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Displayed below are some selected recent viaLibri matches for books published in 1532
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DEMOSTHENES.
Logoi dyo kai exekonta (Orationes duo et sexaginta ).
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2° ( 335x215 mm ).( 12 ),532 pagine;207,1b,( 28 ).Marca tipografica al fts ed in fine.Un timbro di biblioteca privata ed una firma di appartenenza coeva al titolo, testo circondato dal commento,qualche sottolineatura e nota ms coeva.Un alone in tutti i margini esterni bianchi della seconda metà ma senza indebolimento della carta..A margini originali con dorso in pergamena e cartone azzurro del Settecento, titolo a penna. Seconda edizione,dopo l'aldina del 1504 ristampata nel 1520.Fu edita da Simon Grynaeus e corretta da Erasmo.La dedica è di Erasmo a J.Georg Paumgartner, datata Freiburg,1532.Il commentario è quello dell'Ulpianus e gli Argumenta sono del Libanius,le note sono di Erasmo e del Budaeus. Com'è noto,Demostene,il più grande oratore greco,avverso a Filippo II° di Macedonia,si tolse la vita dopo la battaglia di Lamica.L'Hervagius,molto amico di Erasmo,aveva sposato la vedova del Froeben,ma fu accusato di incesto per una relazione con la figliastra: questo episodio causò la rottura della loro amicizia.Tre copie in British Library,STC,238 e tre copie in Adams,D,261.Dibdin,I,476-Graesse,II,357:"Edition bien imprimèe". Basel,J.Hervagius,mense Septembri, 1532.
[Bookseller : Pampaloni Studio Bibliografico di Paolo ] |
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Durer, Albrecht
QUATOUR... INSTITUTIONUM GEOMETRICARUM LIBRIS
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Paris: C. Wechel.. 1532. First Latin edition. Hardcover. Very Good. Folio. (8),185,(3)pp. Title with printer's woodcut device, and device repeated on the verso of the final leaf (recto blank). Text profusely illustrated with woodcut diagrams, including full-page plates. The diagrams on P6 recto and Q1 recto, extended on folding slips, are present in this copy. They are often lacking. Attractively bound in modern full polished brown calf done in antique style, with gilt central ornament on both covers and gilt tooled spine. Neat paper repairs, at top outer blank corner of title page, and bottom inner blank portion of Q3.
[Bookseller : Kenneth Karmiole, Bookseller, Inc.] |
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Capella (Capra), Galeazzo Flavio
De rebus nuper in Italia gestis, libri octo.
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Nürnberg, Johannes Petreius 1532. 75 Bll., l. w. Bl. Mit Wappenholzschnitt am Titel. Halbpergamentband. Dreiseitiger Farbschnitt. 4to. Seltene zweite Ausgabe (die erste in Deutschland gedruckte) des oft aufgelegten und übersetzten Werks: eine Geschichte des sogenannten Mailändischen Kriegs, der zunächst zur Vertreibung, schließlich aber zur Wiedereinsetzung Francesco Sforzas II. als Herzog von Mailand führte. Der italienische Schriftsteller und Staatsmann (1487-1537) Capella war Sekretär des Herzogs und zeitweise auch Minister; er berichtet hier als intimer Kenner der Ereignisse und Hintergründe. - Stellenweise unbedeutend braunfleckig; es fehlen die Vorsatzblätter. Gutes Exemplar. - VD 16, C 792. BNHCat C 204. BM-STC German 179. Adams C 582. IA 131.486.
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Pausanias [fl. ca. 150-175]
Pausaniou Tes Hellados periegesis and Pausaniæ Graeciae descriptio accurata
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An indispensable guide to southern and central Greece in the 2nd century and the most important surviving classical work on early Greek religious practices, art, and architecture with authoritative treatments of the Apollo sanctuary at Delphi (60 pages in Book X), and the Zeus shrine at Olympia (110 pages of the Elis books), and with crucial detail on hundreds of sites and locales. "Pausanias is the only known reliable source on many aspects of early Greek history". (Habicht, p. 28) "Like Herodotus, Pausanias was a mine of ethnographic information about the classical world." (Ackerman, p. 128) "But the value of Pausanias to archaeologists and to all classical scholars is unique and astonishing" (Levi, p. 1). By general acclaim, the Kühn remained the most valued critical Greek text until well into the 19th century. Winckelmann used Kühn (Kochs) and Brunet states, "edition belle es très-correcte" (p. 454). EDITION: The first Kühn edition, bilingual Greek and Latin text in parallel columns with catchwords, supplementary matter in Latin and Hebrew, title in red and black decorated with printer's engraved, b/w pictorial mark, a 112 x 73 mm Pegasus (flying horse), texts decorated with chapter initials and arabesque woodcut head-and-foot pieces with botanical or classical motifs, with introductions to each book, now formatted in chapters and with added new notes, based in part on work of Isaac Casaubon, text principally from the critical Greek text by Wilhelm Xylander [1532-1576], completed by Friedrich Sylburg [1536-1596], their notes retained for each page. Latin translation: Romolo Quirino Amaseo [1489-1552]. FORMAT: Untouched, early, full vellum boards, sides stamped in center with a foliated arabesque botanical design circumscribing a portrait head, different for each side, the seven compartment banded spine decorated with gold leaf floral tools, with three mounted morocco lettering devices with gold leaf letters, numbers, and borders, these, decorated with finely executed bead and lozenge elements; all edges tinted red. SIZE: Folio, 358 x 233 mm, pages with full margins, 333 x 212 mm, as issued. PAGINATION: Confirmed complete, except lacking blank front leaf: [26 pages]; 1-898 pages; 899-943 pp., each column as one page; (1); [75] pages, unpaginated indices; index 1, 29 leaves; index 2, 9 pages and index 3, 8 pages; [1] rear blank leaf. Guide to Greece provides details on hundreds of sites and villages in Attica and the Peloponnese, (Southern and Central Greece), only incidentally mentioning Northern Greece, and doesn't describe Crete. Pausanias begins his description of each city with a synopsis of its history. Book I (with separate title page): Attica on Athens (with much valuable detail on the Agora), Atticus and Megara; pp 1-109. Book II: Corinth on Corinth, Argolis and island of Aegina; pp. 109-202. Book III: Laconia; pp. 203-278. Book IV: Messenia; pp. 279-373, principally on its history. Books V + VI: Elis; pp. 374-450 and pp. 451-520. Book VII: Achaea; pp. 521-597. Book VIII: Arcadia; pp. 597-710. Book IX: Boeotia; pp. 711-797. Book X: Phocis, especially Delphi, and parts of Locris; pp. 797-898. CONDITION DETAIL: Owner Markings: minimal: neatly mounted shelf label top corner of pastedown: bookplate: some handwritten notations providing pages in subject index. Pages: excellent: exceptionally clean and bright with some cockling, about 15 pages with an isolated small margin spot: a preliminary page with a closed vertical bottom margin tear: p 88: a small fore-edge chip and soiling in inner margin: p. 95: minor top corner tear: pp. 645-646: bottom edge chip with light loss: pp. 647-648: tear in inner margin, tear in outer margin, and .75 mm tear in text with loss of 6 Greek letters: pp. 835-850: slight toning: pp. 915-916: head of fore-edge margin with slight loss: last index page with slight bottom corner crease, pen mark and slight toning . Covers: overall rubs and soiling: corners bent in. Upper Side: stamped design partially rubbed off: Binding: upper joint split at compartments 2 & 3 with splitting along much of spine, but nevertheless, reliably attached: hinges excellent: signatures solid: pages turn well and lie flat. Bookplate: print fine: mount o.k.: a top corner detached. PROVENANCE: Thomas Papillon Esq, of Acrise Place, Kent and Crowhurst Park, Sussex [1803-1883], his engraved b/w bookplate from a Thomas Cole design with distinctive butterfly motif at the center of his heraldic coat of arms with circumscribing Latin motto, "Ditat Servata Fides" (faith preserved enriches). Print is 98 x 84 mm in the plate, mounted on the half-title page. "The design was originally done for Burke's Heraldic Illustrations and later used as a bookplate" (British Museum). Laid-In-Note: handwritten pen & ink Dibdin quote on Kühn edition, not in Dibdin's hand, copier unknown. AVAILABILITY: Very Scarce: a worldwide search finds this edition highly sought after and collected with 80 institutional holdings, including at Princeton, Oxford and Cambridge: "Pausanias was Winckelmann's guide" (Pretzler). KÜHN: chair of Greek and Hebrew at the University of Strasbourg from 1685. REFERENCE: The 19th century Greek critical text that superseded Kühn was the Hitzig and Blümner published in 1856, both supplanted by the now authoritative Rocha-Pereira 2nd edition published in 1989. ADDITIONAL IMAGES: by request.
[Bookseller : Steven Waldman] |
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BIBLE. LATIN.
Biblia Breves In Eadem Annotationes, ex doctiss. interpretationibus, & Hebraeorum commentariis
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Paris: Robert Estienne, 1532. - 4 Parts bound in 3 Volumes. folio. ff. [10], 388; 94, 37, 57. without blank ee6. ruled in red throughout. 3 titles with large woodcut printer?s device & woodcut headpiece on first title. numerous criblé initials of 4 and 11 lines, attributed to Geoffrey Tory. 3 large initials hand-illuminated, 5 supplied paragraph marks, 3 illuminated shields with cardinal?s hat, 1 incorporated into large illuminated headpiece, in shades of red, blue, green, gold, black & white. Roman, Hebrew & Greek letter. An appealing copy in 17th century morocco, gilt gauffered edges (rubbed, Vol. I spine ends chipped, some staining to covers, mostly marginal dampstains & soiling to some leaves). Second Estienne Edition, Corrected and Enlarged. An important bible from one of the sixteenth century?s leading biblical scholars. The first edition, published in 1527-28, was Robert Estienne?s first bible and his first project as a scholar-printer, as well as "the earliest genuine attempt at a critical edition of the Vulgate text." (Darlow & Moule) It was based on careful examination and comparison of printed and manuscript sources which he began in 1524. Although [Estienne?s] recension incurred the censure of the Theological Faculty of Paris, it was widely reprinted, and his own revision of 1538-40 "is practically the foundation of the official Roman Vulgate." (Ibid.) When the present copy was rebound and illuminated, an additional fo. 212 was inserted supplying in manuscript the text of the end of the book of Job, and the original printed text of Job at the beginning of D5r was obscured with a large illuminated headpiece. As a result the two volumes became textually as well as physically separated, the second beginning with the Psalms. Adams B1011. Renouard 35-36.1. Darlow & Moule 6112. BM STC French p. 54. Brunet I 875. cfSchreiber 37 & cfMortimer, French 16th Century Books, 65 (1527-28 edn.).
[Bookseller : D & E LAKE LTD. (ABAC/ILAB)] |
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PEROTTI (Nicolai). [Nicolaus Perottus 1429-1480]
Cornu copiae seu latinae linguae commentarii
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Basileae [Bâle], Valentin Curio, Martio [Mars] 1532 - Folio ; page de titre gravé superbement illustré de figures gravées sur bois ombrés-68 ff. non chiffrés-paginé 1 400 sur 2 colonnes-12 ff. non chiffrés, nombreuses lettrines illustrées, pleine peau de truie, richement estampé à froid, dos à nerfs, titre manuscrit poussé au dos, rel. allemande de l’époque au décor « à froid à la plaque » (en usage en Flandre et en Allemagne jusqu’à la première moitié de XVIe siècle), complété par des filets poussés à la roulette gravée, des fers gravés, des bandes verticales et des encadrements ornés, tranches jaune paille, bon exemplaire malgré qq. les usures. Adam, P-727. Schweiger, t. II, 1300. ÉDITION FORT RARE. VERY SCARCE. Note manuscrite sur la première garde blanche (recto-verso) signée de Sebald Münster, recteur de l'université de Wittemberg et datée de 1534. [Attributes: Hard Cover]
[Bookseller : Librairie Herodote] |
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Livy [Titus Livius]
T. Livii Patavini Historiarum Ab Urbe Condita Decadis Quintae Libri
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1532. Good Livy [Titus Livius]. T. Livii Patavini historiarum ab urbe condita decadis quintae libri quinque nunc primum excusi. Florentiae: In aedibus Bernardi luntae, 1532 [dated XXXII on colophon at end of text]. 131 leaves [bound with] Livy. Titi Liuii Decadum XIIII Epitomae: Lucius Florus. [Venice? ]. n.d. [1520s? ]. 52, 63 leaves. Hardcover in 19th century vellum quarterbinding (marbled boards backed in vellum). 16cm. Edges rubbed. Ex lib. from the Forbes Library in Northampton with their perforated stamp on title-page of first item. Contents generally sound and clean although there is a dark stain along lower half of fore-edge on most pages which often extends into the margin. Good. Latin text. Title vignette on second item of two unclothed young boys holding onto a fleur-de-lis.
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Vegetius Renatus, Flavius
De re militari.
