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Displayed below are selected recent viaLibri matches for books published in 1521
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TERTULLIANUS, Q. SEPTIMUS FLORENS (TERTULLIAN). - [EDITIO...
Opera inter latinos ecclesiae scriptores primi, sine quorum lectione nullum diem intermittebat olim diuus Cyprianus, per Beatum Rhenanum. Seletstadiensem è tenebris eruta atque à situ pro uirili uindicata, adiectis singulorum librorum argumentis & alicubi coniecturis, quibus uetustissimus autor nonnihil illustratur. Quorum catalogum proxima pagina reperies.
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Basel, Froben, 1521, June. Folio. Blindstamped half vellum, wooden boards, with clasps. One clasp missing at back board. Remains of old paper title-label at spine. Larger lack of vellum at lower capital. Lack of wood at back board, where clasp was placed. Boards with numerous small worm-holes. First 1/4 of leaves with worm-holes, also to text, mostly small holes (therefor no significant loss of text). Worming worse at beginning, lessening throughout. Last part of index also with a bit of worming. Beautiful woodcut ornamental title-border by Ambrosius Holbein, 2 more beautiful metal-cut ornamental borders by Faber after H. Holbein the Younger. Numerous beautiful and excellent initials (also after Holbein), large and small, and vignettes. Beautiful half-page woodcut printer's device (Froben) to blank verso before index, and the same in a bit descaled version at the blank verso after index - both after Holbein. ¶ Editio princeps, being the excellent and beautiful first edition of the works of Tertullian, the Rheanus-edition, printed by Froben with the excellent elaborate metal-cut borders and initials drawn by Holbein and executed by Faber - the work constitutes a most excellent piece of book printing, uniting three of the greatest printing geniuses of the time, each within their field.The text in itself is of great importance, first, because it constitutes the first printing of the works of Tertullian, and second because the Tertullian-manuscripts that Rheanus had collected the from German libraries and compared in order to give a thorough examination of the actual texts of author, do no longer exist; the present work is therefore a highly important philological source to the works of the renowned early Christian author, who is considered the "Father of Latin Christianity" and was the first author to write Christian Latin literature. Johann Froben (1460-1527) counts as one of the most important and famous Basel-printers and -publishers, famed for his accuracy and fame. He was a good friend of Erasmus, who highly estimated him, and who superintended many of his works, e.g. the Opera of Tertullian. Faber's fame also rests upon the fact that he employed some of the very best illustrators of the time. For instance he employed Hans Holbein the Younger to illustrate some of his texts, as well as the the famous engraver and block-cutter Jacob Faber or Master IF, as he is known due to the monogram with which he signed his prints.Jacob Faber, or Jecques Lefèvre (not to be confused with the Renaissance humanist d'ètaples) which was probably his original French name, was a highly important block-cutter of both woodcuts and metalcuts as well as engraver, designer of decorative prints, such as initials and borders, and publisher. He was active in Basel and later in France in the period 1516-1550. He is most famous for the beautiful metal-cut title-page borders and book illustrations that he made to the designs of Hans Holbein the Younger, whom he worked closely with, in Basel in the 1520'ies. It is in Froben's office that the very first metalcut was produced in Basel (in 1518), and It is very likely that Faber was the executer of this, as he had then been employed by Froben; in any case, Faber became Froben's main cutter in metal very early on. During the 1520'ies, Froben had also employed Hans Holbein the Younger, and Faber began working together with him, creating metalcuts made after his designs. In the very beginning, the technique was not very elaborated, and the earliest of these metal-cuts are a bit crude. However, Faber's technique quickly improved, presumably because of Holbein's growing interest in this technique and Faber's work, which meant that he began actually working with him, instead of merely handing over his designs. In 1521 Froben produces the works of Tertullian, and in this excellent work we find one of the prime examples of this magnificent collaboration: The "Title-pager Border with Tantalus", in which there is clearly distinguished between surface and textures. The other metal-cut title-border and the many initials are also of the highest quality.The work was reproduced in 1528, and a new edition appeared in 1539 (with a counterfeit-edition in 1545).Graesse, VII:69, Brunet, V:729 ("La première édition de Tertullian est celle de Bâle, J. Froben, 1521, in-fol., publiée par Beatus Rheanus").
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PLUTARCH
Opuscula sedulo undequaq(ue) collecta, & dilige(n)ter. recognita
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Paris: Badius Ascensius. 1521. Contemporary blindstamped calf over wooden boards (head and tail of spine repaired; new end-papers), decorated with ornamental rolls#11;BOUND WITH#11;CRINITO, Pietro. De Honesta Disciplina, Lib. xxv; De Peotis Latinis Lib. v; et Poematum, Lib. II cu i?!ndi?!cibseu capitibus singluorum operu; cuqz tabellis alphabeticis rerum, dictorumqz insigniu ad finem capitum de honesta disciplina, ab Ascensio collectis & appositis. Paris: Badius Ascenius, 1520. [8], 109, [1] leaves, 1 blank leaf. With woodcut title- border and printer's device (of a press in a printer's shop; with monogram IB); large woodcut intials. Two pages of early manuscript in same hand as on first title-page (appears to be French verse). Folio . I. New revised second (1st: 1514) and much enlarged edition of this collection of the miscellaneous works by Plutarch which were translated by various hands here edited by Badius. On the verso of the title-page appears Badius' dedicatory letter to Louis Ruzi?! (dated July 1521).Translations from the Greek by Niccoli?! Sagundino, Angelo Poliziano, Guillaume Budi?!, Willibald Pirckheimer, Philippe Melanchthon, Erasmus of Rotterdam, and eight others. One of Erasmus' translations includes his original dedication to Henry VIII (leaf CLV verso). Included here is his "Politica," "De Liberis educandis," "Apophthegmata," "De Placitis Philosoph.," "Musica," "Problemata," "De Odio & Invidia," "De Fortuna Romano." "De Claris Mulieribus," "De Exilio, and many others.#11;No copies located of this or the 1514 edition located in the OCLC (1 copy of the 1526 edition: Huntington).#11; II. This is the fourth Badius edition, augmented and revised, of these popular texts by the Florentine poet and humansit, Pietro Crinito (1465-1505), who had been a pupil of Angelo Poliziano and friend of Pico della Mirandola. De honesta disciplina, based on the model of Gellius' Noctes Atticae, is a miscellany of notes on classical literature, history, archaelology, etc. De poetis Latinis, (1st: 1505) has the distinction of being the first "modern" history of Roman literautre, containing the biographies of all the major Latin poets.#11;OCLC locates only only Harvard University copy in the US of the Crinito volume.#11;Desirable sammelband of two important and rare humanistic works which are also of particular interest in the history of printing. The two titles feature the two different famous printer's devices of Josse Badius (1462-1535), the first scholar-printer in France, which includes the first use of a printing press. The earlier device (in Crinito), which is signed "IB", included errors that had to be corrected in a new version (Plutarchus) ascribed to the school of Albrecht Durer (see Bigmore-Wymann.). Regarding this device; Renouard, II, Marques typographiques, Pl. B 6, 2-3, for J. Major's Historia Britanniae, 1521; Renouard calls this 2-2 at II:#561; "ascribed to the hand of Di?!rer and contains a figure strongly resembling the Master himself" (H. W. Davies, Devices of the early printer, #247). The two devices seem to feature here in their very earliest use [14], 181 leaves, 1 blank leaf. With woodcut title-border and woodcut printer's device (of a press in a printer's shop; dated 1520); large woodcut intials. Early ownership inscription along bottom of title-page. Few minor damp marks in a few blank margins. i?! I. Renouard, Imprimeurs & Libr. Parisiens p. 206, no. 493; cf. Hollstein VII, 274 (for 1st printer's device).#11; II. Renouard, Badius II, p., 353 no. 5; Renouard, Imprimeurs & Librares II, p. 190, no. 448; Moreau II, 2303; Adams C 2950;Bigmore- Wyman 29 (for 2nd woodcut device); IA 147.087 and (2nd work only);
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(Diogenes Laertios).
Vite de philosophi moralissime. Et de le loro elegantissime sententie. Extratte da Lahertio & altri antiquissimi auctori Istoriate & di novo corrette in lingua tosca. 63 (statt 64) Bl. Titel in Rot und Schwarz, mit großem Titelholzschnitt und 40 Textholzschnitten. Bibliophiler geglätteter roter Maroquinbd mit Rückentitel, Rückenvergoldung, Deckelfilete und Innenkantenvergoldung. Marmorpapiervorsätze.
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(Venedig, Nicolo Zopino, zwischen 1521 und 1535).. . Hübsch ausgestattetes Kompendium philosophischer Lehrmeinungen. Beruht weitgehend auf den um die Mitte des dritten Jahrhunderts enstandenen Büchern 'Leben und Lehren berühmter Philosophen' des Diogenes Laertios, scheint aber auch andere Quellen zu benutzen und ist neu geordnet in 130 Kapitel, die teils Anekdoten aus dem Leben der Philosophen erzählen, teils Meinungen zu einem bestimmten Thema zusammenstellen. Der letzte Abschnitt behandelt Frauen und Ehe. Schon das Werk des Diogenes hatte in zehn Büchern sowohl kurze Geschichten aus dem Leben großer Philosophen als auch Zusammenfassungen ihrer Lehre gesammelt und damit also die sonst eher getrennten Gattungen Biographie und Doxographie verbunden. Der anonyme italienische Kompilator benutzt nun seinerseits Diogenes und andere Quellen für eine lockere Zusammenstellung, die sowohl belehren als auch unterhalten will. Die Holzschnitte zeigen (fiktive) Philosophen-Porträts. - Es fehlt das letzte Blatt mit dem Kolophon, der Druck ist deshalb nicht genau zu datieren. Es gibt etwa vier Ausgaben mit gleicher Kollation bei Zopino zwischen 1521 und 1536. - Titel etwas angestaubt, sonst kaum gebräunt. - Vgl. ICCU 17225 ff. Nicht bei Adams.
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BOOK OF HOURS - ROMAN USAGE - ILLUMINATED].
Hore B[ea]te Marie Virginis: s[e]c[un]d[u]m usum Romanum, .Paris, Gilles Hardouyn for Germain Hardouyn, ca. 1518. 12mo in 8s? (12.5 x 7 cm). Latin book of hours (Roman usage) printed on vellum, with 5 (of 14?) miniatures in full-page or double-page borders, painted in opaque gouaches and highlighted in gold (4 painted over the book's 4 printed woodcut illustrations). Set in a fine and unusually large (for this format) French bastarda type with 24 lines/page and a type area of 98 x 47 mm excluding catchwords. Further with hundreds of 2- and 3-line uncial initials and thousands of uncial capitals painted in gold on a blue or reddish-brown opaque gouache background over the printed letters, and the lines of text ruled in red throughout. Mid to
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- (220) of (240) pp. cf. Adams L-1032 (Hardouyn "8vo"/12mo? ed. ca. 1521); BMC STC French, p. 273 (Hardouyn 8vo eds. ca. 1516 & ca. 1520); Bohatta, Livres d'Heurs 918 (Hardouyn "8vo"/12mo? ed. ca. 1516), 935 (Hardouyn 8vo ed. ca. 1518) & 961 (Hardouyn "8vo"/12mo? ed. ca. 1521); Lacombe, Livres d'Heures 283 bis, 291 & 316 (same eds.); the present edition not in Moreau; Karlsruher Virt. Kat.; OCLC WorldCat.Only copy located of a lovely little book of hours, printed on vellum, set in an exquisite French bastarda type and decorated wholly in the manuscript style, with miniatures painted over the woodcut illustrations (and one more on the title-page) using opaque gouaches. Further with thousands of hand-painted initials and capitals, and the entire book ruled in red as if guide lines had been ruled for the writing of the text. The type contributes to the manuscript effect, imitating the gothic cursive book hand popular in northern France in the late fifteenth and early sixteenth centuries. The book is undated, but the almanac and calendar are made for use in the twelve years 1518 to 1529.The miniatures measure 4.5 x 3.5 cm and appear in full-page or double-page frames drawn in red and filled with gold. That on the title-page, probably designed for the owner of the book, shows a woman playing a lute, perhaps an indication that the owner was a woman. No woodcut is visible under it, but perhaps Hardouyn's publisher's device was scraped away to make room for it. Its simple double-line border surrounds the entire page. The other miniatures are all painted over woodcut illustrations and use the woodcuts as guides without following them exactly. The miniaturist has added an architectural frame at the top and sides of each woodcut, extended at the foot to surround the entire page. One border (opening the Hours of the Cross) has a further extension on the three outer sides of the facing page.The book originally collated A-P8 = 120 leaves, but ten leaves are lacking. The original makeup of the book was: A1 title A1v almanac A2-B2 calendar B2v-B7 Sequentiae of the Gospels. B7-C4 Harmony of the Passion. C4-I4 Hours of the Virgin, opening with prayers, etc., and ending with psalms (main text begins on D1). E6-6v Hours of the Cross. E7-7v Hours of the Holy Ghost. I4v-K6 Seven Penitential Psalms (including litanies K2-K6). K6v-N1v Offices of the Dead (including hymns, M8-N1v). N1v-P7v Suffrages. P7v-P8v table of contents P8v colophonThe hymns at the end of the Offices of the Dead match Clement Maydeston's from the fifteenth century (Wordsworth, Tracts of Clement Maydeston, 1894, pp. 194-196). The surviving illustrative miniatures appear on E6 (Christ bearing the cross, for the Hours of the Cross), E7 (Pentacost, for the Hours of the Holy Ghost), E8 (Nativity, for Prime in the Hours of the Virgin) and G4 (Flight to Egypt, for Vespers in the Hours of the Virgin).Of the ten leaves lacking, three certainly included miniatures, no doubt also painted over woodcuts: B2v (the opening of the main text with Gospels), Iv4 (the opening of the Seven Penitential Psalms, with the extension of the border around the facing page still present) and K6v (the opening of the Offices of the Dead, with the extension of the border around the facing page still present). To these we can surely add D1 (the opening of the main text of the Hours of the Virgin: Matins) and probably five more: D7, F3, F6, G1 and G8 (the openings of Lauds, Tierce, Sext, Nones and Compline in the Hours of the Virgin). The Harmony of the Passion, however, opens with only a three-line initial. One more leaf, D8, may have been lost merely because it was conjugate to D1.The Hardouyns were one of the leading publishers and printers of books of hours, with more than a hundred editions in the first half of the sixteenth century, but few survive in the smallest formats, and many are known only from incomplete copies. The present edition is also unusual for its use of a larger type (and so, a larger number
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[BOOK OF HOURS - ROMAN USAGE - ILLUMINATED].
Hore B[ea]te Marie Virginis: s[e]c[un]d[u]m usum Romanum, ...Paris, Gilles Hardouyn for Germain Hardouyn, ca. 1518. 12mo in 8s? (12.5 x 7 cm). Latin book of hours (Roman usage) printed on vellum, with 5 (of 14?) miniatures in full-page or double-page borders, painted in opaque gouaches and highlighted in gold (4 painted over the book's 4 printed woodcut illustrations). Set in a fine and unusually large (for this format) French bastarda type with 24 lines/page and a type area of 98 x 47 mm excluding catchwords. Further with hundreds of 2- and 3-line uncial initials and thousands of uncial c...
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(220) of (240) pp. cf. Adams L-1032 (Hardouyn "8vo"/12mo? ed. ca. 1521); BMC STC French, p. 273 (Hardouyn 8vo eds. ca. 1516 & ca. 1520); Bohatta, Livres d'Heurs 918 (Hardouyn "8vo"/12mo? ed. ca. 1516), 935 (Hardouyn 8vo ed. ca. 1518) & 961 (Hardouyn "8vo"/12mo? ed. ca. 1521); Lacombe, Livres d'Heures 283 bis, 291 & 316 (same eds.); the present edition not in Moreau; Karlsruher Virt. Kat.; OCLC WorldCat.Only copy located of a lovely little book of hours, printed on vellum, set in an exquisite French bastarda type and decorated wholly in the manuscript style, with miniatures painted over the woodcut illustrations (and one more on the title-page) using opaque gouaches. Further with thousands of hand-painted initials and capitals, and the entire book ruled in red as if guide lines had been ruled for the writing of the text. The type contributes to the manuscript effect, imitating the gothic cursive book hand popular in northern France in the late fifteenth and early sixteenth centuries. The book is undated, but the almanac and calendar are made for use in the twelve years 1518 to 1529.The miniatures measure 4.5 x 3.5 cm and appear in full-page or double-page frames drawn in red and filled with gold. That on the title-page, probably designed for the owner of the book, shows a woman playing a lute, perhaps an indication that the owner was a woman. No woodcut is visible under it, but perhaps Hardouyn's publisher's device was scraped away to make room for it. Its simple double-line border surrounds the entire page. The other miniatures are all painted over woodcut illustrations and use the woodcuts as guides without following them exactly. The miniaturist has added an architectural frame at the top and sides of each woodcut, extended at the foot to surround the entire page. One border (opening the Hours of the Cross) has a further extension on the three outer sides of the facing page.The book originally collated A-P8 = 120 leaves, but ten leaves are lacking. The original makeup of the book was: A1 title A1v almanac A2-B2 calendar B2v-B7 Sequentiae of the Gospels. B7-C4 Harmony of the Passion. C4-I4 Hours of the Virgin, opening with prayers, etc., and ending with psalms (main text begins on D1). E6-6v Hours of the Cross. E7-7v Hours of the Holy Ghost. I4v-K6 Seven Penitential Psalms (including litanies K2-K6). K6v-N1v Offices of the Dead (including hymns, M8-N1v). N1v-P7v Suffrages. P7v-P8v table of contents P8v colophonThe hymns at the end of the Offices of the Dead match Clement Maydeston's from the fifteenth century (Wordsworth, Tracts of Clement Maydeston, 1894, pp. 194-196). The surviving illustrative miniatures appear on E6 (Christ bearing the cross, for the Hours of the Cross), E7 (Pentacost, for the Hours of the Holy Ghost), E8 (Nativity, for Prime in the Hours of the Virgin) and G4 (Flight to Egypt, for Vespers in the Hours of the Virgin).Of the ten leaves lacking, three certainly included miniatures, no doubt also painted over woodcuts: B2v (the opening of the main text with Gospels), Iv4 (the opening of the Seven Penitential Psalms, with the extension of the border around the facing page still present) and K6v (the opening of the Offices of the Dead, with the extension of the border around the facing page still present). To these we can surely add D1 (the opening of the main text of the Hours of the Virgin: Matins) and probably five more: D7, F3, F6, G1 and G8 (the openings of Lauds, Tierce, Sext, Nones and Compline in the Hours of the Virgin). The Harmony of the Passion, however, opens with only a three-line initial. One more leaf, D8, may have been lost merely because it was conjugate to D1.The Hardouyns were one of the leading publishers and printers of books of hours, with more than a hundred editions in the first half of the sixteenth century, but few survive in the smallest formats, and many are known only from incomplete copies. The present edition is also unusual for its use of a larger type (and so, a larger number of leaves) than normal in the smallest formats: a lovely and very legible Cicero (82 mm/20 lines or about 12 point) bastarda. Although gathered in quires of eight leaves, the type area and leaf dimensions suggest a duodecimo rather than an octavo (format has little technical meaning in a book printed on vellum, so with no other copy known one would have to check paper copies of similar editions). Bohatta and Lacombe give no dimensions, and some of their "octavos" (sometimes qualified as "petit" or "allongé") may actually be duodecimos in eights: other sources suggest at least some of Hardouyn's true octavos measure about 17.5 x 10 cm. Cambridge University Library describes Bohatta 961/Lacombe 316 (ca. 1521) as a duodecimo and Bohatta describes his nos. 852 and 978 (ca. 1512 and ca. 1523) as duodecimos in eights, all three by Hardouyn. The descriptions of Hardouyn's books of hours from ca. 1508 to ca. 1528 reveal none likely to match the present closely in format, collation and number of lines per page, but Bohatta 918/Lacombe 283 bis (described from an incomplete copy on vellum) may be the closest, described as "petit in-8° allongé" with a calendar for 1516-1525 and originally 120 leaves, but with a different collation and 27 rather than 24 lines per page (the wording of the title-page also differs).Lacking 10 leaves, as noted, and with the title-page somewhat worn, but further in very good condition, with a small hole affecting a few letters in one leaf. The binding is fine, but the chemise is worn at the edges. A unique book of hours in a rare small format, printed on vellum and with hand-painted and gold-highlighted miniatures and initials and red ruling, giving it the look and feel of a manuscript.
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Gabina Aurora Perez Jimenez, Maarten Jansen
Encounter With the Plumed Serpent: Drama and Power in the Heart of Mesoamerica
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University Press of Colorado. New PLEASE NOTE that we do not offer expedited shipping. Orders placed with the priority shipping option will automatically be canceled. The Mixtec, or the people of Nuu Savi ("Nation of the Rain God"), one of the major civilizations of ancient Mesoamerica, made their home in the highlands of Oaxaca, where they resisted both Aztee military expansion and the Spanish conquest. In Encounter with the Plumed Serpent, two leading scholars present and interpret the sacred histories narrated in the Mixtec codices, the largest surviving collection of pre-Columbian manuscripts in existence. In these screenfold books, ancient painter-historians chronicled the politics of the Mixtec from approximately A.D. 900 to 1521, portraying the royal families, rituals, wars, alliances, and ideology of the times. By analyzing and cross-referencing the codices, which have been fragmented and dispersed in far-flung archives, the authors attempt to reconstruct Mixtec history. Their synthesis here builds on long examination of the ancient manuscripts. Adding useful interpretation and commentary, Jansen and Perez Jimenez synthesize the large body of surviving documents into the first unified narrative of Mixtec sacred history. Archaeologists and other scholars as well as readers with an interest in Mesoamerican cultures will find this lavishly illustrated volume a compelling and fascinating history and a major step forward in knowledge of the Mixtec. ISBN10: 0870818686.
