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Displayed below are selected recent viaLibri matches for books published in 1545
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BARBARO (G.);CONTARINI (A.);GIOVANNI (A.);
Viaggi fatti da VINETIA, alla Tana, in Persia, in India et in Costantinopoli : con la descrittione particolare di Città Luoghi, Siti,Costumi et della Porta del Gran Turco : et di tutte le intrate, spese, et modo di governo suo, et della ultima impresa contra portoghesi.
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Aldus Vinegia 1545 Petit in-8 de 163 pp. chiffrées, pleine basane racinée, dos lisse richement orné, pièce de titre (reliure du XIXème siècle). Seconde impression de ces itinéraires édités par Antonius Manutius (Wilson : Bibliography of Persia, p. 13 - Weber II, 48 - Bibliotheca Marsdeniana, 1545). Exemplaire mouillé avec petite galerie de ver et manque de papier en marge sur les derniers feuillets.
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CICERON.
Le Epistole Famig. di Cicerone, tradotte secondo i veri sensi dell'auttore, et con figure proprie della lingua volgare...
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Venise. Aldus. 1545. 1 volume in-8, plein maroquin brun-vert, double encadrement de 2 filets à froid sur les plats, fleurons dorés d'angle, marque dorée d'imprimeur des Alde au centre des plats, , dos à nerfs orné, dentelle intérieure, tranches dorées (CAPE). 305 ff. Renouard, dans ses Annales de l'Imprimerie des Alde, décrit deux éditions de ce livre la même année, et précise que la seconde ici présentée, "est de beaucoup meilleure, et préférable à la première". Le bas de la page de titre est discrètement restauré. Très élegante reliure en maroquin reprenant la marque des Alde sur les plats. Renouard I, 236.
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SERLIO, Sebastiano
Il primo libro d'Architettura... Il Secondo Libro
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Paris: [Jehan Barbe], 1545. A large-margined example of the first edition of the first two books of Serlio's general treatise, devoted to geometry, perspective and theatrical scenery, and as such considered "the first published account of modern theatrical practice." (Hewitt, The Renaissance Stage, p. 21.) As with the whole of the treatise, the outstanding feature of these two books lies in their overwhelmingly practical orientation, a welcome departure from the highly theoretical, not to say abstruse presentation found in earlier architectural works (mainly translations of Vitruvius). Serlio!s intention was to offer architects !a pattern book in which the architect could find solutions for all sorts of problems." -- Blunt, Art and Architecture in France, p. 73. The work gives two methods for determining perspective, the second a form of the distance point method exemplified by its many woodcut diagrams and exercises. Book II also contains a detailed historical account of the theater Serlio built in Vicenza in 1539. The magnificent woodcuts of tragic, comic and rustic stage scenes "are the first regularly published scene designs" (Hewitt, op.cit.) and with their "Raphaelesque draughtsmanship" (so Kemp), they very likely owe something to the hand of Serlio's teacher, Baldassare Peruzzi. The work received numerous subsequent editions in many languages, though the woodcut illustrations were issued only in this edition. In the 19th century, Brunet and others speculated that an undated Venice edition (Fowler 304) may have been published prior, but this edition is now securely dated to c. 1551 and the work offered here is now unambiguously first. * Fowler 303; Berlin Kat. 2563; Dinsmoor, Art Bulletin 24 (l942) pp. 73-4; Schlosser p. 374; Mortimer (French) 492; Vagnetti EIIb12; Kemp, The Science of Art, p. 66; Hewitt, The Renaissance Stage, 21; Kernodle, From Art to Theatre, p. 181.. Folio [37 x 24 cm], (4) ff., 74 (i.e. 75) ff., including 1 blank and 1 unnumbered leaf (betw. 67 & 68). Bound in 18th-century half vellum and speckled boards, covers a little soiled, title and date gilt-stamped on morocco labels on spine, head of spine cracked.; light finger soiling in corners of some leaves; some general toning and occasional foxing in margin, small blue ink mark in blank margin of l. 70; overall a large, genuine, copy. Very good.
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Bernardino Tomitano
RAGIONAMENTI della Lingua Toscana......
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Publisher: Giovanni de Farri al segno del Griffo - Date of Publication: 1545 - Binding: - Edition: First Edition - Condition: - Description: Small 8vo (10 x 16cm), vellum boards, leather spine, raised bands. Pp 439 + ff Gli errori di maggior importanza sono questi...., with xylograph of griffin on title-page, which reads: Ragionamenti della Lingua Toscana, dove si parla del perfetto Oratore et Poeta volgari, Dell'eccellente Medico et Poetica....divisi in tre libri. Nel primo si pruova la philosophia esser necessaria allo acquistamento della Rhetorica et Poetica. Nel secondo si ragiona de i precetti dell'Oratore. Et nel terzo, delle leggi appartenenti al Poeta, et al bene scrivere si nella prosa come nel verso. Dedication to Cardinal Alessandro Farnese; initial woodcuts at beginning of each book. Tomitano (1506-1576) was both a doctor and a distinguished philologist; he was professor at the University of Padua. Text pages clean and clear. This 1545 edition not in BM or Cambridge [Publisher: Giovanni de Farri al segno del Griffo]
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Estienne, Charles.
Seminario, over plantario de gli alberi, che si piantano. (Aus dem Lateinischen übersetzt von Pietro Lauro). 69 S., 5 Bl. Mit 2 Druckermarken. Kl.-8°. Neuer flexibler Pergamentbd mit handschriftl. Rückentitel.
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Venedig, Vincenzo Vaugris, 1545. - Erste italienische Ausgabe eines der ersten speziell für Kinder gedruckten Bücher. Ch. Estienne, der Bruder Robert Estiennes, veröffentlichte zwischen 1535 und 1538 eine Reihe botanischer Werke für Kinder, "the first books produced specifically for the entertainment (unlike school-books) as well as the edification of a juvenil readership" (Schreiber S. 58 f.), "the first of their kind" (A. Horodisch, Die Geburt eines Kinderbuches im 16. Jh., in Gutenberg-Jb. 1960, S. 211-222). Estiennes Schrift über die Aufzucht der Bäume 'Seminarium sive plantarum earum arborum' war erstmals 1536 auf Latein erschienen. – Exlibris Pollack-Parnau. Leicht gebräunt, etwas knapp beschnitten. – BM STC 238. Nicht bei Adams.
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EUCLID / CAIANI, Angelo, ed. & tr
I quindici libri degli elementi di Euclide, di greco tradotti in lingua thoscana
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Rome: Antonio Blado Asolano, 1545. Rare first edition of Euclid extracts in Italian, preceded only by Tartaglia!s translation of 1543, of which it is independent. The first Italian translation made directly from the Greek. According to Rose, (Italian Renaissance of Mathematics, p. 189), the editor and translator Cainai omitted the proofs and figures of most editions because they were not Euclidean. According to Thomas-Stanford, it was issued along with (but is bibliographically separate from) a Greek language selection which the Roman publisher Blado published the same year. (Cf. Thomas-Stanford 26). The work was possibly intended for the use of young people, as in the preface, we read that it is dedicated by the translator, Angelo Caiano, !allo eruditissimo Giovane, Messer Antonio Altovitti!, the scion of a great Roman family. (Raphael painted a great portrait of the young man!s relation Bindo Altovitti, now in the National Gallery, Washington). In the preface, Caiani affirms that he made the translation himself from the Greek. Of course, like the Tartaglia, the translation could also have been used by any Latinless reader. OCLC lists UCLA, Brown, Utah, Burndy, Harvard and Michigan. The only copy of the Greek is held by Burndy. Little is known about Caiani. He had a connection with the learned secretary of Ranuccio Farnese Annibal Caro, having copied one of the latter!s manuscripts (Rose, ibid., p. 189). * Thomas Stanford 35; Fumagalli/Belli, Blado [1891]. Vol. I, fasc. I., No. 78; Riccardi I.208.. 8vo., 107, (3) pp., including woodcut portrait of Euclid on title. Bound in old cartonnage, title in ink on front cover. Lightly toned, old repair to wormhole in blank right corner of title, minor waterstaining at extreme lower edge of blank margin. Very good.
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Erasmus von Rotterdam, Desiderius.
Adagiorum epitome post novißimam exquisitam recognitionem, per Eberhardum Tappium, ad numerum Adagiorum magni operis nunc primum aucta. 4 Bl., 289 num. Bl., 31 Bl. Mit breiter Holzschnitt-Bordüre und Druckermarke auf dem letzten Blatt. Blindgeprägter Kalblederbd d. Z. (Ecken und Kapital stimmig restauriert, neue Vorsatzblätter).
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Antwerpen, Michael Hillenius, 1545. - Seltene vermehrte Auflage der Sammlung von Sprichwörtern und Redewendungen, die Erasmus' literarischen Ruhm gleich nach ihrem ersten Erscheinen 1500 in Paris begründete und zahlreiche Auflagen erlebte. Eberhard Tappe (um 1505-1541), Humanist und Sprichwortsammler, vermehrte sie und verweist im weißen Rand jeweils auf den Urheber des Sprichworts. Die Vorrede von Conrad Brunssenius von 1542 richtet sich an Martin Gymnich, den Sohn des Druckers Johann Gymnich in Köln, der 1542 und 1545 ebenfalls Ausgaben in Tappes Bearbeitung vorlegte. – Titel mit Besitzeintrag, etwas laviert und mit roter Feder nachgezogen, kaum fleckig, auf starkem Papier gedruckt. – Van der Haeghen I 4.
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CIPOLLA, Bartolomeo CAEPOLLA, Bartholomaeus (Verona, 1420 - Padova, 1475)
Varii Tractatus. Cautelae inscripti vulgo. Quorum catalogum sequens pagina demonstrat.
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A3778, Lugduni (Lione), - Godefrifus & Marcellus Beringi (Beringen, Godefroy et Marcel), Pergamena coeva molle di recupero di poco posteriore, titoli manoscritti al dorso, insegna tipografica dei fratelli Beringen attivi tra il 1545-1556 a Lione (2 mani si stringono e reggono un nastro con anello con diamante entro il quale il motto: Bona Fide), 4°(cm.19,5x13), pagg.(104)-963, testo su 2 colonne, alcune iniziali incise e motto "Sine Fraude" entro cornice all’ultima carta; arrossamenti della carta e diverse lievi gore più marcate a inizio e fine volume, ma buona copia. Bartolomeo Cipolla studiò diritto prima all’ Università di Bologna poi a Padova, dove approfondì la conoscenza del diritto civile, canonico e feudale, fu docente presso lo Studio di Ferrara e di Verona (ove collaborò agli Statuti della città e fu consulente, avvocato e giudice), ricoprì a Padova la prima cattedra di diritto civile, pur continuando l’attività di avvocato. Questa spiccata professionalità lo contraddistinse nel prediligere le esigenze della pratica a quelle dottrinali e forse fecero la fortuna delle sue opere. Celebri i suoi due trattati De servitutibus relativi alle servitù prediali e a questioni sui rapporti di vicinato, regime delle acque, ecc. Se nel trattato De Contractibus. simulatis si evince l’ottima conoscenza della prassi conseguita a Verona nel mascherare i contratti con vendite simulate e l’insidia dell’usura, le Cautelae sono l’apogeo dell’esperienza professionale del Cipolla che gli valsero la fama: circa 320 accorgimenti e consigli pratici per avvocati e giudici su tematiche varie. Una delle primissime edizioni collettive delle opere. (cfr. non in Iccu, British L.)
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Estienne, Charles:
De dissectione partium corporis humani libri tres. Una cum figuris & incisionum declarationibus à Stephano Riverio chirurgo co(m)positis.
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Paris, Simon de Colines, 1545. (24), 375 (recte 379) SS. Mit 62 ganzseitigen und 101 kleineren Textholzschnitten. Folio (365 x 240 mm) Moderner brauner Maroquinbd.mit Blindprägung, goldgeprägtem Rückentitel und Goldschnitt. Adams S 1725; Garrison-M. 378; Heirs of Hippocrates 256; Norman 728; Renouard, Colines 409/410; Schreiber, Colines 222; Mortimer 213 (bes.zu den Illustrationen). Erste Ausgabe des prachtvollen und reich illustrierten anatomischen Werkes. Wenn es auch erst zwei Jahre nach Vesals Fabrica erschien, so war es im Manuskript schon 1539 weitgehend vollendet und auch der größere Teil der Holzschnitte war bereits gedruckt, als die Weiterarbeit per Gerichtsbeschluß vorübergehend eingestellt werden mußte. Die schönen Holzschnitte, von denen einige signiert sind, werden u.a. G.B. Rosso, Jean Jollat und P. Woeiriot zugeschrieben. Titelblatt mit Restaurierung im w.Rand, zu Beginn einige geschlossene Einrisse in den weissen Rändern. Ungewöhnlich sauberes und sehr breitrandiges Exemplar in einem schlichten, neuen Maroquineinband. - First edition of the finest anatomical work of the French Renaissance, with exotic images unique in the history of anatomical art (Anatomy as Art: the Dean Edell Collection). Charles Estienne studied medicine in Paris, completing his training in 1540. In 1535, during his course of anatomical studies under Jacobus Sylvius, Estienne had Andreas Vesalius as a classmate. At the time the only illustrated manuals of dissection available were the writings of Berengario da Capri, and the need for an improved, well-illustrated manual must have been obvious to all students of anatomy. Estienne did not hesitate to fill in this need. The manuscript and the illustrations for "De Dissectione" were completed by 1539, and the book was set in type halfway through book 3 and the last section, when publication was stopped by a lawsuit brought by Etienne de la Rivière, an obscure surgeon and anatomist. However, had "De Dissectione" been published in 1539, it would have stolen much of the thunder from Vesalius's Fabrica (1543): it would have been the first work to show detailed illustrations of dissection in serial progression, the first to discuss and illustrate the total human body, the first to publish instructions on how to mount a skeleton, and the first to set the anatomical figures in a fully developed panoramic landscape, a tradition begun by Berengario da Capri. Our copy is complete and with expertly marginal restorations to title and the first quires. Bound in recent brown morocco with gilt edges. A very clean and crisp copy with very wide margins.