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1532 EARL OF ESSEX COPY VEGETIUS RENATUS, Flavius. De Re Militari. Collated and edited from ancient codices by Guillaume Budé. [8], 279, [1] pp. Illustrated with a title-page woodcut, one full-page woodcut of a lansquenet (the French corrupted form of the German Landsknec/zt (qv), a mercenary foot-soldier of the sixteenth century) here in contemporary hand-colouring (once repeated), plus 120 woodcuts on warfare throughout text and printer's device at end. Folio, 315 x 205 mm, bound in late seventeenth-century English speckled calf, panels gilt on covers, spine gilt-decorated, red and green morocco title-lables. Paris: Christian Wechel, 10 September 1532. First Edition of the famous Wechel printing of Vegetius' manual on warfare, edited by the sixteenth-century French humanist scholar Guillaume Budé. This is widely recognized as the best Renaissance edition of the ancient military texts of Vegetius, Frontinus, Aelius Tacitus and Modestus. It survives as the quintessential illustrated military work of the Sixteenth Century. The De Rei Militari woodcuts originate in part from the exceedingly rare Valturius edition of 1472. Being attributed to Matteo de Pasti, they represent the first illustrations by an Italian artist in a printed book. However, much is added in this later Renaissance edition that expands on the "engines of warfare" as illustrated in the Valturius. The Wechel edition begins with the title woodcut of a military council gathered before a tent, then added are apparati for underwater attack and warfare, improved firearms, an armoured train, impenetrable footware for soldiers, use of flints and firearms, etc. All of the splendid woodcuts in this volume are of significant value both as military iconography and as artistic illustrations in the best of the Renaissance spirit. Flavius Vegetius Renatus, Roman writer and a man of high social rank (fl. ca. 385-400 AD) is the author of De re militari [a summary of military matters], which remains one of the most important military works of the ancient world. The third book is the most highly prized, as it deals with tactics and strategy. It was the basis for a military education during the Middle Ages and influenced a great many commanders of note, including Frederick the Great. Chapters include: "Roman Discipline, the Cause of their Greatness, The Military Mark, Initial Training, The Armatura Drill, Use of Missile Weapons, Lessons in Vaulting, Drawing up a Legion in Order of Battle, Machines and Tools of the Legion, Passages of Rivers, Rules for Encamping an Army, Order of Battle, Proper Distances and Intervals, Maneuvers in Action, Various Formations for Battle, The Flight of an Enemy should not be Prevented, but Facilitated, and Preparations for a General Engagement, etc., etc." The Aelianus Tacitus text at the end of the volume is illustrated with attractive typographic illustrations consisting of grouped letter diagrams which elucidate military positions and stratagems. The Earl of Essex formed a substantial library at Cashiobury during the seventeenth century. The library was been described by Sir John Evelyn: "the library is large and very nobly furnished and all the books richly bound and gilded." Essex was a statesman, sometime Lord Treasurer and politician, and a man of considerable literary cultivation according to Evelyn, who also wrote that he "was very well versed in English historical affairs" and literate "beyond the rate of most noblemen of his age." Essex died in the Tower following his implication in the Rye House plot. This Budé/Wechel edition is rare and much sought-after. Brunet had never seen a copy and many great collections such as Fairfax Murray had later reprints only. Title with very minor soiling, volume with early rebacking, preserving original gold-tooled spine, later red and black morocco lettering-pieces. Overall, a near-fine copy with superb impressions of the plates and a distinguished provenance. PROVENANCE: Early English owner with acquisition note and price on upper corner of title; Arthur Capel, Earl of Essex (1631-1683), with his sipher monogram and shelf mark gilt-stamped on the spine, and his ex-libris on verso of title; William Foyle, with ex-libris on front pastedown. BM/STC French 436. Adams V-331. Mortimer, French 486. Fairfax Murray, French II, 563. Brun 308.
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PETANCIC, Feliks (Ragusinus, um 1455-nach 1517) und Martin OENOPREPIUS (tätig um 1527-1532), Hrsg.].
Tyrannis ritus ac astus militaris Turcorum Tyranni.
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- Kl.-4to (188 x 143 mm). Titel innerhalb vierteiliger Holzschnitt-Bordüre, in der unteren das Monogramm des Druckerverlegers Johann Singriener. Mit 2 achtzeiligen, grotesk phantastischen Holzschnitt-Initialen im Text. [10] Bl. [A4, B2, C4]. Geheftet (ohne Umschlag). Wien, Johann Singriener d. Ae., 1532. Mit einer vierteiligen Titelbordüre und zwei grotesken Holzschnitt-Initialen im Text geschmückte zweite Ausgabe der von dem aus Ragusa (Dubrovnik) stammenden Petancic verfassten und hier durch den Wiener Notar Martin Oenoprepius edierten Darstellung der osmanischen Armee zur Zeit von Süleyman I., genannt der Prächtige. Das Werk hat sich in zwei abweichenden Textversionen erhalten, die heute in der Wiener Nationalbibliothek gehütete Handschrift diente offenbar auch als Vorlage für die 1530 in Augsburg gedruckte Editio princeps (VD 16, A-213), wo 'De imperatoribus Turcarum et de militari disciplina' in der Redaktion des schwäbischen Humanisten Konrad Adelmann von Adelmannsfelden unter dem Titel 'De origine, ordine et militari disciplina magni Turce domi forisque habita libellus' erschien. Von der zweiten, mit Sultanportraits illustrierten, Textversion findet sich eine Handschrift in Budapest ('Genealogia imperatorum turcarum' Cod. Lat. 378 und 2) sowie eine identische Abschrift (inkl. der Miniaturen) in der Spanischen Nationalbibliothek in Madrid (Vitr. 4-12). Auf der Titelrückseite findet sich die gedruckte Widmung an den am 9. März 1530 zum Kardinal ernannten Bernhard von Cles und in der Einleitung wird erwähnt, dass die als Vorlage dienende Handschrift zur Bibliothek des Wiener Bischofs Johann Fabri ( 1478-1541) gehörte. - Vereinzelte Unterstreichungen und wenige Marginalien einer zeitgenössischen Hand. - Schlussblatt verso minimal gebräunt. Göllner 444; VD 16, T-2423; Apponyi III, 1682; Yerasimos, Les voyageurs dans l'empire Ottoman (1991), S. 128; Mayer, Wiens Buchdrucker-Geschichte I (1885), S. 46, Nr. 82; Pertusi, Bisanzio e i Turchi nella cultura del Rinascimento e del Barocco (2004), S. 145; Banfi, Felix Ragusinus, 12. Very scarce second edition of Petancic' description of the Ottoman army in the epoch of Suleiman the Magnificent, adorned with a fine woodcut title border with the initials of the Vienna printer Johann Singriener the older and two grotesque woodcut initials. The present text (also known as: 'De imperatoribus Turcarum et de militari disciplina') was edited here by the Vienna notary Martin Oenoprepius. Its editio princeps was previously edited at Augsburg in 1530 by the Svabian Humanist Conrad Adelmann von Adelmannsfelden as 'De origine, ordine et militari disciplina magni Turce domi forisque habita libellus'. The text is known in two manuscripts, of which the one kept in the National Library of Vienna apparently was used for the first edition. The second version (known as: 'Genealogia imperatorum turcarum') is in a manuscript of the National Library in Budapest, illustrated with miniatures of various Sultan portraits. Of the Budapest version there exist an identical copy in the National Library in Madrid. On title verso we find the printed dedication to Bernhard von Cles, who had became Bishop on 9 March 1530. The short introduction reveals that the manuscript used here belonged to the private libary of Bishop Johann Fabri (1478-1541) of Vienna. - Few single underlinings and marginalia by a contemporary hand. - Last leaf verso lightly browned. - Stitched. [Attributes: First Edition; Soft Cover]
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BAIF (Antoine de)
Euvres en rime [contenant Les poèmes et Les amours]
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Lucas Breyer, Paris - in-8, 2 parties (sur 4) reliées en un volume de I. (9), 272ff. (signatures a9, A-Z8, Aa-Ll8), manque (1)f. liminaire. - II. (8), 232ff. (signatures â8, A-Z8, Aa-Ff8), basane fauve, dos à nerfs orné, triple filet en encadrement sur les plats, tranches dorées (reliure XVIII°), Impression italique. Edition collective des oeuvres de Baïf. "Les Amours" sont en partie en édition originale. Les trois livres de "diverses amours" paraissent ici pour la première fois. On y trouve les six sonnets de La Boétie (f.196). Jean-Antoine de Baïf (1532-89), ami de Pierre de Ronsard et membre de la Pléiade, participa à l'introduction, en France, d'une versification quantitative mesurée, calquée sur la poésie de l'Antiquité gréco-latine. Sans les Jeux et les Passe-temps. Coins et dos restaurés, galeries de vers dans la marge intérieure avec parfois atteinte au texte, mouillures, parfois rogné court en tête avec atteinte au titre courant [Attributes: Hard Cover]
[Bookseller : Librairie Alain Brieux] |
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LIVIUS TITUS.
T. Livii patavini latinae historiae principis, quicquid hactenus editum fuit? accesserunt autem Decadis quintae libri quinque, cum Chronologia Henrici Glareani.
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Venezia, Lucantonio Giunta, febbraio 1532. "In-folio; 4, 312, 16, 24, 16 cc.; due grandi marche tipografiche con il giglio in principio e in fine (la seconda a piena pagina), numerosi capolettera incisi con motivi ornamentali raffiguranti puttini ed elementi floreali. Legatura ottocentesca in mezza pelle e carta marmorizzata. Note di mani antiche al risguardo anteriore e pertinenti glosse marginali lungo tutto il testo; qualche traccia d'uso e macchia d'inchiostro ad alcune carte. Esemplare con buoni margini." "Prima edizione italiana di Tito Livio con aggiunti i cinque libri della quinta deca, trovata dal Grineo in un codice dell'abbazia di Lorsch e pubblicata per la prima volta a Basilea dal Froben nel 1531. Erasmo da Rotterdam, autore della lettera dedicatoria contenuta nelle carte preliminari, sottolinea l'importanza filologica di questa edizione: ""...Titum Livium, Latinae historiae pincipem, iam quidem frequenter excussum, sed nunquam ante hac vel magnificentius vel emendatius, et si hoc parum est, quinque libris modo repertis auctum""." CAT. 38
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Ludovico Ariosto
La Lena comedia
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Venezia Sessa post 1532 In-8º; cc. (32), grande ritratto dell'autore inciso su legno al frontespizio. Legatura in cartonato moderno. Edizione originale. Agnelli 2, pp. 109-110.
[Bookseller : Pettini Libreria di Antonio Pettini] |
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JUSTINIAN)
Institutionum seu elementorum ivris prudentiae D. Lustiniani sacratissimi principis libri quatuor. Item caii institutionum libri duo.
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- Monguntiae, 1532. In/12 reliure signée Duru et Chambolle (1863) en plein maroquin marine, dos à nerfs à fleurons et titres dorés, encadrement à froid sur les plats avec fleurons dorés dans les angles, double filets sur les coupes, dentelle intérieure, doré sur tranches, belle page de titre ornée, lettrines historiées, 5 f., 315 p., 1 f. Ex-libris (L. FRoissart). Quelques notes marginales à l'encre. Belle reliure, exemplaire très propre.12mo in full morocco binding, ribbed spine with gilt title, blind stamped fillet on boards with gilt écoinçon, gilt inner dentelle, gilt edges, nice ornamented title page. Some marginalia. A mint copy. [Attributes: Hard Cover]
[Bookseller : Philippe Lucas Livres Anciens] |
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Machiavelli,Niccolò.
Opere storiche. Istorie fiorentine.Vita di Castruccio Castracani da Lucca.
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Salerno Ed., Roma, 2010 - A cura di Alessandro Montevecchi, CarloVarotti. Il volume raccoglie, in due ampi tomi, gli scritti storici di Niccolò Machiavelli, che caratterizzano l'ultima fase creativa del grande scrittore. La parte più cospicua è rappresentata dalle Istorie fiorentine, cui segue la Vita di Castruccio Castracani, breve (e invero in molti punti romanzesca) biografia del signore ghibellino di Lucca, acerrimo nemico della repubblica fiorentina. Le Istorie fiorentine costituiscono di fatto l'unica opera prettamente storiografica di Machiavelli, chiamato ad affrontare una tipologia di scrittura, la storia della città dalle origini al tempo presente, che aveva avuto nel corso del Quattrocento gli illustri precedenti di Leonardo Bruni e Poggio Bracciolini. Presentate in una nuova edizione critica attenta a rispettare la varietà morfologica della scrittura machiavelliana, le Istorie sono qui corredate di un apparato filologico che documenta anche il lavoro tipografico attuato nelle prime pubblicazioni a stampa postume dell'opera (in due edizioni autonome, uscite nel 1532 a Roma e a Firenze, a distanza di pochi giorni l'una dall'altra). Completano il volume le Nature di uomini fiorentini, qui pubblicate per la prima volta in edizione critica e commentata. 2 voll. cm.17x25, pp.CXIV,1052 complessive, Coll.Ediz.delle Opere di Niccolò Machiavelli,2.
