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Displayed below are some recent viaLibri matches for books published in 1503


   
Sponsalitium animae
      [Florence, Bartolommeo di Libri?], (20 September 1503) 8vo. 74ff. (of 76, lacks d1 & 4). Fine woodcut, partly coloured in blue, red and green by a contemporary hand, on verso of f.4 within a white-on-black border (shaved at the fore-margin), first initial supplied in blue, small letters in blank spaces for initials supplied by a contemporary hand, minor repair at foot of last leaf, in early twentieth century vellum. FIRST EDITION of this rare mystical devotional work by a Dominican, variously identified as Benedetto di Paolo or Benedetto degli Alessandri, in which the author treats of the union of the soul with Christ with the concomitant mortification of the senses, and the various pitfalls and temptations which the soul must suffer. This is exemplified by the fine woodcut showing two hands holding a ring below the dove of the Holy Ghost, which Rava describes as ‘composition très originale…d’une valeur décorative tout à fait remarquable’ With a few contemporary marginalia and light corrections in the text. CARLO ENRICO RAVA’S COPY with his bookplate.Censimento CNCE 46574 (one copy); Sander 7060 (unseen by him); Rava 7060* and pl.73; Mortimer 584; not in Adams or OCLC; only the Houghton copy located by RLIN
      [Bookseller: Hesketh and Ward Ltd.]
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Gregor Reisch:
   
Margarita Philosophica: Liber X. Tractatus II. De Potentiis Animae Sensitivae: De organo visus & maturo oculi qui ex septem tunicio & q(ua)ttuor humoribus integrat cap. Ix.
      Freiburg, Johann Schott, citra festum Margarethe 1503.. Einspaltiges O-Postinkunabelblatt (one leaf) mit einer 3-zeiligen roten Lombarden und einem ganzseitigen Holzschnitt (14 x 9 cm). Blatt etwas gebräunt und mit drei kl. Einrissen im Rand. Blattgröße: 15 x 20 cm. Erstausgabe dieser ältesten gedruckten Enzyklopädie.. Das Blatt zeigt auf einer Seite die Bereiche des Auges in zwei Holzschnitten, die von weiteren Druckern in den Ausgaben 1508 (Schott in Basel, Grüninger in Strassburg) und 1515 (Grüniger in Strassburg) wiederverwendet wurden. Gregor Reisch (1467 - 1525), der Verfasser, war Kartäuserpater (Prior in Freiburg im Breisgau), Gelehrter und Beichtvater von Kaiser Maximilian I. Die "Margarita" war sein Lebenswerk und erlebte von 1503 an rund ein Dutzend Auflagen. Über hundert Jahre lang zählte sie zu den "libri admissi", zu den vorgeschriebenen Lehrbüchern an den hohen Schulen Deutschlands. Das enzyklopädisch angelegte Werk gliedert sich in zwölf Bücher und umfasst die Sieben freien Künste sowie Naturphilosophie, Naturkunde, Physiologie, Psychologie und Ethik.Das Werk enthält als Universitas literarum das gesamte menschliche Wissen des späten Mittelalters. Das Werk wurde das am weitesten verbreitete Lehrbuch der Philosophie und des enzyklopädischen Wissens für das Studium der Artes Liberales und sollte es auch für mehr als 100 Jahre bleiben. Die Margarita philosophica gilt als die älteste gedruckte Enzyklopädie. Der Drucker Schott war ein Schüler von Reisch. 1504 erscheint eine zweite Auflage ebenfalls bei Schott in Freiburg. The Margarita Philosophica, was well known and widely read. It was the first printed encyclopedia of science and was a very influential book of the early Renaissance period for more than 100 years. The book was edited by Gregor Reisch, (1467-1525) a Carthusian monk and prior of the monastery at Freiburg. Reisch was also confessor to the Emperor Maximilian I.
      [Bookseller: Versandantiquariat Christine Laist]
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Reisch Gregorius (1470-1525)
   
Margarita Philosophica
      Grüner, Fribourg 1503 Reisch Gregorius (1470-1525) ~ Margarita Philosophica ~ 1 feuillet double de 4 pages ~ Fribourg, Grüner, 1503 ~ Incunable ~ In-8, 1 feuille double incunable , superbe typographie agrémentée de plusieurs figures très curieuses. Texte en latin, très dense, étant donné qu'il y a ici de nombreuses contractions & abréviations, encore en usage au début du 16ème siècle. Présence également de mini-titres des différents sujets traités & sous-parties, dans les marges intérieures & extérieures. Ce double feuillet provient du livre 9, Liber nonus intitulé De origine rerum naturalium &, plus exactement, nous avons ici la fin du chapitre 8, dont nous n'avons pas le titre, hormis deux indications dans les marges : " regionis ignite medie " & " regionis ignite isime " puis vient le chapitre 9, intitulé " De materia efficiente loco & tempore impressionum aquosarum. Capitulum. ix " puis le chapitre 10, intitulé " De Grandine. Capitulum. x " ;,puis le chapitre 11, intitulé " De Granulis & Nive. Capitulum. xi " ;puis le chapitre 12, intitulé " De Pluvia. Capitulum. xii " ;puis le chapitre 13, intitulé " De Rore. Capitulum. xiii " ;puis le chapitre 14, intitulé " De Pruina. Capitulum. xiiii " ;puis le chapitre 15, intitulé " De Fontium & fluminum origine & perpetuitate. Capitulum. xv " ;puis le chapitre 16, intitulé " De maris falsedine fluxu & refluxu. Ca. xvi " (seulement le début). Texte très intéressant, mélange de science, d'occultisme & d'ésotérisme, le tout étant formulé sous la forme d'un dialogue fictif : le disciple (discipipulus ou dis) pose les questions, le maître (magister ou mag.) répond & explique en détails Dans les dernières années du XV[e] s., le chanoine de Fribourg-en-Brisgau Gregorius Reisch publia, dans son " Enchiridion " ou "Margarita Philosophica ", un exposé des principaux problèmes philosophiques, en référence aux autorités antiques et médiévales, illustré par des gravures sur bois anonymes. La plus intéressante constitue le frontispice du livre II intitulé " Typus logice ". L'image allégorique de la philosophie comme chasseresse se rencontre chez Platon, chez Thomas d'Aquin, très particulièrement chez Nicolas de Cues. Elle ne survivra guère à la Renaissance
      [Bookseller: Incunable]
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EURIPIDE
   
Euripidis tragoediae septendecim
      Venetiis, 1503. 2 volumes reliés en 1 in-8, plein veau havane, roulette dorée autour des plats, dos lisse refait, pièce de titre originale conservée, tranches jaspées. Reliure du XVIIIè siècle. 170 x 104 mm. "PREMIÉRE ET RARE .DITION D'EURIPIDE, DONT IL N'AVAIT ENCORE été IMPRIMé QUE QUATRE TRAGéDIES VERS 1496 À FLORENCE". Renouard, 43 10. Adams, E 1036. EXEMPLAIRE A BELLES MARGES DE CETTE PRECIEUSE ORIGINALE. 30082007109
      [Bookseller: Librairie Sourget]
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IUSTINUS - FLORUS. IN TROGI POMPEI HISTORIAS.
       Venezia, Bartolomeo de Zani da Portese, 3 febbraio 1503. "In-folio; 54 cc.; legatura moderna in tutta pergamena." L'opera di Giustino termina alla carta 37 e alla 38 inizia quella di Floro. Comuni certo le epitomi delle storie di Pompeo Trogo, ma questa edizione del raffinato stampatore veneziano si segnala per la sua eleganza e per le cure prestatevi dal Sabellico e da altri preclari umanisti (si vedano rispettivamente le cc. 54 e 38). Edit on-line 51842. BMC (s.t.) p. 682.
      [Bookseller: Libreria Antiquaria MEDIOLANUM - Milano ]
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ANONIMO [AL PARECER FUE PREPARADA Y HECHA A COSTA DEL ESCRIBANO Y SECRETARIO REAL "JUAN RAMIREZ"]
   
