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Displayed below are selected recent viaLibri matches for books published in 1532
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CALLIMACHUS
Greek text: Kallimachou Kyrenaiou Hymnoi, meta ton scholion. Gnomai ek diaphoron trieton philosophon syllegeisai] Callimachi Cyrenaei Hymni, cum scholijs nunc primum æditis. Sententiae ex diuersis poëtis oratoribusq[ue] ac philosophis collectæ, non ante excusæ
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(Hieronymus Froben & Nicolaus Episcopius), Basel 1532 - 18the century Spanish mottled sheep with gilt spine (rubbed; very minor damage to base of spine) 4to . FIRST EDITION of this important new recension of the original Greek text which Brunet notes includes much that has been added and improved over any previous editions including the Aldine of 1513. "To the Hymns of Callimachus are subjoined the Gnomologia, which is a singular production form a certain ancient MS. specified in Harles, Fabr. B.G. t. i. 725. The Scholia and Preface of Gelenius adorn this correct edition, which is far preferable to the Aldine, and which supplies some lacunae." (Dibdin, Intro. Classics, I, p. 366). The eminent Greek poet, Callimachus (b. ca. 300 B.C.), had been the head of the great library at Alexandria where he compiled a catalogue of its holdings of which only a few fragments survived. Edited by the eminent Greek scholar and Bohemian humanist. Sigmund Gelen (Zikmund Hruby z Jeleni: 1497-1554) of Prague. Hruby z Jeleni, "better known as Gelenius, was born into a family of Bohemian nobles. He translated Erasmus's Moria into Czech as well as works by Petrarch and Cicero. Gelenius at one time studied Greek under Marcus Musurus and visited Sicily, Sardinia, Corsica, and France before returning to Prague, where he lectured privately on Greek authors and entered into correspondence with Melanchthon. . Probably in 1524 he moved to Basel, where he lived in Erasmus' household. He spent the remainder of his life working for the Froben press as a scholar, editor, corrector, and translator from the Greek, even declining a position as professor of Greek at Nuremberg for which he was recommended by Melanchthon in 1525 and 1526. . in his day there cannot have been many major productions of the Froben press which did not benefit from his selfless scholarly devotion. . There is also evidence that he collaborated on a number of editions by Erasmus . [also] Erasmus held Gelenius in high regard as is attested to by himself and others" (Contemporaries of Erasmus, II, pp. 84-85). A very handsome, large paper copy, of this fine example of Basel Greek printing 245, [3] pp. Woodcut printer's device on title and at end; large woodcut initials and headpiece. Introduction in Latin with text in Greek. Contemporary ownership inscription, in Greek, on title as well as a later inscription dated "1640." § VD16, C270; Ebert 339; Brunet I, 1479; Graesse II, 17. [Attributes: First Edition; Hard Cover]
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Herausgegeben von Giesberts, Ludger / Reinhardt, Michael. Bearbeitet von Appel, Ivo / Buch, Thomas / Büge, Dirk / Cormann, Petra / Cosson, Rainer / Dietlein, Johannes / Dippel, Martin / Enders, Rainald / Erbguth, Wilfried / Giesberts, Ludger / Ginzky, Har
Beck'scher Online-Kommentar Umweltrecht
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Beck, CH - Beck'scher Online-Kommentar Umweltrecht BImSchG, KrW-/AbfG, BBodSchG, WHG (Beck, C H) ISBN: 978-3-406-55474-2 gebunden XXV, 1532 S.Herausgegeben von Giesberts, Ludger / Reinhardt, Michael. Bearbeitet von Appel, Ivo / Buch, Thomas / Büge, Dirk / Cormann, Petra / Cosson, Rainer / Dietlein, Johannes / Dippel, Martin / Enders, Rainald / Erbguth, Wilfried / Giesberts, Ludger / Ginzky, Harald / Guckelberger, Annette / Hasche, Frank / Heuser, Irene L. / Hilf, Juliane / Jochum, Heike / Klages, Christoph / Köck, Wolfgang / Konzak, Olaf / Kropp, Olaf / Mast, Ekkehart / Müggenborg, Hans-Jürgen / Posser, Herbert / Queitsch, Peter / Rechenberg, Jörg / Reese, Moritz / Reinhardt, Michael / Sahm, Christoph / Sanden, Joachim / Schack, Petra / Schendel, Frank Andreas / Schmidt-Kötters, Thomas / Schulte, Martin / Schulz, Paul-Martin / Schwertner, Inga / Spieth, Wolf Friedrich / Thull, Rüdiger / Tophoven, Christof / Tünnesen-Harmes, Christian / Wolf, Joachim / Wysk, Peter Verlag : Beck, C H ISBN : 978-3-406-55474-2 Einband : gebunden Preisinfo : 68,00 Eur[D] / 70,00 Eur[A] / 115,00 CHF UVP Alle Preisangaben in CHF (Schweizer Franken) sind unverbindliche Preisempfehlungen. Legende: UVP = unverbindliche Preisempfehlung, iVb = in Vorbereitung. Seiten/Umfang : XXV, 1532 S. Erschienen : 1. Aufl. 11.04.2007 Gewicht : 1638 g verwandte Themen : Deutschland [DNB] Umweltrecht [DNB] Kommentar [DNB]
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TURKISH WARS
Newe zeyttung, un[d] warhafte anzaygu[n]g, wie die streiffend rott des Türckischen Tyrannen und verfolger des Christlichen pluts, auss hilff und gnad des almechtigen Gots, durch die vnsern erlegt und umbgebracht. Am. 18. Septembris geschehen
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[H. Steiner], [Augsburg 1532 - Unbound pamphlet 4to . FIRST EDITION and only of this news report on the defeat of the Turks in the Viennese forests. In August of 1532 the Ottoman invasion of Hungary under Sultan Suleiman I the Magnificent stalls before the town of Günns (Burgenland); the stubborn resistance of a small garrison so delays the Ottoman Turks that the Holy Roman Emperor Charles V can reinforce the Austrian capital of Vienna in person, and autumn approaches. After a battle on the 18th of September the Turks retreat, devastating Carinthia and Croatia. "Verworrener Bericht über die Niederlage und den Tod Kasimbegs im Wiener Wald. Wir erfahren einzelne Episoden dieser Gefechte. 'Alle Gräben und Weingärten sind voller Toten'. Kurz wird über die Gesandtschaft Lambergs und Nogarolas berichtet" (Göllner). The work is rare with the OCLC only locating two copies in North America (Yale and University of Toronto). The fine woodcut depicts a cavalry charge between the two forces with both in detailed costumes [8] pp. With title woodcut. Collection stamp on bottom blank margin of title- page. § VD 16, N 823; Göllner 486; Kertbeny 466; Apponyi 249. [Attributes: First Edition]
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PHILOSTRATE.
HISTORIAE DE VITA APOLLONII. Libri VIII. Alemano Rhinuccino Florentino interprete. Eusebii Caesariensis adversus Hieroclem, qui ex Philostrati historia Apollonium Christo aequiparare contendebat, confutatio, sive apologia. Zenobio Acciolo Florentino interprete. Omnia ad graecam veritatem diligenter castigata, & restituta, adiectis ubi opus esse videbatur, annotationibus per Gybertum Longolium.
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Cologne, Joannes Gymnicus, 1532, in-8, 1 ff. blanc, 10 ff.n.c., 460 pp., 2 ff.n.c., belles lettrines, annotations manuscrites d'époque, ex-libris manuscrit: "Antonni de Vilaret doctoris.....1655...", "Liber Petri Vilaret.....", "antoines De Villaret", légères mouillures en début en fin d'ouvrage, sans gravité ; pleine basane d'époque, manques au dos et sur les plats, mors fendus, coiffes manquantes, coins émoussés. "La vie d'Appolonius de Tyane". Dans cet ouvrage philostrate voulut présenter un tableau embelli de la vie pythagoricienne et de l'ascétisme Théurgique. Philostrate, orateur et sophiste grec, né à Lemnos. Appolonius de Tyane, thaumaturge et philosophe néopythagoricien, né à Tyane en Cappadoce, mort à Ephèse vers 97. I fut comparé au Christ.
[Bookseller: Librairie Ancienne du Vivarais] |
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TURKISH WARS
Newe zeyttung, un[d] warhafte anzaygu[n]g, wie die streiffend rott des Türckischen Tyrannen und verfolger des Christlichen pluts, auss hilff und gnad des almechtigen Gots, durch die vnsern erlegt und umbgebracht. Am. 18. Septembris geschehen
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[H. Steiner], [Augsburg 1532 - Unbound pamphlet 4to . FIRST EDITION and only of this news report on the defeat of the Turks in the Viennese forests. In August of 1532 the Ottoman invasion of Hungary under Sultan Suleiman I the Magnificent stalls before the town of Günns (Burgenland); the stubborn resistance of a small garrison so delays the Ottoman Turks that the Holy Roman Emperor Charles V can reinforce the Austrian capital of Vienna in person, and autumn approaches. After a battle on the 18th of September the Turks retreat, devastating Carinthia and Croatia. "Verworrener Bericht über die Niederlage und den Tod Kasimbegs im Wiener Wald. Wir erfahren einzelne Episoden dieser Gefechte. 'Alle Gräben und Weingärten sind voller Toten'. Kurz wird über die Gesandtschaft Lambergs und Nogarolas berichtet" (Göllner). The work is rare with the OCLC only locating two copies in North America (Yale and University of Toronto). The fine woodcut depicts a cavalry charge between the two forces with both in detailed costumes [8] pp. With title woodcut. Collection stamp on bottom blank margin of title- page. § VD 16, N 823; Göllner 486; Kertbeny 466; Apponyi 249. [Attributes: First Edition]
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PAUL D'ÉGINE;
Pauli Aeginetae Medici insignis opus divinum, quo vir ille vastissimum totius artis oceanum, Laconica brevitate, sensibus argutis, merisque aphorismis in epitonem redegit. Albano Torino Vitodurensi interprete.
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Andreas Cratander et Johannes Bebel, Basilae 1532 - In-4 de (24)-513-(3) pp. (pâles mouillures au cahier h et marginale sur les feuillets liminaires) Relié à la suite : CELSE. Celsi De Medicina libri octo. Luce Antonii florentini impressi (Florence, Luce Antonius), 1524. In-4 gothique à deux colonnes de (4)-45 ff. Premier feuillet sali. Ensemble deux pièces reliées en 1 vol. in-4, vélin à rabats, titre manuscrit sur le dos (reliure de l'époque). Notes manuscrites anciennes. Première édition latine par Albano Torino du traité de médecine de Paul d'Égine, établie sur le texte grec publié en 1528 et imprimée à Bâle par Cratander et Bebel. Le livre VI sur la chirurgie fut publié à part. Il est divisé en sept livres ou traités, dont le premier contient l'art de conserver la santé ; le second traite des fièvres, le troisième, des affections internes en tant qu'elles sont localisées, le quatrième, des maladies externes, le cinquième, des plaies, des morsures, des venins et des poisons ; le sixième, de la chirurgie ; le septième, des médicaments simples et composés. Il récapitule toutes les connaissances médicales depuis Hippocrate. Belle édition gothique du De re medica de Celse, publiée à Florence par Luce Antonius avec sa marque au dernier feuillet. Le De Re Medica fut découvert au XVe siècle à Milan, puis établi et publié une première fois en 1478 à Florence. Il constitue le seul fragment connu d'une vaste encyclopédie du monde romain conçue sous le règne de l'empereur Auguste sous le titre De Artibus et de fait rassemble les connaissances acquises depuis Hippocrate jusqu'à Auguste, en trois parties : l'hygiène, les remèdes, la chirurgie ; c'est par cette nouvelle classification que Celse inaugura la terminologie scientifique latine. Bel exemplaire qui appartint successivement aux bibliothèques de Dominique-Barnabé Turgot, évêque de Séez de 1710 à 1727 puis Hyacinthe-Théodore Baron, doyen de la Faculté de médecine de Paris au XVIIIe siècle (ex-libris armoriés sur le contreplat supérieur). [Attributes: Hard Cover]
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CALLIMACHUS
[Greek text: Kallimachou Kyrenaiou Hymnoi, meta ton scholion. Gnomai ekdiaphoron trieton philosophon syllegeisai] Callimachi Cyrenaei Hymni, cumscholijs nunc primum æditis. Sententiae ex diuersis poëtis oratoribusq[ue]ac philosophis collectæ, non ante excusæ
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(Hieronymus Froben & Nicolaus Episcopius) Basel 1532 18the century Spanish mottled sheep with gilt spine (rubbed; very minor damage to base of spine) 4to . FIRST EDITION of this important new recension of the original Greek text which Brunet notes includes much that has been added and improved over any previous editions including the Aldine of 1513. "To the Hymns of Callimachus are subjoined the Gnomologia, which is a singular production form a certain ancient MS. specified in Harles, Fabr. B.G. t. i. 725. The Scholia and Preface of Gelenius adorn this correct edition, which is far preferable to the Aldine, and which supplies some lacunae." (Dibdin, Intro. Classics, I, p. 366). The eminent Greek poet, Callimachus (b. ca. 300 B.C.), had been the head of the great library at Alexandria where he compiled a catalogue of its holdings of which only a few fragments survived. Edited by the eminent Greek scholar and Bohemian humanist. Sigmund Gelen (Zikmund Hruby z Jeleni: 1497-1554) of Prague. Hruby z Jeleni, "better known as Gelenius, was born into a family of Bohemian nobles. He translated Erasmus's Moria into Czech as well as works by Petrarch and Cicero. Gelenius at one time studied Greek under Marcus Musurus and visited Sicily, Sardinia, Corsica, and France before returning to Prague, where he lectured privately on Greek authors and entered into correspondence with Melanchthon. ... Probably in 1524 he moved to Basel, where he lived in Erasmus' household. He spent the remainder of his life working for the Froben press as a scholar, editor, corrector, and translator from the Greek, even declining a position as professor of Greek at Nuremberg for which he was recommended by Melanchthon in 1525 and 1526. ... in his day there cannot have been many major productions of the Froben press which did not benefit from his selfless scholarly devotion. ... There is also evidence that he collaborated on a number of editions by Erasmus ... [also] Erasmus held Gelenius in high regard as is attested to by himself and others" (Contemporaries of Erasmus, II, pp. 84-85). A very handsome, large paper copy, of this fine example of Basel Greek printing 245, [3] pp. Woodcut printer's device on title and at end; large woodcut initials and headpiece. Introduction in Latin with text in Greek. Contemporary ownership inscription, in Greek, on title as well as a later inscription dated "1640." § VD16, C270; Ebert 339; Brunet I, 1479; Graesse II, 17
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"CICERON;"
Ad Titum Pomponium Atticum, ad M. Brutum, & ad Quintum fratrem, epistolarum libri XX.
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Paris, Simon de Colines, 1532 In-8 de (16), 331 ff., 1 f. bl., veau moucheté, dos à nerfs orné et doré, tranches rouges (reliure du XVIIIe siècle). Première édition des Lettres à Atticus donnée par Simon de Colines. Faite d'après l'édition aldine de 1513, elle reproduit la dédicace d'Alde à Filippe Gyulai Moré. Marques de possesseurs successifs cancellées sur le titre. Schreiber, Simon de Colines, 84.
[Bookseller: Librairie Laurent Coulet] |
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DURER, Albrecht
Institutionum Geometricarum
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Paris: Christian Wechel, 1532. First Latin edition of Durer!s first book on the theory of art, the Unterweisung der Messung, bound with the first Latin edition of his treatise on fortification, !strictly speaking the first treatise dealing exclusively with this subject! (Krufft), with important material on urban planning and utopianism.1) Illustrated by Durer himself, the Institutionum Geometricarum outlines the artist!s theory of !the work of art as a natural object!, which became an accepted aesthetic dogma until the 19th century. Far more than the German original of 1525, this translation by the humanist Camerarius brought the treatise to the attention of the whole of Europe. As a theoretical statement by !the last major painter to be counted a significant geometer! (Kemp), the work is naturally of interest for applications in Durer!s own oeuvre as well as for the history of perspective. After his encounter with Luca Pacioli in Italy, Durer became convinced of how close the links are between art and mathematics and devoted himself to the study of form through the resources offered by arithmetic and geometry. The result was the present work. In this work Durer teaches the principles of perspective and explains the application of practical geometry to drawing and painting. It became a very influential text as its audience broadened from artists to architects, sculptors, and different craftsmen and was translated and reprinted several times.Panofsky describes the treatise!s importance as three-fold: for the technical innovation in the construction of a perspective apparatus in which the eye of the observer is dispensed with entirely; for being the first literary document !in which a strictly representational problem received a strictly scientific treatment at the hands of a Northerner!; and for emphasizing that !perspective is not a technical discipline destined to remain subsidiary to painting or architecture, but an important branch of mathematics, capable of being developed into what is now known as general projective geometry! (Panofsky, p. 252).Book Three contains Durer!s famous treatise on the just shaping of Roman capital letters and gothic or !Textur! letters built up by means of small geometrical forms, a method original with Durer. (This text was translated into English by R.T. Nichol for publication by the Grolier Club, Of the Just Shaping of Letters, New York, 1917.)2) Inspired by the artist!s witnessing the siege of Hohenasperg in 1519 and by fear of the advancing Turkish armies, Krufft writes, De Urbibus !employs a dual approach. On the one hand Durer develops various alternatives for the construction of bastions to defend existing cities; this is the contemporary aspect. At the heart of the treatise, he outlines a utopian city, in which the nature of fortification merely serves as a spur to the depiction of a social structure organized on the ground... Related trades are placed side by side; smiths are to be housed near foundries, etc. The town hall and the houses of the nobility are sited near the royal palace. The whole system of organization is hierarchical and functional. Durer thinks of every function of the city, right down to the taverns! (Krufft, History of Architectural Theory, p. 110 ). Elsewhere Krufft suggests that Serlio employed the present treatise in book VI.According to Mortimer, the woodblocks are close copies of the 1527 German original.* 1)Mortimer, French I.182; Vagnetti E II.b7; Panofsky, The Life and Art of Albrecht Durer, Chapter 8, !Durer as a theorist of Art!, esp. 247-60; Kemp, The Science of Art, 53ff.; 2) Mortimer, French I.184; Fowler 113 (1527 German); Krufft, History of Architectural Theory, 110-111.. (4) ff., recto of last leaf blank, woodcut of man with lute on verso, 185 pp., (verso blank), (1) f. (printer!s device on verso, recto blank); folding extensions on P6 & Q1 as required by Mortimer. Bound in 18th-century calf over boards, spine with raised bands re-backed, later red morocco title label. Title dusty; occasional toning; small wormtrack through much of volume, generally in blank margin but occasionally grazing a partial letter or printed border on plates. Withal a fresh copy, very good.[Bound with:]DURER, Albrecht. De Urbibus, Arcibus, castellisque condendis, ac muniendis rationes aliquot, praesenti bellorum necessitati accomodatissimae ... Paris, Christian Wechel, 1535. (40) ff., including 10 double-page/extended leaves as described by Mortimer.
