viaLibri ~ Rare Books from 1510

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PORCIA, JACOBUS.
De librorum educatione.
Strasbourg, Johannis Schottius, 1510. - 4to. Later boards, with white paper-label on spine. With charming woodcut vignette at the end, showing a running hare between ornamental flowers. (10) lvs. Rare essay on the education of children, in Latin, by Jacobus Purlillarum Comes, or Jacobus Porcia, published in Strasbourg by Jan Schot at the expense of George Maxillus, alias Übelin, Councillor of the Bishop of Strasbourg. The book contains short chapters on birth, infant feeding, the family, teacher, children's games, religion, the games of adolescents, professions, the military, the church, the civil service, old people and death. No further information could be found on the author or the book. Good copy.- (Library stamp on verso title). Ritter, Cat. Incunables & Livres XVIe Siècle Bibl. Municip. Strasbourg, 1750; STC German p. 712. [Attributes: Hard Cover] [Bookseller: Antiquariaat FORUM BV]
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MACER FLORIDUS, Aemilius
Herbarum varias qui vis cognoscere vires: huc Macer adest: quo duce doctor eris. [Editado por Pierre Guéroult].
S.l.n.a. (París), Petro Baquelier, (c.1510-1515). En 8º. 159 hojas (de 160, falto de la última blanca sólo). Signaturas a-v8. Portada con grabado de madera que cocupa la práctica totalidad de la hoja, 65 grabados en madera ilustrando plantas a tamaño algo mayor de media página. Encuadernación en pleno marroquén estilo Grolier con rica decoración dorada en cubiertas, lomera y contratapa. Muy temprana edición del "De Viribus Herbarum" ilustrada con 65 grabados en madera, quizá el más famoso tratado medieval sobre la virtud y beneficios de las plantas y de las yerbas. Se considera generalmente que el autor fue Odo de Meung, físico y naturalista francés del siglo XI. Todas las ediciones son extraordinariamente raras; el texto original aparece en forma de poema y se describen setenta y siete plantas. Es el primer texto francés y uno de los primeros textos occidentales que se dedican a la Botánica.Este popular poema medieval es el primer herbario impreso, cuya primera edición apareció sin ilustrar en Nápoles en 1477 y posteriormente ilustrada en Milán en 1482; se describen las virtudes de ochenta y ocho plantas, yerbas, especies, etc. A principios del siglo XVI aparecen en París una serie de ediciones, sin indicaciones tipográficas en la mayoría de los casos, donde se reproduce el texto de Macer comentado y anotado por Pierre Guéroult, profesor de medicina en Caen. Todas estas tempranas ediciones parisinas sin fechar comparten la misma colación y están ilustradas con los mismos grabados en madera. Se diferencian generalmente en pequeños detalles del título o del colofón y en la composición de las portadas. Hemos localizado cuatro variantes: la nuestra que muestra en recto de la portada un escribano con un perro y texto al verso; la descrita por Durling 2888 donde aparece el mismo grabado en el recto de la portada y se repite al verso; la descrita por Moreau A, con un grabado de la crucifixión en el recto de la portada; y la descrita por Hunt 22 que aparentemente es igual a la nuestra excepto en un colofón en v7 recto que no aparece en nuestra emisión. La primera edición comentada por Guéroult es de 1509 y como nuestra edición parece ser la más primitiva de las descritas anteriormente creemos que su impresión se realizó inmediatamente después, en 1510 posiblemente.Los sesenta y cinco grabados de plantas en perfecto estado, con el papel muy limpio. Portada con restauración en el margen exterior afectando muy ligeramente al grabado, segunda hoja con mínima restauración marginal sin afectar, por lo demás perfecto ejemplar, muy limpio.Referencias: Haller, Bibliotheca Botanica I, p. 125 [Bookseller: Librería José Porrúa Turanzas, S.A.]
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LUCAS CRANACH IL VECCHIO KRONACH 1472 - WEIMAR 1553
IL MARTIRIO DI SAN PIETRO 1510
"Xilografia, circa 1510, firmata in lastra in alto a sinistra. Della serie I Martiri dei Dodici Apostoli. Magnifica prova, impressa su carta vergata coeva priva di filigrana, completa della linea marginale e con sottili margini, in ottimo stato di conservazione. La leggenda vuole che Pietro venisse per suo volere crocifisso a testa in giu' a Roma, sul Gianicolo; liconografia solitamente, come in questo caso, coglie il momento in cui i soldati elevano la croce con sopra San Pietro, alla presenza di numerosi testimoni. Stilisticamente lopera denota linfluenza della pittura italiana; il gruppo di figure in primo piano e' fortemente inserito nel paesaggio. Bellissimo esemplare." Woodcut, 1510 circa, signed on upper left plate. From the series The Martyrdom of the Twelve Apostles. Magnificent work, printed on contemporary laid paper without watermark, with marginal line and thin external margins, in excellent condition. The legend says St. Peter was crucified, according to his own will, with the head upside down, on the mount Gianicolo in Rome; classic iconography, as in this case, depicts the moment when the soldiers lift the cross with St. Peter in front of those present. Stylistically, the work is deeply influenced by Italian painting of the time: the figures in the foreground are perfectly included in the landscape. Excellent example. Bibliografia: Bartsch 37. Dimensioni 164x128. 164 128 [Bookseller: Libreria ANTIQUARIUS - Roma - Italy]
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MAJOR, John [Joannes Mair Haddingtonus Scotus, 1469-1550].
Disputationes in Primum et Secundum Sententiarum.
Paris: Parisiis, impressum per Henricum Stephanum, impensis Iodoci Badii ascensii, Joannis Parvi et magistri Constantini Leporis, 1510. [y] Paris: Impresse impensis communibus Joannis Parvi et Jodoci Badii Ascensii, 1528. - Dos tomos en un volúmen en folio; el primero tiene una hoja, 122 folios numerados, 7 hojas, con diversas pérdidas: portada, seis hojas preliminares, y tres folios que presentan desgarros con carencia de texto. El segundo tiene 4 hojas, 120 folios. Presenta falta de portada y pérdida parcial de texto en la hoja que le sigue, anterior a la tabla. Impresión en letra gótica para ambos tomos. Capitulares grabadas en criblé. Anotaciones marginales manuscritas, de la época. Texto limpio y amplios márgenes. Buen estado de conjunto pese a las faltas señaladas. Encuadernación de la época, en piel sobre tabla, con ruedas gofradas y restos de cierres, bastante fatigada, pero sólida. Rarísima edición de los Comentarios a los Libros primero y segundo de las «Sentencias» de Pedro Lombardo, obra del gran teólogo e historiador John Mair, nacido en Gleghornie, cerca de Haddington, quien ejerció una gran influencia desde sus Cátedras de Lógica y Teología de las Universidades de Paris, Glasgow y especialmente en St. Andrew's, no sólo en el pensamiento escolástico y nominalista de su época, sino en el desarrollo de una conciencia nacional escocesa, por sus escritos históricos y políticos, y al mismo tiempo como maestro de figuras tales como John Knox, Patrick Hamilton y George Buchanan, ilustres reformadores escoceses, y en su etapa parisina de personajes de la talla de Calvino, Ignacio de Loyola y Francisco de Vitoria. Hay que destacar igualmente que en dicha etapa en la cátedra de lógica del Colegio Monteagudo, Montaigu, en la Sorbona, se formó un círculo de lógicos españoles alrededor de Major, integrado por Jerónimo Pardo, Antonio y Luis Núñez Coronel, Fernando de Encinas, Juan de Celaya, Juan Dolz y Gaspar Lax. En el pensamiento de Major se halla la afirmación de que la autoridad de la Iglesia no reside en el Papa sino en el conjunto de la misma, así como que la autoridad civil reside en el pueblo quien la transfiere, «sub conditione», al gobernante, pudiendola recuperar eventualmente, incluso por la fuerza. - [Bookseller: Hesperia Libros]
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COPIE BULLARUM SUMMORUM PONTIFICUM IN FAVOREM MENDICANTIUM. S.N. (1510 CIRCA, PROBABILMENTE PARIGI).
