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Displayed below are selected recent viaLibri matches for books published in 1536


CRESCENTIO, Petrus de
Opera di agricoltura. ... Novame(n)te con grandissima fatica alla suapristina forma restituita: e con diligenza stampata
      B. Vercellensis [for Sessa] Venice 1536 Contemporary limp vellum with leather ties (recased with new end-papers) 8vo . Scarce edition, in Italian, of this important work on agriculture by Pier de "Crescenzi [who] is considered by authorities to rank with the best writers of his age. Ernst Meyer says ... that in agriculture there is not found anyone of equal merit several centuries before or after his time. The Ruralia Commoda consists of twelve parts covering the following subjects; Agriculture in general; the nature of plants and the fertility of soil; the products of the fields, their use and culture; the grape- vine; trees; gardens and plants (describing about one hundred and twenty plants useful for medicine and nourishment); meadows and woods; pleasure gardens; and the four last parts deal with cattle breeding and husbandry" (Hunt, p. 5). "Piero Crescentio was born at Bologna, in 1230. He was seventy years of age when he undertook to write, in Latin, a sort of Gentleman's Recreation or Maison Rustique, in twelve books, crammed with information of all kinds likely to be of use to the gentleman farmer, chiefly about agriculture, horticulture and viticulture, hunting and fishing, and generally speaking, how to enjoy the 'fruits of the earth'" (Simon, Bibiotheca Gastronomica p. 42). Book four is devoted to viticulture and wine. A fine fresh copy bound in its original limp vellum. The fine woodcut title-border depicts floral themes with griffons and a cat and mouse (the symbol for Sessa's printing house). The full-page woodcut depicts the author surrounded by three scribes 392 leaves (leaf BBB8 blank). With woodcut title-border and full-page woodcut in text and woodcut initials. Sessa's cat and mouse device worked into woodcut border. § BM/STC 203; Adams C-2931; IA 146.769; Ceresoli 184; Sander 2240 "Page du titre, encadrement orné à la grotesque; dans le haut, le chat des Sessa. Bois de page, portrait de l'auteur assis in cathedra"
      [Bookseller: Jeffrey D. Mancevice Inc.]
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SAVONAROLA Gerolamo
Trattato delle reuelatione della reformatione della chiesa.
      (In fine:) Vinegia, Bernardino Stagnino, 1536, in-8 (116 x 105mm.), ff. 55 (ultimo bianco presente). Leg. piena pergamena con foglio di codice manoscritto del XIV sec. (testo su tre colonne in car. rosso e nero). Grande impresa tipogr. sul tit. ed altra piccola in fine, capilettera ornati, testo su due colonne in car. semi-gotico. Seconda edizione di questo trattato filosofico (prima: Venezia, Soardis 1515), rara. Bell'esemplare. BMCSh.T:, 611. Olschki, Cat. XXXIX, Bibl. Savonaroliana, n. 152: «Traité fort rare». Sander n.6872 (note).
      [Bookseller: Pregliasco Libreria Antiquaria di Umbert]
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CRESCENTIO, Petrus de
Opera di agricoltura. ... Novame(n)te con grandissima fatica alla sua pristina forma restituita: e con diligenza stampata
      Venice: B. Vercellensis [for Sessa]. 1536. Contemporary limp vellum with leather ties (recased with new end-papers) 8vo . Scarce edition, in Italian, of this important work on agriculture by Pier de "Crescenzi [who] is considered by authorities to rank with the best writers of his age. Ernst Meyer says ... that in agriculture there is not found anyone of equal merit several centuries before or after his time. The Ruralia Commoda consists of twelve parts covering the following subjects; Agriculture in general; the nature of plants and the fertility of soil; the products of the fields, their use and culture; the grape- vine; trees; gardens and plants (describing about one hundred and twenty plants useful for medicine and nourishment); meadows and woods; pleasure gardens; and the four last parts deal with cattle breeding and husbandry" (Hunt, p. 5).#11;"Piero Crescentio was born at Bologna, in 1230. He was seventy years of age when he undertook to write, in Latin, a sort of Gentleman's Recreation or Maison Rustique, in twelve books, crammed with information of all kinds likely to be of use to the gentleman farmer, chiefly about agriculture, horticulture and viticulture, hunting and fishing, and generally speaking, how to enjoy the 'fruits of the earth'" (Simon, Bibiotheca Gastronomica p. 42). Book four is devoted to viticulture and wine.#11;A fine fresh copy bound in its original limp vellum. The fine woodcut title-border depicts floral themes with griffons and a cat and mouse (the symbol for Sessa's printing house). The full-page woodcut depicts the author surrounded by three scribes 392 leaves (leaf BBB8 blank). With woodcut title-border and full-page woodcut in text and woodcut initials. Sessa's cat and mouse device worked into woodcut border. ! BM/STC 203; Adams C-2931; IA 146.769; Ceresoli 184; Sander 2240 "Page du titre, encadrement orne a la grotesque; dans le haut, le chat des Sessa. Bois de page, portrait de l'auteur assis in cathedra"
      [Bookseller: Jeffrey D. Mancevice, Inc.]
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Diözese Münster, Westf
Graduale, omnia sacre Misse Cantica, per totum annum, ad usum et consuetudinem Ecclesie et Diocesis Monasteriensis, continens. iam primum impressum ac emendatum. Anno dni (domini) M.D.xxxvi. Excudebat H. Alopecius. Expensis Capituli Maioris Ecclesie Monsteriensis.
      Köln, Fuchs 1536. 44 x 31 cm. 295 Blatt (römisch numeriert) mit Musiknoten, Holzschnitt-Titeleinfassung, 6 großen und zahlreichen kleinen Initialen. Schweinslederband der Zeit über Holzdeckeln, mit Rollenstempeln, Messingbeschlägen und 2 Messingschließen - Musik in Münster 15 - Bömer / Degering J 1052 - Aengenvoort S. 17 uff. - Der erste Gradualdruck Nordwestdeutschlands im 16. Jahrhundert, das der Kölner Buchdrucker Hero Fuchs, Alopecius genannt, druckte. Das in seiner Offizin erschienene Graduale von 1536 ist, neben dem Antiphonale und dem Psalterium, "das früheste und imponierendste Beispiel eines Choraldrucks im norddeutschen Raum" (Musik in Münster). Das Münstersche Domkapitel veranlaßte nach dem Brand der Dombibliothek und der Wiedertäuferzeit den Druck. Da der einzige damalige Münstersche Drucker Dietrich Tzwyel 1534 aus Münster ins lutherische Lager geflohen war, wurde das Werk nach auswärts in Auftrag gegeben (Aengenvoort S. 24). Es ist eines der wichtigsten liturgischen Bücher, die von der Domkirche wohl bis 1880 gebraucht wurden und im gesamten nordwestdeutschen Raum einzigartig. Das Graduale ist in gotischer Neumenschrift auf Fünfliniensystem gedruckt. Am Anfang jedes Systems stehen zugleich der C- und der F-Schlüssel verzeichnet. Inhalt: Blatt 2-134: Proprium de tempore; Blatt 135-164: Commune sanctorum; Blatt 165-185: Proprium sanctorum; Blatt 185-198: Missae votivae (mit Anhang: Alleluja und Sequentiae Helenae reginae); Blatt 198-215: Ordinarium Missae (mit Anhang: Missa de Sancta Anna); Blatt 215-295: Sequentarium (mit Anhang: 2 Antiphonen). Der Text endet mit "... consortes celestis glorie." Das Buch endet wie alle bekannten Vergleichsexemplare mit Blatt 295 = dd1 [Kollation: A - O 6; P 1 - 6 (bezeichnet als P, P2, P3, P4, P, P2); Q - Z 6; a6; b6 (bezeichnet als b, b2, b3, b4, ohne, b); c - z6; aa - cc6; dd1 = Blatt 295]. Auf das hintere Vorsatzblatt ist ein Blatt mit einer handschriftliche Ergänzung (Noten und Text) aus dem 18. Jahrhundert aufgezogen, Textbeginn: "Peccatis nostris indigrionem ..." Weitere handschriftliche Ergänzungen aus dem 19. Jahrhundert sind eingefügt vor Blatt 193 ("Dies irae ...") und vor Blatt 209 ("Alleluja" und "Hecdies"). Die Holzschnitt-Titeleinfassung (6 Heiligendarstellungen, 2 seitliche Leisten, Fußleiste) zeigt oben in der Mitte Christus als Welterlöser, unten den Apostel Petrus, in den Ecken die Evangelisten. Die Holzschnitte werden Anton Woensam von Worms zugeschrieben, der seit 1517 für verschiedene Kölner Buchdrucker tätig war (Thieme-Becker 36, 166). Die großen Initialen (7 x 5 cm) mit Darstellungen zu den betreffenden Festen. Die Initiale "A" des Introitus "Ad te levavi" mit Darstellung des Psalmisten David (vgl. Merlo, Köln. Künstler 1073, 515); Initiale "T" (Blatt 185vo.) mit Darstellung des Doms zu Münster. Auf dem Titel ist in 6 Zeilen eine Ermahnung für den Benutzer gedruckt: "Hunc qui aperis, et voluis librum, Mundas habeto manus ..." Die Blatt-Numerierung steht am Rand in der Mitte der Seite. Der Einband ist mit Eckbeschlägen und Schienen (Oberkanten 2 x 7 cm, Stehkante durchgehend) versehen. Auf beide Deckel sind zum Schutz je 5 rechteckige Beinstücke (je 4 x 2 cm) aufgenagelt. Im oberen Rand durchgängig Feuchtigkeitsspur, im Anfang 5 Blatt neu eingehängt, 15 Blatt im Rand unterlegt, Titelblatt aufgezogen und am Seitenrand scharf beschnitten, 60 Seiten durch Randbeschnitts Verlust der letzten Ziffer; Blatt 201 alt restauriert, verso 5 Textzeilen und Noten teilweise handschriftlich ergänzt; Blatt 244 in der unteren Ecke Verlust einzelner Noten und Buchstaben. Auf dem Titelblatt handschriftlicher Eintrag "Anno 1593 à Magistro Fabricae ad instantiam Bernardi Beme(?) Pastoris ...", unterhalb des Impressums handschriftlicher Eintrag aus dem 18. Jahrhundert: "St. Clemens Kirche". Insgesamt gut erhaltenes Exemplar - Sprache / Language: Lateinisch / Latin -
      [Bookseller: H. Th. Wenner Antiquariat]
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CRESCENTIO, Petrus de
Opera di agricoltura. . Novame(n)te con grandissima fatica alla sua pristina forma restituita: e con diligenza stampata
      B. Vercellensis [for Sessa], Venice 1536 - Contemporary limp vellum with leather ties (recased with new end-papers) 8vo . Scarce edition, in Italian, of this important work on agriculture by Pier de "Crescenzi [who] is considered by authorities to rank with the best writers of his age. Ernst Meyer says . that in agriculture there is not found anyone of equal merit several centuries before or after his time. The Ruralia Commoda consists of twelve parts covering the following subjects; Agriculture in general; the nature of plants and the fertility of soil; the products of the fields, their use and culture; the grape- vine; trees; gardens and plants (describing about one hundred and twenty plants useful for medicine and nourishment); meadows and woods; pleasure gardens; and the four last parts deal with cattle breeding and husbandry" (Hunt, p. 5). "Piero Crescentio was born at Bologna, in 1230. He was seventy years of age when he undertook to write, in Latin, a sort of Gentleman's Recreation or Maison Rustique, in twelve books, crammed with information of all kinds likely to be of use to the gentleman farmer, chiefly about agriculture, horticulture and viticulture, hunting and fishing, and generally speaking, how to enjoy the 'fruits of the earth'" (Simon, Bibiotheca Gastronomica p. 42). Book four is devoted to viticulture and wine. A fine fresh copy bound in its original limp vellum. The fine woodcut title-border depicts floral themes with griffons and a cat and mouse (the symbol for Sessa's printing house). The full-page woodcut depicts the author surrounded by three scribes 392 leaves (leaf BBB8 blank). With woodcut title-border and full-page woodcut in text and woodcut initials. Sessa's cat and mouse device worked into woodcut border. § BM/STC 203; Adams C-2931; IA 146.769; Ceresoli 184; Sander 2240 "Page du titre, encadrement orné à la grotesque; dans le haut, le chat des Sessa. Bois de page, portrait de l'auteur assis in cathedra". [Attributes: Hard Cover]
      [Bookseller: Jeffrey D. Mancevice, Inc.]
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Xeophontis Jenofonte
Philosophi et historici clariss. De Cyri minoris expeditione, Libro VII; Romulus Amaseus Vertit
      octavo pasta tejuelo rozada con cortes pintados letra cursiva, capitulares grabadas Lugduni Haeredes Simonis Vincetiii 1536
      [Bookseller: Librería Anticuaria Epopeya]
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Martin Bucer. Martinum Bucerum. Martin Butzer
In Sacra Qvatvor Evangelia, Enarrationes Perpetvae, Secvndvm Recognitae in Qvibvs Praeterea Habes Syncerioris Theologiae Locos Communes Supra Centum, Ad Scripturarum Fidem Simpliciter, & Nullius Cum Insectatione Tractatos, Adiectis Etiam Aliquot Locorum R
      Basileae Apvd Ioan. Hervagivm, Anno M. D. Xxxvi. Mense Septembri, 1536. Very Good Folio-over 12"-15" tall. Printed in 1536 in Basle, Switzerland. A Very Early New Testament Commentary upon the Four Gospels by Martin Bucer, 1491-1551, a Key Protestant Reformer. Full title reads "In Sacra Qvatvor Evangelia, Enarrationes Perpetvae, Secvndvm Recognitae in Qvibvs Praeterea Habes Syncerioris Theologiae Locos Communes Supra Centum, Ad Scripturarum Fidem Simpliciter, & Nullius Cum Insectatione Tractatos, Adiectis Etiam Aliquot Locorum Retractationibus. Per Martinvm Bvcervm. Basileae Apvd Ioan. Hervagivm, Anno M. D. Xxxvi. Mense Septembri. " Printed in Basle in 1536. First Edition. Size Folio, 12.5" x 8", Title, preliminaries 38pp, text 798 pages. Bound in 19th century half brown calf over marbled boards. Five raised bands to the spine with gilt title on a red morocco label in the second compartment. Marbled endpapers, page edges waxed red. Condition very good, the binding is rubbed at the edges, with small splits to the leather at the head and tail of the spine, hinges cracked but binding sound. The internal condition is very good. Complete with no missing pages. Title page laid down, light water stain to outer lower corner margin and upper margin of title and preliminary pages-the epistle and indexes. Elizabeth College library Guernsey stamp to front free endpaper. A few early annotations in the margin and underlines here and there. The pages are remarkably clean throughout. The texts very crisp and sharp. Contains a Dedicatory Epistle to Edward Fox Edoardo Foxo Bishop of Hereford who met with Bucer and Luther in Germany in 1535/36. Printed with beautiful decorative woodcut initial capitals. Martin Bucer's Commentary upon the Four Gospels contains the full text for the Gospels of Saint Matthew and John, and a large part of the text of the Gospel of Saint Luke. For the Gospel of Saint Mark, and the remaining chapters of the Gospel of Saint Luke, he provides short summaries where he refers the reader to sections of his commentaries upon the Gospels of Saint Matthew and Saint John
      [Bookseller: Alibris]
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CRESCENTIIS, Petrus de
Opera di agricoltura. ... Novame(n)te con grandissima fatica alla sua pristina forma restituita: e con diligenza stampata
      Venice: B. Vercellensis [for Sessa]. 1536. Contemporary limp vellum with leather ties (recased with new end-papers) 8vo . Scarce edition, in Italian, of this important work on agriculture by Crescenzi [who] is considered by authorities to rank with the best writers of his age. Ernst Meyer says ... that in agriculture there is not found anyone of equal merit several centuries before or after his time" (Hunt, p. 5).#11;"Piero Crescentio was born at Bologna, in 1230. He was seventy years of age when he undertook to write, in Latin, a sort of Gentleman's Recreation or Maison Rustique, in twelve books, crammed with information of all kinds likely to be of use to the gentleman farmer, chiefly about agriculture, horticulture and viticulture, hunting and fishing, and generally speaking, how to enjoy the 'fruits of the earth'" (Simon, Bibiotheca Gastronomica p. 42)#11;The work (Latin title: Ruralia Commoda), in twelve books, includes a section on one hundred and twenty plants useful for medicine and nourishment. He devotes book four viticulture and wine.#11;A very nice fresh copy. The fine woodcut title-border depicts floral themes with griffons and a cat and mouse (the symbol for Sessa's printing house). The full-page woodcut depicts the author surrounded by three scribes. 392 leaves (leaf BBB8 blank). With woodcut title-border and full-page woodcut in text and woodcut initials. ! BM/STC 203; Adams C-2931; IA 146.769; Ceresoli 184; Sander 2240 "Page du titre, encadrement orne a la grotesque; dans le haut, le chat des Sessa. Bois de page, portrait de l'auteur assis in cathedra"
      [Bookseller: Jeffrey D. Mancevice, Inc.]
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BOCCACCIO Giovanni
Il Decamerone, nuovamente corretto, et con diligentia stampato
      Brescia, nelle case di Ludovico Britannico, 1536, in-8, ff. 453, (11), attraente legatura settecentesca d'amatore in p.marocchino rosso a grana lunga, elegante bordura ai piccoli ferri sui piatti, tit. oro e decoraz. a greche al dorso, tagli dor., dentelle int., sguardie in raso. Edizione del Decamerone tra le più rare, anche a parere di molti bibliografi che raccomandano di "farne gran conto, perché s'accosta molto alla correzione della Ventisettana" (Bacchi d. Lega). Due soli esempl. censiti in SBN di cui unico completo è quello della Queriniana; quello a Firenze è incompleto. Ottimo esemplare (il margine superiore corto), di illustri provenienze: con antico ex-libris ms. al verso del tit. ("1537. Giobapta Imperiale Barbarino et suoi amici"); altro bell'ex-libris dei Principi Belgioioso applicato al verso della prima carta di risguardo: "Ex biblioth. Alberici XII Atestii Barbiani et Belgiojosii Principis". Bacchi della Lega p.37. Manca a Bologna e Adams. Zambrini, col. 89. Passano, I, 66. Cat. Mostra Certaldo n. 83. BMC 110.