LIBRO DE LAS BULAS Y PRAGMATICAS DE LOS REYES CATOLICOS / PREFACIO POR DON ALFONSO GARCIA-GALLO Y DON MIGUEL ANGEL PEREZ DE LA CANAL. AHORA NUEVAMENTE PUBLICADO POR EL INSTITUTO DE ESPANA. [FACSIMIL DEL ORIGINAL: "LIBRO EN Q ESTA COPILADAS ALGUNAS BULLAS DE NRO SCTO PADRE COCEVIDAS EN FAVOR DE LA JURISDICIO' REAL DE SUS ALTEZAS Y TODAS LAS PRAGMATICAS Q ESTA FECHAS PARA LA BUENA GOUERNACIO' DL REYNO: IMPRIMIDO A COSTA DE JOHAN RAMIREZ ESCRIBANO DEL CONSEJO DEL REY.... (COLOFON) FUE IMPRESSA ESTA OBRA EN LA VILLA DE ALCALA DE HENARES, POR LANCALAO POLONO YMPRIMIDOR DE LIBROS, A COSTA DE JOHAN RAMIREZ...ACABOSE A DIEZ Y SEYS DIAS DL. MES DE NOUIEMBRE DE MILL Y QUINIENTOS Y TRES ANOS (1503)"]
      EDICION LIMITADA Y NUMERADA.- Madrid: Inst. de Espana, 1973.- 2 Vols. (68 p., 1 h. + 14 h., 375 folios del facsimil, en numeracion continua para los dos vols.); in folio (32,5 cm.); fina impresion sobre excelente papel ahuesado; Cubiertas en Cartulina flexible Ed..- Tirada de 500 ejemplares todos numerados. IMPECABLE ESTADO.*
      [Bookseller: LIBRERIA MIGUEL MIRANDA]
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STELLA GIOVANNI.
   
Vita Romanorum imperatorum.
      Venezia, Bernardino Vitali, 1503. 1503 "In-4°; 32 cc.; legatura moderna in tutta pergamena antica. Grande figura xilografica al frontespizio (imperatore assiso sul trono con ai lati due paggi e lo stemma dell'aquila a due teste). Bell'esemplare con alcune antiche sottolineature e note marginali in rosso." Prima edizione. L'autore, sacerdote a S. Maria Formosa in Venezia, dopo aver composto questo agile ma esaustivo prontuario, che parte da Giulio Cesare per arrivare a Massimiliano d'Asburgo, non privo di curiosità e di interessanti osservazioni storico-politiche, scrisse pure una raccolta di biografie di tutti i pontefici, stampata sempre da Bernardino Vitali nel 1505. Di particolare pregio la grande xilografia giustamente valorizzata dallo Essling. Essling 1390 (e si veda la riproduzione alla tav. 88). Sander 7073.
      [Bookseller: Libreria Antiquaria Mediolanum]
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EURIPIDES
   
EURIPIDIS TRAGOEDIAE SEPTENDECIM, EX QUIB. QUAEDAM HABENT COMMENTARIA.. (GRAECE).
      Venetiis, apud Aldum, mense Februario M.D.III (1503), 2 volumi in 1 tomo in-8, ff. 268 + 190 n.n., (conservati 5 ff. bianchi), legatura di inizio novecento in vitello con elaborate bordure in oro e fregio centrale che copia Apollo e Pegaso. Impressi interamente in greco, con ancora aldina al verso dellultimo foglio. Il primo foglio contiene il titolo (in greco e in latino) e lelenco delle tragedie, e, al verso la dedica di Aldo a Demetrio Chalcondylas; gli ultimi 4 ff. del vol.I e gli ultimi 3 del vol.II contengono registro, colophon, privilegio ed ancora. Editio princeps delle opere del grande tragediografo greco (V secolo a.C.) il quale influenzo' tutta la produzione tragica latina, cristiana ed italiana, sino a Racine: ledizione comprende in realta' 18 tragedie, poiche' l Her cules Furens fu reperita da Aldo durante lim - pressione del secondo volume, e non figura nel titolo; 4 di queste tragedie (Medea, Hippolytus, Alcestis e Andromaca) erano gia' state pubblicate a Firenze da Alopa verso il 1496. Edizione di grande eleganza, importanza filologica e rarita'. Impressa nel piccolo minuscolo corsivo greco, con molti spazi bianchi nellimpaginazione, data la brevita' di alcuni versi, e' stimata tra le piu' aggraziate delle edizioni greche di Aldo. Bellesemplare, con alcuni fogli ancora chiusi. RENOUARD p. 43-44, n.10: Premiere et rare edition dEuripide'. DIBDIN, GREEKS & LATIN CLASSICS, p. 524-25: This is an Aldine publication which, more frequently than any with which I am acquainted, is found in an imperfect or indifferent condition. The finest copy of it on paper that I ever saw, and bound in the Grolier style, had only the first volume' .ADAMS E-1030 (scompleto). LAURENZIANA 71. UCLA I, n. 51/1-2.
      [Bookseller: Libreria Antiquaria PREGLIASCO - Torino ]
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Petrarca Francesco ant 80
   
Librorum Francisci Petrarche impressorum annotatio
      Venetiis per Simonem Papiensem Bivilaquam 1503 Vita Petrarche edita per Hieronymum Squarzaficum Alexandrinum. Epistole rerum senilium. Item epistole (.) eiusdem poete. De ignorantia suiipsius et multorum . Un volume in buonissimo stato di conservazione (fatta eccezione per i gravi difetti alla legatura). Contiene alcuni tra i più importanti componimenti in prosa e in poesia del P., in particolare le Epistole senili, le E. familiari, l?Africa, il Bucolicum Carmen, il De vita solitaria ecc. Dal confronto con la segnatura mancano le cc.: C1,8; E4,5; G4,5; O3,4,5,6; V4,5; X4,5; a4,5; b2,3,4,5,6,7, k2,7; y2,3,6,7. Strappo al taglio davanti dell occhietto, tagli bruniti in modo variabile, ma mai grave. Contiene anche il Bucolicum Carmen commentato da Benvenuto da Imola, con occhietto e colophon (in questo leggiamo "per me Marcum horigono de Venet. ." e la data, evidentemente errata, 1406). Gore di umido alle ultime cento carte circa. Per richiedere immagini dettagliate vi preghiamo di conttare la nostra libreria
      [Bookseller: Andrea Vallerini Libreria Antiquaria]
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[HENRY VII] Land Deed 1503
   
An attractive document recording a property transaction of land in Pettfield, Nethercroft, Ashenfield, Stokegatefield, etc
      In the eighteenth year of the reign of King Henry VII [1503]. In Latin, untranslated, 20 lines on vellum, with the major portion of a pendant red wax seal, in very fine fresh condition.
      [Bookseller: Julian Browning Autographs]
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Nicholas De Orbellis [Nicolas D'Orbellis], O.F.M. (C.1400-1475)
   
Expositio in IV Sententiarum Libros
      Francisci Fradin, 1503. [BOUND WITH: ] ARMANDUS DE BELLOVISU [ARMAND DE BELVEZER], O.P. (d.c.1334). De declaratione difficilium terminorum Theologie Philosophie atque Logice. (Venetiis: per Jacobum Pencium de Leucho, 1507). 8vo (15.8 x 11.2cm), [a-z8 + 24ll. + A-X8 + aa-kk8 + 4ll. ] & [a-r8]. Newly rebound in full calf, with gilt lettering on spine, three large raised bands. Numerous wood-cut initials, occasional contemporary marginal annotations. Worming in margins of first two leaves. First title-page bears a library stamp. Slight water-staining to upper corner of first several leaves of first title. Nicholas de Orbellis was a Franciscan theologian and philosopher, and a renowned Scotist in his own day. His exposition on the Four Books of Sentences, a compilation based on that of Bl. Scotus, was his chief work. Armandus de Bellovisu was a mediaeval Dominican theologian and one of Aquinas' early disciples. He served as Master of the Sacred Palace under Pope John XXII.
      [Bookseller: Alibris]
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EURIPIDE
   
Euripidis tragoediae septendecim
      Venetiis, 1503. 2 volumes reliés en 1 in-8, plein veau havane, roulette dorée autour des plats, doslisse refait, pièce de titre originale conservée, tranches jaspées. Reliure du XVIIIè siècle. 170 x 104 mm. "PREMIÈRE ET RARE ÉDITION D'EURIPIDE, DONT IL N'AVAIT ENCORE ÉTÉ IMPRIMÉ QUE QUATRE TRAGÉDIES VERS 1496 À FLORENCE". Renouard, 43/10. Adams, E 1036. EXEMPLAIRE A BELLES MARGES DE CETTE PRECIEUSE ORIGINALE.
      [Bookseller: Librairie Patrick Sourget]
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EURIPIDES
   