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AGRIPPA
Finely penned Document Signed (Martino, Deputy Papal Governor of Bologna and the Romagna)
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1532 - in Latin with English summary, allowing the petition by Giovanni Battista CASTELLI, (d. 1583), Chaplain of St. Anthony in the cathedral, worth at most 2 gold ducats p.a., that if the living of St. Nicholas and of the permanently united churches of Zola Predosa (8 miles west of Bologna), now held by Dionisio Castelli, worth not more than 55 ducats, of which the petitioner is patron, fall vacant, he may hold them himself in plurality, without ecclesiatical censure, provided the said parish is not deprived of any services or cure of souls, the union to be dissolved if Giovanni Battista resigns his chaplaincy, finely penned 'Martinus' at head, vellum, 11¾" x 20¾", Governor's Residence, Bologna, 1st March lacks seal, three small holes in text touching two letters With the elegant signature also of scribe Sempronio Turcho, the text in his beautifully clear hand. Count Giovanni Battista CASTELLI, probably an illegitimate son of the family settled at Bologna since the 12th century, was a Canon of Bologna 1540-1575, when he gave up his preferments having been made Bishop of Rimini. Castelli took his doctorate in 1546 and taught civil law at the University till May 1551, when he attended the Council of Trent in the suite of Cardinal Marcello Crescenzi. Many of the Commissions applied to him for advice and draughting, for example concerning the safe conducts for the Protestant delegates, and the eternal question of referring matters direct to the Pope (which he strongly supported) instead of to the local superior. In the spring of 1563 he was at the resumed council at Innsbruck. In 1566 he was 'poached' by Cardinal Borromeo to Milan, as Vicar-General, to help with his Tridentine reforms. Castelli's bishop, Gabriele Paleotti, was reluctant to let him go, as being his right hand man in similar work, and pointed out that his preferments at Bologna included the cure of 600 souls. On 29th March 1574 Castelli became Bishop of Rimini, and made minute pastoral visitations in Borromeo's manner. There followed appointments as Papal visitor to dioceses in Tuscany and the Northern Papal states, again to enforce the Tridentine decrees. He seems to have shared the outlook of Pius V - an intense desire for pastoral work, coupled with undue severity - and in fact was recalled from Tuscany in 1576 after the clergy had complained to the Pope about the 'earthquake' he had caused. In 1580 Castelli was appointed Nuncio (ambassador) to France. He worked to avoid the suggested marriage of the Duke of Anjou - the 'little frog' - to Elizabeth I, which would have made her Queen of France on the death of Henri III. But his biggest struggle was with the French Parliament and the Protestant party, who had approved the strongly 'gallican' Ordinances of Blois (1579) in opposition to many provisions of the Council of Trent. Castelli, more a diocesan bishop than an ambassador, fell ill from exhaustion, and died at the Hôtel de Sens on 27th August 1583.
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Vegetius Renatus, Flavius
De re militari.
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1532 - EARL OF ESSEX COPY VEGETIUS RENATUS, Flavius. De Re Militari. Collated and edited from ancient codices by Guillaume Budé. [8], 279, [1] pp. Illustrated with a title-page woodcut, one full-page woodcut of a lansquenet (the French corrupted form of the German Landsknec/zt (qv), a mercenary foot-soldier of the sixteenth century) here in contemporary hand-colouring (once repeated), plus 120 woodcuts on warfare throughout text and printer's device at end. Folio, 315 x 205 mm, bound in late seventeenth-century English speckled calf, panels gilt on covers, spine gilt-decorated, red and green morocco title-lables. Paris: Christian Wechel, 10 September 1532. First Edition of the famous Wechel printing of Vegetius' manual on warfare, edited by the sixteenth-century French humanist scholar Guillaume Budé. This is widely recognized as the best Renaissance edition of the ancient military texts of Vegetius, Frontinus, Aelius Tacitus and Modestus. It survives as the quintessential illustrated military work of the Sixteenth Century. The De Rei Militari woodcuts originate in part from the exceedingly rare Valturius edition of 1472. Being attributed to Matteo de Pasti, they represent the first illustrations by an Italian artist in a printed book. However, much is added in this later Renaissance edition that expands on the "engines of warfare" as illustrated in the Valturius. The Wechel edition begins with the title woodcut of a military council gathered before a tent, then added are apparati for underwater attack and warfare, improved firearms, an armoured train, impenetrable footware for soldiers, use of flints and firearms, etc. All of the splendid woodcuts in this volume are of significant value both as military iconography and as artistic illustrations in the best of the Renaissance spirit. Flavius Vegetius Renatus, Roman writer and a man of high social rank (fl. ca. 385-400 AD) is the author of De re militari [a summary of military matters], which remains one of the most important military works of the ancient world. The third book is the most highly prized, as it deals with tactics and strategy. It was the basis for a military education during the Middle Ages and influenced a great many commanders of note, including Frederick the Great. Chapters include: "Roman Discipline, the Cause of their Greatness, The Military Mark, Initial Training, The Armatura Drill, Use of Missile Weapons, Lessons in Vaulting, Drawing up a Legion in Order of Battle, Machines and Tools of the Legion, Passages of Rivers, Rules for Encamping an Army, Order of Battle, Proper Distances and Intervals, Maneuvers in Action, Various Formations for Battle, The Flight of an Enemy should not be Prevented, but Facilitated, and Preparations for a General Engagement, etc., etc." The Aelianus Tacitus text at the end of the volume is illustrated with attractive typographic illustrations consisting of grouped letter diagrams which elucidate military positions and stratagems. The Earl of Essex formed a substantial library at Cashiobury during the seventeenth century. The library was been described by Sir John Evelyn: "the library is large and very nobly furnished and all the books richly bound and gilded." Essex was a statesman, sometime Lord Treasurer and politician, and a man of considerable literary cultivation according to Evelyn, who also wrote that he "was very well versed in English historical affairs" and literate "beyond the rate of most noblemen of his age." Essex died in the Tower following his implication in the Rye House plot. This Budé/Wechel edition is rare and much sought-after. Brunet had never seen a copy and many great collections such as Fairfax Murray had later reprints only. Title with very minor soiling, volume with early rebacking, preserving original gold-tooled spine, later red and black morocco lettering-pieces. Overall, a near-fine copy with superb impressions of the plates and a distinguished provenance. PROVENANCE: Early English owner with acquisition [Attributes: Hard Cover]
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Bologna) STATUTA CIVILIA CIVITATIS BONONIAE?
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(In fine:) Bologna G. B. Faelli, 1532. - In folio, m. pergamena antica, tit. ms. al dorso, tit. calligrafico sul taglio inferiore; cc. (88), CCXI, (1) + 31, (1) per le "Annotationes" di Ludovico Gozzadini. Esemplare al quale è stato anticamente sostituito il frontespizio originale con quello dell'edizione degli Statuti Civili della città di Bologna pubblicati a Venezia (Valgrisi) nel 1566 e commentati da Ludovico Gozzadini. In fine all'opera è inoltre inserita l'appendice con le Annotazioni di L. Gozzadini, appartenente anch'essa all'edizione 1566. Esemplare fresco e ad ampi margini.
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MACROBIUS A. A. Theodosius
IN SOMNIUM SCIPIONIS LIB. II - SATURNALORUM LIB. VII. Nunc denuo recogniti, & multis in locis aucti.
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Seb. Griphius Germ. exud. Lugduni, 1532. - In 8° (cm. 16,2) cc. 24 n.n. + pp.590 + 1 c.b. con impresso al recto la marca tipogr. dello stampatore (un grifone con una zampa alzata, in un prato fiorito). Diversi capilett. e fig. inc. n.t. con il ben noto mappamondo a fasce climatiche inc. a pag.148. Ben legato in mz. perg. di fattura recente, ma utilizzando materiali antichi. Una macchia di "antica zuppa di verdure" alle pagg. 580 e 581, laddove si discute per l'appunto, del banchetto dei "Saturnalia", con danneggiamenti del margine bianco esterno delle ultime carte, senza interessare il testo; lievissimo alone all'angolo sup. destro di alcune carte, altrimenti fresco esemplare nitidamente impresso. Bell'edizione delle due più celebri opere del Macrobio col testo ricco di numerose citazioni in greco ed un importante indice. Adams, vol.I pag. 693, n°63. La libreria Maria Calabrò Studio Bibl. di A. Chello offre per un periodo limitato uno sconto del 20% su tutto il catalogo. Il prezzo originario del libro era 550,00 euro
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DÜRER, Albrecht (1471-1528).
De symmetria partium in rectis formis humanorum corporum, Libri in latinum conversi [per Joachim Camerarium].
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- Gr.-4to (324 X 204 mm). Mit zusammen 85, teilweise ganzseitigen Holzschnitten im Text und grossem Monogramm AD in Schwarz auf dem Titel. [80] Bl. (das letzte leer). Zweispaltiger Druck. Moderner Kalbslederband, mit Rückentitel in Goldprägung. (Nürnberg, Impersis viduae Durerianae per Hieronumum Formschneyder [i.e. Andreae aut Enderlin], 1532). Sein wichtigstes kunsttheoretisches Werk und erstes illustriertes Traktat zur Proportionslehre in der lateinischen Erstausgabe. "Dreissig Jahre hatte Dürer sich mit der Proportion des menschlichen Körpers beschäftigt, die Drucklegung des Werkes, das den Ruhm des Theoretikers Dürer begründete, erlebte er nicht mehr. Der Plan geht zurück auf die Anfänge des Malerbuchs um 1507/08, eine erste Reinschrift war 1523 weitgehend fertiggestellt, die endgültige Fassung wurde 1527/28 an den Setzer geliefert, nachdem Pirckheimer sie durchgesehen hatte." (Dürer-Katalog, 1971, S. 253). Die ersten beiden Bücher - Buch drei und vier erschienen zwei Jahre später separat unter dem Titel De varietate figurarum et flexuris partium - behandeln Dürers eigene Proportionslehre und diejenige des Leon Battista Alberti. Bei Dürer geht es um die Konstruktion des menschlichen Körpers mit Hilfe des 'Teilers', d. h. eines Richtscheits, mit dem die Länge und Breite der einzelnen Glieder in ihrem Verhältnis zur gesamten Körpergrösse in aliquoten (ohne Rest teilenden) Brüchen gemessen wird. Die Anregung zu seiner Messform scheint er aus Pomponio Gauricos De sculptura von 1504 geschöpft zu haben. Das zweite Buch enthält das Albertische System der Hexempeda, ein auf Vitruv gründender Maßstab von sechs Fuss. Dürer fasst schliesslich Messergebnisse in Tabellen zusammen, wobei er die praktikabilität seiner Methode betont, da sie "durch sehen känntlich seyn". Die schönen Holzschnitte mit weiblichen bzw. männlichen Figuren sowie Kindern stammen aus der deutschen Erstausgabe von 1528. Die Bedeutung der lateinischen Übersetzung durch Camerarius unterstreicht H. Dornik-Eger mit folgenden Worten: "ohne die Arbeit des Camerarius hätte Michelangelo die Proportionslehre nicht zu Gesicht bekommen." Randeinrisse im Kopfsteg der Bl. L3-6 und kleiner Eckausriss in M1 restauriert. Ein sauberes und breitrandiges Exemplar.ß Bohatta 20 Ba; Schoch III, 277; Choulant-Frank 143f.; Cicognara, 321; Fairfax Murray 152; VD16, D-2860; Dodgson I, 265; Dornik-Eger, Albrecht Dürer und die Druckgraphik für Kaiser Maximilian (1971), Nr. 22; Roehrl, History and Bibliography of Artistic Anatomy (2000), S. 377 und 58f. The first Latin edition of the first two books of the first illustrated manual on proportions to appear in print. In was only by this translation of Duerer's 'On Human Proportions' into Latin, the lingua franca of the Middle Ages and Renaissance, by the author's friend Joachim Camerarius, that his theory of proportions became known and influential all over Europe: "without Camerarius' work Michelangelo never would have seen Duerer's Proportionslehre' (Hanna Dornik-Eger). For Albrecht Dürer who attempted to find evidence of advanced Italian measuring methods on his journeys to Venice and through his contact with the painter Jacopo de Barbari, the study of human proportions and the study of perspective were correlative fields of inquiry and concerned him more than any other subjects throughout his life. Preparing a theory of proportion since 1512 the planned publication in 1525 could finally materialised only posthumously in 1528 by his wife Agnes, to whom the emperor Charles V had confirmed the title for the book shortly after her husband's death. It was printed by Hieronymus Formschneider (in effect: Andreae or Enderlin), who produced woodcut for Duerer since 1515. The translator Joachim Camerarius (1500-1574) worked since 1526 as senior professor of Greek and Latin in the newly found Gymnasium in Nuremberg. The rich variety of 85 outline woodcuts of male and female figutes are depicted as constitutional types and were printed from the original [Attributes: First Edition; Hard Cover]
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[PETANCIC, Feliks (Ragusinus, um 1455-nach 1517) und Mart...
Tyrannis ritus ac astus militaris Turcorum Tyranni.