In 8, cart. dec. ottocentesco; cc. 40 non numerate, segnatura aa8 - ee8, carattere gotico, testo su due colonne. Iniziali ornate, a ""fond crible"". Placchetta che raccoglie tutte le bolle (oltre 20) promulgate da Alessandro IV, dal 14/4/1255 al 3/12/1260, prevalentemente per autorizzare i predicatori degli Ordini Mendicanti (domenicani e francescani) all' insegnamento presso l' Universita' di Parigi, e per censurare il comportamento dei maestri e canonici secolari, capeggiati da Guglielmo di Saint Amour, che a questa innovazione ferocemente si opponevano. Proprio in questo periodo vennero ammessi all' insegnamento alla Sorbona S. Tommaso d' Aquino e S. Bonaventura da Bagnoregio, come si evince dal testo di alcune bolle, e il papa dovette intervenire contro i seguaci di Guglielmo che turbavano le lezioni e contro taluni bidelli prezzolati, sino alla espulsione degli stessi. [Bookseller: Libreria DOCET - Bologna - Italy]
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AN ILLUMINATED VELLUM MANUSCRIPT LEAF WITH A MINIATURE OF...
TEXT FROM THE OFFICE OF THE DEAD (VESPERS).
France, probably Paris, ca. 1510 Trimmed to follow the outline of the architectural border, and measuring approximately 152 x 83 mm. (6 x 3 1/4""). Single column verso with 33 (recto with seven) lines of text in a quite small very neat roman hand (looking much like printed type). Inlaid on a larger piece of vellum and attractively matted. Several one- and two-line brushed gold initials on a blue or orange ground text on verso within a knotted gold ropework border the text (and miniature) on the recto within an elaborate gold architectural frame most of the enclosed area WITH A DEPICTION OF DIVES AND LAZARUS the rich man and the leprous beggar as described in Luke 16: 19-30 (see below): richly dressed Dives and his equally splendid lady at a table draped with fine linen eating from expensive silver and engaged in animated conversation two servants in the background one of them blocking the approach of Lazarus who is in the doorway attracting the attention of two barking dogs the meal being consumed in a sumptuous interior with two large archways one leading into another grand room and the other out to the street of a fashionable district in a Medieval city THE BOTTOM PORTION OF THE LEAF (below and to the right of the text) WITH ANOTHER QUITE DRAMATIC SCENE OF DIVES IN HELL the glutton now naked with an iron collar around his neck attached to a pole held by a simian creature as two other hideous animals look on gleefully the action set against a backdrop of crackling hellfire. Perhaps discreetly retouched (but if so then done with very considerable skill) the vellum in the text area slightly darkened otherwise very fine. This leaf comes from a fine Renaissance Book of Hours that obviously employed liberal amounts of gold that was painted by a first-rate artist and that was written out by a scribe who used a beautiful and exacting script resembling the types of the royal printer Geoffroy Tory. In describing the manuscript from which the present items come Christopher de Hamel in Medieval and Renaissance Manuscripts in New Zealand Collections cat. no. 98 says that books of this type were made in Tours Bourges and later probably in Paris and Rouen and many are associated with court patronage. The borders of knotted ropes around the text pages probably allude to the 'cordelière' or cord of the sisterhood of the tertiaries of St. Francis founded by Anne of Brittany after the death of Charles VIII in 1498. Our miniatures relate to a group of early 16th century Touraine miniatures that reflect the influence of Bourdichon Poyet and Fouquet. . . . The presentation of a substantial section of the text as [if it were] a 'cutting' pasted over the miniatures [as is seen here] is a characteristic feature of this workshop. The manuscript from which our leaf comes belonged to John Boykett Jarman (d. 1864) was damaged in a freak hailstorm on 1 August 1846 and was repaired and restored by Caleb Wing (see J. M. Backhouse in British Museum Quarterly vol. 32 pp. 76-92). It is said that Wing retouched some of the miniatures but the present leaf seems not to have been restored at least not in any obvious way. The scene being depicted here comes from the well-known parable that vaults a lowly beggar (Lazarus) into heaven while Dives the rich man who spurned the needs of Lazarus on earth languishes in hell. Small details such as the softly modeled accordion wrinkles in the neck of Lazarus the creases in the linen tablecloth made by having been folded when ironed and the feline smirk and malicious eyes of the demon who has Dives by a neck rope show the skill and care of the artist. The circular central room in the backdrop has the look of a chapel but contains a large gold money chest underlining the message that Dives put mammon before God. $4500 [Bookseller: Phillip J. Pirages Fine Books & Manuscri]
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DOCUMENTO MANUSCRITO. SIGLO XVI, FIRMADO POR FERNANDO EL CATOLICO, MONZON, SELGUA, HUESCA
1510, SEPTIEMBRE, 2. MONZON: DOCUMENTO SOBRE PERGAMINO EN EL QUE EL REY DON FERNANDO EL CATOLICO CONCEDE LA JURISDICCION CIVIL Y CRIMINAL DEL LUGAR DE SELGUA (PROV. DE HUESCA) A FELIPE DE ERILL. [AL FINAL CON EL SIGNUM REAL Y LA FIRMA "YO EL REY" DE FERNANDO EL CATOLICO]: SIGNUM FERDINANDI, DEI GRATIA REGIS ARAGONUM, SICILIE CITRA ET ULTRA FARUM, HIERUSALEM, VALENTIE, MAIORICARUM, SARDINIE ET CORSICE, COMTIS BARCHININE, DUCIS ATHENARUM ET NEOPATRIE, COMITIS ROSSILIONIS ET CERITANIE, MARCHIONIS ORISTANNI ET GOCIANI. YO EL REY. [SEGUIDO DE UNA FIRMA NOTARIAL Y OTRAS FIRMAS]
Datum in villa Montissoni [Monzon], die secundo mensis septembris, anno a nativitate Domini millesimo quingentesimo decimo (1510), regnorum nostrum videlicet Sicilie ultra farum anno quadragesimo tertio, Aragonum et aliorum tricesimo secundo, Sicilie autem citra farum et Hierusalem octavo.- Documento manuscrito sobre pergamino; con clara caligrafia de principios del siglo XVI; de 59 x 60 cm..- DOCUMENTO UNICO Y EN IMPECABLE ESTADO. MUY INTERESANTE PARA LA HISTORIA DE ARAGON Y EN ESPECIAL PARA LA HISTORIA DE SELGUA. Para su mejor comprension se adjunta con el documento la transcripcion integra en latin.* [Bookseller: Libreria Miguel MIRANDA - Madrid - Spain]
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Balbo, Giovanni Francesco [f.
Tractatus Foecundus, et Perutilis de Praescriptionibus.
1510- 1510 - 1518]. [Henricus, de Segusio, Cardinal (Hostiensis) (c. 1200-1271)]. Tractatus Foecundus, et Perutilis de Praescriptionibus: Editus per clarissimum Iurisconsultum do. Ioannem Franciscum Balbum Taurinensem. Cui Accedit Repetitio Singularis l. Celsus ff. de Usucap. Cum Multis Additionibus & Apostillis, Una cum Dictis Hostien. In Summa de Praescrip. & Usucap. & Cum Summariis & Repertorio Nuper Additis. Venice: [Apud Cominum de Tridino], 1563. [32], 300 pp. Main text in parallel columns. Octavo (6" x 4"). Later quarter calf over marbled boards with vellum corners, endpapers renewed. Light rubbing to extremities. Large woodcut printed device to title page, woodcut decorated initials. Early owner signature to foot of title page. A few minor smudges and some dampspotting to preliminaries and index leaves, interior otherwise fresh. * Later edition of a work first published in 1511. Tractatus Foecundus is concerned with the Roman law of prescription, the principle whereby a right or liability is created or extinguished over a certain period of time, usually in regard to a property title. It also includes an edition of a short treatise on this subject by Henricus de Segusio. It was a popular work that went through several issues and editions, the last one in 1582. 3 copies located in North America, 1 of this edition (at the UT-Austin Ransom Library). Censimento Nazionale Delle Edizioni Italiane del XVI Secolo (EDIT16) CNCE 3947. [Attributes: Hard Cover] [Bookseller: The Lawbook Exchange, Ltd., ABAA ILAB]
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GHISLANDIS DE IAVENO, Fra Antonio de [fl. 1489-1507].