Euripidis Tragoediae septendecim, ex quib. quaedam habent commentaria.. (graece).
      Venetiis, apud Aldum, mense Februario M.D.III (1503), 2 volumi in 1 tomo in-8, ff. 268 + 190 n.n., (conservati 5 ff. bianchi), legatura di inizio novecento in vitello con elaborate bordure in oro e fregio centrale che copia “Apollo e Pegaso”. Impressi interamente in greco, con ancora aldina al verso dell’ultimo foglio. Il primo foglio contiene il titolo (in greco e in latino) e l’elenco delle tragedie, e, al verso la dedica di Aldo a Demetrio Chalcondylas; gli ultimi 4 ff. del vol.I e gli ultimi 3 del vol.II contengono registro, colophon, privilegio ed áncora. Editio princeps delle opere del grande tragediografo greco (V secolo a.C.) il quale influenzò tutta la produzione tragica latina, cristiana ed italiana, sino a Racine: l’edizione comprende in realtà 18 tragedie, poichè l’ “Her cules Furens” fu reperita da Aldo durante l’im - pressione del secondo volume, e non figura nel titolo; 4 di queste tragedie (Medea, Hippolytus, Alcestis e Andromaca) erano già state pubblicate a Firenze da Alopa verso il 1496. Edizione di grande eleganza, importanza filologica e rarità. Impressa nel piccolo minuscolo corsivo greco, con molti spazi bianchi nell’impaginazione, data la brevità di alcuni versi, è stimata tra le più aggraziate delle edizioni greche di Aldo. Bell’esemplare, con alcuni fogli ancora chiusi. RENOUARD p. 43-44, n.10: «Première et rare édition d’Euripide». DIBDIN, GREEKS & LATIN CLASSICS, p. 524-25: « This is an Aldine publication which, more frequently than any with which I am acquainted, is found in an imperfect or indifferent condition. The finest copy of it on paper that I ever saw, and bound in the Grolier style, had only the first volume» .ADAMS E-1030 (scompleto). LAURENZIANA 71. UCLA I, n. 51/1-2.
      [Bookseller: Libreria Antiquaria Pregliasco s.a.s. di]
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AGOSTINO (PSEUDO).
   
Soliloquio di Sancto Augustino con il manuale volgare.
      Venezia per Maestro Manfrino de Monteferrato, 30 Marzo 1503. "In-8°; 64 cc., xilografia alla paginadel titolo. Legatura moderna in tutto marocchino con titolo in oro al dorso. Buon esemplare." Rara edizione di questo volgarizzamento dei Soliloquia riproposto più volte da vari editori con larghissimo successo. La xilografia al frontespizio raffigura, una Pietà di gusto popolare, ripresa dalle Meditazioni intorno alla Passione di Cristo attribuite a San Bonaventura e stampate dallo stesso Manfredo Bonelli a Venezia il 14 dicembre 1497. "Essling 781. Sander 696. E. Ponte: ""L'arte xilografica a Venezia"", Venezia 1931, p. 121."
      [Bookseller: Libreria Antiquaria Mediolanum]
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LES CONTENANCES DE LA TABLE.
      [Lyons, Pierre Mareschal & Bernabé Chaussard, c. 1503]. 1503 Small 4to, ff. [4], with large woodcut letter 'L', and with woodcut printer's device on title; the first leaf with section of outer margin restored (not affecting text); lightly washed; traces of central, horizontal fold-marks; late 19th-century red crushed morocco, by Lortic. AN EXTRAORDINARY SURVIVAL: A PRECIOUS BOOKLET WITH INSTRUCTIONS ON BEHAVIOUR, MORALS AND TABLE MANNERS FOR CHILDREN, written in verse for easy memorizing in best medieval tradition The copy offered here shows faint signs of earlier folding, indicating it may have been intended as a hand-out, which would account for its extreme rarity today. This is one of several editions printed by Pierre Mareschal and Bernabé Chaussard. 'Issued a few decades after the invention of printing, this French rhymed treatise on table manners is a courtesy book addressed to children of humble as well as noble rank. It has been argued that this is the first printed book (apart from elementary Latin grammars) intended to be read specifically by children. The unknown author of Les Contenances offers his advice in the form of quatrains, each beginning "Enfant ."' (Pierpont Morgan Library, Early Children's Books and their Illustration p. 32).'Contenances de table . sont appelées de ce nom de courtes pièces de vers qui énoncent les règles de la bonne tenue à table (c'est un thème de composition très répandue à la fin du Moyen Âge) et qui, de ce fait, contiennent de précieux renseignements sur la vie privée de ce temps. S'inspirant de poèmes latins médiévaux comme le Liber Faceti, De curialitatibus in mensa conservandis, le Modus cenandi, ces textes sont au nombre de trois: le premier, de soixante vers octosylabiques, composé à la fin du XIIIe, recommande en particulier de penser aux pauvres, de s'essuyer les lèvres avant de boire (il n'y a souvent qu'un verre pour toute la table), de ne pas tremper son morceau de viande dans la salière, de se laver les mains après le repas (la fourchette est encore inconnue) .; le second, de quarante-sept distiques, dérive du précédent (il mentione la serviette); le troisième, écrit au XVe, comporte trente-sept quatrains que suit une ballade; il emprunte beaucoup au poème no 2, qu'il dilue et amplifie' (Dictionnaire des Lettres Françaises, Le Moyen Age, p. 330). The printed Contenances offered here are of the third version, written in thirty-seven quatrains, and ending with a ballad. Anonymously published, they may originate from the same author, as La doctrine du pere au fils, Le doctrinal d's nouveaux mariez, Le doctrinal des filles, and La voye d'padis. These four opuscules, similar in style, and with the same woodcut printer's device on the title, are found bound together in a Sammelband preserved in the Bibliothèque Impériale.Enfant se tu es ung yvroignePar trop boire il est deshonnesteEt si en as mal en ta testeEt puis apres honte et vergoigne.Enfant ce test chose honteuseSe tu as serviete ou drapDe boire dedans ton hanapLa bouche toute orde et baveuseMuch sought after since the time of publication, a facsimile edition, limited to 35 copies - one printed on vellum - was published in 12mo by Bulmer and Co. for the Roxburghe Club in 1816. Another facsimile, limited to 20 copies, was published in Paris, c. 1850, with a copy being offered in Pierre Berès's catalogue Nourritures of 1991 for Ff 8000.Baudrier XI 483 (listing a copy at Fribourg); Brunet II 244; Cat. Firmin Didot, 1879, 219; Vicaire 207-8; although ISTC provides several entries, the earliest there being described as 'Lyons, Printer of the Complainte de l'âme damnée, about 1485-90', no certain sequence of editions - none are dated - has been established. A total of six copies - none in the British Library - of the various Paris and Lyons printings are recorded in ISTC: two at Chantilly, two at the Bibliothèque Nationale, Paris, one at the Bodleian Library, Oxford, and one at the Bayerische Staatsbibliothek, Munich; the only American location is Pierpont Morgan Library, New York (the onl
      [Bookseller: Bernard Quaritch Ltd ABA ILAB]
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JUVENALIS
   
CUM COMMENTO IOANNIS BRITANNICIE' (IN FINE:) IMPRESSUM FUIT HOC MAXIMA CUM DILIGENTIA (REGGIO EMILIA, FRANCISCUS DE MAZALIBUS) ANNO DNI 1503).
      In folio, legatura settecentesca (dorso rifatto), piatti in carta decorata remondiniana, tagli marezzati; cc. 137, alcune iniziali ornate su fondo nero, grande vignetta xilografica alla c. 1 raffig. un satiro nell'atto di scagliare un libro contro un gruppo di personaggi (monogramma OLO), caratteri romani. Frontespizio inquadrato da antica decorazione ornamentale a penna, qq. annotazione marginale di mano coeva. Buon esemplare. Essling, 787 e Sander, 3732 (con indicazione OVeneziaO' come luogo di stampa). Adams/J 751.
      [Bookseller: Libreria DOCET - Bologna - Italy]
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CORDOBA (Alfonso de);
   
Tabule Astronomice Elisabeth Regine.
      Venise Pierre Lichtenstein 28 déc. 1503 Grand in-8 de 52 ff. ; veau blond, dos à nerfs orné, triple filet doré encadrant les plats, dentelle intérieure, tranches dorées (Petit succr de Simier). ìdition originale rare. Elle est imprimée en caractères gothiques et on trouve au dernier feuillet la marque typographique bicolore de Lichtenstein représentant deux sphères armillaires, surmontées d'un cimier, lui-même surmonté d'une sphère armillaire. On ne sait d'Alfonso de Cordoba que ce qui est indiqué dans ses ouvrages, qu'il était originaire de Séville et Docteur ès Arts et Médecine. Actif entre 1470 et 1517, il fut astronome du roi de Portugal et médecin du cardinal Borgia. Il édita à venise en 1496 l'Almanach perpetuum celestium d'Abraham Zacuto paru la même année au Portugal. De cet ouvrage, qui a sans doute servi de modèle à Cordoba, ont été tirées les tables astronomiques utilisées par Vasco de Gama. Les tables de Cordoba, dédiées à Isabelle la Catholique et Ferdinand d'Aragon, sont calculées à partir du méridieen de Séville. Très bel exemplaire. Ex-libris Paul Helbronner. Adams, C-2622 ; Houzeau-Lancaster, 12712 ; Palau, 61824 ; Honeyman, 760 ; Toda Y G¥ell, 1339.
      [Bookseller: Librairie Le Bail]
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HEGIUS, Alexander.
   