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Kl.-4to (188 x 143 mm). Titel innerhalb vierteiliger Holzschnitt-Bordüre, in der unteren das Monogramm des Druckerverlegers Johann Singriener. Mit 2 achtzeiligen, grotesk phantastischen Holzschnitt-Initialen im Text. [10] Bl. [A4, B2, C4]. Geheftet (ohne Umschlag). Wien, Johann Singriener d. Ae., 1532. Mit einer vierteiligen Titelbordüre und zwei grotesken Holzschnitt-Initialen im Text geschmückte zweite Ausgabe der von dem aus Ragusa (Dubrovnik) stammenden Petancic verfassten und hier durch den Wiener Notar Martin Oenoprepius edierten Darstellung der osmanischen Armee zur Zeit von Süleyman I., genannt der Prächtige. Das Werk hat sich in zwei abweichenden Textversionen erhalten, die heute in der Wiener Nationalbibliothek gehütete Handschrift diente offenbar auch als Vorlage für die 1530 in Augsburg gedruckte Editio princeps (VD 16, A-213), wo 'De imperatoribus Turcarum et de militari disciplina' in der Redaktion des schwäbischen Humanisten Konrad Adelmann von Adelmannsfelden unter dem Titel 'De origine, ordine et militari disciplina magni Turce domi forisque habita libellus' erschien. Von der zweiten, mit Sultanportraits illustrierten, Textversion findet sich eine Handschrift in Budapest ('Genealogia imperatorum turcarum' Cod. Lat. 378 und 2) sowie eine identische Abschrift (inkl. der Miniaturen) in der Spanischen Nationalbibliothek in Madrid (Vitr. 4-12). Auf der Titelrückseite findet sich die gedruckte Widmung an den am 9. März 1530 zum Kardinal ernannten Bernhard von Cles und in der Einleitung wird erwähnt, dass die als Vorlage dienende Handschrift zur Bibliothek des Wiener Bischofs Johann Fabri ( 1478-1541) gehörte. - Vereinzelte Unterstreichungen und wenige Marginalien einer zeitgenössischen Hand. - Schlussblatt verso minimal gebräunt. Göllner 444; VD 16, T-2423; Apponyi III, 1682; Yerasimos, Les voyageurs dans l'empire Ottoman (1991), S. 128; Mayer, Wiens Buchdrucker-Geschichte I (1885), S. 46, Nr. 82; Pertusi, Bisanzio e i Turchi nella cultura del Rinascimento e del Barocco (2004), S. 145; Banfi, Felix Ragusinus, 12. Very scarce second edition of Petancic' description of the Ottoman army in the epoch of Suleiman the Magnificent, adorned with a fine woodcut title border with the initials of the Vienna printer Johann Singriener the older and two grotesque woodcut initials. The present text (also known as: 'De imperatoribus Turcarum et de militari disciplina') was edited here by the Vienna notary Martin Oenoprepius. Its editio princeps was previously edited at Augsburg in 1530 by the Svabian Humanist Conrad Adelmann von Adelmannsfelden as 'De origine, ordine et militari disciplina magni Turce domi forisque habita libellus'. The text is known in two manuscripts, of which the one kept in the National Library of Vienna apparently was used for the first edition. The second version (known as: 'Genealogia imperatorum turcarum') is in a manuscript of the National Library in Budapest, illustrated with miniatures of various Sultan portraits. Of the Budapest version there exist an identical copy in the National Library in Madrid. On title verso we find the printed dedication to Bernhard von Cles, who had became Bishop on 9 March 1530. The short introduction reveals that the manuscript used here belonged to the private libary of Bishop Johann Fabri (1478-1541) of Vienna. - Few single underlinings and marginalia by a contemporary hand. - Last leaf verso lightly browned. - Stitched.
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WITIKIND et alii
Rerum ab Henrico et Ottone I Impp. Gestarum Libri III, una cum aliis quibusdam raris & antehac non lectis diversorum autorum historiis, ab anno salutis D CCC usq. ad praesentem aetatem.
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Bâle, Johann Hervagen, 1532. - 1 vol. in-folio, basane brune, dos à nerfs orné de caissons dorés, tranches mouchetées de rouge. Reliure du XVIIe s., coiffes élimées, petite fente en tête à la charnière sup., qq. épid. et pet. attaque de vers sur le plat sup. Bon exemplaire malgré les défauts signalés. Ex-libris ms. et cachets sur la p. de titre. (14) ff., 394 pp., (1) f. blanc avec la marque de l'imprimeur au v°. Signatures : alpha6 bêta8 [a-z]8 [A-K]6. Mouillures angulaires. Edition princeps très rare de ces Annales de Saxe, rédigées par Witikind, moine bénédictin de Corbie au Xe siècle. Ce recueil établi et annoté par Martin Frescht (d'Heidelberg) comprend entre autres plusieurs autres morceaux historiques de la même époque : la vie de l'Empereur Henri IV, celle de Henri VII (par Conrad Vercerius), la vie de Charlemagne par Eginhard, l'histoire de Bohème par Pie II (A. S. Piccolmini), l'histoire des empereurs de Luitprand, l'abrégé de l'histoire des empereurs d'Allemagne par Wimpheling et la chronique de Mayence par l'évêque Conrad. Graesse VII, 468; Adams W215; Michaud XLIV, 732.
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LIVIUS, Titus - LIVE, Tite) LIVII, T[itus].
Conciones cum argumentis et annotatio bus Joachimi Perionii Benedeictini Cormoeriaceni. His acceffit index locupletiffimus omnium concionum, fimul & tabula infigniores conciones fuo quaque generi fubiectas complectens.
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Apud Simonem Colinaeum [Simon de Colines], 1532 - Parisis (Paris), Apud Simonem Colinaeum [Simon de Colines], 1532. In 12 de 17-ff. n. ch.- 544pp., reliure en demi chagrin vert olive à longs grains postérieure (probablement du milieu du XIXème siècle), dos lisse orné de frises dorées, titre doré, réparation avec un petit rajout de papier à la page de titre qui avait été coupée, belle gravure sur la page de titre, quelques soulignements à l'encre noire estompée, quelques traces d'humidité dans certaines marges latérales ou inférieures mais sans gravité, signature d'appartenance à la page de garde à l'encre noire, coiffes, plats, coupes et coins légèrement frottés, bon exemplaire. De l'oeuvre de Tite Live (Padoue 59 avant Jésus Christ-17 après Jésus Christ), ''Ab urbe Condita"; Histoire de Rome depuis sa fondation, seuls 35 livres sur les 142 écrits (150 étaient prévus) nous sont parvenus. Les livres qui nous sont restés concernent l'histoire des premiers siècles de Rome depuis sa fondation jusqu'en 292 avant J. C., l'oeuvre se décomposant ainsi: le livre I incluant la période royale allant de 753 à 509 avant J. C. avec l'arrivée d'Enée, la dynastie Albaine, les règnes de Romulus, Buma, Pompilius, Tullus Hostillus, Ancus Marcius, Tarquin l'ancien, Servius Tullius, Tarquin le superbe ainsi que son renversement. Les livres II-V couvrent les premiers siècles de la République (509-390 avant J. C.) avec la lutte contre les Tarquins, les deux Décemvirats, la paix de Veies, l'invasion gauloise de 390 et les exploits de Camille. Les livres XXI-XLV couvrent le récit de la deuxième guerre punique et de la conquête par les armées romaines de la Gaule Cisalpine, de la Grèce, de la Macédoine et d'une partie de l'Asie mineure. Le dernier événement important relaté est le triomphe de Paul Emile à Pydna en 168 avant Jésus Christ. Les livres VI à X concernent la conquête de l'Italie (390-292 avant J. C.) avec les guerres samnites, les livres XXI-XXX traitent de la deuxième guerre punique de 218 à 202 avant Jésus Christ, les livres XXXI-XL de la deuxième guerre macédonienne et de la lutte contre Antiochos III (201 -179 avant J. C.), enfin les livres XLI-XLV terminent l'oeuvre disponible par la troisième guerre macédonienne (178-167 avant Jésus Christ). Tite Live fut très proche de l'Empereur Auguste, pour celui-ci, bien que connaissant les sympathies républicaines de cet auteur, l'ouvrage pouvait servir son pouvoir et le glorifier. En effet, le livre élève non seulement un monument à la gloire de Rome mais souligne surtout l'ancienneté et la continuité sans faille de l'histoire de la ville. Selon Tite Live, l'Histoire n'est pas objective: elle idéalise les grands hommes et reste pleine de prévention à l'égard des démocrates. Tite Live ne possède pas la méthode scientifique de Thucydide ou de Polybe. Cette ''Histoire de Rome" est aussi un ouvrage de dialectique et de morale et contient la première uchronie connue. [Attributes: Hard Cover]
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MACROBIUS A. A. Theodosius
IN SOMNIUM SCIPIONIS LIB. II - SATURNALORUM LIB. VII. Nunc denuo recogniti, & multis in locis aucti.
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Seb. Griphius Germ. exud. Lugduni, 1532. - In 8° (cm. 16,2) cc. 24 n.n. + pp.590 + 1 c.b. con impresso al recto la marca tipogr. dello stampatore (un grifone con una zampa alzata, in un prato fiorito). Diversi capilett. e fig. inc. n.t. con il ben noto mappamondo a fasce climatiche inc. a pag.148. Ben legato in mz. perg. di fattura recente, ma utilizzando materiali antichi. Una macchia di "antica zuppa di verdure" alle pagg. 580 e 581, laddove si discute per l'appunto, del banchetto dei "Saturnalia", con danneggiamenti del margine bianco esterno delle ultime carte, senza interessare il testo; lievissimo alone all'angolo sup. destro di alcune carte, altrimenti fresco esemplare nitidamente impresso. Bell'edizione delle due più celebri opere del Macrobio col testo ricco di numerose citazioni in greco ed un importante indice. Adams, vol.I pag. 693, n°63.
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TAO ZHAN // ZHAO JING // WANG LU // YAO XIU RONG
agricultural areas biodiversity inventories (Set 2 Volumes)
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Paperback. New. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Pages Number: 1532 Publisher: China Environmental Science Pub. Date: 2008 - 10-01 1st edition 2008-10-01 1st printing. The catalog organized, including 26 provinces (autonomous regions) and local agricultural research unit environmental monitoring experts to collaborate, respectively, of the agricultural areas of ecosystems and habitat areas of nine field studies, wrote a total of 702 survey report (the entry), a more comprehensive coverage of China s agricultural areas of important ecosystems and habitat distribution points, including the state of the ecosystem, the importance of , the situation and threatened biodiversity protection and rational use of reason and a description of measures. In addition to entry, but for the convenience of the catalog user profile to all parties concerned to understand, this catalog also carried out in all areas and provinces, agricultural areas, biodiversity research profile, the main use of the latest since 2000 Data, expressed as the first chapter of the national overview of the provincial chapter overview and outline the various areas. The catalog is also a selection of rural areas with the protection and rational utilization of biological diversity are closely related to the appendix in the hopes that it will be on agriculture and the environment of our managers, researchers and monitoring as well as teaching tools for those who have practical value. Contents: Chapter rural area studentsSatisfaction guaranteed,or money back.
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ALEXANDER MAGNUS -
Historia Alexandri Magni (Deutsch in der Fassung des Johann Hartlieb): Das buch der geschicht des grossen Alexanders wie die Eusebius beschriben uñ geteutscht hat, new gedruckt mit vyl schönen figuren. XCI Bl. Mit 3 blattgrossen und 93 drittelseitigen Holzschnitten im Text.Strassburg, Mathias Hupfuff, [20. März] 1514.- Vorgebunden: [RÜXNER, Georg (tätig um 1530/1540)]. Anfang, ursprung und herkommen des Thurniers in Teutscher Nation. 213, [4] Bl. Mit 1 doppelblattgrossen Tafel, 40, teilweise wiederholten figürlichen Textbildern, 248 (davon 2 blattgrossen) Wappen und einer Druckermarke, alles in Holzschnitt. Simmern, Hieronymus Rodler, 1532.
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- Folio (291 x 196 mm). Blindgeprägter Schweinslederband des 16. Jhs. über 5 erhabenen Bünden, mit 2 intakten Schliessen. I) Die zweite deutsche Separatausgabe im 16. Jahrhundert der berühmten Geschichte von Alexander dem Grossen, die in der Weltliteratur eine herausragende Stellung einnimmt. Die deutsche Prosabearbeitung durch den um 1400 geborenen und 1468 gestorbenen Arzt und Fürstenberater Johann Hartlieb wurde im Auftrag Herzog Albrechts III. von Bayern-München und dessen Gemahlin , Anna von Braunschweig, um 1450 verfasst. Sie stellt die bedeutendste und wichtigste Fassung - nicht nur des 15. und 16. Jhs. - in deutscher Sprache dar. Als Vorlage diente ihm eine im 12. Jh. entstandene, heute in Paris aufbewahrte Handschrift. Hartlieb folgte der Vorlage recht genau und fügte nur einige Erklärungen hinzu. Der in der Tradition der Fürstenspiegel verfasste "Ritterroman" erzählt die teils abenteuerlichen, teils märchenhaften Geschichten des heldenhaften mazedonischen Königs, deren Beliebtheit zahlreiche Abschriften und Drucke belegen: Gotzkowsky zählt 18 Handschriften (davon nur zwei illustriert) aus dem 15. Jh., sieben Inkunabelausgaben (EA 1473) sowie drei Drucke im 16. Jahrhundert. Der reiche Bilderschmuck besteht aus einem schönen, blattgrossen Titelholzschnitt des jugendlichen Alexanders auf dem Thron, umgeben von Beratern und Kriegsleuten (wiederholt auf Bl. XLVI v.), einem ebenfalls blattgrossen Holzschnitt am Schluss (Johann Hartlieb Herzog Albrecht sein Buch präsentierend) sowie 93 teils wiederholten Textholzschnitten, wovon viele aus verschiedenen Blöcken zusammengesetzt sind. Insbesondere der Titelholzschnitt und einige der Figuren im Text sind Wiederverwendungen aus dem 1503 bei Bartholomäus Kistler in Strassburg besorgten Druck des Alexanderromans. Weitere Holzschnitte stammen aus Hupfuffs Mandeville-Ausgabe von 1501bzw. aus dem Fundus verschiedener Starssburger Offizinen, wie Knoblochs Historie von der königlichen Stadt Troja von 1510. Der grosse Schlussholzschnitt sei, laut Schmidt (Hupfuff, n° 117), eine Wiederverwendung aus dem Buch der Weisheit Fyners von 1481. Durchgehend etwas fleckig und stellenweise mit leichten Feuchtigkeitsspuren; kleiner Eckabriss auf Bl. VI, hinterlegte Randläsuren auf Titel und Bl. 75-76. II) Zweite Ausgabe des berühmtesten deutschen Turnierbuchs aus der Offizin des Erstdruckers von Simmern. Die zwei Jahre zuvor erschienene Erstausgabe stammt ebenfalls von Rodler. Rüxner beschreibt sechsunddreissig Turniere in verschiedenen Städten Deutschlands und der Schweiz, jeweils mit Namensnennung der Beteiligten. Die gegenüber der zwei Jahr zuvor, ebenfalls bei Rodler erschienenen Erstausgabe verminderte Anzahl der Holzschnitte im vorliegenden Druck erklärt sich aus der sparsameren Verwendung von Wiederholungen. Die Anzahl der verwendeten Druckstöcke ist aber in beiden Ausgaben identisch. - Die beiden blattgrossen Wappenholzschnitte sind sauber ankoloriert, die Wappen der Stadt Nürnberg auf Bl. 94 im schönen Altkolorit, ebenso die figürlichen Holzschnitte auf Bl. 16-18 verso (das letztere nicht zu Ende geführt). Die doppelblattgrosse Tafel dürfte aus einem Exemplar der Erstausgabe stammen (erkenntlich am abweichenden Satz der Überschrift, besonders kräftigem Druck sowie intakter Einfassungslinie, die 1532 bereits mit Ausbrüchen links und oberhalb der Bogensignatur vorlagen). - Hie und da fingerfleckig und minim gebräunt. I) VD 16, E-4314; Muller 67, 135; Gotzkowsky 177, 9; Muther 1492; Ritter IV, 799; Schmidt, Hupfuff 112; Duntze, Ein Verleger sucht sein Publikum. Die Strassburger Offizin des M. Hupffuff (2007), Nr. 210 und S. 196. - II) VD 16, R-3542; Bonnemann, Rodler, Nr. 4; Fairfax Murray 373. Two finely illustrated German woodcut books bound up together in one volume: Eusebius' famous history of Alexander the Great in the celebrated German translation by Johannes Hartlieb, and Georg Rüxner's highly popular book on tournaments in Germany and Switzerland. - Hartlieb had based his translation on [Attributes: First Edition]
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Cocles, Bartholomaeus).