Opus aureum ornatum omni lapide super Evangeliis totius anni. Pars Secunda [ex duobus].
al fin: [Paris] sumptibus prestantis bibliopole Johannis Petit, Johannis merchatoris impressum, 1510. - 8vo.; portada con la insignia de Jean Petit, 3 hojas, la última blanca, CCXXXII ff. Bella impresión en letra gótica. Encuadernación de época, en pergamino. Un rarísimo impreso lionés postincunable de Juan de Vingles, de la obra del humanista dominico, inquisidor en Turin, Fra Antonio De Ghislandis. [Bookseller: Hesperia Libros]
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Jetzerhandel - Jacobus de Marcepallo.
Tractatus in elucidationem cuiusdam hostie rubricate in vrbe inclita Berna.
[Basel, Adam Petri, 1510]. 4to. 10 Bll.nnum. Mit grossem Titelholzschnitt von Urs Graf (?). Marmorierter Pappband.. Einzige Ausgabe, von grösster Seltenheit. Wichtiges Dokument zum sogenannten "Jetzerhandel", der sich in den Jahren 1507-09 in Bern abgespielt hatte. Der Autor Jaques de Marchepallu, spätestens seit November 1504 in Genf ansässig, war Franziskaner und Doktor des Kirchenrechts. Er hatte im Auftrage des Bischofs von Lausanne, Aymon de Montfalcon, zu dessen Kirchenprovinz Bern gehörte, die kirchenrechtlich bedeutsame Frage zu klären, ob die zur Vortäuschung des Blutens für Jetzer rotgefärbte Hostie ihre heiligen Eigenschaften behalte oder nicht. Marcepallo verneinte dies und stellte die Annahme seines Ergebnisses dem Bischof und dem Papst anheim. Das Titelbild zeigt Jetzer mit seinen Wundmalen vor dem Altar liegend, auf dem Altar eine Pieta, links zwei Mönche und zwei Laien, darüber schwebend die Hostie. Frank Hieronymus im Kat. der Ausstellung "Oberrheinische Buchillustration" weist den Holzschnitt mit guten Argumenten Urs Graf zu und datiert ihn sowie das Buch auf 1508. - Oben und an der unteren rechten Ecke wasserrandig, unten etwas knapp beschnitten, die Lagensignatur B1 angeschnitten, sonst noch gut erhalten. - VD 16, J-135; Goff M-231 (1 Ex.); Panzer IX, 185, 243; Isaac 14360; Schreiber V, 4564; Hieronymus II, 47 u. Abb. 171,1.. [Bookseller: Stuttgarter Antiquariat]
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Whittington, Robert
De Heteroclitis Nominibus
London; Peter Treveris, c.1531. 4to. ll. [20]. Black and roman letter; title within elaborate pictorial woodcut border, (Not in McKerrow) contemporary (? )monogram in blank, 16th C inscription to last leaf "Be it known unto all them/ Be it known that I Thomas/ Be it known unto all men that" with Latin above now mostly excised, another elsewhere. Slight age yellowing, a good, clean, well-margined copy in 19th C half calf over marbled boards. Rare edition of Whittington's guide to noun cases for the use of students, PRINTED BY THE FIRST PRINTER IN SOUTHWARK. Whittington published a number of grammars from 1510 onwards. His regular printer was Wynkyn de Worde, but during the years 1529-1531 he experimented with Peter Treveris, who was found to be so unsatisfactory that on returning to de Worde Whittington saw fit to include some disparaging verses about Treveris in his new grammars. The text presents all grammar concerning nouns on a systematic case by case basis, with very brief statements of each grammatical procedure in a large Roman font, followed by examples in very small Black letter. Written entirely in Latin, the book represents a daunting project for the schoolboy reader. Whittington (c.1480-C.1553) was an English grammarian and pupil of John Stanbridge. Although turning to translation later in his career, he was made famous by his publication of elementary Latin school books concentrating on a single grammatical aspect, which were sold widely and cheaply and frequently republished, nevertheless, their survival rate, especially in good condition, has been very low. A staunch traditionalist, or 'Trojan', favouring the rote learning of grammar and syntax prior to any attempts at reading, Whittington famously came to blows with William Lily, headmaster of St Paul's, who favoured a 'Greek' approach to the Classics, promoting the learning of grammar through reading texts, resulting in the almost simultaneous publication of two very disparate 'Vulgariae'. Unfortunately for Whittington, Lily's... [Bookseller: Alibris]
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DOCUMENTO MANUSCRITO. SIGLO XVI, MURCIA, RECIBO
Recibo dado en 16 de Julio de 1510 por Alfonso Fernandez de Mojados en fabor de Luis de Guzman vezino de Murcia de 200 maravedís de un deposito
- [Murcia ?] Diez e seys dyas del mes de Julio de mil quinientos y diez años (1510).- Una hoja manuscrita por la primera cara con clara letra del siglo XVI, sobre papel verjurado; in folio (32 cm.); cubiertas en papel verjurado del siglo XVIII con marca de agua y nota manuscrita indicando el contenido.- Se ha respetado la ortografía original. IMPECABLE. [Bookseller: Librería Miguel Miranda, AILA ILAB]
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IN HOC VOLUMINE CONTINENTUR SINGULARIA Ludovici Romani cum additionibus. Francisci de Crema. Guillermi de Ludo. Mathei de Matesellis. Amanelli de Claris Aquis. Anthonii Corsicti. Hyppoliti de Marsiliis. Materias quotidie in Iudicis versantes continentia. [ed. Joannes Baptista Castellionaeus].
Paris, Martin Alexandre, 31 Août 1510. - in-4. 16 ff. n. ch. 264 ff. et 11 ff. n. ch. Plein veau, dos à nerfs, décor à froid sur les plats, avec des motis dorés (Reliure moderne dans le goût de l'époque). Edition gothique très rare de ce recueil de textes de grands juristes italiens du XVème et XVIème siècles, dont le première publication semble dater de Milan 1506. Les auteurs ici réunis sont: Ludovico Pontano (1409-1439), Gulielmus de Ludo, Matheus Mattaselanus (1381-1412), Amanellus de Claris Aquis, Antonius Corsetus (1450-1503) et Hippolygtus de Marsilis (1450-1529). L'édition a été préparée par Joannes Baptista Castellionaeus, qui y a ajouté des notes et commentaires. Le dernier auteur du volume est le célèbre juriste italien originaire de Bologne, Ippolito Marsili (1451-1529). Docteur en droit en 1480, professeur entre 1482 et 1524, il fut le titulaire de la première chaire pénaliste crée en Italie (1509). Marsilii est resté célèbre pour avoir promu de nouvelles formes de torture comme la privation de sommeil et la technique de torture par l'eau, connue sous le nom de "Torture Chinoise de l'Eau" (cf. Brian Innes, "The History of Torture"). Titre rouge et noir, caractères gothiques. Le titre est illustré de la marque du libraire parisien Martin Alexandre. Au verso se trouve une très belle figure gravée sur bois à pleine page, représentant un docteur en droit travaillant dans son cabinet, entouré de ses livres. Des rousseurs, quelques feuillets, dont le titre, un peu salis. Exemplaire comportant de nombreuses annotations dans les marges d'une écriture de l'époque. [Attributes: Hard Cover] [Bookseller: L'Ile Enchantée]
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ORATIONES SANTAE BRIGITTAE
CUM ORATIONE SANCTI AUGUSTINI. (ROMA, MARCELLO SILBER, NON PRIMA DEL 1510).
"In-8; 8 cc.; legatura moderna in pergamena rigida. Due grandi xilografie popolari che rappresentano i due santi." "Assai rara edizione, di cui si conosce un esemplare conservato alla Biblioteca Nazionale di Roma. Per l'attribuzione tipografica si veda Alberto Pinto, Annali di Eucario e Marcello Silber, p. 48. L'operetta comprende 15 brevi orazioni di Santa Brigida e la ""Oratio pro tribulatis"" pseudoagostiniana. L'immagine di S. Brigida prostrata davanti al crocifisso e quella di S. Agostino inginocchiato in preghiera riproducono prototipi rintracciabili in consimili, ma anteriori, operette di preghiera stampate a Roma nell'ultimo decennio del sec. XV da Eucario Silber e prima di lui da Stephan Planck (cfr. Sander 1024 sgg.). Sul formarsi di questo canonico nucleo di preghiere, piu' volte stampate in edizione popolare tra i sec. XV-XVI, si veda Gustaf Edvard Klemming, Brigitta-Literatur, Stockholm, 1884." Pinto 68. Sander 1047. [Bookseller: Libreria Antiquaria MEDIOLANUM - Milano ]
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Datus, Agostino.