      [Bookseller: Pregliasco Libreria Antiquaria di Umbert]
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[Michelangelo Buonarroti]
The Last Judgement. [Sistine Chapel.]
      c1590.. Cut to margin and laid-down, fine impression.. 12.5 x 9 1/4. A print based on Michelangelo's fresco of the Apocalypse for the Sistine chapel (1536-41). [See: Frances Carey, The Vision of the Apocalypse in the Sixteenth and Seventeenth Centuries, 1999, p188-9].#11;At the top is a small oval with Michelangelo's portrait. This engraving more than any other copy after Michelangelo served to spread his influence. There are versions by Martino Rosa, Jan Wierix (both with the portrait facing left rather than right as here),Leonard Gaultier (facing right as here) as well as two anonymous artists including "M" thought to be Matthias Greuter (1564-1638). #11;Paul Colomb de Batines & Guido Biagi in their Bibliografia Dantesca argue that Michelangelo's Apocalypse is based on Dante and gives an extensive list of prints on p339[Our print has an "M' added to the upper right in pencil and a signature in ink "M.F." in the lower right. A 19th c. hand on the verso has identified this as Mantegna but this is an incorrect ascription.#11;
      [Bookseller: Krown & Spellman, Booksellers]
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BOCCACCIO GIOVANNI
IL DECAMERONE, NUOVAMENTE CORRETTO, ET CON DILIGENTIA STAMPATO BRESCIA, NELLE CASE DI LUDOVICO BRITANNICO, 1536,
      in-8, ff. 453, (11), attraente legatura settecentesca d'amatore in p.marocchino rosso a grana lunga, elegante bordura ai piccoli ferri sui piatti, tit. oro e decoraz. a greche al dorso, tagli dor., dentelle int., sguardie in raso. Edizione del Decamerone tra le piu' rare, anche a parere di molti bibliografi che raccomandano di "farne gran conto, perche' s'accosta molto alla correzione della Ventisettana" (Bacchi d. Lega). Due soli esempl. censiti in SBN di cui unico completo e' quello della Queriniana; quello a Firenze e' incompleto. Ottimo esemplare (il margine superiore corto), di illustri provenienze: con antico ex-libris ms. al verso del tit. ("1537. Giobapta Imperiale Barbarino et suoi amici"); altro bell'ex-libris dei Principi Belgioioso applicato al verso della prima carta di risguardo: "Ex biblioth. Alberici XII Atestii Barbiani et Belgiojosii Principis". Bacchi della Lega p.37. Manca a Bologna e Adams. Zambrini, col. 89. Passano, I, 66. Cat. Mostra Certaldo n. 83. BMC 110.
      [Bookseller: Libreria Antiquaria PREGLIASCO ]
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EUSEBIUS PANPHILIUS
Habes Opt. Lector Chronicon Opus Felicissime Renatum... (Ediz. J. Sichardus ) d. Hieronymo Interprete. Prospero Aquitanum, M. Aurelium Cassiodorum, Hermannum... Mattheum Palmerium Florentinum, Matthiam Palmerium Pisanum et Alios...
      Basileae, Henricus Petrus, Mense Martio. 1536. [TEOLOGIA MANOSCRITTO] (cm 31) bella piena pergamena originale con nunghie e tracce di lacci. -cc.66nn. cc.154, cc.da 208 a 221, cc.da 155 a 207 + 1 c. con il colophon e al verso marca tipografica. Dedica del Sichardus al Cardinale di Magonza. Stampata per la prima volta a Milano nel 1475, è assieme alla "storia ecclesiastica" la massima opera dell'autore, che fu appunto il padre della storia ecclesiastica. Questa "cronaca" è di "eccezionale importanza per la conoscenza della cultura ecclesiastica nel grande trapasso dell'impero dalla professione pagana alla professione dell'evangelo" (diz. Bompiani) La versione di S.Girolamo è la più autorevole. pregevole e rara edizione; manca a CHOIX ROSENTHAL "THEOLOGY", GRAESSE, BRUNET E BM.STC. GERMAN. Esemplare particolare, con varie notazioni dell'epoca ai margini che meriterebbero un attento studio circa l'autografia delle chiare e ben leggibili chiose del possessore. Antico ex-libris nobiliare al frontis. Qualche carta lievemente ombrata ma esemplare molto bello, fresco e genuino. ADAMS E 1076. Con DEDICA.
      [Bookseller: Libri Antichi e Rari Francesco & Claudia]
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BRASAVOLA, Antonio;
Examen omnium simplicium medicamentorum, quorum in officinis usus est.
      Rome Antonio Blado 1536 - In-folio de 12 ff.n.ch., 119 ff.ch., 1 f.n.ch.; vélin moderne. Garrison-Morton, 1804; Wellcome, 1044; manque à Waller, Neville et Norman. Edition originale rarissime. Cet ouvrage est l'une des pharmacopées les plus importantes de la Renaissance. Antonio Brasavola fut le médecin et l'ami d'Hercule II, prince d'Este, à qui l'ouvrage est dédié. Il soigna aussi quatre Papes, ainsi que Charles Quint, Henri VIII et François 1er. "Brasavola tenait de la munificence du prince d'Este une maison de campagne située non loin de Ferrare; c'est là qu'il se livrait à la culture des plantes étrangères et de celles qui croissaient dans sa terre natale, en même temps qu'il étudiait les auteurs anciens qui ont traité de leurs propriétés. Il réintroduisit dans la pratique médicale plusieurs substances tombées dans l'oubli, notamment l'ellébore noir." (Encyclopédie des sciences médicales, I, p.197). "The new spirit animating botanists, contrasting sharply with that of the Middle Ages, was clearly expressed by Antonio Musa Brasavola, a physician of Ferrara, in his Examen Omnium Simplicium. "Not a hundredth part", he says, "of the herbs existing in the whole world was described by Dioscorides, not a hundredth part by Theophrastus or by Pliny, but we add more every day and the art of medicine advances". This opinion is revealing of the botanical thought of the time - still dominated by the needs of medicine but already moving to the problem of including all plants in a general scheme of recognition and nomenclature, that is, towards systematic descriptive botany" (Morton, History of botanical science). Restaurations dans les marges du dernier feuillet, cependant bon exemplaire de ce livre important. [Attributes: First Edition]
      [Bookseller: thomas-scheler]
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ALLER DESS HEILIGEN...
ALLER DESS HEILIGEN, Romischen Reichs gehalten, Reichs-Tage Abschiede und Satzungen sambt andern Kays. und Konigl. Constitutionen als Carolis IV Guldene Bull... wie die vom Jahr 1356 bisz in das 1654. Mayence, Johan Martin Schonwetters, 1692. In-folio, velin ivoire a petits recouvrements, dos lisse, tranches bleues. Reliure allemande du temps.
       IMPORTANTE OUVRAGE de droit civil, penal et commercial, edite par Anselmi Francisci, contenant les ordonnances, statuts et reces de toutes les dietes tenues dans le Saint Empire Germanique avec autres constitutions imperiales et royales, comme la Bulle d'or qui concernent la religion, l'abolition du droit de diffidation, la police, la monnaie, la Chambre Imperiale...depuis Charles IV en 1536 jusqu'a Leopold I, vers 1658 environ. De nombreux passages en relation au TZIGANES, aux JUIFS et autres minorites de l'empire. L'illustration comprend un frontispice grave en taille douce et le sceau de l'Empereur. Tres important pour le etude du droit dans l'Empire Germanique. Bel exemplaire, de la Bibliotheque du Chancelier Vogelin, avec ex-libris grave
      [Bookseller: Librairie Miraglia]
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Martin Bucer. Martinum Bucerum. Martin Butzer
In Sacra Qvatvor Evangelia, Enarrationes Perpetvae, Secvndvm Recognitae in Qvibvs Praeterea Habes Syncerioris Theologiae Locos Communes Supra Centum, Ad Scripturarum Fidem Simpliciter, & Nullius Cum Insectatione Tractatos, Adiectis Etiam Aliquot Locorum R
      Basileae Apvd Ioan. Hervagivm, Anno M. D. Xxxvi. Mense Septembri. Ioannis Hervagium, Basileae. Basle 1536 - Printed in 1536 in Basle, Switzerland. A Very Early New Testament Commentary upon the Four Gospels by Martin Bucer, 1491-1551, a Key Protestant Reformer. Full title reads "In Sacra Qvatvor Evangelia, Enarrationes Perpetvae, Secvndvm Recognitae in Qvibvs Praeterea Habes Syncerioris Theologiae Locos Communes Supra Centum, Ad Scripturarum Fidem Simpliciter, & Nullius Cum Insectatione Tractatos, Adiectis Etiam Aliquot Locorum Retractationibus. Per Martinvm Bvcervm. Basileae Apvd Ioan. Hervagivm, Anno M. D. Xxxvi. Mense Septembri." Printed in Basle in 1536. First Edition. Size Folio, 12.5" x 8", Title, preliminaries 38pp, text 798 pages. Bound in 19th century half brown calf over marbled boards. Five raised bands to the spine with gilt title on a red morocco label in the second compartment. Marbled endpapers, page edges waxed red. Condition very good, the binding is rubbed at the edges, with small splits to the leather at the head and tail of the spine, hinges cracked but binding sound. The internal condition is very good. Complete with no missing pages. Title page laid down, light water stain to outer lower corner margin and upper margin of title and preliminary pages - the epistle and indexes. Elizabeth College library Guernsey stamp to front free endpaper. A few early annotations in the margin and underlines here and there. The pages are remarkably clean throughout. The texts very crisp and sharp. Contains a Dedicatory Epistle to Edward Fox Edoardo Foxo Bishop of Hereford who met with Bucer and Luther in Germany in 1535/36. Printed with beautiful decorative woodcut initial capitals. Martin Bucer's Commentary upon the Four Gospels contains the full text for the Gospels of Saint Matthew and John, and a large part of the text of the Gospel of Saint Luke. For the Gospel of Saint Mark, and the remaining chapters of the Gospel of Saint Luke, he provides short summaries where he refers the reader to sections of his commentaries upon the Gospels of Saint Matthew and Saint John. Also before Bucer's commentary upon the Gospel of Saint John a 7 page section by Bucer entitled: Prvdentia Et Pietate Ornatissimis Magistratibus, Stvdio Christi flagrantibus Ecclesiarum ministries, per ciuitatem & ditionem Bernatium, Martinus Bucerus incrementa precatur agnitionis Dei. An exceptionally rare, very early Protestant reformation work, by one of the Key Protestant Reformers. Martin Bucer (or Butzer) was born in 1491 in Schlettstadt, Alsace. In 1506 he entered the Dominican order, and went to study at Heidelberg. He became familiar with the works of Erasmus and Luther and was present at a disputation of the latter with some of the Romanist doctors. He converted to the reformed opinions, abandoned his order by papal dispensation in 1521 and married a nun. In 1522 he was pastor at Landstuhl, and travelled propagating the reformed doctrine. After his excommunication in 1523 he settled in Strasbourg, where he succeeded Matthew Zell. Henry VIII asked his advice in connection with his divorce from Catherine of Aragon. On the question of the sacrament of the Lord's Supper, Bucer's opinions were decidedly Zwinglian, but he was anxious to maintain church unity with the Lutherans and constantly endeavoured to formulate a statement of belief that would unite Lutheran, south German and Swiss reformers. Hence the charge of ambiguity and obscurity which has been laid against him. In 1548 he was sent to Augsburg to sign the agreement called the Interim between the Catholics and Protestants. His stout opposition to this exposed him to many difficulties, and he gladly accepted Cranmer's invitation to live in England. On his arrival in 1549 he was appointed regius professor of divinity at Cambridge. Edward VI and the protector Somerset showed him much favour and he was consulted as to the revision of the Book of Common Prayer. On the 27th February 1551 he died and was buried in the university church with great state. In 1557, by Mary's command his body was dug up and bu [Attributes: First Edition; Hard Cover]
      [Bookseller: Lazarus Books Limited]
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Savonarola, Girolamo
Sermones Quadragesimales Super Archam Noe
      Pietro di Nicolini de Sabio, 1536. 8vo (16.5 x 10 cm), [8], 175, [1] leaves. Bound in full stiff vellum with gilt titles at spine, marbled edges. Printer's woodcut device on title page and final leaf (colophon). Modern bookplate of M.L. Borromeo Arese on front pastedown. Binding firm but front joint cracked, also between 4th and 5th signatures; slight damage to vellum at foot of spine; interior clean and bright, extremely good overall.
      [Bookseller: Alibris]
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[Scriptores Rei Rustica:] Cato, Marcus Porcius; Varro, Marcus Terentius; Columella, Junius Moderatus; Palladius, Rutilius Taurus:
De Re Rustica. [...]
      Coloniae [Cologne]: Ioannes Gymnicus excudebat. 1536.. 8vo., pp. [xxxii] 814 [viii]. Intermittent dampstaining to margins and index, some minor spotting, title page dusty and repaired to lower (blank) corner, small wormhole to upper (blank) corner, a little early underlining and marginalia. Contemporary blind-stamped pigskin, boards with an outside roll containing profiles of Roman authors, the middle panel with fleurons and flowers, and the centre with Biblical scenes, the front central panel also stamped 'P.P.' above and '1546' below, rebacked and recornered in the early 19th-century with a smooth spine divided by gilt rolls, red morocco label in second compartment, the rest filled with a wide diaper pattern in gilt vine rolls with circular gilt stamps in each segment, marbled endpapers, spine head slightly worn. 19th-cent. armorial bookplate of Edward Dalton to upper pastedown, two old inscriptions to title. Red cloth folding case with leather spine label. A Cologne edition of this collection of Roman works on agriculture, incorporating the work of Aldus Manutius and Beroaldus from their earlier editions, in a contemporary binding attributed to the binder A.T., who was based in Saxony between 1540 and 1558. The front central panel incorporates letters 'A' and 'T' on either side of the crucifix in its Crucifixion scene, while the rear central panel incorporates the date 1540 into the stamp of Adam and Eve. The front board is also stamped 'P.P.' and 1546, which match the just-visible initials of one of the inscriptions on the title (dated 1546) which is otherwise faded by a dampmark. P.P. is presumably the original owner, while the reback was likely done by Edward Dalton, L.L.D. F.S.A., of Dunkirk House, who was a member of the Camden Society in the 1830-40s. Adams S815. VD16 L 1580..
      [Bookseller: Unsworth's Booksellers]
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Nasonis, Ovidius (Ovid). Translated by Nicolaum Leonicum
Metamorphoseon, Hocest, Transformationum, libri XV [bound with] Amatoria [bound with] Fastorum Lib. VI, Tristium Lib. V, DePonto Lib. IIII [plus] Inerrantium Stellarum Significationes
      Sebastian Gryphium, Lyon 1536 - 12mo. [1] blank, [34]pp., 423pp.; 416pp.; 418pp., [22]pp. Gryphius printer?s mark woodcut to the title page and last page of each book (six in all), as well as numerous woodcut initials in each book. Italic text in Latin. Book three ends with a single page ?Lectori? dated 1534, followed by a detailed calendar of Roman dates of significance, a small astronomical work by Ptolemy titled "CLA PTOLEMAEI INERRANTIUM STELLARUM SIGNIFICATIONES PER NICOLAUM LEONICUM E GRAECO TRANSLATAE". Eighteenth or nineteenth century gilt stamped quarter leather over marbled paper. All edges stained red with abbreviated titles to top and bottom edges. Corners tipped in vellum. Mild scuffing to the raised bands. To the title page of the first book are two early owners? signatures, a small circular library sticker, and a patch repair to the bottom fourth of the leaf with the date of publication replaced in manuscript. Very faint foxing elsewhere, hinges sound, overall a Very Good example. ** This is an excellent renaissance collection of the collected works of the Roman poet Ovid, including his great epic ?Metamorphoses?. This edition is likely similar to the Aldine editions of 1502-1503 and 1515-1516. The publisher, Sebastian Gryphius, was among the great printers and booksellers of his era. These volumes were published in the first year of operation of his private printing house and are among the earliest examples of the adoption of the italic typeset in France. A very scarce set. [Attributes: Hard Cover]
      [Bookseller: Aldine Anchor]
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"BRASAVOLA, Antonio;"
Examen omnium simplicium medicamentorum, quorum in officinis usus est.
      Rome Antonio Blado 1536 "In-folio de 12 ff.n.ch., 119 ff.ch., 1 f.n.ch.; vélin moderne." "Garrison-Morton, 1804; Wellcome, 1044; manque à Waller, Neville et Norman. Edition originale rarissime. Cet ouvrage est l'une des pharmacopées les plus importantes de la Renaissance. Antonio Brasavola fut le médecin et l'ami d'Hercule II, prince d'Este, à qui l'ouvrage est dédié. Il soigna aussi quatre Papes, ainsi que Charles Quint, Henri VIII et François 1er. ""Brasavola tenait de la munificence du prince d'Este une maison de campagne située non loin de Ferrare; c'est là qu'il se livrait à la culture des plantes étrangères et de celles qui croissaient dans sa terre natale, en même temps qu'il étudiait les auteurs anciens qui ont traité de leurs propriétés. Il réintroduisit dans la pratique médicale plusieurs substances tombées dans l'oubli, notamment l'ellébore noir."" (Encyclopédie des sciences médicales, I, p.197). ""The new spirit animating botanists, contrasting sharply with that of the Middle Ages, was clearly expressed by Antonio Musa Brasavola, a physician of Ferrara, in his Examen Omnium Simplicium... ""Not a hundredth part"", he says, ""of the herbs existing in the whole world was described by Dioscorides, not a hundredth part by Theophrastus or by Pliny, but we add more every day and the art of medicine advances"". This opinion is revealing of the botanical thought of the time - still dominated by the needs of medicine but already moving to the problem of including all plants in a general scheme of recognition and nomenclature, that is, towards systematic descriptive botany"" (Morton, History of botanical science). Restaurations dans les marges du dernier feuillet, cependant bon exemplaire de ce livre important."