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Jose Fernando Ramirez (editor)
Copia Heliografica de la Tira de la Peregrnacion [Codex Boturini]
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pspan style="font-family: Arial;"37pp with accordion pull out codex with 46, each two panels equals one of the original panels. Octavo (8 1/4" x 6"; codex 7 3/4" x 230") issued in stiff yellow boards and black lettering to spine and front label. Limited to 15 copies of which this is number 8. 1st edition.br /br /The story of the conquest of Mexico by a small band of European soldiers of fortune is one of the most engaging sagas in human history, and, at least in its outlines, one of the best known to contemporary audiences. But the story of the Mexican rulers conquered by Cortez, the Mexica Aztecs, a tribe of nomads who had come from the northern deserts and within a few generations conquered nearly all the world known to them, is equally gripping, if not as famous. It is a tale of pilgrimage and omens, of lightning raids and ritual skirmishes, of stoic perseverance and uncanny luck, of defeat and near annihilation, of divine mandates and individual aberrations, of sudden reverses and desperate gambles against impossible odds, of shifting alliances and stunning spectacles, of palace intrigues and judicious marriages, of delicate compromise and stone- faced brinksmanship, of draconian protocol and whimsical chivalry, of carefully adjusted social organization and the forging of the largest and most flamboyant empire meso- America had seen. It is this story that the author of Codex Boturini set out to tell. How fully he could tell it we cannot know, because the manuscript ends in a rip in the middle of the twenty second page. We cannot even know whether he continued from this point or stopped his painting here. The empty space at the lower right of page 21 and the bottom of the surviving portion of page 22 suggest that some circumstance forced him to stop at this point, but it is also possible that he had artistic or symbolic reasons for leaving these spaces blank, and that more of the story was told on a portion of the manuscript that is now lost. In its present state, the manuscript tells of the origins of the Mexica on Aztlan island, their wanderings through central Mexico, and their defeat and humiliation at the hands of King Coxcoxtli. At the beginning of page 22, we see two Mexica, freed from their Colhuan captivity, with knives in their hands and nasty expressions on their faces, looking for revenge, perhaps with a sense of their destiny as future lords of their recent masters. The middle of the twenty second page is a poignant place for the manuscript to break off. As it now remains, the book is a strip of amatl (fig bark) paper approximately 19 cm tall and 549 cm long, folded accordion fashion into pages averaging about 24 cm across. Figures are drawn in black ink. Except for a reddish ink connecting dates, no color is used. The quality of line is similar to that of other Mexican manuscripts: it is fluid and supple, providing a precise frame for objects rendered. Dates are drawn in a neat and regular manner. Humans, place signs, and other symbols are drawn in a sort of simplified shorthand that might seem awkward if the figures were taken out of the overall design of the manuscript. Composition in most indigenous books is dense and crowded, suggesting the patterns of oriental rugs to some commentators. This is not the case with Codex Boturini. The scribe, as Donald Robertson has pointed out, leaves generous areas of open space, at times suggesting a spaceless landscape, an open field in which persons, dates, and place names can interact in freedom and solitude. Most of the pages of the book contain columns of dates, like those on pages 18, 19, and 20. The curved and rectangular shapes balance and play against each other in a wide range of designs, providing pleasing variety as well as carefully modulated rhythmic development. The scribe tends to present human figures in groups of four and five, primarily for the religious and cosmological significance of these numbers. He works well within this limitation, showing as much versatility in handling these clusters of four as in overall composition. The course of the Mexica is indicated by a path of footprints moving along with the narrative. This trail may seem childish or cute, but its significance goes deeper than may appear at first glance. The footprints help unify the design of the manuscript. In many Mexican books, and even in ceremonies and in architecture, footprints indicate the presence of an unseen god. These footprints, then, probably do not represent the impression left by the feet of the passing Mexica, but the path of their primary god, Huitzilopochtli. We may read them as the fate the Mexica must follow, or, to put it in the terms of other cultures, their Tao or their Wierd. The style of Codex Boturini is deceptively simple: though it shows none of the soul-wrenching force of Codex Borgia, or the serene mastery of Codex Vindobonensis, or the colorful grandeur of Codex Borbonicus, its artist was a master who deserves our respect. The provenience of the manuscript has provoked little debate. On the grounds of style and content, we can feel relatively sure that it was produced in or near Mexico City-Tenochtitlan. A number of scholars have assigned it a preconquest date, but cogent arguments have been advanced for an early colonial (c.1521 - c.1540) date of composition. Perhaps the best evidence for this is a tree on the third page which seems to show strong European influence, though such contamination apparently does not occur elsewhere in the codex. Few preconquest books have survived, though we know that large numbers of them were produced before the coming of the Spaniards. The Mexican people continued to make them for some time after the conquest, picking up more and more European techniques as time went by. Types of pre-Columbian manuscripts include religious books, histories, genealogies, books for determining suitable marriage partners and interpreting dreams, books used in divination and the practice of law, and a wide variety of bureaucratic documents including tribute lists, demographic surveys, and political dossiers. The system of writing was iconographic: it represented ideas by highly stylized pictures. Though some manuscripts employ forms of rebus writing, the iconographic system did not dictate a fixed sequence of words, as does our Roman alphabet, but rather a set of concepts that could be verbally formulated in a number of different ways. In fact, a book of this sort could be read by people who did not speak the language of the original scribe. This must have been particularly useful in the Valley of Mexico where many peoples speaking many different languages came together. And it is one of the reasons why an interpretation of the sort presented here can be understood by people whose Nahuatl vocabulary is limited to a few English loan words like "tomato" and "coyote" (from "tomatl" and "coyotl").br /br /strongCondition:/strongbr /br /Text age darkened, front hinge cracked and seperated, back hinge cracked, A good to very good copy of a very scarce item. /span/p
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PLUTARCH
Opuscula sedulo undequaq(ue) collecta, & dilige(n)ter. recognita
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Badius Ascensius Paris 1521 Contemporary blindstamped calf over wooden boards (head and tail of spine repaired; new end-papers), decorated with ornamental rolls BOUND WITH CRINITO, Pietro. De Honesta Disciplina, Lib. xxv; De Peotis Latinis Lib. v; et Poematum, Lib. II cu índícibseu capitibus singluorum operu; cuqz tabellis alphabeticis rerum, dictorumqz insigniu ad finem capitum de honesta disciplina, ab Ascensio collectis & appositis. Paris: Badius Ascenius, 1520. [8], 109, [1] leaves, 1 blank leaf. With woodcut title- border and printer's device (of a press in a printer's shop; with monogram IB); large woodcut intials. Two pages of early manuscript in same hand as on first title-page (appears to be French verse). Folio . I. New revised second (1st: 1514) and much enlarged edition of this collection of the miscellaneous works by Plutarch which were translated by various hands here edited by Badius. On the verso of the title-page appears Badius' dedicatory letter to Louis Ruzé (dated July 1521).Translations from the Greek by Niccolò Sagundino, Angelo Poliziano, Guillaume Budé, Willibald Pirckheimer, Philippe Melanchthon, Erasmus of Rotterdam, and eight others. One of Erasmus' translations includes his original dedication to Henry VIII (leaf CLV verso). Included here is his "Politica," "De Liberis educandis," "Apophthegmata," "De Placitis Philosoph.," "Musica," "Problemata," "De Odio & Invidia," "De Fortuna Romano." "De Claris Mulieribus," "De Exilio, and many others. No copies located of this or the 1514 edition located in the OCLC (1 copy of the 1526 edition: Huntington). II. This is the fourth Badius edition, augmented and revised, of these popular texts by the Florentine poet and humansit, Pietro Crinito (1465-1505), who had been a pupil of Angelo Poliziano and friend of Pico della Mirandola. De honesta disciplina, based on the model of Gellius' Noctes Atticae, is a miscellany of notes on classical literature, history, archaelology, etc. De poetis Latinis, (1st: 1505) has the distinction of being the first "modern" history of Roman literautre, containing the biographies of all the major Latin poets. OCLC locates only only Harvard University copy in the US of the Crinito volume. Desirable sammelband of two important and rare humanistic works which are also of particular interest in the history of printing. The two titles feature the two different famous printer's devices of Josse Badius (1462-1535), the first scholar-printer in France, which includes the first use of a printing press. The earlier device (in Crinito), which is signed "IB", included errors that had to be corrected in a new version (Plutarchus) ascribed to the school of Albrecht Durer (see Bigmore-Wymann.). Regarding this device; Renouard, II, Marques typographiques, Pl. B 6, 2-3, for J. Major's Historia Britanniae, 1521; Renouard calls this 2-2 at II:#561; "ascribed to the hand of Dürer and contains a figure strongly resembling the Master himself" (H. W. Davies, Devices of the early printer, #247). The two devices seem to feature here in their very earliest use [14], 181 leaves, 1 blank leaf. With woodcut title-border and woodcut printer's device (of a press in a printer's shop; dated 1520); large woodcut intials. Early ownership inscription along bottom of title-page. Few minor damp marks in a few blank margins. § I. Renouard, Imprimeurs & Libr. Parisiens p. 206, no. 493; cf. Hollstein VII, 274 (for 1st printer's device). II. Renouard, Badius II, p., 353 no. 5; Renouard, Imprimeurs & Librares II, p. 190, no. 448; Moreau II, 2303; Adams C 2950;Bigmore- Wyman 29 (for 2nd woodcut device); IA 147.087 and (2nd work only);
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TANSTETTER VON THANNAU, Georg Collimitius [1482 - 1535].
- PLAGUE TRACT.- Regiment fur / den lauff der Pestilentz durch / Georgen Tan[n]stetter vo[n] Rain / der siben freyen kunst vnd / Ertzney doctor: kurtz= / lich beschriben. / Wienn. M.D.xxj. /.
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Wien. No. Publish., [Joannes Sigrenius?], 1521. 4to. In recent brds. [A4, B2]. (6 lvs.; XI, I (blank) pp.). (Some surface soiling to outer blank margins; upper margin a vague watersp.; B1verso & B2recto idem diagonally across the page, unobtrusive.). Worldcat online: only 1 copy traced ['Staatsbibliothek Berlin']: Thorndike, History of magic & experimental science, vol. V [16th c], i.l.c. pp. 221 - 226 'George Tanstetter, also known as Collimitius, was a medical man and mathematician of the University of Vienna who in 1514 had edited Peurbach's Tables of eclipses together w. considerable biographical materials as to past men of science at that university... he himself had been issuing annual astrological predictions for 21 years past. But his have always been learned , sober and restrained. ...': Tanstetter [1482 - 1535] lectured at Vienna University, especially known for 'continuing the Regiomontanus tradition, editing the Peurbach tables etc.' [see Weil cats nr 30, item 150]: This very rare plague tract is clearly not an astronomical or astrological prediction, but is umistakably of a medical nature, telling what precautions to take to avoid contracting the dreaded and fatal disease. Tanstetter's guidelines include advice on sanitation of the house and alley, toxic air, food & drink, at the end a reference to a remedy 'Item für das hausgesind mag ma[n] wol teglich brauche des doctors Stainpeiss recept das er tru=cken [viz. in the sense'of 'pressing'] hat lassen / von Feigen / Weinruetten / Nüssen und Saltz.'. See our entry under Stainpeiss [Wienn, 1515]. Further on Tanstetter see Schönbauer, 'Das Medizinische Wien', p. 72. 'Neben Cuspinian sind zu erwähnen Georg Collunitios Tanstetter, der 1482 in der bayrischen Stadt Rain geboren, in Ingolstadt studierte, 1503 seine Vorlesungen über Mathematik in Wien begann und das medizinische Doktorat erlangte; er wurde 1510 kaiserlicher Leibarzt und starb 1535 in Wiener-Neustadt als Mathematiker und Astronom; ...'. Idem, pp. 56 - 60 on plague outbreaks in Vienna and general advice on sanitation current at that point in time [around 1500]: 'Fernhalten vom Verkehr, Reinigen der Luft durch Räucherwerk und Öffnen der Fenster, Reinigen des Körpers durch Abführmittel und mäßiges Leben. Die Pestbeulen sollen mit zerteilenden Pflastern, Schröpfköpfen oder mit dem Glüheisen behandelt werden; sehr wichtig is der rechtzeitige Aderlaß. Die Wendung zum Besseren zeigt starker Schweiß an, den man daher künstlich hervorrufen soll.': KEYWORDS: pestilence
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Desiderius Erasmus [of Rotterdam]
Ein nutzliche vnderwisung eines Christenlichen fursten wol zu regieren gemacht durch den hochgelerten vnd berumpten Erasmum von Roterdam dem durchluchtigsten fursten und herrn Carolo erwelten romischen Kunig, . . .
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Education of the Christian Prince: Desiderius Erasmus [of Rotterdam], Ein nutzliche vnderwisung eines Christenlichen fürsten wol zu regieren gemacht durch den hochgelerten vnd berumpten Erasmum von Roterdam dem durchlüchtigsten fürsten und herrn Carolo erwelten römischen Künig, nutzlich und fruchtbar allen künigen, fürsten, grafen, herren, edlen und unedlen, allen regenten, fürwesern, amptlüten und allen denen so etwas zu verwaltn haben, Printed by Froshauer (Zurich), 1521. 6 1/4 x 7 1/2 inches; 1 ffep + [22] + LXXV + [9] + 1 rfep, top margin cropped a little close with no loss of text, a few pages at front with marginal dampstaining not affecting text, a few light and unobtrusive pencil marginal notes, very nice impression, pages generally bright and clean; bound in later three quarter vellum and brown paper and new endpapers, light shelf wear to edges and vellum on lower front corner a little weak, spine with "Erasmus von Roderd" in manuscript; pencil notes on ffeps; Inventory #476 Please contact us at cmkester@nwark.com with any questions, or to request a print or electronic catalogue. We are professional antiquarian bookdealers with an extensive inventory of religious antiquarian volumes from 1500-1850, and are a member in good standing of the Arkansas Antiquarian Booksellers Association. St. Wulfstan’s Books.
[Bookseller: St. Wulfstans Books] |
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PLUTARCH
Opuscula sedulo undequaq(ue) collecta, & dilige(n)ter. recognita
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Paris: Badius Ascensius. 1521. Contemporary blindstamped calf over wooden boards (head and tail of spine repaired; new end-papers), decorated with ornamental rolls#11;BOUND WITH#11;CRINITO, Pietro. De Honesta Disciplina, Lib. xxv; De Peotis Latinis Lib. v; et Poematum, Lib. II cu indicibseu capitibus singluorum operu; cuqz tabellis alphabeticis rerum, dictorumqz insigniu ad finem capitum de honesta disciplina, ab Ascensio collectis & appositis. Paris: Badius Ascenius, 1520. [8], 109, [1] leaves, 1 blank leaf. With woodcut title- border and printer's device (of a press in a printer's shop; with monogram IB); large woodcut intials. Two pages of early manuscript in same hand as on first title-page (appears to be French verse). Folio . I. New revised second (1st: 1514) and much enlarged edition of this collection of the miscellaneous works by Plutarch which were translated by various hands here edited by Badius. On the verso of the title-page appears Badius' dedicatory letter to Louis Ruze (dated July 1521).Translations from the Greek by Niccolo Sagundino, Angelo Poliziano, Guillaume Bude, Willibald Pirckheimer, Philippe Melanchthon, Erasmus of Rotterdam, and eight others. One of Erasmus' translations includes his original dedication to Henry VIII (leaf CLV verso). Included here is his "Politica," "De Liberis educandis," "Apophthegmata," "De Placitis Philosoph.," "Musica," "Problemata," "De Odio & Invidia," "De Fortuna Romano." "De Claris Mulieribus," "De Exilio, and many others.#11;No copies located of this or the 1514 edition located in the OCLC (1 copy of the 1526 edition: Huntington).#11; II. This is the fourth Badius edition, augmented and revised, of these popular texts by the Florentine poet and humansit, Pietro Crinito (1465-1505), who had been a pupil of Angelo Poliziano and friend of Pico della Mirandola. De honesta disciplina, based on the model of Gellius' Noctes Atticae, is a miscellany of notes on classical literature, history, archaelology, etc. De poetis Latinis, (1st: 1505) has the distinction of being the first "modern" history of Roman literautre, containing the biographies of all the major Latin poets.#11;OCLC locates only only Harvard University copy in the US of the Crinito volume.#11;Desirable sammelband of two important and rare humanistic works which are also of particular interest in the history of printing. The two titles feature the two different famous printer's devices of Josse Badius (1462-1535), the first scholar-printer in France, which includes the first use of a printing press. The earlier device (in Crinito), which is signed "IB", included errors that had to be corrected in a new version (Plutarchus) ascribed to the school of Albrecht Durer (see Bigmore-Wymann.). Regarding this device; Renouard, II, Marques typographiques, Pl. B 6, 2-3, for J. Major's Historia Britanniae, 1521; Renouard calls this 2-2 at II:#561; "ascribed to the hand of Durer and contains a figure strongly resembling the Master himself" (H. W. Davies, Devices of the early printer, #247). The two devices seem to feature here in their very earliest use [14], 181 leaves, 1 blank leaf. With woodcut title-border and woodcut printer's device (of a press in a printer's shop; dated 1520); large woodcut intials. Early ownership inscription along bottom of title-page. Few minor damp marks in a few blank margins. ! I. Renouard, Imprimeurs & Libr. Parisiens p. 206, no. 493; cf. Hollstein VII, 274 (for 1st printer's device).#11; II. Renouard, Badius II, p., 353 no. 5; Renouard, Imprimeurs & Librares II, p. 190, no. 448; Moreau II, 2303; Adams C 2950;Bigmore- Wyman 29 (for 2nd woodcut device); IA 147.087 and (2nd work only);
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PLUTARCH
Opuscula sedulo undequaq(ue) collecta, & dilige(n)ter. recognita
|
Badius Ascensius, Paris 1521 - Contemporary blindstamped calf over wooden boards (head and tail of spine repaired; new end-papers), decorated with ornamental rolls BOUND WITH CRINITO, Pietro. De Honesta Disciplina, Lib. xxv; De Peotis Latinis Lib. v; et Poematum, Lib. II cu índícibseu capitibus singluorum operu; cuqz tabellis alphabeticis rerum, dictorumqz insigniu ad finem capitum de honesta disciplina, ab Ascensio collectis & appositis. Paris: Badius Ascenius, 1520. [8], 109, [1] leaves, 1 blank leaf. With woodcut title- border and printer's device (of a press in a printer's shop; with monogram IB); large woodcut intials. Two pages of early manuscript in same hand as on first title-page (appears to be French verse). Folio . I. New revised second (1st: 1514) and much enlarged edition of this collection of the miscellaneous works by Plutarch which were translated by various hands here edited by Badius. On the verso of the title-page appears Badius' dedicatory letter to Louis Ruzé (dated July 1521).Translations from the Greek by Niccolò Sagundino, Angelo Poliziano, Guillaume Budé, Willibald Pirckheimer, Philippe Melanchthon, Erasmus of Rotterdam, and eight others. One of Erasmus' translations includes his original dedication to Henry VIII (leaf CLV verso). Included here is his "Politica," "De Liberis educandis," "Apophthegmata," "De Placitis Philosoph.," "Musica," "Problemata," "De Odio & Invidia," "De Fortuna Romano." "De Claris Mulieribus," "De Exilio, and many others. No copies located of this or the 1514 edition located in the OCLC (1 copy of the 1526 edition: Huntington). II. This is the fourth Badius edition, augmented and revised, of these popular texts by the Florentine poet and humansit, Pietro Crinito (1465-1505), who had been a pupil of Angelo Poliziano and friend of Pico della Mirandola. De honesta disciplina, based on the model of Gellius' Noctes Atticae, is a miscellany of notes on classical literature, history, archaelology, etc. De poetis Latinis, (1st: 1505) has the distinction of being the first "modern" history of Roman literautre, containing the biographies of all the major Latin poets. OCLC locates only only Harvard University copy in the US of the Crinito volume. Desirable sammelband of two important and rare humanistic works which are also of particular interest in the history of printing. The two titles feature the two different famous printer's devices of Josse Badius (1462-1535), the first scholar-printer in France, which includes the first use of a printing press. The earlier device (in Crinito), which is signed "IB", included errors that had to be corrected in a new version (Plutarchus) ascribed to the school of Albrecht Durer (see Bigmore-Wymann.). Regarding this device; Renouard, II, Marques typographiques, Pl. B 6, 2-3, for J. Major's Historia Britanniae, 1521; Renouard calls this 2-2 at II:#561; "ascribed to the hand of Dürer and contains a figure strongly resembling the Master himself" (H. W. Davies, Devices of the early printer, #247). The two devices seem to feature here in their very earliest use [14], 181 leaves, 1 blank leaf. With woodcut title-border and woodcut printer's device (of a press in a printer's shop; dated 1520); large woodcut intials. Early ownership inscription along bottom of title-page. Few minor damp marks in a few blank margins. § I. Renouard, Imprimeurs & Libr. Parisiens p. 206, no. 493; cf. Hollstein VII, 274 (for 1st printer's device). II. Renouard, Badius II, p., 353 no. 5; Renouard, Imprimeurs & Librares II, p. 190, no. 448; Moreau II, 2303; Adams C 2950;Bigmore- Wyman 29 (for 2nd woodcut device); IA 147.087 and (2nd work only);. [Attributes: Hard Cover]
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PLUTARCH
Opuscula sedulo undequaq(ue) collecta, & dilige(n)ter. recognita
|
Badius Ascensius, Paris 1521 - Contemporary blindstamped calf over wooden boards (head and tail of spine repaired; new end-papers), decorated with ornamental rolls BOUND WITH CRINITO, Pietro. De Honesta Disciplina, Lib. xxv; De Peotis Latinis Lib. v; et Poematum, Lib. II cu índícibseu capitibus singluorum operu; cuqz tabellis alphabeticis rerum, dictorumqz insigniu ad finem capitum de honesta disciplina, ab Ascensio collectis & appositis. Paris: Badius Ascenius, 1520. [8], 109, [1] leaves, 1 blank leaf. With woodcut title- border and printer's device (of a press in a printer's shop; with monogram IB); large woodcut intials. Two pages of early manuscript in same hand as on first title-page (appears to be French verse). Folio . I. New revised second (1st: 1514) and much enlarged edition of this collection of the miscellaneous works by Plutarch which were translated by various hands here edited by Badius. On the verso of the title-page appears Badius' dedicatory letter to Louis Ruzé (dated July 1521).Translations from the Greek by Niccolò Sagundino, Angelo Poliziano, Guillaume Budé, Willibald Pirckheimer, Philippe Melanchthon, Erasmus of Rotterdam, and eight others. One of Erasmus' translations includes his original dedication to Henry VIII (leaf CLV verso). Included here is his "Politica," "De Liberis educandis," "Apophthegmata," "De Placitis Philosoph.," "Musica," "Problemata," "De Odio & Invidia," "De Fortuna Romano." "De Claris Mulieribus," "De Exilio, and many others. No copies located of this or the 1514 edition located in the OCLC (1 copy of the 1526 edition: Huntington). II. This is the fourth Badius edition, augmented and revised, of these popular texts by the Florentine poet and humansit, Pietro Crinito (1465-1505), who had been a pupil of Angelo Poliziano and friend of Pico della Mirandola. De honesta disciplina, based on the model of Gellius' Noctes Atticae, is a miscellany of notes on classical literature, history, archaelology, etc. De poetis Latinis, (1st: 1505) has the distinction of being the first "modern" history of Roman literautre, containing the biographies of all the major Latin poets. OCLC locates only only Harvard University copy in the US of the Crinito volume. Desirable sammelband of two important and rare humanistic works which are also of particular interest in the history of printing. The two titles feature the two different famous printer's devices of Josse Badius (1462-1535), the first scholar-printer in France, which includes the first use of a printing press. The earlier device (in Crinito), which is signed "IB", included errors that had to be corrected in a new version (Plutarchus) ascribed to the school of Albrecht Durer (see Bigmore-Wymann.). Regarding this device; Renouard, II, Marques typographiques, Pl. B 6, 2-3, for J. Major's Historia Britanniae, 1521; Renouard calls this 2-2 at II:#561; "ascribed to the hand of Dürer and contains a figure strongly resembling the Master himself" (H. W. Davies, Devices of the early printer, #247). The two devices seem to feature here in their very earliest use [14], 181 leaves, 1 blank leaf. With woodcut title-border and woodcut printer's device (of a press in a printer's shop; dated 1520); large woodcut intials. Early ownership inscription along bottom of title-page. Few minor damp marks in a few blank margins. § I. Renouard, Imprimeurs & Libr. Parisiens p. 206, no. 493; cf. Hollstein VII, 274 (for 1st printer's device). II. Renouard, Badius II, p., 353 no. 5; Renouard, Imprimeurs & Librares II, p. 190, no. 448; Moreau II, 2303; Adams C 2950;Bigmore- Wyman 29 (for 2nd woodcut device); IA 147.087 and (2nd work only);. [Attributes: Hard Cover]
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Erasmus, Desiderius;
Paraphrases in omnes Epistolas Pauli germanas, & in omnes Canonicas, diligenter ab autore recognitae, ac marginalibus indicibus illustratae.
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Basileae [Basel]: Apud Ioannem Frobenium, [March] 1521.. 4 vols. bound as 2, 8vo., ff. [280], [192]. Woodcut borders on titles and several other leaves, woodcut initials and headpieces, attributed to Holbein, occasional short early ink marginalia and underlining. First title page with a wormhole in corner, last 10 leaves of vol. 1 with two small wormholes sometimes touching a character, vol. 2 title loosening. Some light browning at edges and spotting. Sometime cased in a pair of contemporary blind-stamped pigskin bindings of similar style, vol. 1 slightly taller and with brass clasps (one broken at tip), vol. 2 clasps removed, both a touch worn at corners and spine ends, green paper labels in top spine compartments chipped and rubbed, the first two gatherings of vol.1 slightly proud and hence rubbed by the clasp, no free endpapers. Several early inscriptions (one dated 1529) to pastedown and title in vol. 1. The first collected edition of the 'Tomus Secundus' of Erasmus's Paraphrases on the New Testament, containing the paraphrases on the Apostolic Epistles; until the collected editions after his death, the 'Tomus Primus' (with the Gospels and the Acts of the Apostles) and the 'Tomus Secundus' had entirely separate printing histories. Each section of these Paraphrases was first printed (and reprinted) individually, beginning in 1517, but in 1520 Erasmus decided to publish them all together and revised. He worked his revisions from the first editions rather than from the more recent reprints, and the result was these volumes, published in March 1521. Another edition (with a slightly different title, since this edition's title page was typeset before the manuscript of 'Epistle to the Hebrews' made it to the press) appeared in July 1521. There were then four further editions in 1522-3, including two folio versions. (For a full account, see Bateman, 'The Textual Travail of the Tomus Secundus of the Paraphrases', in Holy Scripture Speaks, 2002.) At the time of publication, Hans Holbein the Younger often produced work for Froben, and the woodcuts in these volumes have been attributed to him. COPAC suggests that the only UK institution holding this March 1521 edition is Oxford, though it is often hard to distinguish from that of July. VD16 E3375. Not in Adams..
