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Displayed below are selected recent viaLibri matches for books published in 1505
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Manno Antonio
Bibliografia storica degli Stati della Monarchia di Savoia.
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Fratelli Bocca, 14834, Torino, - 10 voll. in-4° (305x220mm), pp. 500 ca. ogni volume, cartonatura editoriale (il primo e il decimo vol. sono in brossura, ed il primo presenta il dorso rifatto; il sesto vol., in cartonatura con brossure originali applicate, è in fedele copia fotostatica). In fine del primo vol., 2 tavv. f.t. in b.n. riproducenti lo stemma sabaudo usato dal Silva negli "Statuta Sabaudiae" del 1505 e l'impresa tipografica del Bolla di Tortona; in fine del secondo vol., una tav in b.n. riproducente gli "Statuti d'Albenga" del 1519 e, in rosso e nero, il frontespizio del "Codex Statutorum Alexandriae" del 1547; in fine del quarto vol., riproduzione del frontespizio degli "Statuti di Chivasso" del 1533. Piccoli restauri alle cuffie e alle cerniere di alcuni volumi. Usuali fioriture. Bell'esemplare nel complesso, con alcuni volumi in barbe e parzialmente intonsi. Edizione originale, assai rara a trovarsi in forma organica (i volumi furono editi in modo frastagliato nell'arco di un cinquantennio nella Biblioteca Storica Italiana pubblicata per cura della R. Deputazione di Storia Patria), di questo prezioso e tuttora referenziale repertorio bibliografico comprensivo di 42.811 voci relative a fonti, documenti, materiali della storia del Piemonte e degli stati della Monarchia di Savoia. Il primo vol., al quale collaborò Vincenzo Promis, contiene le "Storie Generali"; i voll. dal II al VI le voci "A-G"; il vol. VI, l'indice generale dei primi sei voll.; il VII vol., "Genova"; i voll. VII-X, le voci rubricate sotto le lettere "G-N". L'opera, insigne monumento di erudizione, si interruppe alla lettera N per la morte dell'autore; l'ultimo vol. fu pubblicato solo nel 1934 dal bibliotecario del Principe di Piemonte, Mario Zucchi, utilizzando le schede lasciate dal Manno, di cui il presente lavoro costituì il "principale impegno" (Diz. Encicloped. d. Lett. Italiana Laterza, III, p. 480). Il Manno (Torino, 1834-ivi, 1918), figlio dello storico e letterato Giuseppe, se oggi è ricordato quasi eminentemente per la presente bibliografia, fu autore anche di molti altri notevoli lavori di storia piemontese e promotore di raccolte di fonti per servire al medesimo àmbito di studio, tra cui una vasta opera sul "Patriziato subalpino" rimasta interrotta al secondo vol. Studioso di araldica e Commissario regio presso la Consulta Araldica, fu Senatore del Regno dal 1910. Sul Manno, Armando Tallone in Encicl. Italiana, XXII, 139 (con riferimenti bibliografici). [Attributes: Soft Cover]
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SACROBOSCO, Johannes de.
Opus sphericum magistri Joannis de Sacro Busco natione angli figuris verissime exculptis et interpretatione familiari ad comoditatem desiderantium iucundissima Artis Astronomice callere principia pulcherrime et iterata recognitione illustratum.
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Heavily annotated copy of one of the early Cologne (Quentell) editions Cologne, Sons of Henricus Quentell, January 1505. 4to. Modern boards. With a six-line woodcut initial on title comprising a teacher with his pupil, full-page woodcut of a armillary globe held by angels above and below, with the zodiac and a small view of a walled small town in centre on the verso of the title, and 27 large half-page astronomical and cosmological woodcuts in text, 2 other 6-line woodcut initials. (38) lvs. (last blank present; collation: A6, B-C4, D6, E-F4, G6, H4). Rare fourth Quentell edition printed in Cologne, edited and together with the extensive comments by Wenceslaus Fabri of Budweiss (1455-1518), a medieval Czech astronomer, mainly known as the author of almanacs. After a university career in Leipzig he returned to his native town, now Ceské Budejovice, where he is considered one of the most distinguished medieval intellectual personages.The first edition of Sacrobosco's text as edited by Fabri of Budweiss was printed by Henricus Quentell in 1500 (HC 14124), followed by editions by the same publisher in 1501 (37 ff.; VD16, J-708), 1503 (45 pp.; VD16, J-709); again 1503 (37 ff.; VD16, J-710), and 1505 (our copy), and followed by an edition in 1508 (38 ff.; VD16, J-713). It seems likely that most editions were page-for-page reprints of the first 1500 edition. The editio princeps of De Sphaera appeared in Ferrara in 1472.Our copy is dated in the colophon: "Anno supra Jubileum Magnum Quinto ad finem Januarij", five years after the Great Jubilee (of 1500). On f. G2v is a printed table of the latitudes of the main places on earth: 'Tabula Climatum rectificata 1491. Of special interest is that our copy is heavily annotated in a tiny contemporary scholarly hand in Latin and in brown ink, all around the title, interlinear and in the margins. Reliable information about the life of Johannes de Sacrobosco (d. ca. 1256) is scarce, and standard sources such as the Dictionary of Scientific Biography have unfortunately included as fact material deriving from the speculations and inventions of sixteenth- and seventeenth-century antiquarians. On the basis of a statement made in 1271 by his commentator Robertus Anglicus, he is believed to have been of English origin; his name is frequently anglicised as John of Holywood. At some time in the earlier part of the thirteenth century he arrived in Paris. It is presumed that at some point he was enrolled as a regent master lecturing on mathematics and astronomy. Sacrobosco's importance in the history of astronomy stems from his authorship of some of the most popular and enduring textbooks of the middle ages, the most famous of his works, De Sphaera, a basic account of the spherical geometry underpinning the mathematical astronomy of Ptolemy and his Arabic commentators. It was composed c. 1230 and rapidly achieved popularity, and was reproduced and commented upon even into the seventeenth century. Sacrobosco was the first European scientist to use Arabic sources on astronomy. Fine copy.- (Old worm-holes, sometimes sl. affecting the text). VD16., J-712; not in Houzeau-Lancaster.
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BEMBO Pietro
Gli Asolani di messer Pietro Bembo.
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(In fine, colophon:) Impressi in Venetia, nelle Case d'Aldo Romano nel anno MDV del mese di Marzo (Aldo Manuzio, 1505), in-4 picc., ff. 98 n.n. (ultimo bianco presente), caratt. corsivo di Fr. Grifo. Lettera di dedica a Lucrezia Borgia al verso del primo e al recto del secondo foglio, impresa dell'ancora al verso del f.96, 1 f. di Errata, 1 f.bianco. Elegante legatura 900esca in p. marocchino bordeaux, filetti ai piatti, titolo e fregi oro al dorso a nervi, tagli dor., dent. int. Prima edizione del noto romanzo del Bembo, ambientato ad Asolo ove alla corte di Caterina Cornaro regina di Cipro si festeggia lo sposalizio di una dama: in tre giornate alcuni gentiluomini veneziani parlano con delicatezza e vivacità di amore con altrettante gentildonne. Il Bembo iniziò a comporre Gli Asolani nel 1500, per amore di Maria Savorgnan, ma li concluse nel 1504, con una dedica, datata 1 Agosto, a Lucrezia Borgia, ("corrisposto, il più ambizioso e memorabile, ma rischioso anche e struggente amore della sua vita" lo definì il Dionisotti). Questo bell'esemplare, completo dell'Errata spesso mancante, comprende, al verso del tit. ed al recto del secondo foglio, la lettera a Lucrezia. "Non è chiaro perché di questa edizione si abbiano esemplari contenenti la dedicatoria a Lucrezia, nel frattempo diventata duchessa di Ferrara, e altri senza; ma è probabile che la duplicità non fosse estranea alle incertezze e difficoltà di un amore impossibile, che nella lontananza, da una parte e dall'altra, lentamente ma inevitabilmente si spegneva" (ancora Dionisotti). Il Renouard attribuisce invece a ragioni politiche questo ripensamento, sottolineando che quasi sempre il f. bianco veniva tagliato, così come l'errata. Cecil H.Clough, in "P.Bembo's Gli Asolani of 1505" ritiene che la dedica sia stata deliberatamente antedatata, e che fosse in realtà stata scritta poco prima del Marzo 1505: Aldo avrebbe riservato 3 pagine bianche in attesa dell'approvazione di Lucrezia, stampando comunque alcune copie del quaderno a; non volendo rischiare di ripassarle al torchio, licenziò circa un terzo degli esemplari con le pag. bianche (cfr. Fletcher, New Aldine Studies, p. 185: "Clough contends that the dedicatory was deliberately antedated by Bembo… that Aldus held three pages blank… that Aldus dared not risk spoiling the quantity of sheets already printed by putting them through the press once more to add the letter, and thus issued a quantity (one third of the pressrun?) with the blanks"). Questo bell'esemplare è ottimo, assai marginoso (mm.195x130), completo dell'Errata spesso mancante. Renouard 48.1: "Première édition assez rare". UCLA 72. Scapecchi, A.M., i suoi libri, i suoi amici, n. 33. Laurenziana 90. Gamba 132. Razzolini-Bacchi p. 48.
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Augurellus, Joannes Aurelius
[POEMATA]
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Venice: In Aedibus Aldi.. April 1505. First edition thus. Sm. 8vo. ff.(128), complete with blank (except for the signature mark) A2 and blank Q7. Aldine anchor & dolphin device on verso of final leaf. 17th century vellum, somewhat soiled. With the bookplates of late 18th century Italian collector Carlo Astorri, and the 19th century English collector Henry Latham.
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ALIXANDRO OF GNANO
1505 - 500+ YEAR OLD HANDWRITTEN MANUSCRIPT JOURNAL, LEDGER AND DIARY OF A WEALTHY BUSINESS MAN OF GENOA
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GENOA, ITALY, 1505. One hundred and eighty four hand numbered pages in this remarkable, 501 year old, handwritten manuscript ledger, journal and diary : " 1505 Gendenze di Saviz - gnano" as stated on the cover. The first page begins: "Libro de tuto _____ quale so tato asan__giano ala venuta mia. [T]o Alexandro salueto schrise e soto schrise de mia gnovia mar...." Not written by a scribe, this is a working journal and ledger containing hundreds of business entries, purchases, loans and repayments. There are long lists of foods and prices for what is assuredly shopping lists for parties and feasts. There are also what appears to be observations and business maxims and poetry in a number of entries. Certainly this fascinating book requires more research. The original vellum cover is in somewhat rough shape with tears, rubbing and bumping and is barely attached to the text block though still held by the rear binding cords. Interior is in excellent shape save for the odd and to be expected ink blot, age-toning and light soiling. Please email for pictures of this rare manuscript.. Original Vellum. Good+/None. 4to - over 9!" - 12" tall. Italian, Spanish, Latin.
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GAUDENSIS Jacobus Magdalius J. M.
Passio magistralis oni nri Iesu Christi ex diversis icto & ecclesie doctor sententiis postillata. Eu glosa interlineari viri undecus doctissimi venerabili oni Alberti Magni civitatis Ratispone potificis gratiosi. P religiosum patre ordinis predicatori Jacobii Gaudesem collecta. Compassio christisere virgnis Mariei modu polylogi edita.
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Tres rare edition post incunable. La premiere edition est parue en 1505 , Une troisieme edition en 1508 sera editee au format in 8. La British Library possede seule ces trois exemplaires , aucune autre bibliotheque ne semble posseder un exemplaire de ce livre. Graesse ne donne que l'edition de 1506. Absent a Brunet. Edition imprimee en caracteres gothiques. Belle mise en page, caracteristique de l'epoque. §Broche. Traces de colle le long du dos. Sans couverture. Un feuillet blanc, en fin d'ouvrage, apres le texte, est manquant, il complete la collation a 44 f. §Gaudensis fut Theologien et professeur (1470 Gauda-1520 Cologne). L'oeuvre litteraire de J. Gaudensis se dessine a travers l'utilisation experte des textes bibliques, qui forme a la fois la base et la frontiere de sa creation. L'ouvrage traite de la Passion du Christ de Albert dit le Grand, eveque de Ratisbone , la seconde partie concerne la Vierge. La passion est divisee en heures, de la hora matutinali a hora completorii suivant en cela le temps chretien et le temps de l'eglise. §Ses Oeuvres : Correctorium Bibliae cum difficilium quarundam dictionum luculenta interpretatione, Koln 1500, Aerarium aureum poetarum, ebd. 1502, Naumachia ecclesiastica, ebd. 1503, Passio magistralis D.N.J. Christi ex diversis ss. Ecclesiae doctorum sententiis postillata cum glossa interlineari b. Alberti M., ebd. 1506, Compendium Bibliae, in quo continenture 257 versus, quibus totus fere Bibliae textus comprehenditur, Koln 1508, Wittenberg 1517, Dichterische Schriften in: Quetif-.chard II, 44 f. (Pris de Biographisch/ bibliographisches kirchenlexicon, Gaudensis par Michael tilly). On remarquera que Michael Tilly, auteur de cette bibliographie, ne donne lui aussi que l'edition de 1506 pour le Passio magistrali.Photos sur www.Edition-originale.com. Herice Quentel. Colonie (Cologne) _1506 in 4 (14,5x20cm) non pagine. A4 B4 C2 D4 E3 F4 G4 H4. [43f]. broche
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Isaac Ben Judah Abravanel
Haggadah Shel Pesah. [Ritual para la Pascua]. Con comentarios de Isaac Abravanel y poema de Judah Abravanel (León Hebreo).
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Constantinople, David y Samuel Inb Nachmias, 6 de Noviembre 1505. 24x20 cm. 40 hojas sin paginar. Portada con orla xilográfica dibujado en blanco sobre negro, decoración de animales en escenas de caza y plantas entrelazadas, rodeando el poema de León Hebreo. Tipografía rabínica de dos tamaños, en cursiva para el comentario. Encaudernación moderna en medio pergamino, cortes pintados de antiguo. Este ejemplar tiene los márgenes cortos, probablemente por haber estado en su origen encuadernado junto a otras obras. Tercera edición de la Haggadah, PRIMERA EDICIÓN CON COMENTARIO. Tercer libro producido por la primera imprenta (establecida en 1493) de Constantinopla. Los hermanos David y Samuel inb Nachmias, eran judíos españoles que se refugiaron a Constantinopla después de la expulsión decretada por los Reyes Católicos. La orla que rodea el poema de León Hebreo y que hace las veces de portada, es de estilo netamente islámico y muy característico del diseño Hispano-Musulmán, con una extraordinaria fineza en su técnica. Isaac ben Judah Abravanel (1437-1509), nacido en Lisboa y fallecido en Venecia, era el padre del célebre León Hebreo. Fue contemporáneo de Maimónides y de Aben Hezra. Fue ministro de hacienda del rey Alfonso V de Portugal. En 1481, pasó a España, instalándose en Toledo. Cuando los Reyes Católicos expulsaron de España los judíos se trasladó a Venecia, donde murió en 1509. Escribió numerosas obras, principalmente, de teología y comentarios a los libros de la Biblia. Sólo unas pocas obras fueron impresas en vida, entre ellas, esta que presentamos; pero, en general, se publicaron durante los siglos XVII y XVIII. Obra de extraordinaria rareza por el uso que de ella se hacia. Desconocida a Agustín Ladrón de Guevara (cita diversas, pero no ésta). Steinschneider 411:2671; Yaari, Haggadah, 3; Yaari, Constantinople, 3. Ningún ejemplar en España.
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"BASILE DE CÉSARÉE, saint;"
[De legendis Antiquorum libris opusculum]. E Magno Basilio Leonardi Arretini traductio ad Colucium.
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Florence Piero Pacini 1505 "Petit in-4 de 10 ff.n.ch. avec simple titre de départ (A6-B4) ; veau glacé fauve, dos lisse orné en long de deux fleurons et du titre (""Basilii Epistolæ. 1505""), double filet intérieur, pointillé sur les coupes, tranches dorées (reliure du début du dix-neuvième siècle)." "Sander, 811 ; Kristeller, 47 ; Edit-16 cite deux exemplaires en Italie (Bibliothèque d'Arezzo et Bibliothèque Angelica de Rome). Manque à la BnF et à la BL. Non cité par Adams. Rare impression florentine illustrée. Elle contient le texte latin d'une épître dans laquelle Basile de Césarée, dit Basile le Grand (Cappadoce 329-379), l'un des principaux Pères de l'Église grecque, consigne ses opinions sur les auteurs de l'antiquité : poètes, scientifiques ou philosophes. Il s'agit en quelque sorte d'un petit traité ""pré-humaniste"", saint Basile interrogeant les auteurs grecs afin d'en extraire ""les semences de vérités naturelles et les principes de vertus qu'ils renferment"" (Villemain). Les lettres sont encore aujourd'hui la partie la plus vivante de l'imposant corpus que nous a légué saint Basile : le style en est pur, la pensée solide ; partout on y ressent la présence ou le reflet de la littérature antique. Cette traduction latine est due à l'humaniste italien Leonardo Bruni (1369-1444), dit l'Arétin d'après sa ville natale, Arezzo. Excellent helléniste, il étudia à Florence avant de devenir le secrétaire apostolique d'Innocent VII, Grégoire XII, Alexandre V et Jean XXIII (ce dernier fut déposé lors du concile de Constance). De retour à Florence, il termina sa carrière comme chancelier de la république. L'ouvrage est adressé par Bruni à un autre humaniste florentin, Coluccio Salutati (1331-1406), un ami de Poggio Bracciolini, poète latin et érudit renommé – on lui doit la découverte d'une grande partie de la correspondance de Cicéron – dont la carrière présente plusieurs traits de ressemblance avec celle de son cadet : il fut comme lui secrétaire apostolique (sous Urbain V et Grégoire XI), et chancelier de Florence.. L'ouvrage est illustré d'une vignette gravée sur bois représentant un moine à son scriptorium : Kristeller et Sander signalent qu'elle a déjà été utilisée dans une Epistola de Savonarole imprimée vers 1495. Deux lettrines ornées et trois marques de l'imprimeur Piero Pacini, natif de Pescia (Toscane) mais actif à Florence à la fin du quinzième siècle et au début du seizième, complètent l'ornementation du volume. Nombreuses annotations à l'encre brune dans les marges et les interlignes, contemporaines de l'ouvrage, d'une belle écriture humaniste. Très élégante reliure en veau glacé. Faibles rousseurs ; le ciseau du relieur a un peu écourté quelques notes marginales. Monogramme AG couronné, à l'encre rouge, au bas du premier feuillet."
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BASILE DE CÉSARÉE, saint;
De legendis Antiquorum libris opusculum]. E Magno Basilio Leonardi Arretini traductio ad Colucium.
