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Displayed below are some recent viaLibri matches for books published in 1527
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Luther, Martin
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| Ob kriegsleutte auch ynn seligem stande seyn künden. Mar. Luther. Gedruckt zu Wittemberg. M.D.XXXVI.
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Wittenberg, Barth 1527. 21 cm. 25 Blatt (ohne das letzte weiße) mit 2 Holzschnitt-Medaillons auf dem Titel. Festeinband, der Rücken mit Leder bezogen um 1900. - VD16 L5506 - Benzing, Luther 2345 - Schottenl. Bibl. 13258 - Erster Druck der ersten Ausgabe. Die Holzschnitt-Medaillons (Lamm Gottes, Lutherrose) auf dem Titel stammen von Lucas Cranach d. Ä. Seltene und bahnbrechende Schrift, in der Luther zwar das Recht des aktiven Widerstands gegen die Obrigkeit verneint, jedoch nicht bedingungslosen Untertanengehorsam verlangt. Tyrannen kann keine vollständige Sicherheit gewährleistet werden, wie am Beispiel des Tyrannen Dionysius unter dem Damoklesschwert gezeigt wird. Durchgängig 2 kleine Wurmlöcher, Blattränder stellenweise fleckig, vereinzelt zeitgenössische Randnotizen und Unterstreichungen, 3 Blatt im Oberrand ergänzt, 1 Randeinriß unterlegt, das letzte Blatt am Bund neu befestigt und am Bund verstärkt. Exemplar aus dem Besitz des Schriftstellers Richard Zoozmann (1863 - 1934) mit dessen Exlibris und Besitzeintrag auf dem Titel, datiert 1894. Auf Vorsatz dessen eigenhändiger Vermerk: "von S. Lehmann, Jan 1894. (ohne Einband, selbst gebunden) Zoozmann". -
[Bookseller: Wenner Antiquariat] |
| 1. Check availability: AntiQbook
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Giovanni Boccaccio
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| Il Decamerone (Firenze per li heredi di Philippo di Giunta)
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Venice: Firenze per li heredi di Philippo di Giunta, 1527/1729, 1527. Good. No dust jacket as issued. Interior remains tight, clean and complete. Pages with minor toning remain much better than average. Vellum exterior with some wear and scuffing remains better than average. The corners are a bit bumped. Title and date label at backstrip remains with some wear and chipping. Some minor wear to the head and toe of spine. Everything being said volume remains much better than average. 284 numbered pages, facing pages not paginated. Good +. Not common. 9.50 by 7.00 inches. Edited by Stefano Orlandini, and printed at the cost of Salvatore Ferrari, it usually passes under the name of Consul Smith, who was partly responsible for its production. This is the famous facsimile printed in Venice in 1729 which differs from the 1527 original only in the correct numbering of leaves 42, 101, and 108, & the letter "a" is round rather than pointed; the "9" is a new sharp letter; and the foliation has been corrected. Grasse, Vol. I, p. 449 states that 300 copies of this edition were printed. (Updike. Printing Types. p. 160. ) Gamba, 172; Brunet I, 999; Parenti, Luoghi falsi, 87. Recent auction records include; "Christie" 2005, sale number 2470-78 & "Bloomsbury Auctions" 2008, sale number 654-106. Former Allen T. Hazen collection.
[Bookseller: Alibris] |
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Higden Ranulph
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| POLYCRONICON [translated by John de Trevisa]
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Southwark Peter Treveris at ye expences of John Reynes 1527, the 16th day of May RARE. First Illustrated Edition and only the third issuance of the book after the Caxton printing of 1482 and the Wynken de Worde printing of 1495. With the exception of the woodcut of the musical notation on n5r, which first appeared in the printing of 1495 (and was the earliest printed musical notation in an English book), ALL THE WOODCUT ILLUSTRATIONS APPEAR HERE FOR THE FIRST TIME. Double column, black letter, zylographic title printed in red between two parts of a large woodcut block printed in red and black (Hodnett 2489, state 2), the upper portion featuring the royal arms, a portrait of Henry VIII, and the arms of London, the larger lower portion showing St. George; full page woodcut of a battle on z6v, 6 smaller woodcuts in the text (one repeated), woodcut musical notation on n5r, several 10-line and smaller woodcut initials. John ReynesÕ printerÕs mark, colophon with hunting scenes. Folio (273 x 190 mm), handsomely bound in full brown pigskin gilt, with gilt central device of the Earl of Warwick on each cover, edges gilt, by Zaehnsdorf. Fo. CCCxlvi A very handsome copy of this rare and desirable book. Complete but for the title page and colophon leaf supplied in very skillful facsimile, first twelve and last eight leaves skillfully repaired in the margins, slightly affecting text in a few places, occasional minor dust soiling, some leaves possibly supplied from another copy. A very attractive, wide-margined copy. RARE AND IMPORTANT. Only the third printing of one of the most important pieces of early English historical prose. Higden's POLYCRONICON, a world history from the Creation to 1360 A.D., was translated by Trevisa at the command of Thomas, Earl of Berkeley (d. 1361). The work draws on over 40 sources, and synthesizes a continuous diachronic and multicultural history, beginning with the Biblical account of the Creation and moving through the history of the Semitic, Hellenic, Roman, and medieval-European cultures. It served as a model for innumerable later histories, both universal and localized. The POLYCRONICON was Caxton's most ambitious printing project. It is his longest book in terms of page count, and the second-longest in terms of word count (after the GOLDEN LEGEND of 20 November 1483). It is also Caxton's most ambitious work as an editor and a writer; for Caxton significantly revised the extant English translation of the POLYCRONICON, updating its terminology considerably; and he also authored an original history of England to serve as Book 8 of the text--a writing effort which stands as Caxton's greatest achievement as an author. This printing is the third, after CaxtonÕs original in 1482.
[Bookseller: Buddenbrooks, Inc. ABAA] |
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"TORY, Geoffroy;"
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| Hore in Laudem beatissime Virginis Marie : secundun consuetudinem Ecclesie Parisiensis.
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Paris Simon Du Bois imprimeur pour Geoffroy Tory 1527 "In-8 de 100 ff.n.ch.; velours rouge ancien, tranches dorées et ciselées." "Bernard, Geoffroy Tory, peintre et graveur, premier imprimeur royal, p.160. Une des plus belles productions de Geoffroy Tory. Ce superbe volume, imprimé en lettres gothiques rouges et noires, est orné de 13 grandes figures au trait, gravées sur bois, intercalées dans le texte. Chaque page est comprise dans un encadrement à la moderne, dont fait mention le privilège de 1524, et qui consiste en arabesques formées de fleurs, papillons, fruits, oiseaux, etc. On y trouve aussi, dans le bas des bordures, le F et le L couronnés de François 1er et Louise de Savoie, la salamandre, les armes de France, etc. On peut remarquer que, bien que les sujets des illustrations soient les mêmes que ceux de l'édition de 1524-1525, ils sont d'un dessin totalement différent, tout à fait approprié aux encadrements et aux caractères à la moderne, utilisés dans cette édition. ""Il était difficile de pousser plus loin l'amour de l'harmonie artistique"" (A. Bernard). La marque de Geoffroy Tory, au Pot Cassé, figure sur le premier et le dernier feuillet. Bel exemplaire, quelques rousseurs éparses."
[Bookseller: Librairie Thomas-Scheler] |
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GIOACCHINO DA FIORE
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| Prophetia dello Abbate Joachino circa il Pontefice R.E., a cura di LEANDRO DE GL’ ALBERTI.