      [Bookseller: Librairie Thomas-Scheler]
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Martialis, M[Arcus] Val[Erius].
M. Val Martialis Epigrammaton Libri XIIII. Adiecta Graecarum Vocum, Quibus Autor Utitur, Interpretatione
      Lyon: Jacobus Giunta, 1536. 8vo (15.5 x 11.5 cm), 397 pp. (of 398-lacks final leaf, most likely blank). Printer's device on title page, wood initials. Recently rebound in full vellum. Title page and several subsequent leaves repaired at edges, occasional browning and dampstains throughout, also some marginalia and other marks in pen; very good overall, binding very sturdy.
      [Bookseller: Alibris]
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Scriptores Rei Rustica:] Cato, Marcus Porcius; Varro, Marcus Terentius; Columella, Junius Moderatus; Palladius, Rutilius Taurus:
De Re Rustica. [.]
      Coloniae [Cologne]: Ioannes Gymnicus excudebat. 1536. - 8vo., pp. [xxxii] 814 [viii]. Intermittent dampstaining to margins and index, some minor spotting, title page dusty and repaired to lower (blank) corner, small wormhole to upper (blank) corner, a little early underlining and marginalia. Contemporary blind-stamped pigskin, boards with an outside roll containing profiles of Roman authors, the middle panel with fleurons and flowers, and the centre with Biblical scenes, the front central panel also stamped ‘P.P.’ above and ‘1546’ below, rebacked and recornered in the early 19th-century with a smooth spine divided by gilt rolls, red morocco label in second compartment, the rest filled with a wide diaper pattern in gilt vine rolls with circular gilt stamps in each segment, marbled endpapers, spine head slightly worn. 19th-cent. armorial bookplate of Edward Dalton to upper pastedown, two old inscriptions to title. Red cloth folding case with leather spine label. A Cologne edition of this collection of Roman works on agriculture, incorporating the work of Aldus Manutius and Beroaldus from their earlier editions, in a contemporary binding attributed to the binder A.T., who was based in Saxony between 1540 and 1558. The front central panel incorporates letters ‘A’ and ‘T’ on either side of the crucifix in its Crucifixion scene, while the rear central panel incorporates the date 1540 into the stamp of Adam and Eve. The front board is also stamped ‘P.P.’ and 1546, which match the just-visible initials of one of the inscriptions on the title (dated 1546) which is otherwise faded by a dampmark. P.P. is presumably the original owner, while the reback was likely done by Edward Dalton, L.L.D. F.S.A., of Dunkirk House, who was a member of the Camden Society in the 1830-40s. Adams S815. VD16 L 1580. [Attributes: Hard Cover]
      [Bookseller: Unsworth's Booksellers, ABA & ILAB.]
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R SSLIN, Eucharias
Kreuterbüch, von aller Kreuter, Gethier, Gesteine und Metal, Natur, nutz, unnd gebrauch. Mit aller derenn leblicher Abconterfeytunge. Distillier zeug und Bericht aller handt Kostbarliche Wasser zubrennen, halten und gebrauchen...
      Frankfurt, Christian Egenolff, 1536 Folio (307 x 204 mm), pp [xxiv] CCCXIX [5], with fine woodcut vignette and border on title, woodcut vignette on verso of title, woodcut vignette of a distilling on b6 verso, and 250 woodcuts in text; clean tear across A1 repaired without loss, a few marginal tears not affecting text, Bb3-5 misbound after Cc2, a few minor marginal stains, a single small wormhole throughout, small patch of worming on last five leaves affecting a few letters, generally a very attractive and large copy, in period-style blind-panelled pigskin over wooden boards, with clasps. £7500 Second edition of this title (first 1533), and extremely rare, with 11 more woodcuts than the earlier edition. This work was one of a series of popular vernacular herbals and manuals of domestic medicine, and also an egregious instance of multiple plagiarism by the enterprising publisher Christian Egenolff. This herbal appeared in a number of guises, under the authorship of Rösslin (also known as Rhodion; he was the city physician of Frankfurt), Lonitzer, and Egenolff. The text derives from a number of sources, including the Hortus sanitatis editions and various works of Brunschwig. The illustrious derive from Brunschwig (for the distillation apparatus), the Brunfels herbal with the Weiditz woodcuts (whose publisher sued Egenolff for copying the cuts), et al. There are also many woodcuts original to the Egenolff editions. Many of the cuts were made by Hans Sebald Beham, one of the best wood engravers of the time. See Nissen, who has made an attempt at unravelling Egenolffís sources. The title woodcut is described in detail by Hunt: ëHerb garden with man working on potted plants and vines at right background; sick-room scene with man in bed, two women nursing him, doctor holding flask, inset in design at left background; 5 men conferring in right foreground, one of them instructing a gardener and pointing up to a sickroom scene; tiered distilling apparatus at left foreground, man pounding herbs with pestle, and woman sorting herbs; man standing in round basin at center backgroundí. There are several woodcuts of stills and distilling scenes, and numerous woodcuts of minerals, apothecariesí apparatus and materia medica, animals, and plants. This is a rare edition; Hunt noting that the only other copy of this edition they could locate was the British Library copy. OCLC records, besides the Hunt copy, one at Ohio State Provenance: Horticultural Society of New York, Kenneth K. Mackenzie bequest, October 1934, with bookplate; Robert de Belder. Hunt 38; Hellman 25; Nissen BBI 1668; Benzing ëC. Egenolff & seine Verlagsproduktioní in Aus dem Antiquariat, n. 9, 1973
      [Bookseller: W P Watson Antiquarian Books]
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Matzinger-Pfister, Regula
Sammlung Schweizerischer Rechtsquellen / Les source du droit du Canton de Vaud / Epoque bernoise / Les mandats generaux bernois pour le pays de Vaud, 1536-1798
      Schwabe AG. 921 S. - 25,0 x 18,0 cm Buch wie neu Si l'attrait exerce par l'epoque savoyarde n'a pas dissuade de nombreux historiens du droit de consacrer leurs travaux a l'epoque bernoise (1536-1798), ils se sont toutefois heurtes au serieux obstacle que constitue la masse des mandats souverains de LL.EE. En effet, a cote des grandes codifications coutumieres concernant le droit prive et la procedure LL.EE. ont reglemente par mandats tous les aspects de la vie du pays, des meurs a l'enseignement academique, de l'interdiction de la main d'euvre etrangere a celle de la torture, de la protection des forets a la lutte contre les hannetons. C'est dire que l'acces a ces mandats est indispensable a tous les historiens de cette epoque, juristes ou non. Pour communiquer sa volonte aux baillis et, par leur intermediaire, a ses sujets, Berne se sert de mandats. Ces decrets e force de loi sont toujours statues par un des conseils bernois. Le plus souvent, ils sont l'euvre du (petit) Conseil ou Senat, souvent du Conseil des deux cents, quelquefois de la Chambre romande des bannerets, rarement d'une des autres chambres gouvernementales. Des copies des ordonnances ou mandats souverains sont redigees a la chancellerie et adressees aux baillis. Generalement, leur texte contient l'ordre d'enregistrement ainsi que, le cas echeant, celui de publication en chaire. Le contenu des mandats est extremement riche et varie. Il permet de relever l'evolution des preoccupations du gouvernement bernois.
      [Bookseller: Lesefreude Buchversand]
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Yuval Noah Harari
Special Operations in the Age of Chivalry, 1100-1550
      Boydell Press. New Please note that deliveries to addresses in the UK and Europe will be in 4-14 business days. Other countries should refer to Alibris standard times. Alongside the familiar pitched battles, regular sieges, and large-scale manoeuvres, medieval and early modern wars also involved assassination, abduction, treason and sabotage. These undercover operations were aimed chiefly against key individuals, mostly royalty or the leaders of the opposing army, and against key fortified places, including bridges, mills and dams. However, because of their clandestine nature, these deeds of derring-do' have not been studied in any detail, a major gap which this book fills. It surveys a wide variety of special operations, from the eleventh to the sixteenth century. It then analyzes in greater depth six select and exciting operations: the betrayal of Antioch in 1098; the attempt to rescue King Baldwin II from the dungeon of Khartpert in 1123; the assassination of Conrad of Montferrat in 1192; the attempt to storm Calais in 1350; the dirty war' waged by the rulers of France and Burgundy in the 1460s and 1470s; and the demolition of the flour mill of Auriol in 1536. Dr YUVAL NOAH HARARI teaches at the Hebrew University of Jerusalem. ISBN10: 1843832925.
      [Bookseller: Alibris]
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Murmellius, Jan Dirk [Johannes]
Tabulae... In artis componendorum versuum rudimenta
      Paris:: Jean Foucher [Antoine Bonnemere for?],, 1536.. 19th c. 1/2 morocco [by Wollstencroft of Harrington] over cloth, gilt title on spine, bookplate of OWarrington Museum & Library from the Library of John Jackson, presented by John Gordon McMinnis, Oct.1875O a few lines are lightly crossed-through.. 8vo.. Johannes Murmellius (Roermond 1480 - Deventer 1517) had been a pupil of the famous Alexander Hegius in Deventer before he went to the University of Cologne in 1496 where he became doctor in 1504. In the meantime he was appointed conrector (later rector) at M!nster before he left for Alkmaar to be the rector of the Latin school in 1513. In four years time he brought the school to such a prosperity that the number of pupils was grown to ca. 900 in 1517. In 1517, however, Alkmaar was looted by the troops of Charles of Guelders and Murmellius took refuge in Deventer where he was appointed rector in the same year; but he died before he could set to work. As a Neo-Latin poet and humanist of the first generation Murmellius has been very influential in the Low Countries and Germany. His many textbooks for the Latin Schools on the Latin language and literature earned an unprecedented popularity until far into the 18th century. Moreau/Renouard V,254. Not in Adams or BM Cat.
      [Bookseller: Krown & Spellman, Booksellers]
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OMNIUM GENTIUM MORES, LEGES & RITUS EX MULTIS CLARISSIMIS RERUM SCRIPTORIBUS, A' IOANNE BOEMO AUBANO TEUTONICO NUPER COLLECTIM & NOVISSIME RECOGNITI TRIBUS LIBRIS ABSOLUTUM OPUS, APHRICAM, ASIAM, & EUROPAM DESCRIBENTIBUS NON FINE INDICE IOCUPLETISSIMO 1536
       APUD FRANCIFEUM IUSTUM MDXXXVI. OPERA UNICA E RARA... Usi, costumi di diversi popoli del mondo allora conosciuto, divisa in tre libri: il primo tratta delle origini e di Etiopia, Egitto e Fenici, il secondo dei popoli dell'Asia e il terso di quelli di Europa, cum indice locupletissimo. MISURE: 16,5 X 11,5 CM, PAGINE: 303 + INDICE. STATO BUONO/OTTIMO, FRONTESPIZIO CON RESTAURO AL MARG. SUP DELLA PAGINA, PRIMA CARTA BIANCA CON RESTAURO AI MARG. SUP. INF., PIATTI MORBIDI IN PERGAMENA DA RESTAURO, FIRMA DI APPARTENENZA IN PAGINA BIANCA E FRONTESPIZIO, PRESENZA LEGGERA GORA AL MARGINI SUP. DELLE PAGINE (IRRILEVANTE), TARLATURA AL MARG. INF. FUORI TESTO DA PAG.117 A PAG.146, PAGINE BEN CONSERVATE, NORMALI USURE SPARSE, NESSUNA PAGINA MANCANTE
      [Bookseller: Studio Bibliografico LIBRI ANTICHI BERGA]
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BRASAVOLA, Antonio;
Examen omnium simplicium medicamentorum, quorum in officinis usus est.
      Rome Antonio Blado 1536 - In-folio de 12 ff.n.ch., 119 ff.ch., 1 f.n.ch.; vélin moderne. Garrison-Morton, 1804; Wellcome, 1044; manque à Waller, Neville et Norman. Edition originale rarissime. Cet ouvrage est l'une des pharmacopées les plus importantes de la Renaissance. Antonio Brasavola fut le médecin et l'ami d'Hercule II, prince d'Este, à qui l'ouvrage est dédié. Il soigna aussi quatre Papes, ainsi que Charles Quint, Henri VIII et François 1er. "Brasavola tenait de la munificence du prince d'Este une maison de campagne située non loin de Ferrare; c'est là qu'il se livrait à la culture des plantes étrangères et de celles qui croissaient dans sa terre natale, en même temps qu'il étudiait les auteurs anciens qui ont traité de leurs propriétés. Il réintroduisit dans la pratique médicale plusieurs substances tombées dans l'oubli, notamment l'ellébore noir." (Encyclopédie des sciences médicales, I, p.197). "The new spirit animating botanists, contrasting sharply with that of the Middle Ages, was clearly expressed by Antonio Musa Brasavola, a physician of Ferrara, in his Examen Omnium Simplicium. "Not a hundredth part", he says, "of the herbs existing in the whole world was described by Dioscorides, not a hundredth part by Theophrastus or by Pliny, but we add more every day and the art of medicine advances". This opinion is revealing of the botanical thought of the time - still dominated by the needs of medicine but already moving to the problem of including all plants in a general scheme of recognition and nomenclature, that is, towards systematic descriptive botany" (Morton, History of botanical science). Restaurations dans les marges du dernier feuillet, cependant bon exemplaire de ce livre important. [Attributes: First Edition]
      [Bookseller: thomas-scheler]
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BAIF (L. de)
De Vasculis libellus, adulescentulorum causa ex Bayfio decerptus, addita vulgari latinarum vocum interpretatione [edidit Carolus Stephanus].
      Lyon, S. Gryphe, 1536. In-12 cart moderne. Plat papier fantaisie, dos cuir, titre en long. 55 + VII pp. Manque le dernier feuillet avec la marque de l'imprimeur. Mouill. claires en marge. - [Attributes: Hard Cover]
      [Bookseller: FAIS CE QUE VOUDRAS]
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SAVONAROLA, Girolamo
SAVONAROLA SERMONES. 1536
       Título: Sermones quadragesimales super archam Noe, reuerendissimi patris fratris Hieronymi Sauonarolae Ord. prae.. Publicación: Venecia, 1536, in aedibus Petri de Nicolinis de Sabio : sumptibus vero d. Francisci, & Michaelis fratrum Tremezinorum. Anno Sautis. MDXXXVI. Descripción: [8h.], 175h., [1h.] leaves. Texto e latín. Encuadernación en holandesa, tapas de aguas. Lomo decorado con letras doradas para autor, título y lugar y año. Exlibris Holland House. Dimensión/es: 8vo 165 x 10o mm. Notas: Girolamo Maria Francesco Matteo Savonarola (1452-1498) fue religioso dominico, confesor de Lorenzo de Médicis y Pico della Mirandola, organizador de las célebres hogueras de vanidad, donde los florentinos estaban invitados a arrojar sus objetos suntuarios y cosméticos, además de determinados libros, como los de Bocaccio y de Petrarca. Gran opositor de los Borgia. Condenado a la hoguera por un tribunal de la Inquisición, su obra fue incluida en el índice de libros prohibidos. Otros datos: Es el primer libro publicado por Tramezzino y procede de la antigua biblioteca del palacio Holland House, debastada por los bombardeos en 1940. Originalmente la casa fue conocida como el Castillo de Cope, una de las primeras casas en Kensington, Londres y que en la época del tercer Lord Holland fue centro político, social y literario de primer orden y frecuentada por insignes visitantes como Lord Byron, Thomas Macaulay, Benjamin Disraeli, Charles Dickens y Sir Walter Scott. Estado: Muy bueno, papel limpio, buena impresión. Reforzamiento del papel en la parte inferior de la portada a causa de la tinta de una antigua firma. Lomo suelto. pbs
      [Bookseller: LIBRERIA MARGARITA DE DIOS]
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Prévert, Jaques
Oeuvres Complètes 2 Volumes.