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Wegehaupt, Heinz Alte deutsche Kinderbücher IV.Bibliographie 1521-1900 Zugleich Bestandsverzeichnis der in Berliner Bibliotheken befindlichen Kinder- und Jugendbücher sowie der Kinder- und Jugendzeitschriften, Almanache und Jahrbücher
Wegehaupt, Heinz Alte deutsche Kinderbücher IV.Bibliographie 1521-1900 Zugleich Bestandsverzeichnis der in Berliner Bibliotheken befindlichen Kinder- und Jugendbücher sowie der Kinder- und Jugendzeitschriften, Almanache und Jahrbücher
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Hauswedell Verlag - SOFORT LIEFERBAR - IMMEDIATELY AVAILABLE !!! Wegehaupt, Heinz Alte deutsche Kinderbücher IV.Bibliographie 1521-1900 Zugleich Bestandsverzeichnis der in Berliner Bibliotheken befindlichen Kinder- und Jugendbücher sowie der Kinder- und Jugendzeitschriften, Almanache und Jahrbücher Verlag : Hauswedell, E ISBN : 3-7762-0903-8 Einband : Leinen Seiten/Umfang : VI, 364 Seiten, 17 schwarz-weiß und 59 farbige Abbildungen - 27,5 × 19 cm Erschienen : 01.12.2003 Gewicht : 1120 g Preisinfo : 98,00 Eur[D] Dieser vierte Band, wiederum mit farbigen und schwarzweißen Abbildungen illustriert, ergänzt die drei vorhergehenden Bände der Bibliographie Alte deutsche Kinderbücher. Diese Ergänzung war notwendig geworden, weil die Sammlung älterer deutscher Kinder- und Jugendbücher in der Staatsbibliothek zu Berlin - Preußischer Kulturbesitz nach der politischen Wende 1990 sehr stark erweitert werden konnte: Es waren die zahlreichen nach Redaktionsschluß des dritten Bandes 1988 möglich gewordenen Erwerbungen, denn nach der Wiedervereinigung stand nun der Kinder- und Jugendbuchabteilung der gesamte internationale Antiquariatsmarkt dafür offen. Außerdem konnten nun auch diejenigen Teilbestände der ehemaligen Staatsbibliothek aufgenommen werden, die in der Kriegs- und Nachkriegszeit des Zweiten Weltkriegs in den Westen der Stadt gelangt (und entweder dort verblieben oder inzwischen zurückverlagert wurden) sind. Die Recherchen in den Bibliotheken der Universitäten, Hochschulen und Museen des ehemaligen Westteils der Stadt förderten bemerkenswerte und seltene Kinderbücher zutage. Besonders ergiebig waren die Bibliotheken der Museen. Mit dem vorliegenden vierten Band sind nun insgesamt über 13 150 Titel belegt. Für den Zeitraum bis 1900 konnten zudem die Bestände von 220 Kinder- und Jugendzeitschriften, Almanachen und Jahrbüchern in Berliner Bibliotheken ermittelt werden. Für 78 Titel ließen sich Standorte sämtlicher Jahrgänge nachweisen. Die bibliographische Aufnahme für den vierten Band erfolgte konsequent nach Autopsie und in gleicher Exaktheit wie in den ersten drei Bänden mit vollständiger Wiedergabe des Titels. In den Annotationen werden nähere Angaben zur Ausstattung gemacht. Der Umfang und die Art der Illustrationen werden vermerkt, außerdem, soweit möglich oder notwendig, Erläuterungen zum Inhalt und zur Druckgeschichte gegeben. Auf Autoren, die bereits in einem der drei ersten Bände verzeichnet sind, wird verwiesen. Das Verfasserregister vereinigt die Namen aller vier Bände.
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HERRMANN, FRITZ (Hrsg.):
Die Reichsacht gegen D. Martin Luther
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- das Wormser Edikt vom 8. Mai 1521. Facksimile nach dem Original-Plakatdruck in der Lutherbibliothek des Paulusmuseums in Worms. Worms, Verlag des Paulus-Museums, 1922. Ein Blatt zum ausklappen, umfasst ca. 6 Din A4-Seiten. Facksimile liegt in einer Mappe, Gr. 4to Mit Signatur des Herausgebers!! Mit normalen Lese- bzw. Gebrauchsspuren. Kanten angebräunt. Edikt etwas stockfleckig. //.// Vom 14.-18.Oktober 2009 sind wir, mit eigenem Stand, auf der Frankfurter Buchmesse vertreten. Besuchen Sie uns!! //.// [Attributes: Signed Copy]
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Erasmus, Desiderius;
Paraphrases in omnes Epistolas Pauli germanas, & in omnes Canonicas, diligenter ab autore recognitae, ac marginalibus indicibus illustratae.
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Basileae [Basel]: Apud Ioannem Frobenium, [March] 1521. - 4 vols. bound as 2, 8vo., ff. [280], [192]. Woodcut borders on titles and several other leaves, woodcut initials and headpieces, attributed to Holbein, occasional short early ink marginalia and underlining. First title page with a wormhole in corner, last 10 leaves of vol. 1 with two small wormholes sometimes touching a character, vol. 2 title loosening. Some light browning at edges and spotting. Sometime cased in a pair of contemporary blind-stamped pigskin bindings of similar style, vol. 1 slightly taller and with brass clasps (one broken at tip), vol. 2 clasps removed, both a touch worn at corners and spine ends, green paper labels in top spine compartments chipped and rubbed, the first two gatherings of vol.1 slightly proud and hence rubbed by the clasp, no free endpapers. Several early inscriptions (one dated 1529) to pastedown and title in vol. 1. The first collected edition of the ?Tomus Secundus? of Erasmus?s Paraphrases on the New Testament, containing the paraphrases on the Apostolic Epistles; until the collected editions after his death, the ?Tomus Primus? (with the Gospels and the Acts of the Apostles) and the ?Tomus Secundus? had entirely separate printing histories. Each section of these Paraphrases was first printed (and reprinted) individually, beginning in 1517, but in 1520 Erasmus decided to publish them all together and revised. He worked his revisions from the first editions rather than from the more recent reprints, and the result was these volumes, published in March 1521. Another edition (with a slightly different title, since this edition?s title page was typeset before the manuscript of ?Epistle to the Hebrews? made it to the press) appeared in July 1521. There were then four further editions in 1522-3, including two folio versions. (For a full account, see Bateman, ?The Textual Travail of the Tomus Secundus of the Paraphrases?, in Holy Scripture Speaks, 2002.) At the time of publication, Hans Holbein the Younger often produced work for Froben, and the woodcuts in these volumes have been attributed to him. COPAC suggests that the only UK institution holding this March 1521 edition is Oxford, though it is often hard to distinguish from that of July. VD16 E3375. Not in Adams.
[Bookseller: Unsworth's Booksellers, ABA & ILAB.] |
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Eduardo Matos Moctezuma
Aztecs
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UK. Please note that deliveries to addresses in the UK and Europe will be in 4-14 business days. Other countries should refer to Alibris standard times. This important new book documents the splendid artistic legacy of the Aztecs, an extraordinary people who, in the space of only 200 years from 1325 to 1521, created one of the most impressive civilizations in the world. Published to accompany one of the greatest exhibitions of Aztec culture ever seen, opening in November 2002 at the Royal Academy of Arts in London, this comprehensive volume with over 500 superb colorplates presents works of turquoise, gold, and jade, polychrome ceramics, illustrated codices and manuscripts, and monumental stone and wood sculptures. Nine authoritative essays written by a team of renowned scholars from Mexico, Britain, and the United States explore the Aztecs' view of the cosmos and their place within it, their religious beliefs, rulers, philosophy and literature, techniques of warfare, and day-to-day life. This book will stand as the definitive book on the Aztecs for years to come. ISBN10: 1903973139.
[Bookseller: Alibris] |
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Rethmeyer, Philippo Julio (Philipp Julius).
Antiquitates Ecclesiasticae Inclytae Urbis Brunsvigae, Oder: Der berühmten Stadt Braunschweig Kirchen-Historie.
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(gedruckt und verlegt durch) Christoph-Friedrich Zilligers sehl. nachgel. Wittib und Erben., Braunschweig. - : In derer ersten Theile Die auswendige oder äusserliche Beschaffenheit derer in- und nahe bey Braunschweig belegenen Stiffter, Klöster, Kirchen, Kalanden, Capellen, Hospitäle, und deroselben Altäre, Reliquien der Heiligen, Register der Praelaten etc.(.) jede Kirche besonders nach ihrer Stifftung, Vermehr- und Verbesserung ordentlich beschrieben wird; In dem andern Theile aber Der inwendige oder innerliche Zustand der Braunschweigischen Kirche, was sie unter dem Pabstthum vor eine Gestalt und Ansehen in ihrem Kirchenregiment, Lehre und Leben gehabt, insonderheit was mit dem Heiligen Patron dieser Stadt St. Auctore vorghegangen, und wie sie kurtz vor der Reformation beschaffen gewesen, biß aufs Jahr 1521. erörtert wird. Alles aus den Archiven, raren Manuscriptis und andern bewährten Historicis, sammt denen dazu gehörigen Documentis und Schrifften, so in ordentlichen Beylagen verfasset. Mit Fleiß zusammen getragen; Auch mit einer besonderen Vorrede (Tit:) Herrn Jo. Andreae Schmidii, abtens zu Marienthal, von Philippo Julio Rehtmeyer. 1707 - 1715. Erster und zweyter Theil, (16), 312S., Beylagen des ersten Theils, in sich haltend Funsdationes, Donationes, Privilegia, Und andere Urkunden der Stifter, Klöster und Kirchen des Stadt Braunschweig. 158S., Beylagen des anderen Theils, in sich haltend Constitutiones, Privilegia, Indulgentias, und andere Päpstische Uhrkunden der Kirchen Braunschweigs. S. 159 - 256., 9 Seiten Agenda et Corrigenda, 12 Seiten Verzeichnis derer Tituln über denen Capiteln dieser Braunschweigischen Kirchen-historie (Kapitelüberschriften). ; Pars III ., Dritter Theil, Darinn die Reformations-Historie Samt Denen Lebens-Beschreibungen derer Superintendenten, Coadjutorn, Pastorn und einiger Schul-Rectorn; Ingleichen Die Historien der Kirchen-Ordnungen, des Corporis doctrinae Julii, derer conventuum , Colloquiorum, Controversiarum, etc. mit denen dahin gehörigen nöthigen und nützlichen Sachen biß auf das Jahr 1586. Beschrieben, . . (1710). (10S. Widmung und Vorrede), 536S, 8 Seiten Verzeichnis der Tituln . (Kapitelüberschriften), Beylagen des dritten Theils, Nemlich der Reformations-Historie der Stadt Braunschweig, In sich haltend Epistolas, Consilia und andere Documenta des Braunschweigischen Ministerii. 464S. und eine ausfaltbare genealogische Tafel. ; Pars IV ., Vierter Theil, Darinn die Reformations-Historie Samt Denen Lebens-Beschreibungen derer Superintendenten, Coadjutorn, Pastorn und einiger Schul-Rectorn; Ingleichen Die Historien derer Conventuum, Controversarium. Visionum etc. mit denen dahin gehörigen nöthigen und nützlichen Sachen von an. 1586 biß auf jetzige Zeiten beschrieben. Und in den Beylagen Die Epistolae, Consilia, Responsa und andere Nachrichten ex Bibliothecis, Archivis & MSis beygefüget; Auch die Supplementa Zu denen vorhergehenden Theilen ang hänget sind. (1715). (2S.), 718S. (2), 364S. Beylagen., 4 Seiten Verzeichnis der Briefe und Urkunden, 280S. Supplement, (25S.) - Register. Vollständig. Zustand: Nachgbunden - Halbpergamentbände mit braunem Titelrückenschild und goldgeprägter Rückentitulatur, Vorsätze erneuert. Vier Teile in drei Büchern, teilweise ist das Druckbild gedunkelt, aber gut lesbar. Im ersten und zweiten Buch kleine handschriftliche Namenseinträge (Tinte) auf den Titelblättern, im dritten Buch (=Teil vier) ist eine alter unleserlicher Stempel auf dem Titelblatt. [Attributes: Hard Cover]
[Bookseller: antiquariat RABENSCHWARZ] |
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TOMMASO d' AQUINO, Santo.
Aurea Divi Thome Aquinatis ordinis predicatorum doctoris Angelici Summa contra gentiles malleus hereticorum merito nuncupata:
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(Nel colophon: Lugduni, sumtu honesti viri Iacobi. q. Francisci de Giunta et sociorum Florentini: excusum in edibus Antonij du Ry calcographi, 1521 mensis Iulij die. 5). In 8 (cm. 16x10,5), al front. tit. a car. rosso-nero e marca tipogr. (due putti alati reggono stemmi con le iniziali IFZ sormontati da croce doppia), altra marca tipogr. in fine, cc.nn. 8 (ultima bianca)-CCCXIIII, testo su 2 coll., linee 47, iniz. xilogr., perg. Leg. assai rovinata e inter. staccata, strappetti e picc. lacuna al front. dai fragili margini, macchie di umidità, tagli e leg. anneriti, qq. restauro. Nel colophon figura il nome del curatore: Angelo da Savigliano. Adams, A-1418. - magna diligentia nuper recognita.hac ultima impressione.adiecto etiam indice.
[Bookseller: Libreria Salimbeni] |
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Henry, King of England and Justus Jonas.
Des Durchleuchtigsten, Grosmechtigsten Herrn, herrn Heinrichs des achten, Konigs zu Engeland und Franckreich [etc.] Schrifft . jnn welcher der Konig ursach anzeigt, warumb er gen Vincentz zum Concilio (welchs mit falxhem titel, general genent) nicht kome
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Wittenberg, Joseph Klug - Wraps are stiff paper dabbled with brown paint. Laid paper title panel on cover is handwritten and quite unreadable; photo available. Armorial bookplate of playwright Richard Brinsley Sheridan is on inner cover. Small ink name at bottom edge of title page. The book has eight leaves on laid paper, the last one blank. One has a nice watermark. Justus Jonas accompanied Martin Luther to Worms in 1521 and was appointed, by the elector of Saxony, professor of canon law at Wittenberg. During Luther's stay in the [Attributes: Hard Cover]
[Bookseller: Bookhouse] |
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QUINTILIEN (Marcus Fabius Quintilianus)
M. Fabii Quintiliani Institutionum Oratoriarum libri XII
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Aldus (Alde), in Aedibus Aldi et Andreae SoceriVenise 1521 Petit in-4° (20,5 x 19,5 cm), (4)ff., 230 ff., plein veau du XVIIIe siecle, dos lisse orne, piece de titre en maroquin rouge, gardes marbrees. Celebre marque de l'editeur (ancre au dauphin) sur la page de titre et au verso du dernier feuillet. Le colophon indique le mois de janvier 1521 pour l'impression, la page de titre indique la date de 1522. Impression en italique : italique aldine de Francisco Griffo (cette fameuse police de caracteres a paru pour la premiere fois en 1500, elle fut la derniere creation de Griffo pour Alde). 39 lignes par page. Complet du feuillet de conversion avec le texte grec. Manque angulaire a la derniere garde marbree volante. Pale et petite mouillure en queue de charniere n'atteignant pas le texte sur 30 feuillets. Coins emousses, reliure frottee, un petit tampon ancien (ex-libris) sur la page de titre. Seconde edition aldine de Quintilien reprenant au meme format et avec le meme nombre de feuillets celle de 1514. Bel exemplaire presentant de grandes marges.
[Bookseller: Librairie Pottier] |
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PLINIUS d. J. (Gaius Plinius Caecilius Secundus, 62-113).
Epistolarum libri decem, in quibus multae habentur epistolae non ante impressae: cum pluribus aliis, quae proxima pagella indicabit.
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Basel, (Andreas Cratander), 1521. - Kl.-8vo (154 x 98 mm). Titel innerhalb breiter Holzschnitt-Bordüre von Hans Holbein d. J., mit diversen schwarzgrundigen Initialen und ganzseitiger Holzschnitt-Druckermarke von Franz Gerster auf Schlussblatt verso. [12] Bl., 591, [1] S. Blindgeprägter Schweinslederband d. Z. über Holzdeckeln, Rücken über 3 erhabenen Bünden, mit 2 intakten Messingschliessen (stärker berieben, Ecken bestossen). Vollständiger Nachdruck der im November 1508 von Aldus Manutius gedruckten Gesamtausgabe der vor allem aus den berühmten, essayartigen Briefen bestehenden Schriften von Plinius dem Jüngeren. Nach der Pariser Ausgabe von 1511 ist diese Cratander Edition erst die zweite, die ausserhalb Italiens im Druck erschien. Für das Titelblatt verwendete der aus Strassburg stammende Basler Drucker die erste der beiden im August 1520 im Novum Testamentum omne ad graecam veritatem des Erasmus veröffentlichten Holzschnitt-Einfassungen Holbeins. - Unbedeutender sehr kurzer Wurmgang im Oberrand der letzten Blätter, minimaler Wasserrand gegen Schluss; ein vorzügliches exemplar im ersten Einband. Hs. Name Hugualdus Dengkio auf Titel. VD 16, P-3483; Panzer VI, S. 229, Nr. 413; Hieronymus, Oberrheinische Buchillustration II, 369; Schweiger II, 804; Dibdin II, 330. Finely printed rare Basel edition of Pliny's epistles, representing the second complete edition printed north of the Alps (preceeded only by the Paris edition of 1511). It is a word by word reprint of Aldus Manutius' celebrated Venice edition of 1508, "with many epistles never before published" (Dibdin). The Strasbourg born printer A. Cratander - activ in Basel from 1518 to 1538 - reused Holbein's fine title woodcut border of the New Testament printed on August 1520. - Minor short wormtrack in upper margin at the end, minimal waterstain here and there. - Contemporary pigskin over wooden boards, with blind-tooling, back on three raised bands, and two clasps (rubbed, corners worn). la [Attributes: Hard Cover]
[Bookseller: Erasmushaus - Haus der Bücher AG] |
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CATHOLIC CHURCH], [MANUSCRIPT]
VITA DE SISTO V] A Manuscript Life of Pope Sixtus V (Pope 1585-1590), in Italian, Extending Over 248 Pages
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N.p., N.d. Eighteenth Century - 248 numbered pages of text. 6 further blank leaves to end. Bound in contemporary vellum, lettered in gilt to spine. Small split to vellum at bottom edge of lower board. Lightly soiled, hinges straining slightly. Light and occasional marking to text. A manuscript life of Pope Sixtus V, in Italian. Felice Peretti, (1521-1590), a significant counter-Reformation Pope for the final five years of his life. After entering a Franciscan convent at Montalto at the age of 9, Peretti rose radpily through the ranks of the Catholic Church, serving as Priest, Inquisitor, Professor at Sapienza, Bishop, Confessor to Pius V, and Cardinal-Priest at the age of 49. Following the death of his predecessor Gregory XIII, a four-day conclave elected Peretti as Pope on the 24th April, 1585. Not a theoretician, Sixtus V led the Church and the Papal States from penury and brigandage into peace and prosperity. He excelled as a manager of men, formalising the establishment of fifteen permanent congregations to lighten the workload of the Pope, without sacrificing ultimate authority, in his 1588 Bull 'Immense aeterni Dei'. Sixtus' most lasting legacy was the architectual works which he oversaw. The cupola of St Peter's and the Quirinal were finalised under his rule, and the Lateran Palace erected, along with the Vatican Library and its printing house, a significant aspect of the late C16th drive against the printing-presses of Northern Europe. A most practical Pope, Sixtus was a pivotal figure of the Counter Reformation, and an ideal practical leader emulated by his successors, particularly Clement VIII. [Attributes: First Edition]
[Bookseller: Antiquates] |
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Cistercian Graduale Page
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Troyes - This appears to be a page from an extremely rare printed Cistercian gradual, containing music for the Mass, printed in Troyes, France in 1521. Only one complete copy is known to survive. The page contains Mass chants for the first Sunday in Lent, starting in the midst of the Introit Invocabit me, and continuing with the Gradual Angelis suis mandavit and the tract Qui habitat in adiutorio. The use of the French-style acute accent marks is distinctive, as is the designation of the "tonos" (mode) at the beginning of the chants. Pictures available via e-mail.
[Bookseller: Ronald Rutstein-Bookseller] |
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Sallustius, Crispus Caius.
De coniuratione Catilinae. Eiusdem de bello Jugurthino [...].
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- Venedig, Aldus Manutius Erben u. André dAsola, Jänner 1521.8. Mit Holzschn.-Druckermarke a. Titel u. dem letzten Blatt. 8 nn., 142 num., 2 nn. (das vorletzte weiß) Bll., Blindgepr. Ldr. d. Zt. a. 3 Bünden Vorderdeckel mit dem abgekürzten Verfassernamen C. Cri. Sall. am oberen Rand sowie der blindgepr. Anker-Druckermarke Aldus im Mittelfeld.Neue Recognition des Textes von 1509 durch Fr. Asulanus und besser gedruckt, als die frühere Ausgabe (Ebert). - Debure se trompe en annoncant cette edition comme plus ample que celle de 1509 elle ne contient que les memes pièces, mais elle est beaucoup plus belle, imprimée avec un caractère neuf, et dun meilleur texte, corrigé avec soin par Francois dAsola, qui en avertit dans sa préface au lecteur [...] (Renouard). - Der schöne Einband mit dem (wohl später?) blindgepr. Aldus-Anker a. Vorderdeckel fachmännisch restauriert (Rücken erneuert, Ecken u. Kanten tlw. ausgebessert). Innendeckel u. Titel m. gest. Exlibris des 18. Jahrhunderts, Titel zudem m. gestrichenem altem Besitzvermerk. Vereinzelt zeitgen. Unterstreichungen u. Marginalien. Tlw. (bes. Ränder) schwach gebräunt bzw. stockfleckig. Am Ende beigebunden 9 Bll., dav. 5 mit alten handschriftl. Eintragungen. - Insgesamt gutes u. vollständiges Exemplar. - Renouard 93, 16 Ebert 19977 Moss II, 559 BM STC, Italian Books, 499 Adams S 147 Schweiger II, 871 (Sehr schön und nicht häufig). - Hardcover
[Bookseller: Antiquariat Wolfgang Friebes] |
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Eduardo Matos Moctezuma
Aztecs
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UK. PLEASE NOTE that we do not offer expedited shipping. Orders placed with the priority shipping option will automatically be canceled. This important new book documents the splendid artistic legacy of the Aztecs, an extraordinary people who, in the space of only 200 years from 1325 to 1521, created one of the most impressive civilizations in the world. Published to accompany one of the greatest exhibitions of Aztec culture ever seen, opening in November 2002 at the Royal Academy of Arts in London, this comprehensive volume with over 500 superb colorplates presents works of turquoise, gold, and jade, polychrome ceramics, illustrated codices and manuscripts, and monumental stone and wood sculptures. Nine authoritative essays written by a team of renowned scholars from Mexico, Britain, and the United States explore the Aztecs' view of the cosmos and their place within it, their religious beliefs, rulers, philosophy and literature, techniques of warfare, and day-to-day life. This book will stand as the definitive book on the Aztecs for years to come. ISBN10: 1903973139.