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Diogenes Laertios.
Le vite degli illustri filosofi, da'l Greco Idiomate ridutte ne la lingua commune d'Italia. 8 Bl., 251 num. Bl., 1 w. Bl. Mit 2 Druckermarken. Pergamentbd d. 18. Jahrh. (etwas fleckig) mit goldgeprägtem Rückentitel.
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Venedig, Vincenzo Valgrisi, 1545.. . Erste italienische Ausgabe der um die Mitte des dritten Jahrhunderts enstandenen zehn Bücher 'Leben und Lehren berühmter Philosophen' des Diogenes Laertios. Zuvor waren in Italien bereits Sammlungen mit Viten erschienen, die Teile des Werks von Diogenes benutzten. Diese erste vollständige Übersetzung stammt von den Brüdern Rossettini. Enthält kurze Geschichten aus dem Leben großer Philosophen und Zusammenfassungen ihrer Lehre und verbindet dadurch die sonst eher getrennten Gattungen Biographie und Doxographie. Obwohl Diogenes teils unkritisch aus zweiter oder dritter Hand abschreibt und viele seiner Belege nur mit Vorsicht benutzt werden können, bleibt seine Materialsammlung doch in vielen Fällen eine wichtige Quelle. Das zehnte Buch, das Briefe und das Testament Epikurs überliefert, ist auch als Primärquelle von großer Bedeutung. - Kaum fleckig. - Adams D 492. Hoffmann II 80. Schweiger I 98. Zu der eleganten Kursive vgl. Balsamo-Tinto, Orgini del corsivo, S. 196.
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BARBARO (G.);CONTARINI (A.);GIOVANNI (A.);
Viaggi fatti da VINETIA, alla Tana, in Persia, in India et in Costantinopoli : con la descrittione particolare di Città Luoghi, Siti,Costumi et della Porta del Gran Turco : et di tutte le intrate, spese, et modo di governo suo, et della ultima impresa contra portoghesi.
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Aldus Vinegia 1545 Petit in-8 de 163 pp. chiffrées, pleine basane racinée, dos lisse richement orné, pièce de titre (reliure du XIXème siècle). Seconde impression de ces itinéraires édités par Antonius Manutius (Wilson : Bibliography of Persia, p. 13 - Weber II, 48 - Bibliotheca Marsdeniana, 1545). Exemplaire mouillé avec petite galerie de ver et manque de papier en marge sur les derniers feuillets.
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(Beccadelli, Antonio, gen. Panormita).
Der Regiments Personen und sonderlich des Adels. Lustbuch. Die hohen reden und thaten Alfonsi Weyland Königs zu Aragonien, dem Durchleuchtigsten ... Herren Christian, der Reich Denemarcken, Sweden und Norweden (!), der Wenden und Gothen, allerchristlichem König verdeudscht, und sind in vier Bücher theylt. 64 Bl. Kl.-4°. Halbpergamentbd des späten 19. Jahrh. (berieben, Gelenke mit kleinem Einriss).
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Frankfurt/M., Cyriacus Jacob, 1545.. . Erste deutsche Ausgabe des berühmten Werks, das weniger eine historisch genaue Lebensbeschreibung als vielmehr ein Idealporträt und damit so etwas wie ein Fürstenspiegel sein will. Alfons von Aragon, der erste spanische König von Neapel, versammelte an seinem glänzenden Hof eine große Zahl von Humanisten, deren Haupt Beccadelli (1394-1471) war. Dieser setzte "das Bild des Fürsten aus einer Fülle von Aussprüchen und Anekdoten zusammen ... Die Episoden folgen einander wahllos. Am Ende aber ersteht vor dem Leser aus der Masse der Details die Gestalt Alfons' als eines idealen Menschen, Fürsten, Mäzens und Christen ... als literarisches Werk ein hervorragendes Zeugnis für den Geist der frühen Renaissance ... Ermöglicht ... einen Einblick in die freie Menschlichkeit des quattrocento, die der Schönheit der Welt ebenso geöffnet war wie den Tiefen der Religion und des Geistes" (KNLL). - Anfangs etwas stockfleckig. - VD 16 B 1320. Hausmann 103. Goed. II 126, 4.
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OVID, Publius
Pub. Ovidii Nasonis Heroidum epistolae, et Auli Sabini responsiones eiusdem Ovidii in ibin liber. Omnia Guidonis Morilloni argumetis ac scholiis illustrate. Observationes praeterea Ioannis Baptistae Egnatii
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Lyons: Antonium Vincentium, 1545. 8vo. pp. 207, [1]. Italic font. Two notes in an old hand on upper and outer margins of title; printer's device is hand colored (probably done at a later date). Stain on bottom outer corner of first four leaves. Some soiling and periodic marginalia in an old hand throughout. Contemporary calf boards with small blind stamped center piece on front and rear boards. Re-backed preserving most of the original spine. Board edges and corners are carefully repaired. Publius Ovidius Naso (43 bce - ce 17 ) was the last great poet of the Augustan age. His "Heroides", written in elegiac verse, are a collection of letters written by mythological women to their famous lovers and husbands who had abandoned them. The three surviving epistles of Aulus Sabinus (a contemporary of Ovid) written in reply to some of the heroic poems are also included. Contains commentaries by Guido Morillon and Giovanni-Baptista Egnazio. Scarce edition - Not in Adams, Not in Schweiger.
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DIOGENES LAERTIUS
Le vite de gli illustri filosofi di Diogene Laertio, da'l greco idiomate ridutte ne la lingua commune d'Italia.
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In Vinegia, apresso Vicenzo Vaugris, a'l segno d'Erasmo, 1545, in-8, ff. (8), 251, (1), legatura coeva in pergamena (angolo del piatto anteriore con antico restauro). Impresa dello stampatore al titolo e al verso dell'ultimo f. Pregevole edizione del volgarizzamento delle "Vite" di Diogene Laerzio ad opera di B. e P. Rosettini (la prima ed. in italiano apparve nel 1480). L'opera in dieci libri fornisce preziose notizie per la conoscenza della biografia e del pensiero di un gran numero di filosofi antichi fino al II sec. Testo conosciutissimo nel Medioevo, ebbe enorme successo durante l'Umanesimo ed il Rinascimento. Discreto esemplare (timbri di antiche collezioni e note di possesso ms. cancellate al titolo, aloni d'umido ai primi ff.) BMC 216. Adams D-492.
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MARSILIUS of Padua.
Ain kurtzer Auszug des treffenlichen Wercks und Fridschirmbuchs . . . Durch M. Marxen Müller von Westendorff, vermög der Vorred, aufs getreulichst verteutscht, und zesamen gericht.
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Neuburg, (colophon: Hannsen Kilian), 1545. - Folio (295 x 190 mm), ff. [12], LXX; title within an elaborate woodcut pictorial frame; typographic decorations in margins of first few leaves (shaved); lightly browned, old damp-damage to last three leaves with partial loss of a side-note and the folio number on f. LXVIII; modern vellum. First edition in German of Defensor pacis. Condemned by the pope and its author excommunicated in 1327, the ?Defender of peace? ?is one of the most challenging works produced in the Middle Ages. According to Marsilius, the State is the great unifying power of society to which the Church must be completely subordinated. It derives its authority from the people, who retain the right to censure and depose the Ruler. The Church, on the other hand, has no inherent jurisdiction whether spiritual or temporal. All her rights in this regard are given her by the State, which may withdraw them at will. She may own no property, but only use what the State lends her; her hierarchy is not of Divine but purely human institution . . . . The principal authority in all ecclesiastical matters is the General Council, which should be composed of priests and laymen. These ideas, which ran counter to the whole medieval conception of society, have led to Marsilius of Padua?s being claimed as a forerunner of the Reformers, modern democracy, and even totalitarianism? (ODCC).Defensor pacis first appeared in print in 1522 and was put on the Index in 1559. The German translation omits the first discourse (the 1535 English translation is also shortened: indeed no complete translation into any modern language appeared until Alan Gerwith?s English edition in 1956). The second, and much longer, discourse made ?the simple but daring claim that the rulers of the Church have altogether misunderstood the nature of the Church itself in supposing it to be the sort of institution which is capable of exercising any legal, political or other form of "coercive jurisdiction" . . . . It follows that whatever coercive powers may be necessary for the regulation of Christian life must all by right be exercised exclusively by "the faithful human legislator" ? Marsilius?s term for the highest secular power . . . . With this transfer of the plenitudo potestatis from the Papacy to "the faithful human legislator", Marsilius fulfils his main ideological task in the second discourse of the Defender of peace. He claims to have demonstrated that the figure of the legislator in each independent kingdom or city republic is the sole rightful possessor of complete "coercive jurisdiction" over "every individual mortal person of whatever status" . . . . The corresponding moral of the book ? as well as the key to understanding its title ? is that anyone who aspires to be a defender of the peace . . . must above all be a sworn enemy of the alleged jurisdictional powers of the Church? (Skinner, Foundations of modern political thought I pp. 19?22). For a survey of responses to Defensor pacis see Garnett, Marsilius of Padua and the ?truth of history? pp. 1?48, who notes that while much modern scholarship has centred on the first discourse, hostile contemporaries saw the book?s danger as lying in the second discourse.VD16 M1134. OCLC locates only two copies (Yale, Ohio State University).
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(Spangenberg, Johann)
Funffzehen Leichprediget / So man bey dem Begrebnis der verstorbnen / inn Christlicher Gemein thun mag. Darneben mehr denn LX. Themata / odder Sprüche / aus dem alten Testament. Auff welche man diese Leichpredigt appliciren möcht.
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(Wittenberg), Georg Rhaw 1545. 8 nn. Bll., 75 (statt 76) num. Bll. Mit schönen Holzschnitt-Initialen. Ohne Einband, in altem, handschriftlich betiteltem Papierumschlag. - Titel mit Druckermarke, Holzschnitt-Tafel, 1 nn. Bl. (des Registers) sowie Bll. 73-76 (des Textes) beiliegend in Fotokopie. Bl. 39 fehlt. Durchgehend braun- und fingerfleckig. Kleines Wurmloch im oberen Rand der letzten Bll. Spangenberg, der seine juristischen und theologischen Studien in Jena und Halle begonnen hatte, diese aber wegen seiner Bekanntschaft mit Zinzendorf dort beenden mußte, ging 1733 nach Herrnhut und dann im Auftrag der Brüdergemeine nach Pennsylvania und England. 1744 wurde er Bischof in Amerika. Spangenberg hat "das Werk Zinzendorfs kirchlich und theologisch gefestigt und ihm ... die milde Ausgeglichenheit seines Geistes und seiner biblizistischen Haltung aufgeprägt, so daß er in ausgesprochener Weise zum zweiten Gründer Herrnhuts geworden ist" (RGG V, 666f.).
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ALCIATI ANDREA (1492-1550)
DUELLO DE LO ECCELLENTISSIMO, E CLARISSIMO GIURISCONSULTO M. ANDREA ALCIATO, FATTO DI LATINO ITALIANO A' COMMUNE UTILITA'. TRE CONSIGLI APRESSO DE LA MATERIA MEDESIMA UNO DE'L DETTO ALCIATO, GL'ALTRI DE LO ECCELLENTISSIMO E CLARISSIMO GIURISCONSULTO M. MARIANO SOCINO. CON DUE TAUOLE, L'UNA CONTENENTE I CAPI DE'L DUELLO DE L'ALCIATO. L'ALTRA COPIOSAMENTE CONTENENTE TUTTE LE MATERIE DE'L DUELLO, E DE LI CONSIGLI.
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(Venezia) : apresso Vicenzo Vaugris, a'l segno d' Erasmo, 1545. In-16 101 c. (7) c. marca xilografica al frontespizio: Serpente attorcigliato a bastone a forma di tau sostenuto da mani uscenti da nuvole Con gratia, e privilegio. Cartoncino rustico con titolo manoscritto al dorso. Angolo bianco delle prime 50 carte arrossato. Per il resto ottimo esemplare. Alciati Andrea (1492-1550): giureconsulto, storico e poeta, nato a Milano o Alzate Brianza (CO) nel 1492 e morto a Pavia nel 1550. Soccini Mariano (il giovane): giurista, nato a Siena nel 1482 e morto a Bologna nel 1556. Fu professore di diritto canonico e civile a Siena, Pisa e Bologna. Valgrisi Vincenzo: Vincent Vaugris, tipografo, editore e libraio di origine francese, figlio di Pierre e fratello di Jean. N. a Charly presso Lione verso il 1495, fu attivo come editore a Roma e a Venezia e possedeva botteghe anche in altre citta'. A Venezia inizio' gestendo una libreria a S. Giuliano, all'insegna della testa di Erasmo, che poi acquisto' insieme con il suocero, Andrea fu Agostino di Parma. Lavoro' sia da solo che in societa' con Giovanni Francesi, Enea Vico e Baldassarre Costantini e i suoi eredi. Come editore, si servi' delle tipografie di Comin da Trino, Giovanni Griffio il vecchio e dei Nicolini da Sabbio a Venezia, e di Antonio Blado a Roma. Fu suocero di Giordano Ziletti. M. nel 1573; gli successero i figli Felice e Giorgio. Nel 1579 la figlia Felicita sposo' Francesco Ziletti.