Augustini Tdahi [!] scribae Senensis elegantiolae: noviter correctae: & in pristinum statum redactae. Libellus eiusdem de bovem verbis, contra vulgatam multorum opinionem. Eiusdem libellus flosculorum.
(Wien, Hieronymus Vietor & Johann Singriener), 18. Dezember 1510).. (100) SS. Marmorierter Pappband um 1900. 4to.. Seltene, offenbar frühe und sonst nicht nachgewiesene Druckvariante mit falsch geschriebenem Verfassernamen im Titel ("TDAHI" statt "DATHI"). Hübsch gedruckte Wiener Ausgabe der bekannten Stil- und Rhetorikfibel des Sieneser Humanisten Dati (1420-78); "ab 1471 in ganz Europa 'notissimae ac millies impressae'" (LMA III, 574). Bemerkenswert ist auch im 2. Teil der Einsatz von zwei hebräischen Lettern (Kof und Schin) im Druck, schreibt doch Mayer, es kämen in Singrieners "De Bello Turcis in ferendo" von 1544 "zum erstenmale in Wiener Drucken hebräische Typen vor" (I, 38) - eine Ehre, die demnach vielmehr dem vorliegenden Werk zukommt. - Nach Studien der Artes, Theologie und Jurisprudenz lehrte Dati Rhetorik und die Humanitates zuerst in Urbino (1442), dann - unter Verzicht auf einen Ruf von Papst Nikolaus V. - in Siena (1444), wo er 1455 Nachfolger seines Lehrers Francesco Filelfo wurde; zugleich war er ab 1457 Sekretär und Historiograph von Siena. Seine Schriften umfassen fast das gesamte Spektrum humanistischer Gelehrsamkeit. - Titel etwas wasserrandig. Durchgehend mit ausführlichen Humanistenmarginalien der Zeit (bei der Neubindung um 1900 teils minimal angeschnitten). Alter hs. Besitzvermerk am Titel. Die Initiale des 2. Teils mit hübschem Rahmenwerk verziert. - VD 16, D 279. BNHCat D 43. ÖNB 52.D.40. Nicht bei Denis oder Mayer. [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
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WEISSEN BLAETTER,DIE.: Eine Monatsschrift. Jg. 2 (ohne Heft 10). In Heften. Mit Ill. im Text u. a. Taf. Lpz., Vlg. d. Weissen Bücher, 1915. Zus. 1510 S. Okt.
- * Beiträge u. a. von: R. Schickele, G. Benn: Gehirne (Erstdruck), A. Ehrenstein G. Landauer, E. Stadler, M. Brod, L. Frank, A. Paquet, R. Walser, A. Wolfenstein, H. Ball, A. Kolb, A. Zweig, P. Zech, S. Friedländer, M. Scheler, E. Blass, M. Herrmann, E. Lasker-Schüler, C. Sternheim, J. R. Becher, K. Hiller, R. M. Rilke, A. Kerr, G. Simmel, H. Mann, F. Kafka, K. Pinthus. Illustrationen u. a. von: Seewald, O. Starke, C. Schad. - H. 2 hinterer Umschlagdeckel lose. [Bookseller: Kraemer & Hansen GmbH]
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Majeska.
Orthochromes.
Publisher: Vera SundelsonNumber 698 of 1510 copies, of which 1449 were issued. Set of 8 erotic b/w prints in paper covers. INSCRIBED on the front cover. VG+ indeed - slight foxing to covers. All of our books are first edition (UK) unless described otherwise. [Bookseller: Nigel Williams Rare Books]
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Sermones aurei funebres cunctos alios excellentes nouiter inuenti,
(Venice, p[er] Lazaru[m] de Suardis, 10 June 1510) 8vo. 40ff. Woodcut on title-page of a funeral, double columns, large lombard initials, in modern boards covered with part of an incunable leaf. One of two editions (both rare) printed in 1510 - the other appeared in Milan. This little work consists of forty-eight funeral sermons, most of them for general purposes, but others specifically for a doctor (two), a merchant (two), for the mistress of a household (two), for a girl (one), a boy (two) and an adolescent (one). The book finishes on a happier note with a wedding address. Some of these sermons are by Nicolaus Lucarus of Cremona and were delivered in 1496. Censimento CNC 31931 (one copy); Rhodes 75; not in Adams or Sander/Rava; not in NUC, RLIN or OCLC [Bookseller: Hesketh and Ward Ltd.]
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BARLETTA
Sermones de san- \| tis Fratris Ga- \| brielis Bare- \| lere
JACOBUM PENTIUM DE LEUCHO 1510 - 2 tomes en un vol. petit in-8 de 1 fnch-202 (+ 5) et 112 feuillets, impression sur 2 colonnes en caractères gothiques, lettrines sur bois erreurs de pagination (33 au lieu de 23 au tome 1 et 88 au lieu de 78 au tome 2), léger travail de vers aux feuillets 135 à 145 (sans atteinte). Curieusement, la foliotation passe de 160 à 155 pour se poursuivre normalement à partir de ce "nouveau" folio 155 créant ainsi 5 feuillets n'entrant pas dans la foliotation annoncée en fin de premier tome (202). Manque important au dernier feuillet du tome 2, coins des pages arrondis par l'usure au début et en fin du volume (sans atteinte), quelques annotations de l'époque en marge à l'encre, plein vélin de l'époque avec titre manuscrit à l'encre au dos (exemplaire déboîté). [Bookseller: Chapitre livres anciens et rares]
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CASSIODORO Flavio Magno Aurelio.
CASSIODORI SENATORIS VIRI DEI DE REGIMINE ECCLESIE PRIMITIVE HYSTORIA TRIPERTITA FELICITER INCIPIT. Venalis habetur apud diuum Claudium vici sancti Iacobi. Parisiis, in aedibus Francisci Regnault universitatis parrhisiorum librarii, 1510 circa.
- Testo latino. Cm.16,3x11,8. Pg.200 non numerate. Legatura coeva in piena pelle con dorso a quattro scomparti. Piatto anteriore parzialmente staccato. Impressioni a secco ai piatti. Doppia bordura a triplice filetto, cornice fitomorfa, decorazione a losanga e impressione ornamentale agli specchi. Fogli di guardia marmorizzati. Tagli in rosso. Mancano i nicchi di chiusura. Frontespizio inciso in rosso e nero. Capilettera ornamentali xilografici. Testo in caratteri gotici su due colonne. Al margine inferiore della seconda carta stemma cardinalizio policromo dipinto a mano. Nato a Scyllacium nel Bruzio tra il 480 e il 490, Flavius Magnus Aurelius, in seguito Cassiodorus, fu celebre scrittore e uomo politico ai tempi di Teodorico. Proveniente da una potente famiglia di funzionari di origine siriana, iniziò assai presto la carriera amministrativa ricoprendo le cariche di consigliere, questore, segretario, console ordinario, fino a giungere nel 533 al grado di "praefectus praetorii", già ricoperto dal padre. Si ritirò in vecchiaia in Calabria dedicandosi agli studi. Le sue opere, di argomento svariato, ebbero ampia diffusione e influenza sulla letteratura latina medioevale e forniscono utilissimi spunti per la conoscenza della vita e della cultura del tempo. Il presente testo costituisce una sorta di antologia di tre autori greci, Socrate, Sozomeno e il vescovo Teodoreto di Ciro, che qui viene chiamato Teodorico, e che sono interdipendenti tra di loro. Cassiodoro, dopo una breve prefazione che presenta le opere dei tre scrittori, ne sottolinea l'utilità per il lettore cristiano. Le sue versioni, proposte in una sistemazione unica ed organica ("in unum collecte") sono condotte grazie all’opera di Epifanio "scholasticus", un ellenista piuttosto mediocre. Ne viene fuori una specie di "hystoria ecclesiastica", che praticamente è una continuazione di quella di Eusebio di Cesarea. > Adams, 871. Choix 15932. ICCU, RMLE\015822. [Attributes: Hard Cover] [Bookseller: studio bibliografico pera snc]
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Meder, Johann
Parabola filii glutonis ...