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CALLIMACHUS
[Greek text: Kallimachou Kyrenaiou Hymnoi, meta ton scholion. Gnomai ekdiaphoron trieton philosophon syllegeisai] Callimachi Cyrenaei Hymni, cumscholijs nunc primum �ditis. Sententiae ex diuersis po�tis oratoribusq[ue]ac philosophis collect�, non ante excus�
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(Hieronymus Froben & Nicolaus Episcopius) Basel 1532 18the century Spanish mottled sheep with gilt spine (rubbed; very minor damage to base of spine) 4to . FIRST EDITION of this important new recension of the original Greek text which Brunet notes includes much that has been added and improved over any previous editions including the Aldine of 1513. "To the Hymns of Callimachus are subjoined the Gnomologia, which is a singular production form a certain ancient MS. specified in Harles, Fabr. B.G. t. i. 725. The Scholia and Preface of Gelenius adorn this correct edition, which is far preferable to the Aldine, and which supplies some lacunae." (Dibdin, Intro. Classics, I, p. 366). The eminent Greek poet, Callimachus (b. ca. 300 B.C.), had been the head of the great library at Alexandria where he compiled a catalogue of its holdings of which only a few fragments survived. Edited by the eminent Greek scholar and Bohemian humanist. Sigmund Gelen (Zikmund Hruby z Jeleni: 1497-1554) of Prague. Hruby z Jeleni, "better known as Gelenius, was born into a family of Bohemian nobles. He translated Erasmus's Moria into Czech as well as works by Petrarch and Cicero. Gelenius at one time studied Greek under Marcus Musurus and visited Sicily, Sardinia, Corsica, and France before returning to Prague, where he lectured privately on Greek authors and entered into correspondence with Melanchthon. ... Probably in 1524 he moved to Basel, where he lived in Erasmus' household. He spent the remainder of his life working for the Froben press as a scholar, editor, corrector, and translator from the Greek, even declining a position as professor of Greek at Nuremberg for which he was recommended by Melanchthon in 1525 and 1526. ... in his day there cannot have been many major productions of the Froben press which did not benefit from his selfless scholarly devotion. ... There is also evidence that he collaborated on a number of editions by Erasmus ... [also] Erasmus held Gelenius in high regard as is attested to by himself and others" (Contemporaries of Erasmus, II, pp. 84-85). A very handsome, large paper copy, of this fine example of Basel Greek printing 245, [3] pp. Woodcut printer's device on title and at end; large woodcut initials and headpiece. Introduction in Latin with text in Greek. Contemporary ownership inscription, in Greek, on title as well as a later inscription dated "1640." � VD16, C270; Ebert 339; Brunet I, 1479; Graesse II, 17
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Vegetius Flvius, Renatus.; Scriptores rei militaris
DE RE MILITARIA: Libri Quatuor (Ed. G. Bud!)
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Paris: C. Wechel, 10 cal. September, 1532. First edition printed in France, the First Wechel Edition, (the 1534 edition was the earliest known to Brunet (V.1162)). Beautifully illustrated with engraved title-page and one half-page diagram and 119 large engraved plates. Folio, bound in full vellum sometime later with morocco lettering label gilt. 144 leaves including the 59 leaves with engraved illustrations. Collation: a4, A-Y6, Z8. A very handsome copy, very well preserved, the binding in excellent condition and clean, some minor and early edge restoration at the initial leaf, occasional evidence of age, the plates and textblock crisp.. RARE. A VERY EARLY PRINTING, THE FIRST IN FRANCE OF ONE OF THE GREATEST WORKS ON THE MILITARY ARTS THAT HAS EVER BEEN PENNED. This printing of Vegetius contains a wonderful suite of woodcuts carved with considerable vitality and imagination. The 118 illustrations depict various weapons and machines of war. Some of the cuts hearken back to the very first military woodcuts, which appeared in the 1472 Valturius, while others are famous for Opre-figuringO later inventions, such as diving suits and air mattresses. OThe title-page contains a woodcut of a military council before a tent and a cut of a man loading a cannon on the verso. On leaf a4v, facing the first page of the text, is a full-page woodcut of a lansquenet, with the title, OVegetius De re militariO on a tablet in the lower left-hand corner of the cut. The block is repeated on leaf Q1v at the end of VegetiusO text. Illustrating the text are one half-page diagram and one hundred nineteen full-page cuts, printed as groups of plates, recto and verso of each leaf, included in the pagination, at the end of each of the four books. These are from the Steiner German text of 1529. The Vegetius subjects are in some cases the same as those in editions of Valturio. The Wechel Valturio was completed in July of 1532. All early illustrated military works are rare, and this work is one of the earliest obtainable.
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Sebastian Munster
Schonlandia XIII Nova Tabula [1st Map of Scandinavia]
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Munster's map of Scandinavia is the earliest obtainable printed map of Scandinavia and appeared in only 2 editions of Munster's Geographia, making it both rare and highly sought after among collectors. This map is derived from the Jacob Ziegler of 1532. It covers mainly Scandinavia but shows the land called Terra nova sive de Bacolhos in the top left. ,The map shows an interesting blend of cartographic information and illustrations to explain indigeous people, flora and fauna, including tents and animals. The map suggests a continuous land bridge from Scandinavia to America, via Greenland to the Terra novae sive de Bacolhos (New Land of Codfish). It is unchanged from the 1540 edition, except for minor text changes and the addition of a printer's device in the title. Munster's Geographia was a cartographic landmark, including not only Ptolemaic maps, but also a number of landmark modern maps, including the first separate maps of the 4 continents, the first map of England and the earliest obtainable map of Scandinavia. Munster dominated cartographic publication during the mid-16th Century. Munster is generally regarded as one of the three most important map makers of the 16th Century, along with Ortelius and Mercator. Munster was a linguist and mathematician, who initially taught Hebrew in Heidelberg. He issued his first mapping of Germany in 1529, after which he issued a call geographical information about Germany to scholars throughout the country. The response was better than hoped for, and included substantial foreign material, which supplied him with up to date, if not necessarily accurate maps for the issuance of his Geographia in 1540. (Basle, 1542) [color: Uncolored, size: 13.5 x 10 inches, condition: VG+]
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VONDERWEID, Hans Peter:
"Pundtnus Buch", Aufstellung aller Bundnisse, Vertrage, Burgrechte etc. der Stadt Freiburg mit weltlichen und geistlichen Personen, Stadten und Landern, mit Verweisen auf das Bundnisbuch in der (Freiburger) Kanzlei, gefolgt von einer 12 seitigen Abschrift des Landfriedens zwischen den 5 katholischen Orten und Zurich (1532).
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XVII. Jhd., 33 x 21 cm, 87 beschriebene Papierbl. + 54 Bl. weiss, reichverzierte Initiale in roter Tinte am Anfang jedes Absatzes, Original-Lederband, mit Lederriemchen. Zettel und Rechnung (Maison-Dieu de la Val Sainte) aus dem 18. Jh. zwischen den Seiten.
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ALAMANNI Luigi
Opere Toscane. Al christianissimo Re' Francesco Primo. MDXXXII.
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(In fine:) In Firenze nell'anno M.D.XXXII. adi IX Luglio (Bern. Giunti, 1532), in-8, pp. (8), 435, (11), caratt. corsivo. Leg. 600sca p.pelle, doppio filetto oro ai paitti, dorso a nervi con fregi e titolo oro, tagli rossi. Emblema dei Giunti sul titolo e al verso dell'ultimo foglio. Edizione contemporanea a quella di Lione che fu impressa in 2 volumi ed è riconosciuta come l'originale. Questo volume corrisponde alla "Prima parte" dell'opera e contiene 30 elegie, 14 egloghe, 178 sonetti con 5 ballate e 2 canzoni; la Favola di Narciso in ottava rima; il Diluvio romano e la Favola di Atlante; 12 satire e i sette Salmi Penitenziali in terza rima. Edizione dedicata (come anche quella di Lione) a Francesco I. Esemplare con i margini superiori rifilati, qualche lieve ingiallitura e difetti all'ultimo foglio. Gamba, 14, note. Adams, A-405. . Camerini, I, n. 225. STC, 12.
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"Tosini, Patrizia."
"Girolamo Muziano 1532-1592. Dalla Maniera alla Natura. "
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"Roma,": "Ugo Bozzi Ed.", "2008,". " cm.25x28, pp.576, ill. bn. 283 tavv. bn. col., leg.ed.cop.fig.a col.cofano." "Pittore, disegnatore, forse anche scultore, di certo impresario artistico su vasta scala, Girolamo Muziano è uno dei maggiori protagonisti della vita artistica romana nella seconda metà del Cinquecento e un cruciale anello di congiunzione di quest'ultima con la cultura lombardo-veneta. Dopo ottanta anni dall'unico studio esistente sul pittore, giunta a conclusione una monumentale e specifica raccolta iconografica durata oltre dieci anni, questo libro ne vuole finalmente ripercorrere la carriera, attraverso un'approfondita analisi storica e filologica dei suoi dipinti, delle committenze, delle relazioni con i principali protagonisti dell'ambiente culturale nella Roma della Controriforma. Il catalogo si snoda tra grandi cicli ad affresco, dipinti, pale d'altare, disegni e incisioni, incrementato dalla riscoperta di opere sconosciute o ritenute disperse e con il supporto di un apparato documentario in larga parte inedito. Ne risulta accresciuto e reso più limpido il quadro della pittura romana di mezzo secolo, territorio d'indagine che si va delineando incisivamente soltanto negli ultimi tempi alla conoscenza del grande pubblico, ma anche in parte agli studi del settore. Con la pubblicazione di questo volume, la Ugo Bozzi editore, dopo la pluridecennale attività dedicata agli artisti del Sei e Settecento, inaugura una nuova stagione d'interesse per la produzione figurativa del Cinquecento, un secolo che diede vita ad innumerevoli rilevanti personalità, molte delle quali attendono ancora una esatta definizione ed un inquadramento nell'orizzonte artistico del periodo. L'uscita della monografia su Girolamo Muziano anticipa pertanto un più articolato ed esaustivo repertorio della pittura a Roma nel secondo Cinquecento, uno strumento indispensabile di consultazione e di ricerca ancora mancante, che la Ugo Bozzi editore ha in preparazione tra le sue prossime iniziative. Il volume su Muziano si avvale di una amplissima campagna fotografica, che presenta in massima parte per la prima volta i dipinti di questo artista a colori e dopo il restauro, affiancati da un ricco numero di straordinari disegni di paesaggio e di figura. Proprio per gli inizi della pittura di paesaggio italiana, Muziano svolgerà un ruolo importantissimo, introducendo a Roma il repertorio del grande paesismo veneto del Cinquecento, da Tiziano a Domenico Campagnola. Inoltre la sua produzione formerà un'intera generazione di pittori, non solo a Roma, ma in tutta l'Italia centrale - dalle Marche all'Umbria -, dando il via all'ultima stagione della Maniera, verso gli albori del naturalismo caravaggesco. - L'artista. Girolamo Muziano nasce da madre bresciana e padre milanese nel 1532. Dopo un periodo di formazione tra Padova e Venezia con Lambert Sustris e Domenico Campagnola, giunge a Roma sul finire del 1549. Dal 1560 è al servizio del cardinale Ippolito II d'Este, come responsabile dei grandi cantieri pittorici del Quirinale, di Montegiordano, e di Villa d'Este a Tivoli. Nel 1576 inizia per Muziano la felice stagione della committenza di papa Gregorio XIII Boncompagni, per il quale l'artista organizza e sovrintende le maggiori decorazioni vaticane: la galleria delle Carte Geografiche, la cappella Gregoriana in San Pietro, la sala del Concistoro nell'Appartamento pontificio. Nell'arco della sua lunga attività romana, lascia inoltre molte opere nelle più importanti chiese della città: Santa Caterina della Rota, Santa Caterina dei Funari, Santa Maria in Vallicella, Santa Maria in Aracoeli, Sant'Agostino, San Luigi dei Francesi, Santa Maria in Traspontina, il Gesù. Conclude la sua vicenda artistica - la morte sopraggiunge nel 1592 - al servizio del cardinale Alessandro Farnese, dei Mattei e degli Oratoriani, lungo un percorso che porterà a Roma, di lì a breve, un altro illustre lombardo, Michelangelo Merisi da Caravaggio. Il maggiore allievo di Muziano, Cesare Nebbia da Orvieto, ripercorrerà all'indietro il percorso del maestro, portando la nuova koinè pittorica messa a punto a Roma nella Lombardia borromaica del cardinale Federico e del collegio Borromeo di Pavia. Sommario: - Introduzione. - Capitolo I: 1532-1549. Le origini e la formazione. Gli anni padovani e veneziani. - Capitolo II: 1549-1560. L'arrivo a Roma. Primi contatti con l'ambiente artistico dell'Urbe. Committenze e modelli. Il cantiere di Orvieto. - Capitolo III: 1560-1572. I palazzi urbani e suburbani di Ippolito d'Este: Quirinale, Montegiordano e Tivoli. L'affermazione presso i grandi mecenati romani. - Capitolo IV: 1572-1585. La felice stagione di Gregorio XIII: committenza pontificia e prelatizia alla corte di papa Boncompagni. Le ultime pale per Orvieto. - Capitolo V: 1585-1592. Gli anni di Sisto V. Le opere della maturità. La vendita dei dipinti di Muziano. - Capitolo VI: Allievi e seguaci: il lascito di Muziano. - Catalogo: - Opere autografe - Opere perdute o distrutte - Opere problematiche - Opere erroneamente attribuite - Opere attribuite a Muziano in collezioni romane - Regesto documentario. - Bibliografia. - Indice onomastico. - Indice toponomastico. - Indice dei nomi. - Indice dei luoghi. - L'autrice: Patrizia Tosini, è titolare della Cattedra di Storia dell'arte moderna all'Università di Cassino. Al centro dei suoi interessi da oltre un quindicennio, la pittura della seconda metà del Cinquecento e dell'inizio del Seicento, su cui ha scritto numerosi contributi in volumi e riviste italiane e straniere, approfondendo in particolare gli aspetti della committenza e della ricostruzione filologica del catalogo di alcuni protagonisti della Maniera romana, tra cui Giulio Mazzoni, Federico Barocci, Federico Zuccari, Giovanni De' Vecchi, Andrea Lilio e Giovan Battista Ricci. Ha inoltre curato la pubblicazione di un repertorio di opere d'arte in collezioni private veneziane (con F. Romei, 1995), un volume sulla collezione d'arte di Dexia Crediop (2002), un libro sulla cappella Contarelli in San Luigi dei Francesi (con N. Gozzano, 2005), e gli atti di un convegno internazionale su arte e committenza nell'età di Cesare Baronio (2007, in corso di stampa). L'attività pittorica di Girolamo Muziano, illustrata in questo volume, è stato oggetto del suo dottorato di ricerca (1999), discusso all'Università 'La Sapienza' di Roma."
[Bookseller: Libreria Chiari] |
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CICERON;
Ad Titum Pomponium Atticum, ad M. Brutum, & ad Quintum fratrem, epistolarum libri XX.
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Paris, Simon de Colines, 1532 In-8 de (16), 331 ff., 1 f. bl., veau mouchete, dos a nerfs orne et dore, tranches rouges (reliure du XVIIIe siecle). Premiere edition des Lettres a Atticus donnee par Simon de Colines. Faite d'apres l'edition aldine de 1513, elle reproduit la dedicace d'Alde a Filippe Gyulai More. Marques de possesseurs successifs cancellees sur le titre. Schreiber, Simon de Colines, 84.
[Bookseller: Librairie Laurent Coulet] |
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Tallat (oder Tollat) von Vochenberg, Johann.