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Luther, Martin
Die Bibel Oder Die Ganze Heilige Schrift
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. Good -deutsch von Martin Luther. Nach der Ausgabe von 1545 bearbeitet und mit dem Bilderschmuck des in der Preuss. Staatsbibliothek befindlichen Pergamentexemplars der Ausgabe von 1541, das von Lucas Cranach fuer den Fuerst 1. Theil (endet mit dem Hohelied Salomons) 967 Seiten, Illustrationen "Dieses Werk wurde vom Volksverband der Buecherfreunde als Meisterdruck fuer seine Mitglieder hergestellt. Den Einband entwarf Kurt Siebert nach zeitgemaessen Motiven aus dem Besitz der Preussischen Staatsbibliothek in Berlin. Der Druck erfolgte durch die Otto Elsner KG, Berlin, die Buchbinderarbeit durch die Buchbinde-Abteilung des Volksverbandes der Buecherfreunde, Berlin; Schweinsleder, gepraegt, abgerieben, Ecken/Kanten bestossen, 3seitiger Rotschnitt etwas abgerieben und verfaerbt, Seiten vergilbt, guter Zustand.
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KRANTZ, A.
Dennemärckische Chronick. Newlich durch Henrich von Eppendorff verteütschet.
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- Strassbourg, Hans Schotten, 1545. Folio. Contemporary full vellum. Title-page with some repairs and brownspotting, the rest of the book very nice and clean.Title in red/black with large coat of arms in woodcut. (8), 504, (10) pp. + Errata-leaf. First German edition. Brunet III:696. Bibl. Danica II, 593. This is a separate edition of the Denmark part of the first edition of Krantz' important chronicle of the Nordic countries, with new title pages and with the arms of Frederick III. Albert Krantz (c. 1450 - December 7, 1517), German historian, was a native of Hamburg. He studied law, theology and history at Rostock and Cologne, and after travelling through western and southern Europe was appointed professor, first of philosophy and subsequently of theology, in the University of Rostock, of which he was rector in 1482. In 1493 he returned to Hamburg as theological lecturer, canon and prebendary in the cathedral. By the senate of Hamburg he was employed on more than one diplomatic mission abroad, and in 1500 he was chosen by the king of Denmark and the duke of Holstein as arbiter in their dispute regarding the province of Dithmarschen. As dean of the cathedral chapter, to which office he was appointed in 1508, Krantz applied himself with zeal to the reform of ecclesiastical abuses, but, though opposed to various corruptions connected with church discipline, he had little sympathy with the drastic measures of Wycliffe or Huss. With Martin Luther's protest against the abuse of Indulgences he was in general sympathy, but with the reformer's later attitude he could not agree. When, on his death-bed, he heard of the ninety-five theses, he is said, on good authority, to have exclaimed: "Brother, Brother, go into thy cell and say, God have mercy upon me!" Krantz died on the 7th of December 1517.Krantz was the author of a number of historical works which for the period when they were written are characterized by exceptional impartiality and research. The principal of these are Chronica regnorum aquilonarium Daniae, Sneciae, et Noruagiae (Strassburg, 1546); Vandalia, sive Historia de Vandalorum jerq origine, etc. (Cologne, 1518); Saxonia (1520); and Metropolis, sive Historia de ecclesiis sub Carolo Magno in Saxonia (Basel, 1548). [Attributes: First Edition]
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CICERON.
Le Epistole Famig. di Cicerone, tradotte secondo i veri sensi dell'auttore, et con figure proprie della lingua volgare...
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Venise. Aldus. 1545. 1 volume in-8, plein maroquin brun-vert, double encadrement de 2 filets a froid sur les plats, fleurons dores d'angle, marque doree d'imprimeur des Alde au centre des plats, , dos a nerfs orne, dentelle interieure, tranches dorees (CAPE). 305 ff. Renouard, dans ses Annales de l'Imprimerie des Alde, decrit deux editions de ce livre la meme annee, et precise que la seconde ici presentee, "est de beaucoup meilleure, et preferable a la premiere". Le bas de la page de titre est discretement restaure. Tres elegante reliure en maroquin reprenant la marque des Alde sur les plats. Renouard I, 236.
[Bookseller: Prevost, libraire ancien] |
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Diogenes Laertios.
Le vite degli illustri filosofi, da'l Greco Idiomate ridutte ne la lingua commune d'Italia. 8 Bl., 251 num. Bl., 1 w. Bl. Mit 2 Druckermarken. Pergamentbd d. 18. Jahrh. (etwas fleckig) mit goldgeprägtem Rückentitel.
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Venedig, Vincenzo Valgrisi, 1545. - Erste italienische Ausgabe der um die Mitte des dritten Jahrhunderts enstandenen zehn Bücher 'Leben und Lehren berühmter Philosophen' des Diogenes Laertios. Zuvor waren in Italien bereits Sammlungen mit Viten erschienen, die Teile des Werks von Diogenes benutzten. Diese erste vollständige Übersetzung stammt von den Brüdern Rossettini. Enthält kurze Geschichten aus dem Leben großer Philosophen und Zusammenfassungen ihrer Lehre und verbindet dadurch die sonst eher getrennten Gattungen Biographie und Doxographie. Obwohl Diogenes teils unkritisch aus zweiter oder dritter Hand abschreibt und viele seiner Belege nur mit Vorsicht benutzt werden können, bleibt seine Materialsammlung doch in vielen Fällen eine wichtige Quelle. Das zehnte Buch, das Briefe und das Testament Epikurs überliefert, ist auch als Primärquelle von großer Bedeutung. – Kaum fleckig. – Adams D 492. Hoffmann II 80. Schweiger I 98. Zu der eleganten Kursive vgl. Balsamo-Tinto, Orgini del corsivo, S. 196.
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RUPERTO DI DEUTZ (RUPERTUS TUICENSIS)
DE VICTORIA VERBI DEI LIBRI TREDECIM. PARISIIS, APUD AUDOENUM PARVUM (GULIELMUS THIBOUT), 1545.
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In-8 (172x110mm), cc. (12), 181, (2), legatura coeva p. pergamena rigida con titolo e segnatura di biblioteca manoscritte anticamente al dorso. Tagli a spruzzo rossi. Antica nota di possesso e timbro di estinta biblioteca monastica. Impresa editoriale di Oudin Petit incisa al frontespizio. Capilettera xilografici ornati. Arrossature lievi e uniformi, minimi aloni marginali alle ultime cc. Buon esemplare. Rara edizione parigina cinquecentesca del "De Victoria Verbi Dei", trattato frammischiante teologia speculativa e teologia storica. Alla c. Z6 si trova una compendiosa biografia di Riperto di Deutz scritta da Tritemio. Manca all'Adams e a STC French Books. Cfr. Valerius Andreas, "Bibl. Belgica", pp. 804-805. Joecher, III, 2314-2315. "Oxford Dictionary of the Christian Church", p. 1188: "[Rupertus] defended the more mystical theology traditional in Benedictine Order, with its allegorical interpretation of Scripture".
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BARTOLUS, de Saxoferrato
Prima Bartoli super Infortiato. Insunt huic…volumini Primam Infortiati partem commentaria, primum quidem opera Alex. Losaei Auiliani irusconsulti castigata…
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Lugduni, Thomas Bertheau, 1545, in-folio, ff. 200, leg. coeva piena pergamena rigida. Magnifico titolo a stampa rossa e nera racchiuso da bordura ornamentale a motivo architettonico fig., nella lunetta in alto il Padre Eterno nella veste di Giudice circondato da Santi, più in basso grande vignetta raffig. Bartolo in cattedra con discepoli; gran numero d'iniziali ornate su fondo criblé, testo su due colonne in carattere semigotico, talvolta interam. racchiuso nel commento. Pregevole edizione di questa prima parte della celebre opera giuridica del grande giurista marchigiano ( nato nel 1313 o 1314 e morto, ancor giovane, tra il 1355 ed il 1359), il cui insegnamento ebbe influsso determinante nello studio del diritto tra i contemporanei e soprattuto nei secoli successivi. Esemplare in buono stato (salvo lieve macchia sui òprimi fogli ed altra nel margine interno dell'ultima parte).
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TUCIDIDE.
GLI OTTO LIBRI DI THUCYDIDE ATHENIESE, DELLE GUERRE FATTE TRA POPOLI DELLA MOREA, ET GLI ATHENIESI CON OGNI DILIGENZA TRADOTTO, PER FRANCESCO DI SOLDO STROZZI FIORENTINO IN VENETIA, APPRESSO BALDASSAR DE COSTANTINI, AL SEGNO DI S. GIORGIO, 1545.
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Cm. 14, cc. (24) 440. Marca tipografica (di Froben) su legno al frontespizio e graziosi capolettera abitati in xilografia. Solida legatura settecentesca in piena pergamena rigida con unghie, dorso con nervi passanti e titoli in oro su tassello (in parte mutilo). Sguardie e tagli marmorizzati. Testo in elegante carattere italico con glosse a stampa ai margini. Insignificante lavoro di tarlo al margine interno di una quarantina di carte che non tocca il testo, altrimenti fresco, genuino e ottimamento conservato. La data e' presunta dalla lettera dedicatoria a Cosimo de Medici, firmata ""Humil servo Francesco Soldo Strozzi"" e datata ""Di Venetia l'ultimo di Marzo del xlv"". Cfr. Adams, II 684.
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Munster
Tabula Asiae VIII
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1545 Excelente condicion a pesar de la edad del mapa, sin color, con perdidas en los margenes. Descripcion de Asia central, a partir de Geographia Universalis. Incluye regiones del Tibet y Nepal. Es quizas uno de los mapas de Munster a partir de la proyeccion de Ptolomeo, mas interesantes. Esta decorado con imagenes de criaturas humanoides imaginarias que senalan las zonas no habitadas, sacadas de escritos clasicos, leyendas medievales e historias de viajeros. En la parte superior se muestran escenas canibales ( Anthropophagi). Fascinating map of Central Asia and the regions of Tibet and Nepal is one of the Munster's Ptolemaic maps. The map is flanked by depictions of fantastic humanoids reported to inhabit the region. Ref: Mickwitz & Miekkavaara #215-24; Campbell 'Earliest Printed Maps' pp. 135-8; Nordenskiold 199; Norwich no. 1; Shirley 'Atlases in the BL' T.Ptol-4a. Sebastian Munster was born in 1488 at Ingelheim near Mainz and died in 1552 at Basel. He was a cartographer, cosmographer, and a Hebrew scholar. His work, the "Cosmographia" from 1544 was the earliest German description of the world. It had numerous editions in different languages including Latin, French (translated by Francois de Belleforest), Italian, English, and even Czech. The last German edition was published in 1628, long after his death. The "Cosmographia" was one of the most successful and popular books of the 16th century. It passed through 24 editions in 100 years. This success was due to the fascinating woodcuts (some by Hans Holbein the Younger, Urs Graf, Hans Rudolph Manuel Deutsch, and David Kandel). It was most important in reviving geography in 16th century Europe. Munster had been appointed to the University of Basel in 1527. As Professor of Hebrew, he edited the Hebrew Bible, accompanied by a Latin translation. In 1540 he published a Latin edition of Ptolemy's Geographia with illustrations. The 1550 edition contains cities, portraits, and costumes. These editions, printed in Germany, are the most valued of the Cosmographias. Munster also wrote the Dictionarium trilingue in Latin, Greek, and Hebrew and Mappa Europae (map of Europe) in 1536.. Very Good. 34.3x25,9 Cm.
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BARTOLUS, DE SAXOFERRATO
PRIMA BARTOLI SUPER INFORTIATO. INSUNT HUICVOLUMINI PRIMAM INFORTIATI PARTEM COMMENTARIA, PRIMUM QUIDEM OPERA ALEX. LOSAEI AUILIANI IRUSCONSULTI CASTIGATA LUGDUNI, THOMAS BERTHEAU, 1545,
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in-folio, ff. 200, leg. coeva piena pergamena rigida. Magnifico titolo a stampa rossa e nera racchiuso da bordura ornamentale a motivo architettonico fig., nella lunetta in alto il Padre Eterno nella veste di Giudice circondato da Santi, piu' in basso grande vignetta raffig. Bartolo in cattedra con discepoli; gran numero d'iniziali ornate su fondo crible', testo su due colonne in carattere semigotico, talvolta interam. racchiuso nel commento. Pregevole edizione di questa prima parte della celebre opera giuridica del grande giurista marchigiano ( nato nel 1313 o 1314 e morto, ancor giovane, tra il 1355 ed il 1359), il cui insegnamento ebbe influsso determinante nello studio del diritto tra i contemporanei e soprattuto nei secoli successivi. Esemplare in buono stato (salvo lieve macchia sui oprimi fogli ed altra nel margine interno dell'ultima parte).
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TITELMANNUS FRANCISCUS [1502-1537] -
ELUCIDATIO\ IN OMNES PSALMOS IUXTA VERITA-\ TEM VULGATAE ET ECCLESIAE\ VSITATAE AEDITIONIS LATINAE, CASTIGATIOR QUAM\ VNQUAM ANTEA FUERIT, ... ADIUNCTA EST ETIAM ELUCIDATIO CANTICORUM, QUAM ECCLESIASTICUS USUS\ APPELLARE SOLET FERIALIA... PARISIIS, APUD IOANNEM FOUCHERIUM, SUB SCUTO FLORENTIAE, 1545.
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In-folio antico (cm 32x21), cc. nn. 18, CCCXXIII cc. Bella e ampia marca al front. (Leone che regge giglio con motto: scvtvm florentie), capolettera xilogr., per lo piu' antropomorfi. Legato con: Annotationes ex hebraeo atqve chaldaeo in omnes psalmos... In fine: Parisiis, excudebat Ioannes Maheu, 1545, cc. LVI. Tracce di passaggi di tarme piu' incisive alle prime carte e diffuse ai margini bianchi del volume, uno strappo senza perdita, alcune fiorit. e lievi brunit. peraltro uniformi. Esemplare su carta forte e frusciante ad ampi margini. Al front. antiche glosse e lieve gora di vecchia umidita' che si ripete al margine bianco delle ultime carte. Leg. coeva p. pergamena, tit. calligr. al dorso. l'autore, teologo e filosofo cappuccino belga, nato ad Hasselt nel 1502 e morto ad Anticoli (Fiuggi) nel 1537 fu acceso difensore della tradizione scolastica e avversario di Erasmo. I salmi, commenti e versetti biblici di riferimento sono disposti in colonne per un'agevole consultazione. Di questa edizione solo due esemplari censiti in SBN, IT\ICCU\TO0E\043275. Edizione non presente in Edit16. Raro.