      - Edited by Arnaud Laster & Danièle Gasiglia-Laster. (Bibliothèque de la Pléiade volumes 388 & 427 ) ),Volume I : Paroles - Le Petit Lion - Des bêtes. - Spectacle - Grand bal du printemps - Charmes de Londres - Lettre des îles Baladar - Guignol - L'Opéra de la lune - Lumières d'homme - La Pluie et le Beau Temps - Histoires et d'autres histoires. Appendice à " Histoires et d'autres histoires " : Contes pour enfants pas sages. Appendice : Le Tableau des merveilles, de Cervantès, illustrations de Jacqueline Duhême, André François, Elsa Henriquez et Ylla, 1536 pages, . TOME II : Fatras - Arbres - Imaginaires - Fêtes - Choses et autres - Le Jour des temps - Textes divers (1929-1977). Ce volume contient cinquante-sept images composées par l'auteur (pour Fatras), des gravures de Georges Ribemont-Dessaignes (pour Arbres), vingt-cinq images composées par l'auteur (pour Imaginaires), des eaux-fortes d'Alexandre Calder (pour Fêtes), des gravures de Max Papart (pour Le jour des temps), dix images composées par l'auteur et quatre-vingt-quinze par cinquante-sept artistes (pour Textes divers), 1568 pages, with b/w and coloured illustrations by the author. Full leather richly decorated spine . New set in slip cases.[WB] [Attributes: Hard Cover]
      [Bookseller: Thornton's Bookshop (W.A. & J.S. Meeuws)]
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Seneca, Lucius Annaeus
Sittliche Zuchtbucher des Hochberumpten Philosophi und lerers Lucij Annei Senece. In welchem, leer und underweisung funden wirt, wie sich ein mensch, der tugent gema!, halten soll, in allem so yhm von Gott (es sey in zeytlichem gut, i
      Stra!burg, Beck 1536. 32 cm. (6), 244, (8, das letzte wei!) Blatt mit zahlreichen Holzschnitt-Initialen, blindgepragter Leder-Bd. der Zeit uber Holzdeckeln mit Messingschlie!en - VD16 S 5775 - Goed. II, 320,9 - Worstbrock 395 - NDB VIII, 679 (Herr) - Erste deutsche Ausgabe. Die Ubersetzung besorgte der Arzt und Humanist Michael Herr (gest. um 1550), Freund von Otto Brunfels. Die vorliegende Ausgabe ist Konig Ferdinand, dem Bruder Kaiser Karls V. gewidmet. Einer der bedeutendsten Drucke des Stra!burger Druckers Balthasar Beck. Die einzelnen Bucher: Von den Wohltaten, Von Anrichtung des Lebens, Von der Fursichtigkeit Gottes, Von der Armut, Von Besserung der taglichen Zufalle, Vom Zorn, Von der Milde, Vom gluckseligen Leben, Vom ruhigen Leben, Von der Kurze des Lebens, Trostschrift fur Polybius, Trostschrift fur Marcia, Trostschrift fur Albina, Von den vier Angeltugenden, Von den Sitten. - Restauriert unter Verwendung des alten Deckelbezugs, Rucken erneuert, Schlie!en entfernt, am Vorderdeckel obere Ecke (1 x 7,5 cm) abgebrochen, am Schnitt stellenweise Feuchtigkeitsrander, erste Blatt leicht fingerfleckig, Beiband entnommen und durch leere Blatter ersetzt. -
      [Bookseller: Wenner Antiquariat]
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Matzinger-Pfister, Regula
Sammlung Schweizerischer Rechtsquellen / Les source du droit du Canton de Vaud / Epoque bernoise / Les mandats généraux bernois pour le pays de Vaud, 1536-1798.
      - 921 S. - 25,0 x 18,0 cm Buch wie neuSi l'attrait exercé par l'époque savoyarde n'a pas dissuadé de nombreux historiens du droit de consacrer leurs travaux à l'époque bernoise (1536-1798), ils se sont toutefois heurtés au sérieux obstacle que constitue la masse des mandats souverains de LL.EE. En effet, à côté des grandes codifications coutumières concernant le droit privé et la procédure LL.EE. ont réglementé par mandats tous les aspects de la vie du pays, des meurs à l'enseignement académique, de l'interdiction de la main d'euvre étrangère à celle de la torture, de la protection des forêts à la lutte contre les hannetons. C'est dire que l'accès à ces mandats est indispensable à tous les historiens de cette époque, juristes ou non. Pour communiquer sa volonté aux baillis et, par leur intermédiaire, à ses sujets, Berne se sert de mandats. Ces décrets é force de loi sont toujours statués par un des conseils bernois. Le plus souvent, ils sont l'euvre du (petit) Conseil ou Sénat, souvent du Conseil des deux cents, quelquefois de la Chambre romande des bannerets, rarement d'une des autres chambres gouvernementales. Des copies des ordonnances ou mandats souverains sont rédigées à la chancellerie et adressées aux baillis. Généralement, leur texte contient l'ordre d'enregistrement ainsi que, le cas échéant, celui de publication en chaire. Le contenu des mandats est extrêmement riche et varié. Il permet de relever l'évolution des préoccupations du gouvernement bernois. 1. Aufl. 04.2003
      [Bookseller: Lesefreude Buchversand]
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Registres du Conseil de Genève à l'époque de Calvin. Tome IV, du 1er janvier au 31 décembre 1539 (2 vol.) / Avec une préface de Laurent MOUTINOT, Président du Conseil d'Etat
      DROZ - 9782600012973 Livre usage a l'etat de neuf / Used book as new condition Texte établi et annoté par Sandra CORAM-MEKKEY et Christophe CHAZALON. Avec la collaboration de Catherine SANTSCHI Dans la droite lignée des années 1536-1538, le Registre du Conseil de Genève de 1539 aborde tous les domaines de la vie quotidienne : économique, religieux, judiciaire, politique et institutionnel. Cependant, en cette année 1539, il y a trois difficultés majeures auxquelles les autorités doivent faire face, qui mettent à mal la suprématie et l’indépendance de Genève : l’affaire de Marin de Montchenu qui a demandé à quelques membres éminents de la ville de se placer sous la tutelle du roi de France, l’annexion du mandement de Thiez par François Ier à la requête des anciens chanoines de Genève résidant alors à Annecy et la tentative par Berne d’imposer un nouveau traité à Genève, au grand désavantage de celle-ci, qui refuse de le sceller. Son rejet entraîne une nouvelle crise partisane au sein de la cité, entre les Articulants soutenant les négociateurs du traité, d’une part, et les adeptes de Calvin, de l’autre. Les difficultés crées par ce traité entre les deux villes ne trouvera une issue qu’en 1544, avec le second Départ de Bâle. La tension vive, renforcée par d’incessants mouvements de troupes alentours et des relations de plus en plus crispées avec les baillis bernois, pousse les autorités genevoises à entreprendre une série d’emprunts bâlois toujours plus importants pour fortifier la ville.
      [Bookseller: La Canopee]
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Heylyn, P
The History of the Presbyterians
      Oxford, 1670. 500pp folio, containing "the beginnings, progress and successes of that active sect. Their oppositions to monarchical and episcopal government. Their innovations in the church: and, hteir imbroylments of the kingdoms and estates of christendom in the pursuit of their designes, from the year 1536 to the year 1647". Census Office copy. Original gilt calf binding, gilt dentelles. Slight wear to covers, boards loose, internally fine.
      [Bookseller: Alibris]
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RUEL (Jean) ;
De Natura stirpium libri tres.
      Paris Simon de Colines 1536 Fort vol. in-folio (38 x 24,5 cm) de 1 titre-frontispice grave, (5) ff. (dedicace a Francois Ier, table), 884 pp., (62) ff. d'index, initiales gravees sur bois a fonds cribles, basane blonde, dos a nerfs, encadrement de double filet a froid sur les plats, tranches violines (reliure moderne). Edition originale de cet ouvrage spectaculaire, admirablement imprime, et qui forme la synthese de tout ce que les Anciens, tant Grecs que Romains, ont pu laisser sur les plantes, et sur leur utilisation medicale. Le medecin Jean Ruel ou de La Ruelle (1474-1537) fut doyen de la Faculte de Medecine de Paris en 1508 et 1509, eut le titre honorifique de medecin du Roi, mais fut surtout un homme d'etude, specialement recommande pour ses traductions d'auteurs medicaux anciens. Apres la mort de sa femme, il entra dans les ordres et fut pourvu d'un canonicat a Notre-Dame. Bon exemplaire, grand de marges. Brunet IV, 1451 ; Pritzel, 7885 ; Durling, Catalogue of sixteenth century printed books (Bethesda), 3984 (edition de 1537) ; Renouard, pp. 267-68.
      [Bookseller: Bonnefoi Livres Anciens]
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Wier [Weyer], Johannes
De Praestigiis Daemonum. Von Teufelsgespenst, Zauberern und Gifftbereytern/ Schwarzkünstlern/ Hexen und Unholden/ darzu irer Straff/ auch von den Bezauberten/ und wie ihnen zuhelffen sey/ Ordentlich und eigentlich mit sonderm fleiß in VI. Bücher getheilet: Darinnen gründlich und eigentlich dargethan/ was von solchen jeder zeit disputiert/ und gehalten worden. Erstlich durch D. Johannem Weier in Latein beschrieben/ nachmals von Johanne Fuglino verteutscht. durchauß gemehret und gebessert. Sampt zu endt angehencktem newen und vollkommenen Register.
      Darmstadt, Josef Gotthard Bläschke Presse o.J. - 12 Bl., 575 S. + 20 S. Register, zweifarbiges Titelblatt in Rot und Schwarz, gelblicher Orig.-Pappband ("Elefantenhaut" / Pergamentstruktur) mit Faksimile des Titelblatts in Schwarz als Deckeltitel, sehr gut erhalten. Unveränderter Nachdruck der Ausgabe von 1536, gedruckt zu Franckfurt am Mayn durch Nicolaum Basseum. 2300g
      [Bookseller: Antiquariat Librarius]
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Gart der gesuntheit. Zu latein, Hortus Sanitatis. Sagt in vier Bücheren wie hernach volget. Im Ersten. Von Vierfüßigen und Krichenden, Im Anderen. Vöglen und den Fliegenden, Im Dritten. Vischen und Schwimmenden, thiere(n). Im Vierden. Dem Edlen Gesteyn un
      Straßburg, Mathias Apiarius 1536. - 4. Titel in Rot und Schwarz mit illustr. Holzschnitt-Bordüre, 4 unbez. Bl. (ohne das letzte weiße), 141 num. Bl., 1 unbez. Bl. mit über 530 Holzschnitten im Text (inkl. Wiederh.) u. Druckermarke am Ende. Moderner Lederband im Stil der Zeit mit 5 Zierbünden, goldgepr. Rückentitel u. reicher blindgepr. Verzierung.Bloesch, Apiarius 22. Choulant, Graph. Ink. 28. Heilmann S. 142 f. Muller 384. Nissen, BBI 2371 u. ZBI 4730. VD 16 H 5127. - Sehr seltene deutsche Ausgabe mit neu geschnittenen Holzschnitten, im selben Jahr erschien auch eine lateinische Ausgabe. Die vorliegende Ausgabe ohne Proemium der Vorläufer, das Buch von den Kräutern, Harnzeichen und Skelett. - Die Holzschnitte zeigen Säugetiere, Vögel, Fische, Fabeltiere, Mineralien etc., besonders interessant sind Darstellungen von Laboratorien, Apotheken, Edelsteinläden, Handelsschiffen etc. - "Die Holzschnitte der Naturkörper sind ebenso zahlreich, wie in früheren Ausgaben, aber durchaus neu gezeichnet und geschnitten, zum Teil von besserer Erfindung und Ausführung... vorzüglich die Titeleinfassung" (Choulant). - Einband und Vorsätze fachgerecht erneuert, zeitgenöss. Besitzvermerk auf dem Titel, längere Anmerkung von alter Hand auf dem ersten Registerblatt, das letzte weiße Blatt nach dem Register fehlt, im unteren weißen Rand leicht fingerfl., schönes sauberes Exemplar. - Moderner Lederband im Stil der Zeit mit 5 Zierbünden, goldgepr. Rückentitel u. reicher blindgepr. Verzierung.
      [Bookseller: Antiquariat Haufe Lutz]
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DANTE ALIGHIERI
COMEDIA DEL/DIVINO POETA DANTHE/Alighiero, con la dotta & leggiadra spositione di Christo-/phoro Landino: con somma diligentia & accu/rratissimo studio nuovamente corretta, /& emandata: da infinti errori pur/gata, ac etianio di utilissime/ pos
      Venice: Bernadino Stagnino, 1536. Full contemporary vellum with ODanteO in contemporary ink on spine. Third Stagnino edition The book has been reset and has been expertly restored-the titlepage has been repaired and the fore-edge of the fullpage woodcut has been remarginned. lacks 4 leaves (98,99,102,103). A very handsome copy, expertly restored, of a rare early edition of Dante. Quarto (205 x 148mm), ff. titlepage [1]and Tavola [11], secondary title-CANTICA/ DEL DIVINOPOE/TADANTHE/ ALIGHIERI FIOREN/TINO [1], and then OCOMMENTO DI CHRISTOPHORO LANDINO ...O[15], 440.#11;This collation concurs with the ORegistroO of gatherings on collophon One full page woodcut on A1, preceding the first canto, small woodcuts in text at the beginning of each canto. PrinterOs device on collophon below register. Titlepage has several signatures in contemporary ink,sporadic marginal notes in contemporary ink on first 30 leaves of Inferno. 3rd edition printed by Stagnino, a reprint of editions of 1512 &1520. #11;COPAC lists copies in British Library, Oxford, Edinburgh, 2 in Manchester and UCL (582)
      [Bookseller: G&R Stone]
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Gart der gesuntheit. Zu latein, Hortus Sanitatis. Sagt in vier Bücheren wie hernach volget. Im Ersten. Von Vierfüßigen und Krichenden, Im Anderen. Vöglen und den Fliegenden, Im Dritten. Vischen und Schwimmenden, thiere(n). Im Vierden. Dem Edlen Gesteyn un
      Straßburg, Mathias Apiarius 1536. - 4. Titel in Rot und Schwarz mit illustr. Holzschnitt-Bordüre, 4 unbez. Bl. (ohne das letzte weiße), 141 num. Bl., 1 unbez. Bl. mit über 530 Holzschnitten im Text (inkl. Wiederh.) u. Druckermarke am Ende. Moderner Lederband im Stil der Zeit mit 5 Zierbünden, goldgepr. Rückentitel u. reicher blindgepr. Verzierung.Bloesch, Apiarius 22. Choulant, Graph. Ink. 28. Heilmann S. 142 f. Muller 384. Nissen, BBI 2371 u. ZBI 4730. VD 16 H 5127. - Sehr seltene deutsche Ausgabe mit neu geschnittenen Holzschnitten, im selben Jahr erschien auch eine lateinische Ausgabe. Die vorliegende Ausgabe ohne Proemium der Vorläufer, das Buch von den Kräutern, Harnzeichen und Skelett. - Die Holzschnitte zeigen Säugetiere, Vögel, Fische, Fabeltiere, Mineralien etc., besonders interessant sind Darstellungen von Laboratorien, Apotheken, Edelsteinläden, Handelsschiffen etc. - "Die Holzschnitte der Naturkörper sind ebenso zahlreich, wie in früheren Ausgaben, aber durchaus neu gezeichnet und geschnitten, zum Teil von besserer Erfindung und Ausführung... vorzüglich die Titeleinfassung" (Choulant). - Einband und Vorsätze fachgerecht erneuert, zeitgenöss. Besitzvermerk auf dem Titel, längere Anmerkung von alter Hand auf dem ersten Registerblatt, das letzte weiße Blatt nach dem Register fehlt, im unteren weißen Rand leicht fingerfl., schönes sauberes Exemplar. - Moderner Lederband im Stil der Zeit mit 5 Zierbünden, goldgepr. Rückentitel u. reicher blindgepr. Verzierung.
      [Bookseller: Antiquariat Haufe Lutz]
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POMPONIUS MELA / CAIUS JULIUS SOLINUS
De situ orbis / Polyhistor - 1536
      Un classique par le premier geographe romain connu, Mela, suivi du texte de Solin. En latin. Lutetiae, 1536. 2 textes. Format : 10 sur 15 cm. 25 feuillets, 407 pages (pagination continue pour les 2 textes), 1 feuillet blanc. Demi reliure a coin (veau), papier dominote probablement dix-septieme siecle. Tranches mouchetees rouges. Mouillure pale en debut d'ouvrage sur une vingtaine de pages et fin d'ouvrage, une trentaine de pages. Les contre-plats sont marques aux coins par le cuir. Notes manuscrites anciennes a l'encre. Ex-libris manuscrit sur la page de titre. Bon exemplaire. Pomponius Mela est le premier des geographes romains, ayant precede Pline de plusieurs annees. Apparente aux Seneque, originaire de Tingentera (en Espagne), Pomponius Mela a ecrit sous les regnes de Caligula et de Claude. Il est l'auteur d'une geographie en trois livres. Cette oeuvre est composee comme la relation d'un voyage qui debuterait en Mauritanie (Maroc), passerait par les pays riverains de la Mediterranee (les cotes d'Afrique, d'Asie, d'Europe), pour revenir enfin au point de depart. Les peuples et les pays y sont decrits de facon tres vivante bien que breve. (voir Encyclopedie Universalis) Caius Julius Solinus fut aussi un geographe romain, egalement grammairien. Son Polyhistor a incorpore beaucoup de l'Histoire naturelle de Pline et de la geographie de Pomponius Mela.
      [Bookseller: Livres-et-autographes.com]
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BAIF (Lazare de)
Lazari Bayfii annotationes in l. II. De captivis, et postliminio reversis. In quibus tractatur De re navali. Eiusdem annotationes in tractatum De auro & argeto leg. quibus vestimentoru, & vasculorum genera explicantur. Antonii Thylesii De coloribus libellus, a coloribus vestium non alienus.