[Bookseller: Alibris] |
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BOVIO Tommaso Zefiriele
IL FULMINE CONTRO DE' MEDICI PUTATIVII RATIONALI; di Z.T.B. nobile patritio veronese. Nel quale non solo si scuoprono molti errori di quelli, ma si insegna ancora il modo do emendargli & corregerli. In Verona, per Francesco dalle Donne, 1602. Segue quindi, con proprio frontespizio: FLAGELLO CONTRO DE' MEDICI COMMUNI DETTI RATIONALI; di Z.T.B. nobile patritio veronese. In Verona, appresso Francesco dalle Donne, 1601. Segue quindi, con proprio frontespizio: MALAMPIGO overo confusione de' medici sofisti, che s'intitolano rationali. Dal verso di c.86, Petrus de Abbano,Hyppocratis libellus de medicorum astrologia . in Latinum traductus. In Verona, appresso Francesco dalle Donne, 1595.
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Tre opere in un unico vol. in 4° (cm. 19,0) 4 cc.n.n. + pp.176 + 4 cc.n.n. + pp.56 + pp.96. La marca tipogr. inc. al primo front. è differente dalle altre due. Indici delle prime due opere in bordura xilografica. Una incisione in legno al verso della carta 6 della terza opera raffigurante S.Rocco col cane. Lieve alone interessa la parte sup. della terza opera; alcuni forellini di tarlo restaurati, tranne pochi interessanti il testo della terza opera con perdita di qualche lettera. Parte inf. bianca dell'ultima carta del Malampigo reintegrata. Altrimenti ben conservato. Piena perg. muta di poco posteriore, con qualche vecchio rattoppo. - Opere poco comuni, mancano a quasi tutta la bibliografia medica. L'autore Tommaso Bovio (1521 - 1609) assunse il nome di "Zefiriele", lo stesso dell'angelo che egli asseriva fosse il suo protettore. Lanciò accuse contro la medicina galenica, che giudicava falsa e dannosa. - KOS, liber amicorum. Milano, FMR, n°6, pag.130 - Autori Italiani del '600, N° 1846 e n° 1847; Durling 664 (per la terza opera), che delle altre due cita rispettivamente l'edizione di Verona del 1592 e di Venezia del 1583.
[Bookseller: Maria Calabrò Studio Bibliografico] |
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Sallustius, Crispus Caius.
De coniuratione Catilinae. Eiusdem de bello Jugurthino [...].
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- Venedig, Aldus Manutius Erben u. André dAsola, Jänner 1521.8. Mit Holzschn.-Druckermarke a. Titel u. dem letzten Blatt. 8 nn., 142 num., 2 nn. (das vorletzte weiß) Bll., Blindgepr. Ldr. d. Zt. a. 3 Bünden Vorderdeckel mit dem abgekürzten Verfassernamen C. Cri. Sall. am oberen Rand sowie der blindgepr. Anker-Druckermarke Aldus im Mittelfeld.Neue Recognition des Textes von 1509 durch Fr. Asulanus und besser gedruckt, als die frühere Ausgabe (Ebert). - Debure se trompe en annoncant cette edition comme plus ample que celle de 1509 elle ne contient que les memes pièces, mais elle est beaucoup plus belle, imprimée avec un caractère neuf, et dun meilleur texte, corrigé avec soin par Francois dAsola, qui en avertit dans sa préface au lecteur [...] (Renouard). - Der schöne Einband mit dem (wohl später?) blindgepr. Aldus-Anker a. Vorderdeckel fachmännisch restauriert (Rücken erneuert, Ecken u. Kanten tlw. ausgebessert). Innendeckel u. Titel m. gest. Exlibris des 18. Jahrhunderts, Titel zudem m. gestrichenem altem Besitzvermerk. Vereinzelt zeitgen. Unterstreichungen u. Marginalien. Tlw. (bes. Ränder) schwach gebräunt bzw. stockfleckig. Am Ende beigebunden 9 Bll., dav. 5 mit alten handschriftl. Eintragungen. - Insgesamt gutes u. vollständiges Exemplar. - Renouard 93, 16 Ebert 19977 Moss II, 559 BM STC, Italian Books, 499 Adams S 147 Schweiger II, 871 (Sehr schön und nicht häufig). - Hardcover
[Bookseller: Antiquariat Wolfgang Friebes] |
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SUETONIUS Tranquillus, Caius.
Suetonii XII Cusares, Sexti Aurelii Victoris, excerpta...
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Aldi, 1521, in-8 reliure demi-cuir XIXeme, 60ff, (dont le 32eme blanc) et 320 ff. paginees. Titre dore, armes imperiales russes dans le bas du dos, monogr. H.B. Cette seconde edition est essentiellement identique a celle de 1516, elle est enrichie d'annotation par Erasme.
[Bookseller: Librairie Michel Lhomme] |
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Lau, Franz (Hrsg.)
Luther-Jahrbuch, Jahrbuch der Luther-Gesellschaft [herausgegeben von Franz Lau, ab 1976 herausgegeben von Helmar Junghans], Jahrgang 1957-1971, 1976-1979, 1996-2001 (25 Bände)
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Berlin, Lutherisches Verlagshaus Hamburg, Friedrich Wittig Göttingen, Vandenhoeck Ruprecht - je Band ca. 150-210 Seiten, 8 (22 x 18 cm), Orig.-Leineneinbände.Aus dem Inhalt: Ragnar Bring: Luthers Lehre von Gesetz und Evangelium als Beitrag der lutherischen Theologie für die Oekumene. Paul Althaus: Luthers Lehre von den beiden Reichen im Feuer der Kritik. Hans Liermann: Der unjuristische Luther. Heinz-Otto Burger: Luther als Ereignis der Literaturgeschichte. Martin Schmidt: Spener und Luther. Heinrich Bornkamm: Erasmus und Luther. Franz Hesse: "Reges eos virga ferrea, ut vas figuli confringes eos", zu Luthers Auslegung des 2. Psalms. Hayo Gerdes: Zu Luthers Lehre vom Wirken des Geistes. Klaus Tuchel: Luthers Auffassung vom geistlichen Amt. J. H. Baxter: Luthers Einfluß in Schottland im 16. Jahrhundert. Franz Lau: Die Konditional- oder Eventualtaufe und die Frage nach ihrem Recht in der lutherischen Kirche. Oskar Thulin: Die Reformation im Weinberg des Herrn. Ein Gemälde Lucas Cranachs d. J. Wilhelm Maurer: Zur Komposition der Loci Melanchthons von 1521. Erdmann Schott: Einig in der Rechtfertigungslehre? Gerhard Pfeiffer: Das Ringen des jungen Luther um die Gerechtigkeit Gottes. Erwin Mühlhaupt: Vergängliches und Unvergängliches an Luthers Papstkritik. Reinhold Jauernig: Die Konkurenz der Jenaer mit der Wittenberger Ausgabe von Martin Luthers Werken. Hans Volz: Luthers Stellung zu den Apokrypohen des Alten Testaments. Franz Lau: Der Bauernkrieg und das angebliche Ende der lutherischen Reformation als spontaner Volksbewegung. Wilhelm Maurer: Melanchthons Loci communes von 1521 als wissenschaftliche Programmschrift. Bernhard Lohse: Luthers Christologie im Ablaßstreit. Franz Lau: Père Reinoud und Luther. Erich Beyreuther: Zinzendorf und Luther. Paul Althaus: Die Bedeutung der Theologie Luthers für die theologische Artbeit. Die Rechtfertigung allein aus dem Glauben in Thesen Martin Luthers. Horst Beintker: Glaube und Handeln nach Luthers Verständnis des Römerbriefes. Hermann Dörries: Neuheit und Zusammenhang. Zu Luthers Geschichtsverständnisl. Alfred Adam: Der Teufel als Gottes Affe. Vorgeschichte eines Lutherwortes. Franz Lau: Luthers Worttheologie in katholischer Sicht. Hayo Gerdes: Luther und Augustin über den Streit zwischen Petrus und Paulus zu Antiochien (Galater 2,11 ff). Alfred Adam: Die Herkunft des Lutherwortes vom menschlichen Willen als Reittier Gottes. Lennart Pinomaa: Luthers Weg zur Verwerfung des Heiligendienstes. Franz Lau: Theologie der Schöpfung gleich Theologie überhaupt? Zur Auseinandersetzung mit Löfgrens Luther-Buch. Oskar Johannes Mehl: Erasmus contra Luther. Karl Brinkel: Eine bisher unbekannte Nachschrift von Luthers Auslegung des Matthäus-Evangeliums. Oskar Johannes Mehl: Luthers Übersetzung der Synonyma im Neuen Testament und Psalter. Franz Lau: Bert Brecht und Luther, Ein Versuch der Interpretation des Guten Menschen von Sezuan. Walter Fellmann: Irenik und Polemik bei Hans Denck. Franz Lau: Die Theologie Martin Luthers Ein Dankeswort an Paul Althaus. Martin Schmidt:Luthers Schau der Geschichte. Friedrich Wilhelm Kantzenbach: Aspekte zum Bekenntnisproblem in der Theologie Luthers. Alfred Adam: Der Begriff Deus absconditus bei Luther nach Herkunft und Bedeutung. Joachim Rogge: Die Initia Zwinglis und Luthers Eine Einführung in die Probleme. Anton Ernstberger: Drei Nürnberger Reformationsjubiläen. Hans Liermann: Luther ordnet seine Kirche. Horst Beintker: Zu Luthers Verständnis vom geistlichen Leben des Christen im Gebet. Martin Henschel: Der feurige Engel S. Johannes. Zu einer Stelle Luthers in den Schmalkaldischen Artikeln. Albrecht Peters: Reformatorische Rechtfertigungsbotschaft zwischen tridentinischer Rechtfeftigungslehre und gegenwärtigem evangelischen Verständnis der Rechtfertigung. Oskar Thulin: Luther in den Darstellungen der Künste. Ingetraut Ludolphy: Die Ursachen der Gegnerschaft zwischen Luther und Herzog Georg von Sachsen. Alfred Adam: Die Redewendung Luthers Velut ille ad Rombum und ihre Deutung durch Erasmus. Oskar Bartel: Johannes a Lasco und Erasmus von Rotterdam. Johannes Herrmann: Armenbibel als Schmähgemälde im Schmalkaldischen Krieg. Robert Dollinger: Sören Kierkegaard und der Protestantismus. Gottfried G. Krodel: Wider den Abgott zu Halle. Martin Schmidt: August Hermann Franckes Katechismuspredigten. Briefwechsel zwischen P. Dr. Reinhold Weijenborg OFM und dem Herausgeber des Luther-Jahrbuches. Reinhold Weijenborg: Kannte Luther das Leben des hl. Germanus von Auxerre?Walther von Loewenich: Paul Althaus als Lutherforscher. Friedrich Wilhelm Kantzenbach: Strukturen in der Ekklesiologie des älteren Luther. Oskar Bartel: Beitrag der Reformation zur polnischen Kultur. Joseph Lortz: Sakramentales Denken beim jungen Luther. Albrecht Peters: Sakrament und Ethos nach Luther. Siegfried Bräuer: Zu Müntzers Geburtsjahr. Robert H. Fischer: Paltz und Luther. Helmar Junghans: Der Einfluß des Humanismus auf Luthers Entwicklung bis 1518. Martin Schmidt: Luthers Weltverständnis. Walter Delius: Luther und Huß. Klaus Schwarzwäller: Zur Struktur von Luthers Pneumatologie. Hans Hofmann: Heinrich Boehmer (1869-1927). Bernhard Lohse: Die Lutherforschung im deutschen Sprachbereich seit 1966. Siegfried Bräuer: Die erste Gesamtausgabe von Thomas Müntzers Schriften und Briefe. Albrecht Peters: Die Theologie der Katechismen Luthers anhand der Zuordnung ihrer Hauptstücke. Wolfgang Franke: Englische Lutherdeutung von 1782 bis 1848: Reformation, Revolution und Reform. Karl Heinz Burmeister: Hans Waiser zum Roten Brunnen ein Pseudonym für Johannes Bernhardi (1490-1534). Hans Hofmann: Heinrich Boehmers Nachlaß. Bibliographie Heinrich Boehmer (1869-1927). Lennart Pinomaa: Methodische Gesichtspunkte zur Lutherforschung. Helmar Junghans: Die Verwendung von Metaphern und kybernetischen Modellen in der Lutherforschung.Bernhard Lohse: Luther und der Radikalismus. Ernst-Wilhelm Kohls: Die Lutherforschung im deutschen Sprachbereich seit 1970. Steffen Kjelgaard-Pedersen: Die Lutherforschung in Skandinavien seit 1966. Jos E. Vercruysse: Die Lutherforschung im niederländischen Sprachbereich seit 1969. Jos E. Vercruysse: Die Lutherforschung im romanischen Sprachbereich seit 1970. Yoshikazu Tokuzen: Die Lutherforschung in Japan seit 1967. Lowell C. Green: Luther Research in English-Speaking Countries Since 1971. Siegfried Bräuer: Müntzerforschung von 1965 bis 1975. Martin Schmidt: Zum Tode von Heinrich Bornkamm. Tibor Fabiny: In memoriam Jena Solyom. Reinhard Schwarz: Luthers Lehre von den drei Ständen und die drei Dimensionen der Ethik. Martin Schmidt: Luthers 95 Ablaßthesen als kirchliches Bekenntnis. Marc Lienhard: Held oder Ungeheuer? Luthers Gestalt und Tat im Lichte der zeitgenössischen Flugschriftenliteratur. Walther Peter Fuchs: Ranke und Luther. Siegfried Bräuer: Müntzerforschung von 1965 bis 1975 (Fortsetzung). Joachim Rogge: Bericht über den Fünften Internationalen Kongreß für Lutherforschung vom 14. bis 20. August 1977 in Lund (Schweden). Elke Wolgast: In memoriam D. Hans Volz. Helmar Junghans: Die probationes zu den philosophischen Thesen der Heidelberger Disputation Luthers im Jahre 1518. Walter Mostert: Scriptura sacra sui ipsius interpres. Michael Müller: Die Gottlosen bei Thomas Müntzer - mit einem Vergleich zu Martin Luther. Birgit Stolt: Germanistische Hilfsmittel zum Lutherstudium. Karl-Heinz zur Mühlen: In memoriam Walter Mostert. Helmut Feld: Wurde Martin Luther 1521 in effigie in Rom verbrannt? Eric W. Gritsch: Der Humor bei Martin Luther. Manfred Schulze: Johannes Eck im Kampf gegen Martin Luther. Gottfried G. Krodel: Luther - an Antinomian? os E. Vercruysse: Luther in der römisch-katholischen Theologie und Kirche. Heribert Smolinsky: In memoriam Erwin Iserloh. Joachim Track: In memoriam Wilfried Joest. Markus Wriedt: In memoriam Bernhard Lohse. Angelika Dörfler-Dierken: Luther und die heilige Anna. Hans Düfel: Luther-Gesellschaft und Lutherrenaissance. Siegfried Bräuer: Das Melanchthonjubiläum 1960 in Wittenberg und Halle. Janusz Narzynski: In mernoriam Oskar Bartel. Simo Peura: In mernoriam Lennart Pinomaa. Hans-Ludwig Slupina: In memoriam Erwin Mülhaupt. Berndt Hamm:Von der Gottesliebe des Mittelalters zum Glauben Luthers. Eugenio Andreatta: Aristoteles als literarische Quelle Martin Luthers. Stefano Leoni: Trinitarische und christologische Ontologie bei Luther. Drei Briefe von Martin Luther und Philipp Melanchthon zur Ehesache der Anna Schulze in Eilenburg 1532 Hrsg. von Andreas Flegel und Helmar Junghans. Helmar Junghans: Plädoyer für Wildwuchs der Reformation als Metapher. Helmar Junghans: Das Luthergedenken 1996 -178 Autoren- und Titelregister. Gerhard Müller: Glaube und Bildung. Christof Gestrich: Luther und Melanchthon in der Theologiegeschichte des 19. und 20. Jahrhunderts. Timothy J. Wengert: Melanchthon and Luther / Luther and Melanchthon. Eike Wolgast: Melanchthons Beziehungen zu Südwestdeutschland. Helmar Junghans: Anthropologische Vorstellungen unter Renaissancehumanisten. Oswald Bayer: Freiheit? Das Verständnis des Menschen bei Luther und Melanchthon im Vergleich. Gerhard Ebeling: Beten als Wahrnehmen der Wirklichkeit des Menschen, wie Luther es lehrte und lebte. Tuomo Mannermaa: Glaube, Bildung und Gemeinschaft bei Luther. Eric W. Gritsch: Response to Tuomo Mannermaa Glaube, Bildung und Gemeinschaft bei Luther / Faith, Culture and Community. Karl-Heinz zur Mühlen: Korreferat zu Tuomo Mannermaa Glaube, Bildung und Gemeinschaft bei Luther. James M. Kittelson: The Significance of Humanist Educational Methods for Reformation Theology. Heinz Scheible: Die Reform von Schule und Universität in der Reformationszeit. Steffen Kjeldgaard-Pedersen: In memoriam Leif Grane. Scott H. Hendrix: In memoriam Lewis W. Spitz. György Posfay: In memoriam Vilmos Vajta. Robert Kolb:In memoriam Ernest George Schwiebert. Eilert Herms: Gewißheit in Martin Luthers De servo arbitrio. Hans Kurig: Philipp Melanchthon über sich und Martin Luther. Hans Düfel: Die Luther-Gesellschaft von 1936 bis 1948. Helmar Junghans: Das Melanchthon Jubiläum 1997. Rudolf Mau: In memoriam Joachim Rogge. Wichmann von Meding: Luthers Katechismustheologie. Reinhard Schwarz: Luthers Schrift Von der Freiheit eines Christenmenschen im Spiegel der ersten Kritiken. Ein unbekannter Brief Martin Luthers an Ulrich Grempler in Sangerhausen am 19. Oktober 1539 zur Ehesache der Walburg Wentzel. Herausgegeben von Hans-Peter Hasse. Heinz Scheible: Melanchthon und Frau Luther. Scott H. Hendrix: Martin Luther und die lutherischen Bekenntnisschriften in der englischsprachigen Forschung seit 1983. Helmar Junghans: Martin Luther und die Welt der Reformation. / Einige Bände mit Stempel auf dem Titelblatt. Einbände und Schnitt leicht fleckig. Sonst guter Zustand. -
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THYARD (Pontus de)
Les oeuvres poetiques. A Paris, Galiot du Pre, 1573. Titre frontispice - 3 ff. n.ch. - 164 pp. Relie a la suite, Ponti Thyardei, Bissiani, ad Petrum Ronsardum, De Coelestibus Asterismis Poemantium. Paris, Galeotum a Prato, 1573. Titre - 23 ff. n.ch. A la suite : Solitaire premier, ou Dialogue de la fureur poetique. Seconde edition, augmentee. A Paris, Galiot du Pre, s.d. Titre - 1 ff. - 68 pp. A la suite : Mantice ou Discours de la verite de Divination par Astrologie. Seconde edition, augmentee. A Paris, Galiot du Pre, s.d. Titre - 1 ff. - 114 pp. -1 ff. d'errata.
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Ensemble relie en 1 vol grand in-8, plein maroquin citron, dos et plats entierement ornes d'un jeu de filets dores, doubles de veau glace vert encadre d'un double filet dore, tranches dorees, dos muet (tres belle reliure moderne signee Michel Richard, qq. petites taches sur les plats). Assez bon etat interieur malgre quelques petites mouillures marginales. Edition collective, tres rare, des poesies de Pontus de Thyard (1521 - 1605), poete lyonnais, qui fit partie de La Pleiade. Exemplaire exceptionnel, truffe d'un BILLET MANUSCRIT (quittance, 1 page in-4), signee "Vostre bien affectionne amy : Pontus de Tyard".
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Folengo, Teofilo
Merlini Cocaii Poetae Mantuani opus macaronicorum totum in pristinam formam per me magistrum Acquarium Lodolam optime Redactum [...]
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Paganinus, A. 13 x 8 Cm Reliure Toscolano, Italy 1521 FR: Petit In-8°, 272 ff. pagines, 8ff. non pagines. Illustre de 52 gravures pleine page. Relie, tranches pourpres. Les 11 premiers ff. sont manquants (le livre commence en Biiii), f. 50 est manquant, Les premier et trois derniers feuillets non pagines sont aussi manquants. Pour chaque page manquante, le relieur a place un feuillet blanc au XVIIe ou XVIIIe siecle. Les premieres pages sont poussiereuss, d'autres ont des defauts mineurs. Bien decrit dans Brunet (Manuel du libraire, II, 1317). Il ecrit : "Edition imprimee avec des caracteres tres menus et assez singuliers. Elle est fort recherchee, mais il est tres difficle d'en trouver des exemplaires dont les notes marginales n'aient pas ete atteintes par le couteau du relieur." Recherche et rare dans n'importe quelle condition, elle est consideree comme l'edition la plus complete. Teofilo Folengo (1496-1544) est un poete italien burlesque qui utilisa le pseudonyme de Merlinus Cocaius or Merlino Cocajo. Moine benedictin, il quitta (c.1515) son monastere pour devenir poete errant, il y retourna en 1534. Folengo se detache du reste des poetes macaroniques (qui composaient en melangeant des formes grammaticales latines et du vocabulaire vernaculaire). Son Baldus qui annonce Don Quichotte est un personnage burlesque du roman de chevalerie. ENG: Little In-8°, 272 ff. numbered, 8ff. unumbered. Illustrated with 52 full page engravings. Hardbound, crimson edges. 11 first ff. are missing (book begins on Biiii), f. 50 is missing, first and three last unumbered ff. are missing too. For each lacking page, there is a blank leaf bound at the 17th or 18th Cent. Fisrts page is dusty, some rare minor defects. Very well described in Brunet (Manuel du libraire, II, 1317). He writes : "Edition imprimee avec des caracteres tres menus et assez singuliers. Elle est fort recherchee, mais il est tres difficle d'en trouver des exemplaires dont les notes marginales n'aient pas ete atteintes par le couteau du relieur." Much sought-after and rare in any condition, considered as the most complete edition. Teofilo Folengo (1496-1544) is an Italian burlesque poet, who used the pseudonym Merlinus Cocaius or Merlino Cocajo. A Benedictine monk, he left (c.1515) his monastery to become a wandering poet, returning in 1534. Folengo was outstanding among the macaronic poets (who wrote mixing Latin grammatical forms with vernacular vocabulary). His Baldus, which antedates Don Quixote, is a burlesque of the chivalric romance and is considered the great epic of the macaronic type. See also : The Italian Romance Epic in the Age of Humanism: The Matter of Italy and the World of Rome, by Jane E Everson, pp. 350 &fol.; The Cambridge History of Italian Literature, edited by Peter Brand, Lino Pertile, pp. 240 &fol.Satisfaisant
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THOMAS AQUINAS (THOMAS V. AQUIN) - POST- INCUNABEL.
Opus aureu(m) sancti Thome de Aquino sup(er) quatuo(r) evangelia nuperrime revisu(m) multis purgatu(m) (et) emendatum studiossime ac oium tertiu(um) acordatijs (et) auctoritatum per doctores...Que oia de nouo addita sunt...