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Spangenberg, Johann).
Funffzehen Leichprediget / So man bey dem Begrebnis der verstorbnen / inn Christlicher Gemein thun mag. Darneben mehr denn LX. Themata / odder Sprüche / aus dem alten Testament. Auff welche man diese Leichpredigt appliciren möcht.
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Georg Rhaw, (Wittenberg) 1545 - (Wittenberg) Georg Rhaw 1545 12°. 8 nn. Bll., 75 (statt 76) num. Bll. Mit schönen Holzschnitt-Initialen. Ohne Einband, in altem, handschriftlich betiteltem Papierumschlag. - Titel mit Druckermarke, Holzschnitt-Tafel, 1 nn. Bl. (des Registers) sowie Bll. 73-76 (des Textes) beiliegend in Fotokopie. Bl. 39 fehlt. Durchgehend braun- und fingerfleckig. Kleines Wurmloch im oberen Rand der letzten Bll. Spangenberg, der seine juristischen und theologischen Studien in Jena und Halle begonnen hatte, diese aber wegen seiner Bekanntschaft mit Zinzendorf dort beenden mußte, ging 1733 nach Herrnhut und dann im Auftrag der Brüdergemeine nach Pennsylvania und England. 1744 wurde er Bischof in Amerika. Spangenberg hat "das Werk Zinzendorfs kirchlich und theologisch gefestigt und ihm die milde Ausgeglichenheit seines Geistes und seiner biblizistischen Haltung aufgeprägt, so daß er in ausgesprochener Weise zum zweiten Gründer Herrnhuts geworden ist" (RGG V, 666f.).
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IANNEQUIN, Clément, VERDELOT SI PLACER, Phili.,
Le dixieme livre contenant la bataille à quatre de IANNEQUIN, Clément, Phili. Verdelot Si Placer, et deux chasses de lieure à quatre parties, & le chant des oyseaux à trois ,
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Anvers, Susato, 1545, ,fac similé édité dans le Corpus of early music , editions Culture et civilisation , Bruxelles , 1970, - 4 plaquettes cartonnées sous emboitage blanc d'édition chaque plaquette est une voix de l'ensemble (bassus superius tenor contratenor ) très bon état
[Bookseller: Librairie Grandchamps / Fafouille] |
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TUCIDIDE Ateniese.
Gli Otto Libri delle guerre fatte tra i popoli della Morea, et gli Ateniesi,
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Venezia, Baldassar de Costantini al Segno di san Giorgio, (1545). 16°, cc. (12)-440. Marca tipograf. al frontesp., iniziali x ilograf. Leg. seicent. in pergam., tass. in pelle con tit. in oro. Buon esemplare. Rarissima edizione italiana del capolavoro di - nuovamente dal Greco Idioma, nella Lingua Thoscana, con ogni diligenza tradotto, per Francesco di Soldo Strozzi Fiorentino.
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ESTIENNE, Charles;
De dissectione partium corporis humani libri tres.
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Paris Simon de Colines 1545 - In-folio de 12 ff.n.ch. et 379 pp. mal ch. 375 ; vélin souple (reliure de l'époque) ; le dos a été doublé, au XVIIe siècle, d'une pièce de basane brune à compartiments ornés de fleurons portant le titre sur une pièce de veau havane ("Anatom. Caroli Stephan."). Garrison-Morton, 378 ; Waller, 2819 ; Wellcome, 6076 ; NLM, 1391 ; Osler, 2541 ; Choulant-Frank, pp. 152-155 ; Heirs of Hippocrates, 256 ; cf. Mortimer (French) pour la traduction française publiée par Simon de Colines en 1546. Édition originale, rare, de ce livre magnifique. L'ouvrage, un des plus beaux traités d'anatomie jamais publiés, est illustré de 62 planches gravées sur bois, dont trois répétées, et de petites figures dans le texte. Charles Estienne (1504-1564) appartenait à la famille de typographes du même nom ? il était le fils d'Henri Estienne, fondateur de la dynastie ? et avait pour beau-père Simon de Colines, l'imprimeur du De dissectione. Il étudia la médecine à Paris auprès de Jacques Dubois (Iacobus Sylvius) en même temps que Vésale. A cette époque, le seul manuel d'anatomie illustré disponible était celui de Berengario da Carpi : Charles Estienne, fils d'imprimeur, fut sans doute sensible à ce vide éditorial. Le manuscrit du De dissectione et les gravures étaient achevés en 1539, et une grande partie de l'ouvrage sous presse, quand un procès en plagiat fut intenté à son auteur et la publication interrompue. "Had De dissectione been published in 1539, there is no question that it would have stolen much of the thunder from Vesalius' Fabrica. Despite its tardy appearence, however, De dissectione was able to make numerous original contributions to anatomy, including the first published illustrations of the whole external venous and nervous systems, and descriptions of the morphology and purpose of the 'feeding holes' of bones, the tripartate composition of the sternum, the valvulae in the hepatic veins and the scrotal septum. In addition, the work's eight dissections of the brain give more anatomical detail that had previously appeared" (Norman). La superbe suite de bois qui illustre le traité a suscité beaucoup de controverses quant à son auteur (cf. Mortimer). Une mention sur le titre attribue les figures à Estienne de la Rivière, qui assista Charles Estienne tant pour la dissection que pour l'illustration ; mais la plupart des bois portent la signature ou la marque ? le symbole du Mercure ? du graveur Jollat, qui exerça à Paris entre 1490 et 1550. Plusieurs figures sont datées 1530 ou 1531 : "The cuts were begun as early as 1530 by Jollat, and Estienne and Rivière collaborated on the book as early as 1539" (Garrison). Les figures auraient été gravées d'après des dessins du peintre maniériste italien Giovanni Battista di Iacopo, dit Rosso Fiorentino (Florence, 1494 - Fontainebleau, 1540). L'influence italienne apparaît dans le dessin des corps, souvent contorsionnés, représentés de façon artistique sur fond de paysage, les détails anatomiques étant gravés séparément. Le volume est enrichi d'une importante annotation médicale de l'époque à l'encre bistre : quatre grandes figures anatomiques ? les doubles planches du squelette et du corps humain (ff. A7-8 et K7-8) ? contiennent de très nombreuses inscriptions sur la gravure même et dans les marges, en latin et en grec. Plusieurs autres feuillets comportent des annotations marginales. On trouve aussi, à la fin de la page 8 et au début de la suivante, une notice de 14 lignes, d'une main différente, citant les travaux du chirurgien alsacien Walther Hermenius Ryff (? 1548), dont le traité d'anatomie avait été publié en allemand, à Strasbourg, en 1541. Intéressant spécimen de reliure d'amateur : le dos du vélin originel a été doublé par un collectionneur du XVIIe siècle afin que le volume puisse aisément se fondre parmi les autres in-folio de sa bibliothèque, reliés en veau ou en basane. Vélin froissé, manques aux coins ; mouillures claires sur la deuxième moitié de l'ouvrage, plus prononcées sur le titre et le [Attributes: Hard Cover]
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BRUNI LEONARDO (LEONARDO ARETINO)
LA PRIMA GUERRA DI CARTHAGINESI CON ROMANI. NUOVAMENTE TRADOTTA, ET STAMPATA CON LA TAVOLA DELLE COSE DEGNE DI MEMORIA. IN VINEGIA, APPRESSO GABRIEL GIOLITO DE'FERRARI, 1545.
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In-16 (155x100mm), cc. 76, (4) d'indice (con frequenti errori di numerazione), legatura settecentesca in p. pelle marmorizzata nocciola con fiorellini e tralci vegetali in oro e titolo a secco su tassello al dorso. Tagli rossi, sguardie a decori vegetali e floreali in verde. Volgarizzamento di opera storiografica del Bruni, che, scritta in elegante latino umanistico, narrava le vicende della Prima Guerra Punica attenendosi fedelmente al testo di Polibio. La traduzione fu attribuita al Domenichi, autore della dedicatoria, ma il Bongi nega tale ascrizione, ribadendo che "l'autore vero e' ignoto". Bongi, I, 98: "Oltre questa del 1545, non si trovano altre stampe giolitine, benche' se ne citino dal'Haym altre del 1544 e del 1563". STC Italian Books, p. 128. Adams, A-1561.
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[Pliny the Elder] Plinius Secundus, Gaius: (Gelen, Sigismund, ed.:)
Historiae Mundi Libri XXXVII. Denuo ad vetustos codices collati, et plurimus locis emendati, ut patet ex adiunctis Annotationibus.
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Basileae [Basel]: In officina Frobeniana, 1545.. Folio, pp. [xxxvi] 671 [ccxxxvii]. Three leaves of notes with a marginal stain/flaw affecting 2-3 characters. Some browning and soiling, small marginal dampmarks in a few places, one leaf with a small sellotape reinforcement to margin. Early sheep, spine in five compartments with raised bands, the second lettered direct in ink, somewhat scratched, rubbed at extremities, a touch of wear to corners, endpapers sometime replaced with the first and last gatherings sewn to the new stubs, r.f.e.p. removed, a few small wormholes to the leather of top spine compartment. Title inked to lower text-block edge, early inscription to title: "Francisci Fortunati Rhauly". The expatriate Czech scholar Sigismund Gelen (1497-1554), who settled in Basel, was one of the main reasons the Froben printing press there achieved the level of quality and accuracy that it did. Gelen spent some time as an amanuensis for Erasmus before working as an editor, proofreader, and translator for the Officina Frobeniana, where he stayed until his death. He re-edited the text of Pliny printed there several times, in each subsequent edition increasing the accuracy by revisiting the manuscript sources. This edition followed that of 1539, and was itself followed by one of 1554-5, Gelen's last work. VD16 P 3542. Adams P1570. Schweiger II 787..
[Bookseller: Unsworth's Booksellers] |
| 39. Check availability: ILAB AntiQbook choosebooks
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Luther, Martin
Die Bibel oder die ganze Heilige Schrift [Unbekannter Einband]
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- deutsch von Martin Luther. Nach der Ausgabe von 1545 bearbeitet und mit dem Bilderschmuck des in der Preuss. Staatsbibliothek befindlichen Pergamentexemplars der Ausgabe von 1541, das von Lucas Cranach fuer den Fuerst 1. Theil (endet mit dem Hohelied Salomons) 967 Seiten, Illustrationen "Dieses Werk wurde vom Volksverband der Buecherfreunde als Meisterdruck fuer seine Mitglieder hergestellt. Den Einband entwarf Kurt Siebert nach zeitgemaessen Motiven aus dem Besitz der Preussischen Staatsbibliothek in Berlin. Der Druck erfolgte durch die Otto Elsner KG, Berlin, die Buchbinderarbeit durch die Buchbinde-Abteilung des Volksverbandes der Buecherfreunde, Berlin; Schweinsleder, gepraegt, abgerieben, Ecken/Kanten bestossen, 3seitiger Rotschnitt etwas abgerieben und verfaerbt, Seiten vergilbt, guter ZustandGood
[Bookseller: Liber Antiqua] |
| 42. Check availability: Biblio
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Salluste
C. Crispi Sallustii. De L. Sergii Catilinae coniuratione, ac Bello Iugurthino historiae. Eiusdem in M. T. Ciceronem Innectiua. M. T. Cic. in C. Crispum Sallustium Recriminatio. Forcii Latronis Declamatio contre L. Catilinam. Fragmenta quaedam ex libris historiarum C. Crispi Sallustii
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Sébastien Gryphe 1545 - In-16, 271 pp. Exemplaire réglé, relié en veau brun de l'époque, plats ornés d'un décor d'entrelacs peints à la cire en rouge, vert et bleu ciel sertis d'or, dos lisse orné de trois compartiments de fers croisés délimités par 4 bordures de filets rouges et petits fers, quelques légers repeints dans les dorures, quelques annotations anciennes marginales, trou de ver marginal. Imprimé dans un petit corps italique. Reliure française à riche décor mosaïqué d'entrelacs à la cire vraisemblablement parisienne. Inconnu à Baudrier. Provenance : Trichet 1554 (signature sur le titre). « Dono dedit Jacobo Sarraceno (.) » S'agit-il de Jacques Sarrazin (1592-1660), célèbre sculpteur ? Mr. Mainville 1706. (signature sur la page de garde). [Attributes: Hard Cover]
[Bookseller: L'Oeil de Mercure] |
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Estienne, Charles.
Seminario, over plantario de gli alberi, che si piantano. (Aus dem Lateinischen übersetzt von Pietro Lauro). 69 S., 5 Bl. Mit 2 Druckermarken. Kl.-8°. Neuer flexibler Pergamentbd mit handschriftl. Rückentitel.
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Venedig, Vincenzo Vaugris, 1545.. . Erste italienische Ausgabe eines der ersten speziell für Kinder gedruckten Bücher. Ch. Estienne, der Bruder Robert Estiennes, veröffentlichte zwischen 1535 und 1538 eine Reihe botanischer Werke für Kinder, "the first books produced specifically for the entertainment (unlike school-books) as well as the edification of a juvenil readership" (Schreiber S. 58 f.), "the first of their kind" (A. Horodisch, Die Geburt eines Kinderbuches im 16. Jh., in Gutenberg-Jb. 1960, S. 211-222). Estiennes Schrift über die Aufzucht der Bäume 'Seminarium sive plantarum earum arborum' war erstmals 1536 auf Latein erschienen. - Exlibris Pollack-Parnau. Leicht gebräunt, etwas knapp beschnitten. - BM STC 238. Nicht bei Adams.