Artzney Buchlein der Kreutter, gesamlet durch Johannem Tallat von Vochenberg, bey dem aller erfarnesten der Artzney Doctor Schricken zu Wyen.
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(Leipzig, Blum, 1532). - (19 x 14 cm). 46 nn. Bll. Mit halbseitigem Titel-Holzschnitt und einigen Holzschnitt-Initialen. Moderner Halbpergamentband im Stil der Zeit. Letzte Ausgabe des zu seiner Zeit sehr geschätzten Arzneibuches, erstmals 1497 erschienen und mehrfach aufgelegt. Als Vorlage dient dem aus Kempten stammenden Verfasser der 1485 gedruckte Hortus sanitatis. Der Verweis auf die Werke des berühmten Wiener Arztes Michael Puff von Schrick (1400-1473) soll vermutlich nur der besseren Vermarktung dienen. Tallat wendet sich in seinem in Deutsch verfassten Werk an den gebildeten Laien und schreibt hier über den arzneilichen Nutzen der Kräuter gegen eine Vielzahl von Krankheiten, über Diätetik und Hygiene sowie über Geburt und Tod. Ein umfangreiches Register erschließt das Werk und erhöht dessen Benutzbarkeit. Auf den letzten sechs Seiten wird die Anwendung von Guaiakholz als Heilmittel gegen Syphilis beschrieben. - Der schöne Titelholzschnitt zeigt einen Arzt am Krankenbett und im rechten Bildteil einen Mann, der seinen Arm tröstend auf die Schulter einer Frau legt. - Titel verso mit Besitzeintrag von alter Hand. Einige kleine Einrisse am äußeren Rand, teils restauriert. Vereinzelt mit Marginalien von alter Hand. Insgesamt gut erhalten, besonders für ein derartiges Gebrauchsbuch. - VD 16 T89; Wellcome I, 6315; Pritzel 9388; Durling 4370
[Bookseller: Antiquariat Gerhard Gruber] |
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Rotermund, Heinrich Wilhlem.
Geschichte der Domkirche St. Petri zu Bremen. und des damit verbundenen Waisenhauses und der ehemaligen Domschule, von ihrem Ursprunge und mancherlei Schicksalen bis zum Jahre 1828. Bremen, Wilhelm Kaiser 1829. XXVIII,.
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- 308 S., 2 gefaltete lithograph. Tafeln. Einfacher Pappbd d. Zeit. Erste Ausgabe. ADB XXIX, 303. Die Tafeln zeigen Ansichten des Domes aus den Jahren 1532 und 1829. Angebunden: LAPPENBERG, J.M. Register der Einkünfte der Probstey zu Bremen. XXX S. (nach einer Handschrift aus dem 14. Jahrhundert). - Einband etwas fleckig, beschabt u. bestoßen, Besitzvermerk auf Vorsatz, vereinzelt gering fleckig, einige Anstreichungen überwiegend mit Bleistift, die Tafeln oben mit schwachem Feuchtigkeitsrand.
[Bookseller: Antiquariat Eckert & Kaun] |
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FLACCUS (C. Valerius)
Argonauticon
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Paris, Simon Colines, 1532 in-8, 103ff. (signatures a8-m8, n7), manque le dernier feuillet blanc velin surjete, dos lisse avec piece de titre, tranches bleue Cette edition est une copie de celle publiee a Strasbourg, chez Knobloch, en 1525. Ce poeme epique inacheve sur l'histoire de Jason et de Medee est notamment inspire des "Argonautiques" d'Apollonios de Rhodes. Ex-libris arrache au dos de la page de titre avec petit trou. Bel exemplaire BRUNET V-1046; RENOUARD, Bibliographie de Simon de Colines, p.200.
[Bookseller: Librairie Alain Brieux] |
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Stephanie Buck, Jochen Sander, Thames, Hudson
Hans Holbein the Younger: Painter at the Court of Henry VIII
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UK: THAMES AND HUDSON LTD. Hans Holbein's psychological insight, magisterial compositions, and cool palette ensure his status as one of the greatest European painters. Published to accompany a major exhibition at the Mauritshuis in The Hague, the book concentrates on the period beginning in 1532, when Holbein settled in England. From 1536 Holbein was court painter to King Henry VIII and immortalized not only the king himself but also several of Henry's prospective spouses, actual wives, and children. Holbein also drew and painted other prominent figures, including German merchants in London, ambassadors, and members of the English court. After almost 400 years, these portraits have lost none of their profoundly expressive power: Holbein was among the first artists to portray people as flesh and blood, as strong and decisive personalities who continue to intrigue and move us. In her introductory essay, Stephanie Buck discusses Holbein's activities as a portraitist. She explores the pivotal role Erasmus played in Holbein's early career, and the later English period during which he portrayed the royals and their circle. Jochen Sander's essay sheds new light on the creation of the Darmstadt Madonna. The book is completed by a Who's Who that explains figures and essential ideas and movements necessary for a complete understanding of Holbein's milieu. ISBN10: 0500093180.
[Bookseller: Alibris] |
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Agrippa von Nettesheim, Heinrich Cornelius.
De Incertitudine & Vanitate Scientiarum, & Artium atque excellentia Verbi Dei, Declamatio. Nunc denuo recognita: & Scholijs Marginarijs illustrata. Nihil scire felicissima vita. 8 Bl., 351 S. Guter Halblederbd auf Holzdeckeln (Hintergelenk oben unauffällig restauriert) mit Blindprägung und intakter Schließe (Schließenband erneuert).
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O. O. u. Dr. (Köln, Johann Prael), September 1532. - Seltene frühe Ausgabe von Agrippas zweiter großer Schrift 'Über die Fragwürdigkeit, ja Nichtigkeit der Wissenschaften, Künste und Gewerbe', die häufig missverstanden, verstümmelt oder böswillig interpretiert wurde und ihm große Unannehmlichkeiten verursachte. Diese Bekenntnisschrift, die noch zu Agrippas Lebzeiten mindestens acht neue Auflagen erlebte, "ist jedenfalls eine bissige Satire auf die Wissenschaften jener Zeit" (Wollgast, Nachwort zur Akademie-Ausgabe 1993, S. 286). Das Buch fand "Aufnahme in die Schriften der Frühaufklärer und Libertins. A.s unbestechliche Haltung in dem Metzer Hexenprozeß wurde im gelehrten Hexenschrifttum diskutiert" (Killy). Zu Agrippas Schülern zählte u. a. Johann Weyer (Wier). Auf Anordnung der Sorbonne zu Paris wurde das Buch bereits 1530 vom Henker öffentlich verbrannt, die Universität Löwen schloß sich dem Verbot an. Seine Widersacher stellten Passagen zusammen, die damals einen Ketzerprozeß rechtfertigten. Agrippa hatte schon vor dem Tod Margarethas ihre Gunst verloren, erhielt kein Gehalt mehr und kam 1531 in Brüssel ins Schuldgefängnis. Er wurde ausgelöst und ging zum Kölner Kurfürsten und Erzbischof Hermann von Wied. ? Titel zu 2/3 hinterlegt, mit gelöschtem Stempel, untere Ecke mit etwas Papierverlust, gelegentlich Anmerkungen von alter Hand. Kaum fleckig. ? VD 16 A 1157. Hayn/G. I 33. Vgl. Adams A 381. ? Beigebunden: Althamer, Andreas. Diallage, hoc est, conciliatio locorum scripturae, qui prima facie inter se pugnare videntur. 4 Bl., 99 num. Bl., 7 Bl. Mit Holzschnitt-Titelbordüre und Druckermarke am Schluß. Nürnberg, Friedrich Peypus, 1527. Erste Ausgabe der bekanntesten Schrift Althamers, polemisch gegen die Wiedertäufer und deren "Papst" Johann Denk gerichtet, der das innere Licht und innere Wort über die Bibel gestellt hatte. Die "Diallage" stellt jeweils 2 einander scheinbar widersprechende Bibelstellen gegenüber und gibt Erklärungen zur Auflösung der Widersprüche; sie wurde später mehrfach erweitert und in vielen Ausgaben verbreitet. ? VD 16 A 2007. Nicht bei Adams und im BM STC. * Rare early edition of Agrippa's fervent satire questioning the sciences of the time and their uses. The work caused him much trouble and was condemned to be burned by order of the Sorbonne as early as 1530. ? Title page partly padded, with erased stamp, lower edge with some paper loss. Some old annotations, only minimally foxed. Good blind-tooled half-calf on wooden boards with clasp. Some minor restoration to lower joint, clasp band renewed.
[Bookseller: Antiquariat Wolfgang Braecklein] |
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[ARISTOTLE]
Das aller edelst und bewertest Regiment der gesundthait, Auch von allen verborgne[n] kunsten un[d] Kunigklichen Regimenten Aristotelis, das er dem grossmechtigen Kunig Alexandro zu geschriben hat. Au! Arabischer sprach durch Meister P
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Augsburg: H. Steiner. 22. April 1532. Modern vellum covered boards 8vo . German translation of the collection of secrets (Secreta secretorum), largely dealing with health, that has been attributed to Aristotle. This is the third appearance of this translation; Steiner published all three with the first appearing in 1530. The work deals, in seventy-one chapters, with diet, health, diseases, medicines, etc. In addition it has political advice for rulers, on life in general and making intelligent decisions in life; such as how to recognize the best wines, advice on drunkenness and recipes for hangovers, etc. The title woodcut depicts the translator dedicating the book to the king. The full-page woodcut is of Alexander the Great standing in the royal military dress of a renaissance warrior.#11;Ferguson in his Bibliographical notes on Histories of Inventions and Books of Secrets (third suppl. pp. 6-7, no. 5) describes Steiner's 1531 edition, noting the works rarity and also that although a few supplementary texts have been left out that appeared in the Latin Secreta Secretorum of 1520, the present work "has not however been disemboweled like the English translation of 1702" [4], 48 leaves. With title woodcut and 1 full-page woodcut. Running heading on a few leaves is slightly cropped. Small tear repaired (covering up a few letters but no loss). ! VD 16, A 3629; IA (= Cranz) 107.931; Durling 300; cf. Wellcome I, 458 & Dodgson II, 112, 11
[Bookseller: Jeffrey D. Mancevice, Inc.] |
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CALLIMACHUS
[Greek text: Kallimachou Kyrenaiou Hymnoi, meta ton scholion. Gnomai ekdiaphoron trieton philosophon syllegeisai] Callimachi Cyrenaei Hymni, cumscholijs nunc primum æditis. Sententiae ex diuersis poëtis oratoribusq[ue]ac philosophis collectæ, non ante excusæ
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(Hieronymus Froben & Nicolaus Episcopius) Basel 1532 18the century Spanish mottled sheep with gilt spine (rubbed; very minor damage to base of spine) 4to . FIRST EDITION of this important new recension of the original Greek text which Brunet notes includes much that has been added and improved over any previous editions including the Aldine of 1513. "To the Hymns of Callimachus are subjoined the Gnomologia, which is a singular production form a certain ancient MS. specified in Harles, Fabr. B.G. t. i. 725. The Scholia and Preface of Gelenius adorn this correct edition, which is far preferable to the Aldine, and which supplies some lacunae." (Dibdin, Intro. Classics, I, p. 366). The eminent Greek poet, Callimachus (b. ca. 300 B.C.), had been the head of the great library at Alexandria where he compiled a catalogue of its holdings of which only a few fragments survived. Edited by the eminent Greek scholar and Bohemian humanist. Sigmund Gelen (Zikmund Hruby z Jeleni: 1497-1554) of Prague. Hruby z Jeleni, "better known as Gelenius, was born into a family of Bohemian nobles. He translated Erasmus's Moria into Czech as well as works by Petrarch and Cicero. Gelenius at one time studied Greek under Marcus Musurus and visited Sicily, Sardinia, Corsica, and France before returning to Prague, where he lectured privately on Greek authors and entered into correspondence with Melanchthon. ... Probably in 1524 he moved to Basel, where he lived in Erasmus' household. He spent the remainder of his life working for the Froben press as a scholar, editor, corrector, and translator from the Greek, even declining a position as professor of Greek at Nuremberg for which he was recommended by Melanchthon in 1525 and 1526. ... in his day there cannot have been many major productions of the Froben press which did not benefit from his selfless scholarly devotion. ... There is also evidence that he collaborated on a number of editions by Erasmus ... [also] Erasmus held Gelenius in high regard as is attested to by himself and others" (Contemporaries of Erasmus, II, pp. 84-85). A very handsome, large paper copy, of this fine example of Basel Greek printing 245, [3] pp. Woodcut printer's device on title and at end; large woodcut initials and headpiece. Introduction in Latin with text in Greek. Contemporary ownership inscription, in Greek, on title as well as a later inscription dated "1640." § VD16, C270; Ebert 339; Brunet I, 1479; Graesse II, 17
[Bookseller: Jeffrey D. Mancevice Inc.] |
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"FICINO, Marsilio;"
De Vita libri tres... quorum Primus, de studiosorum sanitate tuenda. Secundus, de Vita producenda. Tertius, de Vita coelitus comparanda. Eiusdem Apologia. His accessit Epidemiarum antidotus, tutelae quoque bonae valetudinis continens, eodem autore.
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Basileae per And. Cratandrum et Io. Bebelium 1532 "In-8 de 16 ff.n.ch., 330 pp. mal ch. 340, 2 ff.n.ch.; demi-veau brun estampé à froid sur ais de bois, fermoir (reliure de l'époque)." "NLM, 1545 (inc.); Wellcome, 2260; Simon, 250; manque à Waller. Bonne édition de ce célèbre manuel de santé. On trouve relié à la suite : SCRIBONIUS LARGUS. De compositione medicamentorum liber, jampridem Jo. Ruellii opera a tenebris erutus, & a situ vindicatus. Antonii Benivenii libellus De abditis nonnullis ac mirandis morborum & sanationum causis. Polybus De salubri victus ratione privatorum, Guinterio Joanne Andernaco interprete. Basileae, apud Andream Cratandrum, 1529. In-8 de 8 ff.n.ch., 318 pp.ch. et 1 f.n.ch. NLM, 4168; Wellcome, 5894; Wellcome, 8785. Première édition séparée, donnée par Jean Ruel. Scribonius Largus vivait au premier siècle et fut un grand partisan du système d'Asclépiade. Son recueil de médicaments, souvent cité par Galien, contient la description d'un dentifrice dont Messaline faisait usage. L'ouvrage de Scribonius Largus est suivi du traité de chirurgie d'Antonio Benivieni (1443-1502), publié posthume en 1507. Ce chirurgien florentin, considéré comme le restaurateur de la médecine italienne et un précurseur de Morgagni, développa l'observation et fut l'un des premiers à pratiquer l'autopsie pour identifier les causes de la mort. Ses notes, rassemblées par ses élèves dans cet ouvrage, contiennent de judicieuses observations d'hypospadias, d'ostéites, de gangrènes, de lithiase vésiculaire, et surtout la première observation de kyste du mésentère. Le dernier texte du recueil, attribué à Polybe de Cos (IVe siècle av. J.-C.) est présenté dans la traduction de l'anatomiste alsacien Joannes Guinter (1505-1574), qui fut le médecin de François Ier et eut comme élèves Vésale, Rondelet et Servet. Intéressant recueil de deux ouvrages publiés à Bâle par Cratander et Bebel, avec leur belle marque à la fin de chaque ouvrage. Abondantes notes marginales et passages soulignés, surtout dans le premier ouvrage. Habiles restaurations à la reliure, avec ajout d'une pièce de titre au XIXe siècle ; petit manque de bois en bordure du plat supérieur. Ex-libris manuscrit sur le titre : Jo. Jacobi Schwigknudi à Freihaùsern."
[Bookseller: Librairie Thomas-Scheler] |
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VALERIUS FLACCUS.
Argonauticon libri octo, a Philippo Engentino emendati, et ad vetustissima exemplaria recogniti...
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Paris, Simon Colines, 1532; petit in-8, plein maroquin citron, encadrement de fil. dores, dos a nerfs, fleurons et ornements dores, piece de titre de maroquin brun, guirlande int. doree, tranches dorees. (Reliure du XVIII e s.). " ""103 ff.n.ch- 1 f. blanc.- Belle et rare edition, donnee par Simon Colines. C'est une copie de l'edition de Strasbourg, Knobloch, 1525. Renouard dit qu'elle est preferable a celle des Aldes de 1523. Valerius Flaccus a, pour ses Argonautes, tire son inspiration d'Apollonius de Rhodes. Il dedia son livre a l'empereur Vespasien. L'iuvre du poete latin a plus d'unite que son modele grec et ses personnages ont plus de relief. Nous pensons particulierement a Medee, admirablement representee dans sa folie d'amour. L'edition a ete prefacee par Philippe EGENTINUS qui signe de Fribourg, mai 1525, une dedicace a son jeune eleve Paul Richard de Hagueneau et fait preceder chacun des 8 livres d'un argument en vers latins. ( Renouard, S. Colines pp.200-201- Adams V, 78- Brunet V, 1046). Tres bel exemplaire en maroquin ancien. Petite reparation ancienne au titre. Ex-libris manuscrit: """"""""de Las Cases 1841""""""""."""
[Bookseller: Librairie du Manoir de Pron] |
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FICINO, Marsilio;
De Vita libri tres. quorum Primus, de studiosorum sanitate tuenda. Secundus, de Vita producenda. Tertius, de Vita coelitus comparanda. Eiusdem Apologia. His accessit Epidemiarum antidotus, tutelae quoque bonae valetudinis continens, eodem autore.