Publisher: per Michaelem] Furter, 13. kal. septembris 1510 profusi atq[ue] p[ro]digi nedu[m] venuste veru[m]etia[m] vtiliter [et] deuote p[er] venerandu [m] patre[m] fratre[m] Joanne[m] Meder ordinis minoru[m] obseruantia[m] Basilee concionata [et] collecta pro totius anni precipue quadragesime sermonib[us] acco[m]modata. Title printed in red and black; with the printer's woodcut device on the title, another on the colophon leaf and a third version at the end; 18 full-page woodcuts; the first 13pp rubricated; printed in double columns in gothic letter. Third Edition. 8vo. [157 x 113 x 39 mm]. [231]ff. Contemporary Nuremberg binding of calf, the covers tooled in blind with a triple fillet border punctuated with a circular flower head tool and a star, the central section divided into quarters by triple fillets running diagonally from the corners, with the star along each length and at the intersection, the upper and lower quarters containing a lozenge-shaped tool with an Imperial eagle, the quarters to the left and right with a lozenge-shaped unicorn tool. The spine divided into three panels with raised bands and blind fillets, the panels tooled in blind with the circular flower head, the star and a leaf, vellum manuscript pastedowns and endleaves, plain edges. (Remains of paper manuscript label at the head of the spine, the clasp renewed). There are a few small wormholes inside the front cover, the front endleaf and first three leaves and again at the end. It is a fine copy in a remarkably well preserved Nuremberg binding. The clasp is new and there may have been one or two other small repairs to the joints and corners, but these are virtually undetectable. This is the third edition of "Quadragesimale di filio prodigo", a collection of fifty sermons on the parable of the Prodigal Son and the Passion of Christ. Each sermon begins with a dialogue between an angel and the prodigal son, and all but one concludes with a parable or allegory that is explained in Christian terms. They were originally preached by Johann Meder at Basel during Lent 1494 and were published by Furter in 1495 and 1497. Meder, a Franciscan who resided at Basel from 1495 to 1502, was a friend of Sebastian Brant, who wrote a prefatory poem to the work. Meder also asked Furter to provide illustrations, and the 18 full-page woodcuts, two of which are repeats, have been attributed by F. Winkler to the Master of the Haintz-Narr, Dürer's main collaborator in the illustration of Brant's "Narrenschiff", which was published in Basel by Johann Bergmann in 1494. With the ownership inscriptions of the monastery of Eichstätt in Bavaria, Georg Stammach and the Abbey of Irrsee. With the booklabel of J. R. Abbey and his acquisition note "J.A.6605 15.9.[19]55". Sold in the third portion of the Abbey sale, Sotheby's, 20/6/1967, as lot 2020 (£160 to Quaritch). [Bookseller: George Bayntun]
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[Guigo de Chateau-Saint-Romain (von Chastel)]:
Statuta Ordinis Cartusiensis a domino Guigone priore cartusie edita. [Beinhaltet:] Repertoriu[m] statutoru[m] ordinis cartusien[sis]. Incipit repertoriu[m] in statuta ordinis cartusiensis per litteras alphabeti. Statuta antiqua ordinis cartusiensis in tribus partibus comprehensa. Statuta noua ordinis cartusiensis in trib[us] p[ar]tib[us], antiquarum[m] statutoru[m] correspondentib[us] co[m]prehensa. Tertia compilatio statutorum ordinis cartusiensis. Priuilegia ordinis cartusiensis: et multiplex confirmatio eiusdem. Priuilegia et co[n]firmatio ordi[nis] cartusien[sis].
Basileae (Basel), Johann Amerbach, 1510.. OLd. der Zeit, mit zwei Orig.Schließen und vierbündigen R.. Vgl. VD 16 G 4071; Cat.libr.O 110. Mit roten und blauen Initialen, einigen roten originalen Unterstreichungen, drei ganzseitigen und 2 halbseitigen Holzschnitten sowie 33 kl. Holzschnitten (Urs Graf sowie Meister DS). - Mit kl. Lederreitern im Schnitt, deren Seiten mit Pergamentstreifen verstärkt sind. - Kl. Wurmfraßspuren (geringer Buchstabenverlust). Schönes, frisches Exemplar. - Die erstmals 1127 formulierten Ordensregeln von Guigo de Chastel bilden auch heute noch die Lebensregeln dieses Ordens. [Bookseller: Antiquariat Weinek]
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MAJOR, John [Joannes Mair Haddingtonus Scotus, 1469-1550].
Disputationes in Primum et Secundum Sententiarum.
Paris: Parisiis, impressum per Henricum Stephanum, impensis Iodoci Badii ascensii, Joannis Parvi et magistri Constantini Leporis, 1510. [y] Paris: Impresse impensis communibus Joannis Parvi et Jodoci Badii Ascensii, 1528. - Dos tomos en un volúmen en folio; el primero tiene una hoja, 122 folios numerados, 7 hojas, con diversas pérdidas: portada, seis hojas preliminares, y tres folios que presentan desgarros con carencia de texto. El segundo tiene 4 hojas, 120 folios. Presenta falta de portada y pérdida parcial de texto en la hoja que le sigue, anterior a la tabla. Impresión en letra gótica para ambos tomos. Capitulares grabadas en criblé. Anotaciones marginales manuscritas, de la época. Texto limpio y amplios márgenes. Buen estado de conjunto pese a las faltas señaladas. Encuadernación de la época, en piel sobre tabla, con ruedas gofradas y restos de cierres, bastante fatigada, pero sólida. Rarísima edición de los Comentarios a los Libros primero y segundo de las «Sentencias» de Pedro Lombardo, obra del gran teólogo e historiador John Mair, nacido en Gleghornie, cerca de Haddington, quien ejerció una gran influencia desde sus Cátedras de Lógica y Teología de las Universidades de Paris, Glasgow y especialmente en St. Andrew's, no sólo en el pensamiento escolástico y nominalista de su época, sino en el desarrollo de una conciencia nacional escocesa, por sus escritos históricos y políticos, y al mismo tiempo como maestro de figuras tales como John Knox, Patrick Hamilton y George Buchanan, ilustres reformadores escoceses, y en su etapa parisina de personajes de la talla de Calvino, Ignacio de Loyola y Francisco de Vitoria. Hay que destacar igualmente que en dicha etapa en la cátedra de lógica del Colegio Monteagudo, Montaigu, en la Sorbona, se formó un círculo de lógicos españoles alrededor de Major, integrado por Jerónimo Pardo, Antonio y Luis Núñez Coronel, Fernando de Encinas, Juan de Celaya, Juan Dolz y Gaspar Lax. En el pensamiento de Major se halla la afirmación de que la autoridad de la Iglesia no reside en el Papa sino en el conjunto de la misma, así como que la autoridad civil reside en el pueblo quien la transfiere, «sub conditione», al gobernante, pudiendola recuperar eventualmente, incluso por la fuerza. - [Bookseller: Hesperia Libros]
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Adimari, Taddeo & Bernardo del Serra [Monaco di Vallombrosa].
Vita di sam [sic] Giovanni Gualberto glorioso confessore et institutore del ordine di Valeombrosa.][bound with:]del Serra.Compendio Delli Abbati Generali di Valembrosa.