Complexion, natur, un eigenschafft eines yeden menschen zu erfaren ob man schon den tag vn stundt, seiner geburt nit weste, kan yhm doch auß diesem buechlein geweissagt werden, unther welchem zeichen un planeten er geboren sey.
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Mainz, Peter Jordan, 1532. - (20,5 x 15 cm). 12 Bll. Mit großer Druckermarke auf dem Titel, diese am Schluss wiederholt und 1 ganzseitigem Holzschnitt auf der Titelrückseite. Moderner Halbpergamentband, unbeschnitten. Seltene deutsche Ausgabe dieser seinerzeit populären Anleitung zur Astrologie. Sie beruht auf dem erstmals 1504 erschienenen Lehrbuch der Physiognomie und Chiromantik des Bologneser Arztes Cocles (Bartholomeo della Rocca). Der ganzseitige Holzschnitt mit einer sehr schönen allegorischen Darstellung der Planeten Mars, Venus und Saturn sowie einer figürlichen Darstellung der Sternzeichen Stier und Widder. - Stellenweise etwas gebräunt bzw. fleckig. Erstes und letztes Blatt jeweils mit kleinen, unbedeutenden Randausbesserungen, sonst gut erhalten. - V16 C 4670
[Bookseller : Antiquariat Gerhard Gruber] |
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BARLANDUS (Adrianus).
Libri tres de Rebus Gestis Ducum Brabantie. Eiusdem de Ducibus Venetis liber unus.
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Louvain, vaenunduntur, Bartolomaeo Gravio, sub Sole Aureo (à la fin:) Louvain, Ex officina Rutgeri Rescii, Cal. Maij 1532. - Pet in-8. 164ff. n. ch. Parchemin ancien. Seconde édition en partie originale, de "cet ouvrage estimé" (Brunet) de l'humaniste hollandais Adrian van Baerland (1488-154), professeur de rhétorique à Louvain. C'est une histoire des Ducs de Brabant. Cette édition est augmentée d'une histoire des Ducs de Venise. La première édition de ce livre parut à Anvers en 1626. La présente édition de Louvain est très rare. Cachet d'une institution religieuse sur le titre, des rousseurs. Bon exemplaire.
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Eduardo E. Alonso Alonso, Eduardo E. Antonio Gens Gens, Antonio
Unsaturated Soils, Two Volume Set
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Taylor and Francis(CRC Press), 2010. BRAND NEW MIXED MEDIA PRODUCT 9.685 by 6.85 inches. (1532 pages) in recent decades the development of unsaturated soil mechanics has been remarkable, resulting in momentous advances in fundamental knowledge, testing techniques, computational procedures, prediction methodologies and geotechnical practice. the advances have spanned the full spectrum of theory and practice. in addition, unsaturated materials exhibiting complex behaviour such as residual soils, swelling soils, compacted soils, collapsing soils, tropical soils and solid wastes have been integrated in a common understanding of shared behaviour features. it is also noteworthy that unsaturated soil mechanics has proved surprisingly fruitful in expanding to other neighbouring areas such as swelling rocks, rockfill mechanics, and freezing soils. as a consequence, geotechnical engineering involving unsaturated soils can be now approached from a more rational and systematic perspective leading towards an improved and more effective practice. unsaturated soils contains the papers presented at the 5th international conference on unsaturated soil (barcelona, spain, 6-8 september 2010). they report significant advances in the areas of unsaturated soil behaviour, testing techniques, constitutive and numerical modelling and applications. the areas of application include soil-atmosphere interaction, foundations, slopes, embankments, pavements, geoenviromental problems and emerging topics. they are complemented by three keynote lectures and three general reports covering general issues of modelling, testing and applications. unsaturated soils is a comprehensive record of the state-of-the art in unsaturated soil mechanics and a sound basis for further progress in the future. the two volumes will serve as an essential reference for academics, researchers and practitioners interested in unsaturated soils. 1. keynote lectures 2. general reports 3. unsaturated soil behaviour 3.1. microstructure 3.2 stress-strain and strength characteristics 3.3 water retention and hydraulic behaviour 3.4 thermal and chemical effects 4. testing techniques: laboratory, in situ and centrifuge 5. modelling 5.1 fundamentals and constitutive modelling 5.2analytical and numerical modelling 6. engineering applications and case histories 6.1 soil-atmosphere interaction 6.2 foundations 6.3 slopes 6.4 embankments 6.5 pavements 6.6 geoenviromental applications 7. new areas (Mixed media product)
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Saporta (de) Gaston 1823 1895
La passion des sciences du paléobotaniste Gaston de Saporta.
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- Nombre de document : 2 lettres autographes signées Nombre de page : 5 pp. 1/2 In-8 petite fente au pli d'une lettre Gaston de Saporta évoque un article polémique contre l'Académie de Marseille, les origines marseillaises d'Honoré d'Urfé et provençales de Zola ; et son ancêtre, ami de Rabelais. "[.] vous aviez rappelé le souvenir de celui de mes ancêtres qui avant d'être chancelier de l'Université de Montpellier, avait été l'ami de Rabelais, lors du séjour de celui-ci dans cette ville vers 1532. Cet Antoine Saporta avait pour grand-père Louis Saporta qui, après avoir été premier médecin de Charles VIII, s'était établi à Marseille où il avait les fonctions de médecin stipendié. Je sais, comme particularité curieuse sur lui, qu'en 1499, il maria sa fille avec M. d'Antric et qu'en même temps il exerça son art à l'occasion d'une peste qui fit beaucoup de ravages. Non seulement il soigna les pestiférés, mais il survécut au fléau car il ne mourut qu'après les premières années du seizième siècle [.]". Les sciences naturelles furent la passion de toute sa vie. "[.] vous remerciant d'avoir songé à l'arrière descendant de ceux que vous avez mentionné et qui, poussé vers les sciences naturelles, trouve dans leur étude un charme puissant qui, loin de décroitre, augmente d'intensité avec l'âge [.]". Paléobotaniste, membre de l'Académie de Marseille, il a mis en évidence la transformation des espèces floristiques au cours des différentes ères.
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Vergil, Polydore, 1470?-1555.
Polydori Vergilii Vrbinatis De rerum inuentoribus libri octo, per autorem, tertio iam, ac diligentius recogniti, & locupletati. Qua re ille contentus tum demum supremam manum imposuit. Eiusdem in dominicam precem commentariolum.
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Basileae: Ex Officina Io. Bebelii, Mense Martio, Anno M. D. XXXII. [Bebel, Johann, d. ca. 1550, printer.] 1532 Octavo, 156x95mm. In early dark-brown calf with two simple, blind-ruled panels on both boards and decorative corner-pieces blind-stamped. Pretty gilt roll on edge of boards. Four raised bands on spine, gilt outlined, with single floral decoration gilt in the compartments and burgundy lettering-piece. Binding rubbed, hinges cracking. [20], 543, [1] pages; signatures: *10, A-Z8, 2A-2L8. Inscription on front free end-paper: 'The gift of John Shaw of | Brazon-Nose Colledge in | Oxon' and, just beneath, 'Joseph Whittell pr-o-o-8 | binding'. Lower down the page is a further ownership inscription: 'William Dick | his book | 7 July 1897'. Signatures 'Henricus Sovereign[?]' and 'H
Shaw', both crossed through on title-page with 'John Bolton' below and '12 | o-2-o' beneath publication date. Includes index. Printer's device with 'Palma Beb' on verso of final leaf. Attractive initials. Old repair to top foredge corner of *8 without loss. Occasional light, neat, underlining in sepia ink. Crisp, clean and tight. (Digital photographs available on request.)
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Franceso Petrarch Petrarca
1532 Los Triunfos Completos De Petrarca GOTICO CASTELLANO de los TRIUMPHOS DE PETRARCA Primera edicion en tener todos los triunfos completos al castellano con Grabados RARISIMO
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CASA DEL JURADO JUAN VARELA, SEVILLA 1532 - JOYA BIBLIOGRAFIA, LOS TRIUNFOS DE PETRARCA EN CASTELLANO DEL AÑO 1532 IMPRESO EN SEVILLA NOTE OBRA CON GRABADOS. TRADUCIDA POR EL FAMOSO TRADUCTOR OBREGON. TRIUMPHOS DE PETRARCA .TRANSLACION DE LOS SEYS TRIUNFOS DE FRANCISCO PETRARCA DE TOSCANO EN CASTELLANO FECHO POR ANTONIO DE OBREGO CAPELLAN DEL REY.DIRIGIDA AL ILUSTRISIMO SEÑOR ALMIRANTE DE CASTILLA AGORA DE NUEVO ENMENDADA .AL FIN. FUE IMPRESA ESTA EXCELLENTE Y ARTIFICIOSA OBRA DE LOS SEYS TRIUNFOS DE MICER FRANCISCO PETRARCA EN CASTELLANO: EN LA MUY NOBLE Y MUY LEAL CIUDAD DE SEVILLA EN CASA DEL JURADO JUAN VARELA CORREGIDA Y EMENDADA DE ALGUNOS DEFECTOS QUE ANTES TENIA .ACABOSE A CINCO DIAS DEL MES DE SETIEMBRE DEL AÑO DE NUESTRA REPARACIÓN DE MILLE E QUINIENTOS E TREYNTA Y DOS (1532).FOLIO GOTICO.155 FOLIOS .SOLO UN LIBRERO LLAMADO ESCUDERO TUVO NOTICIA DE ESTA OBRA GOTICA ESPAÑOLA , PERFECTO PERGAMINO , PORTADA PRESENTE EN DOS TINTAS CON UN GRAN GRABADO PRECIOSO, UNA PARTE PEQUEÑA DE LA ESQUINA O TROZO REECHO EN LA EPOCA POR MANOS ESPAÑOLAS EN 1540. , LA PORTADA ESTA TIRADA A DOS TINTAS (ROJO Y NEGRO ) TIENE DOS EX - LIBRIS EN LA PRIMERA TAPA DE LA GUARDA PRINCIPAL DE GRANDES LIBRERIAS EN 1875 QUE REALZAN SU VALOR A ESTA PRECIADA OBRA GOTICA CASTELLANA . FOLIO BUEN TAMAÑO ,ENCUADERNACIÓN ORIGINAL EN PLENO PERGAMINO ,GUARDAS REECHAS EN LA EPOCA SEGURO A LA EX - LIBRIS DONDE PERTENECIÓ - ESPAÑOLA ESTE FOLIO ESTA CORRECTAMENTE ENCAJADO EN SU ENCUADERNACIÓN ORIGINAL TAL Y COMO FUE ENVIADA DESDE ESPAÑA O TRAIDA SEGÚN LA HISTORIA POR ALGUN DUQUE U MARQUES ESPAÑOL POR LAS EX - LIBRIS ,QUE QUIERE DECIR EX -LIBRERIAS POR LOS AÑOS DE 1875 DONDE LLEGABAN A AMERICA LOS MAS ACAUDALADOS MILLONARIOS - ESPAÑOLES ,SEGURO ESTE EJEMPLAR PERTENECIO A ALGUNO DE ELLOS . JOYA MAS PRECIADA DEL ROMANTICISMO EN POEMAS QUE SEGURO LA PUDO ACARICIAR EN UN MOMENTO LUIS DE GONGORA , QUEVEDO Y HASTA EL MISMISIMO LOPE DE VEGA . ES BUEN TAMAÑO : 28 CM DE LARGO X 22 DE ANCHO Y HASTA AHORA CONSERVA EL TITULO EN LA LOMERA DE PERGAMINO, CONTIENE 6 GRABADOS INCLUYENDO EL DE LA PORTADA A MEDIA PAGINA U COMO SE LE DICE DENTRO DEL TEXTO XILOGRAFICOS ,MUY BELLOS.FOLIOS CON LOS GRABADOS CILOGRAFICOS ,CON LOS ROMANCES EN POESIAS PRECIOSOS DEL GRAN PETRARCA EN GOTICO CASTELLANO ,UNA PRIMERA OBRA ESPAÑOLA SACADA DE LAS PRIMERAS PRENSAS PRIMITIVAS DE LA EPOCA QUE RECIÉN SE INICIABAN EN ESPAÑA CON ESTE CASTELLANO TAN ANTIQUISIMO , EN 1532 CASI UN INCUNABLE ESPAÑOL . The Original Gotic Castellano First Edition 1532 PETRACH The Triumphs A SPECIAL AND RARE SPANISH GOTIC CASTELLANO JEWEL PRINTED IN SEVILLA COMPLETE WITH SPECIAL GOTIC ENGRAVINGS Francesco Petrarca (July 20, 1304 ¿ July 19, 1374), known in English as Petrarch, was an Italian scholar, poet and one of the earliest humanists. Petrarch is often called the "Father of Humanism".[1] In the 16th century, Pietro Bembo created the model for the modern Italian language based on Petrarch's works, as well as those of Giovanni Boccaccio and, especially, Dante Alighieri. This would be later endorsed by the Accademia della Crusca. Petrarch's sonnets were admired and imitated throughout Europe during the Renaissance and became a model for lyrical poetry. He is also known for being the first to develop the concept of the Dark Ages. [Attributes: First Edition; Hard Cover]
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[DANTE ALIGHIERI.]