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(Venetiæ, Venice, Expensis Octouani Scoti, 13. Noue(m)bris 1521 (fol 313 b)). Folio. Contemp. full limp vellu. Spine with calligraphed title "Catena Aurea" ? Wear to edges.Upper part of spine with a small nick. Vellum of lower left corner on last cover gone (ca. 5x14 cm). Pinters woodcut device on fol 317 b. Ff (14),317 pp. + 1 blank. Titlepage with a large woodcut showing Thomas on a pulpit giving a sermon, King Ludovicus sitting under the pulpit to the left and Avveroes lying on his knees on the floor. With other attendents listening. Titlepage with a small loss of paper at right margin, not affecting the text. A few insignificant brownspots. Old owners name on titlepage. Otherwise clean and fine. Printed in 2 columns. Some fine woodcut initials. Place, printer and publishing year is seen on F 313 b, before the Index. ¶ Scarce early edition of St. Thomas Aquinas' earliest work, his commentaries to the Gospels (Matthaeus, Marcus, Lucas, Johannes) and the Church Fathers. The work is also called "The Golden Chain" or "Catena Aurea"."Thomas of Aquino (1225-1274), the prince of Scholastic Philosophers was born at the castle of Roccasecta, near Aquino in the province of Naples. Having received his elementary education at the abbey of Monte Cassino, in 1239 he went to study the seven liberal artss at the University of Nples. There, five years later, he entered the Order of St. Dominic, against the wishes of his family. From 1245 he studied in Paris under Albert the Great, and when Albert returned to Cologne in 1248 Thomas went with him. In 1252 he was again in in Paris, where, in 1256, after composing the commentaries on the Bible and on the Sentences, he received the degree of Licentiate in Theology, and shortly afterwards that of Master in Theology." (Encycl. Britannica) - Not in Adams, not in Brunet, not in Graesse
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PLUTARCH
Opuscula sedulo undequaq(ue) collecta, & dilige(n)ter. recognita
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Badius Ascensius Paris 1521 Contemporary blindstamped calf over wooden boards (head and tail of spine repaired; new end-papers), decorated with ornamental rolls BOUND WITH CRINITO, Pietro. De Honesta Disciplina, Lib. xxv; De Peotis Latinis Lib. v; et Poematum, Lib. II cu índícibseu capitibus singluorum operu; cuqz tabellis alphabeticis rerum, dictorumqz insigniu ad finem capitum de honesta disciplina, ab Ascensio collectis & appositis. Paris: Badius Ascenius, 1520. [8], 109, [1] leaves, 1 blank leaf. With woodcut title- border and printer's device (of a press in a printer's shop; with monogram IB); large woodcut intials. Two pages of early manuscript in same hand as on first title-page (appears to be French verse). Folio . I. New revised second (1st: 1514) and much enlarged edition of this collection of the miscellaneous works by Plutarch which were translated by various hands here edited by Badius. On the verso of the title-page appears Badius' dedicatory letter to Louis Ruzé (dated July 1521).Translations from the Greek by Niccolò Sagundino, Angelo Poliziano, Guillaume Budé, Willibald Pirckheimer, Philippe Melanchthon, Erasmus of Rotterdam, and eight others. One of Erasmus' translations includes his original dedication to Henry VIII (leaf CLV verso). Included here is his "Politica," "De Liberis educandis," "Apophthegmata," "De Placitis Philosoph.," "Musica," "Problemata," "De Odio & Invidia," "De Fortuna Romano." "De Claris Mulieribus," "De Exilio, and many others. No copies located of this or the 1514 edition located in the OCLC (1 copy of the 1526 edition: Huntington). II. This is the fourth Badius edition, augmented and revised, of these popular texts by the Florentine poet and humansit, Pietro Crinito (1465-1505), who had been a pupil of Angelo Poliziano and friend of Pico della Mirandola. De honesta disciplina, based on the model of Gellius' Noctes Atticae, is a miscellany of notes on classical literature, history, archaelology, etc. De poetis Latinis, (1st: 1505) has the distinction of being the first "modern" history of Roman literautre, containing the biographies of all the major Latin poets. OCLC locates only only Harvard University copy in the US of the Crinito volume. Desirable sammelband of two important and rare humanistic works which are also of particular interest in the history of printing. The two titles feature the two different famous printer's devices of Josse Badius (1462-1535), the first scholar-printer in France, which includes the first use of a printing press. The earlier device (in Crinito), which is signed "IB", included errors that had to be corrected in a new version (Plutarchus) ascribed to the school of Albrecht Durer (see Bigmore-Wymann.). Regarding this device; Renouard, II, Marques typographiques, Pl. B 6, 2-3, for J. Major's Historia Britanniae, 1521; Renouard calls this 2-2 at II:#561; "ascribed to the hand of Dürer and contains a figure strongly resembling the Master himself" (H. W. Davies, Devices of the early printer, #247). The two devices seem to feature here in their very earliest use [14], 181 leaves, 1 blank leaf. With woodcut title-border and woodcut printer's device (of a press in a printer's shop; dated 1520); large woodcut intials. Early ownership inscription along bottom of title-page. Few minor damp marks in a few blank margins. § I. Renouard, Imprimeurs & Libr. Parisiens p. 206, no. 493; cf. Hollstein VII, 274 (for 1st printer's device). II. Renouard, Badius II, p., 353 no. 5; Renouard, Imprimeurs & Librares II, p. 190, no. 448; Moreau II, 2303; Adams C 2950;Bigmore- Wyman 29 (for 2nd woodcut device); IA 147.087 and (2nd work only);
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RAVISIUS, Johannes. (Textor)]
De Memoralibus et claris Mulieribus Aliquot Diversorum Scriptorum Opera.
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- Paris, Simon de Colines, 1521. FIRST EDITION thus. Folio. ff. 176, [ii], 177-219, [ii] (lacking final blank). Roman letter, Colines woodcut device on title, fine white on black woodcut crible initials in various sizes, including one, repeated, incorporating the arms of Vuignacourt and Guillard, ms. table of contents on verso of title-page in early hand, C19 armorial bookplate of the Earl of Macclesfield on pastedown, Shirburn Castle blindstamp to head of first two ll, small waterstain to lower blank margin of first gathering and last two ll. A fine, very well margined copy, some untrimmed in eighteenth-century speckled calf, covers bordered with triple gilt rule, large gilt fleurons to corners, spine gilt in compartments with raised bands, all edges speckled red. compartments with raised bands, all edges speckled red. The second and third page are taken up with a dedication by Jean Ravisius Textor (Jean Tixier, seigneur de Ravisy) to Jeanne de Vuignacourt, the wife of Charles Guillard dated the 8th of July 1521.Jean Tixier de ravisy born in Saint-Saulge near Nevers (d. 1524) The texts in this volume, gathered by Ravisius, are excerpts from works by Plutarch, Jacobus Philippus Foresti (the bulk of the volume), Jean de Pins, Battista Fregoso and Raffaele Maffei, as well as a few items written by Ravisius himself. Foresti's work on famous women had been published originally in 1497.Ravisius (1480-1524) was a student at the College of Navarre and was nominated in 1500 to be rector of the University of Paris. This folio is a collection of ancient and Renaissance texts dealing with famous women edited by Jean Tixier de Ravisy. The volume opens with Plutarch's De Claris Mulieribus first published in 1485 and includes the popular Renaissance work of the same title by Jacopo Filippo Foresti, first published in 1497; the life of St. Catherine of Siena by Jean de Pins and a section on scholarly women including Sappho, St. Elizabeth of Schenau and St. Hildegard by Baptista Fregoso. One of the most interesting pieces consists of the Neo-Latin epic on Joan of Arc by Valerand de la Varanne which was printed separately in 1516. This is the second printing of this compelling text. (See Brunet V, 1085)[Schreiber]. Valerand was a theologian born in Abbeville. L'interet principal de ce poeme latin n'est pa pour nous dans l'affirmation de certain faits, mais dans l'expression des idees admises ou pouvant etre admises des son temps sur Jeanne d'Arc, et. ce point de vue, l'oeuvre de Valerand est de premiere importance[Lanery d'Arc, 1453]. Tixier also contributed some original texts, among them an essay on famous prostitutes. Ravisy contributed a long epistle dedicatory to Jeannede Vuignacourt wife of Charles Guillard, President of the Parliament of Paris and a piece on Charlotte de Bourbon. There are also mentions of the Amazons. BM STC Fr. C16 p. 373. Adams R201. Renouard, Colines p.20. Moreau III, 233. not in Schreiber.
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LUTHER, Martin :
Acta et res gestae.
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Strasbourg, s.n.e. (J. Schott ? ) 1521 In-8°, relie plein parchemin, non pagine (14 pages), en frontispice portrait de Luther par Hans Baldung Grien (deux lignes soulignees anciennement a l'encre noire; papier uniformement jauni; nom de possesseur en page de garde).
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Svenska riksdagsakter
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jämte andra handlingar som höra till statsförfattningens historia under tidehvarfvet 1521-1800. Första serien I:I-IV, (1521-aug.1597), II:I-II, 1611-1617) samt andra serien I-III (1719-1734). Utg. Emil Hildebrand m.fl. Sth 1887-1931. Inbundna i 8 halvfranska band, varav 2 med lossnade ryggfält samt 4 häften.[#25988]
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Sallustius Crispus, Gaius (86-ca. 34 a. C.).
De coniuratione Catilinae. Eiusdem De bello Iugurthino. Orationes quaedam ex libris Historiarum C. Crispi Sallustij. Eiusdem Oratio contra M. T. Ciceronem. M. T. Ciceronis Oratio contra C. Crispum Sallustium. Eiusdem Orationes quatuorcontra Lucium Catilinam. Porcij Latronis Declamatio contra Lucium Catilinam. Quae omnia solerti nuper cura repurgata sunt, ac suo quaeque ordine optime digesta.
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Venezia, Aldo Manuzio, gennaio 1521. "In-8° (mm 166x98). Segnatura: a-t8. 8 carte non numerate, 142carte numerate, due carte non numerate di cui la prima bianca. Carattere corsivo. Àncora aldina incisa su legno al frontespizio (U281) e al verso dell’ultima carta. Legatura settecentesca in pergamena rigida, titolo manoscritto su tassello in carta al dorso, tagli blu, sguardie in carta a pettine. Esemplare in buono stato di conservazione, ad ampi margini. Ex-libris inciso del xx secolo al contropiatto anteriore; rare postille di mano coeva nel testo. Seconda edizione aldina delle opere storiche di Sallustio, che è una ristampa della princeps impressa nel 1509, considerata da Renouard «beaucoup plus belle, imprimée avec un caractère neuf, et d’un meilleur texte, corrigé avec soin par François d’Asola, qui en avertit dans sa préface au lecteur» (Renouard). Alla nuova prefazione redatta da Francesco d’Asola viene fatta seguire quella originaria di Aldo, indirizzata al condottiero Bartolomeo d’Alviano, dalla quale si apprende che il celebre tipografo aveva dato alle stampe il presente volume su istanza del dedicatario che caldeggiava la «stampa in formato tascabile di libri contenenti le imprese d’uomini illustri, per poterli avere accanto più agevolmente nel corso delle campagne militari» (Dionisotti-Orlandi, II, p. 272). Second Aldine edition which is, according to Renouard, much better than the first, printed in 1509, because it is impressed with a new type and contains a better text, emended by Francesco d’Asola. The work was dedicated by Aldus to the captain Bartolomeo d’Alviano by whom this edition was demanded. Aldine device on title and on the verso of last leaf. Very good copy, with wide margins; some dampstains. 18th century vellum binding with manuscript title within paper label on spine; blue edges. Renouard p. 93, n. 16; Ahamanson-Murphy 194; Adams S, 147; STC, Italian, 499; C. Dionisotti-G. Orlandi, Aldo Manuzio editore. Dediche, prefazioni, note ai testi, Milano, Il Polifilo, 1975,vol. II, p. 272."
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CYRIL, Saint, Patriarch of Alexandria (c. 376-444).
[Opera, in three parts:] (1)Opus insigne. In Evangelium Ioannis. Paris, Wolfgang Hopyl, Thielman Kerver, Jean Petit, 1508.(2) Preclarum Opus quod Thesaurus nuncupatus quatuordecim libros complectens. Paris, Wolfgang Hopyl [for himself and F. Birckmann] , 1514, (colophon dated 1513).(3) Commentarii in Leviticum sexdecim libros digesti. Paris, Wolfgang Hopyl [for himself and F. Birckmann], 1514.
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First edition of all three parts; edited by Josse Clichtove. The last part - the homilies on Leviticus - is attributed to Cyril, though it is actually by Origen. The parts are sometimes found separately, but it is clear from their uniform typographic appearance that they were intended to form a collected whole. They were reissued in 1521 (see Mortimer, French Books, no. 162).The translator, George Trapezuntius, was one of the earlier refugees to introduce the study of Greek into Italy; he was born in Crete, 1396, died in Rome, 1486, and was a prolific author of translations, including some Plato and Aristotle. He also had a reputation for cantankerousness and once came to blows with the scholar and papal secretary, Poggio Bracciolini. See N.G. Wilson, From Byzantium to Italy, ch. 10.The full-page woodcut at the end of the second and third parts looks like an illustration from a Parisian Book of Hours of the period but is the device of the Cologne (and London) bookseller Franz Birckmann for whom the printer Hopyl worked. At the top is an Adoration of the Magi, in the middle is a figure of St. Ursula with the 11,000 virgins, and below this is the cauldron containing the seven Maccabean youths with their mother. In the top corners are shields with the arms of Cologne and Birckmann's mark, and Birckmann's motto is cut on a banderole behind St. Ursula in the second scene. It constitutes one of the largest and most intricate devices of the period, and we cannot trace an earlier example of its use. It is reproduced by Heitz (Die Kölner Büchermarken bis Anfang des xvii. Jahrhunderts, Strasbourg, 1898, pl. xiii, no. 37) from a Cologne missal printed by Hopyl for Birckmann in 1520.Adams, C-3177, C-3178, C-3172. The first part is found in two states, with or without the annotations of John Chrysostom and Augustine to Cyril's missing books V to VII. Our copy has the annotations.
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Moctezuma, Eduardo Matos (Editor), Felipe Solis Olguin (Editor)
Azteken. Ausstellung Royal Academy of Arts, London, 16. November 2002 - 11. April 2003 Martin-Gropius-Bau Berlin, 17. Mai - 10. August 2003 Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, 26. September 2003 - 11. Januar 2004.
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Museen - In German, unless Noted - BRAND NEW, FLAWLESS COPY, NEVER OPENED -- 30 x 24,5 cm. 520 pages, c.500 illus. 6.8 pounds. -- This important new book documents the splendid artistic legacy of the Aztecs, an extraordinary people who, in the space of only 200 years from 1325 to 1521, created one of the most impressive civilizations in the world. Published to accompany one of the greatest exhibitions of Aztec culture ever seen, this comprehensive volume with over 500 superb colorplates presents works of turquoise, gold, and jade, polychrome ceramics, illustrated codices and manuscripts, and monumental stone and wood sculptures. Nine authoritative essays written by a team of renowned scholars from Mexico, Britain, and the United States explore the Aztecs' view of the cosmos and their place within it, their religious beliefs, rulers, philosophy and literature, techniques of warfare, and day-to-day life. This book will stand as the definitive book on the Aztecs for years to come.
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Rhegius, Urbanus].
Ain schöner dialogus, Cuntz unnd der Fritz, Die brauchent wenig witz, Es gildt umb sy ain klains, So seinds der sach schon ains, Sy redent gar on trauren, Un sind gut Luthrisch bauren.
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- [Augsburg, Ramminger, 1521].4 nn. Bll. Mit kl. Titelvignette in Holzschnitt. Neuere, marmorierte Broschur. 4to.Erste und einzige Ausgabe. Äußerst seltenes Dialogbüchlein in volkstümlicher, kräftiger Sprache. "Fritz u. Kunz unterhalten sich über Lemp u. Eck u. belegen diese mit liebenswürdigen Komplimenten wie 'Tanhausischer eselsführer', 'subtiler Narrenkopff', auch sonst wird der 'alte Tanhauser' erwähnt. Der Eck wird 'Eckischer leußköpff' betitelt, u. es wird von ihm berichtet, daß er 'wil den Luther gar verdamen, darub dz er jm die Decretales zu Witenberg verbrent hatt'. Die ganze Art dieses Dialoges geht auf die Schülergespräche zurück u. erinnert lebhaft an die Colloquia familiaria des Erasmus." (Breslauer, Das dt. Lied). Auf die Frage, wie man denn in Tübingen zu Luther stehe, antwortet Kunz: "... es ist gleich wie anderß wa welcher fül pfründen hat, der ist dem Luther feind, und scheltten jn ain ketzer, aber die arm rot, hat jn lieb", Zusatz von Fritz "lieber". - Schon die Zeitgenossen schrieben diesen Dialog dem Urban Rhegius zu (Wolf, Quellenkunde II/2, S. 157 ), während Liebmann (Urbanus Rhegius u. die Anfänge der Reformation, Münster 1980) es in dem Verzeichnis der Drucke mit unbewiesener Autorschaft als Nr. 3 aufführt. - Mit stecknadelkopfgroßem Wurmloch, Titel mit alter Numerierung u. Urhebervermerk. - VD 16, R 1885. Panzer, DA 1216. Goedeke II, 265. Kuczinsky 2230. Breslauer, Das deutsche Lied 547 ("Höchst interessanter Dialog").
[Bookseller: Antiquariat Inlibris] |
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SANSOVINO, Francesco.
La historia delle cose fatte in diversi tempi da Signori di casa Orsina.
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First edition. Son of the great Venetian architect and sculptor Jacopo, Francesco Sansovino (1521-1586) wrote widely and much. This is his history of the Orsini family, dedicated to the Duke of Bracciano, himself an Orsini. Printed throughout in italics, it benefitted, Sansovino tells us, from access to the private Orsini archive and given its fine internal appearance also perhaps from a generous patron's subsidy. A much enlarged edition in folio appeared the following year (1565).This edition seems to be very rare. The Censimento records only two copies in Italy, at Rome (Biblioteca Hertziana) and Naples. Not in the BL. Not in NUC, OCLC, or RLIN. Venice, Nicolo Bevil'acqua, 1564.
[Bookseller: Bernard Quaritch Ltd.] |
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Lucianus Samosatensis (Lukian von Samostrata).
Saturnalia.
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Basel, Froben, 1521. - 4. 298 S. Mit Initialen von Holbein. Kart. Ber. u. best., Rü. ausgeblichen. Gebr. u. tls. wasserrandig, Wurmspuren, Bl. 2 hinterlegt u. m. kl. Fehlst., neue Vorsatzbll.Graesse IV 281. Auf Wunsch senden wir gerne ein Foto des Buches via E-mail
[Bookseller: Neusser Buch-u.Kunstantiquariat] |
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Oecolampadius, Johannes.
Nunc dimittis Oecolampadij, Trostlich den Sterbenden.
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- Ohne Ort [Augsburg], ohne Drucker [Sigmund Grimm u. Marx Wirsung], o. J. [1521].8. Mit kl. ornamentaler Titelvignette. 8 nn. Bll., Mod. Ppbd.Erstausgabe. - Oecolampadius (1482-1531) hielt diese Predigt an Maria Lichtmess über die Worte des Simeon. Sie ist interessant durch die Bedeutung, die dem Gebet an Maria und die Engel beigemessen wird. - Titel m. kl. zeitgen. Eintragungen. Etw. fleckig u. im oberen Drittel m. schwachem Wasserrand. - VD 16, O 374 Staehelin S. 56 nicht bei Adams, Panzer, Weller u. den Reformations - Katalogen bzw. im BMC. - Hardcover
[Bookseller: Antiquariat Wolfgang Friebes] |
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PLUTARCH
Opuscula sedulo undequaq(ue) collecta, & dilige(n)ter. recognita
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Badius Ascensius Paris 1521 Contemporary blindstamped calf over wooden boards (head and tail of spine repaired; new end-papers), decorated with ornamental rolls BOUND WITH CRINITO, Pietro. De Honesta Disciplina, Lib. xxv; De Peotis Latinis Lib. v; et Poematum, Lib. II cu índícibseu capitibus singluorum operu; cuqz tabellis alphabeticis rerum, dictorumqz insigniu ad finem capitum de honesta disciplina, ab Ascensio collectis & appositis. Paris: Badius Ascenius, 1520. [8], 109, [1] leaves, 1 blank leaf. With woodcut title- border and printer's device (of a press in a printer's shop; with monogram IB); large woodcut intials. Two pages of early manuscript in same hand as on first title-page (appears to be French verse). Folio . I. New revised second (1st: 1514) and much enlarged edition of this collection of the miscellaneous works by Plutarch which were translated by various hands here edited by Badius. On the verso of the title-page appears Badius' dedicatory letter to Louis Ruzé (dated July 1521).Translations from the Greek by Niccolò Sagundino, Angelo Poliziano, Guillaume Budé, Willibald Pirckheimer, Philippe Melanchthon, Erasmus of Rotterdam, and eight others. One of Erasmus' translations includes his original dedication to Henry VIII (leaf CLV verso). Included here is his "Politica," "De Liberis educandis," "Apophthegmata," "De Placitis Philosoph.," "Musica," "Problemata," "De Odio & Invidia," "De Fortuna Romano." "De Claris Mulieribus," "De Exilio, and many others. No copies located of this or the 1514 edition located in the OCLC (1 copy of the 1526 edition: Huntington). II. This is the fourth Badius edition, augmented and revised, of these popular texts by the Florentine poet and humansit, Pietro Crinito (1465-1505), who had been a pupil of Angelo Poliziano and friend of Pico della Mirandola. De honesta disciplina, based on the model of Gellius' Noctes Atticae, is a miscellany of notes on classical literature, history, archaelology, etc. De poetis Latinis, (1st: 1505) has the distinction of being the first "modern" history of Roman literautre, containing the biographies of all the major Latin poets. OCLC locates only only Harvard University copy in the US of the Crinito volume. Desirable sammelband of two important and rare humanistic works which are also of particular interest in the history of printing. The two titles feature the two different famous printer's devices of Josse Badius (1462-1535), the first scholar-printer in France, which includes the first use of a printing press. The earlier device (in Crinito), which is signed "IB", included errors that had to be corrected in a new version (Plutarchus) ascribed to the school of Albrecht Durer (see Bigmore-Wymann.). Regarding this device; Renouard, II, Marques typographiques, Pl. B 6, 2-3, for J. Major's Historia Britanniae, 1521; Renouard calls this 2-2 at II:#561; "ascribed to the hand of Dürer and contains a figure strongly resembling the Master himself" (H. W. Davies, Devices of the early printer, #247). The two devices seem to feature here in their very earliest use [14], 181 leaves, 1 blank leaf. With woodcut title-border and woodcut printer's device (of a press in a printer's shop; dated 1520); large woodcut intials. Early ownership inscription along bottom of title-page. Few minor damp marks in a few blank margins. § I. Renouard, Imprimeurs & Libr. Parisiens p. 206, no. 493; cf. Hollstein VII, 274 (for 1st printer's device). II. Renouard, Badius II, p., 353 no. 5; Renouard, Imprimeurs & Librares II, p. 190, no. 448; Moreau II, 2303; Adams C 2950;Bigmore- Wyman 29 (for 2nd woodcut device); IA 147.087 and (2nd work only);
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Opvs Epistolarvm Des. Erasmi Roterodami: 1519-1521: 004
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- Used, remainders or ex-library, english-speaking-service, Gebraucht oder Verlagsrestbestand, evtl. aus Bibliotheksbestand, bei mehrbändigen Werken bitten wir um vorherige Anfrage, korrekte Rechnung mit ausgewiesener MwSt., deutschsprachiger Service, 14-Tage-Rückgaberecht
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Negri, Stefano (1475- ca. 1540).
[Translationes].