[Bookseller: Antiquariat Wolfgang Braecklein] |
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DEMOSTENE - ESCHINE
Demosthenis et Aeschinis mutuae Accusationes de ementita Legatione, & de Corona, ac contra Timarchum Quinque Numero, cum earum Argumentis, ipsorum oratorum Vita, Et Aeschinis Epistola ad Athenienses, ac Indice copioso, Nuper à bene docto uiro traducte.
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Apud Hieronymum Scotum. 1545., Venetijs. - In-16° (cm 15,5 x 10,5), leg. coeva in piena pergamena molle, cc. n. 223(1). Marca dello stampatore alla prima e all'ultima pagina. Capilettera incisi. Mancano i laccetti che chiudevano il volume. Antica dedica manosritta al frontespizio, ed una nota a margine manoscritta alla c. 10. Testo staccato dalla legatura ma esemplare fresco.
[Bookseller: Daris - Libri & Stampe] |
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Pliny the Elder] Plinius Secundus, Gaius: (Gelen, Sigismund, ed.:)
Historiae Mundi Libri XXXVII. Denuo ad vetustos codices collati, et plurimus locis emendati, ut patet ex adiunctis Annotationibus.
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Basileae [Basel]: In officina Frobeniana, 1545. - Folio, pp. [xxxvi] 671 [ccxxxvii]. Three leaves of notes with a marginal stain/flaw affecting 2-3 characters. Some browning and soiling, small marginal dampmarks in a few places, one leaf with a small sellotape reinforcement to margin. Early sheep, spine in five compartments with raised bands, the second lettered direct in ink, somewhat scratched, rubbed at extremities, a touch of wear to corners, endpapers sometime replaced with the first and last gatherings sewn to the new stubs, r.f.e.p. removed, a few small wormholes to the leather of top spine compartment. Title inked to lower text-block edge, early inscription to title: "Francisci Fortunati Rhauly". The expatriate Czech scholar Sigismund Gelen (1497-1554), who settled in Basel, was one of the main reasons the Froben printing press there achieved the level of quality and accuracy that it did. Gelen spent some time as an amanuensis for Erasmus before working as an editor, proofreader, and translator for the Officina Frobeniana, where he stayed until his death. He re-edited the text of Pliny printed there several times, in each subsequent edition increasing the accuracy by revisiting the manuscript sources. This edition followed that of 1539, and was itself followed by one of 1554-5, Gelen’s last work. VD16 P 3542. Adams P1570. Schweiger II 787. [Attributes: Signed Copy; Hard Cover]
[Bookseller: Unsworth's Booksellers, ABA & ILAB.] |
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Valla, Laurentius
Laurentii Vallae Elegantiarum Latinae Linguae Libri Sex
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Antonius Vincentius, 1545. 8vo (16 x 10 cm), 402 [30] pp. Printer's device on title page, woodcut intitials. Full calf binding, with gilt ornament, title, and raised bands at spine. Binding rubbed at extremities, dampstained leaves at beginning and latter sections. Paper carefully pasted over text on pp 348-349, obscuring all of Chapter XXXVI in Book VI. Otherwise very good condition.
[Bookseller: Alibris] |
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JACQUINOT, DOMINIC
LAEUSAIGE DE LAEASTROLABE, AVEC UN TRAITU' DE LA SPHERE. PARIS: JEHAN BARBU', [1545].
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FIRST EDITION 4to. [viii], 84 ff., including errata. Text within ruled borders, woodcut printer's device (Renouard 31) on title, and woodcut of an astrolabe on colophon. With 38 exquisite woodcuts, including a large volvelle (a small area repaired affecting a few letters on verso supplied in a contemporary hand). Later half-vellum and marbled boards; insignificant worming last couple of leaves. Ex libris bookplate of Harvard College with small release stamp. Overall a fine copy from the library of Frank S. Streeter, with his bookplate. First edition of the first treatise in French on the astrolabe, a work of considerable historical importance, and exceptionally rare in its first printing. Divided into two parts, the first describes the specific functions of the astrolabe and its application in forty-three propositions. Among the author's numerous observations are detailed measurements of various celestial phenomena such as the height of the sun in both equal and unequal hours; directions to find longitude and latitude using both the sun and moon, which includes a detailed description of a lunar eclipse; and probably one of the earliest, if not the earliest printed text describing in detail a spring watch for ascertaining longitude. Jacquinot notes the writing of Regiomontanus and his teacher Puerbach on the armillary astrolabe and their observations on the sun's motion as well as that of the fixed stars and planets.The second part covers the geometry of distance, height and surface measurement, with varied applications to architecture, travel, fortification and sieges. Jacquinot's ingenious technical improvement in the design of his astrolabe is described in detail. Of great significance is what appears to be his combining different elements of the three basic azimuth instruments used by surveyors, which historians have heretofore credited to Digges in his later Pantometria (1571). Particularly important is Jacquinot's geometrical square, or quadrant, which contains an altimeter, built on the back of his astrolabe, and used for surveying. He here illustrates the heights of a tower, the length of a field, as well as the depth of wells, cisterns or trenches. In addition he also describes the use of optics for measurements..Little is known of Jacquinot (fl. 1545), who was from the Champagne region of France. The technical nature of this treatise suggests that he was an instrument- maker, and that the present work describes his first instrument, with a complete set of instructions. The book is dedicated to Catherine de Medici, then Dauphine, "who in her scientific knowledge not only surpassed contemporaries of her own sex, but also most men." Apparently Jacquinot, not intending to publish, presented it to her in manuscript; in the preface, he explains that it was only after he learned that several incorrect copies were made from the manuscript that the decision to publish was made. It was also likely that he was acquainted with the circle of nobility, as he was able to solicit the advice of Pascal Duhamel, the renowned Professor Regius of mathematics in Paris. Of equally great significance to this book is the type designed by Claude Garamond. From 1545, Garamond cut his Roman type, and according to both Updike and Mortimer, the Roman here was one of the first to appear in a printed book. In the same year, Garamond became his own publisher, featuring his own types, including a new italic. As a publisher, he modeled his book publishing style after the classic works of the Venetian printers who catered to the absolute elites of high society. Therefore, it was logical that Garamond would have collaborated with Jehan Barbe to publish the present book, one of the few printed in that first year of 1545. Garamond typefaces are considered the typographical highlight of the sixteenth century (see Beatrice Warde, The Types Garamond, translated from the Spanish).
[Bookseller: B & L ROOTENBERG ] |
| 48. Check availability: Maremagnum
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Pictura Nova
PICT 14, K. Jonckheere, Adriaen Thomasz Key (ca.1545- ca.1589). Portrait of a Calvinist Painter.
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Brepols. Pictura Nova PICT 14 K. Jonckheere Adriaen Thomasz Key (ca.1545- ca.1589). Portrait of a Calvinist Painter 396 p., 199 b/w ill.+38 colour ill., 190 x 250 mm, 2007, Hardback ISBN 978-2-503-52554-9, EUR 140.00 Available English Text: Art history has not given Adriaen Thomasz. Key's legacy its proper due, to say the least. After a short and successful artistic career in a turbulent period, Adriaen Thomasz. Key vanished from the stage for centuries. Barring his art, he left few other traces behind and over time even this came to be riddled with the most far-fetched attributions. In the past, connoisseurs were often at a complete loss. Adriaen Thomasz.'s pictures were ascribed to a host of painters from numerous countries and periods. The names of Frans Pourbus the Elder and Willem Key, for instance, were linked to several of Adriaen Thomasz.'s panels. Other works had to endure attributions which had nothing in common with the quality, let alone the art, of the master. Dozens of inferior portraits were given to Adriaen Thomasz. and many of his altarpieces and devotional scenes were not recognised as such because he was considered solely as a portraitist. Consequently, up until now the image of Adriaen Thomasz.'s art has been clouded and inconsistent. Adriaen Thomasz. Key richly deserved his reputation as a portraitist. Some ninety percent of his preserved oeuvre consists of likenesses of the Antwerp and the Dutch elite. Adriaen Thomasz.'s skills as a portraitist were and are generally acknowledged. With a finesse and sobriety recalling that of Flemish Primitives such as Jan van Eyck and Hans Memling, he recorded his sitters with ruthless objectivity. The same sobriety and objectivity are to be found in his altarpieces and devotional paintings, a less known facet of his art. Often incorrectly ascribed as a lack of ingenuity or understanding of the Italian Renaissance and typified as archaising, Key's history and devotional paintings prove to be of a huge intellectual resourcefulness and artistic talent. His art was a conscious, reformatory and humanistic intellectual discourse with his famous predecessors and contemporaries. The striving for photographic realism and sobriety in the oeuvre of the painter is tackled in this monograph, bearing in mind Adriaen Thomasz.'s humanistic concerns with iconography. This richly illustrated monograph brings to light, for the first time, the oeuvre of a painter, called the most talented of his generation by David Freedberg. It consists of portraits and altarpieces, devotional paintings and chiaroscuro prints. The rediscovery of Adriaen Thomasz. Key's art will be a eye opener to all scholars interested in the Netherlandish Renaissance and will hopefully induce new research into Adriaen Thomasz. Key and his contemporaries.. 2-503-52554-9 Verlagsfrisch New Copy
[Bookseller: Antiquariat und Versandbuchhandel Uwe Lö] |
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TERTULLIEN (Quintus Septimius Florens)
Opera...
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Paris, Guillard, 1545. In- folio de (6) ff., 306 ff., (21) ff. : basane granitee, dos a nerfs, tranches jaspees (reliure du XVIIeme siecle). Contre-facon parisienne de l'edition baloise de Jean Froben de 1521, a laquelle il a ete ajoute des ecrits inedits.Les commentaires sont du grand humaniste alsacien Beatus Rhenanus (1485-1547) qui fit don de son importante bibliotheque a la ville de Selestat.Reliure usee. Graesse, Tresor de livres rares et precieux, VII, 69.
[Bookseller: Librairie Tal] |
| 50. Check availability: livre-rare-book
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('500 FIG. FISICA RARO). ARISTOTELES.
DE COELO LIBRI IIII. EX GRAECO IUXTA TRALATIONEM VETEREM ACCURATISSIME RECOGNITI; A D.THOMA AQUINATE... ILLUSTRATI. IIS VERA QUAE A D. THOMA INTERPRETARI NON POTUERUNT, ADIECTA EST PETRI ALVERNIATIS.... CUM INDICE DUPLICI.... QUAM UNQUAM ANTEHAC PRODIERINT, EDITA SUNT. VENETIIS, HIERONYMUM SCOTUM, 1545.
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(cm 32) Ottima mz. pergamena antica restaurata cc. 4 nn., cc. 94 bei capilett. figurati e fregi. Nel testo vari schemi e figure grandi e piccole, il tutto in xilografia. Bella edizione elegante e rara, manca ad Adams e BM. STC. Esemplare bellissimo, fresco e nitido, purtroppo con vecchio restauro al frontis per asportazione totale della parte bassa di circa meta' foglio, integrata con carta antica. Cranz-Schmitt " A Bibliography of Aristotle. n 108. 111 pag. 196. Il Census Iccu registra solo 8 copie nelle biblioteche italiane.
[Bookseller: Libreria EDITORIALE UMBRA ] |
| 51. Check availability: Maremagnum
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Erasmus von Rotterdam, Desiderius.
Adagiorum epitome post novißimam exquisitam recognitionem, per Eberhardum Tappium, ad numerum Adagiorum magni operis nunc primum aucta. 4 Bl., 289 num. Bl., 31 Bl. Mit breiter Holzschnitt-Bordüre und Druckermarke auf dem letzten Blatt. Blindgeprägter Kalblederbd d. Z. (Ecken und Kapital stimmig restauriert, neue Vorsatzblätter).
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Antwerpen, Michael Hillenius, 1545.. . Seltene vermehrte Auflage der Sammlung von Sprichwörtern und Redewendungen, die Erasmus' literarischen Ruhm gleich nach ihrem ersten Erscheinen 1500 in Paris begründete und zahlreiche Auflagen erlebte. Eberhard Tappe (um 1505-1541), Humanist und Sprichwortsammler, vermehrte sie und verweist im weißen Rand jeweils auf den Urheber des Sprichworts. Die Vorrede von Conrad Brunssenius von 1542 richtet sich an Martin Gymnich, den Sohn des Druckers Johann Gymnich in Köln, der 1542 und 1545 ebenfalls Ausgaben in Tappes Bearbeitung vorlegte. - Titel mit Besitzeintrag, etwas laviert und mit roter Feder nachgezogen, kaum fleckig, auf starkem Papier gedruckt. - Van der Haeghen I 4.
[Bookseller: Antiquariat Wolfgang Braecklein] |
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BARBARO (G.);CONTARINI (A.);GIOVANNI (A.);
Viaggi fatti da VINETIA, alla Tana, in Persia, in India et in Costantinopoli : con la descrittione particolare di Citta Luoghi, Siti,Costumi et della Porta del Gran Turco : et di tutte le intrate, spese, et modo di governo suo, et della ultima impresa contra portoghesi.
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Aldus Vinegia 1545 Petit in-8 de 163 pp. chiffrees, pleine basane racinee, dos lisse richement orne, piece de titre (reliure du XIXeme siecle). Seconde impression de ces itineraires edites par Antonius Manutius (Wilson : Bibliography of Persia, p. 13 - Weber II, 48 - Bibliotheca Marsdeniana, 1545). Exemplaire mouille avec petite galerie de ver et manque de papier en marge sur les derniers feuillets.
[Bookseller: Livres anciens Kronis] |
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MAROT Clement
Les oeuvres de Clement Marot, de Cahors, Valet de chambre du roi.