Rime di diversi antichi autori toscani, in dieci libri raccolte. Di Dante Alaghieri, lib. IIII. Di M. Cino da Pistoia, libro I. Di Guido Cavalcanti, libro I. Di Dante da
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Maiano, libro I. Di Fra Guittone d'Arezzo, libro I. Di diverse canzone e soneta senza nome d'autore, libro I. [A la fin : ] Stampata in Vinegia, per Jo. Antonio e Fratelli da Sabio, 1532. Petit in-8 [148 x 92 millimètres] vélin rigide ancien, pièce de titre rouge, tranches bleues, 148 feuillets chiffrés [296 pages] dont le titre dans un encadrement gravé sur bois. (Le feuillet 48, cousu à la reliure, provient d'un exemplaire plus court de marges. Rares rousseurs, quelques feuillets un peu tachés.) Edition vénitienne de ce recueil publié en 1527 à Florence par les héritiers de Filippo GIUNTA, constituant la plus importante des premières anthologies imprimées des poèmes de DANTE. Cette édition, plus correcte que la précédente, est dépourvue d'errata, les fautes de frappe primitives ayant été corrigées. Elle parait en outre sous un nouveau de titre : Rime au lieu de Sonetti e canzoni, montrant la volonté de l'imprimeur vénitien de ne pas livrer une copie servile et mécanique de l'édition des Giunta. Il en a néanmoins conservé la préface et la classification des poèmes de DANTE selon les titres suivants : Libro Primo. Sonetti e canzoni (...) nela sua vita nuova. - Libro secondo. Sonetti e canzoni. - Libro terzo. Conzoni amorose e morali. - Libro quarto. Canzoni morale. Les livres IX et XI contenant les Canzoni e ballate di diversi autori et les Sestine ritrovate in uno antichissimo testo insieme con la sestina di Dante, ne sont pas mentionnés sur la page de titre. Bel exemplaire. BRUNET V, 438. SANDER 6489. GRAESSE VI1, 124. Teodolinda BAROLINI, Dante and the origins of Italian culture, p.248-249. FISKE, Catalogue of the Dante Collection, p.110. BON EXEMPLAIRE.
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Gasser, Achilles P[irmin] (1505-1577)
HISTORIARUM ET CHRONICORUM MUNDI EPITOME velut Index
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Basel: Henricus Petrus, 1532. Hardcover. Very Good. Some initials on black ground + fine woodcut printer's mark. Small octavo (157x102mm) vellum spined boards 128pp includes titlepage and imprint +[4]pp blanks +[1]p with hammer on rock striking sparks (printer's mark of Henry Petri). Name crossed out at foot of titlepage and Latin tag to top of last leaf, faint underlinging to 3 pages and faint tide marks to about 8 leaves. *A crisp nice copy of this charting of historical events from the Creation (5199 BC) to 1531, including America 1492 "Insulae quaedam in Oceano antiquioribus omnino ignotae hoc temporae veluti novus orbus illustrantur primum".
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LIVIO
Latinae Historiae... Cum Chronologia Henrici Glareani...
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Venezia, Lucantonio Giunta, 1532. In folio, c.nn. 4, numerate 312 (col registro), 16. Seguono, con la Chronologia di Glareano e gli indici, 40 c.nn., con il loro registro in fine. Al frontespizio e al verso dell'ultima carta, grande marchio tipografico. Bei capilettera figurati. Importante edizione in buon esemplare, fra le prime a comprendere i cinque libri della quinta decade. Qualche macchia marginale nelle prime carte e in alcune altre. Buoni margini. Legatura ottocentesca in pergamena con nervature al dorso. (Adams, L 1328; Renouard, XXVIII, 108).
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Dürer, Albrecht:
Institutiones Geometricae. Albertus Durerus nurembergensis poctor huius etatis celeberrimus, versus è Germanica lingua in Latinam... Quatuor his suarum Institutionum Geometricarum libris, lineas, superficies & solida corpora tractauit...
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Paris, Christian Wechel, 1532. (VIII), 185, (3) SS. Mit Holzschnitt-Druckermarke a.d.Titel und am Ende, 9 ganzseitigen, 3 halbseitigen Holzschnitten und ca. 175 Diagramme, Figuren und Buchstaben. Folio. Etwas späterer Lederband. Brunet II,912; Meder XXVI; Mortimer, Harvard French Books I,182; Fairfax Murray, French Books 137 (nur die 2.Auflage von 1534). Erste lateinische Ausgabe von Dürers "Unterweisung der Messung" (Nürnberg 1525), sein Meisterwerk der Perspektive und Kunsttheorie. Beinahe 30 Jahre sammelte Dürer Material zu diesem Thema und studierte es. Er zeigt an architektonischen Formen, Buchstaben und Ornamenten wie die Mathematik in der Kunst zur Anwendung kommt. Mit der Übersetzung seines Freundes Camerarius, von 1526 bis 1535 Rektor der "Hohen Schule" in Nürnberg, beschreibt Dürer seine Annäherung an die Darstellung und das künstlerische Schaffen. Der Mathematiker Peter Schreiber beschreibt das Werk als "eine einzigartige Mischung aus elementaren Irrtümern und genialen, zum Teil der allgemeinen Entwicklung der Mathematik weit vorauseilenden Ideen" (Schoch, Mende, Scherbaum, S. 168). Die mit größter Perfektion ausgeführten Holzschnitte und Diagramme beinhalten die berühmte Darstellung zweier Menschen, die ein Zeicheninstrument vorführen (monogrammiert und datiert auf 1532 für diese Ausgabe), sowie die Darstellung eines Künstlers, der einen Mann mit Hilfe von Dürers Maschine zeichnet. Das 3.Buch enthält seine berühmte Abhandlung über die Gestaltung der römischen Groß-Buchstaben und gotischen Buchstaben, sowie deren Gestaltung mit Hilfe kleiner geometrischer Formen. Unser Exemplar ist vollständig mit den beiden (oftmals fehlenden) Einschlag-Streifen auf Seiten 179 und 181. Ganz wenige, nicht störende Flecken und Wasserränder im oberen und unteren unbedruckten Rand, Fleckchen auf den Seiten 80, 81, 101 und 105-110, kleines Loch im letzten Blatt, ansonsten ein vorzügliches und breitrandiges Exemplar. Der etwas spätere Lederband mit Rückenvergoldung, 5-fachen Goldfileten mit Eckfleurons a.d.Deckeln und Stehkantenvergoldung.
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GAGUIN (Robert).
La Mer des Croniques et mirouer hystorial de France jadis composé en latin par religieuse personne frère Robert Gaguin / En son vivant Ministre général de l'ordre de la saincte Trinité. Et nouvellement traduict de latin en vulgaire françoys. Lequel traicte de la source et origine des françoys et les faicts belliqueux de tous les Roys de France et aultres advenuz depuis la destruction de Troye la grant. Tant es pays et royaume de France que Angleterre, Hollande, Espaigne, Gascongne et aultres lieux circonvoisins.
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Paris, rue Saint Jacques, à l'enseigne de la Fleur de Lys Dor., 1532. - In-4 gothique de 10 ff. dont le beau titre imprimé en rouge et noir, avec une grande lettrine animée de personnages et d'animaux (lettrine répéttée au feuillet 26) & table, 256 feuillets mal chiffrés 246, double tableau de généalogie. Réparation en haut du titre et petite déchirure sans manque, feuillet 6 avec perte de texte affectant le grand bois gravé au verso, manque de papier au dernier feuillet sans atteinte au texte. Larges mouillures et quelques trous de vers marginaux. Vélin souple à recouvrement d'époque, lacets. Robert Gaguin 1423-1501, général de l'ordre des Mathurins fut chroniqueur et diplomate en Allemagne, à Rome et Florence. Il fut l'un des promoteurs de l'humanisme sous sa première forme et réunit autour de lui un petit cénacle littéraire où figuraient notamment Tardif et Erasure, ses élèves. Belle édition ornée de lettrines historiées et criblées. Bechtel 305, G-14.
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HERODIANUS
Der Fürtrefflich Griechisch geschicht schreiber Herodianus den der Hochgelert Angelus Politianus inn das Latein und Hieronimus Boner in nachvolgendt Teütsch pracht...
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Augsburg, Heinrich Steiner 1532.. Folio. (4), 67 (recte: 70) Bll. Mit Titelholzschnitt (Antonius und Gordianus) von J. Breu d.Ä. nach Burgkmair, 1 Textholzschnitt, Initialen und Zierleisten. Neuer Einband aus hellem Ziegenpergament. Zweite Steiner-Ausgabe, zugleich zweite deutsche Ausgabe. Der Textholzschnitt stammt vom Petrarcameister. Sehr selten. Herodianus (geb. um 180 n. Chr.) stammte möglicherweise aus dem syrischen Antiochia. Seine Geschichte umfasst den Zeitraum von 180 (Tod des Marc Aurel) bis 238 n. Chr. (Alleinherrschaft Gordians III.). Wichtig ist er v.a. wegen seines Einflusses auf die römischen Geschichtsschreiber des 4. nachchristl. Jahrhunderts (Aurelius Victor, Amm. Marcellinus, Eutropius) sowie auf die Historia Augusta. Provenienz: Aus der Adelsbibliothek von Lerchenfeld in Heinersreut. Das letzte Bl. der Vorstücke mit restauriertem Papierschaden (Text nicht betroffen), Bl. III mit kleinem Einriss im Text, letztes Bl. mit restaurierten Randschäden (Text nicht tangiert). Unter dem Kolophon zwei handschriftl. Einträge: der erste in brauner Tinte von einer frühen Hand ("finis prioris partis libri primi"), der zweite - spätere - in Blei (nicht mehr lesbar). Knapp beschnitten (die gedruckten Marginalien davon betroffen); durchgehend etwas gebräunt und fleckig. VD 16, H 2504; Hoffmann II, 367; Schweiger I, 137; Goed. II, 319, 6; Musper L 119; vgl. Fairfax-Murray (German Books) 197 (Ausg. 1531); Ebert 9536.Nicht im BMSTC (German Books) und nicht bei Adams..
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PAUL D'ÉGINE;
Pauli Aeginetae Medici insignis opus divinum, quo vir ille vastissimum totius artis oceanum, Laconica brevitate, sensibus argutis, merisque aphorismis in epitonem redegit. Albano Torino Vitodurensi interprete.