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Milano, Giovanni da Castiglione, agosto 1521. "Cinque parti in un volume in-4° (mm 193x142). Segnatura: AA4, A-P4, Q2, A-M4, N6, O-Y4, Z6. 4 carte non numerate, 60 carte con numerazione romana, 93 carte con numerazione romana, manca l’ultima carta bianca Z6, sono presenti invece le carte bianche L4 e N6. Caratteri greci e romani. Frontespizio racchiuso entro cornice silografica ornata, ripetuta 3 volte. Legatura inglese del xviii secolo in vitello spruzzato decorata, ai piatti da una cornice dorata a tre filetti con, agli angoli, dei ferri dorati a forma di fiore. Dorso a cinque nervi decorato da ferri dorati con titolo in oro; tagli spruzzati di rosso, segnalibro in filo intrecciato. Esemplare in buono stato di conservazione, lievi aloni al frontespizio. Note manoscritte e sottolineature di mano coeva in inchiostro rosso nel testo. Al frontespizio la nota, di mano seicentesca: ‘12 febr. 1696’. Al contropiatto anteriore ex-libris inciso del conte di Macclesfield e timbro a secco della stessa biblioteca alle cc. AA1-2. Prima edizione di questa collezione di testi dell’erudito Stefano Negri, profondo conoscitore di greco e latino, dedicata (c. A2r) dall’autore ad alcuni tra i più eminenti personaggi dell’epoca, come ad esempio Jean Grolier. Il volume contiene un insieme di traduzioni e alcune operette di carattere erudito, mitologico, filosofico e poetico tra le quali figurano i Commentarioli in aurea carmina Pythagorae, un’epistola indirizzata al medico milanese Giovanni Marliani e cinque Prefationes, tre ad Omero, una a Pindaro e una a Tito Livio. Oltre a questi testi sono presenti anche il De unguentis, il De meretricibus insignis, il De victo Pythagorico, De vino e il De nimia obsoniorum appetentia, queste ultime tre qui in prima edizione e di notevole importanza per la letteratura gastronomica. Stefano Negri, originario di Corte Maggiore nei pressi di Cremona, era noto anche col nome di Stephanos Melas, e occupò dal 1520 la cattedra di greco dello studio di Milano che era stata di Demetrio Calcondila. Durante l’occupazione francese della città si riunì intorno a questo erudito una cerchia di uomini dotti e illustri, della quale facevano parte anche Jean Grolier e il segretario di Francesco I, che compaiono spesso come dedicatari delle sue opere. Il Negri cadde in digrazia dopo la cacciata dei francesi dalla città lombarda e venne allontanato dall’insegnamento. I suoi lavori consistono principalmente nella traduzione di testi classici o di opere ispirate all’antichità tra le quali si ricorda il Dialogo tra un venditore di libri e uno studente preposto, insieme ad altri scritti del suo maestro Demetrio Calcondila, al celebre lessico greco delle Suidas impresso nel 1499 (vedi scheda n. 51 del presente catalogo). Rare imprint of this collection of Greek texts, edited and translated by the Kalcondyla’s pupil Stephanus Nigri. The volume contains also the fist editions of the works De vino, De victo pythagorico and De nimia obsoniorum appetentia. Title within woodcut decorated border, repeated 3 times at each title page of the 3 parts of the work. 18th century marbled English calf gilt deocarted on boards; gilt title and gilt tools on spine. Good copy, some dampstains. Manuscript contemporary notes and undelinings in red ink throughout the text. Manuscript note on title with the date February 12th, 1696. Armorial bookplate of the Earl of Macclesfield in the inner cover and stamp of the same collection at l. AA2-1. Argelati, Bibl. Mediol., II, II, 2137-38; Tiraboschi, Stor. Lett. Ital., VI, II, 813; VII, III, 1103-1104; manca in Adams; Sander 4984; B.I.N.G. 1363; K. Sp. Staikos, Charta of Greek Printing, Cologne 1998, pp. 238 e 252."
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Lau, Franz (Hrsg.):
Luther-Jahrbuch, Jahrbuch der Luther-Gesellschaft [herausgegeben von Franz Lau, ab 1976 herausgegeben von Helmar Junghans], Jahrgang 1957-1971, 1976-1979, 1996-2001 (25 Bände),
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Berlin, Lutherisches Verlagshaus; Hamburg, Friedrich Wittig; Göttingen, Vandenhoeck & Ruprecht. je Band ca. 150-210 Seiten, 8° (22 x 18 cm), Orig.-Leineneinbände.. Aus dem Inhalt: Ragnar Bring: Luthers Lehre von Gesetz und Evangelium als Beitrag der lutherischen Theologie für die Oekumene. Paul Althaus: Luthers Lehre von den beiden Reichen im Feuer der Kritik. Hans Liermann: Der unjuristische Luther. Heinz-Otto Burger: Luther als Ereignis der Literaturgeschichte. Martin Schmidt: Spener und Luther. Heinrich Bornkamm: Erasmus und Luther. Franz Hesse: "Reges eos virga ferrea, ut vas figuli confringes eos", zu Luthers Auslegung des 2. Psalms. Hayo Gerdes: Zu Luthers Lehre vom Wirken des Geistes. Klaus Tuchel: Luthers Auffassung vom geistlichen Amt. J. H. Baxter: Luthers Einfluß in Schottland im 16. Jahrhundert. Franz Lau: Die Konditional- oder Eventualtaufe und die Frage nach ihrem Recht in der lutherischen Kirche. Oskar Thulin: Die Reformation im Weinberg des Herrn. Ein Gemälde Lucas Cranachs d. J. Wilhelm Maurer: Zur Komposition der Loci Melanchthons von 1521. Erdmann Schott: Einig in der Rechtfertigungslehre? Gerhard Pfeiffer: Das Ringen des jungen Luther um die Gerechtigkeit Gottes. Erwin Mühlhaupt: Vergängliches und Unvergängliches an Luthers Papstkritik. Reinhold Jauernig: Die Konkurenz der Jenaer mit der Wittenberger Ausgabe von Martin Luthers Werken. Hans Volz: Luthers Stellung zu den Apokrypohen des Alten Testaments. Franz Lau: Der Bauernkrieg und das angebliche Ende der lutherischen Reformation als spontaner Volksbewegung. Wilhelm Maurer: Melanchthons Loci communes von 1521 als wissenschaftliche Programmschrift. Bernhard Lohse: Luthers Christologie im Ablaßstreit. Franz Lau: Pere Reinoud und Luther. Erich Beyreuther: Zinzendorf und Luther. Paul Althaus: Die Bedeutung der Theologie Luthers für die theologische Artbeit. Die Rechtfertigung allein aus dem Glauben in Thesen Martin Luthers. Horst Beintker: Glaube und Handeln nach Luthers Verständnis des Römerbriefes. Hermann Dörries: Neuheit und Zusammenhang. Zu Luthers Geschichtsverständnisl. Alfred Adam: Der Teufel als Gottes Affe. Vorgeschichte eines Lutherwortes. Franz Lau: Luthers Worttheologie in katholischer Sicht. Hayo Gerdes: Luther und Augustin über den Streit zwischen Petrus und Paulus zu Antiochien (Galater 2,11 ff). Alfred Adam: Die Herkunft des Lutherwortes vom menschlichen Willen als Reittier Gottes. Lennart Pinomaa: Luthers Weg zur Verwerfung des Heiligendienstes. Franz Lau: Theologie der Schöpfung gleich Theologie überhaupt? Zur Auseinandersetzung mit Löfgrens Luther-Buch. Oskar Johannes Mehl: Erasmus contra Luther. Karl Brinkel: Eine bisher unbekannte Nachschrift von Luthers Auslegung des Matthäus-Evangeliums. Oskar Johannes Mehl: Luthers Übersetzung der Synonyma im Neuen Testament und Psalter. Franz Lau: Bert Brecht und Luther, Ein Versuch der Interpretation des "Guten Menschen von Sezuan". Walter Fellmann: Irenik und Polemik bei Hans Denck. Franz Lau: "Die Theologie Martin Luthers" Ein Dankeswort an Paul Althaus. Martin Schmidt: Luthers Schau der Geschichte. Friedrich Wilhelm Kantzenbach: Aspekte zum Bekenntnisproblem in der Theologie Luthers. Alfred Adam: Der Begriff "Deus absconditus" bei Luther nach Herkunft und Bedeutung. Joachim Rogge: Die Initia Zwinglis und Luthers Eine Einführung in die Probleme. Anton Ernstberger: Drei Nürnberger Reformationsjubiläen. Hans Liermann: Luther ordnet seine Kirche. Horst Beintker: Zu Luthers Verständnis vom geistlichen Leben des Christen im Gebet. Martin Henschel: "Der feurige Engel S. Johannes". Zu einer Stelle Luthers in den Schmalkaldischen Artikeln. Albrecht Peters: Reformatorische Rechtfertigungsbotschaft zwischen tridentinischer Rechtfeftigungslehre und gegenwärtigem evangelischen Verständnis der Rechtfertigung. Oskar Thulin: Luther in den Darstellungen der Künste. Ingetraut Ludolphy: Die Ursachen der Gegnerschaft zwischen Luther und Herzog Georg von Sachsen. Alfred Adam: Die Redewendung Luthers " Velut ille ad Rombum" und ihre Deutung durch Erasmus. Oskar Bartel: Johannes a Lasco und Erasmus von Rotterdam. Johannes Herrmann: Armenbibel als "Schmähgemälde" im Schmalkaldischen Krieg. Robert Dollinger: Sören Kierkegaard und der Protestantismus. Gottfried G. Krodel: "Wider den Abgott zu Halle". Martin Schmidt: August Hermann Franckes Katechismuspredigten. Briefwechsel zwischen P. Dr. Reinhold Weijenborg OFM und dem Herausgeber des Luther-Jahrbuches. Reinhold Weijenborg: Kannte Luther das Leben des hl. Germanus von Auxerre? Walther von Loewenich: Paul Althaus als Lutherforscher. Friedrich Wilhelm Kantzenbach: Strukturen in der Ekklesiologie des älteren Luther. Oskar Bartel: Beitrag der Reformation zur polnischen Kultur. Joseph Lortz: Sakramentales Denken beim jungen Luther. Albrecht Peters: Sakrament und Ethos nach Luther. Siegfried Bräuer: Zu Müntzers Geburtsjahr. Robert H. Fischer: Paltz und Luther. Helmar Junghans: Der Einfluß des Humanismus auf Luthers Entwicklung bis 1518. Martin Schmidt: Luthers Weltverständnis. Walter Delius: Luther und Huß. Klaus Schwarzwäller: Zur Struktur von Luthers Pneumatologie. Hans Hofmann: Heinrich Boehmer (1869-1927). Bernhard Lohse: Die Lutherforschung im deutschen Sprachbereich seit 1966. Siegfried Bräuer: Die erste Gesamtausgabe von Thomas Müntzers Schriften und Briefe. Albrecht Peters: Die Theologie der Katechismen Luthers anhand der Zuordnung ihrer Hauptstücke. Wolfgang Franke: Englische Lutherdeutung von 1782 bis 1848: Reformation, Revolution und Reform. Karl Heinz Burmeister: Hans Waiser zum Roten Brunnen - ein Pseudonym für Johannes Bernhardi (1490-1534). Hans Hofmann: Heinrich Boehmers Nachlaß. Bibliographie Heinrich Boehmer (1869-1927). Lennart Pinomaa: Methodische Gesichtspunkte zur Lutherforschung. Helmar Junghans: Die Verwendung von Metaphern und kybernetischen Modellen in der Lutherforschung. Bernhard Lohse: Luther und der Radikalismus. Ernst-Wilhelm Kohls: Die Lutherforschung im deutschen Sprachbereich seit 1970. Steffen Kjelgaard-Pedersen: Die Lutherforschung in Skandinavien seit 1966. Jos E. Vercruysse: Die Lutherforschung im niederländischen Sprachbereich seit 1969. Jos E. Vercruysse: Die Lutherforschung im romanischen Sprachbereich seit 1970. Yoshikazu Tokuzen: Die Lutherforschung in Japan seit 1967. Lowell C. Green: Luther Research in English-Speaking Countries Since 1971. Siegfried Bräuer: Müntzerforschung von 1965 bis 1975. Martin Schmidt: Zum Tode von Heinrich Bornkamm. Tibor Fabiny: In memoriam Jena Solyom. Reinhard Schwarz: Luthers Lehre von den drei Ständen und die drei Dimensionen der Ethik. Martin Schmidt: Luthers 95 Ablaßthesen als kirchliches Bekenntnis. Marc Lienhard: Held oder Ungeheuer? Luthers Gestalt und Tat im Lichte der zeitgenössischen Flugschriftenliteratur. Walther Peter Fuchs: Ranke und Luther. Siegfried Bräuer: Müntzerforschung von 1965 bis 1975 (Fortsetzung). Joachim Rogge: Bericht über den Fünften Internationalen Kongreß für Lutherforschung vom 14. bis 20. August 1977 in Lund (Schweden). Elke Wolgast: In memoriam D. Hans Volz. Helmar Junghans: Die probationes zu den philosophischen Thesen der Heidelberger Disputation Luthers im Jahre 1518. Walter Mostert: Scriptura sacra sui ipsius interpres. Michael Müller: Die Gottlosen bei Thomas Müntzer - mit einem Vergleich zu Martin Luther. Birgit Stolt: Germanistische Hilfsmittel zum Lutherstudium. Karl-Heinz zur Mühlen: In memoriam Walter Mostert. Helmut Feld: Wurde Martin Luther 1521 in effigie in Rom verbrannt? Eric W. Gritsch: Der Humor bei Martin Luther. Manfred Schulze: Johannes Eck im Kampf gegen Martin Luther. Gottfried G. Krodel: Luther - an Antinomian? |os E. Vercruysse: Luther in der römisch-katholischen Theologie und Kirche. Heribert Smolinsky: In memoriam Erwin Iserloh. Joachim Track: In memoriam Wilfried Joest. Markus Wriedt: In memoriam Bernhard Lohse. Angelika Dörfler-Dierken: Luther und die heilige Anna. Hans Düfel: Luther-Gesellschaft und Lutherrenaissance. Siegfried Bräuer: Das Melanchthonjubiläum 1960 in Wittenberg und Halle. Janusz Narzynski: In mernoriam Oskar Bartel. Simo Peura: In mernoriam Lennart Pinomaa. Hans-Ludwig Slupina: In memoriam Erwin Mülha...
[Bookseller: Antiquariat Kretzer - www.bibliotheca-th] |
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HESYCHIUS
Lexikon
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- (en grec). Hesychii Dictionarium. (In fine:) Haguenau, In aedibus Thomae Anshelmi Badensis, 1521, petit in-folio de 196 ff., veau havane, dos à nerfs orné de rinceaux à froid, plats recouverts de daim avec encadrement à froid, tranches jaspées [Rel. du XIXème siècle], défauts à la reliure, mouillure marginale aux 8 premiers et 8 derniers feuillets, petite déchirure au f. l1. Graesse III, 266. Benzing Bibl. Haguenovienne 85. Cet important dictionnaire grec parut pour la première fois en 1514, chez les Alde, à Venise, le texte ayant été établi d'après un manuscrit prêté par Giacomo Bardellone, noble de Mantoue. Cette édition, la troisième, est le premier ouvrage grec imprimé dans la ville alsacienne d'Haguenau, près de Strasbourg. Elle reprend celle des Alde, à deux colonnes (numérotées ici 1 à 776). Ce dictionnaire grec est le seul ouvrage qui nous soit parvenu du grammairien et lexicographe grec, Hesychius ou Hésychios d'Alexandrie qui vécut vers le Ve ou VIe siècle de notre ère. L'ouvrage contient une multitude de renseignements précieux pour l'histoire et la philologie ancienne, dont des expressions et passages de livres aujourd'hui perdus. "On y trouve les expressions les moins usitées qui se rencontraient dans les poètes, les orateurs, les philosophes, les médecins et les historiens; celles qui étaient particulières à quelques peuples, comme les Crétois, les Lacons.; les termes usités dans les sacrifices, les divinations, la gymnastique, etc.; enfin tous ceux qui sortent de l'usage ordinaire de la langue (.). Malgré des défauts, ce lexique est très important." (Hoefer). Exemplaire du théologien et érudit hollandais Balthazar Lydius (1577- Dordrecht 1629), avec son ex-libris manuscrit sur la page de titre et des annotations manuscrites, en latin et en grec, en marge du texte, sur plusieurs feuillets. Lydius est l'auteur de plusieurs ouvrages, il est aussi l'éditeur préfacier d'un livre sur l'Amérique (Novus orbis, id est, Navigationes primae in Americam de Huttich; Rotterdam, 1616). Le catalogue de sa bibliothèque est paru à Dordrecht en 1630. Ex-libris gravé Henry Heathcote, collé sur le premier contreplat, avec inscription manuscrite datée 1824 [Attributes: Signed Copy; Hard Cover]
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CYRIL, Saint, Patriarch of Alexandria (c. 376-444).
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First edition of all three parts; edited by Josse Clichtove. The last part - the homilies on Leviticus - is attributed to Cyril, though it is actually by Origen. The parts are sometimes found separately, but it is clear from their uniform typographic appearance that they were intended to form a collected whole. They were reissued in 1521 (see Mortimer, French Books, no. 162).The translator, George Trapezuntius, was one of the earlier refugees to introduce the study of Greek into Italy; he was born in Crete, 1396, died in Rome, 1486, and was a prolific author of translations, including some Plato and Aristotle. He also had a reputation for cantankerousness and once came to blows with the scholar and papal secretary, Poggio Bracciolini. See N.G. Wilson, From Byzantium to Italy, ch. 10.The full-page woodcut at the end of the second and third parts looks like an illustration from a Parisian Book of Hours of the period but is the device of the Cologne (and London) bookseller Franz Birckmann for whom the printer Hopyl worked. At the top is an Adoration of the Magi, in the middle is a figure of St. Ursula with the 11,000 virgins, and below this is the cauldron containing the seven Maccabean youths with their mother. In the top corners are shields with the arms of Cologne and Birckmann's mark, and Birckmann's motto is cut on a banderole behind St. Ursula in the second scene. It constitutes one of the largest and most intricate devices of the period, and we cannot trace an earlier example of its use. It is reproduced by Heitz (Die Kölner Büchermarken bis Anfang des xvii. Jahrhunderts, Strasbourg, 1898, pl. xiii, no. 37) from a Cologne missal printed by Hopyl for Birckmann in 1520.Adams, C-3177, C-3178, C-3172. The first part is found in two states, with or without the annotations of John Chrysostom and Augustine to Cyril's missing books V to VII. Our copy has the annotations.
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MATHEUS, Georg
MARTHE ET MADELEINE ALLANT AU TEMPLE, after Raphael.
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Little is known about Georg Matheus who lived from approximately 1521 - Broadsheet. (8.97 x 13.10 inches). [Bartsch, 37.12; Strauss, 65]. until 1572. We do know that he was an active engraver and printer in Augsburg abou 1554. Bartsch only lists two chiaroscuro prints under his name and Walter Strauss in his catalogue of German and Netherlandish chiaroscuro woodcut arti lists three. The print is made with a black line block and an umber tone. While Matheus' style here is strictly German, a second print, Actaeon Transformed into a Stag, is a complex work built up in the Italian manner, reflecting the trade and exhange of ideas between Augsburg and the Italian ci states. While this copy is somewhat smaller than the one recorded in Bartsch it does not have the worm damage or creases shown in the reproduction of the copy from The Metropolitan Museum of Art.
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[Scriptores Rustica-Roman Agricultural Authors] Cato; Varro; Columella;Leto and Palladius
Libri de re rustica...Additis nuper commentariis Iunii Pompo. Fortunati in librum De cultu hortorum, cum adnotationibus Philippi Beroaldi
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Heirs of Filippo Giunta, Florence:: Heirs of Filippo Giunta,, 1521.. Second Giunta ed.. Later vellum with shelf number on spine, recased, edges blued, rust hole in L8 (few letters affected) light marginal dampstain on last few leaves; John Crerar Library bookplate and release stamp.. 4to.. Printer's device on verso of last leaf. This is the classic collection of the ancient Roman writers on agricultural subjects.#11;Marcus Porcius Cato (234-149B.C) wrote De Agri Cultura c160 B.C. which deals with the development of vine, olive, and fruit growing. Marcus Terentius Varro (116-27 B.C.) wrote Rerum rusticarum which treats with general agriculture, cattle and sheep raising, and smaller farm livestock. Lucius Iunius Columella wrote De Re Rustica in A.D. 60-65 and it also treats with general agriculture from farm buildings, soils, crops, domestic animals, poultry, fish, and bees. Rutilius Taurus Aemilianus Palladius (4th c. A.D.) was a knowledgeable agriculturists with estates in Italy and Sardinia. His is a practical manual with the instructions separated into months of the year. EDIT 16 CNCE 28760. Renouard, Giunta, xlvi. Schweiger II,1306. Bandini II,171. BM STC (Ital.)29. Adams S807. Simon: Bacchica,II,171:595 & Gastronomia,34.
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Apuleii [Apuleius]
[The Golden Ass] Metamorphoseos, sive Lusus asini libri XI. Floridorum IIII. De deo Socratis I. De philosophia I. Asclepius Trismegisti dialogus eodem Apuleio interprete. Eiusdem Apuleij liber De Dogmatis Platonicis. Eiusdem liber De Mundo Apologiae II#1;
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Aldus [Aldine], Venice:: Aldus [Aldine],, 1521. First Thus,. hc. tall 12mo. This book contains Apuleius' great comic work, The Golden Ass, along with several other minor pieces. Some very old textual notations, some light foxing to the margins of the pages. Aldine anchor device on the title page. Full length figure of minerva stamped on the cover, old pigskin. Some worm holes to the boards which show some wear at the extremities. Authors name written on the spine. Otherwise very good copy of an important book by an important publisher. The 27 unnumbered leaves at the end containing Alcinous are not in this copy. They were often bound separately.
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SANSOVINO, Francesco.
Venice, Nicolo Bevil'acqua, 1564.
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First edition. Son of the great Venetian architect and sculptor Jacopo, Francesco Sansovino (1521-1586) wrote widely and much. This is his history of the Orsini family, dedicated to the Duke of Bracciano, himself an Orsini. Printed throughout in italics, it benefitted, Sansovino tells us, from access to the private Orsini archive and given its fine internal appearance also perhaps from a generous patron's subsidy. A much enlarged edition in folio appeared the following year (1565).This edition seems to be very rare. The Censimento records only two copies in Italy, at Rome (Biblioteca Hertziana) and Naples. Not in the BL. Not in NUC, OCLC, or RLIN.
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[Eberlin von Günzburg, Johann].
Der V. bundtsgnosz. Ein vermanung zu aller oberkeit Teütscher Nation, das sy den Predigstul oder Cantzel reformieren.
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[Basel, Pamphilus Gengenbach 1521]. 4to. 4 Bll.nnum. Mit Titelholzschnitt (Christus lehrend), Einfassung aus 5 Zierleisten und kleiner Initiale. Moderner Halbpergamentband.. Einzige Ausgabe, sehr selten. Voll Begeisterung empfiehlt Eberlin den Obrigkeiten in Land und Städten, rechte evangelische Prediger zu bestellen, die mehr für ein gutes christliches Leben der Bürger zu wirken vermöchten, als viele Statuten, Landsrechte oder schwere Strafen. "Damit steht das Programm des erasmischen Bibelhumanismus nunmehr vollständig vor Augen Gottes Liebe, erwiesen in der Preisgabe Christi, fordert als Gegenleistung eine gründliche Reform des Predigtwesens, Falls nötig, ist dabei auch gewaltsam und unter Bruch des Kirchenrechtes vorzugehen" (Peters). - Teils minimal fleckig, sonst gut erhalten. - VD 16, E-102; Prietzel, Gengenbach Nr. 74; Goedeke II, 222, 5 und S. 247; Riggenbach 285, 5; Peters Nr. 5..