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Florence Piero Pacini 1505 - Petit in-4 de 10 ff.n.ch. avec simple titre de départ (A6-B4) ; veau glacé fauve, dos lisse orné en long de deux fleurons et du titre ("Basilii Epistolæ. 1505"), double filet intérieur, pointillé sur les coupes, tranches dorées (reliure du début du dix-neuvième siècle). Sander, 811 ; Kristeller, 47 ; Edit-16 cite deux exemplaires en Italie (Bibliothèque d'Arezzo et Bibliothèque Angelica de Rome). Manque à la BnF et à la BL. Non cité par Adams. Rare impression florentine illustrée. Elle contient le texte latin d'une épître dans laquelle Basile de Césarée, dit Basile le Grand (Cappadoce 329-379), l'un des principaux Pères de l'Église grecque, consigne ses opinions sur les auteurs de l'antiquité : poètes, scientifiques ou philosophes. Il s'agit en quelque sorte d'un petit traité "pré-humaniste", saint Basile interrogeant les auteurs grecs afin d'en extraire "les semences de vérités naturelles et les principes de vertus qu'ils renferment" (Villemain). Les lettres sont encore aujourd'hui la partie la plus vivante de l'imposant corpus que nous a légué saint Basile : le style en est pur, la pensée solide ; partout on y ressent la présence ou le reflet de la littérature antique. Cette traduction latine est due à l'humaniste italien Leonardo Bruni (1369-1444), dit l'Arétin d'après sa ville natale, Arezzo. Excellent helléniste, il étudia à Florence avant de devenir le secrétaire apostolique d'Innocent VII, Grégoire XII, Alexandre V et Jean XXIII (ce dernier fut déposé lors du concile de Constance). De retour à Florence, il termina sa carrière comme chancelier de la république. L'ouvrage est adressé par Bruni à un autre humaniste florentin, Coluccio Salutati (1331-1406), un ami de Poggio Bracciolini, poète latin et érudit renommé – on lui doit la découverte d'une grande partie de la correspondance de Cicéron – dont la carrière présente plusieurs traits de ressemblance avec celle de son cadet : il fut comme lui secrétaire apostolique (sous Urbain V et Grégoire XI), et chancelier de Florence. L'ouvrage est illustré d'une vignette gravée sur bois représentant un moine à son scriptorium : Kristeller et Sander signalent qu'elle a déjà été utilisée dans une Epistola de Savonarole imprimée vers 1495. Deux lettrines ornées et trois marques de l'imprimeur Piero Pacini, natif de Pescia (Toscane) mais actif à Florence à la fin du quinzième siècle et au début du seizième, complètent l'ornementation du volume. Nombreuses annotations à l'encre brune dans les marges et les interlignes, contemporaines de l'ouvrage, d'une belle écriture humaniste. Très élégante reliure en veau glacé. Faibles rousseurs ; le ciseau du relieur a un peu écourté quelques notes marginales. Monogramme AG couronné, à l'encre rouge, au bas du premier feuillet. [Attributes: Hard Cover]
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[Gótico.] THIENENSIS, Gaetanus [Cayetano de Thiene].
CAIETANUS SUPER LIBROS DE ANIMA. EIUSDEM Q[UESTI]ONES DE SENSU AGENTE; ET DE SENSIBILIBUS CO[M]MUNIBUS: AC DE INTELLECTU. ITEM DE SUBSTA[N]TIA ORBIS JOA[N]NIS DE GANDAUO CUM QUESTIONIBUS EIUSDEM.
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Imp. Johannes Gregorius de Gregoriis. Venecia, 1505. [En el colofón: Venetiis per Gregorius de Gregoriis. Cat. Jan. MCCCCCV.] 31 cm. 2 h. de índice, 113 fol., 1 blanca. Texto a dos columnas. Ilustr. con grabados xilográficos de las diferentes esferas en el recto y verso del fol. 10, capitulares y marca tipográfica en la portada. Enc. en pergamino reciente, con la lomera rotulada. Anotaciones manuscritas de antiguo poseedor en el recto de la hoja de índice, que está en blanco, y en la última hoja blanca. Antigua señal de polilla restaurada, sin afectar el texto, y las primeras hojas de índice remarginadas. * Esta obra reúne los comentarios de Cayetano de Thiene sobre los libros "De Anima" de Aristóteles, y el "Libro de substantia orbis" de Johannes de Ganduno. Esta edición contiene los textos corregidos y revisados por Paulus Panormita, agustino, nacido en Sicilia. Cayetano de Thiene fue discípulo de Pablo de Venecia, y enseñó en la universidad de Padua desde 1424. Fue uno de los más radicales averroistas de la "Escuela de Padua". Asimismo Cayetano recibió las influencias de los físicos de la Escuela de París, y también de los mertonianos, en particular de Heytesbury. Estudió la naturaleza del calor y de la transmisión del calor a los cuerpos. Johannes de Ganduno (o John de Gand o de Ghent), estudió en el colegio de Navarra y en la Sorbona. Se inclinó también por la doctrina averroista. Ferrater Mora, pág. 80. Aristóteles Libros antiguos anteriores a 1830
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Isaac Ben Judah Abravanel
Haggadah Shel Pesah. [Ritual para la Pascua]. Con comentarios de Isaac Abravanel y poema de Judah Abravanel (León Hebreo).
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Constantinople, David y Samuel Inb Nachmias, 6 de Noviembre 1505. 24x20 cm. 40 hojas sin paginar. Portada con orla xilográfica dibujado en blanco sobre negro, decoración de animales en escenas de caza y plantas entrelazadas, rodeando el poema de León Hebreo. Tipografía rabínica de dos tamaños, en cursiva para el comentario. Encaudernación moderna en medio pergamino, cortes pintados de antiguo. Este ejemplar tiene los márgenes cortos, probablemente por haber estado en su origen encuadernado junto a otras obras. Tercera edición de la Haggadah, PRIMERA EDICIÓN CON COMENTARIO. Tercer libro producido por la primera imprenta (establecida en 1493) de Constantinopla. Los hermanos David y Samuel inb Nachmias, eran judíos españoles que se refugiaron a Constantinopla después de la expulsión decretada por los Reyes Católicos. La orla que rodea el poema de León Hebreo y que hace las veces de portada, es de estilo netamente islámico y muy característico del diseño Hispano-Musulmán, con una extraordinaria fineza en su técnica. Isaac ben Judah Abravanel (1437-1509), nacido en Lisboa y fallecido en Venecia, era el padre del célebre León Hebreo. Fue contemporáneo de Maimónides y de Aben Hezra. Fue ministro de hacienda del rey Alfonso V de Portugal. En 1481, pasó a España, instalándose en Toledo. Cuando los Reyes Católicos expulsaron de España los judíos se trasladó a Venecia, donde murió en 1509. Escribió numerosas obras, principalmente, de teología y comentarios a los libros de la Biblia. Sólo unas pocas obras fueron impresas en vida, entre ellas, esta que presentamos; pero, en general, se publicaron durante los siglos XVII y XVIII. Obra de extraordinaria rareza por el uso que de ella se hacia. Desconocida a Agustín Ladrón de Guevara (cita diversas, pero no ésta). Steinschneider 411:2671; Yaari, Haggadah, 3; Yaari, Constantinople, 3. Ningún ejemplar en España.
[Bookseller: Llibreria Antiquària Delstres] |
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BARELETE, GABRIELIS:
SERMONES FRATIS GABRIELIS BARELETE ... tam quadragesimales quam de sanctis ...
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1505. Libro: (GOTICO-RELIGION). Per venerabilem Magistrum Jobannem Antonii ordinis (...) latinis translata. Lyon: Magistrum Nicolau Lupi, 1505. 8º. 4 h. + CLVI fol., LXXXIX fol. Texto en letra gótica a dos columnas. Capitales. Portada a dos tintas. Enc. plena piel con ruedas en los planos. Lomo gofrado con hilos dorados, nervios y tejuelos. Cortes pintados. Conocemos muy poco de Gabrielis Barelete a parte de que era monje dominicano, probablemente pupilo de San Antonio. Todos sus contemporáneos hablan de él como un gran orador, fama que perduró después de su muerte, pasando a ser el modelo de oratoria. En Brixen 1497 aparecieron sus sermones publicados en dos volúmenes. Suelen tener la forma de homilía, alavando las virtudes humanas y enumerando los pecados en los que no debemos caer, con un acentuado tono sarcástico, llegando, en ciertas ocasiones, a la burla.
[Bookseller: SOLER Y LLACH] |
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Worbs J(ohann). G(ottlob).
Geschichte und Beschreibung des Landes der Drusen in Syrien. Nebst einem bisher in Teutschland unbekannten Religionsbuche dieses Volks. Görlitz, C. G. Anton 1799. 8°. 8 Bll., 262 S., 1 Bl. Pbd. d. 19. Jhdts. mit Rtit.
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- Engelmann 134 - ADB XLIV, 212 - Griep-L. 1505.- Einzige Ausgabe.- J. G. Worbs (1760-1833) behandelt die Geschichte und Religion der Drusen, (offiziell Din al-Tawhid), eine im Jahr 1010 entstandene Religionsgemeinschaft, sowie Landeskundliche Darstellung ihrer vorderasiatischen Siedlungsgebiete (hauptsächlich Libanon und Syrien). Dias Werk gliedert sich in 3 Teile: Jetzige Beschaffenheit der Drusen und ihres Landes (mit Auswertung neuerer Reisebeschreibungen), Enstehung der Drusischen Religion, politische Geschichte der Drusen.- Tls. etw. stockfleckig (Titel u. Schlußbl. auch stärker), Ebd. etw. berieben.
[Bookseller: Antiquariat Müller] |
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BURGKMAIR, HANS
Missale- Use of Passau
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MiSSALe PATAVIENSE - Augsburg 1505 / HANS BURGKMAIR (1473 - 1531) Missale Pataviense (Passau ??engl?). Augsburg, Erhard Ratdolt, 5. Januar 1505. Folio (Grösse…). Double column; gothic types. Printed in black and red. 2 full-page woodcut illustrations by Hans Burgkmair, the first facing the title page, all unsigned; numerous 5- and 6-line white on black woodcut initials; a few initial spaces left blan. 291 leaves, foliated (12), 1-224, (7), (2) leaves of music, (6), 225-263. Without the last blank leaf ???. Quire F with 9 instead of 10 leaves ( hier braucht e seine Erklärung). Bound in contemporary blindtooled brown South German calf over wooden boards, covers paneled with decorative roll tools, the front cover with the blindstamped word missal on the upper edge, the corner stamps showing flowers in black. Center metal clasps ?? and leather and metal fore-edge clasps missing. Literature: Weale/Bohatta 771 (3 copies, the Munich copy without the Canon); Schottenloher, Ratdolt, p. 51-56. The extremely rare sumptuous liturgical printing from the press of Erhard Ratdolt in an magnificent colored copy illustrated by Hans Burgkmair, bound in a contemporary blind stamped South German calf. The title woodcut showing the patron Saints of the diocese of Passau, Saints Stephanus, Valentin and Maximilian is printed in 4 colors, a black line block and color blocks in red, yellow and olivegreen ( Grösse ….). The 3 Patron Saints are seen standing with their attributes on a pedestal below a white- on- black foliated triple arc. Below the coat-of -arms of Wigelius Fröschl, bishop of Passau (see illustration Schottenloher p. 51) and one line in Typeface. This woodcut is one of the earliest color woodcuts ever produced (see Grasselli, Impressions in color, Washington 2005 p. ??). Published in 1494 for the first time it is printed from 4 separate blocks, an invention that is attributed to Erhard Ratdolt. He was the first printer to be able to print Typeface in color in 149? and in 149? produced his first book with a color woodcut illustration. Ratdolt is unparalleled in his outstanding elaborate licurgical book productions done in Augsburg between 1498 and 1510. All of these laborious, lavish books are very rare, for they were all specific commissions by the surrounding dioceses and very costly. The woodcut of the Patron Saints of Passau is one of the earliest know works of Hans Burgkmair. Albeit the traditional setup of the standing Saints in one line it shows unusual flow in the drawing line. Saint Stephen is shown elevated, turned slightly to the left, and lifting his right knee in a graceful movement. The figures three dimensionality is emphasized by the red coat of the Saint falling over his knee. The young Hans Burgkmair is thus creating a new artistic depiction with hitherto unseen expression. Falk states that title pages printed in colors are very rare, for they were usually colored by hand. The title pages with the patron Saints were not applicable into Missales of different dioceses. Printing in colors was laborious and uneconomical which explains the extreme rarity. Different was the situation with the major leaf of the Canon, the Cruxificion. Canon leaves could be reused in several different Missals and were often printed in at least two colors, mostly red and black. The practice of reusing existing Canon leaves is best seen in the 1494 edition of this present Missale Pataviense. There Burgkmair's revolutionary new color woodcut of the Patron Saints was combined with an old traditional gothic Canon woodcut. The edition of 1505 is indefinitely more desirable because the Canon leaf was replaced by Burgkmair's own cruxificion. It shows Christ on the Cross between Mary and Saint John. Dörnhöffer considered the figure of Mary in her gracious movement and contained expression of pain one of Burgkmair's greatest achievements. The artist's talent to show ceremonial atmosphere is clearly visible. This woodcut is considered Hans Burgkmair's most beautiful Canon leaf ( Falk no. 10). Opposite the Canon prayers start with the large 6-line white-on-black initial 'T' (by Hans Burgkmair). Magnificent fresh volume with generous large margins in sublime contemporary coloring. Minimal wormholes at the beginning also showing on the front cover, the back cover almost untouched. Covers partially abraised, the leather on the lower edges partially missing, spine fragile.
[Bookseller: Ursus Books and Prints Ltd.] |
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Andreae, Johannes:
Arbor consanguinitatis
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(Wien, Johannes Winterburger, 7.Aptil 1505). 10 ff Mit drei ganzseitigen Textholzschnitten und einer gr.Anfangsinitiale in Holzschnitt. Gr. 8°. Neuerer Hpgmt.bd. Denis (Nachtrag) 751; Langer/Dolch 40; VD 16, J 320 (zitiert nach Langer/Dolch und ohne Standort). Sehr seltener Wiener Frühdruck durch den dritten Wiener Drucker Johannes Winterburger. Dieser war 1492 nach Wien gekommen, erwarb 1496 das Bürgerrecht und besaß spätestens 1509 in der Krugerstrasse ein Haus. Nach seinem Tode im Jahre 1519 ging die Einrichtung seiner Offizin auf Johann Singriener über. Johannes Andreae (um 1270 bei Florenz - 7.Juli 1348 in Bologna) war einer der bedeutendsten Rechtsgelehrten des Mittelalters, der zahlreiche Werke von Bestand für die europäische Rechtsgeschichte wie auch für das katholische Kirchenrecht verfasste. Zwei der drei ganzseitigen Textholzschnitte auf Schwarzgrund, ebenso die schöne Eingangsinitiale "C". Sehr vereinzelt feine Anmerkungen einer zeitgenössischen Hand, sonst sehr gutes, kaum gebräuntes oder fleckiges Exemplar. Von einem Vorbesitzer in neues Halbpergament gebunden, Deckelbezüge aus altem Papier.
[Bookseller: Antiquariat Norbert Donhofer] |
| 15. Check availability: zvab ILAB
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BURGKMAIR, Hans
Missale- Use of Passau
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1505 1505 - MiSSALe PATAVIENSE - Augsburg 1505 / HANS BURGKMAIR (1473 - 1531) Missale Pataviense (Passau ??engl?). Augsburg, Erhard Ratdolt, 5. Januar 1505. Folio (Grösse ). Double column; gothic types. Printed in black and red. 2 full-page woodcut illustrations by Hans Burgkmair, the first facing the title page, all unsigned; numerous 5- and 6-line white on black woodcut initials; a few initial spaces left blan. 291 leaves, foliated (12), 1-224, (7), (2) leaves of music, (6), 225-263. Without the last blank leaf ??? Quire F with 9 instead of 10 leaves ( hier braucht e seine Erklärung). Bound in contemporary blindtooled brown South German calf over wooden boards, covers paneled with decorative roll tools, the front cover with the blindstamped word missal on the upper edge, the corner stamps showing flowers in black. Center metal clasps ?? and leather and metal fore-edge clasps missing. Literature: Weale/Bohatta 771 (3 copies, the Munich copy without the Canon); Schottenloher, Ratdolt, p. 51-56. The extremely rare sumptuous liturgical printing from the press of Erhard Ratdolt in an magnificent colored copy illustrated by Hans Burgkmair, bound in a contemporary blind stamped South German calf. The title woodcut showing the patron Saints of the diocese of Passau, Saints Stephanus, Valentin and Maximilian is printed in 4 colors, a black line block and color blocks in red, yellow and olivegreen ( Grösse .). The 3 Patron Saints are seen standing with their attributes on a pedestal below a white- on- black foliated triple arc. Below the coat-of -arms of Wigelius Fröschl, bishop of Passau (see illustration Schottenloher p. 51) and one line in Typeface. This woodcut is one of the earliest color woodcuts ever produced (see Grasselli, Impressions in color, Washington 2005 p. ??). Published in 1494 for the first time it is printed from 4 separate blocks, an invention that is attributed to Erhard Ratdolt. He was the first printer to be able to print Typeface in color in 149? and in 149? produced his first book with a color woodcut illustration. Ratdolt is unparalleled in his outstanding elaborate licurgical book productions done in Augsburg between 1498 and 1510. All of these laborious, lavish books are very rare, for they were all specific commissions by the surrounding dioceses and very costly. The woodcut of the Patron Saints of Passau is one of the earliest know works of Hans Burgkmair. Albeit the traditional setup of the standing Saints in one line it shows unusual flow in the drawing line. Saint Stephen is shown elevated, turned slightly to the left, and lifting his right knee in a graceful movement. The figures three dimensionality is emphasized by the red coat of the Saint falling over his knee. The young Hans Burgkmair is thus creating a new artistic depiction with hitherto unseen expression. Falk states that title pages printed in colors are very rare, for they were usually colored by hand. The title pages with the patron Saints were not applicable into Missales of different dioceses. Printing in colors was laborious and uneconomical which explains the extreme rarity. Different was the situation with the major leaf of the Canon, the Cruxificion. Canon leaves could be reused in several different Missals and were often printed in at least two colors, mostly red and black. The practice of reusing existing Canon leaves is best seen in the 1494 edition of this present Missale Pataviense. There Burgkmair's revolutionary new color woodcut of the Patron Saints was combined with an old traditional gothic Canon woodcut. The edition of 1505 is indefinitely more desirable because the Canon leaf was replaced by Burgkmair's own cruxificion. It shows Christ on the Cross between Mary and Saint Jo
[Bookseller: Ursus Books and Prints, Ltd.] |
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Isaac Ben Judah Abravanel
Haggadah Shel Pesah. [Ritual para la Pascua]. Con comentarios de Isaac Abravanel y poema de Judah Abravanel (León Hebreo).
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Constantinople, David y Samuel Inb Nachmias, 6 de Noviembre 1505. 24x20 cm. 40 hojas sin paginar. Portada con orla xilográfica dibujado en blanco sobre negro, decoración de animales en escenas de caza y plantas entrelazadas, rodeando el poema de León Hebreo. Tipografía rabínica de dos tamaños, en cursiva para el comentario. Encaudernación moderna en medio pergamino, cortes pintados de antiguo. Este ejemplar tiene los márgenes cortos, probablemente por haber estado en su origen encuadernado junto a otras obras. Tercera edición de la Haggadah, PRIMERA EDICIÓN CON COMENTARIO. Tercer libro producido por la primera imprenta (establecida en 1493) de Constantinopla. Los hermanos David y Samuel inb Nachmias, eran judíos españoles que se refugiaron a Constantinopla después de la expulsión decretada por los Reyes Católicos. La orla que rodea el poema de León Hebreo y que hace las veces de portada, es de estilo netamente islámico y muy característico del diseño Hispano-Musulmán, con una extraordinaria fineza en su técnica. Isaac ben Judah Abravanel (1437-1509), nacido en Lisboa y fallecido en Venecia, era el padre del célebre León Hebreo. Fue contemporáneo de Maimónides y de Aben Hezra. Fue ministro de hacienda del rey Alfonso V de Portugal. En 1481, pasó a España, instalándose en Toledo. Cuando los Reyes Católicos expulsaron de España los judíos se trasladó a Venecia, donde murió en 1509. Escribió numerosas obras, principalmente, de teología y comentarios a los libros de la Biblia. Sólo unas pocas obras fueron impresas en vida, entre ellas, esta que presentamos; pero, en general, se publicaron durante los siglos XVII y XVIII. Obra de extraordinaria rareza por el uso que de ella se hacia. Desconocida a Agustín Ladrón de Guevara (cita diversas, pero no ésta). Steinschneider 411:2671; Yaari, Haggadah, 3; Yaari, Constantinople, 3. Ningún ejemplar en España.