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Basileae per And. Cratandrum et Io. Bebelium 1532 - In-8 de 16 ff.n.ch., 330 pp. mal ch. 340, 2 ff.n.ch.; demi-veau brun estampé à froid sur ais de bois, fermoir (reliure de l'époque). NLM, 1545 (inc.); Wellcome, 2260; Simon, 250; manque à Waller. Bonne édition de ce célèbre manuel de santé. On trouve relié à la suite : SCRIBONIUS LARGUS. De compositione medicamentorum liber, jampridem Jo. Ruellii opera a tenebris erutus, & a situ vindicatus. Antonii Benivenii libellus De abditis nonnullis ac mirandis morborum & sanationum causis. Polybus De salubri victus ratione privatorum, Guinterio Joanne Andernaco interprete. Basileae, apud Andream Cratandrum, 1529. In-8 de 8 ff.n.ch., 318 pp.ch. et 1 f.n.ch. NLM, 4168; Wellcome, 5894; Wellcome, 8785. Première édition séparée, donnée par Jean Ruel. Scribonius Largus vivait au premier siècle et fut un grand partisan du système d'Asclépiade. Son recueil de médicaments, souvent cité par Galien, contient la description d'un dentifrice dont Messaline faisait usage. L'ouvrage de Scribonius Largus est suivi du traité de chirurgie d'Antonio Benivieni (1443-1502), publié posthume en 1507. Ce chirurgien florentin, considéré comme le restaurateur de la médecine italienne et un précurseur de Morgagni, développa l'observation et fut l'un des premiers à pratiquer l'autopsie pour identifier les causes de la mort. Ses notes, rassemblées par ses élèves dans cet ouvrage, contiennent de judicieuses observations d'hypospadias, d'ostéites, de gangrènes, de lithiase vésiculaire, et surtout la première observation de kyste du mésentère. Le dernier texte du recueil, attribué à Polybe de Cos (IVe siècle av. J.-C.) est présenté dans la traduction de l'anatomiste alsacien Joannes Guinter (1505-1574), qui fut le médecin de François Ier et eut comme élèves Vésale, Rondelet et Servet. Intéressant recueil de deux ouvrages publiés à Bâle par Cratander et Bebel, avec leur belle marque à la fin de chaque ouvrage. Abondantes notes marginales et passages soulignés, surtout dans le premier ouvrage. Habiles restaurations à la reliure, avec ajout d'une pièce de titre au XIXe siècle ; petit manque de bois en bordure du plat supérieur. Ex-libris manuscrit sur le titre : Jo. Jacobi Schwigknudi à Freihaùsern. [Attributes: Hard Cover]
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Plutarco.
Plutarchi Chaeronei, [.] Opuscula (quae quidem extant) omnia, undequaque collecta, & diligentissime iampridem recognita. [.] Cum amplissimo & rerum & verborum indice.
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- (Colophon: Venetiis, per Io. Ant. & fratres de Sabio, sumptu & requisitione D. Melchioris Sessa, 1532. Mense Martio), in-8 piccolo, legatura di contenimento in piena perg. floscia (la legatura originale al dorso è salda ma priva di coperte), cc. [30], 536. Con marca tipografica in xilografia in fine. Esemplare privo delle prime due carte (a1, front., e a2). Qualche nota manoscritta seicentesca, rari segni di tarli marginali. Piccolo foro sull'ultima carta, con perdita di qualche lettera.
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PHILOSTRATE.
HISTORIAE DE VITA APOLLONII. Libri VIII. Alemano Rhinuccino Florentino interprete. Eusebii Caesariensis adversus Hieroclem, qui ex Philostrati historia Apollonium Christo aequiparare contendebat, confutatio, sive apologia. Zenobio Acciolo Florentino interprete. Omnia ad graecam veritatem diligenter castigata, & restituta, adiectis ubi opus esse videbatur, annotationibus per Gybertum Longolium.
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Cologne, Joannes Gymnicus, 1532, - in-8, 1 ff. blanc, 10 ff.n.c., 460 pp., 2 ff.n.c., belles lettrines, annotations manuscrites d'époque, ex-libris manuscrit: "Antonni de Vilaret doctoris.1655.", "Liber Petri Vilaret.", "antoines De Villaret", légères mouillures en début en fin d'ouvrage, sans gravité ; pleine basane d'époque, manques au dos et sur les plats, mors fendus, coiffes manquantes, coins émoussés. "La vie d'Appolonius de Tyane". Dans cet ouvrage philostrate voulut présenter un tableau embelli de la vie pythagoricienne et de l'ascétisme Théurgique. Philostrate, orateur et sophiste grec, né à Lemnos. Appolonius de Tyane, thaumaturge et philosophe néopythagoricien, né à Tyane en Cappadoce, mort à Ephèse vers 97. I fut comparé au Christ.
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VONDERWEID, HANS PETER:
'Pündtnus Buch', Aufstellung aller Bündnisse, Verträge, Burgrechte etc. der Stadt Freiburg mit weltlichen und geistlichen Personen, Städten und Ländern, mit Verweisen auf das Bündnisbuch in der (Freiburger) Kanzlei, gefolgt von einer 12 seitigen
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Abschrift des Landfriedens zwischen den 5 katholischen Orten und Zürich (1532). XVII. Jhd., 33 x 21 cm, 87 beschriebene Papierbl. + 54 Bl. weiss, reichverzierte Initiale in roter Tinte am Anfang jedes Absatzes, Original-Lederband, mit Lederriemchen. ¶ Zettel und Rechnung (Maison-Dieu de la Val Sainte) aus dem 18. Jh. zwischen den Seiten. Für Schweizer Kunden kommen noch 2,4 % MWST hinzu. Our books are stored in our warehouse, not in the shop. Please notify beforehand, if you want to visit and see a specific book.
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Greenaway, Kate
Language of Flowers
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GEORGE ROUTLEDGE & SONS. GOOD, COVER SEPARATING BOTTOM RIGHT & WORN, SL SOIL FEP DMJ INSCRIPTION ON TITLE PAGE. C c; c ? c c; c c c; c ? c c c c G c c c A c c c ( c c ) c c c: c c c P c c c J c c c? c c c o c " c v c c $ c ? c c A c c c S c ? c c; b b X 10104 REYKJAVIK ICELAND PAT NOBLE 809 TRACEY PARKWAY FORT COLLINS 80524 498-4219 GEORGIA DUTTER 24116 4TH PL. N.E. SMOHOMISH 98290 360-568-1532 GEORGIA DUTTER 24116 4 TH PL. N.E. SMOHOMISH 98290 360-568-1532 GEORGIA DUTTER 24116 4TH PL. N.E. SMOHOMISH 98290 360-568-1532 GEORGIA DU TTER 24116 4TH PL. N.E. SMOHOMISH 98290 360-568-1532 FR ANK ALEXANDER 2422 SUNSET BLVD. HOUSTON c ¦c # 6 JA o o o o o o o o o o o o o o o o o o o o o o o o o p p p p p p p p p p p p p p p p p p p p p p p p p p p! p " p #p $p %p &p 'p )p +p, p-p. p C 10 V 770051432 713-528-023 4 FRANK ALEXANDER 2422 SUNSET BLVD. HOUSTON 770051432 7 13-528-0234 FRANK ALEXANDER 2422 SUNSET BLVD. HOUSTON 77005 1432 713-528-0234 FRANK ALEXANDER 2422 SUNSET BLVD. HOUSTON.
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VALLA LORENZO
Lucubrationes Aliquot Laurentii Vallae, Ad Linguae Latinae Restaurationem Spectantes.
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Lugduni, Apud Gryphium (Sebastianum). 1532, Edizione Originale. [CLASSICI-RARO] (cm. 17,5) bella piena pergamena originale con unghini e tracce di lacci. titolo al dorso.-- pp. 809 + cc. 15 nn. Marca tip. all' inizio e in fine, carattere corsivo. Dedica: "Christophorus a Carlebicz.." datata 1527. Edizione originale, apparentemente unica molto bella e rara stampata a lione. La marca al frontis, è la più antica di Sebastiano Gryphio riprodotta in BAUDRIER vol. VIII p. 43 N°1, e l' altra in fine con il leone, è a pag. 44 N° 7. Le pagg.da 289 a 304 (quaderno t) sono state inserite due volte e risultano doppie. Vecchia integrazione al margine bianco delle prime due carte, altrimenti esemplare bellissimo fresco e nitido, appena ombrato in fine; dato il tipo di carta rare sono le copie così ben conservate e marginose. Antica firma "ex libris" al frontis. Neppure GRAESSE e BRUNET citano un' opera del Valla col titolo: "Lucubrationes..". BAUDRIER VIII 65; BM. STC. 434; ADAMS V 195.
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Agrippa von Nettesheim, Heinrich Cornelius.
De Incertitudine & Vanitate Scientiarum, & Artium atque excellentia Verbi Dei, Declamatio. Nunc denuo recognita: & Scholijs Marginarijs illustrata. Nihil scire felicissima vita. 8 Bl., 351 S. Guter Halblederbd auf Holzdeckeln (Hintergelenk oben unauffällig restauriert) mit Blindprägung und intakter Schließe (Schließenband erneuert).
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O. O. u. Dr. (Köln, Johann Prael), September 1532.. . Seltene frühe Ausgabe von Agrippas zweiter großer Schrift 'Über die Fragwürdigkeit, ja Nichtigkeit der Wissenschaften, Künste und Gewerbe', die häufig missverstanden, verstümmelt oder böswillig interpretiert wurde und ihm große Unannehmlichkeiten verursachte. Diese Bekenntnisschrift, die noch zu Agrippas Lebzeiten mindestens acht neue Auflagen erlebte, "ist jedenfalls eine bissige Satire auf die Wissenschaften jener Zeit" (Wollgast, Nachwort zur Akademie-Ausgabe 1993, S. 286). Das Buch fand "Aufnahme in die Schriften der Frühaufklärer und Libertins. A.s unbestechliche Haltung in dem Metzer Hexenprozeß wurde im gelehrten Hexenschrifttum diskutiert" (Killy). Zu Agrippas Schülern zählte u. a. Johann Weyer (Wier). Auf Anordnung der Sorbonne zu Paris wurde das Buch bereits 1530 vom Henker öffentlich verbrannt, die Universität Löwen schloß sich dem Verbot an. Seine Widersacher stellten Passagen zusammen, die damals einen Ketzerprozeß rechtfertigten. Agrippa hatte schon vor dem Tod Margarethas ihre Gunst verloren, erhielt kein Gehalt mehr und kam 1531 in Brüssel ins Schuldgefängnis. Er wurde ausgelöst und ging zum Kölner Kurfürsten und Erzbischof Hermann von Wied. - Titel zu 2/3 hinterlegt, mit gelöschtem Stempel, untere Ecke mit etwas Papierverlust, gelegentlich Anmerkungen von alter Hand. Kaum fleckig. - VD 16 A 1157. Hayn/G. I 33. Vgl. Adams A 381. - Beigebunden: Althamer, Andreas. Diallage, hoc est, conciliatio locorum scripturae, qui prima facie inter se pugnare videntur. 4 Bl., 99 num. Bl., 7 Bl. Mit Holzschnitt-Titelbordüre und Druckermarke am Schluß. Nürnberg, Friedrich Peypus, 1527. Erste Ausgabe der bekanntesten Schrift Althamers, polemisch gegen die Wiedertäufer und deren "Papst" Johann Denk gerichtet, der das innere Licht und innere Wort über die Bibel gestellt hatte. Die "Diallage" stellt jeweils 2 einander scheinbar widersprechende Bibelstellen gegenüber und gibt Erklärungen zur Auflösung der Widersprüche; sie wurde später mehrfach erweitert und in vielen Ausgaben verbreitet. - VD 16 A 2007. Nicht bei Adams und im BM STC. * Rare early edition of Agrippa's fervent satire questioning the sciences of the time and their uses. The work caused him much trouble and was condemned to be burned by order of the Sorbonne as early as 1530. - Title page partly padded, with erased stamp, lower edge with some paper loss. Some old annotations, only minimally foxed. Good blind-tooled half-calf on wooden boards with clasp. Some minor restoration to lower joint, clasp band renewed.
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"HIPPOCRATE;RABELAIS, François;"
Hippocratis ac Galeni libri aliquot, ex recognitione Francisci Rabelaesi, medici omnibus numeris absolutissimi.
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Lugduni Apud Gryphium 1532 "In-16 de 427 pp.ch., 2 ff.n.ch. (dont un blanc) et 40 ff.n.ch. ; maroquin rouge à la Du Seuil, dos orné aux petits fers, tranches dorées, roulette intérieure dorée (reliure du XVIIe siècle)." "Waller, 4508 ; Wellcome, 3194; ; NLM, 2347; Baudrier, VIII, p. 64 ; Plan, p. 233 ; Bruni Celli, 3522 ; Rawles & Screech, 105. Première édition publiée par Rabelais. En 1531, Rabelais, étudiant en médecine à Montpellier, avait choisi pour sujet de thèse l'explication des Aphorismes d'Hippocrate et du Petit Art Médical de Galien, dont il avait établi le texte d'après un manuscrit en sa possession. Devant le succès qu'il remporta, Rabelais en fit un petit livre qui parut, en 1532, avec des notes en grec et en latin. L'ouvrage comporte une épître à son ami et protecteur Geoffroy d'Estissac, évêque de Maillezais. Le texte grec des Aphorismes est ici placé en fin de volume. ""The very wide diffusion of this work, together with the frequent presence of copious and scholarly manuscript notes, show the esteem in which Rabelais was held as a humanist doctor and emphasise that his edition was used as a textbook for university students... It was the first accessible reprint of the new humanist versions of what were the standard medical texts in the curriculum – a publisher's dream in its combination of tradition and modernity"" (Rawl & Screech). Petite mouillure dans la marge inférieure du volume ; tache d'encre et restauration de papier dans la marge du titre. Relié avec : MONDINO DEI LUZZI. Anatomia quam de partibus humani corporis inscripsit. S.l. [Paris, Simon du Bois], 1527. In-16 de 95 ff.n.ch. et un f. blanc (mutilé et doublé). Brigitte Moreau, III, 1286 ; Waller, 6744. Rarissime édition ""de poche"" de l'Anatomie de Mondino dei Luzzi. Elle fait défaut à presque toutes les bibliographies spécialisées, et semble n'être connue qu'à trois exemplaires hormis le nôtre (British Library, Upsala Library et Biblioteca nacional de Portugal). L'ouvrage a été copieusement annoté par un lecteur contemporain de l'édition. Bon exemplaire. Mouillures dans la marge inférieure droite des cinq derniers feuillets, maculatures et taches d'encre marginales au verso du dernier feuillet. Signature ancienne Richard Conlegiensis sur la garde ; ex-libris Michel De Bry."
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BARLANDUS (Adrianus).
Libri tres de Rebus Gestis Ducum Brabantie. Eiusdem de Ducibus Venetis liber unus.
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Louvain, vaenunduntur, Bartolomaeo Gravio, sub Sole Aureo (a la fin:) Louvain, Ex officina Rutgeri Rescii, Cal. Maij 1532. Pet in-8. 164ff. n. ch. Parchemin ancien. Seconde edition en partie originale, de "cet ouvrage estime" (Brunet) de l'humaniste hollandais Adrian van Baerland (1488-154), professeur de rhetorique a Louvain. C'est une histoire des Ducs de Brabant. Cette edition est augmentee d'une histoire des Ducs de Venise. La premiere edition de ce livre parut a Anvers en 1626. La presente edition de Louvain est tres rare. Cachet d'une institution religieuse sur le titre, des rousseurs. Bon exemplaire.
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MACROBIUS A. A. Theodosius
IN SOMNIUM SCIPIONIS LIB. II - SATURNALORUM LIB. VII. Nunc denuo recogniti, & multis in locis aucti. Seb. Griphius Germ. exud. Lugduni, 1532.
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In 8° (cm. 16,2) cc. 24 n.n. + pp.590 + 1 c.b. con impresso al recto la marca tipogr. dello stampatore (un grifone con una zampa alzata, in un prato fiorito). Diversi capilett. e fig. inc. n.t. con il ben noto mappamondo a fasce climatiche inc. a pag.148. Ben legato in mz. perg. di fattura recente, ma utilizzando materiali antichi. Una macchia di "antica zuppa di verdure" alle pagg. 580 e 581, laddove si discute per l'appunto, del banchetto dei "Saturnalia", con danneggiamenti del margine bianco esterno delle ultime carte, senza interessare il testo; lievissimo alone all'angolo sup. destro di alcune carte, altrimenti fresco esemplare nitidamente impresso. - Bell'edizione delle due più celebri opere del Macrobio col testo ricco di numerose citazioni in greco ed un importante indice. Adams, vol.I pag. 693, n°63.
[Bookseller: Maria Calabrò Studio Bibliografico] |
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ALAMANI Luigi.
Opere Toscane di Luigi Alamanni al Christianissimo Re Francesco Primo.
