlitt 313.
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LLOYD.DAVID.;
EIKON BASILIKE.[Greek transliterated]. Or,the true Pourtraiture of his Sacred Majestie Charls the II.In Three Books.Beginning from his Birth 1630,unto this present year,1660.Wherein is interwoven a Compleat History of the High-born Dukes of York and Gloce
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Printed for H.Brome and H.Marsh.London.,1660. FIRST EDITION.Small 8vo.(158 A! 104 mm),in 3 parts.Finely bound at the end of the eighteenth century in straight-grained red morocco by Kalthoeber (with his blue label on the endleaf),spine lettered in two panels and with a gilt circle in other other panels,compartments further decorated in blind,gilt rules either side of raised bands,place and date in gilt at foot;covers with outer border in blind scrollwork with gilt rules either side,floral tools and dots gilt at the corners,goatskin inner joints and turn-ins with double gilt rules all round,plain blue endpapers,gilt edges.Engraved frontispiece incorporating four portraits,neatly restored at inner margin.Each part has separate title page:pt.2 printed by John Brudenell,for Henry Brome and Henry Marsh,1660; pt.3,The restauration of his sacred Majesty Charles the II ... Printed by Peter Lillicrap,for Henry Broom,and Henry Marsh,1660.A little rubbed,occasional light waterstaining at head,but overall an excellent copy.------First Edition,rare,published in the year of the Restoration,by the fervent Royalist and biographer David Lloyd (1635a!!1692),its title echoing that of the more famous book attributed to Charles I.The binder of this copy,Christian Kalthoeber,was perhaps the finest craftsman of the late eighteenth century.One of the vast influx of German binders to London,he worked first for Baumgarten,and in 1782 succeeded him.He was considered during his day to be the finest binder in the world.Madan, New Bibl. of the Eikon basilike, 134; Thomason, E.1922[2]; Wing L2640 (locating LT, O; CH, MH).:
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[LLOYD, David]
Eikon basilike [Greek transliterated]
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London, for H. Brome, and H. Marsh,, 1660. or, the true Pourtraiture of his Sacred Majestie Charls the II. In Three Books. Beginning from his Birth 1630, unto this present year, 1660. Wherein is interwoven a Compleat History of the High-born Dukes of York and Glocester. By R. F. Esq; an Eye-witness. Small 8vo (158 ! 104 mm), in 3 parts. Finely bound at the end of the eighteenth century in straight-grained red morocco by Kalthoeber (with his blue label on the endleaf), spine lettered in two panels and with a gilt circle in other other panels, compartments further decorated in blind, gilt rules either side of raised bands, place and date in gilt at foot; covers with outer border in blind scrollwork with gilt rules either side, floral tools and dots gilt at the corners, goatskin inner joints and turn-ins with double gilt rules all round, plain blue endpapers, gilt edges. Engraved frontispiece incorporating four portraits, neatly restored at inner margin. Each part has separate title page: pt. 2 printed by John Brudenell, for Henry Brome and Henry Marsh, 1660; pt. 3, The restauration of his sacred Majesty Charles the II ... Printed by Peter Lillicrap, for Henry Broom, and Henry Marsh, 1660. A little rubbed, occasional light waterstaining at head, an excellent copy. First Edition, rare, published in the year of the Restoration, by the fervent Royalist and biographer David Lloyd (1635!1692), its title echoing that of the more famous book attributed to Charles I. The binder of this copy, Christian Kalthoeber, was perhaps the finest craftsman of the late eighteenth century. One of the vast influx of German binders to London, he worked first for Baumgarten, and in 1782 succeeded him. He was considered during his day to be the finest binder in the world.