Luc Antonio Giunta, Venice: 1510-[1511], 6 March & 10 September. - 4to. 2 vols in 1. 216 x 155mm. [Lacks 1-3: t.p. register & 1st leaf of preface]4, A1-3 [lacks A4&5], A6-8, B8, [lacks C1] C2-8, D8, E4;AA-BB8, [lacks CC1]CC2-3[lacks last leaf CC4].All missing leaves are replaced with vellum blanks. [4],1-3,6-16,18-35,[1blank]; 1-16, 18-19 folios. Early nineteenth-century English romantic binding, blue morocco gilt, sides decorated with a border of leafy scrolls, spine gilt in compartments, gilt edges, some edge rubbing; a few small wormholes (some repaired) in lower margin of first and last few leaves, some light soiling in margins, stain in D1 (first work), contemporary repair to margin of B4 before printing. PROVENANCE: Earl of Powis, signature inside upper cover. Pencil note Òbought Harlech.Ó 19th c. description on first vellum blank including the note that a copy sold in the sale of Sir Mark SykesÕ library for £24 [1824. about £1800 today] Roman letter, very fine full-page woodcut of the crucifixion, large armorial woodcut of the arms of of Vallombrosa on t.p. of second work, two historiated large woodcut initials and smaller white on black initials. First Editions. Printed on Vellum. Both volumes are PRINTED ON VELLUM.The first work is a life of St John Gualbert who founded the Vallombrosan Order, based on the Benedictine rule but with a greater emphasis on contemplation, in about 1036. The order underwent various reforms over the centuries, and for a time counted amongst its novices Galileo. It was eventally suppressed in 1866.The second work, a compendium of the abbots general of the same order, was issued with the first work and thus has been incorrectly ascribed to Adimari. The order's woodcut device on the title-page was originally used in a Vallombrosan missal of 1503.Camerini assets that the Adimari volume is 1511 rather than the 1510 date in the colophon.ÒSt. John Gualbert, son of the noble Florentine Gualbert Visdomini, was born in 985 (or 995), and died at Passignano, 12 July, 1073, on which day his feast is kept; he was canonized in 1193. John Gualbert became a Benedictine at San Miniato, but left that monastery to lead a more perfect life. His attraction was for the cenobitic not eremitic life, so after staying for some time with the monks at Camaldoli, he settled at Vallombrosa, where he founded his monastery.The holy lives of the first monks at Vallombrosa attracted considerable attention and brought many requests for new foundations, but there were few postulants, since few could endure the extraordinary austerity of the life.After the founder's death the order spread rapidly. St. John adopted the Rule of St. Benedict but added greatly to its austerity and penitential character. His idea was to unite the ascetic advantages of the eremitic life to a life in community, while avoiding the dangers of the former. Severe scourging was inflicted for any breach of rule, silence was perpetual, poverty most severely enforced. The rule of enclosure was so strict that the monks might not go out even on an errand of mercy. The main point of divergence lay in the prohibition of the manual work, which is prescribed by St. Benedict. St. John's choir monks were to be pure contemplatives and to this end he introduced the system of lay-brothers who were to attend to the secular business. He was among the first to systematize this institution, and it is probable that it was largely popularized by the Vallumbrosans. The term conversi (lay brothers) occurs for the first time in Abbot Andrew of Strumi's Life of St. John, written at the beginning of the twelfth century. The Vallumbrosans do not, strictly speaking, form a separate order, but a Benedictine congregation, though they are not united to the confederated congregations of the Black Monks.Ó [Catholic Ency.] EDIT 267. Camerini, Giunta Venezia, Vol.1:140 & 145. Bandini I,xviii. Sander 23. Essling 1670 & 1683. Van Praet, VŽlins du Roi, v, 26 & 39. Adams A149 & B735.Alston, Books on Vellum in the BL, 28 [only Bernardo.] [Bookseller: Krown & Spellman, Booksellers]
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Mauburnus, Johannes:
Rosetum exercitiorum spiritualium [...].
Paris, Badius Ascensius impensis Joannis Parvi et Joannis Scabelerij, 15. Aug. 1510.. Folio. AA6 a-s8 t6 v-z, A-Q8 R6 S8 T6 V8: (344) Bl. Mit einem ganzseitigen und 14 kleinen Textholzschnitten. Titel in Rot und Schwarz gedruckt und mit der Verlegermarke Jehan Petit. Einband: Blindgeprägter Schweinslederband über Holzdeckeln, Deutschland 2. Hälfte 16. Jahrhundert, schwarzgrundiges Wappen-Supralibros auf beiden Deckeln; beide Supralibros in einem leicht unterschiedlichen Säulenportikus, jedoch mit voneinander abweichenden Initialen und Wappen. 2 Schließen. Das Supralibros als Mittelstück, darum eine Reformatorenrolle, dann eine Rolle David (mit Initialen HK), Paulus, Johannes, Salvator (Haebler I, S. 235, Nr. 1). Adams M-1586. BL/STC p. 307; Renouard, Ascensius, III, 80ff. (Exemplare mit der von Renouard angegebenen Kollation - t8 statt t6 - scheinen nicht zu existieren.)Einband und Provenienz - G[uillelmus] H[enricus] V[on] S[tarhemberg].. [Bookseller: Antiquariat Jürgen Dinter]
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Annonciation - Annunciation.
s.l. [Nord de la France - Nothern France], s.d.[circa 1510].. size of the parchment 19 x 13 cm or 7.48 x 5.12 inches, gothica bastarda, one initial raised with blue and red colors (wears), rubrication alternatively in red and 'blue'.Vellum coming from a Book of Hours for the use of Rome. Large metal-cut with the Archangel Gabriel who bring the Announce to the Blessed Mary (some yellowings). Above is head a lettered label with the device 'Ave Maria, gratia plena, Dominus tecum'. This scene is surrounded by 4 cuts of Biblical scenes in outer margin and by 3 cuts (one woman and 2 men) in the lower margin. On verso there are also 4 cuts of Biblical scene and 3 figures (2 women and one man). These illustrations surround a text which begin with words of psalm 50, ver. 17 'Domine labia mea aperies et os meum adnuntiabit laudem tuam'. Some wears on one side of the vellum.-------------------------, dimension du parchemin 19 x 13 cm, gothique batarde, une lettrine rehaussee de bleu et de rouge (fort usee a cet endroit ), rubriques 'bleu' et rouge.Velin provenant d'un Livre d'Heures a l'usage de Rome. Au recto il y a une jolie gravure sur acier representant l'Archange Gabriel qui apporte l'Annonce a Marie (jaunissures). Au-dessus de la tete de l'Ange la device 'Ave Maria, gratia plena, Dominus tecum'. Cette scene est entouree de 4 autres scenes bibliques disposees dans des vignettes plus petites placees dans la marge avant. Une figure de femme et deux figures d'hommes se partagent la marge de queue. Au verso 4 petites scenes bibliques sont aussi placees dans la marge de gouttiere et 2 figures de femmes et une d'homme occupent la marge de queue. Ces illustrations entourent un texte latin qui commence par les mots du psaumes 50 verset 17 'Domine labia mea aperies et os meum adnuntiabit laudem tuam'. Quelques usures au parchemin du cote fleur.. [Bookseller: Librairie Ancienne Minet Freres]
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GRATIAN (GRATIANUS).
Decretum aureum ... cum suo apparatu...