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Lyon, Sebast. Gryphius, 1532-1533. Deux tomes en un volume petit in-8 [149 x 102 millimetres] demi-chagrin vert posterieur, dos a faux-nerfs filete, titre dore, tranches vertes, [8]-435-[13]-[8]-292-[8] pages. Texte en Italien. (Au titre, ex-libris manuscrit biffe a l'encre avec petit manques de papier, plusieurs feuillets fortement mais uniformement roussis ; quelques mouillures claires.) BON EXEMPLAIRE. ***___***___*** Two volumes in a small volume in-8 [149 X 102 millimetres] posterior green half-sorrow, back with false-nerves threaded, gilded title, green sections, [8] - 435- [13] - [8] - 292- [8] pages. Italian text. (With the title, handwritten ex libris crossed out with ink with small lacks of paper, several strongly but uniformly turned russet layers; some clear wettings.) Exemplary with the beautiful Italic typography left the presses of Sebastien Gryphe. One quotes an edition of the first made part with Florence (Giunti) in 1532, and another of the second plubliUe in Venice in 1533 (Da Sabio). These editions are greater scarcity, the pope ClUment VII having ordered their destruction. Originating in Florence, Luigi Alamanni (1495-1556) was, to the XVI E century, one of the most perfect examples of the Italian culture and his radiation in Europe. Republican trained with the Studio fiorentino, friend of Machiavel, it was compromised in the plot against Jules de MUdicis, future Leon X, and found refuge in France where, after a short return to Florence, it settled definitively, enjoying GOOD. Exemplaire a la belle typographie italique sortie des presses de Sebastien Gryphe. On cite une edition de la premiere partie faite a Florence (Giunti) en 1532, et une autre de la seconde plubliee a Venise en 1533 (Da Sabio). Ces editions sont de la plus grande rarete, le pape Clement VII ayant ordonne leur destruction. Originaire de Florence, Luigi Alamanni (1495-1556) fut, au XVI e siecle, l'un des plus parfaits exemples de la culture italienne et de son rayonnement en Europe. Republicain forme au Studio fiorentino, ami de Machiavel, il fut compromis dans le complot contre Jules de Medicis, futur Leon X, et trouva refuge en France ou, apres un bref retour a Florence, il s'installa definitivement, jouissant de la faveur dont beneficiaient les lettres et les artistes a la Cour de Francois 1er. Les poemes et satyres regroupes dans ses Opere Toscane sont dedies au Roi dont la Salamandre orne ici les titres des deux tomes, accompagnee de la devise "Nutrisco et estinguo. Sovr'ogni uso mortal // m'e dato albergo" ; la marque de Gryphe etant rejetee au verso du dernier feuillet. Le titre du second tome comporte la faute au mot Christianissimo, mal orthographie Chistianissimo et corrigee a la main. C'est en travaillant a la composition de cet ouvrage, dans l'imprimerie de Sebastien Gryphe, que Jean de Tournes alors jeune "compositore", s'eprit de la langue italienne, comme nous l'apprend l'epitre a Maurice SCEVE ouvrant l'edition des Poesies de Petrarque de 1545. De la bibliotheque d'Emile PICOT avec son ex-libris manuscrit. Tres bon exemplaire. BRUNET I, 125. GRAESSE I, 50. BAUDRIER VIII 66 ; 71 et 43 pour la marque typographique (n°4). CARTIER I, 120.
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FICINO, Marsilio;
De Vita libri tres. quorum Primus, de studiosorum sanitate tuenda. Secundus, de Vita producenda. Tertius, de Vita coelitus comparanda. Eiusdem Apologia. His accessit Epidemiarum antidotus, tutelae quoque bonae valetudinis continens, eodem autore.
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Basileae per And. Cratandrum et Io. Bebelium 1532 - In-8 de 16 ff.n.ch., 330 pp. mal ch. 340, 2 ff.n.ch.; demi-veau brun estampé à froid sur ais de bois, fermoir (reliure de l'époque). NLM, 1545 (inc.); Wellcome, 2260; Simon, 250; manque à Waller. Bonne édition de ce célèbre manuel de santé. On trouve relié à la suite : SCRIBONIUS LARGUS. De compositione medicamentorum liber, jampridem Jo. Ruellii opera a tenebris erutus, & a situ vindicatus. Antonii Benivenii libellus De abditis nonnullis ac mirandis morborum & sanationum causis. Polybus De salubri victus ratione privatorum, Guinterio Joanne Andernaco interprete. Basileae, apud Andream Cratandrum, 1529. In-8 de 8 ff.n.ch., 318 pp.ch. et 1 f.n.ch. NLM, 4168; Wellcome, 5894; Wellcome, 8785. Première édition séparée, donnée par Jean Ruel. Scribonius Largus vivait au premier siècle et fut un grand partisan du système d'Asclépiade. Son recueil de médicaments, souvent cité par Galien, contient la description d'un dentifrice dont Messaline faisait usage. L'ouvrage de Scribonius Largus est suivi du traité de chirurgie d'Antonio Benivieni (1443-1502), publié posthume en 1507. Ce chirurgien florentin, considéré comme le restaurateur de la médecine italienne et un précurseur de Morgagni, développa l'observation et fut l'un des premiers à pratiquer l'autopsie pour identifier les causes de la mort. Ses notes, rassemblées par ses élèves dans cet ouvrage, contiennent de judicieuses observations d'hypospadias, d'ostéites, de gangrènes, de lithiase vésiculaire, et surtout la première observation de kyste du mésentère. Le dernier texte du recueil, attribué à Polybe de Cos (IVe siècle av. J.-C.) est présenté dans la traduction de l'anatomiste alsacien Joannes Guinter (1505-1574), qui fut le médecin de François Ier et eut comme élèves Vésale, Rondelet et Servet. Intéressant recueil de deux ouvrages publiés à Bâle par Cratander et Bebel, avec leur belle marque à la fin de chaque ouvrage. Abondantes notes marginales et passages soulignés, surtout dans le premier ouvrage. Habiles restaurations à la reliure, avec ajout d'une pièce de titre au XIXe siècle ; petit manque de bois en bordure du plat supérieur. Ex-libris manuscrit sur le titre : Jo. Jacobi Schwigknudi à Freihaùsern. [Attributes: Hard Cover]
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FRIES, Lorenz (c. 1490-1531)
Epitome opusculi de curandis pusculis ulceribus , & doloribus morbi Gallici, mali frantzoss appellati ... Basileae excudebat Henricus Petrus. [Colophon:] ... mense Augusto, anno M. D. XXXII
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Basle: Heinrich Petri, 1532. 4to: A--G4, 28 leaves, pp. [2] 3--63 (i.e. 55, several errors in pagination) [1]. Roman letter. 4-line and 3-line black on white initials, woodcut printer's device on title and verso of last leaf. Leaf size and condition: 203 x 142mm. Light foxing but a good large and fresh copy. Binding: Recent polished calf. Provenance and annotation: Walter Pagel (1896--1983); B. E. J. Pagel (1930--2007). References: VD16 F2854; Bird 929; Durling 1660 . First edition. Reprinted with other works on syphilis in Liber de morbo gallico, Venice 1535; OCLC shows an edition Basle 1569 at Gottingen, unknown to VD16. § Includes Scribonius Largus, 'Antidota', excerpts from his De compositione medicamentorum liber. 'Fries attributes the outbreak of syphilis at the end of the fifteenth century to conjunctions of the planets on October 15 and November 1, 1483. He cites Haly Abenragel and the Conciliator or Peter of Abano for the influence of the stars.' (Thorndike p. 434). Thorndike devotes a chapter on sixteenth-century German medicine to Fries and Paracelsus. Fries knew Paracelsus and corresponded with Agrippa and Thorndike notes that 'His career and writings ... had something in common with those of such intellectual vagabonds, devotees of occult science, and semi charlatans as Henry Cornelius Agrippa and Paracelsus'. Fries was from Colmar in Alsace, not from Frisia as his name would suggest, though he may have been of Dutch descent. He studied medicine at Vienna, Piacenza, Pavia and Montpellier. He practiced in Colmar, then Strasbourg, before moving to Metz shortly after Agrippa had left the city. His most famous medical work (he wrote on many other subjects) is the Spiegel der Artznei (1518), the earliest work in German on internal medicine. This edition includes Scribonius Largus, 'Antidota', excerpts from his De compositione medicamentorum liber. Literature: Thorndike, V, pp. 430--38.
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Cicero
PARADOXA. M.T. CICERONIS AD M. BRVTVM. CUM F. SYLVII AMBIANI COMMENTARIIS
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Paris Jodocus Badius Ascensius, 1532.. Sm. 4to. (8 1/8 x 5 8/16 inches), recently bound in the antique style in full tobacco color goat with triple blind ruled borders surrounding a narrow scroll border, which is bordered by a pair of blind fillets; plain spine with blind-blocked horizontal bands. A large copy with a few underlinings, a touch of occasional spotting, including a small black ink spot on the title; the last four leaves of the b signature roughly opened along part of the extreme bottom margin; otherwise a very attractive copy of an uncommon edition.#11;#11;Cicero's stoic maxims, dedicated to Brutus, with commentary by Franciscus Sylvanus are here applied to everyday life. Not only Rome's greatest orator, Cicero was perhaps its most articulate philosopher, and through his philosophical treatises he helped make Latin a strong, yet surprisingly flexible, vehicle for logical speculation.#11;#11;This edition was printed by Josse Bade (1462-1535), a Fleming who moved to Paris and Latinized his name to Jodocus Badius Ascensius. He is the first of three great French printer-scholars (the other two are Henri Estienne and Geoffroy Tory), who were enamored of humanism and worked to spread abroad the works of classical authors. Led by Bade, they each resolutely broke with French gothic tradition, and employed for their publications the beautiful roman types created by Janson and Aldus Manutius. Moreau locates copies in the British Library, the Bibliotheque National, the Laurentian Library (Florence) and in the Folger. Not in Adams. No copy located on OCLC First Search. #11;#11; WOODCUT OF THE PRINTER'S SHOP ON THE TITLE-PAGE
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RÜXNER, Georg (tätig um 1530/1540)].
Anfang, Ursprung und Herkommen des Thurniers inn Teutscher Nation: wieuil Thurnier biss vff den letztenn zu Wormbs : auch wie vnnd an welchen Orten die gehalten vñ durch was Fürsten, Grauen, Herrn, Ritter vñ vom Adel, sie iederzeit besucht worden sindt.
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(Simmern, Hieronymus Rodler, 3. August 1532). - Folio (332 x 215 mm). Mit zusammen 367 grösseren und kleineren Textholzschnitten (inkl. Wiederholungen), wovon 1 doppelblattgrosse Tafel, 242 Wappen (wovon 2 ganzseitig), 40 Szenenholzschnitte und die grosse Druckermarke Rodlers. 213 Bl. (recte 214), [4] Bl. Register und Kolophon (Lage Hh und Kk verbunden). Schweinslederband der Zeit mit Blindprägung, Rücken über 4 erhabenen Bünden, mit 2 intakten Metallschliessen. Eines der Glanzstücke des illustrierten Buches in Deutschland in der ersten Hälfte des 16. Jahrhunderts. Ein besonders schönes und breitrandiges Exemplar der zweiten Ausgabe des ersten in Simmern gedruckten Buchs. Das berühmte Turnierbuch des pfalzgräflichen Herolds Georg Rüxner beginnt mit einem geschichtlichen Exkurs über das (heute allgemein angezweifelte) Turnier in Magdeburg im Jahr 938. Dann folgt die Beschreibung von 36 weiteren Turnieren bis zu jenem von Worms im Jahr 1487. Jede Beschreibung enthält ein umfassendes Personenverzeichnis, ferner das Wappen der Stadt, in der das Turnier stattfand, das Wappen des Fürsten, der es einberief sowie die der vier Turniervögte. Die besondere Anziehungskraft verdankt das Buch seit je seinen höchst eindrucksvollen Illustrationen. Die geringere Zahl der Holzschnitte gegenüber der Erstausgabe von 1530 erklärt sich aus der sparsameren Verwendung von Wiederholungen; die Anzahl der Druckstöcke ist in beiden Ausgaben identisch. Die szenischen Holzschnitte zeigen Helm- und Pferdeschauen, die Kampfspiele mit der Preisverleihung sowie die nachfolgenden Tanzvergnügungen, Bankette etc. Als Meister der Simmer'schen Offizin, der das eindrucksvolle Blatt mit der Darstellung des Turnierplatzes und die beiden grossen Wappenholzschnitte (Römisches Reich und Pfalz-Simmern) mit dem Monogramm HH zeichnete, konnte Bonnemann, zumindest für die Vorlagen, Herzog Hans vom Hunsrück, d. i. Johann II., Pfalzgraf am Rhein, Fürst zu Simmern (1492-1557) identifizieren. Dieser kunstsinnige Fürst war es auch, der die von seinem Sekretär und Kanzler Hieronymus Rodler geführte Privatpresse einrichten liess. Der ausnehmend gut erhaltene Einband trägt eine Crucifix-Rolle, die bei Haebler II, 32, 6 (1556) verzeichnet ist und von Schunke mutmasslich dem Meister des Philippus Adelgeiss in Augsburg zugewiesen wird. Titel mit zwei kleinen, alt hinterlegten Ausschnitten und Klebespur, schwacher Wasserfleck im Aussensteg der ersten neun Blätter, durch hinterklebten Papierstreifen verursachter Flecken auf dem Schlussblatt. VD 16, R-3542; Bonnemann, Rodler, 4; Fairfax Murray, (German), 373; vgl. Fünf Jahrhunderte Buchillustration, 79 (Ausgabe 1530); Lipperheide 2887; Benzing 153; Gutenberg-Jahrbuch 1952, S. 82f. A beautiful and clean copy with wide margins of the second edition of the famous Book of Tournament with lavishly illustrated descriptions of thirty-six tournaments in Germany and Switzerland by the Palatine herald Georg Rüxner. The first of the tournaments described - nowadays questionned - is dated 938 and was presumably organized by emperor Heinrich I at Magdeburg, the last of the tournaments in Rüxner's book is the last imperial tournament at all held at Worms in 1487. The participation of noble adulterers and knight traders was denyed. The finely crafted woodcuts in the text - including repeats - are printed from the same blocks as those in the first edition of 1530. They were designed by Count Johann II. of Palatine-Simmern (few with the initials H.H. = Hans vom Hunsrück, the name under which he was known in his time), who also initiated the foundation of the first press at Simmern. Head of the press was the Bamberg born Hieronymus Rodler (died 1539) who worked as a secretary to the count, who as an expert woodcutter and a fair draughtsman also illustrated most of the books from Rodler's press. Rodler's prints "are highlights of illustrated books in the first half of 16th century Germany" (translated after Horst Kunze). The only double-page woodcut illustrates in great detail a spectacular tournament sc [Attributes: First Edition; Hard Cover]
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Crinito, Pietro
DE HONESTA DISCIPLINA
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Henricus Petrus Basel 1532 - DE HONESTA DISCIPLINA IS NOW BEST REMEMBERED AS A SOURCE BOOK FOR NOSTRADAMUS It contains extracts from several esoteric texts, including Michael Psellus's De Daemonibus, and the De Mysteriis Aegyptiorum [Concerning the mysteries of Egypt.], a book on Chaldean and Assyrian magic by Iamblichus, a 4th century Neo-Platonist. Both texts were always very difficult to obtain. Handsomely printed, with a woodcut device to the title and the final leaf depicting Vulcan's forge. Interesting and fine historiated initials throughout the text, some rather large. Pietro Crinito [1475-1507] known as Crinitus, or Pietro Del Riccio Baldi was a Florentine humanist scholar. The 16th centuryElogia Doctorum Virorum of Paolo Giovio, contains a brief biography of Crinito, translated below: "Pietro Crinito, an agreeable and cultivated youth, hated his Italian name of Riccio, which was given him because his father had curly hair, and preferred to be called Crinito. He was rightly considered the most fluent of all Poliziano's pupils [Angelo Ambrogini, best known as Poliziano (July 14, 1454 ? September 24, 1494) was a Florentine classical scholar and poet]; for we have, besides some poems that are not without charm, more than twenty books De Honesta Disciplina, interesting and delightful from their great variety, and also five painstaking and learned volumes of the Latin poets. On Poliziano's death, though he was inferior in rank and fortune to the young nobles who were cultivating the study of literature, he came deservedly to be their friend and teacher. But such intimacy, kept within no fixed bounds of dignity and restraint, opened the way to disgrace and even to ruin. For after a. dinner in Pietro Martelli's villa at Scandiano, when in the course of a playful quarrel a saucy guest drenched him with a goblet of cold water, he got a chill and died in a few days overcome with grief at the rude insult. He left his friends a feeling of deeper penitence and more bitter loss because he was not yet forty years old." Crinito, Pietro De honesta disciplina libri XXV. De poetis Latinis eiusdem libri V. Poematum quoq(ue) illius libri II. Basel, Henricus Petrus, Aug. 1532. 4to, [lx], 575, [iv]. Later blanks & yap edged vellum binding with a gilt lettered red leather label. Measurements: 22 x 17cm 8.25 x 6.5" Condition: A very pleasing copy. The binding very tight and sound,with two ring marks and typical toning to the vellum. The contents with occasional minor signs of handling. A few marginalia now very faded. The colophon leaf with an erasure affecting a few letters. Generally only very slightly toned & the top margin more than adequate, with the other margins quite large. [Attributes: Hard Cover]
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CALLIMACHUS
[Greek text: Kallimachou Kyrenaiou Hymnoi, meta ton scholion. Gnomai ekdiaphoron trieton philosophon syllegeisai] Callimachi Cyrenaei Hymni, cumscholijs nunc primum æditis. Sententiae ex diuersis poëtis oratoribusq[ue]ac philosophis collectæ, non ante excusæ
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(Hieronymus Froben & Nicolaus Episcopius) Basel 1532 18the century Spanish mottled sheep with gilt spine (rubbed; very minor damage to base of spine) 4to . FIRST EDITION of this important new recension of the original Greek text which Brunet notes includes much that has been added and improved over any previous editions including the Aldine of 1513. "To the Hymns of Callimachus are subjoined the Gnomologia, which is a singular production form a certain ancient MS. specified in Harles, Fabr. B.G. t. i. 725. The Scholia and Preface of Gelenius adorn this correct edition, which is far preferable to the Aldine, and which supplies some lacunae." (Dibdin, Intro. Classics, I, p. 366). The eminent Greek poet, Callimachus (b. ca. 300 B.C.), had been the head of the great library at Alexandria where he compiled a catalogue of its holdings of which only a few fragments survived. Edited by the eminent Greek scholar and Bohemian humanist. Sigmund Gelen (Zikmund Hruby z Jeleni: 1497-1554) of Prague. Hruby z Jeleni, "better known as Gelenius, was born into a family of Bohemian nobles. He translated Erasmus's Moria into Czech as well as works by Petrarch and Cicero. Gelenius at one time studied Greek under Marcus Musurus and visited Sicily, Sardinia, Corsica, and France before returning to Prague, where he lectured privately on Greek authors and entered into correspondence with Melanchthon. ... Probably in 1524 he moved to Basel, where he lived in Erasmus' household. He spent the remainder of his life working for the Froben press as a scholar, editor, corrector, and translator from the Greek, even declining a position as professor of Greek at Nuremberg for which he was recommended by Melanchthon in 1525 and 1526. ... in his day there cannot have been many major productions of the Froben press which did not benefit from his selfless scholarly devotion. ... There is also evidence that he collaborated on a number of editions by Erasmus ... [also] Erasmus held Gelenius in high regard as is attested to by himself and others" (Contemporaries of Erasmus, II, pp. 84-85). A very handsome, large paper copy, of this fine example of Basel Greek printing 245, [3] pp. Woodcut printer's device on title and at end; large woodcut initials and headpiece. Introduction in Latin with text in Greek. Contemporary ownership inscription, in Greek, on title as well as a later inscription dated "1640." § VD16, C270; Ebert 339; Brunet I, 1479; Graesse II, 17
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ERASMUS, Desiderio.