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Manoscritto su carta azzurrina XVI secolo (post 1527), in-4 (mm 277x215), ff. 20, bella legatura coeva romana in pelle, triplice cornice vegetale con ma s che roni angolari ai piatti, dorso con stilizzazioni geometriche, il tutto impresso in oro. Manoscritto tratto dalla seconda edizione italiana (1527) della raccolta di Profezie di Gioacchino curata da Leandro degli Alberti (prima 1515), dedicata a Giulio de’ Medici (erroneamente ricordato come Giuliano). Leandro degli Alberti (1497-1552) fu storico bolognese, autore di opere di carattere religioso e di una “Descrittione di tutta l’Italia”. Il manoscritto, come l’edizione a stampa, è illustrato da 32 disegni (monogramma di Cristo IHS al titolo, al verso docente in cattedra con allievi e 30 rappresentazioni allegoriche delle profezie). La realizzazione grafica del codice risulta particolarmente suggestiva per l’utilizzo della biacca sulla carta azzurra che fa risaltare il sicuro tratto ad inchiostro dei disegni. Opera estremamente rara e di notevole importanza per la diffusione dell’iconografia delle Profezie di Gioacchino anche in ambito protestante, in cui vennero utilizzate come strumento del messaggio anti-papale. (Piccoli restauri antichi su carta azzurra a risarcire i fori dovuti all’acidità dell’inchiostro).
[Bookseller: Libreria Antiquaria Pregliasco s.a.s. di] |
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Cicero, M.T
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| EPISTOLAE AD T. POMP. ATTICUS Io. Bapti. Pii Bono. Antea Nullibi Impressae et ab Infinitis Mendis per eum castigatae
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Bologna: Johannes Phaelis, February 1527. Used - Very Good. Folio, ff. 266. Elaborate engr. border on title-page (repeated at leaf 253, where commentary begins). Some leaves edgeworn, esp. first few dozen. Annotations (in a 16th C. hand) in Book One. Bound in old vellum, moderately soiled and worn at edges. Overall very sound.
[Bookseller: Powell's Bookstores Chicago] |
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SANNAZZARO, Jacopo.
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| De partu virginis.Lamentatio de morte.Piscatoria.Petri BEMBI. Benacus.A. BEATIANO. Verona.
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8°Cc (,47,1.Una firma cancellata con restauro,lieve mancanza alle punte alte delle prime quattro carte.Dorso in pelle e cartone dell'800. Venezia,Aldus, 1527. Prima edizione aldina dopo quella di Napoli del 1526.B.L.,605.Renouard,104.6.
[Bookseller: Studio Bibliografico Pampaloni] |
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KENT. Quitclaim of land at Hawkhurst and Cranbrook, 1527
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| Quitclaim [formal release of title] of land at Hawkhurst and Cranbrook, from James Weynes of Hawkhurst to Gervase Mapllysden of Rolvynden
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19 Henry VIII [1527]. Vellum deed, 9½ x 5 inches, seal tag (without seal), a few tiny holes. A few words neatly underlined. With a full typed transcription and some historical notes identifying place names. An attractive deed, issued in the year Henry VIII began negotiations with the Pope for a divorce from Catherine of Aragon. “Dated the fifth day of July in the nineteenth Year of the reign of our lord Henry the eighth of England and France King defender of the faith and lord of Ireland.” This document is only two years after Henry began to describe himself as ‘the Eighth’; unitl then he used only his name, like all previous English sovereigns. At this time he was still only ‘lord’ of Ireland; later he assumed the title King of Ireland. It is of particular interest to find part of the land consisting of two separate one-third parts acquired from two brothers, both described as heirs of James a Melle. This situation arose from the Kentish system of inheritance known as gavelkind, by which estates did not pass to the eldest son but were divided equally among all the sons.
[Bookseller: Julian Browning Autographs] |
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Higden, Ranulph
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| POLYCRONICON [translated by John de Trevisa]
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Southwark Peter Treveris at ye expences of John Reynes 1527 RARE. First Illustrated Edition and only the third issuance of the book after the Caxton printing of 1482 and the Wynken de Worde printing of 1495. With the exception of the woodcut of the musical notation on n5r, which first appeared in the printing of 1495 (and was the earliest printed musical notation in an English book), ALL THE WOODCUT ILLUSTRATIONS APPEAR HERE FOR THE FIRST TIME. Double column, black letter, zylographic title printed in red between two parts of a large woodcut block printed in red and black (Hodnett 2489, state 2), the upper portion featuring the royal arms, a portrait of Henry VIII, and the arms of London, the larger lower portion showing St. George; full page woodcut of a battle on z6v, 6 smaller woodcuts in the text (one repeated), woodcut musical notation on n5r, several 10-line and smaller woodcut initials. John Reynes' printer's mark, colophon with hunting scenes. Folio (273 x 190 mm), handsomely bound in full brown pigskin gilt, with gilt central device of the Earl of Warwick on each cover, edges gilt, by Zaehnsdorf. Fo. CCCxlvi A very handsome copy of this rare and desirable book. Complete but for the title page and colophon leaf supplied in very skillful facsimile, first twelve and last eight leaves skillfully repaired in the margins, slightly affecting text in a few places, occasional minor dust soiling, some leaves possibly supplied from another copy. A very attractive, wide-margined copy. RARE AND IMPORTANT. Only the third printing of one of the most important pieces of early English historical prose. Higden's POLYCRONICON, a world history from the Creation to 1360 A.D., was translated by Trevisa at the command of Thomas, Earl of Berkeley (d. 1361). The work draws on over 40 sources, and synthesizes a continuous diachronic and multicultural history, beginning with the Biblical account of the Creation and moving through the history of the Semitic, Hellenic, Roman, and medieval-European cultures. It served as a model for innumerable later histories, both universal and localized.
The POLYCRONICON was Caxton's most ambitious printing project. It is his longest book in terms of page count, and the second-longest in terms of word count (after the GOLDEN LEGEND of 20 November 1483). It is also Caxton's most ambitious work as an editor and a writer; for Caxton significantly revised the extant English translation of the POLYCRONICON, updating its terminology considerably; and he also authored an original history of England to serve as Book 8 of the text--a writing effort which stands as Caxton's greatest achievement as an author. This printing is the third, after Caxton's original in 1482.
[Bookseller: Buddenbrooks, Inc.] |
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ULPIAN.
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| Commentarioli olynthiacas; philippicaque; Demostenis orationes. Ennarrationes saneque necessariae in tredecim orationes Demosthenis. Arpocrationis dictionarium decem Rhetorum (in Greek).
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Venice, In aedibus Aldi, et Andreae Asulani Soceri, June 1527. Folio. Early 18th century red morocco, spine ribbed and gilt, with double gilt fillets on sides, gilt inner borders, g.e. With woodcut printer's device on title, of Aldus' dolphin around an anchor with the legend "AL" and "DUS" on either side, and variant device on verso of last blank, of similar dolphin and anchor-device, but with the legend "ALDUS" and the initials "M.R." on either side. 119, (1 blank) lvs. Second Aldus-edition of Ulpian's comments on the speeches of Demostenes, together with Harpocration's "Lexicon of the Ten Orators", first published in a slightly smaller size by Aldus in 1503. Here with a short preface by Francesco d'Asola. The book is beautifully printed in a small Greek type with 54 lines to a page and a heading of a few words printed in the same type. Fine large paper copy in red morocco.- (Spine professionally restored). Renouard 104, 4; Adams H 69; STC Italian 704; Palau 106; Ahmanson-Murphy Coll. 245; Harry Ransom Humanities Research Centre 222.