      Parisiis, Ex officina Rob. Stephani, 1536. In-4, dos a 5 nerfs orne d'un petit fer aldin repete entre-nerfs, titre dore dans un encadrement, plats de papier brun marbre en rappel du dos, tranches rouges (rel. Laurenchet dans le gout de l'epoque), (8), 168, (8), 203, (13) p., nombreuses illustrations sur bois dans le texte. Edition originale du premier livre illustre sorti des presses de Robert Estienne. Il contient une suite composee de 29 grandes gravures sur bois, dont plusieurs a pleine page. Cinq des bois sont signes de la croix de Lorraine qui serait la marque des graveurs associes a l'atelier de Geoffroy Tory. Precede d'une epitre dedicatoire a Francois Ier, l'ouvrage renferme quatre essais, les trois premiers de Lazare Baif : I- Une monographie consacree a l'architecture navale et a la navigation des anciens (eDe re navali') illustree de 20 bois de navires sous pagination particuliere (152 p.). II- Un essai sur l'habillement et les vetements des anciens ('De re vestiaria') illustre de 3 grands bois. III- Sur les vases et urnes de l'antiquite ('De vasculis') illustre de 6 bois. IV- Le quatrieme essai 'De coloribus libellus' de l'humaniste italien Antonio Telesio (Antonius Thylesius) est la premiere monographie sur les couleurs. Goethe le reedita dans son 'Farbenlehre'. Pere du poete de la Pleiade, « l'un des humanistes et des diplomates les plus considerables de son temps », Lazare de Baif avait ete eleve du grand Jean Lascaris et de Guillaume Bude. Il fut charge par le roi de missions importantes, notamment de plusieurs ambassades a Venise et en Allemagne. (Brun, eLivres illustres au XVIe', 146-147. Brunet, I, 710-711. Renouard, eEstienne', 44:19. Renouard, 'Editions parisiennes', V, 32. Schreiber, 'Estienne', 53). Quelques petites taches d'encre aux premiers feuillets. Bon exemplaire, frais, bien relie.
      [Bookseller: Librairie Hatchuel]
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[ESTIENNE, Robert.] (Robertus Stephanus) (1503-1559).
DICTIONARIUM SEU LATINAE LINGUAE THESAURUS, non singulas modo dictiones continens, sed integras quoque latine et loquendi, & scribendi formulas ex Catone, Cicerone, Plinio anunculo, Terentio, Varrone, Livio, Plinio Secundo, Vigilio, Caesare, Columella, Flavio, Martiale. Cum Latina tum grammaticorum, tum varii generis scriptorum interpretatione.
      Parisiis: Ex officina Roberti Stephani. 1536. Gran folio. (39 x 260 cm.) [12] p., 1780 p., 1h. Sign.: *4, a–z8, aa–zz8, aaa–zzz8, A–Z8, AA–SS8. Textos a dos columnas. Capitulares grabadas en finos tacos de madera. Encuadernado en plena piel, con nervios y tejuelo rotulado a mano en papel conforme al original. Con las cubiertas de origen en piel vuelta adheridas. Guardas nuevas. La portada sujeta en el margen interior. Dos taladros de polilla que apenas afectan. Sombras de agua esporádicas, pero no graves. Leves perdidas en las hojas finales, pero con injertos de papel. La obra se divide en 2 partes, la primera hasta la letra K, de la que solo hay una entrada, sigue una hoja blanca y nueva portada con título y el grabado igual a la portada primera. Continua la numeración de las páginas. Completo primera edición. Primera edición de este clásico diccionario de autoridades, aunque existe una edición de 1532 pero muy breve y de la que Estienne no estaba orgulloso y que ni siquiera menciona, al denominar "editio secunda" la de 1543, de su Thesaurus. Después de cada entrada incluye una cita de un autor clásico -en total 32 autores-. Lleva 2 portadas con un gran árbol y un personaje que dice "Noli Altum Sapere". El Thesaurus es uno de los grandes logros del renacimiento tardío al abrir un mundo de conocimientos reservado para una pequeña elite. Estos diccionarios producidos por la saga Estienne - Stephanus constituyen uno de los mayores logros pero no los únicos de esta familia de impresores de la que Robert I. fue el mas destacado al convertirse en el primer lexicógrafo sistemático del antiguo y moderno lenguaje. Estienne consideraba el Calepinus como insuficiente e incompleto y ante la ausencia de estudiosos dispuestos a su reforma, se plantea una obra completamente nueva en la que cada vocablo este respaldado por una autoridad clásica. Se basa en Erasmo, Linacre, Alciato, y su gran amigo Guillaume Budé, entre otros. The greatest monument of Latin scholarship. (Amstrong 22) , Schreiber 68, Adams S-1820, Brunet II, 1070, Graesse II, 506, Renouard 55 n°7.
      [Bookseller: Libreria Boulandier ]
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BAYF (Lazarus).
Annotationes in L. II. de captivis, et postliminio reversis, in quibus tractatur de re navali; ejusdem annotationes in tractatum de auro et argento leg. quibus, vestimentorum et vasculorum genera explicantur. Antonii Thylesii de coloribus libellus, a coloribus vestium non alienus.
      Parisiis, ex officina Rob. Stephani, 1536. In-8 (21 x 14), plein velin ivoire du XVIIIeme siecle, piece de titre maroquin noir («BAYF. DE RE MANALI (sic) ANNOTATIONES»), tranches rouges, (8)-168 p.-(8)-203 p. (De re vestiaria)-(11) p.(index). Marque d'imprimeur au titre, et figures sur bois dans le texte. Gardes renouvelees (manque le coin inf. droite de la la premiere garde blanche). Page de titre fragilisee avec manque a l'angle sup. gauche (petite atteinte au nom de l'auteur), une petite perforation marginale aux deux f. suivants, sinon interieur en bonne condition. Ex-libris armorie Bibliotheque du ch teau de St Gery. Quelques annotations anciennes en marge.Collationne complet (Brunet, I, 710-711).
      [Bookseller: Librairie Michel Lhomme]
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Franck, Sebastian
Chronica Zeit Buch Und Geschichtbibell
      Darmstadt: Wissenschaftliche Buchgesellschaft. Hardcover. Orange cloth with gold on dark green stamped titles on spine, gold stamped title on cover; facsimile of 1536 edition in calligraphic fraktur lettering; lower spine is slightly bent, corners and edges are very slightly worn, otherwise near fine condition; no dust jacket; binding is tight, text block. in German language, is clean and unmarked . Good. 1969.
      [Bookseller: A Squared Books]
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VIVES (Juan Luis).
Rhetoricae, siue de recte dicendi ratione libri tres. Eiusdem De consultatione liber I. Ad haec rerum in his memorabilium copiosiss. Index.
      Basileae, [per Balthasarum Lasium et Thomam Platterum], 1536 (i.e. 1537). in-8. 272pp. 24ff. Plein velin de l'epoque. Tres rare seconde edition du fameux "De Ratione Dicendi", le principal ouvrage rethorique de Juan Luis Vives (1492-1540) qui fut l'un des plus influents humanistes espagnols de la Renaissance. Initialement paru en 1533, ce livre contient l'expose des critiques de Vives sur la rethorique aristotelicienne et ses conceptions novatrices sur la composition litteraire, les differentes formes de textes, l'interpretation, le style, etc. "Le 'De Ratione Dicendi' de Vives (1533) est entierement consacre a l'elocutio et transforme la rethorique en critique litteraire, en devenant le premier traite de stylistique moderne" (Vickers). Signature manuscrite et cachet ancien de bibliotheque sur le titre. Bel exemplaire tres pur, dans son velin d'origine. Estelrich, Vives (Paris 1942), n° 172. Manque a Adams qui ne cite pas d'edition anterieure a 1537. Sur la place de l'Å“uvre dans l'histoire de la rethorique, cf. Vickers, "Pour une veritable histoire de l'eloquence", in: .tudes litteraires, vol. 24, n° 3, p. 121-152 (1992). Palau, 371666-2.
      [Bookseller: Llibreria Antiquaria Comellas]
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Lucianus, Samosatensis
[three lines in Greek characters transliterated as] Loukianou Peri Parasitou, etoi hoti techne he parasitike, [then in roman characters] Luciani parasitus, ubi artem ese parasiticam astruit
      Parisiis: Ex officina Christiani Wecheli, 1536. Full dark modern calf old style, absolutely plain without labels; spine with raised bands accented with blind rules extending onto covers to terminate in trefoils, and simple blind double fillets to covers. One old numeral inked to title-page; text unmarked with paper clean and even bright, throughout.. Small 8vo. [20] ff. . Whether Lucian is truly the author of this work (The Parasite) is still open to some contention. In it he, or the real author, weighs in on the age-old question of whether philosophy or rhetoric is the higher art form and instead proves both ironically and satirically that parasitism is the highest of all art forms.#11; Text entirely in elegant Greek and with but one woodcut initial. The printer's device of a Pegasus is on the title-page.#11; Rare: We find no copy in WorldCat or COPAC. Moreau locates one copy in the Anglo world, at the Morgan Library.#11;
      [Bookseller: SessaBks, A Division of the Philadelphia]
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Gart der gesuntheit. Zu latein, Hortus Sanitatis. Sagt in vier Bücheren wie hernach volget. Im Ersten. Von Vierfüßigen und Krichenden, Im Anderen. Vöglen und den Fliegenden, Im Dritten. Vischen und Schwimmenden, thiere(n). Im Vierden. Dem Edlen Gesteyn un
      Straßburg, Mathias Apiarius 1536. - 4. Titel in Rot und Schwarz mit illustr. Holzschnitt-Bordüre, 4 unbez. Bl. (ohne das letzte weiße), 141 num. Bl., 1 unbez. Bl. mit über 530 Holzschnitten im Text (inkl. Wiederh.) u. Druckermarke am Ende. Moderner Lederband im Stil der Zeit mit 5 Zierbünden, goldgepr. Rückentitel u. reicher blindgepr. Verzierung.Bloesch, Apiarius 22. Choulant, Graph. Ink. 28. Heilmann S. 142 f. Muller 384. Nissen, BBI 2371 u. ZBI 4730. VD 16 H 5127. - Sehr seltene deutsche Ausgabe mit neu geschnittenen Holzschnitten, im selben Jahr erschien auch eine lateinische Ausgabe. Die vorliegende Ausgabe ohne Proemium der Vorläufer, das Buch von den Kräutern, Harnzeichen und Skelett. - Die Holzschnitte zeigen Säugetiere, Vögel, Fische, Fabeltiere, Mineralien etc., besonders interessant sind Darstellungen von Laboratorien, Apotheken, Edelsteinläden, Handelsschiffen etc. - "Die Holzschnitte der Naturkörper sind ebenso zahlreich, wie in früheren Ausgaben, aber durchaus neu gezeichnet und geschnitten, zum Teil von besserer Erfindung und Ausführung... vorzüglich die Titeleinfassung" (Choulant). - Einband und Vorsätze fachgerecht erneuert, zeitgenöss. Besitzvermerk auf dem Titel, längere Anmerkung von alter Hand auf dem ersten Registerblatt, das letzte weiße Blatt nach dem Register fehlt, im unteren weißen Rand leicht fingerfl., schönes sauberes Exemplar. - Moderner Lederband im Stil der Zeit mit 5 Zierbünden, goldgepr. Rückentitel u. reicher blindgepr. Verzierung.
      [Bookseller: Antiquariat Haufe Lutz]
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OVIDE :
Amatorie. Suivi de : Ovide : Fastorum Lib-VI, Tristicum, Lib V, De ponto Lib IIII
      Lyon, Sebastien Gryphe, 1536 2 tomes en 1 volume in-8°, reliure d'epoque plein cuir estampe a froid d'un double cadre, de personnages et de feuillages sur etai de bois (trace d'attaches disparues; manque de cuir sur quelques cm2 au second plat, laissant le bois a nu; dos refait avec nerfs apparents), 426 + 418 + 21 pages de tables non chiffrees, marque d'imprimeur au debut et a la fin de chaque tome (Brunet IV, 271).
      [Bookseller: Librairie Roger J. Segalat]
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(BINDINGS). BAÏF, LAZARE DE.
ANNOTATIONES IN L. II. DE CAPTIVIS, ET POSTLIMINIO REVERSIS. IN QVIBVS TRACTATVR DE RE NAVALI [and three other works].
      Paris: Robert Estienne, 1536 215 x 150 mm. (8 1/2 x 6") 4 p.l., [1]-168, [8], [1]-203, [13] pp. (with pagination anomalies). FIRST EDITION OF "De re Navali," First Printing of this Collection. STRIKING 16TH CENTURY CALF, HEAVILY AND BEAUTIFULLY GILT, covers gilt with border formed by two plain rules flanking a floral roll, this frame enclosing a central field of very many tiny star tools, intricate strapwork cornerpieces, and large central ara WITH 32 FINE WOODCUTS in the text, 11 OF THEM FULL-PAGE OR NEARLY SO, the illustrations showing ancient ships, Roman clothing, and urns; woodcut printer's device on title, decorative initials, and four woodcut diagrams. Text in Latin and Greek. Covers with minor discoloration, a little crackling and minor scratching, and gilt a bit dulled and eroded, one corner somewhat bumped, half a dozen leaves with faint dampstains to lower outer corner, a hint of soil in isolated places, but AN EXTREMELY PLEASING COPY, the binding solid, with no serious wear, and still very attractive; the text clean, fresh, and bright; and the margins generous. Schreiber 53; Renouard 44, no. 19; Brunet I, 710-11; STC French, p. 39. This is the first of just five illustrated books published by Robert Estienne, offered here in a handsome and historically important contemporary English binding. Included in the present volume are Baïf's monograph on ancient ships, the author's treatise on Roman dress, and his work on early vases and receptacles, as well as an early printing of the first published monograph on colors, "De Coloribus" by Antonio Telesio (1482-1534), which was later reprinted in Goethe's "Farbenlehre." A distinguished humanist and diplomat who was well known in his own time for translations of the Greek dramatists, Baïf (1485-1547) is today best remembered for the works contained in this collection. The woodcuts, which include 20 of early ships, may have been produced by the atelier of Geoffroy Tory, since five of them are signed with the Lorraine cross (Tory was the Royal printer of France, appointed by François I, whose title included Duke of Lorraine). Our volume appears here in a lovely 16th century decorative binding that certainly is English and seems in design and execution similar to the work of the artist whom Nixon dubbed the "Dudley Binder," for the work he did for Robert Dudley, Earl of Leicester. Our binding's central panel, with its oval medallion and ornate cornerpieces, is typical of the Dudley Binder's work (see, for example, items #16 and 17 in Nixon's "Five Centuries" and Foot's "Davis Gift," #43). $ 7500
      [Bookseller: Phillip J. Pirages Fine Books & Manuscri]
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Gart der gesuntheit. Zu latein, Hortus Sanitatis. Sagt in vier Bücheren wie hernach volget. Im Ersten. Von Vierfüßigen und Krichenden, Im Anderen. Vöglen und den Fliegenden, Im Dritten. Vischen und Schwimmenden, thiere(n). Im Vierden. Dem Edlen Gesteyn un
      Straßburg, Mathias Apiarius 1536. - 4. Titel in Rot und Schwarz mit illustr. Holzschnitt-Bordüre, 4 unbez. Bl. (ohne das letzte weiße), 141 num. Bl., 1 unbez. Bl. mit über 530 Holzschnitten im Text (inkl. Wiederh.) u. Druckermarke am Ende. Moderner Lederband im Stil der Zeit mit 5 Zierbünden, goldgepr. Rückentitel u. reicher blindgepr. Verzierung.Bloesch, Apiarius 22. Choulant, Graph. Ink. 28. Heilmann S. 142 f. Muller 384. Nissen, BBI 2371 u. ZBI 4730. VD 16 H 5127. - Sehr seltene deutsche Ausgabe mit neu geschnittenen Holzschnitten, im selben Jahr erschien auch eine lateinische Ausgabe. Die vorliegende Ausgabe ohne Proemium der Vorläufer, das Buch von den Kräutern, Harnzeichen und Skelett. - Die Holzschnitte zeigen Säugetiere, Vögel, Fische, Fabeltiere, Mineralien etc., besonders interessant sind Darstellungen von Laboratorien, Apotheken, Edelsteinläden, Handelsschiffen etc. - "Die Holzschnitte der Naturkörper sind ebenso zahlreich, wie in früheren Ausgaben, aber durchaus neu gezeichnet und geschnitten, zum Teil von besserer Erfindung und Ausführung... vorzüglich die Titeleinfassung" (Choulant). - Einband und Vorsätze fachgerecht erneuert, zeitgenöss. Besitzvermerk auf dem Titel, längere Anmerkung von alter Hand auf dem ersten Registerblatt, das letzte weiße Blatt nach dem Register fehlt, im unteren weißen Rand leicht fingerfl., schönes sauberes Exemplar. - Moderner Lederband im Stil der Zeit mit 5 Zierbünden, goldgepr. Rückentitel u. reicher blindgepr. Verzierung.
      [Bookseller: Antiquariat Haufe Lutz]
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GART DER GESUNDHEIT
zu latein, Hortus Sanitatis. Sagt in vier Bucheren
      Title within fine woodcut border & over 530 woodcuts in the text (some repeated). Woodcut printer's device on verso of final leaf (otherwise blank). Title printed in red & black & highlighted in red by a contemporary hand. 6 p.l. (the last a blank), CXLI leaves, [1] leaf. Folio, cont. blindstamped pigskin over wooden boards (minor browning & foxing), orig. catches & clasps. Strasbourg: M. Apiarius, 1536. [bound with]: TACITUS, Cornelius. Der Romischen Keyser Historien...Item das Buchlein von der alten Teutschen brauch und leben... One fine full-page woodcut, fine woodcut initials, & a woodcut printer's device on verso of final leaf. 12 p.l., 452, [2] leaves. Folio (first few leaves with unimportant marginal worming in lower margin, final leaf partly dampstained). Mainz: I. Schoffer, 1535. A very fine and handsome sammelband from the library of His Serene Highness Prince Furstenberg at Donaueschingen. I. An extremely rare German translation, issued by the publisher in the same year as the much more common parallel Latin edition. For this and the Latin edition, the woodcuts have been newly drawn and cut. While the section on herbals of former editions has been omitted, this edition serves as an encyclopedia of the zoological and mineralogical kingdoms and the medical applications of their products. The very numerous woodcuts in the part devoted to the mineral world depict jewelers and goldsmiths, mining and metallurgical activities, etc. There is no copy listed in N.U.C., OCLC, or RLIN; we have located one copy at Munich. II. First edition in German of the Annals of Tacitus; this is a very rare edition and OCLC locates only one copy in the U.S. (and that copy lacks the final leaf with the printer's device). This is an important edition, the first to appear in German, translated and edited by Jakob Moltzer (or Micyllus, 1503-58), humanist and professor of Greek at Heidelberg. He was known as one of the most learned scholars of his time. The Annals record the history of the emperors of the Julian line from Tiberius to Nero (A.D. 14 to 68). He has given us a striking and vivid account of the empire in the 1st century. Fine crisp copies. I. Nissen, ZBI, 4730. VD 16, H 5127. II. VD 16, T 20. .