HABES HIC AMICE LECTOR P. TERENTII COMOEDIAS, Una cum scholiis ex Donati, Asperi, & Cornuti commentariis decerptis, multo quam antehac unquam prodierunt emendatiors... Studio & opera des. Erasmi Roterdami...
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Basileae. In Officina Frobeniana, 1532. Folio. [20] p., 389 p., vuelta, 9 hojas. Sign.: alpha6, beta4, a-d4, e6, f8, g-z6, A-L6, M5. Encuadernado de época en media piel con títulos, nervios, filetes y florones. Encuadernado de época en media piel con títulos, nervios, filetes y florones. Leve toque en cabezada, alguna picadura marginal de poca importancia. Breves y esporádicas sombras de aguas. Buen ejemplar en folio. Terencio fue uno de los autores preferidos de Erasmo, quien asistió a Aldo Manucio en la edición veneciana de Terencio de 1507. Graesse VI, 56. Brunet V, 712, cita la edición de Paris de 1538, pero no conoce esta primera edición de Erasmo de Rótterdam.
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Soemmerring, Samuel T
Werke Werke / Gehör, Geschmack und Stimme, Geruch [BD 7]
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Schwabe, Basel - Soemmerring, Samuel T Werke Werke / Gehör, Geschmack und Stimme, Geruch [BD 7] (Schwabe Basel) ISBN: 978-3-7965-1532-3 gebunden 213 S., 28 Abb. u. zahlr. Faks. Soemmerring, Samuel T Werke / Gehör, Geschmack und Stimme, Geruch Herausgegeben von Benedum, Jost. Begründet von Mann, Gunter. Herausgegeben von Kümmel, Werner F Verlag : Schwabe Basel ISBN : 978-3-7965-1532-3 Einband : gebunden Preisinfo : 77,00 Eur[D] / 110,00 CHF UVP Alle Preisangaben in CHF (Schweizer Franken) sind unverbindliche Preisempfehlungen. Legende: UVP = unverbindliche Preisempfehlung, iVb = in Vorbereitung. Seiten/Umfang : 213 S., 28 Abb. u. zahlr. Faks. Erschienen : 1. Aufl. 1998 Gewicht : 1480 g verwandte Themen : Soemmerring, Samuel T. von Sinnesorgane Gehör
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GUEVARA, ANTONIO DE:
LIBRO AUREO DE MARCO AURELIO.
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1532 c.a. Libro: (GOTICO ESPAÑOL). s.l: s.i, s.a. 3 tomos en 1 vol. en 8º. Portadas a dos tintas. I: 18 h. + C; II: XCIIII; III: LXII (+ 5 hojas manuscritas). Ilustr. con orla en cada una de las portadas de las tres partes. Enc. en plena piel, nervios y hierros sueltos dorados en el lomo. Sellos estampillados de antiguos poseedores. Este ejemplar está falto de la portada, 6 h. al principio y de la pág. LXII a la CXLIV al final. Por las informaciones de paginación de Palau 110088, deducimos que se trata de la edición de 1532, cuyo título completo es: ´Libro del eloquentíssimo Emperador Marco Aurelio con el Relox de príncipes. Uan mas que en los pasados añadidas nueua cartas y siete capítulos no de menor estilo y altas sentencias que todo lo en el contenido. (Al fin.) Fué impreso en la muy nombrada ciudad de Barcelona por Carlos Amorós Provensal, 1532´.
[Bookseller: SOLER Y LLACH] |
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CHARISIUS, Flavius Sosipater
Fl. Sosipatri... Institutionum Grammaticiorum Libri Quinque
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1532. 1. CHARISIUS, Flavius Sosipater. Fl. Sosipatri Charisii, Natione Campani, Grammatici vetustissimi, Institutionum Grammaticiorum Libri Quinque, ab A. Iano Parrhasio olim inventi, ac nunc primum Io. Pierio Cyminio Iani auditore, in gratiam Adulescentium Cosentinorum editi. (Naples, Ioannes Sulsbach, 1532). Quarto. (vi)118ff. Editio princeps. Charisius, a fourth- century Latin grammarian, probably born in Africa, lived in Constantinople, where he wrote a five volume grammar for his son. Piero Cyminio edited this "prince of grammarians... up to now buried in deepest dust for centuries," for the "pleasure of the youth of Cosenza," apparently a group of avid grammar fans. Some pages lightly toned and a few closed tears to paste-down endpapers, else fine, in full vellum with ink spine titles. "Premiere edition de ce grammarien du 5e [sic] siecle; elle est rare." (Brunet, Suppl. I.309). (British Museum 12933 l.1).
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SALDER, T.- GALLEUS, F.- VOS, M. DE - GOLFIUS, H.
I.- SPECULUM PUDICITIAE. DEFIXA IN SPECULUM VIRTUTIS, LUMINA, CULTOR, IUSTICIA, FIDEI, PACIS, AMORIS, HABE. LAMPADA FAC ORNES: VITETUR PRAVA LIBIDO: VIRGINEIS PRUDENS UT SOCIERE CHORIS. II.- VIRTUTUM VITIORUMQUE. QUIBUS CAPITALIUM NOMEN INDITUM EST, SEPTENARIO NUMERO PROTRITORUM, ENCOMIA UNA CUM PROEMIIS POENISQUA QUAE EORUM CULTORES MANENT, EXEMPLIS ESTIMONIISQUA SACRARUM LITTERARUM ADUMBRATA. PHILLIPPUS GALLEUS EXCUDEBAT.
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4º.- 57 grabados independientes, con diferentes numeraciones.. Suite de Alegorías en varios tratados y con un total de 57 grabados en cobre. Casi todos ellos diseñados o inspirados en obras del pintor Flamenco, Martín de Vos (1532-1603), siendo el resto de la sobras de Filipo Maria Galletti (1636-1714), Henricus Gol.
[Bookseller: Librería Ripoll] |
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TAGLIENTE, Giovannantonio.
Lo presente libro insegna la vera arte delo excellente scrivere.
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- Venice, Giovanantonio de Nicolini da Sabio 1532/3 4to., ff [xxviii], A-O1, [A-O1]. Italic letter, three large woodcut initials, one white on black, most of the book comprises 33 woodcut representations of the different kinds of handwriting used in C16 Italy (including Arabic and Hebrew), 9 pages white on black, one full-page illustration of various pieces of calligraphic equipment, full-page aerial view of the siege of Rhodes on final leaf, armorial book plate of James Mitchel on fly, light even age yellowing. A very good, clean copy in C19 tan morocco by Chambolle-Duru, covers with blind ruled outer panel filled with scrollwork, spine with raised bands, double blind ruled in compartments, gilt lettered title, blind inner dentelles, a.e.g. Rare and early edition of the first popular calligraphic manual, first published in 1524, of which this edition is an almost exact reprint. It was a hugely successful, reprinted at least thirty times in the C16, and is considered the most influential early work of the genre. Its precursor, by Sigismondo Fanti, was a dry and scholarly work with modest illustrations of a geometrical nature and a great deal of text. Tagliente's approach was the opposite. "We leave the scholars study for the jostle of the market place. We catch a flavour of life as it was in Venice the commercial thrust of her citizens, the undertones of Byzantium, the Levant, and the North" A.S. Osley 'Luminario'. His book is immediately distinguished by its large, dramatic illustrations of a host of different alphabets and elaborate writing styles, bordering on the theatrical, including an Arabic alphabet, a large Hebrew alphabet, and a Chaldean alphabet 'such as the Jews used in the times of Moses'. In a cosmopolitan city like Venice this was not merely intended to show off the author's virtuosity. Although it does contain simple instruction on the principles of proportion it was not designed just for other professional scribes but the world at large. Tagliente was fascinated with every imaginable form of calligraphy - chancery, diplomatic, mercantile, bollatic, Gothic, bastard, rotunda etc. "In an application for a privilege to protect this.book he pleaded 'I have invented a new way of printing every kind of letter that can be made by the living hand: not printing in the usual way but a new method never before used in Venice or in her territory'. This 'new method'.can hardly be other than the printing of engraved plates of cursive handwriting". A.S. Osley 'Luminario'. Tagliente's concluding section, printed in the Italic he designed himself, is about the teaching of handwriting, giving five principle rules on how to cut a quill, hold a pen, move the pen, the size and shape of the letter and how to join them. Being a much used practical work, copies of any edition in good condition are scarce. An excellent copy of a splendidly printed and rare work; a major influence in the history of lettering and calligraphy. This edition not in BM STC It., Essling, Mortimer C16 It. A.S. Osley 'Luminario', chapter III. Sander III 7170. Brunet V 643. 'On recherche encore aujourd'hui cet ouvrage'. L922L922
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CALLIMACHUS
Greek text: Kallimachou Kyrenaiou Hymnoi, meta ton scholion. Gnomai ek diaphoron trieton philosophon syllegeisai] Callimachi Cyrenaei Hymni, cum scholijs nunc primum æditis. Sententiae ex diuersis poëtis oratoribusq[ue] ac philosophis collectæ, non ante excusæ
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(Hieronymus Froben & Nicolaus Episcopius), Basel 1532 - 18the century Spanish mottled sheep with gilt spine (rubbed; very minor damage to base of spine) 4to . FIRST EDITION of this important new recension of the original Greek text which Brunet notes includes much that has been added and improved over any previous editions including the Aldine of 1513. "To the Hymns of Callimachus are subjoined the Gnomologia, which is a singular production form a certain ancient MS. specified in Harles, Fabr. B.G. t. i. 725. The Scholia and Preface of Gelenius adorn this correct edition, which is far preferable to the Aldine, and which supplies some lacunae." (Dibdin, Intro. Classics, I, p. 366). The eminent Greek poet, Callimachus (b. ca. 300 B.C.), had been the head of the great library at Alexandria where he compiled a catalogue of its holdings of which only a few fragments survived. Edited by the eminent Greek scholar and Bohemian humanist. Sigmund Gelen (Zikmund Hruby z Jeleni: 1497-1554) of Prague. Hruby z Jeleni, "better known as Gelenius, was born into a family of Bohemian nobles. He translated Erasmus's Moria into Czech as well as works by Petrarch and Cicero. Gelenius at one time studied Greek under Marcus Musurus and visited Sicily, Sardinia, Corsica, and France before returning to Prague, where he lectured privately on Greek authors and entered into correspondence with Melanchthon. . Probably in 1524 he moved to Basel, where he lived in Erasmus' household. He spent the remainder of his life working for the Froben press as a scholar, editor, corrector, and translator from the Greek, even declining a position as professor of Greek at Nuremberg for which he was recommended by Melanchthon in 1525 and 1526. . in his day there cannot have been many major productions of the Froben press which did not benefit from his selfless scholarly devotion. . There is also evidence that he collaborated on a number of editions by Erasmus . [also] Erasmus held Gelenius in high regard as is attested to by himself and others" (Contemporaries of Erasmus, II, pp. 84-85). A very handsome, large paper copy, of this fine example of Basel Greek printing 245, [3] pp. Woodcut printer's device on title and at end; large woodcut initials and headpiece. Introduction in Latin with text in Greek. Contemporary ownership inscription, in Greek, on title as well as a later inscription dated "1640." § VD16, C270; Ebert 339; Brunet I, 1479; Graesse II, 17. [Attributes: First Edition; Hard Cover]
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Thomas d'Aquin
Diui Thome Aquinatis enarrationes, quas Cathenam vere auream dicunt / in quatuor Euangelia...
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Ambrosii GiraultParis 1532 CCXCIX, table.Reliure en plein veau estampe en a froid. Roulette exterieure a motifs de profils antiques et feuillages, delimitant un espace occupe par une frise de fleurons et d'une composition de petits fers representant les apotres, Adam et Eve au paradis terrestre, la crucifixion. Super-libros " Cathena Aurea ". Plat inferieur orne de la meme composition. Traces de fermoirs. Coiffes absentes. La piece de titre est gravee a la marque de l'imprimeur, les grandes lettrines sont gravees sur bois a motifs d'angelots, de saints ou de feuillages. Les 5 premiers feuillets ont souffert de pliures tres importantes. Ex-libris manuscrit d'un erudit polonais Stanislas Grzvmaly, date de 1538. Mention " M Ph " a la plume legerement effacee sur le plat superieur. Ambroise Girault exerce a Paris de 1517 a 1546, rue Saint Jacques a l'enseigne du pelican ; cette adresse est la meme que celle de Pierre Viart et des Marnef, dont Girault avait epouse la fille. De cette dynastie seront issus quelques uns des plus importants libraires du XVIe s. Tres belle reliure estampee.
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Newe Zeitung].
Erzelung der Künigreych in Hispanien auch der selben jaerlich nutzung und einkomens mit sampt den herschafften dem selben Künigreych zugehoerig. Mer ein alte Prophecey Kay. Carl betreffend.
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- [Augsburg, Heinrich Steiner], 1532.8 nn. Bll. Mit großem Titelholzschnitt und ornamentaler Holzschnittinitiale. Geheftet mit Marmorpapierstreifen (um 1800). 4to.Verzeichnet den gesamten Herrschaftsbereich der vereinigten spanischen Königreiche sowie alle geistlichen und weltlichen Fürsten innerhalb desselben. Genau aufgeführt ist der von den einzelnen Vasallen und den ihnen unterstehenden Ländereien jährlich zu leistende Tribut, darunter auch jene 140.000 Dukaten, die Kaiser Karl V. von den "Inseln von denen das gold kumpt" erwarten durfte. - Durchgehend sehr knapp beschnitten erste Titelzeile fast vollständig abgeschnitten, auch der fast ganzseitige Wappenholzschnitt am rechten und unteren Rand minimal vom Bindemesser erfasst. Stellenweise leicht braun- bzw. fingerfleckig. - VD 16, E 3913. Nicht in Halle und bei Gilhofer (Zeitungen). Nicht bei Sabin und Howes.
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PETRARCA, Fr.
Von der Artzney bayder Glück, des guten und widerwertigen. Unnd wess sich ain yeder inn Gelück und unglück halten sol. Aus dem Lateinischen in das Teütsch gezogen (von Peter Stachel und Gg. Spalatin). 2 Bde. in 1 Bd.