Dialogi.
      Deventer, R. Pafraet, 1503, Dec. 31th. 4to. Boards. Large blue painted initial, rubricated throughout. (85) lvs. Deventer post-incunable with the Latin dialogues by Alexander Hegius (1420-1498), a pupil of Rudolph Agricola, and since 1469 rector of the famous Deventer "Illustre school". His erudition attracted many pupils, among whom Erasmus, Murmellius, Herman Busschius, Henricus Agricola, Johannes Caesarius and Herman Torrentinus. Under Hegius's direction the Deventer school soon counted over 2200 pupils. He was an advocate of the study of the Greek language for a better knowledge of the New Testament. His works were published after his death by one of his pupils, Jacobus Faber. The present edition contains a preface by Aldus Manutius, dated 1501. It is nicely printed, in a small `bâtarde', ca. 40 lines to a page, and rubricated. Good copy.- (Spine dam.; title and last lf. sl. soiled; small ms. label mounted on lower margin of first text leaf; sl. waterst.; last blank lacking). Nijhoff-Kronenberg 1042.
      [Bookseller: Antiquariaat Forum BV]
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Durer, Albrecht (1471-1528)
   
The Flight Into Egypt
      Albrecht Durer, 1503 AN EXQUISITE WOODCUT FROM ALBRECHT DURER'S GROUNDBREAKING LIFE OF THE VIRGIN SERIES Woodcut ca. 1503 Literature: Bartsch, Le peintre graveur, 89; Meder, Durer-Katalog, 201, after text; Troyen, Life of the Virgin This exquisite woodcut entitled, "Flight into Egypt," was originally produced for Albrecht Durer's famed Life of the Virgin cycle. Durer began assembling the works for the series in 1501, publishing the first complete edition of it in 1511. Life of the Virgin ultimately contained 19 woodcuts by Durer and a Latin text supplied by Benedictus Chelidonius. The series as a whole and this woodcut in particular marvelously demonstrate Durer's unparalleled skills as a graphic artist. Indeed, this lush work, which remains in superb condition, beautifully demonstrates Durer's exemplary and crisp modeling skills, keen awareness of human psychology, and consummate understanding of the Italianate one-point perspective system. .
      [Bookseller: Arader Galleries]
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ORIGEN
   
Origenis in Genesim [etc]…[with] Explanatio… in Epistola Pauli ad Romanos.
      Venice; Aldus. Venice; Simon de Luere. 1503. 1506. FIRST EDITIONS Folio. i. ff. [ vi] 182. Roman letter, double column; anchor and dolphin device on last. ii. 73 [i]. Gothic letter, double column, printer's monogram device on last. A good, well-margined copy in 16th century vellum over pasteboard, corners slightly bumped. Spine in four compartments, light age yellowing, mostly marginal foxing, contemp. ms inscription to foredge: "Homelie Origenis". Intermittent scholarly marginalia in a very legible humanist hand. Ms inscription in 16th C style hand to last leaf of text "Antonii Carisi (18.6?)," partially rubbed. FIRST EDITIONS of two important exegetical works by the Alexandrian theologian and biblical critic, translated by St. Jerome. The first book contains Origen's homilies on Genesis, Exodus, Leviticus, Numbers, Joshua and Judges. Homily I on Genesis draws parallels between scripture and gospel teachings, emphasising the unity which Origen maintains is a direct consequence of their authorship by God to fulfil His will. The Homily on Exodus opens with the line "it is important to recognize there is knowledge of these words beyond our power." Those on Leviticus were delivered in a three-year cycle between 238 and 244 in Alexandria. They deal with conversion from sin, works of piety, baptism, Lent and fasting, ordination, and the development of Christian discipline. Perhaps the most significant theological contribution, however, is his doctrine of the Trinity which influenced the Trinitarian debates of the fourth and fifth centuries. Numbers contains some of his most famous work: his interpretation of the forty-two stopping places in the desert wanderings as the stages of growth in spiritual life, and the image of the scriptures as nuts: "The doctrine of the Law and of the Prophets in the school of Christ is bitter reading, like the peel, after which you come to the shell which is the moral doctrine, in the third place you will find the meaning of the mysteries, where the souls of the saints are fed in this life and in the next" (Hom. Num. 9,7). The homilies on Joshua were amongst the last Origen delivered before his torture and death during the Decian persecution, in around 254. Here he examines the passage of Christian life from baptism until resurrection, encouraging his audience to persevere in Christ. In Judges, Origen sees the Jewish nation as a fleece originally covered with dew, symbolising its favour with the law and prophets. The fleece dries and the Jewish nation casts off the Gospel. Meanwhile the dew has been wrung out of the fleece into a bowl just as the doctrines of Christianity are extracted from Judaism, distilling its true essence. Origen's commentary on the Epistles to the Romans was first written between 244 and 246, and is believed to have had a great influence on St. Jerome's own exegetical work. Origen (c.185 - c.254) was the most prolific Christian writer of his time, virtually single-handedly giving the Old Testament a permanent place in Christian thought through his extensive reflections and commentary. His writings are one of the earliest intellectual attempts to justify Christianity. A teacher as well as writer, his interests focussed increasingly on exegesis. His object was to pass over matters of unimportant historical significance in favour of deeper spiritual truth. He used every resource available to him, philological, geographical, historical and antiquarian. At the request of St. Ambrose, he began a commentary on the Bible, commencing with John and then moving onto the focus of our present work, Genesis. According to Epiphanius Origen wrote about 6,000 works falling into four classes: criticism; exegesis; systematic, practical, and apologetic theology; and letters, very few survive. Origen's homilies on the Pentateuch and the Book of Judges were not published until the 17th century. From the very interesting anonymous address to the reader following Aldus' preface it appears that this work was the fruit of a very early (the first?) collaboration between Aldus and his father-in-law Andrea Torresano though their commercial relationship was not formally established until 1508. i. Not in BM STC It. Adams O-291. Hoffmann III, 27. Renouard 44:11. ii. Unrecorded in bibliographies. One copy only found, in Staatsbibliothek Bamberg. L667
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Missale Romanum. - Canon
   
Canon sacratissime misse. vna cum Expositione eiusde(me). vbi in primis premittit pulchra contemplatio ante missam hab(n)da de cristi pulcritudine [.]. -
      (Nürnberg, Hieronymus Höltzel, 22.Dez. 1503.) kl.4°. 20 nn.Bl. das letzte weiß. Mit einigen Holzschnitt-Initialen. Das fehlende 1. Blatt mit altem Papier ersetzt: Titel und rückseit. Holzschnitt vorzüglich reproduziert, nur etwas blasser als der Orig.-Druck. Broschur aus Buntpapier des 18. Jahrhunderts. - Sauberes Exemplar mit relativ breiten Rändern (ca. 1,5-meit 2 cm). Proctor 10973. VD 16, M 5521 mit Nachweis von 2 Expln. (München u. Wolfenbüttel), jeweils "19 Bl.", d.h. ohne das bei uns vorhandene letzte leere Bl., der Lage E. Laut VD 16 stammt der Kommentar von "Balthasar aus Geyer" (?); als zutreffend konnten wir nur den Philosophen und Theologen Franciscus Balthasar aus Meißen ermitteln, der lediglich bei Jöcher I mit einer Kurzbiographie und unserem Titel ohne Jahr erwähnt ist ("lebte noch 1498"). - Zum Drucker, aus dessen Werkstatt 1500-1525 mindestens 85 Drucke hervorgingen, vgl. Benzing , S. 352. Der anonyme, ganzseitige - bei uns nach dem Wolfenbütteler, dezent kolorierten Expl. reproduzierte - Holzschnitte im Format ca. 17,5x12,5 cm ist als "von künstlerischem Interesse" ausführlich beschrieben bei Muther, Dt. Bücherillustration I, 1163, und zwar nur nach einer weiteren Verwendung bei Höltzel vom Jahre 1506 in J. Andrea s "Arbor consanguineitatis". Er zeigt "in noch alterthümlich strengem [d.h. gotischem] Stile" den Heiligen Hieronymus mit seinem Löwen, zum Crucifix betend, in einer Landschaft mit Baum, im Hintergrund eine vieltürmige Stadtansicht. 200g
      [Bookseller: Antiquariat Carl Wegner]
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Dürer, Albrecht (1471-1528)
   