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Andreas Cratander et Johannes Bebel, Basilae 1532 - In-4 de (24)-513-(3) pp. (pâles mouillures au cahier h et marginale sur les feuillets liminaires) Relié à la suite : CELSE. Celsi De Medicina libri octo. Luce Antonii florentini impressi (Florence, Luce Antonius), 1524. In-4 gothique à deux colonnes de (4)-45 ff. Premier feuillet sali. Ensemble deux pièces reliées en 1 vol. in-4, vélin à rabats, titre manuscrit sur le dos (reliure de l'époque). Notes manuscrites anciennes. Première édition latine par Albano Torino du traité de médecine de Paul d'Égine, établie sur le texte grec publié en 1528 et imprimée à Bâle par Cratander et Bebel. Le livre VI sur la chirurgie fut publié à part. Il est divisé en sept livres ou traités, dont le premier contient l'art de conserver la santé ; le second traite des fièvres, le troisième, des affections internes en tant qu'elles sont localisées, le quatrième, des maladies externes, le cinquième, des plaies, des morsures, des venins et des poisons ; le sixième, de la chirurgie ; le septième, des médicaments simples et composés. Il récapitule toutes les connaissances médicales depuis Hippocrate. Belle édition gothique du De re medica de Celse, publiée à Florence par Luce Antonius avec sa marque au dernier feuillet. Le De Re Medica fut découvert au XVe siècle à Milan, puis établi et publié une première fois en 1478 à Florence. Il constitue le seul fragment connu d'une vaste encyclopédie du monde romain conçue sous le règne de l'empereur Auguste sous le titre De Artibus et de fait rassemble les connaissances acquises depuis Hippocrate jusqu'à Auguste, en trois parties : l'hygiène, les remèdes, la chirurgie ; c'est par cette nouvelle classification que Celse inaugura la terminologie scientifique latine. Bel exemplaire qui appartint successivement aux bibliothèques de Dominique-Barnabé Turgot, évêque de Séez de 1710 à 1727, puis Hyacinthe-Théodore Baron, doyen de la Faculté de médecine de Paris au XVIIIe siècle (ex-libris armoriés). [Attributes: Hard Cover]
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Allama Muhammad Razi. Edited by M.H. Syed
Encyclopaedia of Islamic Faith and Belief Vols. I V
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Anmol 2010 - Contents Vol I Almighty God in Islam Preface 1 Who is almighty 2 God almighty the Supreme Power 3 Gods perception in Islam 4 Almighty and Holy Quran 5 Almightys words alone 6 Knowledge from almighty 7 Messenger of almighty Bibliography Vol II Holy Quran and Islam Preface 1 Wisdom from Quran 2 Divine knowledge 3 Miracle of Holy Quran 4 Lights of wisdom 5 Sacred words of God and Prophet 6 Spirit of Islam 7 Ideological basis of Islamic faith 8 Basic elements of Islamic faith Bibliography Index Vol III Worship in Islam Preface 1 Significance of worship 2 Regular prayers 3 Observance of fasts 4 Charity for God 5 Holy journey once Bibliography Index Vol IV Basic Faith in Islam Preface 1 Islam as religion 2 Faiths before Islam 3 The backdrop of Islam 4 Ideological and practical beliefs 5 Obligatory acts under Islam 6 Preaching of Islam by addressing people 7 Ethical dimensions in Islam Bibliography Index Vol V Islams Social Role Preface 1 New social fabric under Islam 2 Islamic social and political system 3 Institution of family under Islam 4 Special position of women 5 Natural and social rights 6 Holy lives as a model Bibliography Index True to its ideology and philosophy Islam as a faith and religion stands for total submission to almighty who is the creator of universe and supreme authority for all the worlds He is also the master of the day of judgment Today Islam is known as the progressive religion promoted and preached by Prophet Muhammad Pbuh who declared oneness of God and invited people to a faith which called for belief in unity of God and the Prophet hood of Muhammad Pbuh himself But one significant fact is misunderstood by most of the people that Prophet Muhammad Pbuh is not the founder of Islam Islam in fact was introduced through Prophet Adam Pbuh at the time of the creation of the world itself Islam maintains that almighty Allahs oneness is absolute and he is the only source of all creation and disposes of all lives and events Islam stresses upon the Prophethood of Hadrat Muhammad Pbuh who came to this planet as the benefactor and merciful for all the human beings Islams God is God of all the people not only the believers and Holy Prophet Pbuh is kind and merciful for the whole mankind not only for his followers Islam also calls for the fraternity and brotherhood of its followers forming a single community termed as Ummah Islam declares that there would be a day of judgment on the last day of this world termed as Qiyamat On that day virtues would be rewarded and evils would be punished for This encyclopaedic study is an asset for scholars religious experts and as well as students 1532 pp.
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Cortés De Monroy Y Pizarro, Hernan (1485-1547)
De Insulis Nuper Inventis Ferdinandi Cortesii Ad Carolum V...Narrationes, Cum Alio Quodam Petri Martyris Ad Clementem VII...Libello. His Accesserunt Epistolae Duae De Felicissimo Apud Indos Evangelii Incremento...Item Epitome De Inventis Nuper Indiae...
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. Cologne: ex officina Melchioris Novesiani, impensis Arnoldi Birckman, September 1532. Small folio, signed in 4s and 6s. (10 3/4 x 7 1/2 inches). [82] ff. Text in latin. Woodcut title-portrait of Charles V within a woodcut border of escutcheons of Spanish provinces and towns, the portrait repeated within decorative border-pieces on A1 and F1, large ornamental woodcut initials and border-pieces in text, woodcut printer's device at end. Numerous manuscript marginal notes. (Marginalia and ownership inscription on title shaved). Later limp vellum, manuscript ink titling to spine. Second Latin edition of the second and third letters of Cortés to Emperor Charles V and the first to contain missionary reports from Yucatan and Mexico Cortés gave his personal account of the conquest of Mexico in a series of five letters, or cartas de relación, which he addressed to Charles V, the Holy Roman Emperor. The famed first letter was lost, making the second letter the earliest account by Cortes himself, describing the events in Mexico after his departure from Vera Cruz. The third letter continues the narrative, describing Mexican events from October 1520 to May 1522. The present work includes the second editions in Latin of the second and third letters (translated by Petrus Savorgbabus), as well as Peter Martyr's De Insulis (a condensed version of the lost first Cortés letter); a letter from Mexico by Martin de Valencia, dated June 12, 1531, which is the first printed report from the Yucatan; a letter from Bishop Zumarraga giving an account of the Franciscan schools in Mexico, their teachers and the Indian converts; and a letter from Nicholaus Herborn dated 1532. These last three sections appear here in this edition for the first time. A rare edition, with only two other copies appearing in the auction records over the last thirty-five years. Church 63; Harisse 168; H.V. Jones 21; Sabin 16949; Medina I, 86; Palau 63192; JCB I, 103-104.
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DANTE ALIGHIERI.]
Rime di diversi antichi autori toscani, in dieci libri raccolte. Di Dante Alaghieri, lib. IIII. Di M. Cino da Pistoia, libro I. Di Guido Cavalcanti, libro I. Di Dante da Maiano, libro I. Di Fra Guittone d'Arezzo, libro I. Di diverse canzone esoneta senza nome d'autore, libro I.
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[A la fin : ] Stampata in Vinegia, per Jo. Antonio e Fratelli da Sabio, 1532. - Petit in-8 [148 x 92 millimètres] vélin rigide ancien, pièce de titre rouge, tranches bleues, 148 feuillets chiffrés [296 pages] dont le titre dans un encadrement gravé sur bois. (Le feuillet 48, cousu à la reliure, provient d'un exemplaire plus court de marges. Rares rousseurs, quelques feuillets un peu tachés.) Edition vénitienne de ce recueil publié en 1527 à Florence par les héritiers de Filippo GIUNTA, constituant la plus importante des premières anthologies imprimées des poèmes de DANTE. Cette édition, plus correcte que la précédente, est dépourvue d'errata, les fautes de frappe primitives ayant été corrigées. Elle parait en outre sous un nouveau de titre : Rime au lieu de Sonetti e canzoni, montrant la volonté de l'imprimeur vénitien de ne pas livrer une copie servile et mécanique de l'édition des Giunta. Il en a néanmoins conservé la préface et la classification des poèmes de DANTE selon les titres suivants : Libro Primo. Sonetti e canzoni (.) nela sua vita nuova. - Libro secondo. Sonetti e canzoni. - Libro terzo. Conzoni amorose e morali. - Libro quarto. Canzoni morale. Les livres IX et XI contenant les Canzoni e ballate di diversi autori et les Sestine ritrovate in uno antichissimo testo insieme con la sestina di Dante, ne sont pas mentionnés sur la page de titre. Bel exemplaire. BRUNET V, 438. SANDER 6489. GRAESSE VI1, 124. Teodolinda BAROLINI, Dante and the origins of Italian culture, p.248-249. FISKE, Catalogue of the Dante Collection, p.110.BON EXEMPLAIRE.
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[DANTE ALIGHIERI.]
Rime di diversi antichi autori toscani, in dieci libri raccolte. Di Dante Alaghieri, lib. IIII. Di M. Cino da Pistoia, libro I. Di Guido Cavalcanti, libro I. Di Dante da Maiano, libro I. Di Fra Guittone d'Arezzo, libro I. Di diverse canzone e soneta senza nome d'autore, libro I.
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[A la fin : ] Stampata in Vinegia, per Jo. Antonio e Fratelli da Sabio, 1532. Petit in-8 [148 x 92 millimètres] vélin rigide ancien, pièce de titre rouge, tranches bleues, 148 feuillets chiffrés [296 pages] dont le titre dans un encadrement gravé sur bois. (Le feuillet 48, cousu à la reliure, provient d'un exemplaire plus court de marges. Rares rousseurs, quelques feuillets un peu tachés.) Edition vénitienne de ce recueil publié en 1527 à Florence par les héritiers de Filippo GIUNTA, constituant la plus importante des premières anthologies imprimées des poèmes de DANTE. Cette édition, plus correcte que la précédente, est dépourvue d'errata, les fautes de frappe primitives ayant été corrigées. Elle parait en outre sous un nouveau de titre : Rime au lieu de Sonetti e canzoni, montrant la volonté de l'imprimeur vénitien de ne pas livrer une copie servile et mécanique de l'édition des Giunta. Il en a néanmoins conservé la préface et la classification des poèmes de DANTE selon les titres suivants : Libro Primo. Sonetti e canzoni (...) nela sua vita nuova. - Libro secondo. Sonetti e canzoni. - Libro terzo. Conzoni amorose e morali. - Libro quarto. Canzoni morale. Les livres IX et XI contenant les Canzoni e ballate di diversi autori et les Sestine ritrovate in uno antichissimo testo insieme con la sestina di Dante, ne sont pas mentionnés sur la page de titre. Bel exemplaire. BRUNET V, 438. SANDER 6489. GRAESSE VI1, 124. Teodolinda BAROLINI, Dante and the origins of Italian culture, p.248-249. FISKE, Catalogue of the Dante Collection, p.110. BON EXEMPLAIRE. GOOD. ..(26C)..
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DANTE, CAVALCANTI, ed altri
Rime di diuersi antichi autori toscani in dieci libri raccolte.
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"(In fine:) Vinegia, per Io. Antonio e fratelli da Sabio, 1532, in-8, ff. 148, legatura antica in p. pergamena rigida, titolo ms. al dorso. Titolo entro bordura silogr. figurata a carattere architettonico, elegante carattere corsivo. Celebre antologia poetica del XIV e XV secolo curata da Bernardo Giunta, contenente sonetti e canzoni di Dante, le rime di Cino da Pistoia, di Guido Cavalcanti, di Dante da Maiano, di Guittone d'Arezzo, di Franc. degli Albizzi, di Lapo Gianni, di Guinizzelli ed di altri poeti del tempo, basata su manoscritti originali ora in gran parte perduti. Nei primi quattro capitoli appaiono per la prima volta parziali versioni del Canzoniere e della Vita Nova di Dante (che venne edita integralmente solo nel 1576). Fedele ristampa, con qualche correzione testuale, della giuntina del 1527, e di questa forse ancora più irriperibile, rimane una rarità filologica e tipografica di fondamentale importanza per i poeti del "dolce stil novo". I Nicolini da Sabbio, originari di Sabbio presso Brescia furono attivi a Venezia nel 1512-1550 ca. Esempl. assai bello e fresco (due note antiche di proprietà mss. al tit.). Il Censimento, 500ine italiane ne cita 5 esempl., contro gli 11 del 1527. Mambelli 996: ""Contiene pure le rime di Dante. Questa edizione, assai ricercata e rara
"". Gamba 800. Mambrini 939. Fiske, Cornell Un. Dante Collection, I, 77."
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FORTE, Angelo de
Veritatis redivivae militia
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Large woodcut portrait of the author on the title page and full-page woodcut coat of arms of Pope Paul II, the dedicatee, on the verso of the second leaf. Contemporary vellum, title in ink on spine; minor staining, small stamp on title. First edition, extremely rare, of this collection of medical and astrological aphorisms. Like many other physicians of the time, Forti used astrology as a method of diagnosing illness. Sound medical practice was to review a patient’s astrological chart to determine which planets were influencing the health of the patient, and which starts influenced or induced disease. In essence, it was the hermetic idea that invisible rays of the heavens collected not only in different metals, etc., but also in different organs in the body, both for beneficial and also pathological effects. For example, “the organs and functions of the body were associated . . . with the planets, fixed stars, Milky Way, and head and tail of the dragon. The pulsing blood is compared with the course of the sun in the circle of the year. The disposal of food and drink . . . is consonant with the work of the moon. . . The body of each individual differs according to the constellations of fixed stars. The planets exert an influence on the human saliva” (Thorndike).& & This book, the Revived militia of truth, as well as an earlier book by Forti (Quattro dialogi, 1532), laid the groundwork for his magnum opus, De mirabilibus vitae humanae naturalia fundamenta (1543). Forti’s intentions were basically to show the errors of alchemy and other “superstitious” practices. His paradoxical style and his outrageous arrogance made him many enemies, whom he hoped to silence with this work. & & Forti flourished during an era of scientific interest and pursuit which was enabled by Pope Paul III. Although astrology was still considered a science, more substantive works were dedicated to him, including Copernicus’ De revolutionibus orbium. But notwithstanding the general notion that astrology had “lain in darkness, disrepute, barbarism and sordid squalor for many centuries . . . like other disciplines it has been restored by Paul III who note merely cultivates it but loves and cherishes it and devotes no small part of his time to it” (Thorndike).& & No copies are located in America, and the 2 copies located in France are second editions printed the same year by Bindoni; Thorndike, History of Magic and Experimental Science, V, pp. 262-268
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Lexicon Graeco-Latinum.
