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Displayed below are selected recent viaLibri matches for books published in 1494
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Strabo
Inkunabel: De Situ Orbis
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- Geographica, libri XVI 1. Marcinelli-Edition 1. Marcinelli-Edition 332 Seiten Strabo De Situ Orbis Geographica, libri XVI 24.04.1494 Venedig, Johannes Rubeus Vercellensis aus dem Griechischen uebersetzt von Guarinus Veronensis und Gregorius Tiphernas, editiert von Antonius Mancinellus Mit Widmungsbrief an Papst Paulus II. von Johannes Andreas de Buxis. Mit Widmungsbrief an Papst Nicolaus V. und -vorrede an Jacobus Antonius Marcellus von Guarinus Veronensis Widmungsbrief an Justinus Carosius von Antonius Mancinellus, datiert: Venetiis quinto nonas Maias.M.cccc.xciiii 1. Marcinelli-Edition mit Tabula und gedruckten Marginalen einspaltig, 61 Linien 1 Holzschnitt-Initialie auf v8verso - 8 - 8 a--r6 ?6 s--z6 &6 ; 166 Blatt, 332 Seiten Lombarden in schwarz, teilweise (am Anfang des Buches) ausgefuehrt neu gebunden, ca 19 Jhdt. Marmorierter Karton, Buchruecken aus Pergament, Buchruecken von Hand beschriftet (oben Autor und Tit ... [Publisher: Venedig, Johannes Rubeus Vercellensis,]
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Homeliarius doctorum (de tempore et de sanctis. Herausgegeben von Paulus Diaconus).
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Anton Koberger, 30. September Nürnberg, 1494. - Mittelfeld, an den Rändern mit kleiner Tierdarstellung, begleitet von einer vierfachen Bannerdarstellung mit dem Schriftzug "INS". Die ursprünglichen Metallschliessen und Deckelauflagen entfernt. Titel, CCXLI num. Bl., 1 Bl. Tabula, Zwischentitel, CVI Bl., 1 w. Bl. ( a-z8 A-G8 H4 aa-nn8 oo4). Mit einem ganzseitigen Titelholzschnitt nach der Darstellung vom Meister des Veradus. Lederband der Zeit über Holzdeckeln mit reicher Blindprägung mit Blumen- und Zweigmotiven im Klein-4°. Hain/Cop. 8792. - BMC II, 439. - Goff H 318. - BSB H326. - Fünfte Ausgabe, die erste gedruckt bei Koberger. - Die Sammlung von Predigten ist in zwei Teile gegliedert: Nach dem Kalender und nach den Heiligen. Der ganzseitige Titelholzschnitt in 3 Kolonnen zeigt in der Mitte die vereinigten Kirchenlehrer und in den beiden äusseren 2 Reihen zu je 6 kleinen Kästchen die Darstellungen der wichtigsten Kirchengelehrten. - Der Druck durchgehend rubriziert. - Deckel und Text mit, anfangs auch starken, Wurmlöchern, dadurch vereinzelt minimaler Textverlust. Einbandrücken und eine Ecke fachgerecht restauriert.
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Baroja, Pío
Obras Completas: Memorias De Un Hombre De Acción. Vol. II. La Veleta De Gastizar; Los Caudillos De 1830; La Isabelina; El Sabor De La Venganza; Las Furias; El Amor, El Dandismo Y La Intriga; Las Figuras De Cera; La Nave De Los Locos
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MADRID: Fundación José Antonio Fernández de Castro, 2008. New 1494 p. 22x14 cm. This volume is part of the editions of Spanish classical authors from the Middle Ages to contemporary times, from Alfonso X el Sabio and Gonzalo de Berceo to Miguel de Unamuno. They offer high quality, durable volumes in uniform sets. All are based on well recognized standard texts and are edited by expert scholars. Most volumes are illustrated. Standing orders are also welcome. This is now the most extensive standard, uniform edition of classical authors in Spanish, scheduled to have over 500 titles. *** Este tomo forma parte de las ediciones de autores españoles desde la Edad Media hasta el Siglo XX, desde Algonso X el Sabio y Berceo hasta Miguel de Unamuno. Presentan sets con volúmenes de obras completas de alta calidad y durabilidad. Todos los volúmenes están basados en textos autorizados y han sido editados por expertos en la materia. La mayor parte de los tomos están ilustrados. Se aceptand pedidos con envío automáticos de todos los nuevos volúmenes. Estas series ofrecen la colección más extensa en el mercado de obras completas de autores españoles. Con el tiempo sobrepasará los 500 tomos.
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FRANCOIS RABELAIS
OEUVRES DE RABELAIS . Texte collationnée sur les éditions originales. Illustrations de Gustave Doré. En 6 vols.