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Rusconi, Gio. Antonio
I Dieci libri D'Archittura. Secondo i precetti di Vetruuio, nouamente
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1660. RUSCONI, Gio. Antonio. I Dieci libri D'Archittura. Secondo i precetti di Vetruuio, nouamente ristampati, & accresciunti della Prattica degl'-Horologi Solari. [12], 148 pp. Illustrated with more than 150 fine engraved woodcuts in the text, half-page and full-page. Small folio, 285 x 195, bound in contemporary vellum, rebacked. Venetia: Apresso il Nicolini, 1660. |~||~||~||~||~| Second Edition, first published in 1590, of one of the greatest illustrated Italian architecture books of the sixteenth century, with the addition of Bernardino Stramegioli's chapter on sundials. Rusconi (ca.1520-1587), Palladio's collaborator during the latter's residence in Venice participated in the design of the Doge's Palace and the Palazzo Publico in Brescia. He was also the sole architect for several palaces and churches in Venice. The Rusconi woodcuts are practically unsurpassed in their brilliance and clarirty. Most of them were reused from the first edition, but some were re-cut. They incorporate a wealth of detail, from basic construction material to foliage and flowers for ornamentation. The woodcuts illustrate canons of proportion, cross-sections of bridges, the orders of columns, stairways and walls, ansd hydraulic and mechanical apparati. There are also woodcuts of laborers performing construction tasks. The superb quality of this work can be traced in part to the use Rusconi made of the Gioliti woodcutters in translating his drawings onto the blocks. Overall a fresh, unwashed copy. Millard, Italian No. 120. Fowler 28.1.
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PLATT, Sir Hugh
The Garden of Eden Or, an accurate description of all the flowers and fruits now growing in England, with particular rules how to advance their nature and growth, as well in seeds and hearbs, as the secret ordering of trees and plants. [BOUND WITH] PLATT, Sir Hugh. The Second Part of the Garden of Eden. Or an accurate description of all flowers and fruits growing in England; with particular rules how to advance their nature and growth, as well in seeds and herbs, as the secret ordering of trees and plants [.] never before printed.
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William Leake, London. -1660 [.] 1659 - Fifth edition of the first work, first edition of the second. 2 works in 1, 8vo (9 x 14cm), 175, [1]; [16], 159 [1]pp., with original initial blank, first work with small marginal repair to F2, bookplate, endpapers with old notes, full green morocco, boards panelled and bordered with elaborate scroll and flower work, spine decorated, gilt with compartments, a.e.g. and gauffered, an excellent copy. Both works are uncommon, particularly in this premium condition. Platt's work was initially titled 'Floraes paradise' (London, 1608), however subsequent editions, organised by Charles Bellingham, bore the title 'The Garden of Eden'. Bellingham drew the material for the second part from Plat's unpublished notes. Sir Hugh Platt (1552-1608) is primarily remembered for his studies concerning agriculture and inventions. Richard Weston was to describe him as 'the most ingenious husbandman of the age he lived in'. Much of his later life was devoted to agricultural investigations, 'The Garden of Eden' being his chief work on the subject. He "wrote his book from his own practical experience as well as from information supplied to him from other gardeners. Platt, unlike many authors of his day, freely acknowledged any help given to him" (Henrey). Within these two small works is contained a plethora of advice concerning all manner of gardening matters, from fruit and flower cultivation to seed management and dealing with pests. "112. How to destroy caterpillers. Make a ring of tar towards the bottom of the tree, then hang a bag full of pismires by a cord in the top of the tree, so as they may easily get out, and the ants when they cannot get down by reason of the tar, rather then they will starve for hunger, will eat up all the caterpillers" ( The Second Part, pp.151-2). Platt was something of a champion of English wines, both parts of this work treating of the cultivation of vines. In the second, he writes extensively of "means how we may of our English grapes purchase an excellent good wine" (pp. 56-68). Platt's own wine, made from grapes grown at his garden in Bethnal Green, received commendation both from the French ambassador and Sir Francis Vere, and the author planned to publish a separate work detailing his gleanings on English viticulture. Provenance: a pasted-in note records that this was the Marquis of Blandford's copy, sold as lot 3229 in the White Knights sale of 1819, and also attributes the binding to the famous bookbinder Roger Payne (1739-1797), however, though the binding is charming and does exhibit some qualities of that famous artisan it would appear to be have been bound slightly later than his period of activity. I. Henrey 296; Wing P2387. ESTC records 8 copies. II. Henrey 297; Wing P2392; ESTC records 12 copies. [Attributes: First Edition; Hard Cover]
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Tauler, Johannes:
Joannis Thauleri. Lehr und Geistreiche zur anstellung und fortsetzung eines Gottgefälligen Geistlichen lebens nutz- und sehr dienliche Predigten auf alle Sonn- und Feyrtage durchs gantze Jahr.