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Augsburg, Heynrich Steyner 1532. - Folio. Titelbl., 11 nn.Bll., 139 [von 144] Bll.; Titelbl., 9 nn.Bll., 176 [von 178] Bll. Mit 256 [von 261] Holzschnitten (inkl. 2 fast blattgrosse Titelholzschn.) des Petrarcameisters. Stark lädierter Pappbd. Erste deutsche Ausgabe von Petrarcas "De Remediis utriusque Fortunae", eines der schönsten Holzschnittbücher der Renaissance. Die meisterhaften, meist halbblattgrossen Holzschnitte von dem nach diesem Werk benannten "Petrarcameister". Die Anonymität des grossen Künstlers ist bis heute nicht aufgedeckt, die Zuschreibung Hans Weiditz' ist keineswegs gesichert. - Durchgehend gebräunt, stellenweise fleckig und mit Farbspuren, gelegentlich Wurmfrassspuren,1Bl. lose, von 3 Bll. nur 1/2 Bl. vorhanden, 13 Bll. mit Einrissstellen im Blatt, 17 Bll. mit Randeinrissen, 3 Bll. mit Text- oder Bildverlust eingerissen, 7 Bll. mit Eckabrissen. Es fehlen insgesamt 7 ganze Bll. (Bd.1: Nrn. XIV, LI, LXXXIII, CVI und CXLIV, Bd.2: CXXXVII und CXL). - Goed. I, 392, 38.Dodgson II, 144, 15 u. 192. Musper I, 124. Röttinger, Weiditz 24. Lang: de
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Paul of Aegina
De re medica nunc primum integrum Latinitate donatum per Ioannem Guinteriuum Andernacum Winter, Johannes, ed
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Paris: Simon de Colines, 1532. Basis of Arabic & European Medicine & Surgery Paul of Aegina (fl. 640 AD). Opus de re medica, nunc primum integrum latinitate donatum, per Ioannem Guinterium Andernacum [Joannes Guinter (Guinter von Andernach) (1505-74)]. . . . Folio. [40], 47, [9], 39, [9], 127, [9], 48, [8], 24, [8], 83, [9], 158pp., final blank. Woodcut printer's device on title, woodcut initials by Geofroy Tory (c. 1480-1533). Paris: Simon de Colines, 1532. 327 x 219 mm. Late 16th or early 17th century brown-painted parchment, gilt leather label & manuscript paper label, a little rubbed, hinges cracking. Margin of Aa1 & Cc5 restored, a little foxing, browning & soiling, faint dampstain in outer margin of a few leaves towards front but overall fine. Old arms drawn in ink on title margin & 1 or 2 other leaves, 19th century notations on title. First Edition in Latin translated by Vesalius's teacher Guinter von Andernach. This is the best early edition of the Epitome of Paul of Aegina, which appeared for the first time in Latin in three different editions in 1532. See G-M 36 & 5549, citing the nineteenth century English translation, and noting the three Latin editions. Paul of Aegina was the most important physician of his day and a skillful surgeon. His Epitome summarizes Greek medical thought and the Galenic tradition, and was highly important for the transmission of classical medicine to Islamic and European physicians. The Epitome is divided into seven books on hygiene, fevers, bodily afflictions, surgery, medicines and poisons. It includes material on dietary therapeutics describing many foods; an analysis of the pulse as a prognostic tool, with a classification of sixty-two varieties of pulse; an excellent discussion of the kidneys, liver and spleen; diseases of the uterus and complications of labor; the first clear description of the effects of lead poisoning, and a discussion of ninety minerals, six hundred plants and one hundred sixty-eight animals from Dioscorides. Paul's book on surgery, however, is his single most important contribution. It represents the most complete system of operative surgery to come down from ancient times. Paul gives original descriptions of lithotomy, trephining, tonsillotomy, paracentesis and amputation of the breast. He was one of the earliest writers on plastic surgery, discussing operations on the eyelids, nose, lips and ears. He gives prescriptions for the treatment of burns, discusses military surgery, obstetrics and surgery of the eye. "Because of the completeness of his work, the conciseness and lucidity of his descriptions, and the systematic organization of his books, large portions of [Paul's] writings were incorporated into the texts of the principal Arabic authors. In surgery, in particular, he literally transmitted the entire body of Greek and Roman knlowledge to Islam whence it ulitmately returned to medieval and pre-Renaissance Europe" (Zimmerman & Veith 75). The Greek editio princeps was published in 1528 by Aldus. The first Latin translation to appear in 1532, published at Basel by Cratander, was taken from the Aldine Greek but did not include Paul's surgery. A Giunta edition then appeared at Venice, which included the surgery; however Guinter's edition, which appeared next at Paris, was superior to its predecessors, being based on the collation of additional manuscripts. It was also superior typographically, beautifully printed, with intial letters designed by one of the great typographers of the early period of printing, Geofroy Tory, whose letters have inspired designers ever since. Garrison, History 124. DSB. 22359
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WITIKIND et alii
Rerum ab Henrico et Ottone I Impp. Gestarum Libri III, una cum aliis quibusdam raris & antehac non lectis diversorum autorum historiis, ab anno salutis D CCC usq. ad praesentem aetatem.
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Bale, Johann Hervagen, 1532. 1 vol. in-folio, basane brune, dos a nerfs orne de caissons dores, tranches mouchetees de rouge. Reliure du XVIIe s., coiffes elimees, petite fente en tete a la charniere sup., qq. epid. et pet. attaque de vers sur le plat sup. Bon exemplaire malgre les defauts signales. Ex-libris ms. et cachets sur la p. de titre. (14) ff., 394 pp., (1) f. blanc avec la marque de l'imprimeur au v°. Signatures : alpha6 beta8 [a-z]8 [A-K]6. Mouillures angulaires. Edition princeps tres rare de ces Annales de Saxe, redigees par Witikind, moine benedictin de Corbie au Xe siecle. Ce recueil etabli et annote par Martin Frescht (d'Heidelberg) comprend entre autres plusieurs autres morceaux historiques de la meme epoque : la vie de l'Empereur Henri IV, celle de Henri VII (par Conrad Vercerius), la vie de Charlemagne par Eginhard, l'histoire de Boheme par Pie II (A. S. Piccolmini), l'histoire des empereurs de Luitprand, l'abrege de l'histoire des empereurs d'Allemagne par Wimpheling et la chronique de Mayence par l'eveque Conrad. Graesse VII, 468; Adams W215; Michaud XLIV, 732.
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COLB, Caspar (or Kaspar)
Astrolabii Instrumenti Geometricique Tabulae auctiores, quam hactenus in lucem prodierint, adiectis simul quae ad interpraetationem faciunt
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Title within fine woodcut border, on verso are four woodcuts (see below) & woodcut initials. [8] leaves. Small 4to, fine modern green morocco by Lobstein-Laurenchet, spine lettered in gilt. [Cologne: Hero Alopecius (Fuchs)], 1532. First edition of this very rare work on the astrolabe, its origins, and uses. There are many references to the Arab astronomers, Regiomontanus, and Stoeffler. Colb describes its uses in computing the movements of the stars and sun, finding time and place, and measuring altitude. The beautiful woodcut title-page border and the four fine woodcuts on the verso are by Anton Woensam. The woodcuts depict four ancient astronomers, including Aratus and Ptolemy, each holding a celestial globe. Fine copy. ❧ Lalande, p. 50. Merlo, Woensam, 408 & 437. Zinner 1484. Zinner, Astronomische Instrumente des 11. bis 18. Jahrhunderts, p. 282. .
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"CICERON;"
Ad Titum Pomponium Atticum, ad M. Brutum, & ad Quintum fratrem, epistolarum libri XX.
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Paris, Simon de Colines, 1532 In-8 de (16), 331 ff., 1 f. bl., veau moucheté, dos à nerfs orné et doré, tranches rouges (reliure du XVIIIe siècle). Première édition des Lettres à Atticus donnée par Simon de Colines. Faite d'après l'édition aldine de 1513, elle reproduit la dédicace d'Alde à Filippe Gyulai Moré. Marques de possesseurs successifs cancellées sur le titre. Schreiber, Simon de Colines, 84.
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PLATON.
Omnia divini Platonis opera tralatione Marsilly Ficini, emendatione et ad graecum codicem collatione Simonis Grynaei. Nunc recens summa diligentia repurgata. Bale, Forben 1532.
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Fort in-folio de (6)ff., 956pp. Rel. moderne pastiche XVIeme en plein veau ornee d’un tres joli decor de filets et de frises a froid. Rare premiere edition des Œuvres de Platon donnee par Simon Grynaeus d’apres la traduction latine de Marsile Ficin a laquelle il ajouta de savantes prefaces et notes ainsi que de nombreuses corrections : C’est l’edition humaniste de reference des œuvres de Platon et celle a partir de laquelle seront donnees toutes les editions latines des œuvres de ce dernier jusque vers 1560. Deux ans plus tard (1534) Grynaeus donnera la deuxieme edition des œuvres de Platon en grec. A cet egard, son œuvre de traducteur et d’exegete du platonisme revet apres le travail de Marcile Ficin une importance considerable. ~Celebre theologien protestant et bon humaniste Simon Grynaeus (1493-1541) frequenta les cours de l’universite de Vienne, y prit ses degres en philosophie et y obtint une chaire de langue grecque puis accepta par la suite la direction de l’ecole de Bude. En 1523, il est nomme professeur de grec, puis deux ans plus tard de latin a l’universite d’Heidelberg, ou sa reputation attire a ses lecons un grand nombre d’auditeurs. C’est a cette periode qu’il commence a travailler sur les auteurs anciens. Il a traduit du grec en latin la vie d’Agesilas de Plutarque, plusieurs traites d’Aristote, il publie plusieurs editions des Vies de Plutarque en latin, on lui doit la premiere edition grecque de l’Almageste de Ptolemee (1538) ainsi que la decouverte du manuscrit des cinq derniers livres qui nous restent de Tite-Live (41-45) qu’il remit a Erasme qui les publia a Bale en 1531. Il a encore ete l’editeur du Novus orbis regionum et insularum veteribus incognitarum, compilation que l’on peut regarder comme « la premiere histoire des voyages » ou l’on trouve les relations de Marco Polo, d’Hayton, de Colomb, de Vespuzzi ou de Cortez.~~Bel exemplaire, grand de marges, enrichi de nombreuses notes manuscrites de l’epoque en latin et en grec dans les marges, probablement de la main d’un humaniste du temps.~
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Biblia. Breves in eadem annotationes, ex doctiss. interpretationibus, & Hebraeorum commentaris. Interpretatio propriorum nominum Hebraicorum. Index copiosissimus rerum & sententiarum vtriusque testamenti.
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Parisiis ex officina Roberti Stephani 1532 4 parties en 1 vol grand in-folio (280 x 400 mm) de (10)-388-94-37-57-1 ff., maroquin janseniste, double de maroquin rouge, filets, large encadrement de rosaces entrelacees, gardes de moire brune, tranches dorees sur marbrure (Chambolle-Duru). Deuxieme edition de la Vulgate de 1528 de Robert Estienne qui a ajoute en marge des sommaires et des variations textuelles. ' Quatre annees avaient suffi pour l'entier ecoulement de l'edition in-folio de 1528 a laquelle celle-ci est de beaucoup preferable E (Renouard). Exemplaire Leon Gougy (II, 642). Renouard, 35 ; B. Moreau, Inventaire, IV 341 ; Bibles imprimees du XVe au XVIIIe siecle conservees a Paris, 825.
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Nausea, Friedrich (Friedrich Grau)
Evangelicae Veritatis Homiliarum Centuriae, Nuper Excusae. Addita est in hoc secunda editione, quarta in ordine Centuria, quae in prima editione non habetur. 2. erweiterte Ausgabe.
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Köln, Peter Quentell, 1532. - 20 n.n. Bll, CCCCXLV Bll. 4, Pergament der Zeit, blauer Schnitt, handschr. Rückenschild. Titel mit großer Holzschnitt-Bordüre. Titelseite recto halbseitiges Holzschnitt-Bildnis Kaiser Karl V. Große figürliche Initiale "Q" mit Bildnis König Ferdinands. Zahlreiche weitere kleine figürliche Holzschnitt-Initialen im Text.Titelseite fleckig, unterer und oberer Rand, sowie ein kl. Ausriß in der Bordüre mit Bildverlust alt hinterlegt. Bll. 2 und 3 mit einem kl. Loch, etwas Textverlust. 16 Bll. des Index im Rand wasserrandig, Blatt CCLVI mit alten Tuscheflecken. Dem Alter entsprechend jedoch ein gut erhaltenes Exemplar des seltenen Werkes. Einige dezente An- und Unterstreichungen und Margianlien von alter Hand.VD16: N 227. Bautz VI (1993) Spalten 506-513. Friedrich Nausea, eigentlich Friedrich Grau (* um 1496 in Waischenfeld, Deutschland 6. Februar 1552 in Trient) war katholischer Bischof der Diözese Wien. Sein Name leitet sich vom lateinischen Wort nauseo (deutsch: mir graut) ab. "Meister in der Exegese, handhabt er die Heilige Schrift mit bewunderungswürdiger Bravour klar u. präzise stellt er die kathol. Glaubens- und Pflichtenlehre vor Augen und weiß mit dialektischer Gewandtheit allen Einwürfen siegreich zu begegnen." (Metzner, S. 103).
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Suetone (Caius Suetonius Tranquillus), Ausone (Decius Magnus Ausonius), Cipelli (Giovanni Battista dit Egnatius)
XII Caesares. Poeta de XII caesaribus per Suetonius Tranquillum scriptis. Ejusdem tetrasticha & Iulio Caesare usque ad tempora Sua. De romanibus principibus, Libri III.
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Sebastien Gryphe, Lyon, 1532. 1 volume petit in-8 sous papier parchemine, dos lisse, auteur manuscrit, 528 pages dont page de titre, [16ff.] de tables et [1f.] blanc. Ex-libris grave. Bel exemplaire. Edition d'Erasme de Rotterdam. La librairie est ouverte du mardi au samedi de 9h30 a 12h30 puis de 13h30 a 19h00. Commandes par e-mail ou telephone. Envoi rapide, emballage soigne.
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Molterus, Menradus
Testamentum duodecim patriarcharum, filiorum Iacob / per Robertum Lincolinensem episcopum, è Graeco in Latinum versum ... Iuliani Pomerii, Toletani episcopi, contra Iudaeos libri tres
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Hagenau, Johannes Setzer, 1532. - 132 nn BlattMenradus Moltherus: Testamentum duodecim patriarcharum, filiorum Iacob / per Robertum Lincolinensem episcopum, è Graeco in Latinum versum ... Iuliani Pomerii, Toletani episcopi, contra Iudaeos libri tresHaganoae : per Iohannem Secerium, 1532.ed. Menradus Moltherus ded. Joannes Secerius, Joannes Waiblingius].Apocrypha V. T. Testamentum duodecim patriarcharumWaiblingius, Joannes -- Moltherus, Menradus -- Secerius, Joannes -- Julianus Toletanus episcopus +686 -- Robertus Grosseteste Lincolniensis episcopus +1253 UitgaveA-Q8 R4 132 nn BlätterMarmorierter Karton, Buchrücken und Ecken Pergament, Einbadn abgerieben, abgeschabt und fleckig. Buchdeckel aufgebogen, Einband schon recht steif (Buch lässt sich ein bisschen schwer aufklappen)Schnitt verfärbt und auf der Längsseite beschriftet, Bich schiefgelesen, Seiten vergilbt und fleckig, 1. und 2. Seite beschriftet, 2. Seite auch bestempelt, Buchdeckelinneseite mit Bibliotheksaufkleber, Buch druchgehen mit Buchwurmlöchern, allerdings kein TextverlustJulianus Pomerius war christlicher Priester im 5. Jhdt in Gallien. Er schrieb 5 Traktate, von denen nur eines erhalten ist.Anscheinend ist er vor den Vandalen von Nordafrika nach Gallien geflohen. Er wurde Lehrer der Rethoric in Arles. Es wird angenommen, dass Cesarius (der sich sehr mit den Lehren des Aurelius Augustinus Hipponensis beschäftigte ) sein Schüler war.Robert Grosseteste (* vor 1170 9. Oktober 1253) war ein englischer Theologe und Philosoph und Bischof von Lincoln.Grosseteste galt als Meister der aristotelischen Logik, als Beobachter von Naturphänomenen (Optik, Klima, Form, Bewegung, Zeit), die er mit der Mathematik und Geometrie analysierte, als Übersetzer aus dem Griechischen (aristotelische Ethik, Schriften des Johannes von Damaskus und des Pseudo-Dionysius), als Metaphysiker ("Gott ist Licht"). Schriftkommentare, beispielsweise ein Hexaemeron, Predigten und ein allegorisches Gedicht über die Erlösung (Château dAmour) runden das literarische Oeuvre des bedeutenden konservativen Kirchengelehrten ab. Quelle: WikipediaMarbled board, vellum on spine and corners, cover rubbed, stained, scraped, cover bent open, book a little warped, cover hard to open, edges coloured and in front of the spine some handwriting, pages yellowed, 1st and 2nd page with some hand writing and stamp, cover with label on the inside, wormholes throughout all the book, no loss of textJulianus Pomerius was a Christian priest in fifth century Gaul. He wrote five treatises, only one of which, De Vita Contemplativa, survives. He appears to have fled from North Africa to Gaul to escape the Vandals, towards the end of the century. He became a teacher of rhetoric at Arles, where Cesarius, a great conservator of Augustine of Hippos teachings, is thought to have been his pupil. We know from their titles that at least two probably emphasized the ascetic ideal.Robert Grosseteste (c. 1175 - October 9, 1253), English statesman, scholastic philosopher, theologian and Bishop of Lincoln, was born of humble parents at Stradbroke in Suffolk. A.C. Crombie calls him "the real founder of the tradition of scientific thought in mediaeval Oxford, and in some ways, of the modern English intellectual tradition".Grosseteste wrote a number of early works in Latin and French while he was a clerk (see biography above), including one called Chasteau damour, an allegorical poem on the creation of the world and Christian redemption, as well as several other poems and texts on household management and courtly etiquette. He also wrote a number of theological works including the influential Hexaëmeron in the 1230s. He was also a highly regarded author of manuals on pastoral care and produced treatises that dealt with a variety of penitential contexts, including monasteries, the parish and a bishops household. However, Grosseteste is best known as an original thinker for his work concerning what would today be called science or the scientific method. Source: wikipedia L1/Lesepult -
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CICERON;
Ad Titum Pomponium Atticum, ad M. Brutum, & ad Quintum fratrem, epistolarum libri XX.