[Bookseller: Stuttgarter Antiquariat] |
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PLUTARCH
Opuscula sedulo undequaq(ue) collecta, & dilige(n)ter. recognita
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Badius Ascensius Paris 1521 Contemporary blindstamped calf over wooden boards (head and tail of spine repaired; new end-papers), decorated with ornamental rolls BOUND WITH CRINITO, Pietro. De Honesta Disciplina, Lib. xxv; De Peotis Latinis Lib. v; et Poematum, Lib. II cu índícibseu capitibus singluorum operu; cuqz tabellis alphabeticis rerum, dictorumqz insigniu ad finem capitum de honesta disciplina, ab Ascensio collectis & appositis. Paris: Badius Ascenius, 1520. [8], 109, [1] leaves, 1 blank leaf. With woodcut title- border and printer's device (of a press in a printer's shop; with monogram IB); large woodcut intials. Two pages of early manuscript in same hand as on first title-page (appears to be French verse). Folio . I. New revised second (1st: 1514) and much enlarged edition of this collection of the miscellaneous works by Plutarch which were translated by various hands here edited by Badius. On the verso of the title-page appears Badius' dedicatory letter to Louis Ruzé (dated July 1521).Translations from the Greek by Niccolò Sagundino, Angelo Poliziano, Guillaume Budé, Willibald Pirckheimer, Philippe Melanchthon, Erasmus of Rotterdam, and eight others. One of Erasmus' translations includes his original dedication to Henry VIII (leaf CLV verso). Included here is his "Politica," "De Liberis educandis," "Apophthegmata," "De Placitis Philosoph.," "Musica," "Problemata," "De Odio & Invidia," "De Fortuna Romano." "De Claris Mulieribus," "De Exilio, and many others. No copies located of this or the 1514 edition located in the OCLC (1 copy of the 1526 edition: Huntington). II. This is the fourth Badius edition, augmented and revised, of these popular texts by the Florentine poet and humansit, Pietro Crinito (1465-1505), who had been a pupil of Angelo Poliziano and friend of Pico della Mirandola. De honesta disciplina, based on the model of Gellius' Noctes Atticae, is a miscellany of notes on classical literature, history, archaelology, etc. De poetis Latinis, (1st: 1505) has the distinction of being the first "modern" history of Roman literautre, containing the biographies of all the major Latin poets. OCLC locates only only Harvard University copy in the US of the Crinito volume. Desirable sammelband of two important and rare humanistic works which are also of particular interest in the history of printing. The two titles feature the two different famous printer's devices of Josse Badius (1462-1535), the first scholar-printer in France, which includes the first use of a printing press. The earlier device (in Crinito), which is signed "IB", included errors that had to be corrected in a new version (Plutarchus) ascribed to the school of Albrecht Durer (see Bigmore-Wymann.). Regarding this device; Renouard, II, Marques typographiques, Pl. B 6, 2-3, for J. Major's Historia Britanniae, 1521; Renouard calls this 2-2 at II:#561; "ascribed to the hand of Dürer and contains a figure strongly resembling the Master himself" (H. W. Davies, Devices of the early printer, #247). The two devices seem to feature here in their very earliest use [14], 181 leaves, 1 blank leaf. With woodcut title-border and woodcut printer's device (of a press in a printer's shop; dated 1520); large woodcut intials. Early ownership inscription along bottom of title-page. Few minor damp marks in a few blank margins. § I. Renouard, Imprimeurs & Libr. Parisiens p. 206, no. 493; cf. Hollstein VII, 274 (for 1st printer's device). II. Renouard, Badius II, p., 353 no. 5; Renouard, Imprimeurs & Librares II, p. 190, no. 448; Moreau II, 2303; Adams C 2950;Bigmore- Wyman 29 (for 2nd woodcut device); IA 147.087 and (2nd work only);
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Eduardo Matos Moctezuma
Aztecs
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UK. PLEASE NOTE that we do not offer expedited shipping. Orders placed with the priority shipping option will automatically be canceled. This important new book documents the splendid artistic legacy of the Aztecs, an extraordinary people who, in the space of only 200 years from 1325 to 1521, created one of the most impressive civilizations in the world. Published to accompany one of the greatest exhibitions of Aztec culture ever seen, opening in November 2002 at the Royal Academy of Arts in London, this comprehensive volume with over 500 superb colorplates presents works of turquoise, gold, and jade, polychrome ceramics, illustrated codices and manuscripts, and monumental stone and wood sculptures. Nine authoritative essays written by a team of renowned scholars from Mexico, Britain, and the United States explore the Aztecs' view of the cosmos and their place within it, their religious beliefs, rulers, philosophy and literature, techniques of warfare, and day-to-day life. This book will stand as the definitive book on the Aztecs for years to come. ISBN10: 1903973139.
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PLUTARCH
Opuscula sedulo undequaq(ue) collecta, & dilige(n)ter. recognita
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Badius Ascensius, Paris 1521 - Contemporary blindstamped calf over wooden boards (head and tail of spine repaired; new end-papers), decorated with ornamental rolls BOUND WITH CRINITO, Pietro. De Honesta Disciplina, Lib. xxv; De Peotis Latinis Lib. v; et Poematum, Lib. II cu índícibseu capitibus singluorum operu; cuqz tabellis alphabeticis rerum, dictorumqz insigniu ad finem capitum de honesta disciplina, ab Ascensio collectis & appositis. Paris: Badius Ascenius, 1520. [8], 109, [1] leaves, 1 blank leaf. With woodcut title- border and printer's device (of a press in a printer's shop; with monogram IB); large woodcut intials. Two pages of early manuscript in same hand as on first title-page (appears to be French verse). Folio . I. New revised second (1st: 1514) and much enlarged edition of this collection of the miscellaneous works by Plutarch which were translated by various hands here edited by Badius. On the verso of the title-page appears Badius' dedicatory letter to Louis Ruzé (dated July 1521).Translations from the Greek by Niccolò Sagundino, Angelo Poliziano, Guillaume Budé, Willibald Pirckheimer, Philippe Melanchthon, Erasmus of Rotterdam, and eight others. One of Erasmus' translations includes his original dedication to Henry VIII (leaf CLV verso). Included here is his "Politica," "De Liberis educandis," "Apophthegmata," "De Placitis Philosoph.," "Musica," "Problemata," "De Odio & Invidia," "De Fortuna Romano." "De Claris Mulieribus," "De Exilio, and many others. No copies located of this or the 1514 edition located in the OCLC (1 copy of the 1526 edition: Huntington). II. This is the fourth Badius edition, augmented and revised, of these popular texts by the Florentine poet and humansit, Pietro Crinito (1465-1505), who had been a pupil of Angelo Poliziano and friend of Pico della Mirandola. De honesta disciplina, based on the model of Gellius' Noctes Atticae, is a miscellany of notes on classical literature, history, archaelology, etc. De poetis Latinis, (1st: 1505) has the distinction of being the first "modern" history of Roman literautre, containing the biographies of all the major Latin poets. OCLC locates only only Harvard University copy in the US of the Crinito volume. Desirable sammelband of two important and rare humanistic works which are also of particular interest in the history of printing. The two titles feature the two different famous printer's devices of Josse Badius (1462-1535), the first scholar-printer in France, which includes the first use of a printing press. The earlier device (in Crinito), which is signed "IB", included errors that had to be corrected in a new version (Plutarchus) ascribed to the school of Albrecht Durer (see Bigmore-Wymann.). Regarding this device; Renouard, II, Marques typographiques, Pl. B 6, 2-3, for J. Major's Historia Britanniae, 1521; Renouard calls this 2-2 at II:#561; "ascribed to the hand of Dürer and contains a figure strongly resembling the Master himself" (H. W. Davies, Devices of the early printer, #247). The two devices seem to feature here in their very earliest use [14], 181 leaves, 1 blank leaf. With woodcut title-border and woodcut printer's device (of a press in a printer's shop; dated 1520); large woodcut intials. Early ownership inscription along bottom of title-page. Few minor damp marks in a few blank margins. § I. Renouard, Imprimeurs & Libr. Parisiens p. 206, no. 493; cf. Hollstein VII, 274 (for 1st printer's device). II. Renouard, Badius II, p., 353 no. 5; Renouard, Imprimeurs & Librares II, p. 190, no. 448; Moreau II, 2303; Adams C 2950;Bigmore- Wyman 29 (for 2nd woodcut device); IA 147.087 and (2nd work only);. [Attributes: Hard Cover]
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VITRUVIUS /RYFF, Walter, ed
De Architectura Libri Decem...nuc in primum in Germania qua potuit diligentia excusi, atque hinc inde schemetibus non iniucundus exornati... FRONTINUS. ...de Aquaeductibus urbis Romae... CUSANUS, Nicolaus. De staticis Experimentis, fragmentum
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4to. [19.5 x 13.5], (26) ff., 314 pp (i.e. 312; pp. 97-98 omitted in pagination, as described by Fowler), (26) ff., including numerous woodcut initials and numerous woodcuts in text. Bound in early stiff vellum, raised bands on spine, with title neatly stenciled. Ownership inscription of Lorenz Vibrosch (?) on title; annotated through book VII with subject headings in what is likely a 17th-century hand. Some toning and light, even browning; iron in ink annotations occasionally bleeding through extreme outer margin, with minor loss to annotation and the blank margin supporting it. Withal, a fresh, unwashed copy, with good strikes of the woodcuts. Scarce first edition of the first edition of Vitruvius published in Germany, illustrated with reduced copies of the woodcuts found in the 1521 Como edition; also containing an edition of Frontinus on aqueducts, the most important ancient treatise on the subject, as well as the second edition (first c. 1500) of an important text by Nicolaus of Cusa containing the first experiment in plant physiology. The first edition of Vitruvius published outside Italy, Ryff's redaction (which preceded his German translation of the work by five years) is his first piece of scholarship in the field of architecture. Walther Hermann Ryff's reputation was cemented by his Vitruvian editions: he "skillfully won himself a readership scarcely familiar even with such terms as !architect' and !architecture'" (Kruft p. 71). Ryff (Rivius, d. 1548) was a humanist-trained doctor and mathematician from Nuremberg, who "had an extensive knowledge of published Renaissance writings on architectural theory. (A year before his translation of Vitruvius he published a substantial volume of texts and commentaries on the subject, in German, from mainly Italian sources)" (ibid p. 470). There are two known states (or issues) of this edition; that offered here contains a preface by Messerschmidt, as opposed to the author.Following the text of Vitruvius are Frontinus's important work on the aqueducts of Rome, and the treatise on "Static Experiments" by Nicolaus de Cusa. "In this he records the famous experiment, antedating Hales 200 years, of weighing earth and seeds, then the resulting plants, their ashes, and the earth in which they had grown" (Osler 7465), and establishing that plants absorb something of weight from the air. This is considered the first experiment in plant physiology in modern times, and incidentally, the first formal proof that air has weight (see H. Viets, "De staticis experimentis of Nicolaus Cusanus," in Annals of Medical History (1922), pp. 115-35 and R. Benedict, "The first experiment in plant physiology," in Science (1939), pp. 411-12). The treatise was first published at Strasbourg about 1500 (Goff N-97); this is its second appearance in print. * VD16 V-1763; Fowler 401; Berlin Katalog 1806; Adams V-906; Cicognara 707; not in Millard, Northern European.
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APULEIUS, Lucius & ALCINOUS and others, & ALCINOUS.
First Aldine edition of Apuleius' works, including a text attributed to Hermes Trismegistus Metamorphoseos, sive lusus Asini libri XI. Floridorum IIII. De Deo Socratis I. De Philosophia I. Asclepius Trismegisti Dialogus eodem Apuleio interprete. Eiusdem Apuleij liber de Dogmatis Platonicis. Eiusdem liber de Mundo, quem magna ex parte ex lib. Aristotelis eiusdem argumenti in latinum traduxit. ... Apologiae II. ALCINOUS, Isagogicus liber Platonicae philosophiae, Graece impressus. Nam commodius visi sumus facere, si hunc librum graecum imprimeremus, quam latinum, cum inepta tralatione cuiusdam Episcopi Ttropiensis (sic) barbarus esset.
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(Colophon: Venice, heirs of Aldus the Elder (Andrea Asulani & sons), May 1521).. 2 parts in 1 vol. 8vo. Contemporary richly blind ruled full calf with three blind tooled decorated rolls, red speckled edges. Woodcut printer's device on title and verso of last leaf. 266 (i.e. 264), (28) ff. [Collation: a-z8, A-K8 (Rom.), (1-3)8, (4)4 (Arab.)].. First Aldine edition of Apuleius collected works including the Metamorphoses ('The Golden Ass', here on fols. 3-130) and his Platonic texts, edited by Franciscus Asulanus.Lucius Apuleius Platonicus (c. 123/125 - c. 180) was a Romanized Berber, remembered most for his bawdy picaresque Latin novel, the Metamorphoses , otherwise known as The Golden Ass or, in Latin, the Asinus Aureus . It's the only Latin novel to survive in its entirety. The date of composition of the Metamorphoses is uncertain. It has variously been considered by scholars as a youthful work preceding Apuleius' Apology of 158/9 AD, or as the climax of his literary career and perhaps as late as the 170s or 180s. Apuleius adapted the story from a Greek original, possibly by Lucius of Patrae. His other works follow, including a text attributed to Hermes Trismegistus :(f. 2: Letter of the eitor Franciscus Asulanus to Franciscus Rubrius (Francois Lerouge)).- ff. 130v-149: Floridorum libri IV.- ff. 149v-161: De Deo Socratis (On the God of Socrates).- ff. 161v-172: De philosophia liber.- ff. 173-192: the translation into Latin by Apuleius (the text is sometimes also attributed to Asclepius) of the Asclepius attributed to Hermes Trismegistus in the form of a dialogus between Harmes and his pupil Asclepius. The original Greek is lost and partially preserved in Latin. The first part is on the position of man in the universe and his relation to God, the earth and heaven; the second is on good and evil, and the third contains fragments. among others on a bloody prophecy of the end of Roman rule in Egypt and the resurgence of pagan Egyptian power.- ff. 193-200: Vita, instituta, dogmata Platonis ( On Plato and his Doctrine ).(- f. 201r: Preface by Franciscus Asulanus to the reader).- ff. 201v-214: Liber cui index est cosmographia, sive de mundo ad Faustinaum filium (On the universe).- ff. 215-266 (=264): Apologiae sive defensionis Mageiae apud Claudium.- half title for the work by Alcinouus, printed in Greek. and ff. (2-27). The work of Alcinous is mentioned on the general title-page, but also has its own part-title here. This part begins with a new series of quires, numbered 1-4). It is his handbook of Platonism, an epitome of Middle Platonism with topics ranging from logic to physics to ethics, intended as a manual for teachers, is here entirely printed in Greek. Alcinous was a Middle Platonist philosopher who probably lived in the 2nd century, although nothing is known about his life.(f. 28r: imprint; 28v: printer's device). Good copy in an attractive blind tooled binding.- (Some staining in the beginning, title repaired; former ms. ownership's entries on verso of title and title (erased: 'Paul...'); binding very skilfully rebacked and restored along edges). Renouard p. 91, no. 8; The Aldine Press, Cat. Ahmanson-Murphu coll. UCLA 202; Adams A-1362; ; Dibdin I, p. 284; STC Italian p. 35; Index Aurel. 106.611; Hoffmann I, 109.
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APULEIUS, LUCIUS & ALCINOUS AND OTHERS, & ALCINOUS.
METAMORPHOSEOS, SIVE LUSUS ASINI LIBRI XI. FLORIDORUM IIII. DE DEO SOCRATIS I. DE PHILOSOPHIA I. ASCLEPIUS TRISMEGISTI DIALOGUS EODEM APULEIO INTERPRETE. EIUSDEM APULEIJ LIBER DE DOGMATIS PLATONICIS. EIUSDEM LIBER DE MUNDO, QUEM MAGNA EX PARTE EX LIB. ARISTOTELIS EIUSDEM ARGUMENTI IN LATINUM TRADUXIT. ... APOLOGIAE II. ALCINOUS, ISAGOGICUS LIBER PLATONICAE PHILOSOPHIAE, GRAECE IMPRESSUS. NAM COMMODIUS VISI SUMUS FACERE, SI HUNC LIBRUM GRAECUM IMPRIMEREMUS, QUAM LATINUM, CUM INEPTA TRALATIONE CUIUSDAM EPISCOPI TTROPIENSIS (SIC) BARBARUS ESSET. (COLOPHON: VENICE, HEIRS OF ALDUS THE ELDER (ANDREA ASULANI & SONS), MAY 1521).
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2 parts in 1 vol. 8vo. Contemporary richly blind ruled full calf with three blind tooled decorated rolls, red speckled edges. Woodcut printer's device on title and verso of last leaf. 266 (i.e. 264), (28) ff. [Collation: a-z8, A-K8 (Rom.), (1-3)8, (4)4 (Arab.)]. First Aldine edition of Apuleius collected works including the Metamorphoses ('The Golden Ass', here on fols. 3-130) and his Platonic texts, edited by Franciscus Asulanus.Lucius Apuleius Platonicus (c. 123/125 - c. 180) was a Romanized Berber, remembered most for his bawdy picaresque Latin novel, the Metamorphoses, otherwise known as The Golden Ass or, in Latin, the Asinus Aureus. It's the only Latin novel to survive in its entirety. The date of composition of the Metamorphoses is uncertain. It has variously been considered by scholars as a youthful work preceding Apuleius' Apology of 158/9 AD, or as the climax of his literary career and perhaps as late as the 170s or 180s. Apuleius adapted the story from a Greek original, possibly by Lucius of Patrae. His other works follow, including a text attributed to Hermes Trismegistus:(f. 2: Letter of the eitor Franciscus Asulanus to Franciscus Rubrius (Francois Lerouge)).- ff. 130v-149: Floridorum libri IV.- ff. 149v-161: De Deo Socratis (On the God of Socrates).- ff. 161v-172: De philosophia liber.- ff. 173-192: the translation into Latin by Apuleius (the text is sometimes also attributed to Asclepius) of the Asclepius attributed to Hermes Trismegistus in the form of a dialogus between Harmes and his pupil Asclepius. The original Greek is lost and partially preserved in Latin. The first part is on the position of man in the universe and his relation to God, the earth and heaven; the second is on good and evil, and the third contains fragments. among others on a bloody prophecy of the end of Roman rule in Egypt and the resurgence of pagan Egyptian power.- ff. 193-200: Vita, instituta, dogmata Platonis (On Plato and his Doctrine).(- f. 201r: Preface by Franciscus Asulanus to the reader).- ff. 201v-214: Liber cui index est cosmographia, sive de mundo ad Faustinaum filium (On the universe).- ff. 215-266 (=264): Apologiae sive defensionis Mageiae apud Claudium.- half title for the work by Alcinouus, printed in Greek. and ff. (2-27). The work of Alcinous is mentioned on the general title-page, but also has its own part-title here. This part begins with a new series of quires, numbered 1-4). It is his handbook of Platonism, an epitome of Middle Platonism with topics ranging from logic to physics to ethics, intended as a manual for teachers, is here entirely printed in Greek. Alcinous was a Middle Platonist philosopher who probably lived in the 2nd century, although nothing is known about his life.(f. 28r: imprint; 28v: printer's device). Good copy in an attractive blind tooled binding.- (Some staining in the beginning, title repaired; former ms. ownership's entries on verso of title and title (erased: 'Paul...'); binding very skilfully rebacked and restored along edges). Renouard p. 91, no. 8; The Aldine Press, Cat. Ahmanson-Murphu coll. UCLA 202; Adams A-1362; ; Dibdin I, p. 284; STC Italian p. 35; Index Aurel. 106.611; Hoffmann I, 109.
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PLUTARCH
Opuscula sedulo undequaq(ue) collecta, & dilige(n)ter. recognita
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Badius Ascensius, Paris 1521 - Contemporary blindstamped calf over wooden boards (head and tail of spine repaired; new end-papers), decorated with ornamental rolls BOUND WITH CRINITO, Pietro. De Honesta Disciplina, Lib. xxv; De Peotis Latinis Lib. v; et Poematum, Lib. II cu índícibseu capitibus singluorum operu; cuqz tabellis alphabeticis rerum, dictorumqz insigniu ad finem capitum de honesta disciplina, ab Ascensio collectis & appositis. Paris: Badius Ascenius, 1520. [8], 109, [1] leaves, 1 blank leaf. With woodcut title- border and printer's device (of a press in a printer's shop; with monogram IB); large woodcut intials. Two pages of early manuscript in same hand as on first title-page (appears to be French verse). Folio . I. New revised second (1st: 1514) and much enlarged edition of this collection of the miscellaneous works by Plutarch which were translated by various hands here edited by Badius. On the verso of the title-page appears Badius' dedicatory letter to Louis Ruzé (dated July 1521).Translations from the Greek by Niccolò Sagundino, Angelo Poliziano, Guillaume Budé, Willibald Pirckheimer, Philippe Melanchthon, Erasmus of Rotterdam, and eight others. One of Erasmus' translations includes his original dedication to Henry VIII (leaf CLV verso). Included here is his "Politica," "De Liberis educandis," "Apophthegmata," "De Placitis Philosoph.," "Musica," "Problemata," "De Odio & Invidia," "De Fortuna Romano." "De Claris Mulieribus," "De Exilio, and many others. No copies located of this or the 1514 edition located in the OCLC (1 copy of the 1526 edition: Huntington). II. This is the fourth Badius edition, augmented and revised, of these popular texts by the Florentine poet and humansit, Pietro Crinito (1465-1505), who had been a pupil of Angelo Poliziano and friend of Pico della Mirandola. De honesta disciplina, based on the model of Gellius' Noctes Atticae, is a miscellany of notes on classical literature, history, archaelology, etc. De poetis Latinis, (1st: 1505) has the distinction of being the first "modern" history of Roman literautre, containing the biographies of all the major Latin poets. OCLC locates only only Harvard University copy in the US of the Crinito volume. Desirable sammelband of two important and rare humanistic works which are also of particular interest in the history of printing. The two titles feature the two different famous printer's devices of Josse Badius (1462-1535), the first scholar-printer in France, which includes the first use of a printing press. The earlier device (in Crinito), which is signed "IB", included errors that had to be corrected in a new version (Plutarchus) ascribed to the school of Albrecht Durer (see Bigmore-Wymann.). Regarding this device; Renouard, II, Marques typographiques, Pl. B 6, 2-3, for J. Major's Historia Britanniae, 1521; Renouard calls this 2-2 at II:#561; "ascribed to the hand of Dürer and contains a figure strongly resembling the Master himself" (H. W. Davies, Devices of the early printer, #247). The two devices seem to feature here in their very earliest use [14], 181 leaves, 1 blank leaf. With woodcut title-border and woodcut printer's device (of a press in a printer's shop; dated 1520); large woodcut intials. Early ownership inscription along bottom of title-page. Few minor damp marks in a few blank margins. § I. Renouard, Imprimeurs & Libr. Parisiens p. 206, no. 493; cf. Hollstein VII, 274 (for 1st printer's device). II. Renouard, Badius II, p., 353 no. 5; Renouard, Imprimeurs & Librares II, p. 190, no. 448; Moreau II, 2303; Adams C 2950;Bigmore- Wyman 29 (for 2nd woodcut device); IA 147.087 and (2nd work only);. [Attributes: Hard Cover]
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BIBLE IN LATIN
Biblia Latina: Biblia Cum Concordantiis Veteris & Novi Testamenti Et Sacrorum Canonum. . . .
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Nuremberg A. Koburger 1521 Printed by J. Sacon for Koburger. Early acid calf boards, later spine with red leather lettering piece, gilt. Lacks preliminary matter and commences with Folio I, the beginning of Genesis, with a half page woodcut of Adam and Eve. CCCXVII folios. Text in two columns with an architectural border, woodcut initials and many woodcut illustrations in text, all hand-colored. Full page hand-colored woodcut of the Nativity at the beginning of the New Testament (misbound at Fol. CCXLIX). Occasional contemporary marginalia; armorial bookplate. Leather thumbtabs. Board edges worn, boards pitted, as expected. Occasional tiny worming and marginal restoration, else a very nice copy. Hardcover Very good Darlow & Moule 6101.
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Gaguin, Robert u. Humbert Vellay
De Francorum regum gestis annales....