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Köln, Peter Mücher für S. Paulus in der Lilien, 1660.. rot / schwarzer Titel, 8 Bl., 926 S. 25 Bl. schweinslederband über Holzdeckel mit Blindprägung , vier Bünde. angestaubt,, die Schließen fehlen, gering fleckig, Blätter teils etwas gebräunt, trotz der Mängel hübsches Buch, Selten !!!
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HOTTINGER, Johann Heinrich (1620-1667).
Historia orientalis quae ex variis orientalium monumentis collecta, agit De Muhammedismo . Editio posterior & auctior, charactere novo orientali nunc primum vestita.
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Zürich, J. J. Bodmer, 1660. - 4to. [20], 600, [24] S. Pergamentband d. Z. mit Ueberstehkanten, Rücken über 4 erhabenen Bünden, mit hs. Rückentitel. Als Mitbegründer der wissenschaftlichen Orientalistik versammelte Hottinger in seinem, hier gegenüber der Erstausgabe von 1651 stark vermehrten, Handbuch der islamischen Religion und Geschichte nahezu alles, was damals über Mohammed, den Islam und seine Sekten, die vorislamischen arabischen Religionen usw. bekannt war. Diese zweite Ausgabe bietet erstmals längere Zitate in den Originalsprache, ein besonders interessantes Kapitel findet sich in: De causis Muhammedismi conservantibus, worin Hottinger eine Parallele zwischen den konservativen Kräften des Islam mit jenen der katholischen Kirche zieht. - Besitzvermerk von zeitgenössischer Hand. - Minimal gebräunt und stockfleckig. Paisey H-1725; VD 17 (Online Kat.) 23:000384N; Graesse III, 378; NDB IX, 656f. Enlarged and revised second edition of this voluminous publication, one of the earliest scholarly handbooks on Islamic history and religion, first published in 1651 The eminent Zurich scholar J. H. Hottinger offers a vast compendium of all material availabled at the time dealing with the life of Muhammed, the Islam and its sects, the pre-islamic Arab religions etc. With a great number of citations in Arab, Hebrew, and Greek. Interest in the Near East generated a range of scholarly investigations typical of the Enlightenment. In 1651, Hottinger published first his Historia Orientalis, followed in 1697 by Barthélemy d'Herbelot's celebrated Bibliotheque orientale. Hottinger, the greatest scholar in 17th century Switzerland, had studied at Geneva, Groningen and Leiden, and after visiting France and England he was appointed professor of church history in Zurich in 1642. In 1643 the chair of Hebrew was added at the Carolinum, and in 1653 Hottinger became professor of logic, rhetoric, and theology. He gained such a reputation as an Oriental scholar that the elector palatine in 1655 apponted him professor of Oriental languages and biblical criticism at Heidelberg. In 1661 he returned to his home town, where he was chosen principal of the university (Carolinum). Hottinger was drowned together with three of his children by the upsetting of a boat while crossing the river Limmat after he already had accepted an invitation to succeed Johann Hornbeck as professor in the Leiden university. - Lighlty browned and foxed in places, ta well-preserved copy, old owner's entry on first pastedown. - Contemporary vellum with flaps, ms. title on spine. la
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NAUPLION;
Napoli de Romanie
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vers 1660 - Gravure sur cuivre rehaussÈe, sans texte au dos. Environ 110 X 160 mm, plus filet de marge. TrËs frais coloris du XVIIËme siËcle. La vue reprÈsente la ville de Nauplion, au nord-est du PÈloponËse. Chaque tourelle du mur d'enceinte est surmontÈe du croissant ottoman, la tour principale de la baniËre ottomane. On aperÁoit plusieurs mosquÈes dans la citÈ ; au premier plan l'ilÙt sur lequel est un fortin et dans la baie, sur un autre Ólot, l'Èglise byzantine de saint ThÈodore. Tous ces indices confirment une datation antÈrieure ? la seconde occupation vÈnitienne (1686)
[Bookseller: Jean-Paul Veyssière] |
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CESCINSKY ; h. & GRIBBLE: E.R.
Early English Furniture and Woodwork.