[Bookseller: Llibreria Antiquària Delstres] |
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HOMER.
Pyndarus de bello Troiano. Astyanax maphaei Laudensis. Epigrammata quaedam diversorum autorum.
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Second Soncino edition of this popular Latin verse epitome of the Iliad, accompanied - as it was inSoncino's first edition of 1505 - by Mapheus Vegius' Astyanax. New to this edition, however, is the miscellany of neo-Latin epigrams at the end. Some are by familiar names, e.g. Leonardo Bruni, Baptista Guarinus (including his Cur Judaei ferant litteram O) and Pomponius Laetus. Others are by two local poets from Fano, perhaps brothers, Antonius and Jacobus Constantius.Manzoni, pp. 394-6. Fano, Girolamo Soncino, 1515.
[Bookseller: Bernard Quaritch Ltd.] |
| 18. Check availability: ILAB
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Breydenbach, Bernhard.
Dis buch ist innhaltend die heilig[n] reysen gein Jherusalem zu dem heiligen Grab [...].
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- [Speyer, Peter Drach, um 1505].103 (statt 126) nn. Bll. Mit 5 (statt 7, hiervon nur 2 vollständig vorhanden) doppelblattgroßen kolor. Holzschnitttafeln, 10 (statt 13) altkolor. Textholzschnitten sowie 7 orientalischen Alphabeten in Holzschnitt und zahlreichen rot eingemalten Lombardinitialen. Blindgeprägter Schweinslederband der Zeit über Holzdeckeln. Folio.Altkoloriertes Fragment der dritten deutschen Ausgabe von Breydenbachs "Pererginatio in terram sanctam", die von den älteren Bibliographen durchwegs noch als Inkunabel angesehen wurde. - Durchgehend leicht gebräunt, stellenweise etwas fingerfleckig und mit kleineren Randläsuren. Von drei der doppelblattgroßen Falttafeln fehlt jeweils eine Hälfte. Der zeitgenössische Einband mit geringen Bezugsdefekten und ohne die Schließen. - Hain 3958. Schreiber 3632. GKW IV, 656. Goff N 1195. VD 16, B 8259.
[Bookseller: Antiquariat Inlibris] |
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Mariologie - (Pinder, Ulrich)
Der beschlossen gart des rosenkrantz marie). Nur Teil 1 (= Bücher 1-5) von 2. Erste und einzige Ausgabe.
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Nürnberg, Drucker der Sodalitas Celtica für U. Pinder, 9. Okt. 1505). - cccij Bll.. Mit über 600 Holzschnitten (inkl. figürl. Initialen), davon 3 blattgroßen, 1 halbseitigem, 3 drittelseitigen und 1 dreiviertelseitigem von Hans Schäufelein, Hans Baldung Grien u. a.. Folio. Kalbslederband der Zeit (auf Holzdeckeln) mit reicher Schwarzprägung.Beide Deckel mit reicher Streicheisen- und floraler Rollstempel-Prägung (Rosen) Vorderdeckel mit reicher floraler Prägung im Mittelfeld, 3 geprägten, springenden Greifen in Rauten unten und geprägtem Titel oben Hinterdeckel im Mittelfeld mit 10 geprägten, springenden Greifen in Rauten. Rücken, auch dieser mit Streicheisen-Prägung, mit offenbar zeitgenössischem Material erneuert. Rücken mit hs. Schild (unleserlich), größerer Fehlstelle am Kopf, mehrfach eingerissen bzw. gebrochen und mit schwachem unterem Kapital durch den erneuerten Rücken sind teils die Deckelprägungen verdeckt. Beide Deckel mit Wurmlöchern. Vorderdeckel auch an den Ecken mit einigen kleineren Bezugsfehlstellen Hinterdeckel mit 2 größeren und einigen kleineren Bezugsfehlstellen. Kanten und insbes. die unteren Ecken bestoßen. Es fehlen der Titel (liegt als Fotokopie bei) und die 2 Blatt Register. Block angebrochen. Vorsätze mit älterem Karton erneuert Innengelenke mit Leinenstreifen verstärkt fotokopierter Titel mit fol. i im Bundsteg verklebt - beide Bll. lose bis fol. xi mit Fehlstelle in der Ecke, diese professionell, aber mit etwas Textverlust restauriert bis fol. iv mit Wasserfleck im Bundsteg fol. xxxx mit gebräuntem Rand fol. xlv-xlviii mit kleinen, braunen Fleckchen fol. cvii mit Eckabriss (Papierfehler?) fol. cxlvi-cxlvii mit Wasserrand am Fuß fol. cc-cci falsch paginiert (recte 190-191) fol. cxcvii-cxcix mit bräunl. Fleck am Fuß fol. ccii-cciii mit bräunl. Fleck im Bundsteg fol. cclxxxvi und fol. cclxxxviiif mit Wasserrand in der Ecke fol. ccxci wasserfleckig fol. ccc-ccci mit Wasserrand fol. cccii mit Wurmgängen im Rand und dort auch gering fleckig nahezu durchgehend mit Wurmlöchern im Bundsteg (geringer Buchstabenverlust) 4 Leder-Seitenreiter Schließen fehlen (2 kl. Beschläge noch vorhanden). Auf dem Innendeckel mit Besitzvermerk: "Ex legato A. R. D. Bernardi Hiltner parochi in Reimbling (...) 1704." Trotz der beschriebenen Mängel immer noch eine beeindruckende Postinkunabel zur Marienverehrung und eines der schönsten illustrierten Bücher des 16. Jahrhunderts, gleichzeitig das erste von Hans Schäufelein illustrierte Buch mit dem blattgroßen Kreuzigungsholzschnitt, Maria im Rosenhag mit dem Jesuskind und den Engelschören unter der Dreifaltigkeit. Insgesamt innen ein sauberes Exemplar mit meist schönen, kräftigen Abrucken der Holzschnitte. VD 16, P 2806 Proctor 11030. Photographien via email auf Anfrage.
[Bookseller: Antiquariat am Moritzberg] |
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Andreae, Johannes
Arbor consanguinitatis
|
(Wien, Johannes Winterburger, 7.Aptil 1505). - 10 ff Mit drei ganzseitigen Textholzschnitten und einer gr.Anfangsinitiale in Holzschnitt. Gr. 8°. Neuerer Hpgmt.bd. Denis (Nachtrag) 751; Langer/Dolch 40; VD 16, J 320 (zitiert nach Langer/Dolch und ohne Standort). Sehr seltener Wiener Frühdruck durch den dritten Wiener Drucker Johannes Winterburger. Dieser war 1492 nach Wien gekommen, erwarb 1496 das Bürgerrecht und besaß spätestens 1509 in der Krugerstrasse ein Haus. Nach seinem Tode im Jahre 1519 ging die Einrichtung seiner Offizin auf Johann Singriener über. Johannes Andreae (um 1270 bei Florenz - 7.Juli 1348 in Bologna) war einer der bedeutendsten Rechtsgelehrten des Mittelalters, der zahlreiche Werke von Bestand für die europäische Rechtsgeschichte wie auch für das katholische Kirchenrecht verfasste. Zwei der drei ganzseitigen Textholzschnitte auf Schwarzgrund, ebenso die schöne Eingangsinitiale "C". Sehr vereinzelt feine Anmerkungen einer zeitgenössischen Hand, sonst sehr gutes, kaum gebräuntes oder fleckiges Exemplar. Von einem Vorbesitzer in neues Halbpergament gebunden, Deckelbezüge aus altem Papier. [Attributes: Hard Cover]
[Bookseller: Antiquariat Norbert Donhofer] |
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Valerius Maximus
Opera cum Com(m)ento
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Milan:: Alexander Minutianus,, 1505.. 18th c. calf-backed paper boards, spine defective by 1" at top, hinges rubbed, old title-label, edges red; t.p. with scattered soiling, dampstains and old mold stains in inner margin at front, contemp. owner's inscription on blank verso of last leaf colored over; fully annotated by a contemp. hand using a French batard script (our 18th century binder has cut into many of the marginal notes).. Folio.. Valerius Maximus, a Roman historian and contemporary of the emperor Tiberius (42 B.C.-A.D.37), "was the compiler of an extant collection of anecdotes, "facta et Dicta Memorabilia', in nine books, for the use of orators. The anecdotes are arranged, according to the subjects that illustrate, roughly as follows: Book I, religion, omens, prodigies; Book II, social customs; Books III - VI, virtuous conduct (fortitude, moderation, humanity, etc.); Books VII and VIII, a miscellaneous group including good fortune, military stratagems, famous law-suits, eloquence, and many other items; Book IX, evil conduct. The examples on each topic are grouped separately according as they are drawn from the lives of Roman or foreign worthies... the work proved useful, and its popularity, which it retained in the Middle Ages, is shown by the fact that two epitomes of it were made." OCCL.#11;The text is surrounded with commentary by Arziganenis which first appeared in 1487. This edition is rare. EDIT 16 CNC 31006 (2 copies only).See the references in:Graesse VI, pt2, 243 note, and Schweiger II, 1105 .
[Bookseller: Krown & Spellman, Booksellers] |
| 23. Check availability: Biblio ABAA
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[ITALIAN DRAMA].
NARDI, Jacopo (1476-1563). Comedia di amicitia.
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First edition. Although the book has been in the past treated as a Florentine incunable, the type is now identified as the 102R of Gian Stefano di Carlo, a native of Pavia who printed at Florence from c. 1505 to c. 1520. The date of printing has been variously assigned to 1510, 1511 or 1512, but since the composition of the play is now dated to 1512 or a little before, it must be one of the latter two years. ISTC, Edit16, KVK and RLIN between them record a total of 14 copies. A second Florentine edition (in 8vo.) was printed by Bernardo Zucchetta, apparently about 1512.Jacopo Nardi (1476-1563), best known now for his History of Florence (printed in 1582) and in his own day for his Tuscan translation of Livy, also played an important part in the growth of secular drama. The passion for Plautus and Terence that among the humanists displaced the wooden performances of the sacre rappresentazioni, especially in the period 1480-1500 in the circle around Poliziano, soon developed into original compositions for vernacular comic theatre. Ariosto at Ferrara led the way with two five-act comedies in the Roman mould, Cassaria of 1508 and I suppositi of 1509, full of the stock characters and amorous intrigues of the ancient genre. It was Nardi’s innovation a few years later to take a plot from Boccaccio (X.8, the only story in the Decameron with a classical setting) and people it with Plautine characters in his verse Amicitia, a comedy in five short acts. In Amicitia the Boccaccian plotline, essentially a rhetorical argument about the competing claims of love and friendship, takes second place to the comic activities of the servants, friends and parasites who attend the two principal characters, Lucio and Eschino. Bocaccio’s setting in Athens and Rome could not be accommodated in drama which held to the ancient idea of unity of place (Nardi calls his work ‘togata o palliata’), and much of the back story is consequently related at Rome by the parasite Ergastilo and Lucio’s servant Lico, Nardi’s additions and not in Boccaccio. Croce saw in the play a measure of psychological penetration wanting in Boccaccio’s original.Nardi borrowed another plot from the Decameron (V.5) in his Due felici rivali, a play performed before the newly restored Medici court in 1513. A similar mix of Plautus and Boccaccio took place in the same carnival period, this time at Urbino, with the performance of Bernardo Dovizi’s La Calandra (see following item) where the language and comic devices as well as the plot are more firmly based on Boccaccio. The fame and importance of Dovizi (‘il Bibbiena’) rather eclipsed Nardi’s experiments in classical comedy at Florence, and the whole early period from Ariosto on was altogether overshadowed by the éclat with which Machiavelli’s Mandragola was greeted in 1518. [Florence, Gian Stefano di Carlo, c. 1512].
[Bookseller: Bernard Quaritch Ltd.] |
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Beroaldus [Beroaldo], Philip [Filippo]
Carmen lugubre...de dominice passionis die.#11;[bound with]#11;Ludicroru(m) & amatoioru(m) carminu(m) p(er) elega(n)s codicellus...#11;Jean Barbier for Denis Roce, [1505-7?]
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Denis Roce, [Paris:]: Denis Roce,, [1505?]. Modern red leather, slightly faded, covers warping, marbled endpapers, bookplate of Arthur Mullen, dampstain in upper margin has caused paper loss but not affecting text, worm pin-hole in first work, old signature at top of sceond A1.. 4to. 2 vols. in 1.. Large printer's device on t.p. for Denis Roce (Davies 135, Polain 162, Silvestre 451), fine decorated initials. Beroaldus (1453-1505) one of the most eminent scholars of the fifteenth century, was born in Bologna. He was brilliant scholar, a popular lecturer, and was rewarded with civic and academic honors. "He was fond of the pleasures of the table, and passionately addicted to play, to which he sacrificed all he was worth. He was an ardent votary of the fair sex; and thought no pains nor experience too great for accomplishing his wishes." At length he married and changed his ways. #11;This volume is a joining of two separate Roce editions of Beroldus. The "Carmen" is in gothic type while the "Ludicrorum is in roman. This is the stand-alone "Ludicrorum" issued by Barbier & Roce as listed by Renouard in his Badius II;183:2, and mentioned by Moreau-Renouard which can also form part of a 1507 edition of Beroldus & other works by Poliziano, Barbaro, & de Maino (Moreau-R 1507:21). Between 1505-7 Jean Passet a.k.a. Barbier (d.1515), in association with Roce, issued several other works by Beroldus. Barbier had returned to France after working in London and Westminster and established himself in Paris probably in 1502. Roce a.k.a. Rosse (1490-1517) was a printer, publisher, and binder and worked at the sign of St Martin on the Rue St-Jacques where he published many books on his own and in association with other printers. Carmen: Renouard, Badius, II,173:3. BM STC (French) 50. Pellechet 2235. GW IV,24b. Index Aurel. 117.794.#11;"Ludicorum" Moreau-Renouard 1507:21. Renouard, Badius, II,183:2 & II,166:16 note. Pellechet 2215. GW IV,25?.
[Bookseller: Krown & Spellman, Booksellers] |
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RAMPIGOLLIS Antonius de - ( Rampegollis )
Figurarum Biblie opus.
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- Colonia (Köln), March 6th 1505 (vi Martÿ) , small in-8°, 13,4 x 9,6 cm, title printed in red and black with woodcut vignette of the Virgin Mary + (30)nn pp + 240 leaves A8-Z8 (- I,V,W), AA8-GG8 (complete), last but one page is blank, last page with full page woodcut: the Lord and Christ surrounded by angels. Contemporary full overlapping vellum, traces of leather ties, manuscript title on spine. Backwrapper damaged with some loss of material, small marginal loss of paper at leaf B3 with loss of legibility of part of one word, in all still a fine/good copy. With a manuscript ex-libris: Ex Biblioth. Abb Janet Polyg. Burguni, 1714. Circular ex-library stamp of Paul Naudon. Manuscript note on title page: ''Pour les R.de peres Capucins de Belley ''. (Département de L'Ain). Rampegolis (ca. 1360-1423) was born in Siena and became an Augustine friar at Genoa. He represented the Genoese Republic at the Council of Constance, where he opposed the Hussites. This book, also known as ''Aurea Biblia'' or ''Repertorium Biblicum'' is meant to be an aid to preachers. It was put on the index by Pope Clemens VIII and not reprinted until 1628 although many 15th and 16th century editions are known. Recent scholarship claims out that only the preface is by Rampigollis and that the main text could be by Bindo de Senis. This is a rare edition: not in Adams, Bodleian Broxb. 14.4§. [Attributes: Hard Cover]
[Bookseller: Antiquariaat Wim de Goeij] |
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HOLKOT.
Super quattuor libros sententiarum questiones.
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Lyon, Schwab dit Jean Clein, 1505. - In-4, [dimension: 200 x 135 mm] de (222) ff. [signatures : Pi10, a-p8, q10, A-I8, K10, dernier blanc] Veau brun, dos à nerfs orné, grande plaque estampée à froid sur les plats avec encadrements. (Reliure de l'époque.) Belle reliure à plaques d'André Boule. Le martyr de Saint-Sébastien, sur le premier plat, accompagné de deux soldats qui le transpercent de flêches, et surmonté de deux anges tenant une couronne, le tout entouré d'une bordure (vigne, animaux chimériques.), avec en pied, le nom du relieur en capitales dans un cartouche. Au second plat, une crucifixion dans laquelle Sainte-Catherine de Sienne et Saint-Thomas sont couronnés, entouré d'une bordure similaire et le nom du relieur en pied. Ces plaques sont identiques à celles de la reliure de la collection de Goldschmidt. Elles sont très fraîches dans notre exemplaire. Le dos (coiffes et charnières) a été restauré. (Le dos de la reliure de l'exemplaire de Goldschmidt était refait). Si les reliures d'André Boule ne sont pas très rares dans les bibliothèques publiques , il y en a plusieurs à la Bibliothèque Nationale, on en rencontre très rarement sur le marché. Goldschmidt, Gothic & Renaissance bookbindings 56, planche XXIV. Gruel I, p. 59. Pour cette édition de Holkot : il s'agit de la réimpression de l'édition de 1497 de Jean Trechsel, dont Jean Schwab avait épousé la veuve. Baudrier XII, 276. Exemplaire dans une boîte de conservation en maroquin, dont les plats sont en plexiglas.
[Bookseller: Hugues de Latude] |
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Worbs J(ohann). G(ottlob).
Geschichte und Beschreibung des Landes der Drusen in Syrien. Nebst einem bisher in Teutschland unbekannten Religionsbuche dieses Volks. Görlitz, C. G. Anton 1799. 8°. 8 Bll., 262 S., 1 Bl. Pbd. d. 19. Jhdts. mit Rtit.
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- Engelmann 134 - ADB XLIV, 212 - Griep-L. 1505.- Einzige Ausgabe.- J. G. Worbs (1760-1833) behandelt die Geschichte und Religion der Drusen, (offiziell Din al-Tawhid), eine im Jahr 1010 entstandene Religionsgemeinschaft, sowie Landeskundliche Darstellung ihrer vorderasiatischen Siedlungsgebiete (hauptsächlich Libanon und Syrien). Dias Werk gliedert sich in 3 Teile: Jetzige Beschaffenheit der Drusen und ihres Landes (mit Auswertung neuerer Reisebeschreibungen), Enstehung der Drusischen Religion, politische Geschichte der Drusen.- Tls. etw. stockfleckig (Titel u. Schlußbl. auch stärker), Ebd. etw. berieben.