The Flight Into Egypt
      Albrecht Durer 1503 AN EXQUISITE WOODCUT FROM ALBRECHT DURER'S GROUNDBREAKING LIFE OF THE VIRGIN SERIES Woodcut ca. 1503 Literature: Bartsch, Le peintre graveur, 89; Meder, Dürer-Katalog, 201, after text; Troyen, Life of the Virgin This exquisite woodcut entitled, "Flight into Egypt," was originally produced for Albrecht Dürer's famed Life of the Virgin cycle. Dürer began assembling the works for the series in 1501, publishing the first complete edition of it in 1511. Life of the Virgin ultimately contained 19 woodcuts by Dürer and a Latin text supplied by Benedictus Chelidonius. The series as a whole and this woodcut in particular marvelously demonstrate Dürer's unparalleled skills as a graphic artist. Indeed, this lush work, which remains in superb condition, beautifully demonstrates Dürer's exemplary and crisp modeling skills, keen awareness of human psychology, and consummate understanding of the Italianate one-point perspective system. The scene depicted in this woodcut portrays an event mentioned only briefly in the Bible. Artists from antiquity through to the Renaissance, however, worked steadily to patch together a more complete narrative of the life of the Virgin Mary, a narrative which served as the female corollary to the life of Christ. The life of the Virgin Mary constituted one of the most favored subject matter amongst Renaissance artists. Not only did it inspire southern artists like the Bellinis, Mantegna and Pollainolo, but also northern artists like Schongauer and Master LCz. While art historians have noted the influence such artists had on Dürer's Life of the Virgin series, Dürer, nevertheless, managed to make the subject matter entirely his own. In this woodcut the Virgin Mary, cradling her young son, is pictured riding sidesaddle and with her back turned towards the viewer. In contrast, Joseph's body is oriented towards the viewer as he escorts Mary's mule along a forest path leading to the edges of the right side of the composition. Nevertheless, Dürer formally and psychologically unified the two figures by having Joseph glance back towards the face of his fragile wife. Surrounding the Holy Family are a number of eye-catching elements, including lizards, a stag, putti, an ox, and a distinctly northern landscape. Indeed, scholars frequently refer to Dürer's treatment of the life of the Virgin narratives as a "vernacularization of the Virgin." Mary, Joseph and the Christ Child are all seen swathed in the garb of German peasants and it would appear that the date palm is the only element in the woodcut not native to Northern Europe. Though Dürer added a number of personal flourishes to his depiction of the Virgin Mary's flight into Egypt, he makes use of classical iconography as well. The palm tree situated on the left side of the composition, for example, references a much-depicted legend in the life of the Virgin narrative. In it, the Christ Child commands the date palm to "bow down" so that his hungry parents can access its fruits. Likewise, the stream located at the bottom right of the composition most probably denotes the body of water that miraculously appeared in order to satisfy Mary's thirst during her arduous trek to the dusty lands of Egypt. The Holy Family embarked on the journey in hopes of escaping the clutches of the murderous King Herod. Dürer, a German painter, engraver, and theoretician, was born in Nuremberg to a goldsmith father. Prior to 1494, he traveled to Colmbar, Basel, Strasbourg and, most significantly, Italy. Dürer's artistic uniqueness resulted from both his keen, and some would say "Northern," sense of observation for realistic detail and his development of a rational system of perspective and bodily proportions. Indeed, in this woodcut Dürer also does a masterful job of representing figures moving through the landscape in a convincing manner. Though art historians frequently praise Dürer's penetrating self-portraits and visually astounding altarpieces, the humanist artist is perhaps best remembere
      [Bookseller: W. Graham Arader III gallery]
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Petrarca Francesco ant 80
   
Librorum Francisci Petrarche impressorum annotatio
      Venetiis per Simonem Papiensem Bivilaquam 1503 Vita Petrarche edita per Hieronymum Squarzaficum Alexandrinum. Epistole rerum senilium. Item epistole (.) eiusdem poete. De ignorantia suiipsius et multorum. Un volume in buonissimo stato di conservazione (fatta eccezione per i gravi difetti alla legatura). Contiene alcuni tra i più importanti componimenti in prosa e in poesia del P., in particolare le Epistole senili, le E. familiari, l’Africa, il Bucolicum Carmen, il De vita solitaria ecc. Dal confronto con la segnatura mancano le cc.: C1,8; E4,5; G4,5; O3,4,5,6; V4,5; X4,5; a4,5; b2,3,4,5,6,7, k2,7; y2,3,6,7. Strappo al taglio davanti dell occhietto, tagli bruniti in modo variabile, ma mai grave. Contiene anche il Bucolicum Carmen commentato da Benvenuto da Imola, con occhietto e colophon (in questo leggiamo "per me Marcum horigono de Venet." e la data, evidentemente errata, 1406). Gore di umido alle ultime cento carte circa. Per richiedere immagini dettagliate vi preghiamo di conttare la nostra libreria
      [Bookseller: Andrea Vallerini Libreria Antiquaria]
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LES CONTENANCES DE LA TABLE.
      [Lyons, Pierre Mareschal & Bernabé Chaussard, c. 1503]. Small 4to, ff. [4], with large woodcut letter 'L', and with woodcut printer's device on title; the first leaf with section of outer margin restored (not affecting text); lightly washed; traces of central, horizontal fold-marks; late 19th-century red crushed morocco, by Lortic. AN EXTRAORDINARY SURVIVAL: A PRECIOUS BOOKLET WITH INSTRUCTIONS ON BEHAVIOUR, MORALS AND TABLE MANNERS FOR CHILDREN, written in verse for easy memorizing in best medieval tradition The copy offered here shows faint signs of earlier folding, indicating it may have been intended as a hand-out, which would account for its extreme rarity today. This is one of several editions printed by Pierre Mareschal and Bernabé Chaussard.

'Issued a few decades after the invention of printing, this French rhymed treatise on table manners is a courtesy book addressed to children of humble as well as noble rank. It has been argued that this is the first printed book (apart from elementary Latin grammars) intended to be read specifically by children. The unknown author of Les Contenances offers his advice in the form of quatrains, each beginning "Enfant ..."' (Pierpont Morgan Library, Early Children's Books and their Illustration p. 32).

'Contenances de table ... sont appelées de ce nom de courtes pièces de vers qui énoncent les règles de la bonne tenue à table (c'est un thème de composition très répandue à la fin du Moyen Âge) et qui, de ce fait, contiennent de précieux renseignements sur la vie privée de ce temps. S'inspirant de poèmes latins médiévaux comme le Liber Faceti, De curialitatibus in mensa conservandis, le Modus cenandi, ces textes sont au nombre de trois: le premier, de soixante vers octosylabiques, composé à la fin du XIIIe, recommande en particulier de penser aux pauvres, de s'essuyer les lèvres avant de boire (il n'y a souvent qu'un verre pour toute la table), de ne pas tremper son morceau de viande dans la salière, de se laver les mains après le repas (la fourchette est encore inconnue) ...; le second, de quarante-sept distiques, dérive du précédent (il mentione la serviette); le troisième, écrit au XVe, comporte trente-sept quatrains que suit une ballade; il emprunte beaucoup au poème no 2, qu'il dilue et amplifie' (Dictionnaire des Lettres Françaises, Le Moyen Age, p. 330). The printed Contenances offered here are of the third version, written in thirty-seven quatrains, and ending with a ballad. Anonymously published, they may originate from the same author, as La doctrine du pere au fils, Le doctrinal d's nouveaux mariez, Le doctrinal des filles, and La voye d'padis. These four opuscules, similar in style, and with the same woodcut printer's device on the title, are found bound together in a Sammelband preserved in the Bibliothèque Impériale.