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Paris, J. Cornillau für P. Viard 1521. 8°, circa 17 x 12 cm., 20, 351 num. Bll., mit 2 blattgrossen Textholzschnitten und 1 Druckermarke. Leder d. 17. Jh. BM STC, French 192; Vander Haeghen, Bibl. Erasmiana III, 23; nicht bei Adams. Seltene Ausgabe der Geschichte der französischen Könige bis auf Ludwig XII., erstmals 1495 erschienen. Der Humanist und neulateinische Dichter Robert Gaguin (1433 bis 1501) war befreundet mit Erasmus, Pico della Mirandola u. a. Der nach der Erstausgabe reproduzierte Brief von Erasmus an Gaguin auf Blatt 305 war der erste von Erasmus veröffentlichte Text (vgl. Vander Haeghen). - Der zwei mal wiederholte, grosse Holzschnitt zeigt die Könige Dagobert, Karl den Grossen und St. Louis mit den Wappen Frankreichs und seiner Provinzen. - Zu Beginn und am Ende etwas wasserrandig, Kopfsteg knapp beschnitten. Einband beschabt und bestoßen, Gelenke brüchig, aber solide, insgesamt gut. - Scarce edition. As the first edition from 1495 here with a letter from Erasmus to Gaguin, the first published text by Erasmus. 17th cent. calf (worn). - Waterstaining at beginning and end, joints brittle but nor loosening, altogether very good copy of this elegant imprint wth two large woodcuts
[Bookseller: Antiquariat Thomas Rezek] |
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PLUTARCH
Opuscula sedulo undequaq(ue) collecta, & dilige(n)ter. recognita
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Badius Ascensius Paris 1521 Contemporary blindstamped calf over wooden boards (head and tail of spine repaired; new end-papers), decorated with ornamental rolls BOUND WITH CRINITO, Pietro. De Honesta Disciplina, Lib. xxv; De Peotis Latinis Lib. v; et Poematum, Lib. II cu índícibseu capitibus singluorum operu; cuqz tabellis alphabeticis rerum, dictorumqz insigniu ad finem capitum de honesta disciplina, ab Ascensio collectis & appositis. Paris: Badius Ascenius, 1520. [8], 109, [1] leaves, 1 blank leaf. With woodcut title- border and printer's device (of a press in a printer's shop; with monogram IB); large woodcut intials. Two pages of early manuscript in same hand as on first title-page (appears to be French verse). Folio . I. New revised second (1st: 1514) and much enlarged edition of this collection of the miscellaneous works by Plutarch which were translated by various hands here edited by Badius. On the verso of the title-page appears Badius' dedicatory letter to Louis Ruzé (dated July 1521).Translations from the Greek by Niccolò Sagundino, Angelo Poliziano, Guillaume Budé, Willibald Pirckheimer, Philippe Melanchthon, Erasmus of Rotterdam, and eight others. One of Erasmus' translations includes his original dedication to Henry VIII (leaf CLV verso). Included here is his "Politica," "De Liberis educandis," "Apophthegmata," "De Placitis Philosoph.," "Musica," "Problemata," "De Odio & Invidia," "De Fortuna Romano." "De Claris Mulieribus," "De Exilio, and many others. No copies located of this or the 1514 edition located in the OCLC (1 copy of the 1526 edition: Huntington). II. This is the fourth Badius edition, augmented and revised, of these popular texts by the Florentine poet and humansit, Pietro Crinito (1465-1505), who had been a pupil of Angelo Poliziano and friend of Pico della Mirandola. De honesta disciplina, based on the model of Gellius' Noctes Atticae, is a miscellany of notes on classical literature, history, archaelology, etc. De poetis Latinis, (1st: 1505) has the distinction of being the first "modern" history of Roman literautre, containing the biographies of all the major Latin poets. OCLC locates only only Harvard University copy in the US of the Crinito volume. Desirable sammelband of two important and rare humanistic works which are also of particular interest in the history of printing. The two titles feature the two different famous printer's devices of Josse Badius (1462-1535), the first scholar-printer in France, which includes the first use of a printing press. The earlier device (in Crinito), which is signed "IB", included errors that had to be corrected in a new version (Plutarchus) ascribed to the school of Albrecht Durer (see Bigmore-Wymann.). Regarding this device; Renouard, II, Marques typographiques, Pl. B 6, 2-3, for J. Major's Historia Britanniae, 1521; Renouard calls this 2-2 at II:#561; "ascribed to the hand of Dürer and contains a figure strongly resembling the Master himself" (H. W. Davies, Devices of the early printer, #247). The two devices seem to feature here in their very earliest use [14], 181 leaves, 1 blank leaf. With woodcut title-border and woodcut printer's device (of a press in a printer's shop; dated 1520); large woodcut intials. Early ownership inscription along bottom of title-page. Few minor damp marks in a few blank margins. § I. Renouard, Imprimeurs & Libr. Parisiens p. 206, no. 493; cf. Hollstein VII, 274 (for 1st printer's device). II. Renouard, Badius II, p., 353 no. 5; Renouard, Imprimeurs & Librares II, p. 190, no. 448; Moreau II, 2303; Adams C 2950;Bigmore- Wyman 29 (for 2nd woodcut device); IA 147.087 and (2nd work only);
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APULEIUS, Lucius & ALCINOUS and others, & ALCINOUS.
First Aldine edition of Apuleius' works, including a text attributed to Hermes Trismegistus, Metamorphoseos, sive lusus Asini libri XI. Floridorum IIII. De Deo Socratis I. De Philosophia I. Asclepius Trismegisti Dialogus eodem Apuleio interprete. Eiusdem Apuleij liber de Dogmatis Platonicis. Eiusdem liber de Mundo, quem magna ex parte ex lib. Aristotelis eiusdem argumenti in latinum traduxit. . Apologiae II. ALCINOUS, Isagogicus liber Platonicae philosophiae, Graece impressus. Nam commodius visi sumus facere, si hunc librum graecum imprimeremus, quam latinum, cum inepta tralatione cuiusdam Episcopi Ttropiensis (sic) barbarus esset.
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heirs of Aldus the Elder (Andrea Asulani & sons), May 1521)., (Colophon: Venice, - 2 parts in 1 vol. 8vo. Contemporary richly blind ruled full calf with three blind tooled decorated rolls, red speckled edges. Woodcut printer's device on title and verso of last leaf. 266 (i.e. 264), (28) ff. [Collation: a-z8, A-K8 (Rom.), (1-3)8, (4)4 (Arab.)]. First Aldine edition of Apuleius collected works including the Metamorphoses ('The Golden Ass', here on fols. 3-130) and his Platonic texts, edited by Franciscus Asulanus.Lucius Apuleius Platonicus (c. 123/125 - c. 180) was a Romanized Berber, remembered most for his bawdy picaresque Latin novel, the Metamorphoses, otherwise known as The Golden Ass or, in Latin, the Asinus Aureus. It's the only Latin novel to survive in its entirety. The date of composition of the Metamorphoses is uncertain. It has variously been considered by scholars as a youthful work preceding Apuleius' Apology of 158/9 AD, or as the climax of his literary career and perhaps as late as the 170s or 180s. Apuleius adapted the story from a Greek original, possibly by Lucius of Patrae. His other works follow, including a text attributed to Hermes Trismegistus:(f. 2: Letter of the eitor Franciscus Asulanus to Franciscus Rubrius (François Lerouge)).- ff. 130v-149: Floridorum libri IV.- ff. 149v-161: De Deo Socratis (On the God of Socrates).- ff. 161v-172: De philosophia liber.- ff. 173-192: the translation into Latin by Apuleius (the text is sometimes also attributed to Asclepius) of the Asclepius attributed to Hermes Trismegistus in the form of a dialogus between Harmes and his pupil Asclepius. The original Greek is lost and partially preserved in Latin. The first part is on the position of man in the universe and his relation to God, the earth and heaven; the second is on good and evil, and the third contains fragments. among others on a bloody prophecy of the end of Roman rule in Egypt and the resurgence of pagan Egyptian power.- ff. 193-200: Vita, instituta, dogmata Platonis (On Plato and his Doctrine).(- f. 201r: Preface by Franciscus Asulanus to the reader).- ff. 201v-214: Liber cui index est cosmographia, sive de mundo ad Faustinaum filium (On the universe).- ff. 215-266 (=264): Apologiae sive defensionis Mageiae apud Claudium.- half title for the work by Alcinouus, printed in Greek. and ff. (2-27). The work of Alcinous is mentioned on the general title-page, but also has its own part-title here. This part begins with a new series of quires, numbered 1-4). It is his handbook of Platonism, an epitome of Middle Platonism with topics ranging from logic to physics to ethics, intended as a manual for teachers, is here entirely printed in Greek. Alcinous was a Middle Platonist philosopher who probably lived in the 2nd century, although nothing is known about his life.(f. 28r: imprint; 28v: printer's device). Good copy in an attractive blind tooled binding.- (Some staining in the beginning, title repaired; former ms. ownership's entries on verso of title and title (erased: 'Paul.'); binding very skilfully rebacked and restored along edges). Renouard p. 91, no. 8; The Aldine Press, Cat. Ahmanson-Murphu coll. UCLA 202; Adams A-1362; ; Dibdin I, p. 284; STC Italian p. 35; Index Aurel. 106.611; Hoffmann I, 109. [Attributes: First Edition]
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PLUTARCH
Opuscula sedulo undequaq(ue) collecta, & dilige(n)ter. recognita
|
Badius Ascensius, Paris 1521 - Contemporary blindstamped calf over wooden boards (head and tail of spine repaired; new end-papers), decorated with ornamental rolls BOUND WITH CRINITO, Pietro. De Honesta Disciplina, Lib. xxv; De Peotis Latinis Lib. v; et Poematum, Lib. II cu índícibseu capitibus singluorum operu; cuqz tabellis alphabeticis rerum, dictorumqz insigniu ad finem capitum de honesta disciplina, ab Ascensio collectis & appositis. Paris: Badius Ascenius, 1520. [8], 109, [1] leaves, 1 blank leaf. With woodcut title- border and printer's device (of a press in a printer's shop; with monogram IB); large woodcut intials. Two pages of early manuscript in same hand as on first title-page (appears to be French verse). Folio . I. New revised second (1st: 1514) and much enlarged edition of this collection of the miscellaneous works by Plutarch which were translated by various hands here edited by Badius. On the verso of the title-page appears Badius' dedicatory letter to Louis Ruzé (dated July 1521).Translations from the Greek by Niccolò Sagundino, Angelo Poliziano, Guillaume Budé, Willibald Pirckheimer, Philippe Melanchthon, Erasmus of Rotterdam, and eight others. One of Erasmus' translations includes his original dedication to Henry VIII (leaf CLV verso). Included here is his "Politica," "De Liberis educandis," "Apophthegmata," "De Placitis Philosoph.," "Musica," "Problemata," "De Odio & Invidia," "De Fortuna Romano." "De Claris Mulieribus," "De Exilio, and many others. No copies located of this or the 1514 edition located in the OCLC (1 copy of the 1526 edition: Huntington). II. This is the fourth Badius edition, augmented and revised, of these popular texts by the Florentine poet and humansit, Pietro Crinito (1465-1505), who had been a pupil of Angelo Poliziano and friend of Pico della Mirandola. De honesta disciplina, based on the model of Gellius' Noctes Atticae, is a miscellany of notes on classical literature, history, archaelology, etc. De poetis Latinis, (1st: 1505) has the distinction of being the first "modern" history of Roman literautre, containing the biographies of all the major Latin poets. OCLC locates only only Harvard University copy in the US of the Crinito volume. Desirable sammelband of two important and rare humanistic works which are also of particular interest in the history of printing. The two titles feature the two different famous printer's devices of Josse Badius (1462-1535), the first scholar-printer in France, which includes the first use of a printing press. The earlier device (in Crinito), which is signed "IB", included errors that had to be corrected in a new version (Plutarchus) ascribed to the school of Albrecht Durer (see Bigmore-Wymann.). Regarding this device; Renouard, II, Marques typographiques, Pl. B 6, 2-3, for J. Major's Historia Britanniae, 1521; Renouard calls this 2-2 at II:#561; "ascribed to the hand of Dürer and contains a figure strongly resembling the Master himself" (H. W. Davies, Devices of the early printer, #247). The two devices seem to feature here in their very earliest use [14], 181 leaves, 1 blank leaf. With woodcut title-border and woodcut printer's device (of a press in a printer's shop; dated 1520); large woodcut intials. Early ownership inscription along bottom of title-page. Few minor damp marks in a few blank margins. § I. Renouard, Imprimeurs & Libr. Parisiens p. 206, no. 493; cf. Hollstein VII, 274 (for 1st printer's device). II. Renouard, Badius II, p., 353 no. 5; Renouard, Imprimeurs & Librares II, p. 190, no. 448; Moreau II, 2303; Adams C 2950;Bigmore- Wyman 29 (for 2nd woodcut device); IA 147.087 and (2nd work only);. [Attributes: Hard Cover]
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Biblia miniatura, 1521.
[Antiguo y Nuevo testamento, traducción de San Hieronymus]. [con portada propia:] Incipit liber Genesis. [idem. sigue:] Incipit liber hellsmoth quenos Exodi dicimus.[idem. sigue:] Incipit vaiikra I. liber Leviticus. Incipit liber vaidda ber id est Numeri. [a texto seguido, sigue:] Incipit liber Ellchaldborim qui Deuteronomium prenotatur. [idem.sigue:] Incipit liber Josue. [idem.sigue:] Incipit liber sopheim, quez nos Iudicum appellamus. [con portada propia y diferente de las anteriores:] Actus Apostolorum.
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Paris, Pierre Viart, sub Leone Argenteo. [1521]. 11x5,5 cm. Impresión gótica francesa de 42 lineas.Total de 330 folios numerados (distintas paginaciones). Pequeña perdida en el folio23 del Nuevo Testamento, afectando la esquina superior y a algunas letras. Por lo demás excelente ejemplar. Encuadernación francesa del s.XIX, hacia 1880. Preciosa biblia gótica miniatura, uno de los no probablemente más de 10 ejemplares conocidos en el mundo. Tres portada lucen el pequeño grabado de Durero, "San Jerónimo", la portada del Nuevo Testamento, está formada por cuatro maderas, la inferior contiene el anagrama del impresor "Pierre Viart". Renouard, Inventaire chronologique des éditions parisiennes du XVI. 1521/ 26 y 27. Solo se conoce dos ejemplares ( Louvain, y Vienne).
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REGINO, Abbot of Pruem
Annales, non tam de augustorum vitis, quam aliorum germanorum gestis et docte et compendiose disserentes, ante sexingentos fere annos editi. Cum privilegio Imperiali.
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Mainz, Johann Schoeffer, August 1521. With wide historiated woodcut title-border, full-page woodcut portrait of Rotenhan, full-page cut of his coat-of-arms; large woodcut crible initial at beginning of dedication, few smaller initials. 12 unn. leaves, 58 leaves, 2 unn. leaves. Folio. Full dark brown morocco, gilt fillets on sides and back, gilt-lettering on spine, gilt inner dentelles. Mainz, Johann Schoeffer, August 1521. First edition of Regino's chronicle, particulary valuable for information on the period from 741 to 906; the continuation to 967 is probably by Adalbert, archbishop of Magdeburg; edited by the humanist Sebastian von Rotenhan (1478-1534). The work leads from the birth of Christ to the time of Emperor Otto II. Regino (died in 915) became abbot of Prum in 892. His "Annales" merit our respect as they are one of the earliest attemps to write a world history in a continuous narrative. The two full-page woodcuts show a portrait of Sebastian von Rotenhan and his richly decorated coat-of-arms, surmounted by a cockerel and the motto "nosce te ipsum", the title-border shows seven smaller scenes at head and sides, and one large scene at the foot. The attribution of the fine woodcuts to Conrad Faber von Creuznach has been questioned by Brucker (1963). At the end, there is a letter of Rotenhan addressed to the humanist Wolfgang Fabricius Capito (or Kopfel, 1478-1541). - Title and last leaf verso slightly dust-soiled, otherwise fine. - VD 16 R 599; STC (German) 728; Adams R-276; Brunet IV, 1182; Wurdtwein, Bibliotheca Moguntina, p. 153-54 (in detail). HISTORY (KULTURGESCHICHTE) ;
[Bookseller: Hellmut Schumann Antiquariat] |
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Mainz:
Meintzisch hoffgerichts Ordnu(n)g zu allen andern gerichten dienlich.
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Mainz (J. Schöffer) 4. Sept. 1521. - Folio. 24 nn. Bll. (das letzte weiss). Mit figürlicher Holzschnitt-Titelbordüre. Moderner flexibler Pergamentband mit goldgeprägter Deckelvignette. Sehr seltene erste Ausgabe. VD 16. M 262. Stobbe II, 410 f. Nicht bei BM, STC und bei Adams. "Im Jahre 1516 hatte der Erzbischof Albert (Albrecht v. Brandenburg, Kurfürst und Erzbischof von Mainz) eine Hofgerichtsordnung von seinem Kanzler Johann Fürderer entwerfen und dann (1521) publizieren lassen, welche von Kaiser Karl V. bestätigt wurde. Sie ordnete den Prozess nach den Regeln des gemeinen Rechts an" (Stobbe). Das freundliche Geleitwort mit der Bestätigung Karls V. auf Bl 2 recto.- In der breiten Fußleiste der Titelbordüre das erzbischöfliche Wappen. - Einband leicht angestaubt, Exlibris auf dem Vorsatz, Titel etwas fingerfleckig, 2 Bll. mit kleinen Tintenflecken, wenige alte Unterstreichungen und Randanmerkungen. Schönes und breitrandiges Exemplar.
[Bookseller: Antiquariat Kurt Lammek] |
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CYRILLO ALESSANDRINO
AD SENSU MORALEM & INSTITUENDA HOMINUM VITAM CONGRUENTISSIME APPLICAT
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PARIGI: HOPILIUM, 1521. In 4!, pp. 62 (numerazione solo al recto), 2 cc.nn.. Legatura in mezza pergamena. Numerosi capilettera xilografati, frontespizio figurato, raffigurante due aquile a sostegno di due anelli, che incorniciano il titolo dell'opera. Al fine, ricca incisione con struttura architettonica raffigurante inferno, purgatorio e paradiso. Seconda edizione, con tutta probabilita realizzata sulla prima del 1508 e stampata dallo stesso editore. L'autore, Cyrillo di Alessandria (380 circa - Alessandria 444) fu un polemista greco-cristiano, nonche vescovo di Alessandria ed e noto per aver combattuto con le proprie opere il paganesimo e l'eresia. Fu animatore del Concilio di Efeso (431) contro Nestorio. Bello e fresco esemplare marginoso, in ottimo stato di conservazione.
[Bookseller: Il Pensatoio] |
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AQUINUS Thomas S.]
In questa opera se contengono due libri devotissimi e necessarii a ciaschuno vero co(n)verso spirituale.
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- Milano, Giovanni Angelo Scinzenzeler, 1510In 4° (20,6 x 14,7). Cc. (96). Bella illustrazione xilografica al titolo che raffigura il Santo (?) e un gruppo di monache. Una non trascurabile porzione bianca del titolo è stata completamente ed abilmente reintegrata senza alcuna perdita d'immagine. Una macchia d'unto allesterno in C1-2, lontano dal testo, ed ancora una lieve gora periferica ad alcune carte, non fastidiosa. Legatura del tempo rimontata in cartone rustico e pergamena con dorso in pergamena da antico manoscritto. Carte libere assenti. Titolo ms. al taglio superiore. Great portion of title-page perfectly restored, without loss. Old (seventeenth?) boards, spine backed with vellum from old manuscript. Lacks free endpapers. Title manuscript on upper edge. Rarissima edizione milanese, ristampata poi dallo stesso tipografo nel 1521. Il primo Cinquecento vede un fiorire di edizioni in volgare per parte della trattatistica religiosa con particolare riferimento a libretti devozionali di matrice popolare, in questo contesto non sono frequenti i volgarizzamenti dei Padri della Chiesa, compreso S.Tommaso. Giuseppe Balsamo però contesta vivacemente l'attribuzione fatta al Santo aquinate sulla base della lettera proemiale (composta da un frate dell'ordine dei Predicatori, Antonio Beccari) e per il taglio del sonetto in volgare al verso del primo foglio, opera di un anonimo frate Domenicano. ICCU/EDIT16, n. 45050 (solo quattro esemplari nelle biblioteche italiane). An exceptionally rare vernacular edition, probably not composed by the famous Saint but written by a Preach of the Dominican order. KRISTELLER, n. 342. SANDER, n. 7290. BALSAMO, Scinzenzeler, n. 81
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[Eberlin von Günzburg, Johann].
D(a)z lob der pfarrer. VOn de(n) vnütze(n) kosten der gelegt wirt vo(n) de(m) gemeine(n) vnuerste(n)dige(n) volck vff mäß läsen, volgungen, begrebnuß, sybend, dreysigst, jartag etc. Vn(d) vom lob der Pfarrer vnd irer nötigen Caplon. Der VII. bundtgnosz.
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[Basel, Pamphilus Gengenbach 1521]. 4to. 6 Bll. nnum. Mit drei kleinen Holzschnitten und Einfassung aus sechs Zierleisten auf Titel, sowie 5 Initialen. Moderner Halbpergamentband.. Erste von insgesamt sechs Ausgaben. Von allen 15 "Bundsgenossen" war dieser siebte offenbar der beliebteste, wie die Zahl der Ausgaben zeigt. Eberlin geisselt hier den Missbrauch des dauernden Messelesens, Kerzenstiftens etc., das nur den Klöstern den Säckel fülle, den Toten aber keinen Dienst erweise. - Teils etwas fleckig, letztes Blatt oben knapp beschnitten, sonst gut erhalten. - VD 16, E-104; Prietzel, Gengenbach Nr. 76; Panzer II, 1206; Goedeke II, 222, 7; Riggenbach 286, 7 und Seite 41..
[Bookseller: Stuttgarter Antiquariat] |
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Biblia miniatura, 1521.
Antiguo y Nuevo testamento, traducción de San Hieronymus]. [con portada propia:] Incipit liber Genesis. [idem. sigue:] Incipit liber hellsmoth quenos Exodi dicimus.[idem. sigue:] Incipit vaiikra I. liber Leviticus. Incipit liber vaidda ber id est Numeri. [a texto seguido, sigue:] Incipit liber Ellchaldborim qui Deuteronomium prenotatur. [idem.sigue:] Incipit liber Josue. [idem.sigue:] Incipit liber sopheim, quez nos Iudicum appellamus. [con portada propia y diferente de las anteriores:] Actus Apostolorum.
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Pierre Viart, sub Leone Argenteo. [1521], Paris, - 11x5,5 cm. Impresión gótica francesa de 42 lineas. Total de 330 folios numerados (distintas paginaciones). Pequeña perdida en el folio23 del Nuevo Testamento, afectando la esquina superior y a algunas letras. Por lo demás excelente ejemplar. Encuadernación francesa del s.XIX, hacia 1880. Preciosa biblia gótica miniatura, uno de los no probablemente más de 10 ejemplares conocidos en el mundo. Tres portada lucen el pequeño grabado de Durero, "San Jerónimo", la portada del Nuevo Testamento, está formada por cuatro maderas, la inferior contiene el anagrama del impresor "Pierre Viart". Renouard, Inventaire chronologique des éditions parisiennes du XVI. 1521/ 26 y 27. Solo se conoce dos ejemplares ( Louvain, y Vienne).
[Bookseller: Llibreria Antiquària Delstres] |
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Rhegius, Urbanus,
Underricht, Wie ain Christenmensch got seiem herren teglich beichten soll.
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(Augsburg, S. Otmar) 1521 - M. Holzschn.-Titelbordüre. 4 Bl. Neuer Ppbd. m. Deckelbezug aus einer Buchseite eines Druckes d. 16. Jh. Unterstreich. u. Marginalien von alter Hand. Titel am Außenrand bis an d. Bildrand beschnitten. 2 einzelne kl. Wurmgänge, davon 1 im Text. Panzer Annalen II, 1131. Kuczynski 2228. VD 16 R 1987. BM STC German 738. Seltene erste Ausgabe. - Frühe Schrift d. Urbanus Rhegius, der 1520 zum Augsburger Domprediger berufen worden war u. sich im Unterschied zu seinem damals noch zögerlichen Amtsvorgänger Oekolampad immer mutiger auf d. Seite Luthers stellte. Zwar finden sich in seinen Predigten dieser Zeit "noch manche unevangelischen Reste; aber der Grundzug ist doch evangelisch, wie denn z.B. die auch in diese Zeit fallende Schrift 'Underricht wie ain Christenmensch beichten soll' ganz auf den Gedanken fußt, die Luther in den Thesen entwickelt hatte" (RE XVI, 736). Die Schrift fand weite Verbreitung; bis 1526 wurde sie nicht weniger als acht Mal gedruckt. Die schöne Titelbordüre zeigt Putten im Spiel mit allerlei Tieren, darunter einen Ritt auf einer Schnecke (Abbildung in Slg. Stickelberger Nr. 298-301).
[Bookseller: Zentralantiquariat Leipzig GmbH]
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1520