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chez Nicolas du Chemin, A Paris 1545, fort in 16 (11,2x8cm), 373ff. (23) 17ff., Un Vol. relie.. Nouvelle edition qui reproduit celle de Lyon 1544, chez Dolet, parue en in 8, et qui semble moins courante que les editions lyonnaises. §Broche. Papier creme. Erreurs de pagination : le feuillet 255 passe immediatement a 260, idem, feuillet 262 puis 264,. livres rares livres anciens Rare books antique books Litterature francaise * Livres Anciens
[Bookseller: Librairie Le Feu Follet] |
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ARISTOFANE
Le Comedie del facetissimo Aristofane.
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Vicenzo Vaugris al segno d'Erasmo, Venezia 1545 - In 8° (145x100); carte 304; marca tipografica al frontespizio e alla fine; mezza pergamena settecentesca con titolo manoscritto al dorso, tagli rossi. Bell'esemplare che presenta un difettino al frontespizio causato da note di possesso cassate; lieve alone per 10 pagg. al margine est. Unica edizione della sola traduzione italiana. Adams A-1721; Clubb, 739. tradutte di greco in lingua d'Italia, per Bartolomio et Pietro Rositini de Prat'Alboino.
[Bookseller: libreria antiquaria perini] |
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REBUFFI PIERRE. (1487-1557).
CONCORDATA INTER SANCTISSIMUM DOMINUM NOSTRUM PAPAM LEONUM DECIMUM, & SEDEM APOSTOLICAM, AC CHRISTIANISSIMUM DOMINUM NOSTRUM REGEM FRANCISCUM HUIUS NOMINIS PRIMU, & REGNUM AEDITA. CUM INTERPRETATIONIBUS AEGREGII VIRI D. PETRI REBUFFI. CUM INDICI ALPHABETICO. IIII AEDITIO. PARISIIS. APUD GALLEOTUM PRATENSEM. 1545.
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IN-4 (20 X 26 CENTIMETRES ENVIRON) DE (64) + 432, (2) + 168 ET (2) + 78 PAGES, RELIURE D'EPOQUE PLEIN VEAU BRUN, DOS A CINQ FORTS NERFS ORNE DE CAISSONS A FLEURONS DORES, TITRE DORE SUR ETIQUETTE MAROQUIN HAVANE, DENTELLE DOREE SUR COUPES, TRANCHES ROUGES. ILLUSTRE EN FIN DE VOLUME D'UNE GRANDE VIGNETTE DE L'IMPRIMEUR GALLIOT DU PRE A LA DEVISE "VOGUE LA GUALLEE" (BRUNET. I. 1148). BELLE EDITION PARISIENNE DU CONCORDAT DE 1516 ENTRE LE PAPE LEON X ET LE ROI FRANCOIS 1 , AVEC LES COMMENTAIRES DE PIERRE REBUFFI, SUIVIE DE : "TRACTATUS NOMINATIONUM" (2 + 168 PAGES) ET DE "TRACTATUS DE PACIFIS POSSESSORIBUS" (2 + 78 PAGES). QUELQUES TRACES D'USURE EXTERIEURE, SINON BON EXEMPLAIRE.
[Bookseller: Librairie du Chateau de Capens] |
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"ESTIENNE, Charles;"
De dissectione partium corporis humani libri tres.
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Paris Simon de Colines 1545 "In-folio de 12 ff.n.ch. et 379 pp. mal ch. 375 ; vélin souple (reliurede l'époque) ; le dos a été doublé, au XVIIe siècle, d'une pièce de basane brune à compartiments ornés de fleurons portant le titre sur une pièce de veau havane (""Anatom. Caroli Stephan."")." "Garrison-Morton, 378 ; Waller, 2819 ; Wellcome, 6076 ; NLM, 1391 ; Osler, 2541 ; Choulant-Frank, pp. 152-155 ; Heirs of Hippocrates, 256 ; cf. Mortimer (French) pour la traduction française publiée par Simon de Colines en 1546. Édition originale, rare, de ce livre magnifique. L'ouvrage, un des plus beaux traités d'anatomie jamais publiés, est illustré de 62 planches gravées sur bois, dont trois répétées, et de petites figures dans le texte. Charles Estienne (1504-1564) appartenait à la famille de typographes du même nom – il était le fils d'Henri Estienne, fondateur de la dynastie – et avait pour beau-père Simon de Colines, l'imprimeur du De dissectione. Il étudia la médecine à Paris auprès de Jacques Dubois (Iacobus Sylvius) en même temps que Vésale. A cette époque, le seul manuel d'anatomie illustré disponible était celui de Berengario da Carpi : Charles Estienne, fils d'imprimeur, fut sans doute sensible à ce vide éditorial. Le manuscrit du De dissectione et les gravures étaient achevés en 1539, et une grande partie de l'ouvrage sous presse, quand un procès en plagiat fut intenté à son auteur et la publication interrompue. ""Had De dissectione been published in 1539, there is no question that it would have stolen much of the thunder from Vesalius' Fabrica... Despite its tardy appearence, however, De dissectione was able to make numerous original contributions to anatomy, including the first published illustrations of the whole external venous and nervous systems, and descriptions of the morphology and purpose of the 'feeding holes' of bones, the tripartate composition of the sternum, the valvulae in the hepatic veins and the scrotal septum. In addition, the work's eight dissections of the brain give more anatomical detail that had previously appeared"" (Norman). La superbe suite de bois qui illustre le traité a suscité beaucoup de controverses quant à son auteur (cf. Mortimer). Une mention sur le titre attribue les figures à Estienne de la Rivière, qui assista Charles Estienne tant pour la dissection que pour l'illustration ; mais la plupart des bois portent la signature ou la marque – le symbole du Mercure – du graveur Jollat, qui exerça à Paris entre 1490 et 1550. Plusieurs figures sont datées 1530 ou 1531 : ""The cuts were begun as early as 1530 by Jollat, and Estienne and Rivière collaborated on the book as early as 1539"" (Garrison). Les figures auraient été gravées d'après des dessins du peintre maniériste italien Giovanni Battista di Iacopo, dit Rosso Fiorentino (Florence, 1494 - Fontainebleau, 1540). L'influence italienne apparaît dans le dessin des corps, souvent contorsionnés, représentés de façon artistique sur fond de paysage, les détails anatomiques étant gravés séparément. Le volume est enrichi d'une importante annotation médicale de l'époque à l'encre bistre : quatre grandes figures anatomiques – les doubles planches du squelette et du corps humain (ff. A7-8 et K7-8) – contiennent de très nombreuses inscriptions sur la gravure même et dans les marges, en latin et en grec. Plusieurs autres feuillets comportent des annotations marginales. On trouve aussi, à la fin de la page 8 et au début de la suivante, une notice de 14 lignes, d'une main différente, citant les travaux du chirurgien alsacien Walther Hermenius Ryff († 1548), dont le traité d'anatomie avait été publié en allemand, à Strasbourg, en 1541. Intéressant spécimen de reliure d'amateur : le dos du vélin originel a été doublé par un collectionneur du XVIIe siècle afin que le volume puisse aisément se fondre parmi les autres in-folio de sa bibliothèque, reliés en veau ou en basane. Vélin froissé, manques aux coins ; mouillures claires sur la deuxième moitié de l'ouvrage, plus prononcées sur le titre et le cahier P ; coins des premiers feuillets cornés ou légèrement rognés ; petites et habiles réfections dans le blanc du titre et du dernier feuillet."
[Bookseller: Librairie Thomas-Scheler] |
| 57. Check availability: ILAB
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Boldrini, Nicolo after Titian
Samson and Delilah
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Circa 1545. Woodcut. 320 x 500 mm. Laid down with repairs to tears. Most of margin intact.#11;Passavant, VI, p. 223, no. 5; Titian and the Venetian Woodcut, no. 39; Tizian und Sein Kreis Holzschnitte, Nr. 10,
[Bookseller: Alan Wofsy Fine Arts] |
| 58. Check availability: Biblio
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ESTIENNE, Charles;
De dissectione partium corporis humani libri tres.
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Paris Simon de Colines 1545 - In-folio de 12 ff.n.ch. et 379 pp. mal ch. 375 ; vélin souple (reliure de l'époque) ; le dos a été doublé, au XVIIe siècle, d'une pièce de basane brune à compartiments ornés de fleurons portant le titre sur une pièce de veau havane ("Anatom. Caroli Stephan."). Garrison-Morton, 378 ; Waller, 2819 ; Wellcome, 6076 ; NLM, 1391 ; Osler, 2541 ; Choulant-Frank, pp. 152-155 ; Heirs of Hippocrates, 256 ; cf. Mortimer (French) pour la traduction française publiée par Simon de Colines en 1546. Édition originale, rare, de ce livre magnifique. L'ouvrage, un des plus beaux traités d'anatomie jamais publiés, est illustré de 62 planches gravées sur bois, dont trois répétées, et de petites figures dans le texte. Charles Estienne (1504-1564) appartenait à la famille de typographes du même nom ? il était le fils d'Henri Estienne, fondateur de la dynastie ? et avait pour beau-père Simon de Colines, l'imprimeur du De dissectione. Il étudia la médecine à Paris auprès de Jacques Dubois (Iacobus Sylvius) en même temps que Vésale. A cette époque, le seul manuel d'anatomie illustré disponible était celui de Berengario da Carpi : Charles Estienne, fils d'imprimeur, fut sans doute sensible à ce vide éditorial. Le manuscrit du De dissectione et les gravures étaient achevés en 1539, et une grande partie de l'ouvrage sous presse, quand un procès en plagiat fut intenté à son auteur et la publication interrompue. "Had De dissectione been published in 1539, there is no question that it would have stolen much of the thunder from Vesalius' Fabrica. Despite its tardy appearence, however, De dissectione was able to make numerous original contributions to anatomy, including the first published illustrations of the whole external venous and nervous systems, and descriptions of the morphology and purpose of the 'feeding holes' of bones, the tripartate composition of the sternum, the valvulae in the hepatic veins and the scrotal septum. In addition, the work's eight dissections of the brain give more anatomical detail that had previously appeared" (Norman). La superbe suite de bois qui illustre le traité a suscité beaucoup de controverses quant à son auteur (cf. Mortimer). Une mention sur le titre attribue les figures à Estienne de la Rivière, qui assista Charles Estienne tant pour la dissection que pour l'illustration ; mais la plupart des bois portent la signature ou la marque ? le symbole du Mercure ? du graveur Jollat, qui exerça à Paris entre 1490 et 1550. Plusieurs figures sont datées 1530 ou 1531 : "The cuts were begun as early as 1530 by Jollat, and Estienne and Rivière collaborated on the book as early as 1539" (Garrison). Les figures auraient été gravées d'après des dessins du peintre maniériste italien Giovanni Battista di Iacopo, dit Rosso Fiorentino (Florence, 1494 - Fontainebleau, 1540). L'influence italienne apparaît dans le dessin des corps, souvent contorsionnés, représentés de façon artistique sur fond de paysage, les détails anatomiques étant gravés séparément. Le volume est enrichi d'une importante annotation médicale de l'époque à l'encre bistre : quatre grandes figures anatomiques ? les doubles planches du squelette et du corps humain (ff. A7-8 et K7-8) ? contiennent de très nombreuses inscriptions sur la gravure même et dans les marges, en latin et en grec. Plusieurs autres feuillets comportent des annotations marginales. On trouve aussi, à la fin de la page 8 et au début de la suivante, une notice de 14 lignes, d'une main différente, citant les travaux du chirurgien alsacien Walther Hermenius Ryff (? 1548), dont le traité d'anatomie avait été publié en allemand, à Strasbourg, en 1541. Intéressant spécimen de reliure d'amateur : le dos du vélin originel a été doublé par un collectionneur du XVIIe siècle afin que le volume puisse aisément se fondre parmi les autres in-folio de sa bibliothèque, reliés en veau ou en basane. Vélin froissé, manques aux coins ; mouillures claires sur la deuxième moitié de l'ouvrage, plus prononcées sur le titre et le [Attributes: Hard Cover]
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ECK Jean MAYR dit d'.
Enchiridion locorum communium adversus Lutherum, & alios hostes ecclesiae... Author iam septimo recognovit, & pluribus locis illustravit, adnotationibus P. Tilmanni accommodatis...
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Parisiis, apud Mauricium de Porta, 1545. In-16 [110 x 80 millimetres] reliure moderne en velin de reemploi, tranches rouges, [14]-497-[94] pages. Caracteres italiques. (Quelques mouillure et salissures.) BON EXEMPLAIRE. ***___***___*** In-16 [110 X 80 millimetres] modern binding out of vellum of re-employment, red sections, [14] - 497- [94] pages. Italic characters. (Some wetting and stains.) Theologist and German polemist, born in Eck, Jean MAYR (1486-1543) are especially known to have been a keen adversary of the theses of Luther. This comment was several times reprinted since the edition of 1525 (in-4_) handwritten Ex libris with the title. GOOD. Theologien et polemiste allemand, ne a Eck, Jean MAYR (1486-1543) est surtout connu pour avoir ete un adversaire acharne des theses de Luther. Ce commentaire fut plusieurs fois reimprime depuis l'edition de 1525 (in-4°) Ex-libris manuscrit au titre.
[Bookseller: Librairie Picard] |
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BARBARO (G.);CONTARINI (A.);GIOVANNI (A.);
Viaggi fatti da VINETIA, alla Tana, in Persia, in India et in Costantinopoli : con la descrittione particolare di Città Luoghi, Siti,Costumi et della Porta del Gran Turco : et di tutte le intrate, spese, et modo di governo suo, et della ultima impresa contra portoghesi.
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Aldus Vinegia 1545 - Petit in-8 de 163 pp. chiffrées, pleine basane racinée, dos lisse richement orné, pièce de titre (reliure du XIXème siècle). Seconde impression de ces itinéraires édités par Antonius Manutius (Wilson : Bibliography of Persia, p. 13 - Weber II, 48 - Bibliotheca Marsdeniana, 1545). Exemplaire mouillé avec petite galerie de ver et manque de papier en marge sur les derniers feuillets.