[Bookseller: Antiquariaat Forum BV] |
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MARSCHALCK, Haug, (H. Zoller, 1489-1535)].
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| Wer gern wölt wissen wie ich hieß // zuo leesen mich hett nit verdrieß. // Dem Gottes Eer an glegen wer, // Darumb heyß ich der Eyfferer. // Johann Schnewyl von Straßburg. [(Titel verso:) Die ware erkandtnus Gottes und Jesu Christi . ].
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Kl.-4to. Mit grossem Titel-Holzschnitt. [18] Bl. Moderner Pappband. [Augsburg, Philipp Ulhart d.Ae., 1527?]. Erstausgabe. Das üblicherweise dem aus Memmingen stammenden, als Söldner und Zahlmeister der kaiserlichen Truppen in Augsburg wirkenden, Haug Marschalck zugeschriebene Traktat ist eines von drei, die mit dem Namen Johann Schnewyl von Strassburg erschienen. Miriam Usher Chrisman in ihrem Artikel: Haug Marschalck. Lay Supporter of the Reform stellt diese Zuschreibung stark in Frage: "All three pamphlets support the Zwinglian interpretation of the Eucharist against the Lutheran doctrine of the real presence. Although the writer paraphrases the Bible, he cites it directly only rarely. In the pamphlets written after 1524, Marschalck was almost incapable of writing a paragraph without a direct scriptural reference; the reference was always cited, often in the text. In one case, Wer gern wolt wissen, fol C2v, the anonymous writer quotes from the scripture in Latin. This does not occur in Marschalck's work; indeed, since he was selfeducated, he probably did not read Latin. Adolf Laube identified Schnewyl as a Strasbourg cleric (private communication)". Der nahezu die gesamte Seite beanspruchende Titel-Holzschnitt zur Sünde der Götzenverehrung zeigt Ephraim und zwei sich gegenüber stehende Heere in Bethel und Dan, mit den beiden goldenen Kälbern auf zwei aufgerichteten Podesten im Hintergrund. - In der oberen rechten Hälfte schmaler Wasserrand, untere Ecke etwas fingerfleckig. Schottenloher, Philipp Ulhart. Ein Augsburger Winkeldrucker (1921), Nr. 163; VD 16, M-1108; Pegg, (GB), 3617; Kuczynski 2403; M. Usher Chrisman, Haug Marschalck. Lay Supporter of the Reform, in: Fix/Karant-Nunn, Germania illustrata (1992), 61. First edition. Usually attributed to the Memmingen born mercenary soldier and paymaster of the imperial troops quartered in Augsburg, Haug Marschalck, the authorship of the present and two other pamphlets published with the name of Johann Schnewyl is questioned by Miriam Usher Chrisman: "All three pamphlets support the Zwinglian interpretation of the Eucharist against the Lutheran doctrine of the real presence. Although the writer paraphrases the Bible, he cites it directly only rarely. In the pamphlets written after 1524, Marschalck was almost incapable of writing a paragraph without a direct scriptural reference; the reference was always cited, often in the text. In one case, Wer gern wolt wissen, fol C2v, the anonymous writer quotes from the scripture in Latin. This does not occur in Marschalck's work; indeed, since he was selfeducated, he probably did not read Latin. Adolf Laube identified Schnewyl as a Strasbourg cleric (private communication)". - The large title woodcut illustratin the sin of idolatry depict the two golden calves and the armies of Beth-El and Dan facing each other. - Waterstain in upper half, lower corner slightly dump-soiled. - Modern boards.
[Bookseller: Erasmushaus - Haus der Bücher AG] |
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Badener Disputation.- - Murner, Thomas (Hrsg.)
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| Die disputacion vor den xij orten einer loblichen eidtgnoschafft nämlich Bern Luzern Ury Schwyz Undervalden ob unnd nidt dem kernwalt Zug mitt dem sampt usseren ampt Glaris Basel Friburg Solathorn Schaffhusen und Appenzell, von wegen der einigkeit in christlichem glauben in iren landen und undterthonen der fier bistumb Constentz Basel, Losanen und Chur beschehen und in dem iar Christi unsers erlösers Mccccc und xxvi uff den xvi tag des Meyens erhöret und zu Baden im ergöw irer stattgehalten unnd vollendet.
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Luzern, Thomas Murner 1527. Kl.-4°. (13) Bl. (v. 14), (168) Bl. (a-c4, d1 (d2 fehlt), A-Z4, Aa-Ss4). Lederband des 20. Jh. mit rotem verg. Rückenschild. VD16 M 7033. - Goedeke II, 219, 51a. - Haller III, 267. - German STC 61. - Erste Ausgabe der Protokolle der Badener Disputation von 1526, die vom Franziskaner Thomas Murner (1475-1537) ein Jahr später in Luzern herausgegeben wurden. Mit einer handschriftlichen Signatur von Johann Huber, dem leitenden Notar der Streitgespräche "Johannes Huber zu Luzern geschr... J. Huber ..." ?. Die 12 katholischen Orte organisierten im Zuge der Reformation in Zürich diese Disputation mit Johannes Eck, dem Wortführer der Katholiken und mit Johannes Oekolampad für die reformierte Seite, der für Zwingli einsprang, da dieser sich weigerte daran teilzunehemen, der aber trotzdem Einfluss auf die Gespräche nahm, indem er sich durch die beiden Landsleute Thomas Platter und Hieronymus Zimmermann über deren Verlauf informierte und seinerseits Antworten an Oekolampad übermitteln liess. "Zwar ging die kath. Partei siegreich hervor, doch hatte die Disputation u.a. zur Folge, dass Basel und Bern der Reformation fortan günstiger gestimmt waren" (HLS - Irena Backus). - Es fehlt das leere Blatt d2. Über ca. 30 Seiten am oberen Innenfalz mit hinterlegten Papierverlusten, zum Teil mit Textverlust. Der obere Rand knapp beschnitten (12 Blatt mit Textverlust). Durchgehend gebräunt und etwas stock- und fingerfleckig. -
[Bookseller: EOS Buchantiquariat Benz] |
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TORY, Geoffroy;
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| Hore in Laudem beatissime Virginis Marie : secundun consuetudinem Ecclesie Parisiensis.
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Paris Simon Du Bois imprimeur pour Geoffroy Tory 1527 In-8 de 100 ff.n.ch.; velours rouge ancien, tranches dorées et ciselées. Bernard, Geoffroy Tory, peintre et graveur, premier imprimeur royal, p.160. Une des plus belles productions de Geoffroy Tory. Ce superbe volume, imprimé en lettres gothiques rouges et noires, est orné de 13 grandes figures au trait, gravées sur bois, intercalées dans le texte. Chaque page est comprise dans un encadrement à la moderne, dont fait mention le privilège de 1524, et qui consiste en arabesques formées de fleurs, papillons, fruits, oiseaux, etc. On y trouve aussi, dans le bas des bordures, le F et le L couronnés de François 1er et Louise de Savoie, la salamandre, les armes de France, etc. On peut remarquer que, bien que les sujets des illustrations soient les mêmes que ceux de l'édition de 1524-1525, ils sont d'un dessin totalement différent, tout à fait approprié aux encadrements et aux caractères à la moderne, utilisés dans cette édition. "Il était difficile de pousser plus loin l'amour de l'harmonie artistique" (A. Bernard). La marque de Geoffroy Tory, au Pot Cassé, figure sur le premier et le dernier feuillet. Bel exemplaire, quelques rousseurs éparses.