      [Bookseller: Jonathan A. Hill, Bookseller, Inc.]
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Dante Alighieri.
Comedia del Divino Poeta Danthe Alighieri, con la dotta & leggiadra spositione di Christophoro Landino: con somma diligentia &accuratissimo studio nuovamente corretta, & emendata: da infiniti errori purgata, ac etiandio di utilissime postille ornata. Aggiuntavi di nuovo una copiossima Tavola, nellaquale si contengono lestorie, favole, sententie, & le cose memorabili & degne di annotatione che in tutta L'opera si retrovano. MDXXXVI. In Vinegia ad instantia di M. Gioanni Giolitto da Trino.
      - [Venice: Bernadino Stagnino, 1536]. Thick 4to, (28), 1-440 leaves. With one large woodcut, small woodcuts at the beginning of each canto, and the printer's woodcut device at the end. Retrospective full brown morocco gilt-tooled in the Italian style, four leaves supplied from a shorter copy, four ink inscriptions on title-page (three crossed out) and one on the verso, other ink inscriptions and occasional very early annotations in the margins mostly towards the front. A beautifully restored copy by Trevor Lloyd. An important and rare early edition of Dante, being the second reprinting of the 1512 edition. The last copy at auction in the US or the UK was 1989. One copy sold in Italy since then. Essling, Les Livres ˆ Figures Venitiens, II: p. 19, #544. Memes bois que dans l'Edition 1512. Not in Mortimer or Dyson Perrins; Adams D-93. Mambelli 29. Livio Ambrogio, 2003, #28. [Attributes: Hard Cover]
      [Bookseller: John Windle Antiquarian Bookseller, ABAA]
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VERGILIUS Polydorus.:
De Rerum inventoribus libri octo, per acthorem quarto iam, ac diligentius recogniti & locupletati, quia longior in studiis labor semper plus cumulet inventis licet.
       Basilae, 1536.In-8, (12ff.)-590pp. Plein velin rigide. Petite decoupure dans la page de titre pour remplacer un ex libris. Adams V-429; Simon, Bibli. Bach., II, 675 (autre edition) . L' auteur de cet ouvrage, Polydore Vergile, est un erudit italien, ne a Urbino vers 1470 et mort en 1555.L'edition originale date de 1498. Ce livre est la premiere histoire de l'invention des arts et des sciences; il developpe de nombreuses anecdotes sur l'astrologie, la musique, la divination, l'imprimerie. Le livre III est consacre a la gastronomiea . Il provoqua des remous puisqu'il fut mis a l'index en 1599, mais connut cependant environ 60 editions au XVIe Siecle.
      [Bookseller: Librairie Rita de Maere]
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Hus, Jan.
Tres Epistolae sanctissmi Martyris Ioannis Hussj e carcere Constantiensi ad Boemos scriptae. Cum praefatione Mart. Luther
      Ioseph Klug, Wittenberg 1536 - Wittenberg, Ioseph Klug, 1536. Klein Oktav. 16 Blatt. Leinenband des 19. Jahrhundert. - Mit Titelholzschnitt und zwei Initialen in Holzschnitt. Durchgehend mit Wasserrand, Titel mit Knickspur und Stempel. With title woodcut, waterstaind, small stamp on title and bit Sehr seltene erste Ausgabe der vier Briefe von Jan Hus aus dem Konstanzer Kerker. Die Briefe erschienen zunächst in dieser lateinischen Ausgabe bei Klug in Wittenberg, Endes des Jahres 1536 dann bei Petreius vermutlich in Nürnberg auf Deutsch. Die Briefe erhalten deutliche Anklagen gegen das Konstanzer Konzil. Die Festschrift zu Hans-Gert Roloff hrsg. von Christine Caemmerer, schreibt Roloff: "Kleine Schriften zur Literatur des 16. Jh." über diese Schrift und bescheinigt Luther eine geschickte Auswahl der Briefe. Luther schreibt er habe die Briefe aus dem Böhmischen erhalten und dann ins Lateinische übersetzt. Durch den Fehler des Druckers ist die Erstaugabe zusätzlich erkennbar, statt Quarto hat der Drucker versehentlich Tres geschriebenDie Schrift erschien in mehreren Auflagen, sowohl in Deutsch und Latein. Auf schreibt ein Besitzer von alter Hand: "Vogt in Cat. libr. rarior Hamburgi. 1747, p. 357 nennt Hussens Briefe ein selten vorkommendes Werk und vortreflichen Schatz." [Attributes: First Edition; Hard Cover]
      [Bookseller: J.J. Heckenhauer OHG Antiquariat]
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Ordonnances du tres chrestien Roy de France Francois premier de ce nom reduites par titres et articles et ordre selon les matieres ordonnees etre gardees et observees en ces pays de Provence, Forcalquier et terres adjacentes...
      Avignon. Jean de Channey. Aout 1536-1540. 1 volume petit in-folio, plein maroquin olive, dos a nerfs, dentelle interieure, tranches dorees (ALLO). CV ff. ; [13] ff. Belle et rare edition imprimee en caracteres gothiques d'ordonnances et d'edits en matieres judiciaires promulgues par Francois 1er, et ses predecesseurs, s'appliquant au pays de Provence, Forcalquier et terres adjacentes. Cette edition fut publiee a Avignon en 1536 par Jean de Channey; elle fut reprise par Payen en 1540, avec un titre de relai date 1540, et 4 feuillets non chiffres supplementaires (V1-4), que Baudrier rattache a l'ouvrage suivant. Baudrier X, 303.Relie a la suite : ARENA. Antoine. S'ensuivent les taux, moderations, salaires, emoluments des greffiers du Parlement, des avocats... du Pays de Provence... Lyon. [Thibault Payen]. 24 Mai 1540. [18] ff. Baudrier IV, 224 qui joint a cet exemplaire les 4 ff. de l'ouvrage precedent. Ex-libris Albert Pascal. Bel exemplaire de ces coutumes de Provence. Brunet II, 388.
      [Bookseller: Prevost, libraire ancien]
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Dante Alighieri.
Comedia del Divino Poeta Danthe Alighieri, con la dotta & leggiadra spositione di Christophoro Landino: con somma diligentia &accuratissimo studio nuovamente corretta, & emendata: da infiniti errori purgata, ac etiandio di utilissime postille ornata. Aggiuntavi di nuovo una copiossima Tavola, nellaquale si contengono lestorie, favole, sententie, & le cose memorabili & degne di annotatione che in tutta L'opera si retrovano. MDXXXVI. In Vinegia ad instantia di M. Gioanni Giolitto da Trino.
      [Venice: Bernadino Stagnino, 1536]. Thick 4to, (28), 1-440 leaves. With one large woodcut, small woodcuts at the beginning of each canto, and the printer’s woodcut device at the end. Retrospective full brown morocco gilt-tooled in the Italian style, four leaves supplied from a shorter copy, four ink inscriptions on title-page (three crossed out) and one on the verso, other ink inscriptions and occasional very early annotations in the margins mostly towards the front. A beautifully restored copy by Trevor Lloyd. An important and rare early edition of Dante, being the second reprinting of the 1512 edition. The last copy at auction in the US or the UK was 1989. One copy sold in Italy since then. Essling, Les Livres à Figures Vénitiens, II: p. 19, #544. “Memes bois que dans l'Edition 1512”. Not in Mortimer or Dyson Perrins; Adams D-93. Mambelli 29. Livio Ambrogio, 2003, #28.
      [Bookseller: Antiquarian Bookseller, John Windle]
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VIDA (Marcus Hieronymus).
Christiados Libri Sex. Lyon, Seb. Gryphium, 1536. RELIE AVEC (a la suite :) 2). (du meme). De Arte Poetica Lib. III. De Bombyce... Lib. II. De Ludo Scachorum, Lib. I. Hymni... Bucolica... Epistola ad Ioan. Matthaeum Gybertum. Lyon, Gryphe, 1536.
       2 ouvrages en 1 volume in-8. 1). 220pp. 2ff. 2). 155pp. Veau ecaille, dos a nerfs orne (Reliure du XVIIIs.). La publication simultane a Lyon par Seb. Gryphe de ces deux ouvrages, constitue la premiere edition collective des oeuvres du poete italien Marcus Hieronimus Vida (1490-1566). C'est en meme temps la premiere edition francaise de ces textes. L'annee suivante ils furent reimprimes a Venise avec la mention sur le titre de: "Opera". La "Christiade" publiee pour la premiere fois a Cremone en 1535, est consideree comme le premier poeme epique a caractere religieux. Le second ouvrage est un recueil de poemes divers, paru a Rome en 1527, ou figure notamment le "De Ludo Scacchorum", piece sur le Jeu d'Echecs qui fut traduite et reeditee separement par la suite. Exemplaire de Francois Garasse (Angouleme, 1585- Poitiers, 1631) auteur d'un ouvrage celebre pour sa rarete et pour l'outrance bizarre de son style ("La Doctrine Curieuse des Beaux Esprits, 1624") dans lequel il entreprenait de denoncer les libres penseurs (Vanini, Bruno, etc.). Sa signature figure sur le titre et le texte comporte des annotations autographes en marge et des soulignements. Mouillures claires, des taches, quelques traces d'usure a la reliure.
      [Bookseller: Llibreria Antiquaria Comellas]
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VIDA (Marco Girolamo).
CHRISTIADOS libri sex. Relie a la suite: DE ARTE POETICA lib. III. DE BOMBYCE, ad Isabellam Estensem Marchionissam, lib. II. DE LUDO SCACCHORUM, lib. I. HYMNI, cum nonnullis aliis. BUCCOLICA. EPISTOLA AD JOAN. MATTHAEUM GYBERTUM.
      Lyon, Gryphe, 1536, in-8 de 221 pp. + 1 f.n.c et 155 pp. + 1 ff.n.c., belle marque d'imprimerie en fin de chaque ouvrage ; veau d'epoque, dos a nerfs, orne, double filets d'encadrement (en partie efface), coins emousses, une coiffe manquante, un mors fendu sur 2 cm, cuir craquele. Seconde edition (parue un an apres l'originale), de ce recueil de poesie du poete italien Vida, qui contient le fameux poeme sur le jeu d'echec (un des premiers texte sur le jeu d'echec). CHRISTIADOS (La Christiade) est une paraphrase de l'Evangile. "La Christiade renferme des passages d'un eclat incontestable" (Saint-Marc Girardin). De ARTE POETICA (Sur l'art poetique)," Le Batteux place ce texte, a cote de ceux d'Horace et Boileau". DE BOMBYCE (Le vers a soie), "Ce poeme sur le vers a soie est un des plus corrects et des plus chaties de l'auteur". DE LUDO SCACCHORUM (Le jeu d'echec). HYMNI (Hymne a Saint Augustin, Saint Etienne martyr, saint Marguerite, Jean Mathieu Giberti, Leon X, etc. BUCOLICA (Eglogues sur Daphnis, Corydon, Nice). EPISTOLA AD JOAN. MATTHAEUM GYBERTUM (Lettre a Jean Mathieu Giberti). Vida, est ne a Cremone, il fut eveque d'Albe, dans le Montferrat. Ref. Biblio.: Brunet, Adams.
      [Bookseller: Librairie Ancienne du Vivarais]
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GILLES (Nicole);
Les Tres elegantes et copieuses Annalles des tres preux, tres nobles, tres chrestiens et excellens Moderateurs des belliqueuses Gaulles. Depuis la triste desolation de la tres sainte et fameuse cite de Troie jusques au regne du tres vertueux roi Francois a present regnant : Compilees par feu tres eloquant et noble historiographe en son vivant Judiciaire et Secretaire du roi controlleur de son tresor Maitre Nicole Gille jusqu'au temps du tres prudent et victorieux roi Louis douzieme. Et depuis additionnees selon les Modernes historiens en l'an Mil cinq cens XXXVI Nouvellement revues et corrigees outre les precedentes impressions.
      Paris Francois Regnault 1536 2 tomes en 1 vol. in-folio (300 x 190 mm) a deux colonnes de (6)-138 ff. ; (5)-145-(1) ff., veau brun, dos a nerfs (reliure de l'epoque). Edition partagee entre Francois Regnault et Jehan Longis. Belle impression gothique illustree de gravures sur bois dans le texte et plusieurs lettrines a fond crible. Grande marque de Regnault a l'elephant, gravee sur bois au dernier feuillet ; page de titre imprimee en noir et rouge avec encadrement de bois graves ; arbre genealogique des Valois. Nicole Gilles, mort en 1503, controleur du Tresor Royal sous Charles VIII, est le premier des historiens francais ou le dernier des chroniqueurs ; il marque la transition a cette epoque de la Renaissance. Il a adapte et complete ici la Chronique de Saint-Denis en y supprimant l'aspect legendaire. L'ouvrage connut un prodigieux succes et fut constamment reedite ; la premiere edition date de 1492 et la derniere de 1621. Quelques feuillets salis, page de titre du premier tome courte de marge atteignant l'encadrement grave. Dos restaure. Brunet II, 1597 ; B. Moreau, Inventaire chronologique des editions parisiennes, 179.
      [Bookseller: Bonnefoi Livres Anciens]
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Lucianus, Samosatensis
[three lines in Greek characters transliterated as] Loukianou Peri Parasitou, etoi hoti techne he parasitike, [then in roman characters] Luciani parasitus, ubi artem ese parasiticam astruit
      Parisiis:: Ex officina Christiani Wecheli,, 1536.. Full dark modern calf old style, absolutely plain without labels; spine with raised bands accented with blind rules extending onto covers to terminate in trefoils, and simple blind double fillets to covers. One old numeral inked to title-page; text unmarked with paper clean and even bright, throughout.. Small 8vo. [20] ff. . Whether Lucian is truly the author of this work (The Parasite) is still open to some contention. In it he, or the real author, weighs in on the age-old question of whether philosophy or rhetoric is the higher art form and instead proves both ironically and satirically that parasitism is the highest of all art forms.#11; Text entirely in elegant Greek and with but one woodcut initial. The printer's device of a Pegasus is on the title-page.#11; Rare: We find no copy in WorldCat or COPAC. Moreau locates one copy in the Anglo world, at the Morgan Library.#11;
      [Bookseller: Philadelphia Rare Books & Manuscripts Co]
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REBUFFI (Pierre.)
Concordata inter Sanctiss. Dominum Nostrum Papam Leonem X, et sedem apostolicam, ac christianissimum Do. Nostrum Regem Franciscum hujus nominis primum, et Regnum.
      Paris, Jean Petit et J. Galliot du Pre, 1536 ; in-4, basane brune, dos orne, tranches rouges. (Rel. du XVIIIe siecle) 26 ff. n. ch., 227 pp., 2 ff. n. ch., 160 pp., 2 ff., 58 pp. - Titre en rouge et noir. Grandes initiales avec decor floral sur fond crible. Belle edition parisienne donne par Galliot du Pre et J. Petit du Concordat de 1516 entre le Pape Leon X et le roi Francois Ier, avec les commentaires de Pierre Rebuffi. Elle n'est pas mentionnee par Brunet. Graesse II 247 ne cite qu'une edition de 1551 chez Galliot du Pre. Dupin 2742 donne une edition J. Petit 1539. Cette edition est la premiere donnee par le savant jurisconsulte Rebuffi, ne a Montpellier en 1487. Elle est precedee d'un hommage a Rebuffi par Franc. Floretus datee de Paris 1536 et d'un poeme en latin de J. Pochon. Elle est suivie de : Tractatus nominationum. iDITION ORIGINALE dediee a Martin de St. Andre, eveque de Carcassone et de : Tractatus de Pacificis Possessoribus, dedie a Francois de St Andre, President du Senat a Paris. De la bibliotheque du Marquis d'ALLIGRE (ex-libris.) Le concordat de Francois 1er
      [Bookseller: Librairie du Manoir de Pron]
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ESOPE
Aesopus phrygis et aliorum fabulae
      Lugduni apud seb. Gryphium, 1536. In-8 de 292 pages et 10 feuillets non chiffres, caracteres italiques. Plein veau fauve, encadrements de filets a froid, fleurons d'angles dores, dauphin frappe or au centre des plats, dos a nerfs fleuronne, tranches dorees. Reliure de l'epoque. 168 x 107 mm. EDITION RECHERCHEE, COMME TOUTES LES EDITIONS LYONNAISES DE SEBASTIEN GRYPHE, DES FABLES D'ESOPE IMPRIMEES EN ITALIQUE EN 1536. ON REMARQUERA EN PARTICULIER CELLES CHOISIES PAR ERASME POUR L'EDIFICATION DES ENFANTS (pp. 189-193). Baudrier, Bibliographie lyonnaise (VIII, p. 89), ne cite que deux exemplaires conserves dans les bibliotheques de Lyon et du Mans. Des lettrines gravees sur bois et les marques de l'imprimeur figurent sur le titre et au verso du dernier feuillet. PRECIEUX ET BEL EXEMPLAIRE RELIE POUR FRANCOIS II (1544-1560), ALORS DAUPHIN DE FRANCE. La reliure a ete executee entre 1547, date de la mort de FranCois Ier a laquelle FranCois II devient dauphin, et 1558, date de son mariage avec Marie Stuart. Dans l'intervalle, ses reliures portent un dauphin dore, reproduit par Guigard, I, p. 12. Apres le mariage, l'embleme est compose de deux dauphins du meme modele, avec le chardon de l'Ecosse au centre. De la bibliotheque Jean Baptiste Baussonet avec ex-libris du XVIIe siecle.10022009175
      [Bookseller: Librairie Sourget]
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Boccaccio, Giovanni
Laberinto d'amore. Con una epistola a messer Pino de Rossi confortatoria del medesimo autore e di nuovo corretto
      [colophon: Vinegia:: per Pietro di Nicolini da Sabio,, 1536].. Bound as above; spine lightly faded and front cover with two small spots. Some small, light stains in text (only); generally, a very good copy.. Small 8vo (15.5 cm; 6"). 72 ff. . A handsome copy of this well-printed Renaissance edition of Boccaccio's problematic work about a man jilted or scorned, written in the 1360s. As to the complicated nature of the content, its relation to Boccaccio's life, and its date of composition, we refer the reader to Brown University's "Decameron Web," where Dr. Guyda Armstrong writes that in it "Boccaccio demonstrates his familiarity with the canon of classical and medieval antifeminist texts, and succeeds in creating what is practically an encyclopaedia of the genre."#11; The work is now generally better known under the title Il Corbaccio, although all editions use the title found here. As one would expect with a Venetian-printed Renaissance work of literature, the text is in italic type; and this was printed early enough in the 16th century that the title-page offers a charming four-element architectural woodcut border.#11; Binding: Finely bound in 19th-century English straight-grained red morocco, with ornamental gilt border to covers, gilt-extra panelled spine, and two black leather spine labels. Board edges with a gilt roll; complex gilt inner dentelles and marbled endpapers. All edges gilt.