Enfant se tu es ung yvroigne
Par trop boire il est deshonneste
Et si en as mal en ta teste
Et puis apres honte et vergoigne...

Enfant ce test chose honteuse
Se tu as serviete ou drap
De boire dedans ton hanap
La bouche toute orde et baveuse

Much sought after since the time of publication, a facsimile edition, limited to 35 copies - one printed on vellum - was published in 12mo by Bulmer and Co. for the Roxburghe Club in 1816. Another facsimile, limited to 20 copies, was published in Paris, c. 1850, with a copy being offered in Pierre Berès's catalogue Nourritures of 1991 for Ff 8000.

Baudrier XI 483 (listing a copy at Fribourg); Brunet II 244; Cat. Firmin Didot, 1879, 219; Vicaire 207-8; although ISTC provides several entries, the earliest there being described as 'Lyons, Printer of the Complainte de l'âme damnée, about 1485-90', no certain sequence of editions - none are dated - has been established. A total of six copies - none in the British Library - of the various Paris and Lyons printings are recorded in ISTC: two at Chantilly, two at the Bibliothèque Nationale, Paris, one at the Bodleian Library, Oxford, and one at the Bayerische Staatsbibliothek, Munich; the only American location is Pierpont Morgan Library, New York (the only known copy of the first edition: see Fairfax Murray 106).
      [Bookseller: Bernard Quaritch Ltd.]

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Magninus Mediolanensis
   
Regimen sanitatis.
      Straßburg, Prüss 1503. 19 cm. (4), 105 Blatt (Impressum am Schluß). Moderner Halbpergament-Band mit Rückentitel - VD16 M221 - Durling 3042 - Proctor 9969 - Gambacorta /Giordano 73 - 1482 erstmals erschienenes Diätbuch des Arztes Magninus, der Ende des 14. Jahrhunderts in Mailand lebte. Es gründet sich weitgehend auf Villanova (Jöcher III, 41). Blatt 70ff. enthält "Regule di vino", 24 Regeln über die Verwendung des Weines in der Medizin. Oberrand knapp beschnitten, vereinzelt Paginierung angeschnitten, erste 10 Blatt Feuchtigkeitsränder, Titelblatt kleine Löcher hinterlegt und Besitzeintrag von 1718, vereinzelt alte Marginalien, ohne das letzte (weiße) Blatt - Sprache / Language: Lateinisch / Latin -
      [Bookseller: Wenner Antiquariat]
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Gregor Reisch:
   
Margarita Philosophica: Liber X. Tractatus I: De Potentiis Rerum Naturalium (Naturaliun). Cap. XLI: De partu infantis.
      Freiburg, Johann Schott, citra festum Margarethe 1503.. Einspaltiges O-Postinkunabelblatt (one leaf) mit zwei 3-zeiligen roten Lombarden und einem ganzseitigen Holzschnitt (14 x 9 cm). Blatt mit einem Wurmloch und Eckfaltung. Blattgröße: 15 x 20 cm. Erstausgabe dieser ältesten gedruckten Enzyklopädie.. Selten! Das Werk ist von wenigen Holzschnitte illustriert. Das Blatt zeigt die Waschung des Neugeborenen durch die Hebamme und die Mutter im Bett. Gregor Reisch (1467 - 1525), der Verfasser, war Kartäuserpater (Prior in Freiburg im Breisgau), Gelehrter und Beichtvater von Kaiser Maximilian I. Die "Margarita" war sein Lebenswerk und erlebte von 1503 an rund ein Dutzend Auflagen. Die Holzschnitte wurden z. T. von weiteren Druckern so u. a. in den Ausgaben 1508 (Schott in Basel, Grüninger in Strassburg) und 1515 (Grüniger in Strassburg) wiederverwendet. Die im Holzschnitt dargestellte "Kindswaschung", taucht jedoch nur noch in der zweiten Auflage bei Schott in Freiburg 1504 und 1508 erneut bei Schott, nun jedoch in Basel zum letzten Mal auf. Über hundert Jahre lang zählte sie zu den "libri admissi", zu den vorgeschriebenen Lehrbüchern an den hohen Schulen Deutschlands. Das enzyklopädisch angelegte Werk gliedert sich in zwölf Bücher und umfasst die Sieben freien Künste sowie Naturphilosophie, Naturkunde, Physiologie, Psychologie und Ethik.Das Werk enthält als Universitas literarum das gesamte menschliche Wissen des späten Mittelalters. Das Werk wurde das am weitesten verbreitete Lehrbuch der Philosophie und des enzyklopädischen Wissens für das Studium der Artes Liberales und sollte es auch für mehr als 100 Jahre bleiben. Die Margarita philosophica gilt als die älteste gedruckte Enzyklopädie. The Margarita Philosophica, was well known and widely read. It was the first printed encyclopedia of science and was a very influential book of the early Renaissance period for more than 100 years. The book was edited by Gregor Reisch, (1467-1525) a Carthusian monk and prior of the monastery at Freiburg. Reisch was also confessor to the Emperor Maximilian I.
      [Bookseller: Versandantiquariat Christine Laist]
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Missale Romanum. - Canon
   
Canon sacratissime misse. vna cum Expositione eiusde(me). vbi in primis premittit pulchra contemplatio ante missam hab(n)da de cristi pulcritudine [...]. -
      (Nürnberg, Hieronymus Höltzel, 22.Dez. 1503.). kl.4°. 20 nn.Bl. das letzte weiß. Mit einigen Holzschnitt-Initialen. Das fehlende 1. Blatt mit altem Papier ersetzt: Titel und rückseit. Holzschnitt vorzüglich reproduziert, nur etwas blasser als der Orig.-Druck. Broschur aus Buntpapier des 18. Jahrhunderts. - Sauberes Exemplar mit relativ breiten Rändern (ca. 1,5-meit 2 cm).. Proctor 10973. VD 16, M 5521 mit Nachweis von 2 Expln. (München u. Wolfenbüttel), jeweils "19 Bl.", d.h. ohne das bei uns vorhandene letzte leere Bl., der Lage E. Laut VD 16 stammt der Kommentar von "Balthasar aus Geyer" (?); als zutreffend konnten wir nur den Philosophen und Theologen Franciscus Balthasar aus Meißen ermitteln, der lediglich bei Jöcher I mit einer Kurzbiographie und unserem Titel ohne Jahr erwähnt ist ("lebte noch 1498"). - Zum Drucker, aus dessen Werkstatt 1500-1525 mindestens 85 Drucke hervorgingen, vgl. Benzing ², S. 352. Der anonyme, ganzseitige - bei uns nach dem Wolfenbütteler, dezent kolorierten Expl. reproduzierte - Holzschnitte im Format ca. 17,5x12,5 cm ist als "von künstlerischem Interesse" ausführlich beschrieben bei Muther, Dt. Bücherillustration I, 1163, und zwar nur nach einer weiteren Verwendung bei Höltzel vom Jahre 1506 in J. Andrea"s "Arbor consanguineitatis". Er zeigt "in noch alterthümlich strengem [d.h. gotischem] Stile" den Heiligen Hieronymus mit seinem Löwen, zum Crucifix betend, in einer Landschaft mit Baum, im Hintergrund eine vieltürmige Stadtansicht.
      [Bookseller: Antiquariat Carl Wegner]
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EURIPIDES.
   