[Bookseller: Antiquariat Müller] |
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Herausgegeben von Offermanns, Stefan / Rosenthal, Walter
Encyclopedia of Molecular Pharmacology
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Springer Verlag - Encyclopedia of Molecular Pharmacology (Springer Berlin) ISBN: 978-3-540-38921-7 XXVII, 1505 S. - 26 x 19,3 cm Encyclopedia of Molecular Pharmacology Herausgegeben von Offermanns, Stefan / Rosenthal, Walter Verlag : Springer Berlin ISBN : 978-3-540-38921-7 Preisinfo : 935,18 Eur[D] UVP / 961,40 Eur[A] UVP / 1432,00 CHF UVP Alle Preisangaben in CHF (Schweizer Franken) sind unverbindliche Preisempfehlungen. Legende: UVP = unverbindliche Preisempfehlung, iVb = in Vorbereitung. Seiten/Umfang : XXVII, 1505 S. - 26 x 19,3 cm Erschienen : 2. Ed. 25.08.2008 verwandte Themen : Ionenkanal Molekulare Pharmakologie Pharmacology Pharmakologie Rezeptor drug action ion channel molecular pharmacology receptor classes 935,18 Eur[D] UVP This comprehensive 2 volume encyclopedic reference provides rapid access to focused information on molecular pharmacology for research scientists, clinicians and advanced students. With the A-Z format of about 2000 entries, about 250 authors provide a complete reference to the area of molecular pharmacology. The book combines the knowledge of classic pharmacology describing drug action as well as the more recent approach of the precise analysis of the molecular mechanisms by which drugs exert their effects. Short keyword entries define common acronyms, terms and phrases. In addition, detailed essays provide in-depth information on drugs, cellular processes, molecular targets, techniques, molecular mechanisms and general principles. Each essay is well-structured, with extensive cross-referencing between all entries.
[Bookseller: Antiquariat-Versandbuchhandel Uwe Löb] |
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Mariologie - (Pinder, Ulrich)
Der beschlossen gart des rosenkrantz marie). Nur Teil 1 (= Bücher 1-5) von 2. Erste und einzige Ausgabe.
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(Nürnberg, Drucker der Sodalitas Celtica für U. Pinder, 9. Okt. 1505). - cccij Bll. Mit über 600 Holzschnitten (inkl. figürl. Initialen), davon 3 blattgroßen, 1 halbseitigem, 3 drittelseitigen und 1 dreiviertelseitigem von Hans Schäufelein, Hans Baldung Grien u. a. Folio. Kalbslederband der Zeit (auf Holzdeckeln) mit reicher Schwarzprägung. Beide Deckel mit reicher Streicheisen- und floraler Rollstempel-Prägung (Rosen); Vorderdeckel mit reicher floraler Prägung im Mittelfeld, 3 geprägten, springenden Greifen in Rauten unten und geprägtem Titel oben; Hinterdeckel im Mittelfeld mit 10 geprägten, springenden Greifen in Rauten. Rücken, auch dieser mit Streicheisen-Prägung, mit offenbar zeitgenössischem Material erneuert. Rücken mit hs. Schild (unleserlich), größerer Fehlstelle am Kopf, mehrfach eingerissen bzw. gebrochen und mit schwachem unterem Kapital; durch den erneuerten Rücken sind teils die Deckelprägungen verdeckt. Beide Deckel mit Wurmlöchern. Vorderdeckel auch an den Ecken mit einigen kleineren Bezugsfehlstellen; Hinterdeckel mit 2 größeren und einigen kleineren Bezugsfehlstellen. Kanten und insbes. die unteren Ecken bestoßen. Es fehlen der Titel (liegt als Fotokopie bei) und die 2 Blatt Register. Block angebrochen. Vorsätze mit älterem Karton erneuert; Innengelenke mit Leinenstreifen verstärkt; fotokopierter Titel mit fol. i im Bundsteg verklebt - beide Bll. lose; bis fol. xi mit Fehlstelle in der Ecke, diese professionell, aber mit etwas Textverlust restauriert; bis fol. iv mit Wasserfleck im Bundsteg; fol. xxxx mit gebräuntem Rand; fol. xlv-xlviii mit kleinen, braunen Fleckchen; fol. cvii mit Eckabriss (Papierfehler?); fol. cxlvi-cxlvii mit Wasserrand am Fuß; fol. cc-cci falsch paginiert (recte 190-191); fol. cxcvii-cxcix mit bräunl. Fleck am Fuß; fol. ccii-cciii mit bräunl. Fleck im Bundsteg; fol. cclxxxvi und fol. cclxxxviiif mit Wasserrand in der Ecke; fol. ccxci wasserfleckig; fol. ccc-ccci mit Wasserrand; fol. cccii mit Wurmgängen im Rand und dort auch gering fleckig; nahezu durchgehend mit Wurmlöchern im Bundsteg (geringer Buchstabenverlust); 4 Leder-Seitenreiter; Schließen fehlen (2 kl. Beschläge noch vorhanden). Auf dem Innendeckel mit Besitzvermerk: "Ex legato A. R. D. Bernardi Hiltner parochi in Reimbling (.) 1704." Trotz der beschriebenen Mängel immer noch eine beeindruckende Postinkunabel zur Marienverehrung und eines der schönsten illustrierten Bücher des 16. Jahrhunderts, gleichzeitig das erste von Hans Schäufelein illustrierte Buch; mit dem blattgroßen Kreuzigungsholzschnitt, Maria im Rosenhag mit dem Jesuskind und den Engelschören unter der Dreifaltigkeit. Insgesamt innen ein sauberes Exemplar mit meist schönen, kräftigen Abrucken der Holzschnitte. VD 16, P 2806; Proctor 11030. Photographien via email auf Anfrage. DE
[Bookseller: Antiquariat am Moritzberg] |
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Isaac Ben Judah Abravanel
Haggadah Shel Pesah. [Ritual para la Pascua]. Con comentarios de Isaac Abravanel y poema de Judah Abravanel (León Hebreo).
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Constantinople, David y Samuel Inb Nachmias, 6 de Noviembre 1505. 24x20 cm. 40 hojas sin paginar. Portada con orla xilográfica dibujado en blanco sobre negro, decoración de animales en escenas de caza y plantas entrelazadas, rodeando el poema de León Hebreo. Tipografía rabínica de dos tamaños, en cursiva para el comentario. Encaudernación moderna en medio pergamino, cortes pintados de antiguo. Este ejemplar tiene los márgenes cortos, probablemente por haber estado en su origen encuadernado junto a otras obras. Tercera edición de la Haggadah, PRIMERA EDICIÓN CON COMENTARIO. Tercer libro producido por la primera imprenta (establecida en 1493) de Constantinopla. Los hermanos David y Samuel inb Nachmias, eran judíos españoles que se refugiaron a Constantinopla después de la expulsión decretada por los Reyes Católicos. La orla que rodea el poema de León Hebreo y que hace las veces de portada, es de estilo netamente islámico y muy característico del diseño Hispano-Musulmán, con una extraordinaria fineza en su técnica. Isaac ben Judah Abravanel (1437-1509), nacido en Lisboa y fallecido en Venecia, era el padre del célebre León Hebreo. Fue contemporáneo de Maimónides y de Aben Hezra. Fue ministro de hacienda del rey Alfonso V de Portugal. En 1481, pasó a España, instalándose en Toledo. Cuando los Reyes Católicos expulsaron de España los judíos se trasladó a Venecia, donde murió en 1509. Escribió numerosas obras, principalmente, de teología y comentarios a los libros de la Biblia. Sólo unas pocas obras fueron impresas en vida, entre ellas, esta que presentamos; pero, en general, se publicaron durante los siglos XVII y XVIII. Obra de extraordinaria rareza por el uso que de ella se hacia. Desconocida a Agustín Ladrón de Guevara (cita diversas, pero no ésta). Steinschneider 411:2671; Yaari, Haggadah, 3; Yaari, Constantinople, 3. Ningún ejemplar en España.
[Bookseller: Llibreria Antiquària Delstres] |
| 33. Check availability: ILAB
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PANTEO, Giovanni Antonio (c. 1440-1497)
Annotationes... ex trium dierum confabulationibus ... De thermis caldarianis: quae in agro sunt Veronesi
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[Venice: Bernardino Vitali, 1505]. Folio: aa--bb4 b6 c--e4 f6 g--s4 (without the blanks o4 and s4), 78 of 80 unnumbered leaves. Roman letter with passages in Greek. 6-line and 5-line woodcut initials as well as spaces for initials of the same size with guide letters. Leaf size and condition: 294 x 200mm. First leaf dustsoiled, all leaves mounted on guards, blank corners of q1 and q2 restored, tears in s1 repaired without loss. Binding: Recent vellum. Provenance and annotation: Walter Pagel (1896--1983); B. E. J. Pagel (1930--2007). References: Edit16 CNCE 37843 and 49429 (identical but with prelims bound in a different order); BM STC Italian p. 488; Durling 3439; Klebs 721.1; Goff P74. First edition. The dedication by Alessandro Benedetti is dated Venice 1500 and the book was formerly considered an incunable. Durling and Edit 16 follow the BM STC in ascribing printing to Bernadino Vitali in 1505. § A description of the medicinal hot baths near Verona, one of the earliest, if not the first work on balneology. There are notes on chemical and medical subjects. Panteo, a priest, was secretary to Ermolao Barbaro, bishop of Verona and later professor of cannon law at Padova.
[Bookseller: Roger Gaskell] |
| 34. Check availability: ILAB
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HOLKOT.
Super quattuor libros sententiarum questiones.
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Lyon, Schwab dit Jean Clein, 1505. - In-4, [dimension: 200 x 135 mm] de (222) ff. [signatures : Pi10, a-p8, q10, A-I8, K10, dernier blanc] Veau brun, dos à nerfs orné, grande plaque estampée à froid sur les plats avec encadrements. (Reliure de l'époque.) Belle reliure à plaques d'André Boule. Le martyr de Saint-Sébastien, sur le premier plat, accompagné de deux soldats qui le transpercent de flêches, et surmonté de deux anges tenant une couronne, le tout entouré d'une bordure (vigne, animaux chimériques.), avec en pied, le nom du relieur en capitales dans un cartouche. Au second plat, une crucifixion dans laquelle Sainte-Catherine de Sienne et Saint-Thomas sont couronnés, entouré d'une bordure similaire et le nom du relieur en pied. Ces plaques sont identiques à celles de la reliure de la collection de Goldschmidt. Elles sont très fraîches dans notre exemplaire. Le dos (coiffes et charnières) a été restauré. (Le dos de la reliure de l'exemplaire de Goldschmidt était refait). Si les reliures d'André Boule ne sont pas très rares dans les bibliothèques publiques , il y en a plusieurs à la Bibliothèque Nationale, on en rencontre très rarement sur le marché. Goldschmidt, Gothic & Renaissance bookbindings 56, planche XXIV. Gruel I, p. 59. Pour cette édition de Holkot : il s'agit de la réimpression de l'édition de 1497 de Jean Trechsel, dont Jean Schwab avait épousé la veuve. Baudrier XII, 276. Exemplaire dans une boîte de conservation en maroquin, dont les plats sont en plexiglas.
[Bookseller: Hugues de Latude] |
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Isaac Ben Judah Abravanel
Haggadah Shel Pesah. [Ritual para la Pascua]. Con comentarios de Isaac Abravanel y poema de Judah Abravanel (León Hebreo).
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Constantinople, David y Samuel Inb Nachmias, 6 de Noviembre 1505. 24x20 cm. 40 hojas sin paginar. Portada con orla xilográfica dibujado en blanco sobre negro, decoración de animales en escenas de caza y plantas entrelazadas, rodeando el poema de León Hebreo. Tipografía rabínica de dos tamaños, en cursiva para el comentario. Encaudernación moderna en medio pergamino, cortes pintados de antiguo. Este ejemplar tiene los márgenes cortos, probablemente por haber estado en su origen encuadernado junto a otras obras. Tercera edición de la Haggadah, PRIMERA EDICIÓN CON COMENTARIO. Tercer libro producido por la primera imprenta (establecida en 1493) de Constantinopla. Los hermanos David y Samuel inb Nachmias, eran judíos españoles que se refugiaron a Constantinopla después de la expulsión decretada por los Reyes Católicos. La orla que rodea el poema de León Hebreo y que hace las veces de portada, es de estilo netamente islámico y muy característico del diseño Hispano-Musulmán, con una extraordinaria fineza en su técnica. Isaac ben Judah Abravanel (1437-1509), nacido en Lisboa y fallecido en Venecia, era el padre del célebre León Hebreo. Fue contemporáneo de Maimónides y de Aben Hezra. Fue ministro de hacienda del rey Alfonso V de Portugal. En 1481, pasó a España, instalándose en Toledo. Cuando los Reyes Católicos expulsaron de España los judíos se trasladó a Venecia, donde murió en 1509. Escribió numerosas obras, principalmente, de teología y comentarios a los libros de la Biblia. Sólo unas pocas obras fueron impresas en vida, entre ellas, esta que presentamos; pero, en general, se publicaron durante los siglos XVII y XVIII. Obra de extraordinaria rareza por el uso que de ella se hacia. Desconocida a Agustín Ladrón de Guevara (cita diversas, pero no ésta). Steinschneider 411:2671; Yaari, Haggadah, 3; Yaari, Constantinople, 3. Ningún ejemplar en España.
[Bookseller: Llibreria Antiquària Delstres] |
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MANDEVILLE JOHANNES DE
TRACTATO DELE PIU MARAVILIOSE COSE E PIU NOTABILE CHE SI TROVINO IN LE PARTE DEL MONDO REDUTTE E COLTE SOTTO BREUITA IN LO PRESENTE COMPENDIO DEL STRENUISSIMO CAUALIER ... IOANNE DE MANDAUILLA ANGLICO ...STAMPATO IN VENEXIA, PER MANFREDO DE SUSTREUO DACA BONIS, 1505 ADI 26 ZENARO (MANFREDO BONELLI, 26 GENNAIO 1505),
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in-8 (153 x 99mm.), ff. (112 segn. A-Z4, AA-EE4, numerati a mano in antico), legatura italiana del tempo in p. pelle con duplice bordura sui piatti impressa a secco con ornamenti a gigli, roselline e foglie, dorso con ornamenti a secco (abilmente ritoccata e restaurata). Titolo racchiuso in bordura silografica da quattro legni con ornamenti diversi su fondo nero; sul f. A2 piccola iniziale ornata su fondo nero; le prime due righe di titolo in car. gotico, tutto il resto dellopera in romano. Edizione di straordinaria rarita' di questo celebre resoconto di viaggi fantastici nei piu' svariati luoghi della Terra, reali o immaginari, composto di 183 capitoli. Scritta nel XIV secolo con ogni probabillita' da Sir John Mandeville (piuttosto che dal medico di Liegi Jehan de Bourgogne, morto nel 1372), lopera ebbe enorme successo e fu molte volte pubblicata in olandese, latino, francese e inglese a partire dal 1480. Questanonima traduzione in italiano ebbe varie edizioni tra fine XV ed inizio XVI secolo, ma di ognuna non se ne conoscono piu' di tre o quattro esemplari. Il presente e' uno dei due esemplari sopravvissuti dellediz. cinquecentesca di Manfredo Bonelli, che gia' ne impresse due nel XV secolo (laltro e' presso la Biblioteca della Regione siciliana): e' quello appartenuto a Rava e da lui descritto nel Supplement a' Sander, n. 4178, con riproduzione del frontesp. al n. 44, confermato dal medesimo difetto allultimo foglio da lui descritto, un grande foro sullultimo f., con perdita di parte del testo delle ultime otto righe e del colophon, di cui si legge solo la parola Zenaro (Gennaio), seguito da una croce greca. Malgrado la natura fantastica del viaggio, lopera, spesso assimilata a quella di Marco Polo, che in alcune edizioni figura con lo stesso titolo, fu una fonte utilizzata da Colombo e da altri navigatori. Una versione critica e' stata curata da E.Barisone nel 1982: Il Libro di Mandeville si presenta come le memorie di viaggio di un cavaliere inglese, Sir John Mandeville. Apparso in francese tra il 1356 e il 1371 e' una summa della letteratura pellegrinaggio a Gerusalemme e dei viaggi in Oriente nei cinque capitoli dedicati alla terra di Prete Gianni il libro esemplifica, meglio di ogni altro, un duplice atteggiamento verso la molteplicita' della creazione divina e in particolare verso le differenze tra la civilta' orientale e quella occidentale. F. Surdich, Verso il nuovo mondo, 2002: Un eloquente esempio di questo orizzonte onirico e' il mondo grottesco proposto allinizio del Trecento ai suoi lettori da John de Mandeville. Questopera costituisce infatti un repertorio eterogeneo e allucinante di mostri, prodigi, stranezze di ogni tipo, collocate sullo sfondo di un viaggio immaginario in un favoloso Oriente. Porzione di angolo infer. dei primi ff. rifatta; restauro al margine esterno del f. B1 a sfiorare lultima sillaba di testo; strappo allangolo super. del f. N2, con perdita di alcune parole di testo.SANDER-RAVA 4178a; tav. 44 (la riproduzione e' stata ritoccata per ovviare a difetto di impressione nella parte destra del legno inferiore).STC p.408. CNCE 72583 (recording one copy only, in Palermo).
[Bookseller: Libreria Antiquaria PREGLIASCO ] |
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Paul V. Murphy
Ruling Peacefully: Cardinal Ercole Gonzaga and Patrician Reform in Sixteenth-Century Italy
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Catholic University of America Press. New Raised in the Splendid Court of Mantua, wealthy even by the standards of Renaissance cardinals, the patron of artists and scholars, the father of numerous children, an active participant in Italian and European politics as regent of the Duchy of Mantua, Cardinal Ercole Gonzaga (1505-1563) was in many respects a typical Renaissance prelate from a noble family. Nevertheless, in the course of his life he also exhibited a real commitment to reform of the Church and gave serious attention to the religious debates of his day. He reformed the diocese of Mantua, befriended reformers both Catholic and Protestant, and served as papal legate to the Council of Trent. Ruling Peacefully provides the first in-depth study of this influential and paradoxical figure. Gonzaga emerges as a complex personality whose interests as the representative of a northern Italian ruling family could just as easily lead him to support reform in the Catholic Church as to hinder it. His career exemplifies much of the history of Italy and the Catholic Church in an era of uneasy transition. The process of change that the Church underwent in the sixteenth century only gradually provided theological clarity. This lack of definition exhibited itself not only in theology but also in the lives and works of individuals, including the leaders of the Church. The career of Ercole Gonzaga, who does not fit easily into the categories of spiritual reformer, or intransigent inquisitor, or unreformed noble prelate, challenges stereotypical descriptions of Italian prelates and may represent the age more fully than any of these ideal types. This intermingling of the worldly and the religious suggests that he may best be understood as apartician reformer who manifested the cultural life of late Renaissance Italy, the call for reform, and the interests of a powerful ruling family. ISBN10: 0813214785.
[Bookseller: Alibris] |
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Gótico.] THIENENSIS, Gaetanus [Cayetano de Thiene].
CAIETANUS SUPER LIBROS DE ANIMA. EIUSDEM Q[UESTI]ONES DE SENSU AGENTE; ET DE SENSIBILIBUS CO[M]MUNIBUS: AC DE INTELLECTU. ITEM DE SUBSTA[N]TIA ORBIS JOA[N]NIS DE GANDAUO CUM QUESTIONIBUS EIUSDEM.