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MCMXX11. - 2 volumes bound as one, in original binding. Introduction. The Dissolution of the Monasteries. The Early Woodworker: His Life, Tools and Methods. TYhe Plan of the Early Tudor House. The Development of the English Timber Roof. Gothic Woodwork and Colour Decoration. Timber Houses, Porches and Doors. The English Sraircase. Wood Panellings and Mantels. Bedsteads ans Their Development. Index. All that in Vol. 1 which has 382pp. and 401 figs.! Vol. 2: The Development of the Chest and Standing Cupboard. The Progression of English Oak Tables. The Development of the English Oak Chair. Walnut Chairs from 1660-1700. English Marquetrie. Domestic Clocks. English Lacquer Work. Index. This portion has 387pp. and 527 figs. Col. frontis to Vol. 1. and another to Vol. 2. Another extremely heavy book- carriage at cost! Well-known, and highly recommended.
[Bookseller: G.K.HADFIELD] |
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OVIDE (poete latin, 43 avant J.C.-17).
Oeuvres en latin et en francais. Traduction de Michel De Marolles.
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Les Epitres heroides - Les Amours - L'Art d'aimer et les remedes d'amour - Les Fastes - Les Tristes - Les Epistres escrites a ses amis du lieu de son exil - Le livre contre Ibis - Recueil de diverses pieces d'Ovide. P. Billaine et Lamy, 1660-1661. 8 volumes fort in-8 (18/12cm). Basane granitee de l'epoque, dos a 5 nerfs tres ornes, quelques coiffes manquent, quelques coins emousses, neanmoins bel exemplaire. "Chaque volume est illustre d'un tres beau titre frontispice. Dans le volume ""Livre d'Ovide contre Ibis"" portrait d'Ovide grave a pleine page. Armes de la famille De Marolles et de Pinon De Conde (egalement a pleine page). Cite par Graesse ""Tresor des livres rares et precieux"" page 85 tome 5."
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MACHADO DE SILVA, CASTRO, Y VASCONCELOS, Félix.
VIDA DE MANUEL MACHADO DE AZEVEDO, SEÑOR DE LAS CASAS DE CASTRO, VASCONCELOS, Y BARROSO, Y DE LOS SOLARES DELLAS, Y DE LAS TIERRAS DE ENTRE HOMEM, Y CÁBADO, VILLA DE AMARES...
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Imp. Pedro García de Paredes. Madrid, 1660. 20 cm. 4 h., 138 pág. Enc. en pergamino reciente. Palau 146133 y 177760. * Félix Machado da Silva Castro e Vasconcelos, marqués de Montebelo, fue escritor y pintor. Estudió en Santiago de Compostela. Fue amigo personal del pintor Diego Velázquez. Escribió sonetos y novelas picarescas, aunque también se interesó por la historia nobiliaria, como lo muestra esta biografía de Manuel Machado de Azevedo, noble portugués, interesado en las artes que, como dice el autor, fue uno de los primeros en tocar el laúd en Portugal. Heráldica. Genealogia i heràldica Libros antiguos anteriores a 1830 español
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Ovid
Les livres d'Ovide, de l'Art d'aimer, et des Remedes d'amour, a quoy sont adiovtez les poemes de l'Art d'embellir le visage, du Noyer, des Poissons, de la Puce & du Langage des bestes & des Oyseaux
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Pierre Lamy, Paris 1660 - 6 leaves, 743 p. Translation and notes by the abbot Michel de Marolles (1600-1681). This second edition does not include the Latin text. The copious notes are included at the end of Ovid's works. Bound in dark brown calf; covers blind-ruled and decorated. Four raised and gilt-decorated bands to spine separating gilt-tooled compartments and gilt-lettered title. Red-speckled page edges. Signature of previous owner in sepia ink on title page. Text gently age-yellowed, otherwise clean and crisp. One and a half cm. crack top back spine joint. Hinges and stitching firm.
[Bookseller: Lavengro, Inc] |
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PACIUCHELLI Angelo.
LEZIONI MORALI SOPRA GIONA PROFETA DEL PADRE MAESTRO F.ANGELO PACIUCHELLI DA MONTE PULCIANO. Con quattro copiosissime Tavole, la Prima delle Lezioni, la Seconda delle Applicazioni delle Materie, la Terza delle Scritture, la Quarta delle cose più Notabili. Ottava impressione. Venezia, Nella Stamperia Baglioni, 1720.