[Bookseller: thomas-scheler] |
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"TORY, Geoffroy;"
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| Hore in Laudem beatissime Virginis Marie : secundun consuetudinem Ecclesie Parisiensis.
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Paris Simon Du Bois imprimeur pour Geoffroy Tory 1527 "In-8 de 100 ff.n.ch.; velours rouge ancien, tranches dorées et ciselées." "Bernard, Geoffroy Tory, peintre et graveur, premier imprimeur royal, p.160. Une des plus belles productions de Geoffroy Tory. Ce superbe volume, imprimé en lettres gothiques rouges et noires, est orné de 13 grandes figures au trait, gravées sur bois, intercalées dans le texte. Chaque page est comprise dans un encadrement à la moderne, dont fait mention le privilège de 1524, et qui consiste en arabesques formées de fleurs, papillons, fruits, oiseaux, etc. On y trouve aussi, dans le bas des bordures, le F et le L couronnés de François 1er et Louise de Savoie, la salamandre, les armes de France, etc. On peut remarquer que, bien que les sujets des illustrations soient les mêmes que ceux de l'édition de 1524-1525, ils sont d'un dessin totalement différent, tout à fait approprié aux encadrements et aux caractères à la moderne, utilisés dans cette édition. ""Il était difficile de pousser plus loin l'amour de l'harmonie artistique"" (A. Bernard). La marque de Geoffroy Tory, au Pot Cassé, figure sur le premier et le dernier feuillet. Bel exemplaire, quelques rousseurs éparses."
[Bookseller: Librairie Thomas-Scheler] |
| 14. Check availability: ILAB
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Monelia, Antonio da.
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| Sursum corda. [Junto con:] Tropheum Israeliticum triregium mysticam uitiorum stragem significans quod secunda pars Sursum corda praenotatur.
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Jerónimo de Benedictis, 1522 y 1527, Bolonia: 28 hojas, incluyendo portada tipográfica dentro de una gran orla de tipo arquitectónico y un grabado a plena página, 552 folios, 3 hojas. ii: 4 hojas, clxvi folios. Pergamino original con desperfectos y mínima pérdida en el plano posterior. Las últimas hojas de la segunda parte con pequeño defecto en el ántulo inferior sin afectar. Tipografia gótica a dos columnas. Primera edición de las dos partes.Poco se sabe de Antonio de Monelia. Aparentemente era originario de Genova, tomó los hábitos de la Orden Observante de la Provincia de Bolonia. En 1523 era guardian del Convento de Mirándola y el 1526 Provincial de Bolonia. Es conocido principalmente por sus escritos ascéticos. Su interés por el neoplatonismo se refleja en sus comentarios a la obra de Dionysio: En diuini Dionysij mysticam theologiam clarissima commentaria, Bolonia: 1522. El Sursum corda utiliza alegoricamente los textos del Antiguo Testamento para construir una narracion sobre la vida espiritual cristiana. El Tropheum fue publicado póstumamente, forma la segunda parte del Sursum corda y trata en cuatro libros del combate místico del hombre y de la lucha contra los vicios: la soberbia representada por Lucifer y el Faraón egipcio, la lujuria representada por Asmodeo y la acedia representada por Behemot.
[Bookseller: Els Llibres del Tirant] |
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[BIBLE - NEW TESTAMENT - LATIN].
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| Sanctum Iesu Christi Evangelicum … Acta Apostolorum.[Cologne], [Ioannis Sloteris], 1526. 8vo. Two parts in one volume. Title-page with woodcut vignette. With 24 decorative woodcut initials from 3 series. Contemporary blind tooled calf with label pasted on front cover, lacking clasps.
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235, (1), 170, (21) ll. Karlsruher Virt. Kat. (4 copies), not in Adams, not in BMC German, not in Darlow & Moule.Rare first edition of a Latin New Testament in two parts, the first part containing the four gospels and the Book of Acts, the second containing the Pauline epistles, the catholic letters, and the Book of Revelations. With an index of readings for holidays after part two. A second edition was printed by Sloteris in 1527, this time for Petrus Quentell.In addition to the printed index at the end, a manuscript index in red and black in the front. With an ownership inscription of Andres Avellini, and with a library stamp of the 'Bibliotheque de Château du Breuil-Benoit'.A good copy. Rare and early New Testament.
[Bookseller: Asher Rare Books (Since 1830)] |
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Münster, Sebastian.
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| Aruch (Hebr.). Dictionarium Chaldaicum,
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non tam ad Chaldaicos interpretes, cum Rabbinorum intelligenda comentaria necessarium per Sebastianum Munsterum ex baal Aruch & Chal. Biblijs atque Hebraeorum peruschim congestum. (1) Bl. (von 4), 454 Seiten, (1) Bl. Basileae, Apud Io. Fro. Anni MDXXVII = Basel, Johann Froben 1527. - - Eins der drei lexikalischen Werke Sebastian Münsters (1488-1952): "Eine Zusammenstellung aus dem talmudischen Wörterbuch Aruch (Perles hat im einzelnen den Zusammenhzang Münsters mit seiner Quelle dargelegt". (ADB 23, 31) - - Es fehlen die 3 Blatt Vorrede; der Bame des Autor ist auf dem Titel und der ersten Seite gelöscht und handschriftlich nachgetragen. Im übrigen von erstaunlicher, fast "neuwertiger" Frische. Mit Trockenstempel auf dem letzten Blatt: Library Rochester Theol Seminary". - - Einrisse in den Außengelenken repariert.
[Bookseller: Antiquariat Bernard Richter] |
| 17. Check availability: ABEBooks
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Pietro. BEMBO
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| Actii Synceri Sannazarii de Partu Virginis.
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Lamentatio de Morte Christi. Piscatoria. Title vignette. 95pp., 24mo, early vellum, leather label; (portion of t.p. margin repaired, foxing). (Venetiis): Aldus, 1527.
[Bookseller: amazon.com] |
| 18. Check availability: amazon.com
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SACHS, HANS.
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| Ein wunderliche weissagung, von dem Bapstum, wie es yhm bis an das ende der welt gehen sol, "ynn figuren odder gemelde begriffen, gefunden zu Nürmberg, ym Cartheuser Kloster, und ist seher alt. Ein vorred Andreas Osianders. Mit gutter verstendtlicher auslegung, durch gelerte lewt, verklert. Wilche, Hans Sachs yn Deudsche reymen gefasset, und darzu gesetzt hat. O. O. und Dr.