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Imp. Johannes Gregorius de Gregoriis. Venecia, 1505. - [En el colofón: Venetiis per Gregorius de Gregoriis. Cat. Jan. MCCCCCV.] 31 cm. 2 h. de índice, 113 fol., 1 blanca. Texto a dos columnas. Ilustr. con grabados xilográficos de las diferentes esferas en el recto y verso del fol. 10, capitulares y marca tipográfica en la portada. Enc. en pergamino reciente, con la lomera rotulada. Anotaciones manuscritas de antiguo poseedor en el recto de la hoja de índice, que está en blanco, y en la última hoja blanca. Antigua señal de polilla restaurada, sin afectar el texto, y las primeras hojas de índice remarginadas. * Esta obra reúne los comentarios de Cayetano de Thiene sobre los libros De Anima de Aristóteles, y el Libro de substantia orbis de Johannes de Ganduno. Esta edición contiene los textos corregidos y revisados por Paulus Panormita, agustino, nacido en Sicilia. Cayetano de Thiene fue discípulo de Pablo de Venecia, y enseñó en la universidad de Padua desde 1424. Fue uno de los más radicales averroistas de la Escuela de Padua. Asimismo Cayetano recibió las influencias de los físicos de la Escuela de París, y también de los mertonianos, en particular de Heytesbury. Estudió la naturaleza del calor y de la transmisión del calor a los cuerpos. Johannes de Ganduno (o John de Gand o de Ghent), estudió en el colegio de Navarra y en la Sorbona. Se inclinó también por la doctrina averroista. Ferrater Mora, pág. 80. Aristóteles Libros antiguos anteriores a 1830
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(SVANING, Hans.) Refutatio calumniarum cuiusdam Ioannis Magni gothi upsalensis, qvibus in historia sva ac famosa oratione danicam gentem incessit: ad serenissimum illustrissimumque principem ac dominum d.
Fridericum eius nominis secundum, danorum, noruagicorum, vandalorum ac gothorum regem &c.
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dominum suum clementissimum, scripta a Petro Parvo Rosefontano, eqvite dano. Huic accessit chronicon sive historia Iohannis regis Daniæ, in declarationem eiusdem refutationis, unà cum sententia illa iudiciali, quam duorum regnorum Daniæ atque Noruagiæ patres, anno 1505. die iulii prima, Calmarniæ, contra Stenonem Sture eiusque complices tulerunt, cum Maximiliani romanorum regis confirmatione, ab eodem autore olim collecta atque iam recens ædita. Anno 1560. Tempus fert rosas. (Köpenhamn, Christopher Barth, 1561). 4:o. A4-Z4,Aa4-Qq4,Rr3. Titelbladet smutsigt och med litet hål i övre marginal, genomgående fuktrand. Lätta lagerfläckar. Samtida pergamentband, bågnande fläckiga pärmar med spår av band. Bakpärmens insida med hål i pärmpappret och med skymt av utfyllnadsblad med tryckta noter. W. C. Foghs namnteckning på titelbladet, daterad Köpenhamn 1741, och Frideric Münters, 1790. Ur Ericsbergs bibliotek, med Carl Jedvard Bondes exlibris. Bibl. danica III, sp. 44. Thesaurus 198. LN 1547. Warmholtz 2499. Rudbeck 1157. Ej i Adams. Carlander III, 564ff. Arbetet är en kritik mot Johannes Magnus "Historia de omnibus regibus" och inte minst mot det brandtal mot danskarna som tillskrevs Hemming Gadh, vilket Johannes Magnus infogat i boken. Författaren är den danske historikern Hans Svaning (1503-84) och verket trycktes ursprungligen 1560 med författarens namn utsatt. Före publiceringen blev dock arken A och M, som angav författare och tryckort, omtryckta utan uppgift om tryckort och med den avlidne retorikprofessorn Peder Lille Rosenkilde (Petrus Parvus Rosefontanus) angiven som författare. Varför man gjorde detta är oklart - en möjlighet är att Svaning ville göra sig lustig över Johannes Magnus påhittade adliga familjenamn Store (= Magnus) och därför angav som författare en person som verkligen var adlig ("eqvitus danus") och hade familjenamnet Lille (= Parvus). De ursprungliga bladen, med Svaning angiven som författare, har endast blivit bevarade som pärmfyllnadsmakulatur. Ett gensvar mot Svanings skrift publicerades av Messenius 1612.
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PARRASIO AULO GIANO
IN ROLANDINUM PISTRINI VERNAM ILLAUDATUM. (MILANO, JOHANNES ANGELUS SCINZENZELER, CA. 1505)
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in-folio, ff. 22 n.n. (A-B6, C4, D6), legatura 800esca in mezza pelle e angoli. Rarissima edizione di questa invettiva edita dal Parrasio sotto lo pseudonimo di Furius Vallus. L'a. volle infatti difendersi dalle accuse che gli vennero rivolte da Rolandino Panato da Lodi e da Damiano Nauta in un opuscolo s.n.t. ma generalmente attribuito ad Alessandro Minuziano (Reichling 1304. Panatus, "Invectiva in Janum Parrhasium...(Milano, s.n.t., ma dopo 1 luglio1501), conosciuto in un solo esemplare al mondo alla Biblioteca Colombina di Siviglia. La presente edizione e' concepita come un dialogo tra Furius (alterego dell'a.) e Panatus (alterego del Minuziano). L'editore e il Parrasio, dopo un periodo di felice collaborazione, ebbero dei forti attriti che culminarono in questi due libretti polemici. Il pamphlet, conosciuto in soli 6 esemplari a mondo (1 a Londra, 1 a Padova, 1 in Vaticano, 1 a Copenhagen, 2 in America), generalmente e' accompagnato dal commento del Parrasio sul "Ratto di Proserpina del Claudiano", stampato sempre dallo Scinzenzeler, nel 1505, motivo per cui si presume sia questa anche la datazione della presente edizione. Il Parrasio fu dotto umanista (Cosenza 1470-1522), il suo vero nome fu Giovan Paolo Parisi. Dopo aver servito Ferdinando II dAragona, si trasferi' a Milano (1499), ove compose la maggior parte delle sue opere di carattere retorico-didattico. Nel 1506 lascio' Milano e peregrino' successivamente a Vicenza, Padova e Venezia, finche' nel 1511 torno' in patria, dove fondo' lAccademia Cosentina. Buon esemplare (aloni marginali), di opera estremamente rara; curiosa testimonianza di diatribe letterarie rinascimentali. Goff V, 87. IGI II, p. 184. STC p. 186. Manca a BMC.
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BEMBO PIETRO.-
GLI ASOLANI . IMPRESSI IN VENETIA, NELLA CASA D'ALDO ROMANO NEL ANNO 1505 DEL MESE DI MARZO.
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In 4to, legatura seicentesca in piena pelle, ricchi fregi in oro al dorso, tass. in marocchino rosso con tit. in oro; cc. 96. Qq. lieve alone marginale su poche cc., qq. lieve segno di tarlo marginale, lontano dal testo. Bell'esemplare, con buoni margini. Prima tiratura della prima edizione, contenente al verso della prima carta e sul recto della successiva la dedica dell'autore a Lucrezia Borgia, che fu quasi subito eliminata e sostituita in corso di stampa da un frontespizio con il verso bianco e da una seconda carta bianca. Il presente esemplare non presenta le due cc. in fine costituite da errata e foglio bianco, mancanti nella gran parte degli esemplari. Renouard, 48: "Premire dition assez rare..."
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CHAULIAC, GUY DE
Collectorio de la cirogia composto per el clarissimo doctore maistro Guidone de Gauliaco: distincto in tractati, capituli, e rubrice, cum la sua tauola nouamente azonta e ben ordinata. (In fine:)
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Impressa in la inclita cita de Venexia, per Donino Pincio 1505 - Folio (cm 32), leg. ottocentesca fatta con antica pergamena, tit. al dorso. All'interno genuino esemplare ben conservato (non lavato) e con buoni margini, segni di uso e di dita, le prime 3 carte hanno visibili segni d'uso all'angolo inferiore destro, le ultime 5/6 carte con una lieve macchia bruna all'angolo superiore, e segni d'uso all'angolo inferiore, e note manoscritte sull'ultima carta bianca. Carte num. rom. CLV, (5 nn. di cui l'ultima bianca originale, conservata), testo in carattere romano su 2 colonne, capilettera xilografici.Rarissima edizione in volgare, la prima edita nel secolo XVI, preceduta solo dalle edizioni incunabole del 1480 e 1493. Il medico francese Guy de Chauliac (n. fine sec. XIII-1368), ritenuto uno dei grandi maestri della chirurgia, studi˜ a Parigi e Bologna, divenendo in seguito archiatra pontificio di Clemente VI ad Avignone. Durante la Grande Peste ottenne dal papa di poter praticare l'esame autoptico dei cadaveri, per cercare di fornire una spiegazione all'epidemia. Il suo trattato di chirurgia anche uno studio di anatomia, conoscenza ritenuta indispensabile per localizzare la malattia. Descrisse con accuratezza l'ernia e parl˜ anche di idrocele e varicocele. Garrison-Morton: "The most eminent surgeon of his time; his authority remained for some 200 years. He distinguished the various kinds of hernia from varicocele, hydrocele, and sacrocele, and described an operation for the radical cure of hernia. Chauliac discussed the anatomy of the teeth and their eruption. He also listed the maladies to which the teeth are subject, and their cures, including hygienic rules which for the most part remain true today, He described the double-lever pelican and its method of use, he also records how surgeons were using botanic methods to prevent their patients from feeling pain during operations" [.] it is the greatest surgical text of the time". Iccu Edit16 CNCE 10999, censite solo 8 copie nelle biblioteche nazionali (di cui 2 scomplete), il KVK (online Karlsruhe Katalog) non ha reperito nessuna copia in tutte le principali biblioteche in Europa e in USA (solo 3/4 copie in tutto della edizione in volgare del 1521, citata da Durling alla NLM in Maryland, USA). Nessuna copia venduta all'asta negli ultimi 25 anni.
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PHALARIS Pseudo
Epistole Phalaridis nouiter impresse.
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Impressum Cremonae, per Franciscum Ricardum de Luere impensa magistri Dominici de Zauarisiis, 1505,in-4, ff. 44 n.n. (segn. A4 B-F8), elegante leg. 800esca in marocchino verde, titolo e fregi in oro al dorso a nervetti, tagli dorati. Frontespizio silografico su fondo nero, una grande iniziale ornata, car. tondo. Precedono il testo l'importante proemio di Francesco Griffolini "Aretinus" a Novello Malatesta, signore di Cesena, nel quale afferma la maggiore veridicità storica del genere epistolare rispetto alle cronache; e la dedica del cremonese Niccolò Lugaro (1447-1515) a Corrado Stanga. L'editore Zavarisio utilizzava abitualmente la tipografia di Francesco Riccardi. Queste lettere, erroneamente attribuite a Falaride (VI secolo a.C., tiranno di Acragas), si devono probabilmente ad Apollonio di Tyana e Marco Bruto (I secolo a.C.). La traduzione si deve al Griffolini (1420-1490 c.) "la più importante impresa versoria del G., per la quale egli conseguì grande fama in età umanistica grazie anche alla cospicua fortuna del testo, poi volgarizzato da Bartolomeo Fonzio" (D.B.It vol. 59, p.383). Pur essendo rarissime la maggior parte delle numerose edizioni quattrocentesche, l'importanza di questa elegantissima edizione va ricercata nel legno che funge da frontespizio, tra i più raffinati del primo Cinquecento italiano: in grandi capitali intagliate su fondo nero, in alto il monogramma di Cristo, in basso un lieve fregio floreale. Le lettere sono state in alcuni casi accorpate per ottenere la stessa giustificazione delle 4 parole pur mantenendo le stesse proporzioni. Perfetto esempl., marginoso e fresco, di libro rarissimo (4 esemplari censiti da SBN). Barberi, Il frontespizio nel libro italiano, tav. CXXXII, p. 108 e 139: "Anche i pochi titoli intagliati su un fondo nero variamente sagomato, per il disegno delle lettere e la composizione, oltre che per la sagoma stessa, esprimono il gusto, lo stile del silografo". Sander 5649. Non in Bologna. BMC p. 509. Non in Adams.
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GREGORY I, Saint, Pope
Secundus dyalogorum liber beati Gregorij pape de vita ac miraculisbeatissimi Benedicti. Eiusdem almi patris nostri Benedicti regula.Speculum Bernardi abbatis casinensis de his ad que in professioneboligatur monachus
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[Jacopo Pencio and] Lucantonio Giunta Venice (13 March 1505) Contemporary gilt and blind tooled calf with gilt floral tools and a central "VTIS" with a circle. With two clasps (one is weak), all edges gilt and gauffered (some wear to head and tail of spine) 16mo . First Edition of the third text, Bernardo Ayglerio's Speculum. The main text is the life and miracles of Saint Benedict along with the regulations of his order. Fine wide margined copy of this handsomely illustrated piece of printing from the post-incunabular period in Venice which is bound in its original gilt calf binding with the original clasps intact. Only copy to come to auction is the Doheny copy, in a similar early binding but not as nice as this copy; described as having extensive repairs to the binding and new endpapers, lacking ties, two woodcut borders "shaved", resewn, etc. (1988; Doheny sale, lot no. 1366: $5,000 plus buyer's premium). [8], 192 leaves. Title printed in red with the woodcut lily Giunta device; sections of text printed in red and black; three full-page woodcuts and three leaves with historiated woodcut borders; three smaller text woodcuts; fine woodcut St. George device on last leaf which is otherwise blank; gothic type. Fine wide margined copy. § Camerini, Giunta no. 98; Isaac no. 13105; Essling I, p. 503-4, no. 529
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MANDEVILLE Johannes de
Tractato dele piu Maraviliose Cose e piu notabile che si trovino in le parte del Mondo redutte e colte sotto breuita in lo presente compendio…
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del strenuissimo caualier ... Ioanne de mandauilla anglico ...Stampato in Venexia, per Manfredo de Sustreuo daca Bonis, 1505 adi 26 zenaro (Manfredo Bonelli, 26 gennaio 1505), in-8 (153 x 99mm.), ff. (112 segn. A-Z4, AA-EE4, numerati a mano in antico), legatura italiana del tempo in p. pelle con duplice bordura sui piatti impressa a secco con ornamenti a gigli, roselline e foglie, dorso con ornamenti a secco (abilmente ritoccata e restaurata). Titolo racchiuso in bordura silografica da quattro legni con ornamenti diversi su fondo nero; sul f. A2 piccola iniziale ornata su fondo nero; le prime due righe di titolo in car. gotico, tutto il resto dell’opera in romano. Edizione di straordinaria rarità di questo celebre resoconto di viaggi fantastici nei più svariati luoghi della Terra, reali o immaginari, composto di 183 capitoli. Scritta nel XIV secolo con ogni probabillità da Sir John Mandeville (piuttosto che dal medico di Liegi Jehan de Bourgogne, morto nel 1372), l’opera ebbe enorme successo e fu molte volte pubblicata in olandese, latino, francese e inglese a partire dal 1480. Quest’anonima traduzione in italiano ebbe varie edizioni tra fine XV ed inizio XVI secolo, ma di ognuna non se ne conoscono più di tre o quattro esemplari. Il presente è uno dei due esemplari sopravvissuti dell’ediz. cinquecentesca di Manfredo Bonelli, che già ne impresse due nel XV secolo (l’altro è presso la Biblioteca della Regione siciliana): è quello appartenuto a Rava e da lui descritto nel “Supplément à Sander”, n. 4178, con riproduzione del frontesp. al n. 44, confermato dal medesimo difetto all’ultimo foglio da lui descritto, un grande foro sull’ultimo f., con perdita di parte del testo delle ultime otto righe e del colophon, di cui si legge solo la parola “Zenaro” (Gennaio), seguito da una croce greca. Malgrado la natura fantastica del viaggio, l’opera, spesso assimilata a quella di Marco Polo, che in alcune edizioni figura con lo stesso titolo, fu una fonte utilizzata da Colombo e da altri navigatori. Una versione critica è stata curata da E.Barisone nel 1982: “Il Libro di Mandeville si presenta come le memorie di viaggio di un cavaliere inglese, Sir John Mandeville. Apparso in francese tra il 1356 e il 1371 … è una summa della letteratura pellegrinaggio a Gerusalemme e dei viaggi in Oriente … nei cinque capitoli dedicati alla terra di Prete Gianni il libro esemplifica, meglio di ogni altro, un duplice atteggiamento verso la molteplicità della creazione divina e in particolare verso le differenze tra la civiltà orientale e quella occidentale”. F. Surdich, Verso il nuovo mondo, 2002: “Un eloquente esempio di questo ‘orizzonte onirico’ è il mondo grottesco proposto all’inizio del Trecento ai suoi lettori da John de Mandeville. Quest’opera costituisce infatti un repertorio eterogeneo e allucinante di mostri, prodigi, stranezze di ogni tipo, collocate sullo sfondo di un viaggio immaginario in un favoloso Oriente…”. Porzione di angolo infer. dei primi ff. rifatta; restauro al margine esterno del f. B1 a sfiorare l’ultima sillaba di testo; strappo all’angolo super. del f. N2, con perdita di alcune parole di testo. SANDER-RAVA 4178a; tav. 44 (la riproduzione è stata ritoccata per ovviare a difetto di impressione nella parte destra del legno inferiore).STC p.408. CNCE 72583 (recording one copy only, in Palermo).
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POLLIO LAPPOLI GIOVANNI ARETINO
Opera della Diva et Seraphica Cataarina da Siena. In Rima. In Stramotti Capituli. Sonetti. Epistole et Sextine D.C. S.
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Siena, In Fine: Siena. Per Antonina de Maestro Enrigh da Cologna et Andrea Piasentino. 1505, Edizione Originale. [Siena-Postincunabolo] (cm. 21,2) ottimo cartonato settecentesco, titolo manoscritto al dorso.-- cc. nn. 2 (di 8) tavola e dedica; cc. numerate 72 (di 98 ). Carattere rotondo capolettera ornati a fondo nero. Ai margini di varie carte si trovano incisi in xilografia i segni astrologici della luna e del sole. Bellissima edizione originale di insigne rarità. Il Census Iccu registra solo cinque copie presenti nelle biblioteche italiane. Manca all' Adams e a molti repertori consultati. I caratteri tipografici furono incisi da Simeone Nicola Nardi di Siena, inoltre è l' unico libro che si conosca stampato da Antonina, vedova di Enrico di Cologna. Mancano 6 cc. all' inizio, compreso il frontis, delle due presenti, con la tavola e la dedica al lettore la prima ha un vecchio restauro con perdita di un terzo del testo. Seguono 72 cc. numerate (di 98) mancano le cc. da 10 a 16, da 37 a 52 e da 96 a 98. Alcune fioriture marginali e gore alle ultime 4 carte, altrimenti bell' esemplare fresco e nitido con grandi margini, stampato su carta pesante. Accettabile per la sua nota rarità e importanza tipografica. Alla sguardia due celebri ex libris: Landau e Bibliothecae Petri Buoninsegni Senis MDCCCII. Sander 5826; Bm. Stc. 531; Mortimer Italian 392; Brunet IV 784; Graesse V 391; Cat. Cavalieri 1338; Isaac 13954; Biblioth. colombina VI 37; Norton "Italian Printers" p. 109.