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- Rabelais, François (1494-1553). Oeuvres [Texte imprimé] texte collationné sur les éditions originales / Rabelais ; illustrations de Gustave Doré. - Paris : M. de L'Ormeraie, 1970. - 6 vol. (266, 199, 244, 280, 221, 264 p.) : ill., cart. ill. ; 29 cm. Reproduction en fac-similé réduit des ill. de l'édition faite à Paris, par Garnier frères, en 1873. - Bibliogr. t. 6, p. 119-133. gravures par Gustave DORE dans et hors-texte - Reliure cuir bordeaux à dos lisse avec importants décors dorés sur plats et dos - toutes tranches dorées - exemplaire numéroté IN8 Bon état
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Rabelais, Francois
Les Oeuvres...Augmentees de la Vie de l'Auteur & de quelques Remarques sur sa vie & fur l'histoire
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[23],488,[10];459,[9]pp., N.P.[Brussels?]:. Modern brown morocco-backed marbled boards,spine with title gilt, new endpapers, bookplates of David Warner Dumas, & Sir Robert Comyn, signature of Rich(ard) Wilson on t.p.s.. N.P.,. First t.p. in red and black, Elzevier sphere device on t.ps. Rabelais (1494?-1553) physician, humorist, satirist, and pioneer of humanism. His Gargantua and Pantagruel were composed over a twenty years and are loosely held together by a narrative thread. They are one of the great works of world literature. This collection also includes his Prognostication Pantagrueline which is a facetious forecast of events in the coming year (published in 1533), and is a parody of the popular almanacs of its kind. This is a facsimile reprint of the Elzevier edition of 1663; the date on the first t.p. is incorrect and should be 1669 as on the second title (Graesse says there are examples with the date corrected). Brunet likens these to 1659 reprints by Adrian Moejens of Amsterdam and Henri Fricae of Brussels; Rahir places it later. Tchemerzine IX,318a. Rahir 3370 "est publiee en France au XVIIIe siecle." GraesseVi,I,7.
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Cicero (Marcus Tullius)
Philippicae Francisci Manturantii enarrationes in Philippicas.
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[Venice: Ioannem de Tridino.] 22 March, , 1494 - early marginalia in first six books, light staining to initial leaves and in one or two other places, a touch of light foxing, ff. [78], folio, [With:] Cicero (Marcus Tullius) [Nine tracts: De natura deorum. De divinatione. De legibus. Academicarum quaestionum. De finibus bonorum & malorum. De petitione consulatus. De fato. De universitate. De somnio Scipionis fragmentum.] [Venice: P. Cristoferum de Pensis, de Mandello (& Philippus Pincius).] 18 March 1494, gatherings a-e and A-D bound before aa-ff (in variance to BMC), early marginalia in five tracts, some just shaved, an old reinforced tear from tail-edge of one leaf through five lines of text with no loss, a short slit in blank margin of six other leaves, a little faint spotting in places, ff. [140], folio, [And:] (Scriptores Rei Militaris.) Sextus Iulius Frontinus. de re militari. Flavius Vegetius. de re militari. Aelianus de instruendis aciebus. Modesti libellus de vocabulis rei militaris [edited by Philippus Beroaldus.] [Bologna: Plato de Boniensis.] 1495-6, lacking last leaf (blank except for register on recto), numerous diagrams composed of type, one wormhole through second half (no loss of sense), joined by a further scattering in final leaves with just a couple of words lost on the last, a little faint staining in a few margins, ff. [97 (of 98)], folio, three works bound together in eighteenth-century diced mid-brown russia, backstrip with six raised bands, second and third compartments gilt-lettered direct, the rest with elaborate gilt tooling of stars, crowns, dots, volutés and other tools, boards with a gilt fillet border and ornate gilt cornerpieces, marbled endpapers, leather cracked at joints (but joints strong), a touch of wear at tail of backstrip, very good Three incunabula bound together, comprising Cicero?s Philippic Orations, the same author?s philosophical works, and a collection of military treatises by Frontinus, Flavius Vegetius, Aelian, and Modestus. The first two works were both printed in Venice in March 1494, the first by Joannes de Tridinus and the second by Christopher de Pensis of Madellus, though two included pieces in the second were probably the work of Philippus Pincus as they use his type. The first book, the Philippic Orations, was edited by Franciscus Maturantius Perusinus, and includes a commentary by him. The second book exists in two variants with different orders of signatures (v. Hain), one with the contents on the verso of leaf a1 and the other with the contents on the verso of GG4; the copy here has the contents on GG4v but is bound in the order of the other issue, so that the contents appear near the end. The third book was printed at Bologna beginning in 1495 (the first two internal colophons are dated 10 July and 16 November of that year) and finishing the following year (the final colophon is dated 17 January 1496). It was edited by Philippus Beroaldus, who based his edition on that of Sulpitius Silber (1487), though with a new arrangement of texts; the Aelian is a Latin translation by Theodorus Gaza. Beroaldus?s arrangement was reprinted in 1505. All three books show some ink marginalia in an early hand. These appear to be mostly finding aids rather than annotations - the majority of the entries simply repeat a significant word or name at the level of the line of text wherein it appears. There are also corrections to the text. (First work: ISTC ic00557000; BMC V p. 528; Bod. C-254; Goff C557; Hain *5139; Proctor 5430. Second work: ISTC ic00570000; BMC V p. 469; Goff C570; Hain *5340. Third work: ISTC is00345000; BMC VI p. 828; Bod. S121; Ebert/Browne 23438; Bib. Spenceriana 532) [Attributes: Hard Cover]
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JUSTINIANO, Lorenzo
Doctrina della vita monastica.