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(Zwickau, G. Kantz), 1527. 4to. 18 Bl. mit 30 Holzschnitten nach Erhard Schön. Späterer Ppbd (etwasfleckig, Titel gestempelt u. im Falz verstärkt sowie unten rechts angerändert, ebenso Bl. E3, dort einige Buchstaben sauber ergänzt; gebräunt, fingerfleckig u. wasserrandig, am Ende kleine Wurmspuren im weißen Rand). (WR 02-131) Dritter von vier Drucken im Jahr der Erstausgabe, außerordentlich selten.- In Prosa, Versen und Bildern prangert die scharfe Satire gegen das Papsttum - auf Ersuchen Osianders von Hans Sachs mit Vierzeilern zu jedem Holzschnitt und einem Schlußgedicht versehen - den Verfall des Papsttums an, prophezeit das Ende der Päpste und preist Luthers Kampf. Der Nürnberger Rat hatte sich noch nicht zur lutherischen Lehre bekannt. Er hielt sich an die Beschlüsse des Wormser Reichstages, die den Verkauf protestantischen Schrifttums verboten. Nach Kenntnisnahme dieser Schrift ließ der Rat sie konfiszieren, alle schon zur Frankfurter Buchmesse abgegangenen Exemplare aufkaufen und vernichten. Hans Sachs erhielt Schreibverbot.- Um die Wirkung des Pamphlets zu steigern, schrieb Osiander einleitend, die Illustrationen gingen auf Wandmalereien des 13. Jahrhunderts im Nürnberger Kartäuserkloster zurück. Tatsächlich jedoch lagen der Polemik die 1515 in Bologna erschienenen "Vaticinia Joachimi" zugrunde. Die später auch von Paracelsus gedeuteten Weissagungen "stammten aus den Kreisen der strengen Franciskaner, der Spiritualen ... Es herrschte in diesen Gemeinden visionärer Apokalyptiker eine tiefe Abneigung gegen die verweltlichte Kirche und ein leidenschaftlicher Reformdrang ... Die Bilder zeigen in drastischen Darstellungen den Verweltlichungsproceß, in welchem der Papst schließlich vom Statthalter Christi zum Antichrist sich verwandelt hat" (Kawerau). Verglichen mit früheren Agitationstexten war es gerade diese Schrift, die "noch weit wuchtiger und eindrucksvoller gegen den römischen Antichrist zu Felde zog" (ebda).- Unter den Illustrationen auch zwei Stadtansichten von Nürnberg und Worms.- VD 16 W 4645; BM STC, German 673; Keller/Goetze Enr. 27c (nennt irrig 20 Bl.); Muther 1146 (ausführlich zum Bildprogramm). Cf. Kawerau, Hans Sachs 72 ff.; Goedeke II, 417, 15; Kuczynski 2312; Hohenemser 58; Neufforge 359.
[Bookseller: Hamburger Antiquariat Keip GmbH] |
| 19. Check availability: choosebooks
Link/Print |
Philip II-King Of Spain
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| Autographed Document Signed "Yo El Ray" By the First Official King of Spain and the Only Legitimate Son of the Holy Roman Emperor Charles V. in Spanish. 1 Page on Slightly Foxed Paper, With Covered Red Wax Seal and Address on Verso. 8 1/4" X 11"....
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1527-1588.
[Bookseller: Alibris] |
| 20. Check availability: Alibris
Link/Print |
SACHS, HANS.
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| Ein wunderliche weissagung, von dem Bapstum, wie es yhm bis an das ende der welt gehen sol, "ynn figuren odder gemelde begriffen, gefunden zu Nürmberg, ym Cartheuser Kloster, und ist seher alt. Ein vorred Andreas Osianders. Mit gutter verstendtlicher auslegung, durch gelerte lewt, verklert. Wilche, Hans Sachs yn Deudsche reymen gefasset, und darzu gesetzt hat. O. O. und Dr.
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(Zwickau, G. Kantz), 1527. 4to. 18 Bl. mit 30 Holzschnitten nach Erhard Schön. Späterer Ppbd (etwasfleckig, Titel gestempelt u. im Falz verstärkt sowie unten rechts angerändert, ebenso Bl. E3, dort einige Buchstaben sauber ergänzt; gebräunt, fingerfleckig u. wasserrandig, am Ende kleine Wurmspuren im weißen Rand). (WR 02-131) Dritter von vier Drucken im Jahr der Erstausgabe, außerordentlich selten.- In Prosa, Versen und Bildern prangert die scharfe Satire gegen das Papsttum - auf Ersuchen Osianders von Hans Sachs mit Vierzeilern zu jedem Holzschnitt und einem Schlußgedicht versehen - den Verfall des Papsttums an, prophezeit das Ende der Päpste und preist Luthers Kampf. Der Nürnberger Rat hatte sich noch nicht zur lutherischen Lehre bekannt. Er hielt sich an die Beschlüsse des Wormser Reichstages, die den Verkauf protestantischen Schrifttums verboten. Nach Kenntnisnahme dieser Schrift ließ der Rat sie konfiszieren, alle schon zur Frankfurter Buchmesse abgegangenen Exemplare aufkaufen und vernichten. Hans Sachs erhielt Schreibverbot.- Um die Wirkung des Pamphlets zu steigern, schrieb Osiander einleitend, die Illustrationen gingen auf Wandmalereien des 13. Jahrhunderts im Nürnberger Kartäuserkloster zurück. Tatsächlich jedoch lagen der Polemik die 1515 in Bologna erschienenen "Vaticinia Joachimi" zugrunde. Die später auch von Paracelsus gedeuteten Weissagungen "stammten aus den Kreisen der strengen Franciskaner, der Spiritualen ... Es herrschte in diesen Gemeinden visionärer Apokalyptiker eine tiefe Abneigung gegen die verweltlichte Kirche und ein leidenschaftlicher Reformdrang ... Die Bilder zeigen in drastischen Darstellungen den Verweltlichungsproceß, in welchem der Papst schließlich vom Statthalter Christi zum Antichrist sich verwandelt hat" (Kawerau). Verglichen mit früheren Agitationstexten war es gerade diese Schrift, die "noch weit wuchtiger und eindrucksvoller gegen den römischen Antichrist zu Felde zog" (ebda).- Unter den Illustrationen auch zwei Stadtansichten von Nürnberg und Worms.- VD 16 W 4645; BM STC, German 673; Keller/Goetze Enr. 27c (nennt irrig 20 Bl.); Muther 1146 (ausführlich zum Bildprogramm). Cf. Kawerau, Hans Sachs 72 ff.; Goedeke II, 417, 15; Kuczynski 2312; Hohenemser 58; Neufforge 359.
[Bookseller: Hamburger Antiquariat Keip GmbH] |
| 21. Check availability: prolibri
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[FOLENGO, Teofilo (1491-1544)].
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| Chaos del Tri per Uno.