[Bookseller: Dimitri KRONIS] |
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TUCIDIDE.
Gli otto libri di Thucydide Atheniese, delle guerre fatte tra popoli della Morea, et gli Atheniesi con ogni diligenza tradotto, per Francesco di Soldo Strozzi fiorentino
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appresso Baldassar de Costantini, al segno di S. Giorgio,, In Venetia, 1545 - Cm. 14, cc. (24) 440. Marca tipografica (di Froben) su legno al frontespizio e graziosi capolettera abitati in xilografia. Solida legatura settecentesca in piena pergamena rigida con unghie, dorso con nervi passanti e titoli in oro su tassello (in parte mutilo). Sguardie e tagli marmorizzati. Testo in elegante carattere italico con glosse a stampa ai margini. Insignificante lavoro di tarlo al margine interno di una quarantina di carte che non tocca il testo, altrimenti fresco, genuino e ottimamento conservato. La data è presunta dalla lettera dedicatoria a Cosimo de Medici, firmata "Humil servo Francesco Soldo Strozzi" e datata "Di Venetia l'ultimo di Marzo del xlv". Cfr. Adams, II 684. [Attributes: Hard Cover]
[Bookseller: Studio Bibliografico Benacense] |
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Ruperto di Deutz (Rupertus Tuicensis)
De Victoria Verbi Dei Libri tredecim.
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apud Audoënum Parvum (Gulielmus Thibout),, Parisiis, 1545 - In-8° (172x110mm), cc. (12), 181, (2), legatura coeva p. pergamena rigida con titolo e segnatura di biblioteca manoscritte anticamente al dorso. Tagli a spruzzo rossi. Antica nota di possesso e timbro di estinta biblioteca monastica. Impresa editoriale di Oudin Petit incisa al frontespizio. Capilettera xilografici ornati. Arrossature lievi e uniformi, minimi aloni marginali alle ultime cc. Buon esemplare. Rara edizione parigina cinquecentesca del "De Victoria Verbi Dei", trattato frammischiante teologia speculativa e teologia storica. Alla c. Z6 si trova una compendiosa biografia di Riperto di Deutz scritta da Tritemio. Manca all'Adams e a STC French Books. Cfr. Valerius Andreas, "Bibl. Belgica", pp. 804-805. Jöcher, III, 2314-2315. "Oxford Dictionary of the Christian Church", p. 1188: "[Rupertus] defended the more mystical theology traditional in Benedictine Order, with its allegorical interpretation of Scripture".
[Bookseller: Gilibert Libreria Antiquaria (ILAB-LILA)] |
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PICCOLOMINI, Alessandro (1508-1578).
De la institutione di tutta la vita de l'homo nato nobile e in citta libera. libri 10. in lingua toscana dove e peripateticamente e platonicamente, intorno a le cose de l'ethica, iconomica, e parte de la politica, e raccolta la somma di quanto principalmente puo concorrere a la perfetta e felice uita di quello.
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Venezia, Girolamo Scoto, 1545. - 8vo. 274, [6] Bl. (das letzte leer). Flexibler Pergamentband d. Z. mit Ueberstehkanten (etwas fleckig, Hinterdeckel etwas alt restauriert, ohne die Schliessbänder). Womöglich die prominenteste aristotelische Abhandlung des 16. Jahrhunderts. Seit 1540 in Manuskriptform zirkulierend, wurde dieses höchst einflussreiche pädagogische Traktat erstmals 1542 im Durck veröffentlicht und dann immer wieder neu aufgelegt und in diverse Sprachen übersetzt. Es bietet eine systematische moralisierende Unterweisung über Standespflichten, Fragen der Bildung, Sprachprobleme, Literatur aber auch über die Vermehrung des Familienvermögens durch eine klug eingegangene Ehe oder über die Haushaltsführung. Die zentrale Frage lautete, ob das menschliche Glück im Tätigsein oder eher in der Kontemplation zu finden sei. Mit dem Titel Della institutione morale veröffentlichte Piccolomini von dieser Schrift 1560 eine überarbeitete Version. Gestochenes Exlibris des Prinzen Alberto Giovanelli (1876-1937). STC, Italian, 513; Edit 16 (Online Kat.) CNCE 31702; vgl. A. Erdmann, My Gracious Silence (1999), 43; Gamba 1577; Haym 381, 9. Probably the most prominant Aristotelian treatise of the 16th century. Written for the instruction of the son of the poetess Laudomia Forteguerri, Piccolomini offers a systematic moralising instruction on the duties of the leading class, problems of education, language, on literature, but also on increasing the family fortune by the right marriage. Piccolomini was one of the great epitomizers of Cincquecento learning and one of the first to advocate the use of vernacular in scientific works. In 1560 he published a revision of this text as: Della institutione morale. - Contemporary flexible vellum with flaps (ties gone, one flap partly restored). it
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CICERONE
Le epistole famigliari
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venezia, nelle casa de figlioli di aldo, 1545 - tradotte secondo i veri sensi dell'auttore, et figure proprie delal lingua volgare. 8°: cc 303 (pag 606) +1carta nn con ancora aldina incisa. Bella legatura in vitellino di inzio del settecento. Dorso a 5 scomparti divisi da filett oin oro. Titoli si tass al II scomparto. Guardie marmorizzate. Esemplare in ottimo stato di conservazione. ancora aldina al frontesp. Carateri grifo di corpo 8 neltesto. Segn.A1-8; SS1-8;TT1-6. opera completa di tutte le sue carte originali. E cfr. A. A. Renouard, Annali delle edizioni aldine, Bologna 1953, p. 132 n. 9. Traduzione a originale di Guido Loglio.
[Bookseller: Librerie Antiquarie Iavarone / adlibros] |
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COLONNA Francesco
La Hypnerotomachia di Poliphilo, cioè pugna d'amore in sogno. Dov'egli mostra, che tutte le cose humane non sono altro che sogno:
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& dove narra molt'altre cose degne di cognizione. Ristampato di novo, et ricorretto con somma diligentia.. In Venetia, MDXXXXV. (In fine:) In Vinegia, nell'anno M.D.XLV. in Casa de' Figliuoli di Aldo (1545), in-fol. (mm.300x203), ff.234, leg. 700esca in pieno vitello biondo, triplice riquadro di filetti e 4 fregi in oro agli angoli dei piatti, sguardie e tagli marmorizzati Car. tondo, impresa aldina dell'ancora con delfino sul titolo ed al verso dell'ultimo f. Stupendamente illustr. da 170 silografie, delle quali nove a piena pagina, che sono universalmente riconosciute come il capolavoro della silografia veneziana del Rinascimento. Seconda edizione, che riprende fedelmente l'edizione 1499, e di questa più rara: "E' una semplice ristampa della precedente, con qualche tentativo di correzione. I legni originali sono ripetuti integralmente, salvo otto che furono sostituiti; i caratteri sono leggermente più piccoli e le abbreviazioni diverse; modificata in parte l'ortografia per obbedire alle nuove regole linguistiche ormai invalse; corretti gli errori di stampa più gravi..". Celebre e prezioso figurato, stimato tra i più bei libri di ogni epoca, vero capolavoro letterario e tipografico dell'Umanesimo. "Il connubio di disegno e testo scritto si rivela quindi fondamentale, infinitamente più importante che nella maggior parte dei libri illustrati, nei quali i disegni sono succedanei allo scritto.. Qui illustrazione e scrittura si son trovati uniti all'atto del concepimento dell'opera, nella fase generativa pretestuale.."; in questo senso il capolavoro aldino anticipa di 4 secoli quello che sarà la concezione del "livre d'artiste" novecentesco. Esempl. con i legni intatti, compresa la celebre tavola del "Phallus", grande di margini; (piccola lieve macchia d'inchiostro nel marg. del titolo). Harvard, Italian 131. Renouard p. 133-4. Essling I, 1199. Sander I, 2057: "Cette réimpression est plus rare que l'édit. original". Adams C-2414. Pozzi-Ciapponi, ediz.critica, 1980.
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CATON.
Disticha Moralia cum scholiis Desyd. Erasmia
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Lugduni, Theobaldum Paganum, 1545. In-8. 128pp. n. ch. Veau brun, decor a froid sur les plats (Reliure moderne dans le gout de l'epoque). Recueil de textes pedagogiques traduits ou commentes par Erasme. On trouve dans ce volume, outre les Distiches de Caton, la traduction en grec de ce texte donnee par Maxime Planude, des Apothegmes grecs, le « Christiani Hominis Institutionem » d' Erasme, etc. La premiere edition parut a Cologne en 1514. Cette edition lyonnaise est tres rare comme le sont toutes les editions de ces livres scolaires et manque a la Bibliotheca Erasmiana de Vander Haeghen. Bon exemplaire.
[Bookseller: Llibreria Antiquaria Comellas] |
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XENOPHONTE
XENOPHONTIS PHILOSOPHI AC HISTORICI EXCELENTISSIMI OPERA..
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Basilea N. Brylingerum 1545 Fol, 14h, 678p (faltan págs. 423 a 430 que corresponden a parte de la obra "Rerum Graecarum") Texto a 2 columnas en GRIEGO y LATIN. Capitulares. Falta parte margen inf. derecho en port. y 1ª hoja (no afecta) Manchas hum. Perg. det Entre las obras está el célebre libro de la caza "DE VENATIONE LIBELLUS" (Ref. 7932)
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ALBERICI DE ROSATE, Domini .-
Primi Alberici/super Infortiato/.Lectura singulares et/aurea Domini Alberci de Rosate Bergomensis/iuris Caesarei & Pontificii doctoris excellentis/simi in praxi non minus utilis quam neccessaria/ super Prima parte Infortiati,accurate tersa/ &,emuncta:& in multis locis in quibus/erat laniata,nunc resarta./Cum addittionubus,concordantiis numeris:Summariis,ante ll.&.ss.affixis/quatemus materiæ lympiadores cunctis lucescant:necnon Repertorio al/phabetico miro ordine constructo in lucem ...
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2 volúmenes. Folio. 171-214ff. Lugduni, Georgium Reagnault, 1545. En un tomo plena piel. Bella edición gótica con numerosas capitales orladas,portadas a dos tintas con texto enmarcado en cornisas xilográficas.Muy buen ejemplar.Alberici de Rosate, Jurisconsulto nacido en Rosciate (BG) en el 1290 ap. y muerto en Bergamo en el 1354 ap. (GOTICO)
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THOMAS DE AQUINO
EXPOSITIO IN ARISTOTELIS, LIBROS DE PHYSICA AUSCULTATIONE, CUM DUOBUS TEXTIBUS: COMUNI: ET JOANNIS ARGYROPYLI: SUMMA CUM DILIGENTIA CORRECTOS. APPOSITA EST IN PRINCIPIO AD TOTUM FERE OPUS COMPENDIOSA TABULA: IN FINE, QUESTIONES DE FORMIS EIUSDEM. S.DOCTORIS. ITEM SUMMA LINCONIENSIS IN EOSDEM PHYSICORUM LIBROS. VENETIIS, 1545. (IN FINE): VENETIIS, HEREDUM B. LUCEANTONII JUNTE FLORENTINI, MENSE OCTOBRIS. 1545. (CM.32) CC. 6 NN., CC. 147 + 1 C. BIANCA. CARATTERI GOTICI, TESTO SU DUE COLONNE, GRANDE XILOGR. ALLA CARTA 1, MOLTE FIGURE E SCHEMI N.T. GRANDIE E PICCOLI CAPILETT. FIGURATI. LEGATURA BELLA MEZZA PERGAMENA ANTICA RESTAURATA, PIATTI CON MUSICA IN ROSSO E NERO, SGUARDIE ANTICHE. DUE MACCHIE DI INCHIOSTRO PER CENSURA SOPRA IL NOME DI ARGYROPYLI, CHE PERO' NON NE IMPEDISCONO LA LETTURA, ALTRIMENTI ESEMPLARE MOLTO BELLO, FRESCO E NITIDO.
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Il testo rivisto, e illustrato da molte xilografie, e' quello del rarissimo incunabolo romano del 1481 "Libri auscultationis de natura ...J.Argyropolus" (cfr. BM STC p. 51). Edizione molto rara, manca ad Adams, BM STC e Cranz "Bibliogr. of Aristotle". - Camerini, "Annali dei Giunti", I 504. Il census nazionale ICCU registra solo 5 copie nelle biblioteche italiane.
[Bookseller: Studio bibliografico CALABRO' Maria ] |
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Beda, San
Venerabilis Bedae prsbyteri theologi doctissimi iuxta...
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. 1545-1544. Imp. Ambroise Girault/ Antonius Iurianus. París. . . 3 Vol. . Vol.I(16H+272 fol.) Vol.II(16H+264fol.) V0l.III(12H+258 fol.). Folio. Pasta española de época. Religión / Teología / Ética / Monasterios /Ordenes Religiosas (General), Siglo XVI . Sólo se conocen tres ejemplares conocidos, según el Catálogo de Patrimonio. Encuadernado en pasta española de época con nervios y tejuelo en lomera. Leve fatiga en tapas, texto en buen estado .
[Bookseller: Librería de Bilbao] |
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HORACE (Q. Horatius Flaccus)
Opera quibus inter poetas et latinos et graecos vix quicq[ue] pr[a]estantius, cum ad linguam excole[n]dam, tum ad actiones affectusq[ue] moderandos, invenitur...