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Basel, Johann Bebel, marzo 1532. "Due parti in un volume in-folio (mm 310x195). 378 carte non numerate, di cui l'ultima bianca (c. Rr6); 58 carte non numerate. Carattere greco e romano. Testo greco e latino, disposto su due colonne. Marca editoriale di Johann Bebel al frontespizio, incisa su legno: scudo che racchiude una palma; ai lati del tronco, il motto 'palma beb.', disegnata da Hans Holbein d. J. (1498-1543) e intagliata da Hans Lützelburger (Heitz-Bernoulli, 114; Hollstein's, German, xiva, n. 96a; F. Hieronymus, Basler Buchillustration 1500 bis 1545, 439; C. Müller, Hans Holbein d. J. Die Druckgraphik im Kupferstichkabinett Basel, 130). La stessa marca è presente anche al verso della carta kk4. Splendide iniziali figurate, ad aprire le sequenze delle singole lettere, e tratte da diversi alfabeti - sia romani sia greci - disegnati da Holbein. Legatura ottocentesca in mezza pergamena con angoli, piatti ricoperti in carta marmorizzata verde. Dorso liscio, titolo breve annotato in inchiostro bruno. Danneggiato l'angolo superiore del piatto anteriore. Esemplare in discreto stato di conservazione: fori di tarlo alle cc. a1-b2, con leggera perdita di testo. Al contropiatto anteriore cartellino cartaceo di piccole dimensioni, con la segnatura 'Ling. Greca Pol.'. Sono infine visibili, a margine della carte g2r, z3r e E6r, alcune annotazioni in greco e latino di antica mano. Profonda fu l'influenza dei Commentarii linguae Graecae di Guillaume Budé sulla lessicografia del Cinquecento, e molti furono i dizionari che beneficiarono, sia in area francese sia in area tedesca, delle sue dotte annotazioni. Il tipografo e editore Johann Bebel, che già nel marzo del 1530 aveva dato alle stampe una edizione dell'opera dell'umanista francese, nel 1532 propose all'uso degli studiosi un Lexicon Graeco-Latinum, nel quale fin dal frontespizio è riconosciuto il merito di Budé, il cui nome e i cui exempla autorum percorrono l'intera sequenza alfabetica dei lemmi, intessuta di rinvii quali «Vide plura in Comment. Budaei» e «Copiosius in Comment. Bud.». Altre fonti della compilazione sono i lessici greci di antichi autori di cui erano al tempo disponibili edizioni a stampa, in primo luogo il Suida e l'Onomastikon di Pollux. Ricorrenti sono infine - come si indica al frontespizio - le citazioni tratte dalle doctissimis lucubrationibus di Erasmo, del quale si utilizzano sia gli Adagia sia le annotazioni al Novum Testamentum, e infine di Celio Rodigino con i suoi Lectionum antiquarum libri triginta. Da notare che a Basilea, e sempre nel marzo del 1532, un Lexicon Graeco-latinum con intitolazione e struttura interna pressoché identiche fu dato alle stampe anche presso l'officina di Andreas Cratander, spesso attivo in quegli anni in società con Bebel. Guillaume Budé's Commentarii linguae Graecae deeply influenced the 16th-century, and many dictionaries drew from its learned annotations. The printer and editor Johann Bebel, who worked in Basel between 1523 and 1544 and who in 1530 published the lexicon of the French humanist, in 1532 submitted to the attention of scholars and students a Lexicon Graeco-Latinum, drew mainly from Budé's work but also from other well-known lexica as the Souda and Pollux's Onomastikon. As mentioned in the title-page, this edition contains also many quotes of Erasmus' Adagia, of his commentary to the Novum Testamentum and of Celio Rodigino's Lectionum antiquarum libri triginta. The book is adorned by the beautiful woodcut initials and by the printer's devices designed by Hans Holbein d. J. Good copy. Bound in 19th centuri half vellum, wormholes on ll. a1-b2 with a small loss of text. Adams D, 418; VD 16, ZV 9609; Hoffmann i, 125."
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CORTES (Hernán)
De Insulis Nuper inventis Ferdinandi Cortesii ad Carolum V. Rom. Imperatorem narrationes, cum alio quodam Petri Martyris ad Clement VII?
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Arnoldi Birckman, Coloniae 1532 - 82 f. sin num. inc. portada con retrato grabado del Emperador Carlos V, encuadrada en orla xilográfica formada por 25 pequeños escudos. A4, Aa-Bb4, A-M6. Segunda edición latina de la segunda y tercera carta de Hernán Cortés, traducidas por Savorgnano, junto con la relación de Pedro Martir de Angleria, De rebus et insulis.La primera edición en latín está impresa en Nuremberg, por Federicus Peypus Arthemesius, en 1524. Pietro Savorgnano da Forli, secretario del obispo de Viena, Juan de Revelles, escribe la versión latina a partir de las ediciones príncipe de la segunda y tercera relación, impresas en 1522 y 1523 respectivamente por Jacobo Cromberger. Esta edición es una reimpresión de esatraducción de Savorgnano, y una combinación de las dos ediciones de Peypus ya que, en esta de Birckman se incluye el De rebus et insulis, una versión abreviada de la cuarta década de De orbe novo de Pedro Martir de Angleria, y se añaden unas cartas de fray Martín de Valencia y el Obispo deMexico, fray Juan de Zumárraga, impresas aquí por primera vez.La portada, con orla de tres piezas heráldica, e imaginarios escudos de ciudades y reinos de España, lleva la efigie del emperador Carlos V en forma de moneda, enmarcado por columnas y leones.En 1527 se publicó una cédula que prohibía ?se vendan ni impriman las relaciones que embio Cortes de las Yndias? Marcel Bataillon interpreta esta prohibición ?que también afectó a la obra de López de Gómara, Historia de las Indias? como un intento de evitar que la popularidad de Cortés creciese cuando la corona le había despojado del gobierno de Nueva España. La imprentaeuropea, que había comenzado a imprimir las relaciones Segunda, Tercera y Cuarta desde muy temprano, se benefició de esta prohibición.Contemporary gilt calf (rebacked). 82 ll. Title with engraved border of twenty-five coats of arms and a portrait of Charles V, this portrait repeated on leaves A1 and F1. At the end, printer?s device of two foxes shaking hands over a brood of chickens.Second latin edition. ?It contains the ?De Insulis? of Martyr, the second and third letters of Cortes, with the two dedications, as in the editions of 1524; also missionary reports, here first published, and reprinted in 1543? (Sabin).?The Epistolæ referred to on the title-page are the celebrated Letters of Martin de Valencia and Bishop Zumarraga, giving an account of the Franciscan schools in Mexico, their teachers and the Indian converts - here printed for the first time.? (Quaritch). Palau 63192; Sabin 16949; Church 63; Marcel Bataillon, 1963: 78; Fortuna de España, Textos españoles e Imprenta Europea (Siglos XV-XVIII), Instituto Cervantes (España), 2002; Bernard Quaritch, A Catalogue of Geography,Voyages, Travels, Americana, p. 44. Piel de la época, hilos dorados y escudo central también dorado en ambas tapas (restaurada, lomera nueva).
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Codex Justinianus [liber I-IX] ad vetustorum exemplarium fidem diligentissime recognitus. In quo casus Viviani (qui antea fedissimi et corruptissimi legebantur) ita sunt restituti ut iam non inutiliter adiecti videantur. Preterea ubi in glossarum vel approbationem vel reprobationem citantur Bartolus, Baldus, Aretinus, Paulus de Castro, Alexander, Jason et alii anteriores, cum his recens accessit Andreas Alciatus... [Joannes Bodinatus recensuit.]
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Paris, Francois Regnault 1532. 4to. Mit Holzschnitt-Titel, 1 gr. Holzschnitt (Arbor de interdictis) sowie zahlr. ornamentalen Initialen, gedruckt in Rot u. Schwarz. 24, CCCCCXCI Bl. Späteres Ldr. auf 4 Bünden. Rotschnitt. Es fehlen insgesamt 3 Bl. (Bl. 244, 245 sowie das letzte Bl. 592). Einband an den Gelenken restauriert, spätere Vorsatzpapiere, Titel sowie einige weitere Bl. an lädierten Rändern hinterlegt. Am Kopf knapp beschnitten, der Kolumnentitel teil angeschnitten. Stellennweise Tintenmarginalien von alter Hand sowie vereinzelte Tintenflecke. Sehr schöner Druck. [3 Warenabbildungen bei antiquariat.de]
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Azo, Portius; Giganti, Girolamo
Summa Aurea Domini Azonis Jurisconsultorum Facile Principis...
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1532. Azo, Portius [fl. c.1153-1230]. Giganti, Girolamo [d.1560], Editor. Summa Aurea Domini Azonis Jurisconsultorum Facile Principis Nuperrime Qua Diligetia Sieri Potuit Castigata, Collatis Permultis Codicibus Tam Impressis & Manuscriptis, Ac Non Paucis Que Deerant Suis In Locis Diligenter Restitutis, Una Cum Summariis & Apostillis Omnibus Juris Studiosis Usui Maximo Futuris. Adiecte Suerunt Preter Hec Plereque Adnotationes Per Celleberrimum J. U. Doctorem Hieronymum Gigantem Soroosemproniensem. Repertorium Etiam Copiosissimum Juxta Literarum Alphabeti Seriem Elegantissime Contextum (Quo Singula Lectori Facilius Occurrant) in Huius Operis Principio Appositum Est. Lyon: Hugonis de Porta, 1532. [xvi], 248 pp. Main text in parallel columns with side notes. Folio (15" x 10-1/2"). Later calf, rebacked retaining most of spine, blind rules and frames to boards, raised bands endpapers renewed, text block re-stitched. Light rubbing to extremities, some rubbing to boards. Woodcut architectural title page printed in red and black, attractive woodcut decorated initials, manicules and typographical ornaments. Light toning to text, occasional dampstaining to margins of text (with discreet recent repairs), dampstaining to title page. Small early owner signature near foot of title page, underlining and brief notes in a few places, interior otherwise clean. An attractive copy of a scarce imprint. * Portius Azo, also known as Azo of Bologna, Azo Porius, Azo Porcius and Azo Soldanus, was a lawyer and professor of law at the University of Bologna whose pupils included Accusius and Johannes Teutonicus. His fame rests on his carefully organized commentaries on the Code, Digest and Institutes of the Corpus Juris Civilis. Known collectively as the Summa Azonis, these three commentaries form a methodical exposition of Roman law. The Summa circulated widely in manuscript; 35 printed editions were issued from 1481 to 1610. It was a work of immense authority for generations of continental lawyers. Azo's Summae were synthesized by Accursius in his Glossa Ordinaria; his Summa Codicis was used (and, in many places, copied verbatim) by Bracton in his treatise on English Law. OCLC locates no copies of this imprint and it is not listed in Adams or th.
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BELLAFINI Francesco
De origine et temporibus urbis Bergomi liber. (Con:) MICHIEL, M. Ant. Agri et urbis Bergomatis descriptio.
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"(In fine:) Venetiis, per Io. Antonium et fratres de Sabio, 1532, 2 opere in un vol. in-4, ff. (44,segn. a-e8, f4), leg. coeva p. perg molle. Titolo in maiuscola, il testo nell'elegantisssimo corsivo disegnato da Ludovico degli Arrighi. Dedica dell'a. a Marco Mauroceno, pretore di Bergamo. Prima ed unica edizione latina dell'unica opera a stampa del Bellafini, la quale contiene anche lo scritto di Marcantonio Michiel da lui edito. E' una narrazione stringata, immune dall'enfasi umanistica, pregevole per doti di stile, e - nell'ultima parte, che riflette vicende contemporanee all'autore fino al 1516 - per scrupolo di esattezza e di obiettività; le pagine sulle "origini" fanno invece credito a racconti fantastici. Il libretto ebbe notevole successo: fu tradotto in volgare, con appendice, da Giovanni Antonio Licino e inserito dal Graevius nel "Thes. Antiq. et Hist. Italiae", 1723. Bellafini (nato a Bergamo nella seconda metà del XV sec. ed ivi morto nel 1543) ricoprì varie cariche pubbliche nella sua città ed importanti incarichi diplomatici. Delizioso e prezioso libretto, in perfetto stato di conservazione. Lozzi 316: «Assai raro». Platner 61:«Rarissimi». STC. 78. Adams B-481."
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Cicero M. Tullius
Quaestionum tusculanarum libri quinque, nuper recogniti et typis diligenter excusi
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(in fine): impressum Florentiae (Giunti) Anno a Christiana Salute M.D.XXXII. [Giunti-Raro] (cm.16,2) tutta pergamena originale semirigida, lievi mende, tracce di lacci. titolo calligrafato lungo il dorso.-- c. 1 nn. (frontis) + cc. 95 + cc. 8 nn. Bel frontis figurato entro bordura architettonica con candelabre e animali. elegante corsivo, marca tipografica in fine e un' altra al verso di carta 95, illustrata in Camerini N° 3. Veramente rara edizione giuntina senza il nome del tipografo. Manca a molta bibliografia consultata compreso Bm. Stc. ed Adams. Il Census Iccu registra solo 18 copie nelle biblioteche italiane. Qualche insignificante alone marginale, minime mende ma bvuon esemplare genuino e fresco con varie chiose coeve manoscritte ai margini nonchè ex libris manoscritto coevo alla sguardia e al frontis: "Ad usum Pauli Leoncini et amicorum.". * Camerini-decia N° 226; * Bandini II 230; * Renouard p. LIV N° 120. . buono. Rilegato. 1532.
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1531