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GREGORY I, Saint, Pope
Secundus dyalogorum liber beati Gregorij pape de vita ac miraculis beatissimi Benedicti. Eiusdem almi patris nostri Benedicti regula. Speculum Bernardi abbatis casinensis de his ad que in professione boligatur monachus
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[Jacopo Pencio and] Lucantonio Giunta (13 March 1505), Venice - Contemporary gilt and blind tooled calf with gilt floral tools and a central "VTIS" with a circle. With two clasps (one is weak), all edges gilt and gauffered (some wear to head and tail of spine) 16mo . First Edition of the third text, Bernardo Ayglerio's Speculum. The main text is the life and miracles of Saint Benedict along with the regulations of his order. Fine wide margined copy of this handsomely illustrated piece of printing from the post-incunabular period in Venice which is bound in its original gilt calf binding with the original clasps intact. Only copy to come to auction is the Doheny copy, in a similar early binding but not as nice as this copy; described as having extensive repairs to the binding and new endpapers, lacking ties, two woodcut borders "shaved", resewn, etc. (1988; Doheny sale, lot no. 1366: $5,000 plus buyer's premium). [8], 192 leaves. Title printed in red with the woodcut lily Giunta device; sections of text printed in red and black; three full-page woodcuts and three leaves with historiated woodcut borders; three smaller text woodcuts; fine woodcut St. George device on last leaf which is otherwise blank; gothic type. Fine wide margined copy. § Camerini, Giunta no. 98; Isaac no. 13105; Essling I, p. 503-4, no. 529. [Attributes: First Edition; Hard Cover]
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BEMBO PIETRO.-
Gli Asolani
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. Impressi in Venetia, nella Casa d'Aldo Romano nel anno 1505 del mese di Marzo. "In 4to, legatura seicentesca in piena pelle, ricchi fregi in oro al dorso, tass. in marocchino rosso con tit. in oro; cc. 96. Qq. lieve alone marginale su poche cc., qq. lieve segno di tarlo marginale, lontano dal testo. Bell'esemplare, con buoni margini. Prima tiratura della prima edizione, contenente al verso della prima carta e sul recto della successiva la dedica dell'autore a Lucrezia Borgia, che fu quasi subito eliminata e sostituita in corso di stampa da un frontespizio con il verso bianco e da una seconda carta bianca. Il presente esemplare non presenta le due cc. in fine costituite da errata e foglio bianco, mancanti nella gran parte degli esemplari. Renouard, 48: "Premi?re edition assez rare...""
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Breydenbach, Bernhard.
Dis buch ist innhaltend die heilig[n] reysen gein Jherusalem zu dem heiligen Grab [.].
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[Speyer, Peter Drach, um 1505]. - 103 (statt 126) nn. Bll. Mit 5 (statt 7, hiervon nur 2 vollständig vorhanden) doppelblattgroßen kolor. Holzschnitttafeln, 10 (statt 13) altkolor. Textholzschnitten sowie 7 orientalischen Alphabeten in Holzschnitt und zahlreichen rot eingemalten Lombardinitialen. Blindgeprägter Schweinslederband der Zeit über Holzdeckeln. Folio. Altkoloriertes Fragment der dritten deutschen Ausgabe von Breydenbachs "Pererginatio in terram sanctam", die von den älteren Bibliographen durchwegs noch als Inkunabel angesehen wurde. - Durchgehend leicht gebräunt, stellenweise etwas fingerfleckig und mit kleineren Randläsuren. Von drei der doppelblattgroßen Falttafeln fehlt jeweils eine Hälfte. Der zeitgenössische Einband mit geringen Bezugsdefekten und ohne die Schließen. Hain 3958. Schreiber 3632. GKW IV, 656- Goff N 1195. VD 16, B8259.
[Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH] |
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Pollio Lappoli Giovanni Aretino
Opera Della Diva Et Seraphica Cataarina Da Siena. in Rima. in Stramotti Capituli. Sonetti. Epistole Et Sextine D.C.S.
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In Fine: Siena. Per Antonina De Maestro Enrigh Da Cologna et Andrea, 1505. [Siena-Postincunabolo] (cm. 21, 2) ottimo cartonato settecentesco, titolo manoscritto al dorso. --cc. nn. 2 (di 8) tavola e dedica; cc. numerate 72 (di 98 ). Carattere rotondo capolettera ornati a fondo nero. Ai margini di varie carte si trovano incisi in xilografia i segni astrologici della luna e del sole. Bellissima edizione originale di insigne rarità. Il Census Iccu registra solo cinque copie presenti nelle biblioteche italiane. Manca all' Adams e a molti repertori consultati. I caratteri tipografici furono incisi da Simeone Nicola Nardi di Siena, inoltre è l' unico libro che si conosca stampato da Antonina, vedova di Enrico di Cologna. Mancano 6 cc. all' inizio, compreso il frontis, delle due presenti, con la tavola e la dedica al lettore la prima ha un vecchio restauro con perdita di un terzo del testo. Seguono 72 cc. numerate (di 98) mancano le cc. da 10 a 16, da 37 a 52 e da 96 a 98. Alcune fioriture marginali e gore alle ultime 4 carte, altrimenti bell' esemplare fresco e nitido con grandi margini, stampato su carta pesante. Accettabile per la sua nota rarità e importanza tipografica. Alla sguardia due celebri ex libris: Landau e Bibliothecae Petri Buoninsegni Senis MDCCCII. * Sander 5826; * Bm. Stc. 531; * Mortimer Italian 392; * Brunet IV 784; Graesse V 391; * Cat. Cavalieri 1338; * Isaac 13954; * Biblioth. colombina VI 37; * Norton "Italian Printers" p. 109.
[Bookseller: Alibris] |
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Beroaldus [Beroaldo], Philip [Filippo]. Badius Ascensius, comm.
Carmen lugubre.de dominice passionis die.[bound with]Ludicroru(m) & amatoioru(m) carminu(m) p(er) elega(n)s codicellus.Jean Barbier for Denis Roce, [1505-7?]
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Denis Roce, [Paris:] [1505?] - 4to. 2 vols. in 1. A6;A8,B6-C6. [12]; [40]p. Modern red leather, slightly faded, covers warping, marbled endpapers, bookplate of Arthur Mullen, dampstain in upper margin has caused paper loss but not affecting text, worm pin-hole in first work, old signature at top of sceond A1. Large printer's device on t.p. for Denis Roce (Davies 135, Polain 162, Silvestre 451), fine decorated initials. Beroaldus (1453-1505) one of the most eminent scholars of the fifteenth century, was born in Bologna. He was brilliant scholar, a popular lecturer, and was rewarded with civic and academic honors. "He was fond of the pleasures of the table, and passionately addicted to play, to which he sacrificed all he was worth. He was an ardent votary of the fair sex; and thought no pains nor experience too great for accomplishing his wishes." At length he married and changed his ways. This volume is a joining of two separate Roce editions of Beroldus. The "Carmen" is in gothic type while the "Ludicrorum is in roman. This is the stand-alone "Ludicrorum" issued by Barbier & Roce as listed by Renouard in his Badius II;183:2, and mentioned by Moreau-Renouard which can also form part of a 1507 edition of Beroldus & other works by Poliziano, Barbaro, & de Maino (Moreau-R 1507:21). Between 1505-7 Jean Passet a.k.a. Barbier (d.1515), in association with Roce, issued several other works by Beroldus. Barbier had returned to France after working in London and Westminster and established himself in Paris probably in 1502. Roce a.k.a. Rosse (1490-1517) was a printer, publisher, and binder and worked at the sign of St Martin on the Rue St-Jacques where he published many books on his own and in association with other printers. Carmen: Renouard, Badius, II,173:3. BM STC (French) 50. Pellechet 2235. GW IV,24b. Index Aurel. 117.794."Ludicorum" Moreau-Renouard 1507:21. Renouard, Badius, II,183:2 & II,166:16 note. Pellechet 2215. GW IV,25?.
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PONTANUS, Joannes Jovianus (Giovanni PONTANO).
First Aldus edition of the collected works of one of the most important Italian humanists Opera. Urania, sive de Stellis libri quinque. Meteororum liber unus. De Hortus Hesperidum libri duo. Lepidina sive postorales pompae septem. Item Meliseus. Maeon Acon. Hendeca syllaborum libri duo. Tumulorum liber unus. Neniae duodecim. Epigrammata duodecim. Quae vero in tot opere habeantur in Indice, qui in calce est, licet videre.
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Venice, Aldus Manutius, (May-August 1505). - 2 parts in 1 vol. 8vo. Modern speckled brown calf in 16th-century style, frontcover with Aldus' printer's device stamped in gold, ribbed spine lettered in gilt. Title and final page with Aldus' woodcut printer's device. (242) lvs. Collation: a-z8 (part 1, May 1505); 2a-2f8, 2g10 (part 2, August 1505). Second edition, published posthumously, of Pontanus' collected works. The first edition was published in Venice, during his lifetime, in 1501.Giovanni Pontano (1429-1503) is an Italian poet, historian, and statesman, who used also the Latin form Jovianus Pontanus. He was protected by Alfonso of Aragón, who made him his chancellor of Naples (1447) and later his secretary. He was one of the leading statesmen of Naples, serving the Aragonese kings as tutor, secretary, councillor and diplomat. Pontano personally surrendered Naples to the French invaders. A noted humanist, he discovered Donatus' commentary on Vergil. His verse, in Latin, is notable for its grace, harmony, variety of subject matter, and natural expression of sentiment, reflecting the diversity of interests and knowledge of the Renaissance. His supple and easy Latin style is considered, with that of Politian, to be the best of Renaissance Italy. He wrote Latin as if it were his native tongue, with unusual flexibility, smoothness, and humour. Pontano studied language and literature in Perugia. From 1447 to 1495 he served the Aragonese kings of Naples as adviser, military secretary, and, after 1486, chancellor, an office he handled with great distinction. He was dismissed in 1495 for negotiating peace with the French and, though pardoned, did not return to power.Pontano became a major literary figure in Naples after 1471 when he assumed leadership of the city's humanist academy. Called the Accademia Pontaniana, it became one of the major Italian literary academies of the 15th century."Un des écrivains les plus élégants du quinzième siècle italien. Pontano fut un très grand poète néo-latin. Certains lui ont reproché d'avoir dans ses poésies amoureuses introduit autant d'obscénités que les Anciens, mais personne ne lui conteste la pureté de son style, sa fécondité et la grande varieté de ses conaissances" (Oberlé). "Pontano, the most important humanist of fifteenth-century Naples, composed many works of poetry, social commentary, and philosophy. His poems. celebrated human love and the wonders of nature" (Bietenholz). In the Ciceronianus Erasmus himself praised Pontano profusely, but denied that he was truly a Ciceronian, for he used many words not found in Cicero. Apart from a few unobtrusive small defects a fine, wellbound copy. Renouard 49, no. 4 ("241 feuillets non chiffrés"); Ahmanson-Murphy 91; STC Italian p. 532; Graesse V, p.406; Brunet IV, p. 807 ("241 ff. non chiffrés"); Ebert 17743; not in Adams, Gardner, Bibliotheca Astrologia nor Gay-Lemonnier. On the author: Contemporaries of Erasmus III, p. 113-14; Oberlé, Poètes néo-latins en Europe (XI-XXe s.), p. 160. [Attributes: First Edition; Hard Cover]
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Liebrecht de Broeckem & Nicolaus de Lovanio (Hrsg.):
- Liebrecht de Broeckem: Priuilegia et indulgen|tie fratrum mino|rum ordinis | sci francisci. | (Signet) Venedig: Lucantonio de Giunta, 1502. Octavo. 155 x 100 mm. [54], [1] (Kolophon), [1 weiße] Seiten. - [Lagensignaturen:] a-c8, d4. Mit Holzschnittdruckermarke auf Titel, einem seitengroßen Holzschnitt des Heiligen Franz mit den Stigmata vor einem oben schwebenden Engel knieend, hinter ihm ein felsiger Berg und im Hintergrund eine Burg. - Beigebunden / bound with Nicolaus de Lovanio: Minorica elucidatiua | Rationalibis separationis Fratru | Minorum de Obseruan|tia ab alijs fratri|bus ejusdem | ordinis | vna cum Regula.| +.
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Venedig: Simon de Luere, 1505.. Octavo. 155 x 100 mm. 64 Blätter. - Lagensignaturen: a-h8 (fol. 64v = fol. h8v weiß). Mit Holzschnittinitialen. Handgefertigter flexibler Pergamenteinband des 20 Jh. mit umgeschlagenen Vorderkanten, Titeleien in Schwarzprägung auf dem Rücken, Schnitt mattgrün schattiert.. Enthält die den Orden der Franziskaner betreffenden Dokumente, Apologien, Dekrete des Konzils zu Konstanz, Bullen, die Ordensregeln u.s.w., cf. BMC VIII, p. 199. I: Frühe Ausgabe, nach Mailand: Ulrich Schinzenzeler um 1490 (Hain 13371), Leipzig: Konrad Kachelofen, 1495, in quarto (= Hain 13372 - BMC III,627), u.a.; ein von der British Library auf 1500 datierter Druck ist eventuell mit dem vorliegenden identisch. - II: Die äußerst seltene vierte Ausgabe der 'Minorica' nach den Editionen Deventer bei Jacob de Breda, 10.4.1497, in quarto; Paris: Andre Brocard für Jean Petit, 22.3.1499, in octavo, Neudruck ebenfalls zu Paris: Etienne Jehannot für Jean Petit, 1499, in octavo (= Hain 1651 - Goff M588 - BMC VIII,199; jedoch eigentlich auf 1502 zu datieren). Die Bio-Bibliographia Neerlandica Franciscana nennt den Weihbischof Liebrecht de Broeckem als Verfasser und Nicolaus de Lovanio (Leuvenaar) als Herausgeber. Die 'Minorica' sind eine für die Ordensgeschichte sehr wichtige Schrift, von großem Interesse für den Historiker und von besonderer Seltenheit in dieser venezianischen Ausgabe. Inhaltlich handelt es sich um die Streitschrift zweier Parteien des Franziskanerordens über die Auslegung der Ordensregel, die für die folgende Ordensgeschichte wegweisend war und in die großen franziskanischen Sammelwerke des frühen sechszehnten Jahrhunderts aufgenommen wurde. Die ersten zwei Lagen diminuierend wasserrandig, die ersten beiden Blätter mit kleinem Abriß im unteren weißen Rand, alter Besitzeintrag auf Titel von I; sonst beide Teile nur minimal fleckig. Von größter Seltenheit. - - - 20th-century limp vellum. First two quires waterstained, small marginal tear to foll. a1 & a2. Otherwise good. Scarce. - - - I: BM STC 278. - II: Nicht bei Adams, BM STC. BITTE FORDERN SIE EINE PHOTOGRAPHIE AN / PHOTOGRAPHS ARE AVAILABLE ON REQUEST.
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Graves C Haughton
A Dictionary-Bengali Sanskrit English ( 2 Vol. Set)
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Sundeep Prakashan. Brand New in Brand New jacket Condition: NEW ~ The Dictionary, published in the first half of the nineteenth century, fulfills the requirements of Sanskrit, English as well as Bengali students. Contains nearly all the distinctive terminations. Explains more than forty thousand terms of mathematics, philosophy, botany and other sciences. Contains numerous words connected with science and religion. Contains all the roots of the Sanskrit language in alphabetical order, including their compounds formed by the addition of prepositions and specifying the voices, common or proper, in which they are used. Also contains thirty thousand references to the most popular senses of the words of the above languages. Must for all accomplished students and scholars.1505 pages ~ 8185066000 ~ language: Multi-Lingual ~ 1987 ~ Hardcover ~ Contents.
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Liebrecht de Broeckem & Nicolaus de Lovanio (Hrsg.):
- Liebrecht de Broeckem: Priuilegia et indulgen|tie fratrum mino|rum ordinis | sci francisci. | (Signet) Venedig: Lucantonio de Giunta, 1502. Octavo. 155 x 100 mm. [54], [1] (Kolophon), [1 weiße] Seiten. - [Lagensignaturen:] a-c8, d4. Mit Holzschnittdruckermarke auf Titel, einem seitengroßen Holzschnitt des Heiligen Franz mit den Stigmata vor einem oben schwebenden Engel knieend, hinter ihm ein felsiger Berg und im Hintergrund eine Burg. - Beigebunden / bound with Nicolaus de Lovanio: Minorica elucidatiua | Rationalibis separationis Fratru | Minorum de Obseruan|tia ab alijs fratri|bus ejusdem | ordinis | vna cum Regula.| +.
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Venedig: Simon de Luere, 1505.. Octavo. 155 x 100 mm. 64 Blätter. - Lagensignaturen: a-h8 (fol. 64v = fol. h8v weiß). Mit Holzschnittinitialen. Handgefertigter flexibler Pergamenteinband des 20 Jh. mit umgeschlagenen Vorderkanten, Titeleien in Schwarzprägung auf dem Rücken, Schnitt mattgrün schattiert.. Enthält die den Orden der Franziskaner betreffenden Dokumente, Apologien, Dekrete des Konzils zu Konstanz, Bullen, die Ordensregeln u.s.w., cf. BMC VIII, p. 199. I: Frühe Ausgabe, nach Mailand: Ulrich Schinzenzeler um 1490 (Hain 13371), Leipzig: Konrad Kachelofen, 1495, in quarto (= Hain 13372 - BMC III,627), u.a.; ein von der British Library auf 1500 datierter Druck ist eventuell mit dem vorliegenden identisch. - II: Die äußerst seltene vierte Ausgabe der 'Minorica' nach den Editionen Deventer bei Jacob de Breda, 10.4.1497, in quarto; Paris: Andre Brocard für Jean Petit, 22.3.1499, in octavo, Neudruck ebenfalls zu Paris: Etienne Jehannot für Jean Petit, 1499, in octavo (= Hain 1651 - Goff M588 - BMC VIII,199; jedoch eigentlich auf 1502 zu datieren). Die Bio-Bibliographia Neerlandica Franciscana nennt den Weihbischof Liebrecht de Broeckem als Verfasser und Nicolaus de Lovanio (Leuvenaar) als Herausgeber. Die 'Minorica' sind eine für die Ordensgeschichte sehr wichtige Schrift, von großem Interesse für den Historiker und von besonderer Seltenheit in dieser venezianischen Ausgabe. Inhaltlich handelt es sich um die Streitschrift zweier Parteien des Franziskanerordens über die Auslegung der Ordensregel, die für die folgende Ordensgeschichte wegweisend war und in die großen franziskanischen Sammelwerke des frühen sechszehnten Jahrhunderts aufgenommen wurde. Die ersten zwei Lagen diminuierend wasserrandig, die ersten beiden Blätter mit kleinem Abriß im unteren weißen Rand, alter Besitzeintrag auf Titel von I; sonst beide Teile nur minimal fleckig. Von größter Seltenheit. - - - 20th-century limp vellum. First two quires waterstained, small marginal tear to foll. a1 & a2. Otherwise good. Scarce. - - - I: BM STC 278. - II: Nicht bei Adams, BM STC. BITTE FORDERN SIE EINE PHOTOGRAPHIE AN / PHOTOGRAPHS ARE AVAILABLE ON REQUEST.
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MARTIALIS Marcus Valerius
Epigrammata cum duobus comentis (D. Calderini et G. Merulae).