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3 Teile in 1 Bd. Kl.-8vo (156 x 101 mm). Mit 3 halbseitigen Textholzschnitten, 3 Titelholzschnitten(wiederholt) und Holzschnitt-Druckermarke auf Schlussblatt verso. [124] Bl. [a4, B4, c-z4, &4, (A)-G4]. Halbkalbslederband des frühen 19. Jhs., mit Rückenschild (kurzer Einriss im oberen Vordergelenk). (Venezia, Giovanni Antonio & Fratelli da Sabbio per Nicolò Garanta, 1527). Seltene Erstausgabe dieser allegorischen Dichtung. Als Meister makkaronische Literatur, einer Form, die das Latein der Gelehrten durch die spielerische Verschmelzung mit dem Italienischen verfremdete, gelang ihm eine Satire auf die zeitgenössische Literatur und Lebensart. Als erste derartige Sprachspielerei war 1490 Tifi Odasis Maccharonea erschienen. Folengos Werk markiert den Höhepunkt dieser aus der religiösen, moralischen und politischen Auflösung des Mittelalters hervorgegangenen Kunst, die über alles und auch über sich selbst lachte. Dialoge wechseln mit traktatähnlichen Passagen, Epigrammen und kürzeren Erzählungen in bunter Reihenfolge ab. Zahlreiche wörtliche oder verdeckte Zitate aus den Werken klassischer und italienischer Schriftsteller, aus der Bibel aber auch aus eigenen Werken des Verfassers - namentlich dem Baldus von 1517 und dem Orlandino von 1526 - erwecken den Eindruck einer intertektuellen Collage. Das sich einer Mischsprache bedienende Werk, deren Grammatik und Syntax Latein, deren Wortschatz aber ein mit dialektalen Elementen angereichertes Volgare ist, beeinflusste vor allem auch François Rabelais. Betreffs der lange umstrittenen Bestimmung der Erstausgabe vgl. Massimo Zaggia, Una contraffazione editoriale folenghiana, in: Studi e problemi di critica testuale, Bd. XLV, Oktober 1992, S. 83-89. Stellenweise etwas fleckig, zwei Blatt (i3-4) im Aussensteg angerändert. Exlibris Don Tudor Wilkinson und hs. Besitzeintrag des Philologen und Bibliographen Emile Picot (1844-1918), datiert "24 oct. 1898" und Motto "Nil mirari" auf dem Vorsatz. Picot bearbeitete u.a. die 5 Bände des Catalogue des livres composant la bibliothèque de feu M. le baron James de Rothschild (1884-1920). [Zu E. Picot vgl. den Aufsatz von Monica Breazu, La bibliothèque d'un Européen, Émile Picot, in: Bulletin du bibliophile Nr. 2, Paris, 2004. Sander 2828; Adams F-685; STC, (Italian), 167; Brunet II, 1320; M. Zaggia, Schedario Folenghiano dal 1977 al 1993, S. 80-81. Editio princeps of this curious allegorical work by the Mantua born Gerolimo or Teofilo Folengo otherwise known as Merlino Cocajo. "Edition rare et la plus recherchée de ce poëme allégorique morale" (Brunet. - Referring to the identification of the editio princeps of this work see Massimo Zaggia, Una contraffazione editoriale folenghiana, in: Studi e problemi di critica testuale, vol. XLV, Octobre 1992, p. 83-89). The book, written in verse and prose and in mingled Latin, Italian, and macaronic speech, sets forth allegorically the anthor's own previous heretical leanings and finally states his confession of faith and the "Moschaea", which in three books of Macaronic distichs relates, somewhat after the fashion of the "Batrachiomachia" as well as of the chivalrous romances, the victory of the ants over the flies. The first work of its kind was published in 1490 as Maccharonea by Tifi Odasi. The coarse buffoonery of Folengo's Chaos of the Tripartite Man is often relieved by touches of genuine poetry, as well as by graphic descriptions and acute criticisms of men and manners. Its macaronic style is rendered peculiarly perplexing to the foreigner by the frequent introduction of words and phrases from the Mantuan patois. It influenced François Rabelais' writings and preludes the Italian mock-heroic poem of the seventeenth century. - Old owner's entry in lower margin of title, somewhat (dump) stained, two leaves (i3-4) remargined, on the whole a well-preserved and complete copy of this rarity. - Early 19th century half calf (upper joint of front cover worn at head).
[Bookseller: Erasmushaus - Haus der Bücher AG] |
| 22. Check availability: choosebooks
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Eck, Johannes
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| Enchiridion locorum communium adversus Lutheranos. Ab autore iam quarto recognitum & tribus locis auctum, & a pluribus mendis Calcographie munctum.
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Tübingen, Morhardus 1527. Kl.-8°. [85] Bll. Sehr selten! - Vgl. Graesse II, 460. - LThK III, 642 ff.: "Als Gegenstück zu Melanchthons "Loci communes" (1521) schrieb E. ein Hdb. (Enchiridion locorum...), in dem er zu den strittigen Fragen den Schrift- und Väterbeweis führt u. danach die Einwände der Gegner u. deren Widerlegung bringt. Die Bedeutung des Enchiridion beweisen die über 90 Auflagen bzw. Übersetzungen."
[Bookseller: Antiquariat von Matt, CH-6370 Stans] |
| 23. Check availability: ILAB
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Durer, Albrecht
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| Beschryvinghe van Albrecht Durer [artist manual]
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1527, Beschryvinghe van Albrecht Durer van de menschelijcke proportion. Begrepen in vier onderscheyden Boecken zeer nut ende profijtelijck voor alle Lief-hebbers deser konste. In ’t Latijn ende Hooghduytsch, tot Nurenberg ghedruct, tot koste van syne nae-ghelaten Weduvve, In’t laer ons heeren 1527. Ende nu in onse Nederlandtsche sprake over-gheset, tot dienste der ghener die de konste beminnen, ende de Latijnsche ofte Hoogduytsche sprake niet en verstaen. Arnhem, Jan Jansz. Boeckverkooper, 1622. Rare first edition of one of the older standard handbooks for artist, abundantly illustrated. Albrecht Durer was profoundly engaged in theoretical matters. Several chapters prepared by him were published as separate treaties, the most famous being his ‘Vier Bucher von menschlicher proportion’, which appreared in 1528. Durer’s exertions with the theory of proportions resulted in the most extensive of all such undertalings by artist and mark the climax in the development of his theory. Large woodcut monogram “AD” on titlepage. Woodcut illustrated. Contemporary vellum binding slightly stained and wrinkeled and lacks the ties. More or less foxed and browned throughout.
[Bookseller: Antiquariaat Plantijn] |
| 24. Check availability: ILAB
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Lucianus.
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| DIALOGI DI LUCIANO PHILOSOPHO, nelli quali sotto / piaceuoli ragionamenti si / tratta la vita morale, / & come lhuomo si / debba gouernare / nel suo viuere, / Et oltra di questo gli sono al/cune belle epistole,: & an/cora il libro delle vere / narrationi, & altre / bellissime cose, di / greco in vol/gare tra/dotte.
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Bindoni & Mapheo Pasini,, Vinegia 1527 In 16mo (17 cm ca./ ABOUT 7 INCHES) (cm 15x5x11) 191 cc. Rara cinquecentina veneziana. Antiporta con ricca cornice figurata, 25 belle vignette incise su legno n.t. (cm 7x4,5). Esemplare privo di frontespizio, delle carte 151, 152, 153 e ultima carta (indice). Ediz. rara: dal cat. SBN, risultano solo altri 2 esemplari in bibliot. italiane: le bibl. Cini di Venezia e la B. Civica Bertoliana di Vicenza. Pergamena molle antica, con qualche rosicatura e mancanza. Nitida stampa su carta vergata, buoni margini. Lievi tr. d'uso, macchia al taglio sup. (non tocca i margini interni), titolo calligr. al d. e al taglio infer. All books are in stock ~ WORLDWIDE SHIPPING on the Very Next Day + Secure Packaging ~ BOOK DESCRIPTION IN ENGLISH available upon request [Happy to send you scans too!] Emails answered quickly *****5 STARS Customer Service: try us!
[Bookseller: Bergoglio Libri d'Epoca] |
| 25. Check availability: ABEBooks
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| GIOVIO PAOLO. PAULI IOVII NOVOCOMENSIS DE PISCIBUS MARINIS, LACUSTRIBUS, FLUVIATILIBUS, ITEM DE TESTACEIS AC SALSAMENTIS LIBER.