Editio princeps, assuring the history of Greek drama: Thomas More made his hero Raphael to give a copy to the Utopians! [Greek text] Tragoediae septendecim [=18], ex quibus quaedam habent commentaria. & sunt hae. Hecuba Orestes Phoenissae Medea Hippolytus Alcestis Andromache Supplices Iphigenia in Aulide Iphigeniae in Tauris Rhesus Troades Bacchae Cyclops Heraclide Helena Ion.
      Venice, Aldus Manutius, February 1503. 2 vols. 8vo. Limp vellum: leaves from a sixteenth-century Spanish manuscript with a large decorated initial painted in blue, red and gold with white pen flourishes on the front cover of the first volume, blue painted edges. With the famous printer's device of Aldus on the last leaf of both volumes, printed throughout in Aldus' beautiful Greek characters. Vol. 1: (268), foliated by a sixteenth-century hand; vol. 2: (190) lvs., including all blanks. The"rare" (Renouard) and "exceptionally important" (Lowry) editio princeps of the eighteen plays of Euripides. Euripides (ca. 480-406 BC) was the last of the three great tragedians of classical Athens, the other two being Aeschylus and Sophocles. Ancient scholars thought that Euripides had written ninety-two plays, although four of those were probably written by Critias. Eighteen of Euripides' plays have survived complete. It is now widely believed that what was thought to be a nineteenth, Rhesus, was probably not by Euripides. Fragments, some of them substantial, of most of the other plays also survive. More of his plays have survived than those of Aeschylus and Sophocles together, partly because of the chance preservation of a manuscript that was probably part of a complete collection of his works in alphabetical order. Euripides is known primarily for having reshaped the formal structure of traditional Attic tragedy by showing strong women characters and smart slaves, and by satirizing many heroes of Greek mythology. His plays seem modern by comparison with those of his contemporaries, focusing on the inner lives and motives of his characters in a way previously unknown to Greek audiences.This very first edition ever of his plays certainly assured the survival of the greater part of Greek history and drama. Only four tragedies had been printed previously: in 1496, in Florence by J. Lascaris.In his preface to Demetrius Chalcondylas on the verso of the title of vol. 1, Aldus surprisingly mentions the number of copies printed of his classical 8vo editions: he prints normally ca. 1000 copies! One of these copies was undoubtedly also among the very suggestive collection of Greeks books which Thomas More made his hero Raphael give to the Utopians: Plate Aristotle, Theophrastus, Plutarch, Homer, Aristophanes, Sophocles and Euripides; all Aldine editions (Lowry, p. 262).This edition contains the plays in the following order: Hecuba (c. 424 BC), Orestes (408 BC), Phoenician Women (c. 410 BC), Medea (431 BC), Hippolytus (428 BC), Alcestis (438 BC), Andromache (c. 425 BC), The Suppliants (c. 423 BC), Iphigeneia at Aulis (405 BC), Iphigeneia in Tauris (c. 414 BC), the spurious Rhesus, Trojan Women (415 BC), Bacchae, the Satyr play Cyclops, Heracleidae (c. 430 BC), Helen (412 BC), Ion (c. 414 BC), and, although not mentioned on the title-page, added at the end of volume 2 the Hercules furens. Not included in this edition was Electra. Good copy with wide margins containing sixteenth-century scholarly Greek annotations on the first ca. 100 lvs.- (Quire NN misbound (NN1,2,4,3,6,5,7,8), some occasional water stains, a few single wormholes skilfully mended). Renouard, p. 43, nr. 10; UCLA 69; Hoffmann II, 68; Adams E-1030; STC Italian p. 239; M. Lowry, The world of Aldus Manutius, p. 142, 145, 151, 262.
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CARRANZA Bartholomaeus.
   
SUMMA OMNIUM CONCILIORUM. A Sancto Pietro usque ad Pium Quartum Ponteficem. Omnibus Sacrae Scripturae studiosis utilissima. Proverb. 8, qui agunt omnia cum Consilio reguntur Sapientiae. Venetiis, Apud Haeredes Petri Deuchini, 1587.
      Opera dedicata a Diego Hurtado Mendoza. Testo latino. Cm.15,8x10,5. Pg.(16), 688 numerate solo al recto. Legatura in piena pergamena molle, con titoli manoscritti al dorso a due nervature. Al frontespizio e al verso dell'ultima carta marca tipografica in ovale, con due ancore unite da nastro e il motto "His suffulta", sovrastata da piccolo ovale con tre gigli e il motto "Sic inclita virtus". Alcuni capilettera ornati. Buoni margini esterni. Bartolomeo Carranza (Miranda sull'Ebro, 1503-1576), Arcivescovo domenicano di Toledo, fu inviato personalmente da Carlo V al Concilio di Trento. Confessore di Maria, moglie dell'Infante Filippo, fu acerrimo rivale di tutte le eresie, e nonostante la sua grande fama cadde in disgrazia al punto di finire i suoi giorni imprigionato. Il presente testo, studio fondamentale sulle dottrine conciliari, è il suo più importante, e fu più volte ristampato. In esso si espongono le eresie protestanti e si affrontano numerosi temi quali stregoneria, magia, superstizione, idolatria, etc. > Moranti, I, 838. ICCU\RMLE\002667, individua lo stampatore in Damiano Zenaro. Manca all'Adams.
      [Bookseller: Studio Bibliografico Pera s.n.c.]
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PETRARCA,Francesco.
   
Opera Latina.Bucolicum carmen..cum commneto Benvenuti imolensis.
      Due parti in un volume in 2° ( 305x205 mm ).Caratteri semigotici al titolo della prima opera,poi lettere romane,una o due colonne,61-62 linee,alla carta a5 all'inizio del De Rebus Familiaribus,grande cornice architettonica,ripresa,con leggere varianti,dal Venezia,Simon Bevilaqua,e Venezia,Marco Origono 1503-1496 ? Incunabula ? Rebus bibliografico.L'Opera latina è sottoscritta e datata 1503,mentre il Bucolicum Carmen ha in fine una sottoscrizione data 1416 certamente errore per 1496.L'ipotesi più accreditata è quella che Marco Origono,che come stampatore avrebbe impresso soltanto quest'opera ed abbia stampato il Bucolicum Carmen nel 1496.Hain,12829;IGI,243;Goff,P,370;Fiske,3 & 4.
      [Bookseller: Studio Bibliografico Pampaloni]
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EURIPIDE;
   
Dix-huit Tragédies [en grec].
      Venise Alde 1503 2 vol. in-8 de 268 ff. n.ch. pour le tome I (les ff. 28, 162 et 238 blancs); 189 sur 190 ff.n.ch. pour le tome II (le f. 82 blanc, le f. 68, blanc aussi manque); demi-peau de truie sur ais de bois (reliure de l'époque pour le tome 1, à l'imitation pour le tome 2). Renouard, pp.43-44. Edition importante donnée par Alde l'Ancien. Elle contient l'édition princeps de 14 pièces sur 18. Medée, Hippolyte, Alceste et Andromaque avaient été imprimées quelques années auparavant par Alopa à Florence; Electre ne sera imprimée qu'en 1534. Bel exemplaire.
      [Bookseller: Librairie Thomas-Scheler]
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Aristotle, pseudo.; Averroes; Avicenna; & Alexandro Achil...
   