      [Bookseller: Philadelphia Rare Books & Manuscripts Co]
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Dante Alighieri.
Comedia del Divino Poeta Danthe Alighieri, con la dotta & leggiadra spositione di Christophoro Landino: con somma diligentia &accuratissimo studio nuovamente corretta, & emendata: da infiniti errori purgata, ac etiandio di utilissime postille ornata. Aggiuntavi di nuovo una copiossima Tavola, nellaquale si contengono lestorie, favole, sententie, & le cose memorabili & degne di annotatione che in tutta L'opera si retrovano. MDXXXVI. In Vinegia ad instantia di M. Gioanni Giolitto da Trino.
      - [Venice: Bernadino Stagnino, 1536]. Thick 4to, (28), 1-440 leaves. With one large woodcut, small woodcuts at the beginning of each canto, and the printer's woodcut device at the end. Retrospective full brown morocco gilt-tooled in the Italian style, four leaves supplied from a shorter copy, four ink inscriptions on title-page (three crossed out) and one on the verso, other ink inscriptions and occasional very early annotations in the margins mostly towards the front. A beautifully restored copy by Trevor Lloyd. An important and rare early edition of Dante, being the second reprinting of the 1512 edition. The last copy at auction in the US or the UK was 1989. One copy sold in Italy since then. Essling, Les Livres ˆ Figures Venitiens, II: p. 19, #544. Memes bois que dans l'Edition 1512. Not in Mortimer or Dyson Perrins; Adams D-93. Mambelli 29. Livio Ambrogio, 2003, #28. [Attributes: Hard Cover]
      [Bookseller: John Windle Antiquarian Bookseller, ABAA]
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Calvin, Jean
Institutio christianae religionis, in libros quator nunc primum digesta
      possit : Johanne Calvino authore. Excudebat - certisque distincta capitus, ad aptissimam methodus aucta etiam tam magna accessione ut propemodum opus novum haberiGanzleder geb. 8 mit Goldpräg.( guter Zustand , Einband des 20.Jhd. -innen sauber ) - Adams C362. Erichson 22. IA 129.991. PMM 65 (1536 edit.)
      [Bookseller: Johann Peter Hebel Antiquariat]
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ARISTOTLE.
De republica libri VIII. Interprete & enarratore Io. Genosio Sepulveda Cordubensi. Ad Philippum Hispaniarum principem.
      First edition of Juan Ginés de Sepúlveda’s extensively annotated Latin translation of Aristotle’s Politics. Sepúlveda had been the translator of Aristotle’s works for the papal court, but in 1536 returned to his native Spain to become official chronicler and chaplain to Charles V and, in 1542, tutor to Prince Philip. He is best known for his defence of the Spanish conquest of America in which he invoked Aristotle’s concept of natural slavery as justification for subjugating inferior races. This he famously disputed with Bartolomé de Las Casas before an adjudicative council especially convened by the emperor at Valladolid in 1550–51.‘Sepúlveda during his twenty years in Italy had become one of the principal scholars in the recovery of the “true” Aristotle. His contributions to learning were recognized in Spain, and on the eve of the battle with Las Casas he had just completed and published at Paris in 1548 his Latin translation of Aristotle’s Politics, which he considered his principal contribution to knowledge. It was the best translation that had appeared, and was recognized for centuries as an indispensable work. Therefore when Sepúlveda began to write on America he was completely saturated with the theory of “The Philosopher”, including his much-discussed concept that certain men are slaves by nature’ (Hanke, Aristotle and the American Indians pp. 31–3).‘The willingness of sixteenth-century humanists, even including those in Erasmus’s circle, to countenance war on behalf of the respublica against its enemies, explains what has otherwise puzzled many commentators, that one of the most startling accounts of the legitimacy of war by Christians on non-Christians came from the pen of an absolutely stereotypical humanist, Juan Ginés de Sepúlveda. Sepúlveda was an almost embarrassingly good example of an early-sixteenth century ultra-Ciceronian humanist, who was employed at the papal court in the mid-1520s as a translator of Aristotle into Ciceronian Latin – the pre-eminently humanist approach to Aristotle, rendering the Greek philosopher a participant in a Roman philosophical discourse. Sepúlveda’s allegiance is neatly illustrated . . . by the fact that his translation and edition of Aristotle’s Politics is entitled De republica – a feature of all truly Ciceronian translations of the Politics in the sixteenth century (for politica was of course a barbarous term, a mongrel piece of Greco-Latinity) . . . . Sepúlveda’s Ciceronian translation of the Politics . . . contained the clearest and most accurate translation of the Aristotelian passages about the acquisition of natural slaves, breaking the medieval tradition of construing the passages in a more humane light, and . . . despite the comprehensive defeat which Sepúlveda’s views suffered in Spain, broadly similar ideas continued to be put forward by humanist jurists outside Spain’ (Tuck, Rights of war and peace pp. 43–4; see also p. 68n.).Adams A1916; Palau 16694, 309360; Riley 198. Paris, Michel de Vascosan, 1548.
      [Bookseller: Bernard Quaritch Ltd.]
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Dante Alighieri.
Comedia del Divino Poeta Danthe Alighieri, con la dotta & leggiadra spositione di Christophoro Landino: con somma diligentia &accuratissimo studio nuovamente corretta, & emendata: da infiniti errori purgata, ac etiandio di utilissime postille ornata. Aggiuntavi di nuovo una copiossima Tavola, nellaquale si contengono lestorie, favole, sententie, & le cose memorabili & degne di annotatione che in tutta L'opera si retrovano. MDXXXVI. In Vinegia ad instantia di M. Gioanni Giolitto da Trino.
      [Venice: Bernadino Stagnino, 1536]. Thick 4to, (28), 1-440 leaves. With one large woodcut, small woodcuts at the beginning of each canto, and the printer’s woodcut device at the end. Retrospective full brown morocco gilt-tooled in the Italian style, four leaves supplied from a shorter copy, four ink inscriptions on title-page (three crossed out) and one on the verso, other ink inscriptions and occasional very early annotations in the margins mostly towards the front. A beautifully restored copy by Trevor Lloyd. An important and rare early edition of Dante, being the second reprinting of the 1512 edition. The last copy at auction in the US or the UK was 1989. One copy sold in Italy since then. Essling, Les Livres à Figures Vénitiens, II: p. 19, #544. “Memes bois que dans l'Edition 1512”. Not in Mortimer or Dyson Perrins; Adams D-93. Mambelli 29. Livio Ambrogio, 2003, #28.
      [Bookseller: Antiquarian Bookseller, John Windle]
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RUEL (Jean) ;
De Natura stirpium libri tres.
      Simon de Colines, Paris 1536 - Fort vol. in-folio (38 x 24,5 cm) de 1 titre-frontispice gravé, (5) ff. (dédicace à François Ier, table), 884 pp., (62) ff. d'index, initiales gravées sur bois à fonds criblés, basane blonde, dos à nerfs, encadrement de double filet à froid sur les plats, tranches violines (reliure moderne). Edition originale de cet ouvrage spectaculaire, admirablement imprimé, et qui forme la synthèse de tout ce que les Anciens, tant Grecs que Romains, ont pu laisser sur les plantes, et sur leur utilisation médicale. Le médecin Jean Ruel ou de La Ruelle (1474-1537) fut doyen de la Faculté de Médecine de Paris en 1508 et 1509, eut le titre honorifique de médecin du Roi, mais fut surtout un homme d'étude, spécialement recommandé pour ses traductions d'auteurs médicaux anciens. Après la mort de sa femme, il entra dans les ordres et fut pourvu d'un canonicat à Notre-Dame. Bon exemplaire, grand de marges. Brunet IV, 1451 ; Pritzel, 7885 ; Durling, Catalogue of sixteenth century printed books (Bethesda), 3984 (édition de 1537) ; Renouard, pp. 267-68. [Attributes: First Edition; Hard Cover]
      [Bookseller: Bonnefoi Livres Anciens]
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Coradeschi Sergio ( a cura)
Collezionismo italiano
      - 4° vol. in 8° gr. leg. ed.le con belle cop. ill. a col. pag. complessive 1536 con moltissime fot. e ripr. quasi tutte a col. Una vera enticlopedia del collezionismo che spazia in tutti i campi dove i variricercatori di rarità si cimentano. Importante e ben consultabile. Ottima opera ben tenuta., Milano, C.G.E., 1979 (Bibliografia - Collezionismo)
      [Bookseller: Franco A. Volta]
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GILLES (NICOLE);
LES TRES ELEGANTES ET COPIEUSES ANNALLES DES TRES PREUX, TRES NOBLES, TRES CHRESTIENS ET EXCELLENS MODERATEURS DES BELLIQUEUSES GAULLES. DEPUIS LA TRISTE DESOLATION DE LA TRES SAINTE ET FAMEUSE CITE' DE TROIE JUSQUES AU REGNE DU TRES VERTUEUX ROI FRANCOIS A PRESENT REGNANT : COMPILEES PAR FEU TRES ELOQUANT ET NOBLE HISTORIOGRAPHE EN SON VIVANT JUDICIAIRE ET SECRETAIRE DU ROI CONTROLLEUR DE SON TRESOR MAITRE NICOLE GILLE JUSQU'AU TEMPS DU TRES PRUDENT ET VICTORIEUX ROI LOUIS DOUZIEME. ET DEPUIS ADDITIONNEES SELON LES MODERNES HISTORIENS EN L'AN MIL CINQ CENS XXXVI NOUVELLEMENT REVUES ET CORRIGEES OUTRE LES PRECEDENTES IMPRESSIONS. PARIS FRANCOIS REGNAULT 1536
      2 tomes en 1 vol. in-folio (300 x 190 mm) a' deux colonnes de (6)-138 ff. ; (5)-145-(1) ff., veau brun, dos a' nerfs (reliure de l'epoque). Edition partagee entre Francois Regnault et Jehan Longis. Belle impression gothique illustree de gravures sur bois dans le texte et plusieurs lettrines a' fond crible'. Grande marque de Regnault a' l'elephant, gravee sur bois au dernier feuillet ; page de titre imprimee en noir et rouge avec encadrement de bois graves ; arbre genealogique des Valois. Nicole Gilles, mort en 1503, controleur du Tresor Royal sous Charles VIII, est le premier des historiens francais ou le dernier des chroniqueurs ; il marque la transition a' cette epoque de la Renaissance. Il a adapte et complete ici la Chronique de Saint-Denis en y supprimant l'aspect legendaire. L'ouvrage connut un prodigieux succes et fut constamment reedite ; la premiere edition date de 1492 et la derniere de 1621. Quelques feuillets salis, page de titre du premier tome courte de marge atteignant l'encadrement grave'. Dos restaure'. Brunet II, 1597 ; B. Moreau, Inventaire chronologique des editions parisiennes, 179.
      [Bookseller: Libraire BONNEFOI ]
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Equicola, Mario (ca. 1470-1525).
Libro di natura d’amore.
      Venezia, Pietro Nicolini da Sabbio, maggio 1536. "In-8° (mm 149x100). Segnatura: A-Z8, AA-EE8. 223 carte numerate di 224, manca l’ultima carta bianca. Carattere corsivo. Frontespizio racchiuso entro cornice architettonica ornata incisa su legno; alla c. 78v diagramma silografico raffigurante le proporzioni ideali che le varie parti del corpo devono avere tra di loro. Legatura in cartonato del Settecento. Esemplare in buono stato di conservazione, alcune gore al frontespizio e alle prime carte, alcune carte uniformemente brunite. Bella edizione, la quarta assoluta – la princeps venne impressa a Venezia da Lorenzo Lorio da Portes nel 1525 – dell’opera principale di questo umanista di origini partenopee, la cui stesura originale, della quale si è conservato il manoscritto autografo dell’autore, è stata creduta per molto tempo essere stata composta in latino e tradotta solo in seguito in italiano dal nipote dell’autore, Francesco Prudenzio, mentre in realtà si tratta di un artificio letterario dell’Equicola, al quale va ascritta dunque la redazione primigenia in volgare. L’Equicola si trasferì prima a Firenze dove fu allievo di Marsilio Ficino e in seguito fu al servizio della corte dei Gonzaga a Mantova. Il trattato, dedicato a Isabella d’Este, di cui il letterato fu per molti anni precettore e factotum, si inserisce nel quadro del neoplatonismo rinascimentale, e mescola elementi derivati da Marsilio Ficino con echi stilnovistici. «A giudicare dalle numerose riedizioni, che si protrassero fino all’inizio del secolo XVII, sembrerebbe che il Libro abbia goduto di un successo duraturo. Il rapido mutare del gusto e soprattutto la rivoluzione linguistica messa in atto dal Bembo resero tuttavia necessari interventi sull’aspetto formale dell’opera. I tipografi si sentirono liberi, già a partire dal 1526 (data della prima ristampa, a un anno di distanza dalla morte di Equicola), di ritoccare, com’era del resto normale, la veste linguistica del testo, che nella prima edizione appariva ancora vicina alla volontà dell’autore, e che suscitò, proprio per la distanza dal canone linguistico già dominante, giudizi poco benevoli. […] Delle due edizioni del 1536 va considerata tale solo quella stampata da Pietro Nicolini da Sabbio. L’altra è invece una nuova emissione dell’ed. del 1531, come prova l’identica impaginazione e soprattutto il colophon, recuperato, come il resto delle carte, dall’edizione precedente» (La redazione manoscritta del Libro de natura de amore, pp. 35-38). Beautiful edition, the fourth, of the most famous work by the humanist scholar Mario Equicola, dedicated by him to Isabella d’Este of whom he had been the tutor for several years. In the book the author studies the metaphysics of love and the nature of poetic courtly love. Equicola’s views on love were credited as an influence by such figures as Agostino Nifo, Giuseppe Betussi and Lope De Vega. Bound in 18th century cartonnage. Title within woodcut decorated border; on leaf 78v a diagram showing the proportions that the different parts of the body should have between them. Very good copy, some dampstains on title-page and first leaves; some foxing throughout. Olschki 4499; La redazione manoscritta del Libro de natura de amore di Mario Equicola, a cura di L. Ricci, Roma 1999."
      [Bookseller: Philobiblon di Francesca Petrilli e Fili]
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CRESCENTIIS, Petrus de
Opera di agricoltura. ... Novame(n)te con grandissima fatica alla suapristina forma restituita: e con diligenza stampata
      B. Vercellensis [for Sessa] Venice 1536 Contemporary limp vellum with leather ties (recased with new end-papers) 8vo . Scarce edition, in Italian, of this important work on agriculture by Crescenzi [who] is considered by authorities to rank with the best writers of his age. Ernst Meyer says ... that in agriculture there is not found anyone of equal merit several centuries before or after his time" (Hunt, p. 5). "Piero Crescentio was born at Bologna, in 1230. He was seventy years of age when he undertook to write, in Latin, a sort of Gentleman's Recreation or Maison Rustique, in twelve books, crammed with information of all kinds likely to be of use to the gentleman farmer, chiefly about agriculture, horticulture and viticulture, hunting and fishing, and generally speaking, how to enjoy the 'fruits of the earth'" (Simon, Bibiotheca Gastronomica p. 42) The work (Latin title: Ruralia Commoda), in twelve books, includes a section on one hundred and twenty plants useful for medicine and nourishment. He devotes book four viticulture and wine. A very nice fresh copy. The fine woodcut title-border depicts floral themes with griffons and a cat and mouse (the symbol for Sessa's printing house). The full-page woodcut depicts the author surrounded by three scribes. 392 leaves (leaf BBB8 blank). With woodcut title-border and full-page woodcut in text and woodcut initials. § BM/STC 203; Adams C-2931; IA 146.769; Ceresoli 184; Sander 2240 "Page du titre, encadrement orné à la grotesque; dans le haut, le chat des Sessa. Bois de page, portrait de l'auteur assis in cathedra"
      [Bookseller: Jeffrey D. Mancevice Inc.]
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BINDINGS). BAÏF LAZARE DE.
ANNOTATIONES IN L. II. DE CAPTIVIS ET POSTLIMINIO REVERSIS. IN QVIBVS TRACTATVR DE RE NAVALI [and three other works].