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(In fine:) Mediolani, per Johannem Angelum Scinzenzeler, 1505, in-folio, ff. CLVIII, (1, manca l’ult. f. bianco), leg. p. perg. antica rigida. Titolo in car. gotico, con in alto l’impresa tipogr. di Giov. Giacomo e fratelli da Legnano; testo contornato dal commento, entrambi in car. rom., grandi e piccole iniziali ornate in silografia. Pregevole edizione di questa celebre opera del grande scrittore latino d’origine spagnola, corredata del commento di due insigni umanisti Domizio Calderini (1446-1478) e Giorgio Merula (1430-1494). Bell’esempl., genuino ed assai marginoso (lievissime ingialliture). Ediz. mancante a STC e Adams. Bologna, Cinquec. Trivulziana I, 281. Panzer VII, p. 382, n. 34. Graesse IV, 423.
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POLLIO LAPPOLI GIOVANNI ARETINO
Opera Della Diva et Seraphica Cataarina Da Siena. In Rima. In Stramotti Capituli. Sonetti. Epistole et Sextine D.C.S.
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In Fine: Siena. Per Antonina De Maestro Enrigh Da Cologna et Andrea Piasentino., Siena 1505 - [Siena-Postincunabolo] (cm. 21,2) ottimo cartonato settecentesco, titolo manoscritto al dorso.-- cc. nn. 2 (di 8) tavola e dedica; cc. numerate 72 (di 98 ). Carattere rotondo capolettera ornati a fondo nero. Ai margini di varie carte si trovano incisi in xilografia i segni astrologici della luna e del sole. Bellissima edizione originale di insigne rarità. Il Census Iccu registra solo cinque copie presenti nelle biblioteche italiane. Manca all' Adams e a molti repertori consultati. I caratteri tipografici furono incisi da Simeone Nicola Nardi di Siena, inoltre è l' unico libro che si conosca stampato da Antonina, vedova di Enrico di Cologna. Mancano 6 cc. all' inizio, compreso il frontis, delle due presenti, con la tavola e la dedica al lettore la prima ha un vecchio restauro con perdita di un terzo del testo. Seguono 72 cc. numerate (di 98) mancano le cc. da 10 a 16, da 37 a 52 e da 96 a 98. Alcune fioriture marginali e gore alle ultime 4 carte, altrimenti bell' esemplare fresco e nitido con grandi margini, stampato su carta pesante. Accettabile per la sua nota rarità e importanza tipografica. Alla sguardia due celebri ex libris: Landau e Bibliothecae Petri Buoninsegni Senis MDCCCII. * Sander 5826; * Bm. Stc. 531; * Mortimer Italian 392; * Brunet IV 784; Graesse V 391; * Cat. Cavalieri 1338; * Isaac 13954; * Biblioth. colombina VI 37; * Norton "Italian Printers" p. 109. [Attributes: First Edition]
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BEMBO Pietro
Gli Asolani di messer Pietro Bembo.
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(in fine:) Impressi in Venetia, nelle Case d'Aldo Romano nel anno MDV del mese di Marzo... (Aldo, 1505), in-4 picc., ff. 98 n.n. (segn. a-m8, n2, manca ultimo bianco), al verso del titolo vi è la dedica che prosegue al recto del secondo f., seguono 94 ff. di testo e 1 di Errata. Carattere corsivo; ancora aldina al verso dell'ultimo foglio di testo. Elegante legatura moderna in p. pergamena rigida, titolo in oro al dorso su tassello. Prima edizione del noto romanzo del Bembo, ambientato ad Asolo ove alla corte di Caterina Cornaro regina di Cipro si festeggia lo sposalizio di una dama: in tre giornate alcuni gentiluomini veneziani parlano con delicatezza e vivacità di amore con altrettante gentildonne. Il Bembo iniziò a comporre Gli Asolani nel 1500, per amore di Maria Savorgnan, ma li concluse nel 1504, con una dedica, datata 1 Agosto, a Lucrezia Borgia, ("corrisposto, il più ambizioso e memorabile, ma rischioso anche e struggente amore della sua vita" lo definì il Dionisotti). Questo bell'esemplare, completo dell'Errata spesso mancante, comprende, al verso del tit. ed al recto del secondo foglio, la lettera a Lucrezia. "Non è chiaro perché di questa edizione si abbiano esemplari contenenti la dedicatoria a Lucrezia, nel frattempo diventata duchessa di Ferrara, e altri senza; ma è probabile che la duplicità non fosse estranea alle incertezze e difficoltà di un amore impossibile, che nella lontananza, da una parte e dall'altra, lentamente ma inevitabilmente si spegneva" (ancora Dionisotti). Il Renouard attribuisce invece a ragioni politiche questo ripensamento, sottolineando che quasi sempre il f. bianco veniva tagliato, così come l'errata. Cecil H.Clough, in "P.Bembo's Gli Asolani of 1505" ritiene che la dedica sia stata deliberatamente antedatata, e che fosse in realtà stata scritta poco prima del Marzo 1505: Aldo avrebbe riservato 3 pagine bianche in attesa dell'approvazione di Lucrezia, stampando comunque alcune copie del quaderno a; non volendo rischiare di ripassarle al torchio, licenziò circa un terzo degli esemplari con le pag. bianche (cfr. Fletcher, New Aldine Studies, p. 185: "Clough contends that the dedicatory was deliberately antedated by Bembo… that Aldus held three pages blank… that Aldus dared not risk spoiling the quantity of sheets already printed by putting them through the press once more to add the letter, and thus issued a quantity (one third of the pressrun?) with the blanks"). Bellissimo esemplare assai marginoso (mm.125x211); (ininfluente macchia di ruggine al f. m3) Renouard 48.1: "Première édition assez rare". UCLA 72. Scapecchi, A.M., i suoi libri, i suoi amici, n. 33. Laurenziana 90. Gamba 132.
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OLEARIUS, PAUL (= WIMPFELING, JAC.?) & JACOB HARTLIEB.
DE FIDE CONCUBINARUM IN SACERDOTES. QUESTIO ACCESSORIA CAUSA IOCI ET URBANITATIS IN QUOD LIBETO HEIDELBERGENSIS DETERMINATA A MAGISTRO PAULO OLEARIO HEIDELBERGENSIS.- DE FIDE MERETRICUM IN SUOS AMATORES. QUESTIO MINUS PRINCIPALIS URBANITATIS ET FACETIE CAUSA IN FINE QUODLIBETI HEIDELBERGENSIS DETERMINATA A MAGISTRO JACOBO HARTLIEB LANDONIENSIS. AUGSBURG, JOHANNES FROSCHAUER, 1505.
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2 parts in one. Small 4to. Later marbled boards. Two titles, each with an identical large woodcut. (24) lvs. (collation: a6, b4 ; c6, d-e4). Early post-incunable with two satirical texts, mainly songs and verses, criticising the lascivious clergy and usually published together. The VD16 lists 11 editions between ca. 1501 and 1509, our edition being the first dated edition! Other early editions were printed by Jac. Wolff at Basle and Ambr. Huber in Nurnberg in ca. 1501/2. The first part 'On the fidelity of concubines of priests' is attributed to Paulus Olearius (his name has been sometimes assumed as being the pseudonym of Jac. Wimpfeling (1450-1528)) from Heidelberg. The second text 'On the fidelity of prostitutes in their love affairs' is written by Jakob Hartlieb from Landau. Each part is preceded by a separate title with an identical woodcut depicting on the left a monk, a scholar and a canon; on the right two soldiers, one with scimitar, another drawing a sword and a peasant with flail; in centre a woman about to open a door leading 'ad infern(um)' these words being written on a scroll with some notes of music. On the back of the first title are verses by Joh. Gallinarius and Philippus Beroaldus, on the back of the second by Gallinarius and Joh. Speyser from Pforzheim. Ludwig Hohenwang Elchingensis is mentioned in the colophon: some scholars state he was the editor, others the printer or somebody who contributed some poems. The work is a very interesting example of pre-reformation critic on abuses in the Roman Catholic Church, written in the form of the so-called 'Quodlibet' disputations - in this case by the (fictitious?) "egregio magistro" Johann Hilt from Rottweil, in a mixture of Latin and German, with verses of Virgil, and Beroaldus. Some of the poems have lines, or even words, alternating in Latin and German, what makes these disputations also linguistically very important. On leaf B3 verso a list of books is recommended by the bishop to the priest, as Pretarca' De vita solitaria, Decretals, Homilies, Virgil, Cato & Varro, Gerson, De Celibatu, etc. "Hartliebs Rede gehoert zu jenen ergoetzlichen akademischen Scherzreden oder Quaestiones fabulosae seu facetosae, die, bis in die neuere Zeit herab nur als pseudonyme Pamphlete betrachtet, zu ihrer Zeit oeffentlich vorgetragen wurden und das (damalige) Universitaets- und Kulturleben wie wenige andere AEusserungen auf eine drastische und anziehende Weise zu charakterisieren geeignet sind. Und gerade Hartliebs Schrift gehoert ihres kulturhistorischen Inhalts wegen zu den interessantesten ihrer Art" (ADB 10, 669 f). Good copy.- (Misbound: second part is bound first; leaf A1 & C2 with small hole in margins; hinges weak, spine dam.). VD16, O-662 (only one copy); Goedeke I, 437, 3 & 437, 3; Cat. of early German books in the library of Fairfax -Murray, 440 (ed. Basle 1501); Hayn & Gotendorf, Bibliotheca Germanorum erotica et curiosa III, pp. 665-66 (1), p. 95 (2); Proctor 10624; STC German p. 661 (ed. Froschauer 1506); Adams O-146 (ed. Ulm, 1501); Weller 4065-73, 5 (cites 7 editions); Gay, Bibliographie de l'amour, I, 794.
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QUINTUS CALABRUS Smyrnaeus
Derelictorum ab Homero libri quatuordecim (Graece; seguono:) TRYPHIODORUS. De Trojae excidio. COLUTHUS. De raptu Helenae.
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"S.n.t. (Venezia, Aldo Manuzio, 1505), in-8 (161 x 97 mm), ff. 172, deliziosa legatura di inizio ottocento, in marocchino blu a grana larga, piatti decorati con duplice bordura floreale e geometrica stilizzata, dorso liscio con fitto motivo a piccoli ferri e duplice tassello, uno in rosso con l'indicazione ""Calaber"", l'altro verde con il nome dello stampatore, il tutto impresso in oro. Ancora aldina al titolo e al verso dell’ultimo f. Editio Princeps dei tre poemetti epici relativi all’epopea omerica; l’opera di Quintus Smyrnaeus (detto Calabro perché il manoscritto fu ritrovato dal Cardinale Bessarione a Otranto) in particolare riguarda gli avvenimenti intercorsi tra la fine dell’Iliade e l’inizio dell’ Odissea. Nella vita che precede il Coluthus, Aldo dà atto a Bessarione della scoperta dei manoscritti. Questa edizione aldina, veramente di notevole rarità, è databile con certezza 1505, facendo seguito alla mitica edizione di Omero del 1504, anch’essa senza data. Sul catalogo del 1503 conservato presso la Bibl.Nazionale di Parigi, Aldo stesso aveva aggiunto di sua mano alcuni libri impressi nel 1504-5, e tra questi il Quinto Smirneo. Bell’esemplare elegantemente rilegato da un raffinato legatore francese di inizio Ottocento, fresco, molto marginoso (provenienza: ex libris al contropiatto Bibliothèque de M. Renard; interessanti postille ms. nella parte finale del volume).Adams Q-77. Ahmanson-Murphy 71. Renouard Alde, 261.14: “Editio princeps of all three texts, très rare”."
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Liebrecht de Broeckem & Nicolaus de Lovanio (Hrsg.):
- Liebrecht de Broeckem: Priuilegia et indulgen|tie fratrum mino|rum ordinis | sci francisci. | (Signet) Venedig: Lucantonio de Giunta, 1502. Octavo. 155 x 100 mm. [54], [1] (Kolophon), [1 weiße] Seiten. - [Lagensignaturen:] a-c8, d4. Mit Holzschnittdruckermarke auf Titel, einem seitengroßen Holzschnitt des Heiligen Franz mit den Stigmata vor einem oben schwebenden Engel knieend, hinter ihm ein felsiger Berg und im Hintergrund eine Burg. - Beigebunden / bound with Nicolaus de Lovanio: Minorica elucidatiua | Rationalibis separationis Fratru | Minorum de Obseruan|tia ab alijs fratri|bus ejusdem | ordinis | vna cum Regula.| +.
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Venedig: Simon de Luere, 1505.. Octavo. 155 x 100 mm. 64 Blätter. - Lagensignaturen: a-h8 (fol. 64v = fol. h8v weiß). Mit Holzschnittinitialen. Handgefertigter flexibler Pergamenteinband des 20 Jh. mit umgeschlagenen Vorderkanten, Titeleien in Schwarzprägung auf dem Rücken, Schnitt mattgrün schattiert.. Enthält die den Orden der Franziskaner betreffenden Dokumente, Apologien, Dekrete des Konzils zu Konstanz, Bullen, die Ordensregeln u.s.w., cf. BMC VIII, p. 199. I: Frühe Ausgabe, nach Mailand: Ulrich Schinzenzeler um 1490 (Hain 13371), Leipzig: Konrad Kachelofen, 1495, in quarto (= Hain 13372 - BMC III,627), u.a.; ein von der British Library auf 1500 datierter Druck ist eventuell mit dem vorliegenden identisch. - II: Die äußerst seltene vierte Ausgabe der 'Minorica' nach den Editionen Deventer bei Jacob de Breda, 10.4.1497, in quarto; Paris: Andre Brocard für Jean Petit, 22.3.1499, in octavo, Neudruck ebenfalls zu Paris: Etienne Jehannot für Jean Petit, 1499, in octavo (= Hain 1651 - Goff M588 - BMC VIII,199; jedoch eigentlich auf 1502 zu datieren). Die Bio-Bibliographia Neerlandica Franciscana nennt den Weihbischof Liebrecht de Broeckem als Verfasser und Nicolaus de Lovanio (Leuvenaar) als Herausgeber. Die 'Minorica' sind eine für die Ordensgeschichte sehr wichtige Schrift, von großem Interesse für den Historiker und von besonderer Seltenheit in dieser venezianischen Ausgabe. Inhaltlich handelt es sich um die Streitschrift zweier Parteien des Franziskanerordens über die Auslegung der Ordensregel, die für die folgende Ordensgeschichte wegweisend war und in die großen franziskanischen Sammelwerke des frühen sechszehnten Jahrhunderts aufgenommen wurde. Die ersten zwei Lagen diminuierend wasserrandig, die ersten beiden Blätter mit kleinem Abriß im unteren weißen Rand, alter Besitzeintrag auf Titel von I; sonst beide Teile nur minimal fleckig. Von größter Seltenheit. - - - 20th-century limp vellum. First two quires waterstained, small marginal tear to foll. a1 & a2. Otherwise good. Scarce. - - - I: BM STC 278. - II: Nicht bei Adams, BM STC. BITTE FORDERN SIE EINE PHOTOGRAPHIE AN / PHOTOGRAPHS ARE AVAILABLE ON REQUEST.
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Gregory I, Saint
SECUNDUS DYALOGORUM LIBER BEATI GREGORII PAPE DE VITA AC MIRACULIS BEATISSIMI BENEDICTI
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Venice: Lucantonio Giunta.. 1505. y. 16mo. (4-1/2" x 3-1/2") ff.(8),192. Title printed in red with the woodcut Giunta device. Sections of text printed in red & black. Three fine full- page woodcuts, three other leaves with historiated woodcut borders. Text with 3 smaller woodcuts, and final leaf blank but for a fine woodcut device on the recto. Cont. full brown Italian morocco, gilt tooled & blind stamped. Gilt arabesque panel border on both covers, within which are two gilt leaf tools and a central "VTIS" within a circle. Both fore-edge clasps present (one is weak). A.e.g. with gauffered edges. Bottom of spine and corners of covers a bit worn, otherwise a beautiful copy.
[Bookseller: Kenneth Karmiole, Bookseller, Inc.] |
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PONTANO, GIOVANNI GIOVIANO (CA. 1426-1503).
PONTANI OPERA. VRANIA, SIVE DE STELLIS LIBRI QUINQUE. METEORORUM LIBER UNUS. DE HORTIS HESPERIDUM LIBRI DUO. LEPIDINA SIVE POSTORALES POMPEAE SEPTEM. ITEM MELISEUS MAEON ACON. HENDECASYLLABORUM LIBRI DUO. TUMULORUM LIBER UNUS. NENIAE DUODECIM. EPIGRA
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In 8vo (cm 14); legatura del primo Ottocento in mezza pelle con fregi, tassello e titolo in oro (piccoli fori di tarlo e leggere spellature al dorso, ma nel complesso ben solida); cc. 255, (1). Ancora aldina al titolo ed in fine. Lievissime ingialliture su alcune carte, margini sobri, ma nel complesso ottima copia fresca e genuina.SECONDA EDIZIONE aldina corretta ed aumentata, rispetto all'edizione del 1505, di cinque epigrammi e diciotto componimenti inseriti dopo la carta 234 ed suddivisi in due sezioni (Iambici e De laudibus divinis). Curiosamente l'errore postorales sfuggito nel frontespizio della prima edizione non fu corretto per questa nuova.La seconda parte dell'opera poetica e i tre volumi di prose del Pontano furono editi dal solo Andrea Torresano nel 1518-'19.Edit16, CNCE37456. Books included in the Ahmanson-Murphy Aldine Collection at UCLA, Los Angeles, 1995, p. 31. Adams, P-1858. A.A. Renouard, Annales de l'imprimerie des Aldes, Paris, 1834 (ma Bologna, 1953), p. 63, nr. 7. Houzeau-Lancaster, 2334.
[Bookseller: Libreria GOVI Alberto - Modena - Italy] |
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Worbs J(ohann). G(ottlob).
Geschichte und Beschreibung des Landes der Drusen in Syrien. Nebst einem bisher in Teutschland unbekannten Religionsbuche dieses Volks. Görlitz, C. G. Anton 1799. 8º. 8 Bll., 262 S., 1 Bl. Pbd. d. 19. Jhdts. mit Rtit.
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Engelmann 134 - ADB XLIV, 212 - Griep-L. 1505.- Einzige Ausgabe.- J. G. Worbs (1760-1833) behandeltdie Geschichte und Religion der Drusen, (offiziell Din al-Tawhid), eine im Jahr 1010 entstandene Religionsgemeinschaft, sowie Landeskundliche Darstellung ihrer vorderasiatischen Siedlungsgebiete (hauptsächlich Libanon und Syrien). Dias Werk gliedert sich in 3 Teile: Jetzige Beschaffenheit der Drusen und ihres Landes (mit Auswertung neuerer Reisebeschreibungen), Enstehung der Drusischen Religion, politische Geschichte der Drusen.- Tls. etw. stockfleckig (Titel u. Schlußbl. auch stärker), Ebd. etw. berieben.
[Bookseller: Kunsthandlung - Antiquariat Johannes Mül] |
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AUGURELLUS, Johannes Aurelius (Giovanni Aurelio Augurelli...
[Poemata].