Aristotelis Philosophorum Maximi de Secretis secretorum Ad Alexandrum Opusculum. Eiusdem De Regum regimine. Eiusdem de Sanitatis conservatione. Eiusdem de Physiognomia. Eiusdem de signis Tempestatum. Eiusdem de Mineralibus. Alexandri Aphrodisci Clarissimi Perpatetici de Intellectu. Averroys Magni commentatoris de Animae Beatitudine. Alexandri Achillini Bononiensis de Universalibus. Alexandri Macedonis In Septentrione Monarchae de Mirabilibus Indiae ad Aristotelem. [Opuscula varia una cum aliorum tractatibus]
      Venice: Bernardinus Venetus, de Vitalibus [Bernardino Vitale], [c1503.] Folio. A-G4,a-g4. 56ff. 19th c. vellum-backed marbled boards, lacks title-piece; light damp stain in center of t.p. and following leaves and at lower margin; marginal expert restorations (no text affected); numerous contemporary marginalia, some ink stains. 6 large decorated initials. "One of the chief characteristics of medieval literature is the degree to which anonymous and pseudonymous texts were diffused and read. The most striking example is the immense literature in a variety of languages which surrounds Alexander the Great's teacher, the philosopher Aristotle, to whom were attributed many different works with little or no claim to authenticity... Some of the Latin versions are based upon Greek texts already attributed to Aristotle in Antiquity, others derive from Hebrew or Arabic roots, while others again seem to be original Latin works which became attached to the name of Aristotle at some time in their history. The most widely diffused of all these works is the one which bears the Latin title Secretum Secretorum. It enjoyed immense influence and the widest circulation from at least the tenth (and quite probably significantly before) to the seventeenth century, with more localized influence enduring even longer. Not all of the Secretis Secretorum editons published under Aristotle's name contain the tract on mineralogy. In fact, apparently none of the dozen or so incunubula editions appear to include it. The first appearance of the work in a published edition of the Secretis Secretorum occurs in the 1501 edition.[This is a reprint of that edition.] Edited by Alexandri Achillini [see note below], this text contains seven treatises on medicine and philosophy: Secreta secretorum; De signis aquarum, ventorum et tempestatum; De mineralibus; Alexander Aphrodisei de intellectu; Averoes de beatitudine anime; Alexandri Achillini de universalibus and Alexandri Macedonis ad Aristotelem de mirabilibus Indie. Four of these are pseudo-Aristotelian works, which were well known since the 13th century or earlier. The Secreta secretorum is here present in the translation of Philip of Tripoli; the De signis aquarum, ventorum et tempestatum on weather signs, was translated in the 13th century by Bartholomew of Messina; the third work by the pseudo-Aristotle is De mineralibus on gems; the fourth Alexandri Macedonis ad Aristotelem de mirabilibus Indie is a fictitious letter by Alexander the Great to his teacher Aristotle, describing the wonders of India and the East. Three other similar 'Indian tractates' are known, all of them connected with the romance of Alexander the Great at various points in history. All four of them were accepted during the later Middle Ages as reliable literary portraits of the Indians, especially of the Brahmans. They originated in the European culture, and became sources for later tellers and writers of fables. The three remaining treatises in the present work consist of a work by Alexander of Aphrodisias on the intellect, another by Averroes on the beauty of the soul, and a work by Achillini himself on universals. The tract, "De Mineralibus", is based upon a manuscript translation made at the end of the 12th century by Alfred the Englishman [see note below] of Avicenna's work on minerals. The origin of the Secret o f Secrets is veiled in obscurity. All known versions go back to an Arabic original, Kitab Sirr al-'asr, r, of which the earliest extant fragment can be dated A.D. 941. The work itself claims, in the Proem, to have been translated from Greek into Syriac and from Syriac into Arabic by Yahya ibn-al-Bitriq, a well-known ninth-century translator active in the period when the largest number of works was being translated from Greek into Arabic. While it is doubtful, though not impossible, that there was a Greek original, it is clear that the extant versions contain a good deal of Greek material, including a certain amount which derives from genuine Aristotelian doctrine. It also, however, contains much which certainly is traceable to Middle Eastern Islamic sources. In structure the work takes the form of an extended letter from Aristotle to Alexander the Great, which was sent to the king while he was engaged in conquering Persia. It is thus parallel to a number of other extant letters, which purport to be epistolory exchanges between the two eminent figures, of which several exist in Greek. The Secret, as it has come down to us, evidently underwent a long period of gestation. It probably originated as a `Mirror for Princes', a familiar medieval literary form in which a wise man (Aristotle) offers moral and political advice to an eminent political leader (Alexander). It thus contains much specific advice on how the king as handled the many requirements of his office. For example, it deals with how the king is to choose and manage his advisors, what diet he should follow, how he should dress, etc. The Secret, as it has come down to us contains much else besides. Probably through a long period of accretion it gradually became a sort of encyclopedic work comprising, in addition to its original moral and political component, much miscellaneous information on occult and pseudo-scientific subjects. Thus there are sections of astrology, physiognomy, alchemy, and magic, in addition to rather detailed medical sections. All known versions derive from one of two Arabic versions, which are extent in a total of about fifty manuscripts. One of the versions is divided into either seven or eight books and is known as the Short Form in Manzalaoui's classification, while the other is in ten books and is known as the Long Form. It was ultimately translated into many different languages... These versions, both in their Latin form and in the many vernacular translations which came from them, were exceedingly widely read for more than four centuries in many different intellectual contexts. Among the major figures of the High Middle Ages who read the work carefully are Albert the Great and Roger Bacon, who wrote a Latin commentary on the Secret. Owing to its encyclopedic nature it was of interest to readers in many different fields ranging from political theory to alchemy, from physiognomy to popular moral philosophy. Though much work has been done previously on many aspects of the Secret, we have by no means reached the stage where one can confidently place the work with its myriad ramifications in its proper historical context. Because it was transmitted in so many diverse cultures and in so many different linguistic and structural forms, to understand fully its overall historical position is beyond the capabilities of any single scholar. There are many unsolved problems of all sorts, ranging from the work's sources to the precise relationship between the various versions in many different languages. Alessandro Achillini. (Born: Bologna, Italy, 20 October 1463; Died: Bologna, Italy, 1512) Italian philosopher & classical scholar. Achillini studied philosophy and medicine at the university of Bologna, where he became a celebrated lecturer both in medicine and in philosophy. From 1506 to 1508, he also taught at Padua. For his commentaries and editorial work, he was styled the second Aristotle. His philosophical works were printed in one volume folio, at Venice, in 1508, and reprinted with considerable additions in 1545, 1551 and 1568. He was also distinguished as an anatomist. Alfred the Englishman.English translator. Also called Alfred of Sareshel and Alfred Angilicus, was one of the English scholastics who was especially important as a translator of (originally) Greek works from Arabic to Latin. His renderings of Aristotle's works occurred during the late 12th century." [Curtis Schuh] ISTC ia1011200 (1 copy). Reichling 1453. GW II, col 578 (note).Curtis Schuh. Bibliiography of Mineralogy (on-line)9 "Very rare". Not found in Index Aurel., EDIT 16, Adams, STC BM (Ital.),Marshall, Gerlach, Cranz.
      [Bookseller: Krown & Spellman, Booksellers]
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MARTIAL (Marcus Valerius)
   
Epigrammata cum Do. Chalderini ac Geo. Merulae commentariis.
      Impressit Volumen hoc Iacobus Pentius de Leuco Impresorum omnium accuratissimus, s.l. [Venetijs], Die 23 decembris 1503 Anno Leonardi Lauretani.S.Principis altero. in folio (31 x 21,5 cm), 1f. (French title), CLXI, A2-A8 B-T8 V10, seventeeth century brown full calf (restorations on spine ends, joints, leading edges and corners), spine raised on 3 large bands. Very scarce edition of the Martial Epigrams. First of the editions given by the Venetian printer Jacobus Pentius de Leucho, which is printed a few years after that one given by Aldus in 1501. This edition of Aldus was well counterfeited one year later in Lyon. Very few libraries have our edition and very few bibliographers speak about it. The National library in Paris has a copy, British Library own only the second edition published by the same editor in 1510. There is a copy in the Travers Collection of the University library of Sussex. The NUC doesn't mention any copies in the United States but the university library of Illinois acquired one copy in 1988. The Royale library of Belgium has lost its copy. The Epigrams of Marcus Valerius Martialis gather fourteen books containing short poems with moreover, at the head of the work, the 'Liber of Speculis' which depicts spectacles which took place under the Roman emperors Titien and Domitien. The books thirteenth and fourteenth carry separated titles, the first one ' ' Xenia' ' and the other one ' ' Apophoreta' '. The commentators of these works are Domizio Calderini (1446-1478) and Giorgio Merula (1430-1494) about which Erasme speaks with a lot of respect. The first leaf withthe French title carries seventeenth century hand annotations and the upper part of this leave has a paper restoration without loss of text. Some marginal gloses throught the text with browned ink. Each book is decorated with engraved ornemental letter with floral or allegorical patterns. Some letters in the text are accentuated with ink and some sentences are underlined by the same process. Minor worm track on the second leaves after the french title reaching some letters. Typographical mark of J Pentius de Leuco on colophon. Cfr. Panzer II, p. 262. Not in Adams neither in British STC Italian Books, neither STC North American, nor in NUC.
      [Bookseller: Librairie Ancienne Minet Frères]
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Aristotle, pseudo.; Averroes; Avicenna; & Alexandro Achillino.
   
Aristotelis Philosophorum Maximi de Secretis secretorum Ad Alexandrum Opusculum. Eiusdem De Regum regimine. Eiusdem de Sanitatis conservatione. Eiusdem de Physiognomia. Eiusdem de signis Tempestatum. Eiusdem de Mineralibus. Alexandri Aphrodisci Clarissimi Perpatetici de Intellectu. Averroys Magni commentatoris de Animae Beatitudine. Alexandri Achillini Bononiensis de Universalibus. Alexandri Macedonis In Septentrione Monarchae de Mirabilibus Indiae ad Aristotelem. [Opuscula varia una cum aliorum tractatibus]
      Bernardinus Venetus, de Vitalibus [Bernardino Vitale], Venice: [c1503.] Folio. A-G4,a-g4. 56ff. 19th c. vellum-backed marbled boards, lacks title-piece; light damp stain in center of t.p. and following leaves and at lower margin; marginal expert restorations (no text affected); numerous contemporary marginalia, some ink stains. 6 large decorated initials. "One of the chief characteristics of medieval literature is the degree to which anonymous and pseudonymous texts were diffused and read. The most striking example is the immense literature in a variety of languages which surrounds Alexander the Great's teacher, the philosopher Aristotle, to whom were attributed many different works with little or no claim to authenticity. Some of the Latin versions are based upon Greek texts already attributed to Aristotle in Antiquity, others derive from Hebrew or Arabic