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Bale, Henri Petri, 1545. 1 vol. in-folio, daim clair, dos a nerfs. Reliure du temps. Accidents aux coiffes et aux coins, qq. traces d'usage. (6) ff., 543 pp., (1) p. portant la marque de l'imprimeur. Signatures : a6 [A-Z]6 [Aa-Xx]6 Yy4 Zz4. Quelques cernes marginaux, petite galerie de vers traversant le dernier quart du vol. avec perte de qq. lettres, gal. de vers dans la marge sup. d'une vingtaine de ff. Interieur frais dans l'ensemble. Ex-libris ms. Mathurin Brejon (XVIe s.) repete plusieurs fois. Excellente edition "variorum" avec les commentaires entourant le texte de differents humanistes de renom : Henri Glareaunus, Erasme, A. Bonfini, Alde Manuce, L. Coelius, Ange Politien, Sabellicus, J.-B. Pius; J. a Cruce, Servius, P. Crinitus. Belle impression d'Henri Petri, d'une grande clarte. Graesse III, 350; Adams H888.
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Gaza, Theodorus.
Intrductionis grammaticae libri quatuor unà cum interpretatione Latina..
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Basel, Brylinger 1545. - 700 S. Geprägter Lederband der Zeit auf Holzdeckeln.BM, german 333. Griechisch-lateinische Parallelausgabe. Die erstmals 1495 erschienene griechische Grammatik trug maßgebend zur Verbreitung und Kenntnis des Griechischen bei. - Rücken einseitig lose und mit größeren Fehlstellen. Die Messingschließen fehlen. Ohne das Titelblatt u. d. letzte (weiße?) Blatt. Vorsatzblätter gelöst. Teils schwach wasserrandig.
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HAGGADAH
Sefer Zevach Pesach
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1545. FIRST EDITION. (HAGGADAH). Sefer Zevah Pesah. Venice: Marco Antonio Guistiniani, 1545. Small quarto, period-style full brown calf, raised bands, elaborately gilt-decorated spine and boards; ff. 67. $18,000. First Haggadah printed in Venice, this is especially notable in containing the Zevah Pesah ("The Passover Sacrifice") of Isaac Abrabanel, "one of the leading figures among" those exiled from Spain in 1492. "Although completed in 1496 in Monopoli, Italy! his Zevah Pesah was not printed until almost a decade later, in Constantinople." This is only the second time Abrabanel's commentary appears in print, and the Haggadah is especially profound in the manner in which he "relates the ancient redemption of the Jewish people and points toward the redemption yet to come" (Yerushalmi 5). With Venetian Jews barred from ownership of Hebrew presses and a bitter rivalry between publishers, the confiscation and burning of all Hebrew books in 1553 makes the survival of copies from this edition even more improbable and vital. "For the generation that had experienced the expulsion from Spain in 1492 the age-old problem of exile and redemption assumed a new immediacy. It was perhaps natural that Don Isaac Abrabanel, one of the leading figures among the Spanish exiles, should have found it congenial to write a commentary to the Haggadah, which relates the ancient redemption of the Jewish people and points toward the redemption yet to come. Although completed in 1496 in Monopoli, Italy! his Zevah Pesah was not printed until almost a decade later, in Constantinople" (Yerushalmi 5). Since Jews in Venice were barred from ownership of Hebrew presses, the owners were perforce Christians; the imprint of the title page notes that this book was produced at the press of Marco Antonio Giustiniani. Five years after the publication of this Haggadah, the house of Giustiniani lost its monopoly on printing in Hebrew and faced formidable competition from an upstart press, the house of Bragadini. A bitter rivalry grew between the two presses, and "the mutual recriminations that the rivals engaged in at the Papal Court ultimately resulted in the confiscation and burning of all Hebrew books in 1553" (Encyclopaedia Judaica), making the survival of copies from this edition even more improbable. As in all Giustiniani publications, the printer's emblem was a fanciful representation of the Temple in Jerusalem, based on the architecture of the Mosque of Omar, the "Dome of the Rock," which stands on the site of the ancient Temple. "European travelers in the Middle Ages had returned from Jerusalem with drawings of the building, and mosque and Temple were easily fused in the popular imagination. Similar representations of the Temple appear in other books, both Jewish and Christian" (Yerushalmi 18). On the dome and below it are the words Bet ha-mikdash, "The Holy House." Furled over the Temple is a banner on which is printed the biblical verse: "The glory of this latter house shall be greater than the former, saith the Lord of Hosts" (Haggai 2:9). Yaari 10. Yudlov 13. Yerushalmi 18. Vinograd, Venice 238. Marginal notes in several hands primarily in Hebrew with some Italian, a few instances of apparent self-censorship. Interior lightly stained and soiled, repairs to some leaves, corners rounded. Attractive binding fine. Rare.
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LUCAN, M. Annaeus.
De Bello Civili.
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- Paris; Robert Stephanus, 1545. 8vo. pp. 273 [vii]. Italic letter, headlines in Roman capitals. Woodcut 'Noli Altum' printer's device to t-p. Light age yellowing, one or two tiny spots, a very good, clean, unsophisticated, well-margined copy in contemporary vellum, lacking ties. Title lettered on spine, two small paper library labels, armorial bookplate of the Earl of Macclesfield to front pastedown, Shirburn Castle blindstamp to first few ll. First Estienne edition, printed in the beautiful Garamond italic, then still innovative, having first appeared in 1543. Silver Age poet Lucan's epic account of the civil wars between Caesar and Pompey was considered in the Middle Ages as superior to Virgil (a view later shared by Shelley and Southey); his continued place in contemporary reading is well-evidenced by the many fine editions after the Aldine editio princeps, of which this is an example. The author had an important influence on Corneille, and thus classical French drama. BM STC Fr. p.270. Adams L1575. Renouard 64:14. Brunet III.1199 "bonne édition, peu commune". Graesse IV.273. L868
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PEDRO DE MEDINA
ARTE DE NAVEGAR
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001911 ASOCIACION DE LIBREROS Y AMIGOS DEL LIBRO AMERICA EJEMPLAR Nº143 DE UNA TIRADA TOTAL DE 200 EJEMPLARES.EDICION EN FACSIMILE DEL QUE FUE PUBLICADO EN VALLADOLID EN 1545. ILUSTRACIONES EN TEXTO.INTONSO. EN BUEN ESTADO.RARO. Numerada Rústica MADRID 1945 34 X 24,5
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JOHANNES DE SACRO BOSCO;
Liber Ioannis de Sacrobusto de Sphaera. Addita est praefatio in endem librum Philippi Mel[anchton] ad Simonem Grineum.
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Venise Giovannantonio et Pietro de Nicolini de Sabio 1545 Petit in-8 de (32) ff, le dernier portant au verso la marque d'imprimeur, avec 35 bois graves (dont un au titre) de figures astronomiques, velin rigide, dos lisse (reliure moderne). Cette tres agreable et elegante edition venitienne du best-seller astronomique de John de Holywood presente l'interet de comporter la preface composee et editee a Wittenberg en 1531 par le celebre reformateur Philipp Schwarzerd, dit plus communement Philippe Melanchton (1497-1555). Meme si le theologien a ecrit sur a peu pres toutes les branches de la connaissance humaine, ce morceau est curieux et montre que le savant ami de Luther croyait fermement a l'astrologie, comme au demeurant la plupart de ses contemporains. Bon exemplaire.
[Bookseller: Bonnefoi Livres Anciens] |
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DIAZ DE LUCO, Juan Bernal.
Practica Criminalis Canonica, nuper edita in qua omnia ferè flagitia quae à clericis committi possunt, cum eorum poenis describuntur.
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Lyon: Lugduni, apud Gulielmum de Millis [in fine:] excudebat Ioannes Pullonus, alias de Trin, 1545. 8vo.; 328 pp., 4 hs. Ejemplar cuya portada presenta un recorte, correspondiente al emblema del impresor Millis, sin pérdida alguna de texto. Encuadernación de época, en pergamino. El erudito Obispo de Calahorra, donde falleció en 1556, habia sido Provisor del Cardenal Tavera en Toledo y asistente al Concilio de Trento. Prelado modélico, cumplidor de su propia «Instrucción de Prelados», impresa en Alcalá, en 1530, dejó con ésta «Practica Criminalis Canonica» el arma para una ansiada regeneracion de las costumbres clericales. En vano. Jurídica & Historia del Derecho - Ecclesiástica - España, Siglo(s) de Oro - Impresos del Siglo 16 - Sevilla - Rioja (La) - Delitos y penas
[Bookseller: Hesperia Libros] |
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MARSILIUS of Padua.
Ain kurtzer Auszug des treffenlichen Wercks und Fridschirmbuchs . . . Durch M. Marxen Müller von Westendorff, vermög der Vorred, aufs getreulichst verteutscht, und zesamen gericht.
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Neuburg, (colophon: Hannsen Kilian), 1545. First edition in German of Defensor pacis. Condemned bythe pope and its author excommunicated in 1327, the ‘Defender of peace’ ‘is one of the most challenging works produced in the Middle Ages. According to Marsilius, the State is the great unifying power of society to which the Church must be completely subordinated. It derives its authority from the people, who retain the right to censure and depose the Ruler. The Church, on the other hand, has no inherent jurisdiction whether spiritual or temporal. All her rights in this regard are given her by the State, which may withdraw them at will. She may own no property, but only use what the State lends her; her hierarchy is not of Divine but purely human institution . . . . The principal authority in all ecclesiastical matters is the General Council, which should be composed of priests and laymen. These ideas, which ran counter to the whole medieval conception of society, have led to Marsilius of Padua’s being claimed as a forerunner of the Reformers, modern democracy, and even totalitarianism’ (ODCC).Defensor pacis first appeared in print in 1522 and was put on the Index in 1559. The German translation omits the first discourse (the 1535 English translation is also shortened: indeed no complete translation into any modern language appeared until Alan Gerwith’s English edition in 1956). The second, and much longer, discourse made ‘the simple but daring claim that the rulers of the Church have altogether misunderstood the nature of the Church itself in supposing it to be the sort of institution which is capable of exercising any legal, political or other form of “coercive jurisdiction” . . . . It follows that whatever coercive powers may be necessary for the regulation of Christian life must all by right be exercised exclusively by “the faithful human legislator” – Marsilius’s term for the highest secular power . . . . With this transfer of the plenitudo potestatis from the Papacy to “the faithful human legislator”, Marsilius fulfils his main ideological task in the second discourse of the Defender of peace. He claims to have demonstrated that the figure of the legislator in each independent kingdom or city republic is the sole rightful possessor of complete “coercive jurisdiction” over “every individual mortal person of whatever status” . . . . The corresponding moral of the book – as well as the key to understanding its title – is that anyone who aspires to be a defender of the peace . . . must above all be a sworn enemy of the alleged jurisdictional powers of the Church’ (Skinner, Foundations of modern political thought I pp. 19–22). For a survey of responses to Defensor pacis see Garnett, Marsilius of Padua and the ‘truth of history’ pp. 1–48, who notes that while much modern scholarship has centred on the first discourse, hostile contemporaries saw the book’s danger as lying in the second discourse.VD16 M1134. OCLC locates only two copies (Yale, Ohio State University).
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Degrassalio, C.
Regalium Franciae libri duo, iura omnia & dignitates Christianiss. Galliae Regum, continentes. Carolo Degrassalio Carcassonensi authore. Item tractatus iura seu privilegia aliqua Regni Franciae continens, per Ioannem Ferrault V.I licentiatum editus.
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(Paris), apud Pocetum le Preux, 1545. (16), 351, (1) pp. 8vo. 18th century half calf, marbled boards, corners, red label with gilt lettering (split along joint, foot and head of spine damaged, rubbed along edges). Not in Adams; BMSTC (French) p. 130. Second or third edition, first published in 1538, there were two editions in 1545. Just as Ferrault, Degrassalius pleaded for total independence of the French throne in wordly matters, and just as Ferrault he was one of the first to theorize on the absolute power of the King. 'Le livre de Grassaille est le plus complet: Grassaille a profite des travaux de Ferrault et de tous les savants comme Guy Pape, Boyer, Montaigne, qui avaient etudie avant lui le droit public francais. Le roi ne reconnait, ni en droit, ni en fait, aucun superieur dans les choses temporelles, pas plus le souverain pontife que tout autre. A lui faire les ordonnances, de battre monnaie, d'etablir des impots nouveaux, de surveiller les communes. Quant a ses droit sur l'.glise, quelques-uns sont communs a tous les monarques, d'autres n'appartiennent qu'au roi de France' (Weill, Les Theories sur le pouvoir Royal en France, pp. 15-17). - With library stamps on title-page, and library stamp recto and verso fly-leaf. Title-page a bit browned.
[Bookseller: A. Gerits & Son] |
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REBUFFI, Pierre.
Concordata inter sanctissimum dominum nostrvm papam Leonem decimum & sedem apostolicam, ac christianissimum dominum nostrum regem Franciscum huius nominis primus, & regnum aedita. Cum interpretationibus aegregii viri D. Petri Rebuffi de Montepessulano ... ; Suivi de : Tractatus nominationum, in hoc maxime regno tum utilis, tum necessarius. a D. Petro Rebuffo. I. V. doctore celeberrimo, nunc primum & elucubratus, & in lucem emissus ; Suivi de : Tractatus de pacificis possessoribus, hoc in regno actoto in orbe non minus frequens quam utilis, ad codem Authore D. Rebuffo editus - Parisiis (Paris), apud Galeotum Prasentem (Galliot du Pre), ad primam columnam Regii Palatii, 1545.
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3 ouvrages en un volume in-quarto. (32 ff.) 430 pp, (2ff.), 166 pp., (2 ff.), 74 pp., (2 ff.). Au dos du dernier feuillet vignette avec devise de l'imprimeur Galliot du Pre. Reliure en plein velin d'epoque, dos a 6 faux-nerfs, tranches jaspes. Pierre Rebuffi (1487-1557), professeur de droit civil et de droit canon a Toulouse, Cahors, Poitiers et Paris etait considere comme un expert dans les matieres beneficiales. Sa reputation etait telle que le pape Paul III voulut le faire auditeur de rote. Tres bel exemplaire.
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1544