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Roma, ex aedibus F. Minitii Calvi, mense aprili 1527. "In-4Y; 44 cc. nn., titolo inquadrato in bella cornice xilografica; legatura posteriore in tutto cartone rigido della fine del '700. Rare gore e macchioline marginali." Prima edizione in-4Y e seconda assoluta dopo quella in-folio del 1524, stampata nel bel carattere corsivo del tipografo Minizio Calvo originario di Menaggio sul lago di Como. Il titolo e' inquadrato in una larga bordura xilografica con soggetti fitomorfici. L'opera tratta della natura dei vari pesci e per la descrizione di quelli d'acqua dolce: tinca, trota, anguilla, persico ecc. l'autore si basa su informazioni che aveva raccolto anche sul lago di Como. In questa interessante opera, che godette di larga fama e di molte edizioni in Europa, all'aspetto piu' squisitamente ittico si aggiunge quello gastronomico. Di notevole interesse anche l'accenno alla scoperta dell'America al verso della carta D1. Edit on-line 21145. Bing 952.
[Bookseller: Libreria Antiquaria MEDIOLANUM - Milano ] |
| 26. Check availability: Maremagnum
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BIEL, GABRIEL.
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| GABRIEL BIEL SUP[er] CANONE MISSE CU[m] ADDITIONI[bus] : PROFUNDISSIMI VIRI GABRIELIS BIEL . LITERALIS AC MYSTICA EXPOSITIO SACRI CANONIS MISSE . : additis marginalibus adnotam etis ex opusculo . Gauffredi Boussardi . : accessitque huic operi ipsi
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1572. Libro: (GOTICO-RELIGION). Lyon: in oficina Antonii Blachad, 1527. 4º menor. 10 h. + CCXXXII. Portada orlada y a dos tintas. Texto a dos columnas con apostillas marginales. Capitales. Enc. media piel y tejuelo. Lomo fatigado. Gabriel Biel (1408?-1495) fue un influyente teólogo, destacando por su labor académica y su gran aportación a la espiritualidad de la Moderna Devoción, en el marco del movimiento de reforma teológica que tuvo lugar en la Alta Edad Media.
[Bookseller: SOLER Y LLACH] |
| 27. Check availability: ABEBooks
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BOCCACCIO, GIOVANNI
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| ORIGINAL LEAF : THE FALL OF PRINCES, PRINCESSES AND OTHER NOBLES
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London: Richard Pynson. 1527. Second edition.. Double sided page. . Translated by John Lydgate, monke of Bury into Englysshe. [2 pgs] Housed in acid-free folder. "Richard Pynson, a Norman, who probably learned his trade in Rouen...takes rank as the best printer in England of the fifteenth century. His first dated book appeared in 1492...He was appointed Printer to the King in 1508 and continued in that office until 1529." from A History of Printing by John Clyde Oswald. The type used is Black Letter, now called Old English or Elizabethan. It is bold-faced and angular. This original leaf is in very good condition with the usual light toning.#11;BR A HREF='http://www.oldbooks.com/images/PHBOOKSBO97118 jpg' BR#11;#11;BR A HREF='http://www.oldbooks.com/images PHBOOKSBO97118a.jpg' BR .
[Bookseller: Payson Hall Books] |
| 28. Check availability: Biblio
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HIGDEN, Ranulf, John Trevisa and William Caxton.
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| Polycronycon.
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Southwark. Peter Treveris for John Reynes. 1527, 16th May. . Folio. [398 leaves; ff. (50), cccxlvi, (1)]. Printed in Black Letter, double column, 44 lines per page. Woodcut title page printed in red and black from five blocks, comprising crown; banner with medallion portrait of Henry VIII, the royal arms and the arms of the City of London in red; elaborate calligraphic title in red; large vignette of St. George and the Dragon; John Reynes' printer's mark in red [McKerrow 55], woodcut portraits of kings, queens and knights from six blocks with repetitions throughout [Hodnett 2490; 2492 - 2496], woodcut musical notation depicting diapason on n5 recto, full page woodcut battle scene with double borders depicting English and French armies on z6 verso [Hodnett 2491], colophon with elaborate woodcut border depicting bear hunting with dogs [McKerrow and Ferguson 12], final woodcut with rubrication on verso of colophon - an earlier version of that for the title [McKerrow 61], woodcut historiated and decorative initials throughout. Full late sixteenth or early seventeenth century speckled calf, boards with double rules in blind, banded spine with gilt decoration in six compartments, red speckled edges. . COMPLETE COPY OF THE FIRST ILLUSTRATED EDITION after the editions of Caxton in 1482 and Wynkyn de Worde in 1495. Originally composed in Latin by Ranulf Higden, a Benedictine monk, the Polycronycon was a history of the world from the Creation to 1342. At the time of composition and over the course of the next two centuries, Higden's work was enormously popular, providing important source material on the Roman world, the Norman Conquest, the relationship of British history to a wider European context as well as geography and science (the work is also an important Arthurian source). The Polycronycon, which was continually revised, most importantly by John Malvern, is known from a large number of extant manuscripts before an English translation was commissioned by Thomas, Lord Berkeley from John Trevisa which was completed on 18th April 1387. Trevisa added a 'Descrypcion of Englonde', the first such undertaking in the vernacular and updated the history to 1377. It was Trevisa's translation that was first published by Caxton in 1482, with Caxton's own continuation of the history to 1460 and a table of contents. Wynkyn de Worde reprinted Caxton's edition in 1495 with a new setting and preface and it is de Worde's edition that Treveris followed, adding all but one of the woodcuts (that for the musical notation on n5 recto, the earliest printed depiction of musical notation in this country). The woodcuts themselves are important, not only for the development of the illustrated title-page, but also in the development of a system of mise en page that breaks up large elements of text with vignette illustrations, also providing illustrations hors texte that elucidate the work (such as the battle scene on z6 verso). Dibdin identifies the artist for the woodcuts as John Nesbit, whereas Hodnett suggests that most of the woodcuts are by the same English artist, leaving him unnamed. The final woodcut, the earlier version of the title-page from three blocks, is, unusually, here found rubricated.' perhaps the most magnificent title-page, of which the early annals of English printing can boast.' (Dibdin, Ames' Typographical Antiquities).
[Bookseller: Sims Reed Ltd.] |
| 29. Check availability: ILAB
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SUETONIUS TRANQUILLUS, Caius.
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| Duodecim Caesares, ex Erasmi recognitione.
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Paris, Simon de Colines, 1527. In-8, [dimension: 153 x 100 mm] de 215, (16) ff., 1 f. bl., (24) ff. Basane brune, plats estampés à froid d'encadrements de filets et de fleurons, dos à nerfs. (Reliure de l'époque.) Première édition de Simon de Colines de la version d'Erasme de Suétone. Epitre d'Erasme en début d'ouvrage sur 10 pages aux ducs Frederick et Georges de Saxe. La seconde partie sont les "Annotationes" sur Suétone de Giovanni Battista Egnazio et l' "Epitome Assis Budaici" d'Alardus Amstelredamus (1491-1544), un résumé du "De Asse" de Budé. Marque aux lapins sur le titre, initiales gravées sur bois sur fond criblé. Belle reliure de l'époque, avec un intéressant décor sur les plats. Elle est malheureusement défraîchie : coins usés, mors fendus, manques aux coiffes et au dos. Cachet de collection sur le titre : "Bibliothèque Fernandi-Desportes." Schreiber, Simon de Colines 24. Renouard, Biblio. de Simon de Colines100.