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Paris, Simon de Colines, 1532 In-8 de (16), 331 ff., 1 f. bl., veau mouchete, dos a nerfs orne et dore, tranches rouges (reliure du XVIIIe siecle). Premiere edition des Lettres a Atticus donnee par Simon de Colines. Faite d'apres l'edition aldine de 1513, elle reproduit la dedicace d'Alde a Filippe Gyulai More. Marques de possesseurs successifs cancellees sur le titre. Schreiber, Simon de Colines, 84.
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GELLIUS (Aulus);
Auli Gellii luculentissimi scriptoris noctes atticae.
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Apud Seb. Gryphium, Lugduni 1532 - Petit in-8 de (76)-535-(1) pp., veau blond glacé, dos orné à nerfs, fleurons dorés aux angles et filet à froid sur les plats, pièce de titre en maroquin rouge, pièce d'armes en pied, dentelle intérieure, tranches dorées sur marbrure (Ottmann Duplanil). Très bel exemplaire de cette édition imprimée par Sébastien Gryphe. Ex-libris La Morandière. Baudrier VIII, 62.
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Gower, John
De Confessione Amantis [Gower's Confessions. Lover's Confession]
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Thomas Berthelette, London 1532 - Quarto. Title page with decorative borders, soiled, 1" tear from foreedge into borders. Signatures of Joseph Hall & Thomas Ottley on t.p. Small "JE" bookplate on front pastedown. Binding is very old full vellum (re-used manuscript) somewhat inexpertly applied over wooden boards; vellum split 2" at spine's bottom front corner, rusted anchors of former metal clasps showing through foreedge of covers (clasps absent); binding entirely opened at inner front hinge showing cords which are strong and tight, rear inner hinge opening at folio 187; Lacks blank endleaves; signature A mostly loose from binding, held by bottom cord only; minor pin-hole worming to covers and adjacent leaves not seriously affecting text; faint dampstains spreading from gutter and bottom edge into text; small B. Quaritch pencil note on rear pastedown noting absence of leaves 189 and 191 which are supplied with manuscript replacements; otherwise complete. Handsomely and strongly printed in 2 columns with occasional 3-line capitals and 5-line decorated capitals, running heads, etc. Sold as is, with all faults. (See also 3rd ed 1554, my inventory number 000051.) [Attributes: Hard Cover]
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DURER, Albrecht
[Institutiones Geometricae] or (Underweysung der Messung)
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Christian Wechel, Paris:: Christian Wechel,, 1532.. FIRST LATIN EDITION.. Folio.. Title with Wechel's tree device (Renouard 1114), repeated on verso of last printed leaf. With 9 full-page and 3 half-page woodcuts, approximately 175 text drawings of geometrical diagrams, architectural figures, and designs for letters. Complete with the 2 pasted slips on pages 179 and 181(lacking in many copies). Small repair to title, A few unobtrusive spots on the lower blank margin of the preliminary leaves and a few leaves lightly browned, otherwise a large handsome copy in modern vellum with the inscription "Signum Alberti Dureri" and his monogram written in ink in a contemporary hand above the first woodblock illustration. PMM 54. First Latin edition of Durer's Unterweisung der Messung (Nuremberg, 1525), his masterpiece of perspective and art theory. He here demonstrates the application between mathematics (geometry) and art by his depictions of architecture, lettering and ornamental forms. With this translation by his good friend Camerarius, Durer introduces to the rest of Europe the renaissance approaches to design and artistic creation. He treats construction of plane curves and helices by means of Euclidian geometry; construction of polygons and their uses in architectural ornamentation, parquet floors, and finally polyhedra, stereometry and perspective. The woodcuts and diagrams are executed with great precision; they include the famous illustrations of the two figures demonstrating a drawing instrument, signed with Durer's monogram (dated 1530 for this edition) as well as one of an artist drawing a seated man with the aid of Durer's machine. The text of Book Three contains his famous original treatise on the shaping of Roman capital and Gothic letters and Gothic letters built up by means of small geometrical forms.#11;
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[Geomancy] Koebel, Jacob?
Geomantia: Eyn kunst des warsagens die bey den allte(n) in geheyn und grossen wirden gehalten ist worden durch welche auch vil z!k!nsstigerding es fey z! gl!ck odder z! unsal er!ffnet werden Unnd das alles leychtlich durch r
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Peter Jordan, Mainz:: Peter Jordan,, 1532.. First Edition.. Modern limp vellum with ties, repaired tear on t.p., old owner's stamps removed, foxing, occ. old stains.. 4to.. Full-page fine engraving of planetary and emblematic figures signed "MF" Nagler IV,1776 a Strassburg master of unknown name. Extremely rare first edition of this work on planetary divination. OCLC only finds copies of the second edition at the Warburg Institute and the Wellcome Library and none in the US. Jordan printed this second edition in 1534 with a new title "Geomantia: K!stlicher und rechtshaffner gebrauch der alten kleynen Geomancey mit welcher durch hilff der Rechnung und der merschen Tauffnamens sampt der Planeten..." Which may textually agree with this but, again, may be a separate work. [See the copy of the illustration in the 1534 book shown in Olschki's Choix 3424 which is completely different from this.] This researcher would like to offer that the author might be Jacob Koebel (1470-1533) who authored numerous books on astrology, mathematics, etc. and, according to Thorndike issued an annual prediction for 1523 (Thorndike V,330-1) Moreover, in 1535 Jordan issued his work on astrolabes and in 1522 his "Von urspu(n)g der Teylu(n)g (which he also published anonymously). The anonymity of these work could be because of the disrepute divinatory sciences were held (eventually ending on the Index). Thorndike notes that these sort of books often are in vernacular languages for that reason. VD 16 G1314. Wellcome I,2746 (1534 ed.) Graesse III,52 (1534 ed.) Kloss Sale 4094. This work is lacking from all our occult bibliographies; astronomical works-- Zinner & Houzeau/ Lancaster; and from standard collections--Adams and the BM STC; etc.
[Bookseller: Krown & Spellman, Booksellers] |
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DURER, Albrecht; DUERER,Albrecht; Durer
Institutiones geometricae [translation of Die Unterweisung der Messung
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1532. DURER, Albrecht. Institutiones Geometricae (Latin translation of Die Unterweysung der Messung by Joachim Camerarius). Collation: a4 A-P6 Q4 = 98 ff., including 9 plates on 5 leaves. Illustrated with 148 woodcuts in the text (9 full-page), closely copied from the 1525 German edition; two folding extention plates pasted on pp. 179 & 181, woodcut geometrical diagrams and figures throughout. Small folio, 330 x 220 mm, bound in eighteenth-century half calf over marbled boards, expertly rebacked. Paris: Christian Wechsel, 1532. |~||~||~||~||~| First Latin Edition of Die Underweysung der Messung ("A Course in the Art of Measurement"), the first of Durer's writings on art theory; it presented to northern Europe the completely new attitude to artistic creation which had crystallized in Italy during the Renaissance. "Its immediate object was to explain the application of practical geometry to drawing and painting and to teach the principals of perspective. These methods were to be applied to architecture, painting, lettering (Durer designed both Roman and Gothic letters) and ornamental forms in general, and his book is therefore addressed not only to artists but also to sculptors, architects, goldsmiths, stonemasons and other craftsmen" (PMM). In order to explain complex mathematical symbols to his German readers, Durer had to invent many new mathematical terms, and thus was influential in the development of German scientific prose. This Latin translation by the humanist Camerarius brought the treatise to a much wider audience than the original German edition of 1525. In the Preface Durer states: "I have decided to teach geometry's rudiments and principles to all youngsters eager for art... it may benefit not only painters but also goldsmiths, sculptors, stonemasons, carpenters and all those who have to rely on measurement." Therefore the work remains a book for practical use, and not a treatise on pure mathematics. Panofsky stresses the work's three-fold importance: for Durer's technical innovation in his construction of a perspective apparatus; for being the first literary document "in which a strictly representational problem received a strictly scientific treatment at the hands of a Northerner"; and for emphasizing that "perspective is not a technical discipline destined to remain subsidiary to painting or architecture, but an important branch of mathematics, capable of being developed into what is now known as general projective geometry" (Life and Art of Albrecht Durer, pp. 247-260). Liber III contains Durer's famous treatise on creating Roman capital letters and Gothic or "textura" letters, all constructed by means of small geometrical forms. Lower corner margins of first 2 ff. extended without loss. A crisp copy. PMM 54. Mortimer, French 183. Bohatta 6. Meder 286.
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COLB, Caspar (or Kaspar)
Astrolabii Instrumenti Geometricique Tabulae auctiores, quam hactenus in lucem prodierint, adiectis simul quae ad interpraetationem faciunt
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Title within fine woodcut border, on verso are four woodcuts (see below) & woodcut initials. [8] leaves. Small 4to, fine modern green morocco by Lobstein-Laurenchet, spine lettered in gilt. [Cologne: Hero Alopecius (Fuchs)], 1532.pFirst edition of this very rare work on the astrolabe, its origins, and uses. There are many references to the Arab astronomers, Regiomontanus, and Stoeffler. Colb describes its uses in computing the movements of the stars and sun, finding time and place, and measuring altitude. The beautiful woodcut title-page border and the four fine woodcuts on the verso are by Anton Woensam. The woodcuts depict four ancient astronomers, including Aratus and Ptolemy, each holding a celestial globe. Fine copy. ❧ Lalande, p. 50. Merlo, Woensam, 408 & 437. Zinner 1484. Zinner, Astronomische Instrumente des 11. bis 18. Jahrhunderts, p. 282.. First Edition. Hard cover.
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HERMES TRISMEGISTUS (with Iamlichus & Proclus - trans. by Marsilio Ficino)
MERCURII TRISMEGISTI PYMANDER, De Potestate et sapienta Dei. Eiusdem Asclepius, De voluntate Dei... Iamblichus De mysteriius Aegyptiorum... Proclus in Platonicum Alcibiadem... De sacrificio & magia
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Basle: Mich. Isingrinium, August, Basle: Mich. Isingrinium, August,, 1532.. Sm. 8vo, 480 [i.e. 460], (4)pp. Contemp. boards covered in vellum (with ms on inside), old library stamps on title, occasional staining and worming (not affecting text).. ! Early Edition of the Pymander and Asclepius, attributed to Hermes Trismegistus, together with texts by Proclus, Iamblichus and Porphyry. The Asclepius of Hermes was translated by Apuleius and the other works by Marsilio Ficino. Adams H-345. STC, German, 398. Rosenthal, Bib. Magica, 445. Not in Bib. Esoterica; Caillet; De Guaita; Durling; Duveen; Ferguson; Manly P. Hall Catalogue. OCLC notes 2 copies in the US and 3 abroad.#11;#11;! One of the most influential works on philosophy ever printed, the OPymander of HermesO is the foundation stone of an intellectual movement which was to have profound influence in the European Renaissance. It is neither an alchemical, astrological or magical text and has nothing to say about ways of operating in the physical warld. It is, rather, a philosophical mystical text whose object is enlightenment rather than power. The manuscript, known as the OCorpus Hermeticum,O was brought to Florence from Macedonia about 1460 by a monk named Leonardo da Pistoia. The mansucript was presented to Cosimo de Medici who engaged Marsilio Ficino to translate it from the Greek into Latin. The first edition was printed at Treviso in 1471. Ficino titled his translation of the 14 treatises OPimander,O but actually that is the title of only the first treatise of the corpus, which gives an account of the creation of the world. Hermes, a mythical name associated with a class of gnostic revelations, was for the Renaissance scholars a real person, an Egyptian priest who had lived in remote antiquity. Like the Hellenic Greeks, they looked to the past for the foundation of truth. Thus Ficino, finding traces of Platonic thought, saw Hermes as the source, while in fact the writings probably date from early Christian times. In 1614 Isaac Casaubon proved the hermetic writings date from the first through third centuries A.D. as the Greek is late Hellenic and the doctrine is drawn directly from Plato, the Stoics and Persian thought. VD16 H-2462. See: Yates, Giordano Bruno and the Hermetic Tradition.
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Landulfus Sagax.
Eutropii Insigne volumen quo Romana Historia vniuersa describitur, ex diuersorum authorum monumentis collecta. Additae sunt Graecorum imperatorum uitae de rebus in Oriente & Constantinopoli, Persia, Arabiaque gestis, de quibus hactenus Latinis parum constabat. Quidam Annales Constantinopolitanos appellant. Opus indignum certe quod in tenebris tam diu delituerit. Pauli Diaconi Aquileiensis De gestis Langobardorum Libri VI.
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Basel, in Officina Frobeniana (al colophon: per Hieronymum Froben. et Nicolaum Episcopium) 1532. - In fo. (295x200) cc. 4 n.n. pp. 443 (1) car. rom. marca tip. inc. in legno al front. e alla fine, num. belle iniziali inc. in legno di vario formato. Leg. del XIX sec. in cartone, tass. in carta al dor. Qualche carta legg. arross. altrimenti bella copia genuina. Landulfus Sagax, canico a Chartres, continua in quest'opera la storia romana di Eutropio e Paolo Diacono. L'opera è curata da Sigmund Gelen, che firma la prefazione. Bella impressione dello stampatore Froben, nella usuale eleganza e sobrietà. Figura sul ns. sito. Adams, E/1127. S.T.C. G.B. , pag. 482. ICCU, BVEE\012185.
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PAULUS AEGINETA.
Opus de re medica, nunc primum integratum latinitate donatum, per Joannem Guinterium Andernacum.
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Paris, Simon de Colines, 1532. - In-folio, [dimension: 335 x 217 mm] de (40), 47, (9), 39, (9), 127, (9), 48, (8), 24, (8), 83, (9), 158 pp., 1 f. bl. Veau marbré, dos à nerfs orné, tranches rouges. (Reliure du XVIIIe.) Première édition de la traduction de Johannes Guinterius (Guinter von Andernach), le professeur de Vésale. Le "De Re medica", divisé en 7 livres, traite d'hygiène, de diététique, de pathologie, des maladies de la tête, de la lèpre, des maladies de la peau, des poisons, de pharmacologie et de chirurgie. Le plus grand médecin de l'époque byzantine était aussi un remarquable chirurgien. Son ouvrage est le meilleur manuel de médecine opératoire de l'Antiquité. Paul d'Aegine y enseigne plusieurs méthodes d'opération de la face, ce qui en fait un des premiers livres de chirurgie plastique. "The extreme practicality of the text and its consequent use doubtless accounts for its rarity today. Its section on surgery, Book VI, has been called the principal medical work of the Byzantine era." Stillwell 473. Cet ouvrage n'avait été jusqu'ici publié qu'en grec par Alde Manuce. Il a été publié la même année à Basle, dans une traduction d' Alban Thorer. Belle marque d'imprimeur sur le titre. Schreiber, S. de Colines 89 : "The first to publish a complete translation was therefore Johannes Guinterius, who states that he used three Greek texts : the Aldine princeps, an ancient manuscript belonging to Janus Lascaris and a "codex of marvelous antiquity" belonging to Jean Ruel." Coins et coiffes usés. Petit trou de ver traversant tout le volume, un autre trou de ver avec perte d'une ou deux lettres sur les premiers 18 feuillets et qui se poursuit dans la marge. Durling 3551. Pas dans Adams. [Attributes: Hard Cover]
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Balbo, Giovanni Francesco
Tractatus De Prescriptionibus: Tractatus Secundus Et Perutilis...
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1532. Balbo, Giovanni Francesco [fl. 1510-1540]. [Henricus, de Segusio, Cardinal (Hostiensis) (c. 1200-1271)]. Tractatus de Prescriptionibus: Tractatus Secundus et Perutilis Profunde Subtilis[que] ac Quotidiane Materie o[mn] is prescriptio[n]is ta[m] Civilis Q[uam] Canonice, Qui de Prescriptionib[us] Inscribit[ur]. [Lyons: Impressa Lugd. per Benedict[us] Bonyn. 1532 die vero. xxix]. [xxii], 208 ff. Main text in parallel columns with side-notes. Octavo (7" x 5"). Recent period-style vellum (from a Hebrew manuscript), hand-lettered title to spine and foot of text block, endpapers renewed. Negligible light soiling, corners lightly bumped. Title page with architectural border and large Bonyn device printed in red and black. Light browning, faint dampstaining in places, minor worming at beginning and end of the volume (partly restored), wear holes and a few spark-burns with no loss to text. Two brief early annotations, underlining to a few passages. * Third edition. Originally published in 1511, this treatise addresses the Roman law of prescription, the principle whereby a right or liability is created or extinguished over a certain period of time, usually in regard to a property title. It also includes an edition of a short treatise on this subject by Henricus de Segusio. It was a popular work that went through several issues and editions, the last one in 1582. OCLC locates 5 copies of all editions, 3 copies of this edition, no copies of any edition in North America. This edition not in Adams.
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