      Paris: Robert Estienne, 1536 - 4 p.l. [1]-168 [8] [1]-203 [13] pp. (with pagination anomalies). FIRST EDITION OF "De re Navali," First Printing of this Collection. STRIKING 16TH CENTURY CALF HEAVILY AND BEAUTIFULLY GILT covers gilt with border formed by two plain rules flanking a floral roll this frame enclosing a central field of very many tiny star tools intricate strapwork cornerpieces and large central arabesque composed of strapwork interspersed with lilies and volutes; flat spine divided into latticed gilt panels by double plain rules and floral bands newer (17th or 18th century?) black morocco label the binding almost certainly with some restoration (the joints probably worked on though the repairs executed with such skill as to make difficult identifying exactly what has been done) old stock used for replacement endpapers. WITH 32 FINE WOODCUTS in the text 11 OF THEM FULL-PAGE OR NEARLY SO the illustrations showing ancient ships Roman clothing and urns; woodcut printer's device on title decorative initials and four woodcut diagrams. Text in Latin and Greek. Covers with minor discoloration a little crackling and minor scratching and gilt a bit dulled and eroded one corner somewhat bumped half a dozen leaves with faint dampstains to lower outer corner a hint of soil in isolated places but AN EXTREMELY PLEASING COPY the binding solid with no serious wear and still very attractive; the text clean fresh and bright; and the margins generous. Schreiber 53; Renouard 44, no. 19; Brunet I, 710-11; STC French, p. 39. This is the first of just five illustrated books published by Robert Estienne offered here in a handsome and historically important contemporary English binding. Included in the present volume are Baïf's monograph on ancient ships the author's treatise on Roman dress and his work on early vases and receptacles as well as an early printing of the first published monograph on colors "De Coloribus" by Antonio Telesio (1482-1534) which was later reprinted in Goethe's "Farbenlehre." A distinguished humanist and diplomat who was well known in his own time for translations of the Greek dramatists Baïf (1485-1547) is today best remembered for the works contained in this collection. The woodcuts which include 20 of early ships may have been produced by the atelier of Geoffroy Tory since five of them are signed with the Lorraine cross (Tory was the Royal printer of France appointed by François I whose title included Duke of Lorraine). Our volume appears here in a lovely 16th century decorative binding that certainly is English and seems in design and execution similar to the work of the artist whom Nixon dubbed the "Dudley Binder" for the work he did for Robert Dudley Earl of Leicester. Our binding's central panel with its oval medallion and ornate cornerpieces is typical of the Dudley Binder's work (see for example items #16 and 17 in Nixon's "Five Centuries" and Foot's "Davis Gift" #43). [Attributes: Hard Cover]
      [Bookseller: Phillip J. Pirages Rare Books (ABAA)]
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Richenthal, Ulrich v.,
Das Concilium.
      - So zu Constantz gehalten ist worden . Faksimile nach dem Augsburger Druck v. 1536. Mit sehr zahlr. handcolorierten Abbildungen u. Wappen. Meersburg, Hendel, 1936. Original-Ganzpergament. 215 Blätter u. 260 S. 4to - Limitiertes u. num. Exemplar Nr. 396. - Einband zum Teil geringfügig angebräunt, insgesamt vereinzelt (minimal) stockfleckig
      [Bookseller: Oldenburger Antiquariat Heinze]
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GILLES (Nicole);
Les Très élégantes et copieuses Annalles des tres preux, tres nobles, tres chrestiens et excellens Modérateurs des belliqueuses Gaulles. Depuis la triste desolation de la très sainte et fameuse cité de Troie jusques au regne du tres vertueux roi François a present regnant : Compilees par feu tres eloquant et noble historiographe en son vivant Judiciaire et Secretaire du roi controlleur de son trésor Maître Nicole Gille jusqu'au temps du très prudent et victorieux roi Louis douzième. Et depuis additionnees selon les Modernes historiens en l'an Mil cinq cens XXXVI Nouvellement revues et corrigées outre les précédentes impressions.
      François Regnault, Paris 1536 - 2 tomes en 1 vol. in-folio (300 x 190 mm) à deux colonnes de (6)-138 ff. ; (5)-145-(1) ff., veau brun, dos à nerfs (reliure de l'époque). Edition partagée entre François Régnault et Jehan Longis. Belle impression gothique illustrée de gravures sur bois dans le texte et plusieurs lettrines à fond criblé. Grande marque de Régnault à l'éléphant, gravée sur bois au dernier feuillet ; page de titre imprimée en noir et rouge avec encadrement de bois gravés ; arbre généalogique des Valois. Nicole Gilles, mort en 1503, contrôleur du Trésor Royal sous Charles VIII, est le premier des historiens français ou le dernier des chroniqueurs ; il marque la transition à cette époque de la Renaissance. Il a adapté et complété ici la Chronique de Saint-Denis en y supprimant l'aspect légendaire. L'ouvrage connut un prodigieux succès et fut constamment réédité ; la première édition date de 1492 et la dernière de 1621. Quelques feuillets salis, page de titre du premier tome courte de marge atteignant l'encadrement gravé. Dos restauré. Brunet II, 1597 ; B. Moreau, Inventaire chronologique des éditions parisiennes, 179. [Attributes: Hard Cover]
      [Bookseller: Bonnefoi Livres Anciens]
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Dante Alighieri
Comedia del Divino Poeta Danthe Alighieri, con la dotta & leggiadra spositione di Christophoro Landino: con somma diligentia &accuratissimo studio nuovamente corretta, & emendata: da infiniti errori purgata, ac etiandio di utilissime postille
      [Venice: Bernadino Stagnino, 1536]. Thick 4to, (28), 1-440 leaves. With one large woodcut, small woodcuts at the beginning of each canto, and the printerOs woodcut device at the end. Retrospective full brown morocco gilt-tooled in the Italian style, four leaves supplied from a shorter copy, four ink inscriptions on title-page (three crossed out) and one on the verso, other ink inscriptions and occasional very early annotations in the margins mostly towards the front. A beautifully restored copy by Trevor Lloyd. An important and rare early edition of Dante, being the second reprinting of the 1512 edition. The last copy at auction in the US or the UK was 1989. One copy sold in Italy since then. Essling, Les Livres ! Figures V!nitiens, II: p. 19, #544. OMemes bois que dans l'Edition 1512O. Not in Mortimer or Dyson Perrins; Adams D-93. Mambelli 29. Livio Ambrogio, 2003, #28.
      [Bookseller: Antiquarian Bookseller]
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CRESCENTIIS, Petrus de
Opera di agricoltura. ... Novame(n)te con grandissima fatica alla suapristina forma restituita: e con diligenza stampata
      B. Vercellensis [for Sessa] Venice 1536 Contemporary limp vellum with leather ties (recased with new end-papers) 8vo . Scarce edition, in Italian, of this important work on agriculture by Crescenzi [who] is considered by authorities to rank with the best writers of his age. Ernst Meyer says ... that in agriculture there is not found anyone of equal merit several centuries before or after his time" (Hunt, p. 5). "Piero Crescentio was born at Bologna, in 1230. He was seventy years of age when he undertook to write, in Latin, a sort of Gentleman's Recreation or Maison Rustique, in twelve books, crammed with information of all kinds likely to be of use to the gentleman farmer, chiefly about agriculture, horticulture and viticulture, hunting and fishing, and generally speaking, how to enjoy the 'fruits of the earth'" (Simon, Bibiotheca Gastronomica p. 42) The work (Latin title: Ruralia Commoda), in twelve books, includes a section on one hundred and twenty plants useful for medicine and nourishment. He devotes book four viticulture and wine. A very nice fresh copy. The fine woodcut title-border depicts floral themes with griffons and a cat and mouse (the symbol for Sessa's printing house). The full-page woodcut depicts the author surrounded by three scribes. 392 leaves (leaf BBB8 blank). With woodcut title-border and full-page woodcut in text and woodcut initials. § BM/STC 203; Adams C-2931; IA 146.769; Ceresoli 184; Sander 2240 "Page du titre, encadrement orné à la grotesque; dans le haut, le chat des Sessa. Bois de page, portrait de l'auteur assis in cathedra"
      [Bookseller: Jeffrey D. Mancevice Inc.]
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[Anonymous]
PHILOSOPHI PLATONICI
      Paris. Very Good. 1536. Hardcover. Apparent original boards held together with tape. Writing on front free endpaper and title page. Significant wear to boards commensurate with age, but holding together pretty well for its age. Bookseller sticker in rear. ; In Latin, thus an estimate of title & contents. ; 16mo 6" - 7" tall .
      [Bookseller: Complete Traveller Antiquarian Bookstore]
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Martialis, M[Arcus] Val[Erius].
M. Val Martialis Epigrammaton Libri XIIII. Adiecta Graecarum Vocum, Quibus Autor Utitur, Interpretatione
      Jacobus Giunta, 1536. 8vo (15.5 x 11.5 cm), 397 pp. (of 398-lacks final leaf, most likely blank). Printer's device on title page, wood initials. Recently rebound in full vellum. Title page and several subsequent leaves repaired at edges, occasional browning and dampstains throughout, also some marginalia and other marks in pen; very good overall, binding very sturdy.
      [Bookseller: Alibris]
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Boccaccio, Giovanni
Laberinto d'amore. Con una epistola a messer Pino de Rossi confortatoria del medesimo autore e di nuovo corretto
      per Pietro di Nicolini da Sabio [colophon: Vinegia: per Pietro di Nicolini da Sabio, 1536]. Bound as above; spine lightly faded and front cover with two small spots. Some small, light stains in text (only); generally, a very good copy.. Small 8vo (15.5 cm; 6"). 72 ff. . A handsome copy of this well-printed Renaissance edition of Boccaccio's problematic work about a man jilted or scorned, written in the 1360s. As to the complicated nature of the content, its relation to Boccaccio's life, and its date of composition, we refer the reader to Brown University's "Decameron Web," where Dr. Guyda Armstrong writes that in it "Boccaccio demonstrates his familiarity with the canon of classical and medieval antifeminist texts, and succeeds in creating what is practically an encyclopaedia of the genre."#11; The work is now generally better known under the title Il Corbaccio, although all editions use the title found here. As one would expect with a Venetian-printed Renaissance work of literature, the text is in italic type; and this was printed early enough in the 16th century that the title-page offers a charming four-element architectural woodcut border.#11; Binding: Finely bound in 19th-century English straight-grained red morocco, with ornamental gilt border to covers, gilt-extra panelled spine, and two black leather spine labels. Board edges with a gilt roll; complex gilt inner dentelles and marbled endpapers. All edges gilt.
      [Bookseller: SessaBks, A Division of the Philadelphia]
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CRESCENTIIS, Petrus de
Opera di agricoltura. . Novame(n)te con grandissima fatica alla sua pristina forma restituita: e con diligenza stampata
      B. Vercellensis [for Sessa], Venice 1536 - Contemporary limp vellum with leather ties (recased with new end-papers) 8vo . Scarce edition, in Italian, of this important work on agriculture by Crescenzi [who] is considered by authorities to rank with the best writers of his age. Ernst Meyer says . that in agriculture there is not found anyone of equal merit several centuries before or after his time" (Hunt, p. 5). "Piero Crescentio was born at Bologna, in 1230. He was seventy years of age when he undertook to write, in Latin, a sort of Gentleman's Recreation or Maison Rustique, in twelve books, crammed with information of all kinds likely to be of use to the gentleman farmer, chiefly about agriculture, horticulture and viticulture, hunting and fishing, and generally speaking, how to enjoy the 'fruits of the earth'" (Simon, Bibiotheca Gastronomica p. 42) The work (Latin title: Ruralia Commoda), in twelve books, includes a section on one hundred and twenty plants useful for medicine and nourishment. He devotes book four viticulture and wine. A very nice fresh copy. The fine woodcut title-border depicts floral themes with griffons and a cat and mouse (the symbol for Sessa's printing house). The full-page woodcut depicts the author surrounded by three scribes. 392 leaves (leaf BBB8 blank). With woodcut title-border and full-page woodcut in text and woodcut initials. § BM/STC 203; Adams C-2931; IA 146.769; Ceresoli 184; Sander 2240 "Page du titre, encadrement orné à la grotesque; dans le haut, le chat des Sessa. Bois de page, portrait de l'auteur assis in cathedra". [Attributes: Hard Cover]
      [Bookseller: Jeffrey D. Mancevice, Inc.]
 81.   Check availability:     AbeBooks   Link/Print  


GILLES (Nicole);
Les Très élégantes et copieuses Annalles des tres preux, tres nobles, tres chrestiens et excellens Modérateurs des belliqueuses Gaulles. Depuis la triste desolation de la très sainte et fameuse cité de Troie jusques au regne du tres vertueux roi François a present regnant : Compilees par feu tres eloquant et noble historiographe en son vivant Judiciaire et Secretaire du roi controlleur de son trésor Maître Nicole Gille jusqu'au temps du très prudent et victorieux roi Louis douzième. Et depuis additionnees selon les Modernes historiens en l'an Mil cinq cens XXXVI Nouvellement revues et corri...
      Paris François Regnault 1536 2 tomes en 1 vol. in-folio (300 x 190 mm) à deux colonnes de (6)-138 ff. ; (5)-145-(1) ff., veau brun, dos à nerfs (reliure de l'époque). Edition partagée entre François Régnault et Jehan Longis. Belle impression gothique illustrée de gravures sur bois dans le texte et plusieurs lettrines à fond criblé. Grande marque de Régnault à l'éléphant, gravée sur bois au dernier feuillet ; page de titre imprimée en noir et rouge avec encadrement de bois gravés ; arbre généalogique des Valois. Nicole Gilles, mort en 1503, contrôleur du Trésor Royal sous Charles VIII, est le premier des historiens français ou le dernier des chroniqueurs ; il marque la transition à cette époque de la Renaissance. Il a adapté et complété ici la Chronique de Saint-Denis en y supprimant l'aspect légendaire. L'ouvrage connut un prodigieux succès et fut constamment réédité ; la première édition date de 1492 et la dernière de 1621. Quelques feuillets salis, page de titre du premier tome courte de marge atteignant l'encadrement gravé. Dos restauré. Brunet II, 1597 ; B. Moreau, Inventaire chronologique des éditions parisiennes, 179.
      [Bookseller: Bonnefoi Livres Anciens]
 82.   Check availability:     ILAB   Link/Print  



Patterns of Pillage: A Geography of Caribbean-Based Piracy in Spanish America, 1536-1718
      - Used, remainders or ex-library, english-speaking-service, Gebraucht oder Verlagsrestbestand, evtl. aus Bibliotheksbestand, bei mehrbändigen Werken bitten wir um vorherige Anfrage, korrekte Rechnung mit ausgewiesener MwSt., deutschsprachiger Service, 14-Tage-Rückgaberecht
      [Bookseller: buxbox]
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Lucianus, Samosatensis.
[three lines in Greek characters transliterated as] Loukianou Peri Parasitou, etoi hoti techne he parasitike, [then in roman characters] Luciani parasitus, ubi artem ese parasiticam astruit.
      Parisiis: Ex officina Christiani Wecheli, 1536. Small 8vo. [20] ff. Whether Lucian is truly the author of this work (The Parasite) is still open to some contention. In it he, or the real author, weighs in on the age-old question of whether philosophy or rhetoric is the higher art form and instead proves both ironically and satirically that parasitism is the highest of all art forms. Text entirely in elegant Greek and with but one woodcut initial. The printer's device of a Pegasus is on the title-page. Rare: We find no copy in WorldCat or COPAC. Moreau locates one copy in the Anglo world, at the Morgan Library. Moreau, V, 228. Full dark modern calf old style, absolutely plain without labels; spine with raised bands accented with blind rules extending onto covers to terminate in trefoils, and simple blind double fillets to covers. One old numeral inked to title-page; text unmarked with paper clean and even bright, throughout.
      [Bookseller: The Philadelphia Rare Books & Manuscript]
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E. Dayes
This View of Tintern Abbey on the River Wye
      London, Jukes and Sarient, The Cistercian abbey of Tintern is one of the greatest monastic ruins ofWales. It was only the second Cistercian foundation in Britain, and the first in Wales, and was founded on 9 May 1131 by Walter de Clare, lord of Chepstow. Gradually buildings were added and updated in every century until its dissolution in 1536., Image Size : 320x430 (mm), 12.625x16.875 (Inches), Platemark Size : 360x460 (mm), 14.125x18.125 (Inches), Paper Size : 373x470 (mm), 14.625x18.5 (Inches), Excellent, Hand Colored, Aquatint, ; Views Europe Wales
      [Bookseller: Alexandre Antique Prints, Maps & Books]
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EUCLIDES, (Euclide).
In sex priores libros geometricorum elementorum Euclidis megarensis demonstrationes.
      Paris, Simon de Colines, 1536. - In-folio, [dimension: 293 x 200 mm] de (8), 174 pp. Vélin, titre doré au dos. (Reliure du XIXe.) Première édition des démonstrations d'Oronce Fine. Superbe page de titre dans un encadrement gravé par Fine lui-même, représentant de manière allégorique les sciences mathématiques. Texte en grec, puis en latin, dans la traduction de Zamberti, suivis des commentaires de Fine. Illustré par 340 diagrammes dans le texte. Belle initiale criblée avec au centre les armes du Dauphiné entourées par le nom "Orontius". Les autres initiales criblées sont attribuées à Geoffroy Tory. Oronce Fine (1494-1555), célèbre professeur de mathématiques sous le règne de François Ier à l'Université de Paris, était considéré par ses contemporains aussi bien comme un artiste que comme un scientifique. Petit travail de vers au fond des cahiers au centre du volume. Le dernier feuillet qui est blanc manque. Bel exemplaire. Schreiber, Colines 138. Mortimer, Harvard 215. Thomas-Stanford, Early editions of Euclid 8. First edition [Attributes: First Edition]
      [Bookseller: Hugues de Latude]
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1535 1537


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