. Paris, Tilman Kerver und J. Petit; Lyon, J. Schabeler 1510. 4°. 582 röm. numm. Bll. (letztes Bl. fälschlich mit "CCCCLXXXII" nummeriert), (45) Bll. Mit Holzschnitt-Druckermarke Kervers und drei Textillustrationen (zwei in Metallschnitt; Gratian im Kreis der Kirchenväter, Stammbäume), davon 2 blattgroß. Blindgeprägtes Schweinsleder d. Zt. über Holzdeckeln (berieben, nachgedunkelt und fleckig, Kratzspuren, Ecken und Kanten stellenweise mit kleinen Bezugsdefekten, Kapitale mit Läsuren, auf VD einzelne Teile der Prägung geschwärzt) mit aufgeprägtem Titel "decretum" (Prägung geschwärzt), zwei Schließenhafte. Eine seltene Ausgabe dieses ersten Teils des Corpus iuris canonici. Hg. von J. Chappuis, mit den Kommentaren des Bartolomeo de Brescia und des Guido de Baysio. Nach 1508 zweite Ausgabe bei Kerver / Petit / Schabeler, danach mehrfach wieder aufgelegt. Dem Text der Decretalen folgen 2 Bll. "Canones penitentiales" und 1 Bl. mit der Vita des Gratian, beide ohne Lagensignaturen, aber im Titel als Teil dieser Ausgabe bezeichnet. Biographisches ist über Gratian (Ende 11. Jh. - um 1150) so gut wie nichts zuverlässig überliefert, lediglich die Entstehung des Decretum wird mit ziemlicher Sicherheit nach Bologna gelegt; dort muss sich Gratian demnach einige Zeit seines Lebens aufgehalten haben. "Das Decretum Gratiani ist die wichtigste Sammlung des mittelalterlichen Kirchenrechts und zählt als Ausgangspunkt des europäischen kanonischen Rechts zu den bahnbrechenden Pionierarbeiten der Rechtswissenschaft" (Kleinheyer/Schröder S. 165; hier auch die folgenden Details). Es versteht sich als Quellensammlung geltenden Kirchenrechts und zielt darauf ab, Widersprüche in der Rechtstradition so aufzulösen, dass eine geschlossene Darstellung des kanonischen Rechts erfolgen kann. Noch im 12. Jahrhundert wurde es nicht unerheblich erweitert, Gratians Anteil sieht man heute auf die beiden ersten Teile (ohne den Abschnitt De penitentia') beschränkt. Man geht davon aus, dass das Decretum schon zu Gratians Lebzeiten in der päpstlichen Kanzlei benutzt worden ist, und es hat sich als unmittelbar geltendes Kirchenrecht etabliert; in dieser Funktion nahmen es die Päpste Gregors IX. und Gregors XIII. in ihre amtlichen Corpus-Ausgaben auf, und erst 1918 wurde der durch den Codex iuris canonici abgelöst, in der evanglischen Kirche ist das Decretum Gatiani nie als Quelle des Kirchenrechts außer Kraft gesetzt worden. Der recht gut erhaltene Einband trägt ein recht eigenwilliges Dekor. Vorderdeckel: Auf einen umlaufenden Respektrand folgt eine Rankenrolle, auf sie wieder ein leerer Rahmen, der mit Gehrungslinien versehen ist; ein inneres Feld zeigt Rautengerank (Zweiblatt) mit einem Blattwerkstempel. Letzterer wird - waagerecht liegend - über und unter diesem Feld wiederholt. Die Gehrungslinien des Leerrahmens werden von je zwei unterschiedlichen Blütenstempeln eingefasst. Diese sowie die beiden waagerecht liegenden Blattwerkstempel und der Titelaufdruck am oberen Rand sind geschwärzt. Rückendeckel: Die Rankenrolle umschließt direkt ein Mittelfeld, das durch Streicheisenlinien rautenförmig gegliedert wird; die dadurch entstandenen vier inneren, vollständig vorhandenen Felder sind mit einem Rosettenstempel besetzt. In diesem Feld finden die beiden Blütenstempel wieder Verwendung: der größere an den Ecken der das Feld umgebenden Streicheisenlinien sowie im zentralen Schnittpunkt der diagonalen Linien, der kleinere (Fünfblatt) an den übrigen Schnittpunkten der diagonalen Linien sowie jeweils in der Mitte des Rahmens an der Stelle, an der an jeder Seite zwei diagonale Linien zusammengeführt werden und auf den Rahmen treffen. Eine recht rustikale Besonderheit auf Vorder- und Rückendeckel gleichermaßen: An der Stelle, an der jeder der drei Bünde hinter den Deckel geführt wird, ist ein rautenförmiger Stempel aufgeprägt, der die Rankenrolle deutlich überschneidet. Auf dem Rücken, der durch drei Doppelbünde in vier Felder geteilt ist, finden sich im oberen und unteren die Rosettenstempel wieder, in den beiden mittleren die Blattwerkstempel. Provenienz: Seit Beginn des 20.Jahrhunderts durchgehend in Privatbesitz. Vorderer Vorsatz und erste Lage neu eingefalzt. Beide Spiegel und vorderer Vorsatz recto mit umfangreichen Eintragungen vom mehreren, teils zeitgenössischen, teils etwas späteren Händen. Titel recto ebenfalls an den weißen Rändern mit umfangreichen Einträgen, darunter zwei Besitznotierungen. Am unteren weißen Rand ist ein fünfzeiliger Eintrag alt gestrichen. Mitunter umfangreiche Marginalien von alter Hand. Durchgehend leicht gebräunt und - v.a. an den Rändern - etwas finger- oder wasserfleckig; 1 Bl stark braunfleckig. Immer wieder kleinere restaurierte Einrisse im Papier (so gut wie kein Textverlust). Letztes Blatt mit größerer restaurierter Fehlstelle (ca. 4 x 2 cm /Textverlust). Hinterer Vorsatz fehlt. Moreau / Ren. I, 1510:65; nicht bei Adams.. [Bookseller: Antiquariat Büchel-Baur]
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CASSIODORO Flavio Magno Aurelio.
CASSIODORI SENATORIS VIRI DEI DE REGIMINE ECCLESIE PRIMITIVE HYSTORIA TRIPERTITA FELICITER INCIPIT. Venalis habetur apud diuum Claudium vici sancti Iacobi. Parisiis, in aedibus Francisci Regnault universitatis parrhisiorum librarii, 1510 circa.
Testo latino. Cm.16,3x11,8. Pg.200 non numerate. Legatura coeva in piena pelle con dorso a quattro scomparti. Piatto anteriore parzialmente staccato. Impressioni a secco ai piatti. Doppia bordura a triplice filetto, cornice fitomorfa, decorazione a losanga e impressione ornamentale agli specchi. Fogli di guardia marmorizzati. Tagli in rosso. Mancano i nicchi di chiusura. Frontespizio inciso in rosso e nero. Capilettera ornamentali xilografici. Testo in caratteri gotici su due colonne. Al margine inferiore della seconda carta stemma cardinalizio policromo dipinto a mano. Nato a Scyllacium nel Bruzio tra il 480 e il 490, Flavius Magnus Aurelius, in seguito Cassiodorus, fu celebre scrittore e uomo politico ai tempi di Teodorico. Proveniente da una potente famiglia di funzionari di origine siriana, iniziò assai presto la carriera amministrativa ricoprendo le cariche di consigliere, questore, segretario, console ordinario, fino a giungere nel 533 al grado di "praefectus praetorii", già ricoperto dal padre. Si ritirò in vecchiaia in Calabria dedicandosi agli studi. Le sue opere, di argomento svariato, ebbero ampia diffusione e influenza sulla letteratura latina medioevale e forniscono utilissimi spunti per la conoscenza della vita e della cultura del tempo. Il presente testo costituisce una sorta di antologia di tre autori greci, Socrate, Sozomeno e il vescovo Teodoreto di Ciro, che qui viene chiamato Teodorico, e che sono interdipendenti tra di loro. Cassiodoro, dopo una breve prefazione che presenta le opere dei tre scrittori, ne sottolinea l'utilità per il lettore cristiano. Le sue versioni, proposte in una sistemazione unica ed organica ("in unum collecte") sono condotte grazie all’opera di Epifanio "scholasticus", un ellenista piuttosto mediocre. Ne viene fuori una specie di "hystoria ecclesiastica", che praticamente è una continuazione di quella di Eusebio di Cesarea. > Adams, 871. Choix 15932. ICCU, RMLE\015822. [Bookseller: Studio Bibliografico Pera s.n.c.]
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TEASDALE BUCKELL G.T.
Experts On Guns And Shooting
Samson, Low, Marston and Company 1900, 1st Edn, XXVII 590 pages, illustrated throughout with drawings, diagrams, photos etc., some foxing to EP's, brick red cloth with title in black to upper board, light rubbing to corners and head and tail of spine. An important work on the evolution of shooting over the 19th century; shooting schools, guns, game shooting, shotgun patterns, great shots, famous guns, gunmakers, loading cartridges etc. Riling 1510 "A meticulously detailed work on all aspects of guns and their use" Chute 622, Riling 1510 [Bookseller: www.herewardbooks.co.uk]
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-
WEISSEN BLAETTER,DIE
d. Weissen Bücher, 1915. Zus 1510. Eine Monatsschrift. Jg. 2 (ohne Heft 10). In Heften. Mit Ill. im Text u. a. Taf. Lpz., Vlg. d. Weissen Bücher, 1915. Zus. 1510 S. Okt. * Beiträge u. a. von: R. Schickele, G. Benn: Gehirne (Erstdruck), A. Ehrenstein G. Landauer, E. Stadler, M. Brod, L. Frank, A. Paquet, R. Walser, A. Wolfenstein, H. Ball, A. Kolb, A. Zweig, P. Zech, S. Friedländer, M. Scheler, E. Blass, M. Herrmann, E. Lasker-Schüler, C. Sternheim, J. R. Becher, K. Hiller, R. M. Rilke, A. Kerr, G. Simmel, H. Mann, F. Kafka, K. Pinthus. Illustrationen u. a. von: Seewald, O. Starke, C. Schad. - H. 2 hinterer Umschlagdeckel lose. [Bookseller: Kraemer & Hansen GmbH]
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MASSACRE OF THE INNOCENTS
Large illuminated woodcut of the Massacre of the Innocents, with the Flight into Egypt, from a printed Book of Hours. Paris, Gilles Hardouin, c.