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Collected Latin poems of an Italian humanist Colophon: Venice, Aldus Manutius the Elder, April 1505. 8vo. 18th-century vellum with gilt title on spine, red painted edges. Woodcut printer's device (A2) on verso of last leaf. (128) ff., including the blank 2nd leaf (except for its signature aii) and the blank penultimate leaf. Aldus' printer's device on verso of last leaf [Collation: a-q8]. First and only Aldus edition of the collected Latin poems of the Renaissance humanist and alchemist, Johannes Aurelius Augurellus. It was preceded in print only by liber 1-2 of the Carmina, which was printed in Verona in 1491 and dedicated to Pandulfus Malatesta. This Aldine edition is expanded to seven books:- title (only the author's name) on f. a1r; a1v-a2v blank.- Jambicus liber 1-2 with 29, resp. 32 poems (ff. a3r-f8r); - Sermonum Liber 1-2 with 10, resp. 12 metrical sermons (ff. f8v-k4v);- Carminum liber 1-2, with 18, resp. odes (ff. k5r-p5v); and- Libellus iambicus super additus, with 11 carmina (ff. p6r-q6r; q6v: colophon, q7r-q8r: blank, q8v: printer's device). The italic type used to print this and other Aldine octavo volumes was based on the writing examples of Francesco Griffo, calligrapher and type designer for Aldus, especially to be used in his famous pocket editions of classical authors, as well as contemporary humanists and poets (as the present edition). Johannes Aurelius Augurellus (1456-1524) was an Italian humanist scholar, poet and alchemist. Born at Rimini and educated at Padua, he was based mostly at Florence and Venice. After this edition he published the Geronticon liber, and his Chrysopoeia (1515) on the making of gold. Fine copy.- (First and last quire water stained (washed), first leaf (title) damaged but skilfully restored). Ahmanson-Murphy 73;The Aldine Press 89; Renouard p. 49, no. 2 ('belle et rare'); STC Italian p. 61; Adams A 2152; Isaac 12807; Diz. biogr. degli Italiani 4, pp. 578-81; Thorndike V, pp. 534-5; Paranello, Un maestro del quattro-cento, Giov. Aur. Augurello (1905).
[Bookseller: Antiquariaat Forum BV] |
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AUGURELLUS, JOHANNES AURELIUS (GIOVANNI AURELIO AUGURELLI, OR AUGURELLO).
[POEMATA]. COLOPHON: VENICE, ALDUS MANUTIUS THE ELDER, APRIL 1505.
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8vo. 18th-century vellum with gilt title on spine, red painted edges. Woodcut printer's device (A2) on verso of last leaf. (128) ff., including the blank 2nd leaf (except for its signature aii) and the blank penultimate leaf. Aldus' printer's device on verso of last leaf [Collation: a-q8]. First and only Aldus edition of the collected Latin poems of the Renaissance humanist and alchemist, Johannes Aurelius Augurellus. It was preceded in print only by liber 1-2 of the Carmina, which was printed in Verona in 1491 and dedicated to Pandulfus Malatesta. This Aldine edition is expanded to seven books:- title (only the author's name) on f. a1r; a1v-a2v blank.- Jambicus liber 1-2 with 29, resp. 32 poems (ff. a3r-f8r); - Sermonum Liber 1-2 with 10, resp. 12 metrical sermons (ff. f8v-k4v);- Carminum liber 1-2, with 18, resp. odes (ff. k5r-p5v); and- Libellus iambicus super additus, with 11 carmina (ff. p6r-q6r; q6v: colophon, q7r-q8r: blank, q8v: printer's device). The italic type used to print this and other Aldine octavo volumes was based on the writing examples of Francesco Griffo, calligrapher and type designer for Aldus, especially to be used in his famous pocket editions of classical authors, as well as contemporary humanists and poets (as the present edition). Johannes Aurelius Augurellus (1456-1524) was an Italian humanist scholar, poet and alchemist. Born at Rimini and educated at Padua, he was based mostly at Florence and Venice. After this edition he published the Geronticon liber, and his Chrysopoeia (1515) on the making of gold. Fine copy.- (First and last quire water stained (washed), first leaf (title) damaged but skilfully restored). Ahmanson-Murphy 73;The Aldine Press 89; Renouard p. 49, no. 2 ('belle et rare'); STC Italian p. 61; Adams A 2152; Isaac 12807; Diz. biogr. degli Italiani 4, pp. 578-81; Thorndike V, pp. 534-5; Paranello, Un maestro del quattro-cento, Giov. Aur. Augurello (1905).
[Bookseller: Antiquariaat FORUM BV - 't Goy-Houten - ] |
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AUGURELLUS, Johannes Aurelius (Giovanni Aurelio Augurelli, or Augurello).
Collected Latin poems of an Italian humanist [Poemata].
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Colophon: Venice, Aldus Manutius the Elder, April 1505. - 8vo. 18th-century vellum with gilt title on spine, red painted edges. Woodcut printer's device (A2) on verso of last leaf. (128) ff., including the blank 2nd leaf (except for its signature aii) and the blank penultimate leaf. Aldus' printer's device on verso of last leaf [Collation: a-q8]. First and only Aldus edition of the collected Latin poems of the Renaissance humanist and alchemist, Johannes Aurelius Augurellus. It was preceded in print only by liber 1-2 of the Carmina, which was printed in Verona in 1491 and dedicated to Pandulfus Malatesta. This Aldine edition is expanded to seven books:- title (only the author's name) on f. a1r; a1v-a2v blank.- Jambicus liber 1-2 with 29, resp. 32 poems (ff. a3r-f8r); - Sermonum Liber 1-2 with 10, resp. 12 metrical sermons (ff. f8v-k4v);- Carminum liber 1-2, with 18, resp. odes (ff. k5r-p5v); and- Libellus iambicus super additus, with 11 carmina (ff. p6r-q6r; q6v: colophon, q7r-q8r: blank, q8v: printer's device). The italic type used to print this and other Aldine octavo volumes was based on the writing examples of Francesco Griffo, calligrapher and type designer for Aldus, especially to be used in his famous pocket editions of classical authors, as well as contemporary humanists and poets (as the present edition). Johannes Aurelius Augurellus (1456-1524) was an Italian humanist scholar, poet and alchemist. Born at Rimini and educated at Padua, he was based mostly at Florence and Venice. After this edition he published the Geronticon liber, and his Chrysopoeia (1515) on the making of gold. Fine copy.- (First and last quire water stained (washed), first leaf (title) damaged but skilfully restored). Ahmanson-Murphy 73;The Aldine Press 89; Renouard p. 49, no. 2 ('belle et rare'); STC Italian p. 61; Adams A 2152; Isaac 12807; Diz. biogr. degli Italiani 4, pp. 578-81; Thorndike V, pp. 534-5; Paranello, Un maestro del quattro-cento, Giov. Aur. Augurello (1905). [Attributes: Hard Cover]
[Bookseller: Antiquariaat FORUM BV] |
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Paul V. Murphy
Ruling Peacefully: Cardinal Ercole Gonzaga and Patrician Reform in Sixteenth-Century Italy
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Catholic University of America Press. New Raised in the Splendid Court of Mantua, wealthy even by the standards of Renaissance cardinals, the patron of artists and scholars, the father of numerous children, an active participant in Italian and European politics as regent of the Duchy of Mantua, Cardinal Ercole Gonzaga (1505-1563) was in many respects a typical Renaissance prelate from a noble family. Nevertheless, in the course of his life he also exhibited a real commitment to reform of the Church and gave serious attention to the religious debates of his day. He reformed the diocese of Mantua, befriended reformers both Catholic and Protestant, and served as papal legate to the Council of Trent. Ruling Peacefully provides the first in-depth study of this influential and paradoxical figure. Gonzaga emerges as a complex personality whose interests as the representative of a northern Italian ruling family could just as easily lead him to support reform in the Catholic Church as to hinder it. His career exemplifies much of the history of Italy and the Catholic Church in an era of uneasy transition. The process of change that the Church underwent in the sixteenth century only gradually provided theological clarity. This lack of definition exhibited itself not only in theology but also in the lives and works of individuals, including the leaders of the Church. The career of Ercole Gonzaga, who does not fit easily into the categories of spiritual reformer, or intransigent inquisitor, or unreformed noble prelate, challenges stereotypical descriptions of Italian prelates and may represent the age more fully than any of these ideal types. This intermingling of the worldly and the religious suggests that he may best be understood as apartician reformer who manifested the cultural life of late Renaissance Italy, the call for reform, and the interests of a powerful ruling family. ISBN10: 0813214785.
[Bookseller: Alibris] |
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PALLAS, Peter Simon.
Novae Species Quadrupedum e Glirium Ordine cum Illustrationibus Variis Complurium ex hoc Ordine Animalium. Erlangen, Wolfgang Walther, 1778-[1779]. 4to. With 39 engraved plates, 3 of which are folding. Contemporary boards.
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- (2), viii, 388 pp. BMC NH, p. 1505; Nissen, ZBI 3074; Wood, p. 511; DSB X, pp. 283-285. First edition of Pallas's monograph on rodents. Peter Simon Pallas (1741-1811) occupied himself with botany, zoology, geology, and geography, searching constantly for "causal interrelationships and hidden regularities of natural phenomena. He was one of the first to use anatomical characteristics in classifying animals. His research in comparative anatomy provided the foundations for animal taxonomy" (DSB ). His descriptions of rodents in the present volume are accompanied by attractive and accurate plates of animals and animal parts. Nissen (ZBI I, p. 154) qualifies Pallas's illustrations in general as "zoologisch bedeutsam." The figures on the plates are explained on pages 385-388.A highly desirable, clean and wide-margined copy.
[Bookseller: ASHER Rare Books] |
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LEO I. [d. 461 ]
Leonis pontificis maximi sermones quam diligentissime nuperrime castigati, et quantum anniti ars potuit fideliter impressi.
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Venice 1505 - Venetiis, Bartholomaeus de Zanis impressit, Ioannes Andreas episcopus Aleriensis edidit. 1505. Folio, 84 leaves, complete. ONE OF ONLY THREE KNOWN COPIES, with OCLC, KVK, BNF, Lib. Cong. together showing institutional holdings only at Radboud Universiteit Nijmegen and Staatsbibliothek Berlin. Leo's pontificate, next to that of St. Gregory I, is the most significant and important in Christian antiquity. At a time when the Church was experiencing the greatest obstacles to her progress in consequence of the hastening disintegration of the Western Empire, while the Orient was profoundly agitated over dogmatic controversies, this great pope, with far-seeing sagacity and powerful hand, guided the destiny of the Roman and Universal Church. Leo was no less active in the spiritual elevation of the Roman congregations, and his sermons, of which ninety-six genuine examples have been preserved, are remarkable for their profundity, clearness of diction, and elevated style. The first five of these, which were delivered on the anniversaries of his consecration, manifest his lofty conception of the dignity of his office, as well as his thorough conviction of the primacy of the Bishop of Rome, shown forth in so outspoken and decisive a manner by his whole activity as supreme pastor. CE.
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Liebrecht de Broeckem & Nicolaus de Lovanio (Hrsg.):
- Liebrecht de Broeckem: Priuilegia et indulgen|tie fratrum mino|rum ordinis | sci francisci. | (Signet) Venedig: Lucantonio de Giunta, 1502. Octavo. 155 x 100 mm. [54], [1] (Kolophon), [1 weiße] Seiten. - [Lagensignaturen:] a-c8, d4. Mit Holzschnittdruckermarke auf Titel, einem seitengroßen Holzschnitt des Heiligen Franz mit den Stigmata vor einem oben schwebenden Engel knieend, hinter ihm ein felsiger Berg und im Hintergrund eine Burg. - Beigebunden / bound with Nicolaus de Lovanio: Minorica elucidatiua | Rationalibis separationis Fratru | Minorum de Obseruan|tia ab alijs fratri|bus ejusdem | ordinis | vna cum Regula.| +.
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Venedig: Simon de Luere, 1505.. Octavo. 155 x 100 mm. 64 Blätter. - Lagensignaturen: a-h8 (fol. 64v = fol. h8v weiß). Mit Holzschnittinitialen. Handgefertigter flexibler Pergamenteinband des 20 Jh. mit umgeschlagenen Vorderkanten, Titeleien in Schwarzprägung auf dem Rücken, Schnitt mattgrün schattiert.. ALLEN MEINEN KUNDEN WÜNSCHE ICH EIN FROHES FEST! Enthält die den Orden der Franziskaner betreffenden Dokumente, Apologien, Dekrete des Konzils zu Konstanz, Bullen, die Ordensregeln u.s.w., cf. BMC VIII, p. 199. I: Frühe Ausgabe, nach Mailand: Ulrich Schinzenzeler um 1490 (Hain 13371), Leipzig: Konrad Kachelofen, 1495, in quarto (= Hain 13372 - BMC III,627), u.a.; ein von der British Library auf 1500 datierter Druck ist eventuell mit dem vorliegenden identisch. - II: Die äußerst seltene vierte Ausgabe der 'Minorica' nach den Editionen Deventer bei Jacob de Breda, 10.4.1497, in quarto; Paris: Andre Brocard für Jean Petit, 22.3.1499, in octavo, Neudruck ebenfalls zu Paris: Etienne Jehannot für Jean Petit, 1499, in octavo (= Hain 1651 - Goff M588 - BMC VIII,199; jedoch eigentlich auf 1502 zu datieren). Die Bio-Bibliographia Neerlandica Franciscana nennt den Weihbischof Liebrecht de Broeckem als Verfasser und Nicolaus de Lovanio (Leuvenaar) als Herausgeber. Die 'Minorica' sind eine für die Ordensgeschichte sehr wichtige Schrift, von großem Interesse für den Historiker und von besonderer Seltenheit in dieser venezianischen Ausgabe. Inhaltlich handelt es sich um die Streitschrift zweier Parteien des Franziskanerordens über die Auslegung der Ordensregel, die für die folgende Ordensgeschichte wegweisend war und in die großen franziskanischen Sammelwerke des frühen sechszehnten Jahrhunderts aufgenommen wurde. Die ersten zwei Lagen diminuierend wasserrandig, die ersten beiden Blätter mit kleinem Abriß im unteren weißen Rand, alter Besitzeintrag auf Titel von I; sonst beide Teile nur minimal fleckig. Von größter Seltenheit. - - - 20th-century limp vellum. First two quires waterstained, small marginal tear to foll. a1 & a2. Otherwise good. Scarce. - - - I: BM STC 278. - II: Nicht bei Adams, BM STC. BITTE FORDERN SIE EINE PHOTOGRAPHIE AN / PHOTOGRAPHS ARE AVAILABLE ON REQUEST.
[Bookseller: Antiquariat Rainer Friedrich Meyer] |
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Eiximenis, Francesc (ca. 1330 - 1409).
Llibre dels àngels, en francés:] Le livre des sainctz anges.
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Michel Le Noir,, París: 1505 - 156 hojas en signaturas a-AA6. Letra gótica francesa a línea tirada. Ilustrado con 5 grabados y multitud de grandes iniciales en tacos xilográficos. Encuadernado en media piel del siglo xix con los cortes dorados. Una restauración en el ángulo superior de las últimas cinco hojas, sin pérdida de texto. Alguna suciedad difusa aquí y allá. Palau 85187. Tercera edición francesa, rarísima.Escrito en catalán hacia 1392, el Llibre dels àngels es la obra de Eiximenis más leída y traducida. Es un tratado de angeología destinado a extender el culto y el conocimiento de los ángeles y a divulgar los puntos fundamentales de la moral y fe cristianas.La primera edición se publicó en francés en Ginebra: 1478, mientras que la primera edición en catalán se dio en Barcelona: 1494 y la primera castellana es de Burgos: 1490. Ilustrado con un frontispicio, repetido al final del volumen, representando al "Salvator mundi" rodeado de ángeles y serafines; ilustrado también con tres grabados de los ángeles músicos, Dios y la caída de los ángeles rebeldes y San Miguel con el demonio. Al final lleva la mítica marca de Michel Le Noir, con la representación de los tres moricos.No he sabido encontrar ejemplares en las bases de datos on-line de España, Italia o Alemania, únicamente el ejemplar de la Bibliothèque Nationale de France.
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BOECE;
Duplex commentatio ex integro reposita atque recognita in Boetium; seu Boethum mauis: de consolatione philosophica & de disciplina scolastica. Ea videliczque divo Thome aquinato ascribitur. Et que ab Ascensio recentius est emissa; una cum libello de moribus in mensa informàdis oibus in teneris anis constitutis pernecessario a Sulpitio verulano edito.
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Lyon, Claude Davost dit de Troyes, 1505. 2 parties en un vol. petit in-folio de 132 et 28 ff.n.ch.; vélin de l'époque. Renouard, J. Bade, II, 201, 10; Bibl. Aureliana, Lyon, II, p.17 n°13; manque à Baudrier. Réimpression de l'édition de Lyon, 1503, donnée par Josse Bade. On y trouve le grand texte de Boèce composé en prison, De consolatione philosophica et le De disciplina scholarium. Titre imprimé en noir et rouge avec belle initiale sur fond noir et marque de Simon Vincent; au verso, épître de Josse Bade à Simon Vincent. Texte de Boèce en gros caractères et commentaires plus petits. Exemplaire un peu déboîté de son vélin, salissures sur le titre, mouillures claires en marge de plusieurs feuillets en tête et fin de volume, mais dans l'ense -
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BEMBO PIETRO.-
GLI ASOLANI . IMPRESSI IN VENETIA, NELLA CASA D'ALDO ROMANO NEL ANNO 1505 DEL MESE DI MARZO.
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In 4to, legatura seicentesca in piena pelle, ricchi fregi in oro al dorso, tass. in marocchino rosso con tit. in oro; cc. 96. Qq. lieve alone marginale su poche cc., qq. lieve segno di tarlo marginale, lontano dal testo. Bell'esemplare, con buoni margini. Prima tiratura della prima edizione, contenente al verso della prima carta e sul recto della successiva la dedica dell'autore a Lucrezia Borgia, che fu quasi subito eliminata e sostituita in corso di stampa da un frontespizio con il verso bianco e da una seconda carta bianca. Il presente esemplare non presenta le due cc. in fine costituite da errata e foglio bianco, mancanti nella gran parte degli esemplari. Renouard, 48: OPremiere edition assez rareEO
[Bookseller: Libreria DOCET - Bologna - Italy] |
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AUGUSTINUS S. AURELIUS
SERMONES SANCTI AUGUSTINI AD HEREMITAS
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Piero Quarenghi (Bergamasco), Venetia 1505 - AUGUSTINUS S. AURELIUS SERMONES SANCTI AUGUSTINI AD HEREMITAS Venetia, Piero Quarenghi (Bergamasco) 1505 cm.15,8 Ottima mezza pergamena fine sec. XVIII. - cc.72 nn., carattere gotico testo a due colonne. vari capilettera xilografici assai eleganti in stile trecentesco. I sermoni costituiscono un esmpio mai più raggiunto di parenetica cristiana ed una delle opere più significative anche per valore letterario, dell'autore. EDIZIONE RARA sconosciuta a tutta la bibliografia da noi consultata. Manca ad Adams, Bm.stc., Choix, Colombina, Morton, Graesse e Brunet, compreso il seminario di Milano e la Biblioteca dei Cappucini di Reggio Emilia. Tutte le edizioni latine dei sermoni sono rarissime. Vecchio restauro all'ultima carta con una perdita di 19 righe della mezza colonna di testo. Antiche firme al frontis con qualche macchiolina e alcuni lievi aloni interni, altrimenti ottimo e fresco esemplare. Il Census Iccu, registra solo 8 copie nelle biblioteche italiane.
[Bookseller: LIBRI ANTICHI E RARI FRANCESCO&CLAUDIA]
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