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- Opera completa in tre volumi. Cm.34,2x22,6. Pg.(66), 392; (66), 410; (58), 468. Eccellenti legature in piena pergamena coeva, con titoli manoscritti ai dorsi a cinque nervature. Tagli spruzzati. Marche tipografiche ai frontespizi, il primo impresso in rosso e nero. Testatine, capilettera e finalini incisi. Ottime condizioni di conservazione. Celebre opera, più volte ristampata, del religioso di Montepulciano che fu Provinciale dell'Ordine dei Predicatori a Roma, ove morì nel 1660. La prima impressione dell'Opera vide la luce a Firenze per Amadore Massi nel 1646. [Attributes: Hard Cover]
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Pepys. Latham, R. C. And Matthews, W.
The Diary of Samuel Pepys. a New and Complete Transcription. Volumes One (1) to Nine (9), and Index Volume
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G. Bell and Sons, Ltd. Very Good in Good jacket 8vo-over 7¾"-9¾" tall. Vol 1: 1660, Vol 2: 1661, Vol 3: 1662, Vol 4: 1663, Vol 5: 1664, Vol 6: 1665, Vol 7: 1666, Vol 8: 1667, Vol 9: 1668-9, and Vol 11: Index. The companion Volume 10 is not present. A mix of reprints '73 to '76, index is reprint 1983. Green cloth binding, a little shelfworn. Pictorial dustjacket, price clipped, spines slightly faded/discoloured. Volume 9 has bottom spine edge chipped; 2cm piece missing. A little dusty, but still good condition.
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[Jeu de cartes] Fine de Brianville, Claude-Oronce :
Jeu d'Armoiries des Souverains et Estats d'Europe, pour apprendre le Blason, la Geographie et l'Histoire curieuse. dedie a son Altesse Royale de Savoye. Seconde edition, revue, corrigee et augmentee.
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1660 Lyon, Benoist Coral, 1660 ; in-24 ; pleine percaline bleue a decor floral, filets et titre dores au dos (reliure du XIXe) ; (16) ff. dont titre et 2 planches gravees, 209 pp. Seconde edition, aussi rare que la premiere. Lors de la parution du jeu de cartes et du petit livre qui l'accompagnait, Oronce Fine eut de gros ennuis car certains Princes n'accepterent pas d'etre figures par des valets ; dans cette edition, les valets sont devenus des Princes et les as des Chevaliers. Ne a Briancon (1608 - 1674), Claude-Oronce Fine fut d'abord jesuite et se trouvait a Lyon en 1649. Peu de temps apres, il quitta les jesuites, monta a Paris et, grace a ses relations intimes avec les Montosier, il fut nomme Conseiller et Aumonier du Roi. Passionne d'heraldisme, il composa ce jeu de 52 cartes accompagne du livret des regles du jeu. Gouvernante du Dauphin, la duchesse de Montosier le fit entrer aupres d'elle comme precepteur et il redigea son Abrege methodique de l'histoire de France (1664) pour l'education du jeune Prince. En remerciement, le Roi lui accorda en 1668 l'abbaye de Quincey dans le Poitou, ou il finit ses jours. Petite erreur de reliure (le Privilege a ete relie a la fin alors qu'il devait preceder l'Advertissemnt), le frontispice allegorique est absent et le dos un peu decolore ; l'interieur est en tres bon etat. Saffroy (2158 - 2165) a repertorie huit editions. La librairie sera fermee du 2 au 30 aout inclus. Reouverture le lundi 31 aout a 14 heures. Nous vous souhaitons d'agreables vacances.
[Bookseller: Librairie Ancienne Clagahe] |
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Sanson (Nicolas)
L'Europe dediee a Monseigneur Le Tellier Secretaire d'Estat
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1660 Petit In-4 Relie Francais, 12 cartes finement gravees sur doubles pages et coloriees + deux doubles page de titre et de dedicace, 30p.Reliure en truie, Beige, Nicolas Sanson, fils aine de Nicolas Sanson d'Abbeville, le pere de la Geographie francaise, nait en 1626. Il etait Geographe du roi Louis XIV.L'Europeest son premier ouvrage acheve. Les 12 cartes representent au mieux des connaissances d'alors, les pays du continent. 10 cartes sont accompagnees d'un texte sur une double page. Suivent 10 pages ne portant uniquement que sur les fleuves d'Europe. Pagination et datation estimee, Hormis des pages cornees et quelques taches, les pages et les gravures de cet atlas sont dans un tres bon etat. La reliure est particulierement sale et tachee sur les plats. Poids 290 g. - Bon (Good) Bon
[Bookseller: SARL WMO France]
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1659