[Bookseller: Hugues de Latude] |
| 30. Check availability: ABEBooks
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BOCCACCIO,Giovanni.
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| La Fiammetta.Per G.Tizzone da Posi novamente revisto.
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In 12° ( 145x90 ).( 8 ),300 pp,( 2 ).Grande marca del Paganini in fine.Nota ms di appartenenza al titolo" Francesco Berni ".pergamena antica. ( Toscolano ),Paganino ed Alessandro Paganini, ( 1527-30 ). Prima edizione della revisione del Tizzone.Non in Adams,B.L.,STC,108.Novo,Paganino, 80,cita soltanto cinque copie nelle biblioteche italiane.
[Bookseller: Studio Bibliografico Pampaloni] |
| 31. Check availability: ILAB
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BOCCACCIO, Giovanni.
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| Il Decamerone di M. Giovanni Boccaccio nuovamento corretto et con diligentia stampato.
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Florence, Guinta, 1527. In-4, [dimension: 236 x 162 mm] de (8), 284 ff. Veau rouge, dos à nerfs orné, guirlande et large dentelle d'encadrement sur les plats, tranches dorées. (Reliure du début du XIXe.) Edition prestigieuse et très prisée des bibliophiles. Mais il s'agit ici de la réimpression, assez fidèle, faite à Venise, par Pasinello en 1729, par les soins d'Etienne Orlandini et aux frais de Salvatore Ferrari. Tirée à 300 exemplaires seulement, elle est devenue rare aujourd'hui et recherchée des bibliophiles. Très bel exemplaire, bien relié. Brunet I, 999.
[Bookseller: Hugues de Latude] |
| 32. Check availability: ABEBooks
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BEMBO, Pietro.
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| Actii Synceri Sannazarii de Partu Virginis.
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Author was an Italian cardinal who was secretary to Pope Leo X and librarian to St. Mark's in Venice. He was a noted scholar of classical literature and history. British Museum, cat. of Italian Books, p.80. Lamentatio de Morte Christi. Piscatoria. Title vignette. 95pp., 24mo, early vellum, leather label; (portion of t.p. margin repaired, foxing). (Venetiis): Aldus, 1527.
[Bookseller: Argosy Book Store, ABAA, ILAB] |
| 33. Check availability: ABEBooks
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VARCHI Benedetto.
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| STORIA FIORENTINA. Con aggiunte e correzioni tratte dagli autografi e corredata di note per cura e opera di Lelio Arbib. Firenze, a spese della Società Editrice delle Storie del Nardi e del Varchi, 1838-1841.
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Opera completa in tre volumi. Cm.21,8x12,7. Pg.VIII,548; 596; 440. Legature coeve in mz.pelle con piatti marmorizzati. Titoli e fregi impressi in oro ai dorsi. All'atiporta del primo volume ritratto di Iacopo Nardi inciso da G.Rivera su disegno di G.Tubino. Fondamentale testo sulla storia di Firenze dal 1527 al 1538, pubblicato la prima volta solo nel 1721.
[Bookseller: Studio Bibliografico Pera s.n.c.] |
| 34. Check availability: choosebooks
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Monaghan, Jay
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| The Book of the American West
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New York: Julian Messner, Inc. 1963. Full-Leather. Very Good/Slipcase Very Good. Limited. Small Folio. 608 pages in full leather measuring 11 1/2" x 9" and 2 1/4' thick, all edges gilt, Front and back endpapers match slipcase. Considered the Deluxe Edition, Six Guns # 1527. A complete and general history of the West. Authors contributing are Ramon F. Adams, Natt Dodge, Wayne Gard, Dale Morgan, etc. Trade edition is readily available, but, this deluxe edition is scarce.
[Bookseller: Alibris] |
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VARCHI B
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| STORIA FIORENTINA (1527 - 1538) (A C URA DI M. SARTORIO). MILANO 1845 BORRONI E SCOTTI
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8 RIL MZPELLE NERA Pag. 0 2 VOLL con 3 tavole illustrate. Fioriture
[Bookseller: Libreria GIORNI - Firenze - Italy] |
| 36. Check availability: Maremagnum
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Charles V, Reign of
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| Manuscript Indenture. Vellum. Spain. September 1527
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np, , 1527. . Nice condition. VG. . 8vo. Spanish & Latin dark brown cursive ink script. 19 lines plus 2 lines by Recorder with drawn seal. 8 x 9 in. Complete. Untranslated.
[Bookseller: David Hecht, Bookseller] |
| 37. Check availability: Biblio
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AA.VV.
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| Guerre in ottava rima. Vol.I:Repertorio bibliografico e Indici. Vol.II:Guerre d'Italia 1482-1527.
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A cura di M.Bardini M.C.Cabani, D.Diamanti. 4 voll. cm.17,5x24,5, pp.385, 867, 1070, 822, legg.ed.sopracc.cofano. Coll.Testi. Ist.di Studi Rinascimentali di Ferrara. (Letteratura Italiana Opere) 1989 Modena, Ediz.Panini
[Bookseller: Franco A. Volta] |
| 38. Check availability: ABEBooks
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DURIO ALBERTO
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| BIBLIOGRAFIA ALPINISTICA - STORICA E SCIENTIFICA DEL GRUPPO DEL MONTE ROSA. (DAL COLLE DEL THEODULE AL PASSO DEL MONTE MORO). DEI MONTI DELLA VALSESIA E DELLA SEZIONE DI VARALLO DEL C.A.I. 1527 - 1924. - UNITO CON: BIBLIOGRAFIA VALSESIANA. ELENCO GENERALE DELLE OPERE E DELLE PUBBLICAZIONI RIGUARDANTI LA VALLE SESIA.
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Novara; Torino, De Agostini; Societa' Storica Subalpina, 1925; 1928, cm. 24, pp. 84; 68, rilegatura in mezza pergamena con angoli, titoli e fregi in oro al dorso, dediche dell'Autore ai frontespizi, annotazione a penna ultima pagina, alcune annotazioni a matita nel testo. RARO
[Bookseller: Libreria DOMINIONI - Como - Italy] |
| 39. Check availability: Maremagnum
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ULPIAN.
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| Commentarioli olynthiacas; philippicaque; Demostenis orationes. Ennarrationes saneque necessariae in tredecim orationes Demosthenis. Arpocrationis dictionarium decem Rhetorum (in Greek).
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Venice, In aedibus Aldi, et Andreae Asulani Soceri, June 1527. Folio. Early 18th century red morocco, spine ribbed and gilt, with double gilt fillets on sides, gilt inner borders, g.e. With woodcut printer's device on title, of Aldus' dolphin around an anchor with the legend "AL" and "DUS" on either side, and variant device on verso of last blank, of similar dolphin and anchor-device, but with the legend "ALDUS" and the initials "M.R." on either side. 119, (1 blank) lvs. Second Aldus-edition of Ulpian's comments on the speeches of Demostenes, together with Harpocration's "Lexicon of the Ten Orators", first published in a slightly smaller size by Aldus in 1503. Here with a short preface by Francesco d'Asola. The book is beautifully printed in a small Greek type with 54 lines to a page and a heading of a few words printed in the same type. Fine large paper copy in red morocco.- (Spine professionally restored). Renouard 104, 4; Adams H 69; STC Italian 704; Palau 106; Ahmanson-Murphy Coll. 245; Harry Ransom Humanities Research Centre 222.
[Bookseller: Antiquariaat Forum BV] |
| 40. Check availability: choosebooks ILAB
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