A very colourful illuminated miniature which depicts Herod seated on his throne, while mothers holdtheir children in the midst of armed soldiers; through an open window Mary and Joseph flee with Christ into Egypt.Size of miniature: 195 x 120mm. On verso printed gothic text within a woodcut border, small illuminated initials. 1510. A very large and very colourful miniature from an early 16th century printed Horae which has been overpainted in very rich colours. At the foot outlines of two other babies can be seen on the tiled floor. Printed Books of Hours were very popular in the early 16th century, but the example from which our leaf comes must have very sumptuous especially with such rich colouring. It was probably illuminated in the workshop of Germain Hardouin, the brother of the printer and a skilled illuminator himself. [Bookseller: Maggs Bros Ltd.]
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Pare, Ambroise: =
Portrait, Brustbild, Lithographie, 25.5 x 21 cm. Vigneron et Doin, Gallerie Medicale, 1825-29, Paris, Lith. de G.Engelman, 45,5 x 29,5 cm.
. Ambroise Pare (1510-1590), Master Barber-Surgeon at the Hotel-Dieu, Paris and in the army.. [Bookseller: Antiquariat für Medizin - Fritz-Dieter S]
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Paré, Ambroise: =
Portrait, Brustbild, Lithographie, 25.5 x 21 cm. Vignéron et Doin, Gallerie Médicale, 1825-29, Paris, Lith. de G.Engelman, 45,5 x 29,5 cm.
Ambroise Paré (1510-1590), Master Barber-Surgeon at the Hôtel-Dieu, Paris and in the army. [Bookseller: Medicusbooks.Com]
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Malerei - Wandmalerei Roettgen, Steffi:
Wandmalerei der Frührenaissance in Italien. 2 Bände [Band I - Anfänge und Entfaltung 1400 bis 1470 / Band II - Die Blütezeit 1470-1510]
462 S. + 470 S.; über 280 s/w Illustr., Skizzen und Foto-Abb. von A.QUATTRONE und F.LENSINI im Text sowie über 500 z.T. doppelseitige Farb-Illustr. auf Tafeln; je grünes OLn.m.SU (33x28cm) und goldgeprägt. Rückentitel in Kart.Schuber; Hirmer München 1996/ 1997 [enthält Illustr. von Giacomo Jacquerio/ Antonio Alberti/ Ottaviano Nelli/ Masolino da Panicale/ Filippino Lippi/ Franceschino/ Domenico di Bartolo/ Lorenzo di Pietro/ Bicci di Lorenzo/ Piero della Francesca/ Andrea del Castagno/ Benozzo Gozzoli/ Fra Diamante di Feo/ Benedetto und Bonifacio Bembo/ Cosimo Tura/ Francesco del Cossa/ Ercole de'Roberti/ Baldassare d'Este/ Domenico Ghirlandaio/ Andrea Mantegna/ Luca Signorelli/ Melozzo da Forlí/ Pinturicchio/ Il Francia/ Lorenzo Costa/ Amico Aspertini/ Pietro Perugino u.a.] jeder Band mit Register und Bibliographie; Band I mit s/w illustr. Vor- und Nachsatz/ Band 2 mit farbig illustr. Vor- und Nachsatz (Prachtbände in neuwertigem Zustand!!!) [Bookseller: Antiquariat Claus Rietzschel]
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Manilius Marcus
Marci Manilii Astronomicon Ad Caesarem Augustum Noviter Ac Diligentissime Emendatum
PER MAGISTRUM JACOBUM MAZOCHIUM. M.D.X, 1510. MANILIUS MARCUS. MARCI MANILII ASTRONOMICON AD CAESAREM AUGUSTUM NOVITER AC DILIGENTISSIME EMENDATUM. ( in fine): Romae, per magistrum Jacobum Mazochium. M.D.X. 1510. ( cm. 21 ) bella piena pergamena settecentesca, titolo in oro al dorso. --cc. 84 nn. Spazi bianchi con letterina guida, carattere rotondo, 27 linee. Marca tipografica in fine a fondo nero. Preziosa edizione, e prima del XVI sec., di questo celebre poema apparso a Norimberga nel 1472 circa. Il CAILLET ( III p. 29 ) la definisce: " ouvrage certainement le plus interessante que nous possedions sur l' influence des astres". Si divide in 5 libri: origine del mondo, figure e segni dello zodiaco, sfera armillare, comete e meteore e relativi disastri annunciati, influenza degli astri, arti e mestieri, divisione del cielo in dodici campi, costellazioni, stelle ecc. Questa edizione del Mazzocchi è particolarmente ricercata si per le caratteristiche tipografiche e per la rarità. Il CENSUS ICCU, regista solo 5 copie nelle biblioteche italiane. Vedi la luga notazione in DORBON-AINE al n° 2876. Aloni e ombreggiature a una decina di carte all' inizio, insignificante tarletto ben restaurato all' estremo margine bianco interno di alcune carte, altrimenti esemplare molto bello nitido e fresco. Ex libris abraso al frontis. ---RICCARDI II 92; ---BUONA EDIZIONE; ---ASCARELLI " ANNALI DI G. MAZZOCCHI " n° 22; ---HOUZEAU-LANCASTER 1037: " RARE"; ---CAT. " L' ART ANCIENNE " ZURIGO 1926 n° 1105; ---EBERT 12939: " RATHER SCARCE "; ---ISAAC 12103; ---GRAESSE IV 364; ---BRUNET III 1369; ---BM. STC. 410; ---ADAMS M 359. [Bookseller: Alibris]
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PERSIUS, PUBLIUS AULUS (= PERSIUS FLACCUS).
Familiaris explanatio cum Iohan. Britannici eruditissima interpretatione. Argumenta satyarum de prefationis Persiane per Iodocum Badium.
Lyon, Pierre Ungre Antoine Doulcet, 1510. 4to. Modern half green morocco, spine ribbed with 2 blacktitle-labels. With 3 woodcut initials on title and several fine woodcut initials in text. 84 lvs. Well produced school edition of the popular satires by Aulus Persius Flaccus, a Latin poet who lived in the first century at Rome and died when not yet 28. Here with the extensive comments and a life of Persius Flaccus by Johannes Britannicus, but edited and with his arguments added by Josse Badius Ascensius, including his famous "Persian preface" as well as prefaces by Philippi Beroaldi and Angelo Poliziano. The book is nicely printed in Italic types with the notes in somewhat smaller type all around the main text. On title a 7-line verse is added starting with "Proludendo docet Satyram se scribere posse". Persius Flaccus's highly educational satires enjoyed a lasting popularity and he is one of the most translated classical authors in modern languages. The satires were first printed at Rome in about 1470, and the first edition with Britannicus's notes appeared at Brescia in 1481. The first edition by Josse Badius was published at Lyon in 1499. Good copy.- (First and last lvs. sl. stained; small wormholes throughout). Renouard, Badius, III, p. 150, Persius 10; STC French 346; not in NUC. [Bookseller: Antiquariaat Forum BV]
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DOCUMENTO MANUSCRITO. SIGLO XVI, FIRMADO POR FERNANDO EL CATOLICO, MONZON, SELGUA, HUESCA

1510, SEPTIEMBRE, 2. MONZON: DOCUMENTO SOBRE PERGAMINO EN EL QUE EL REY DON FERNANDO EL CATOLICO CONCEDE LA JURISDICCION CIVIL Y CRIMINAL DEL LUGAR DE SELGUA (PROV. DE HUESCA) A FELIPE DE ERILL. [AL FINAL CON EL SIGNUM REAL Y LA FIRMA "YO EL REY" DE FERNANDO EL CATOLICO]: SIGNUM FERDINANDI, DEI GRATIA REGIS ARAGONUM, SICILIE CITRA ET ULTRA FARUM, HIERUSALEM, VALENTIE, MAIORICARUM, SARDINIE ET CORSICE, COMTIS BARCHININE, DUCIS ATHENARUM ET NEOPATRIE, COMITIS ROSSILIONIS ET CERITANIE, MARCHIONIS ORISTANNI ET GOCIANI.