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(Venecia, Bernardino Benalius), 20 de octubre de 1494. En 4º. 114 hojas. 3 grabados en madera a toda página. Encuadernación de finales del siglo diecinueve en pergamino a la romana. Primera edición de este bello y apreciado incunable, de gran estima por sus tres magníficos grabados a toda página en xilografía, representando el primero a San Juan Bautista y a San Pedro sosteniendo un monograma Yhs coronado por la Trinidad y con la inscripción "Hec est summa veritas"; el segundo es un extraordinario retrato del autor inspirado por Gentile Bellini, cuyo cuadro original se conserva en la Academia de Bellas Artes de Venecia; el tercero representa a Santa Magdalena y a San Francisco sosteniendo un monograba de María con la inscripción "Virgo mater, ante partum, in partu, post partum". La obra está adornada además con bellas capitulares.Muy buen ejemplar de este apreciado incunable italiano poco frecuente. En España se registra sólo un ejemplar.Referencias: Hain 9477; Goff J-500; BMC V, 378; Essling 757; IBE 3564 First edition of this appreciated incunabula, famous on account of its three esplendid full-page illustrations. The first woodcut is a full-body portrait of the author, Patriarch of Venice, painted by the master Gentile Bellini. Very good copy bound in late nineteenth century vellum.
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Pulton, Ferdinando, editor.
A collection of sundry statutes, requent in use: with notes in the margent and references to the book cases and books of entries and registers.Together with an abridgement of the residue which be expired, repealed, altered and worn out of use.Also a necessary table, or kalender.
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403,1031, 1381-1494,[68]pp. [Lacks A4, blank, t.p., and prelims], B-4R6, [lacks 4R7-8, 4S-6A6 [pages 1032-1380],6G6-6A6, 6B6-6H8,A-E6,F2 [lacks F3-6 & G1-5. Indicies.] London: - M. Flesher, J. Haviland, and R. Young assignes of J. More, 1636 [1635 in colophon]. Thick Folio. 18th c. calf, lacks front cover, worn, dampstains, some damage to 2 last leaves. As is. Head-pieces, decorated initials Ferdinando Pulton (1536-1618), a Cambridge scholar of Christ's College, was admitted to Lincoln's Inn in 1559 but never called to the bar because he was Catholic. As a result, he employed himself chiefly in editing the statutes and was the first private person to do so. STC 9330. ESTC s121411. Sweet & Maxwell I,555:35. Marvin 595. OCLC 6309267.
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JUSTINIANO, Lorenzo
Doctrina della vita monastica.
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(Venecia, Bernardino Benalius), 20 de octubre de 1494. En 4º. 114 hojas. 3 grabados en madera a toda página. Encuadernación de finales del siglo diecinueve en pergamino a la romana. Primera edición de este bello y apreciado incunable, de gran estima por sus tres magníficos grabados a toda página en xilografía, representando el primero a San Juan Bautista y a San Pedro sosteniendo un monograma Yhs coronado por la Trinidad y con la inscripción "Hec est summa veritas"; el segundo es un extraordinario retrato del autor inspirado por Gentile Bellini, cuyo cuadro original se conserva en la Academia de Bellas Artes de Venecia; el tercero representa a Santa Magdalena y a San Francisco sosteniendo un monograba de María con la inscripción "Virgo mater, ante partum, in partu, post partum". La obra está adornada además con bellas capitulares.Muy buen ejemplar de este apreciado incunable italiano poco frecuente. En España se registra sólo un ejemplar.Referencias: Hain 9477; Goff J-500; BMC V, 378; Essling 757; IBE 3564 First edition of this appreciated incunabula, famous on account of its three esplendid full-page illustrations. The first woodcut is a full-body portrait of the author, Patriarch of Venice, painted by the master Gentile Bellini. Very good copy bound in late nineteenth century vellum.
[Bookseller: Librería José Porrúa Turanzas, S.A.] |
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GIUSTINIANO LORENZO (SANTO) (LORENZO GIUSTINIANI)
TRATTATO DELLA DISCIPLINA ET DELLA PERFETTION MONASTICA, TRADOTTO DAL R. P. DON GREGORIO MARINO CON L' AGGIUNTA DELLA VITA TRADOTTA IN VOLGARE DA M. GIOVANNI GIOLITO DE FERRARI...NELLA QUALE SI DANNO PRECETTI, AVVERTIMENTI...A COLORO CHE DESIDERANO
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VINETIA: GABRIEL GIOLITO DI FERRARII. [GIOLITO-VOLGARE] (cm. 21,4) bella piena pergamena antica restaurata, sguardie antiche.-- pp. 40 , cc. 8 nn., pp. 240 + 1c. con marca tipografica e colophon. Eleganti fregi e capolettera figurati, a carta 8 nn. bella xilografia entro fregi con putti e fiorami. Dedica a Pietro Giustiniano. Prima edizione giolitiana. L' opera è una revisione con varianti della precedente: "Dottrina della vita monastica" stampata a Venezia nel 1494, nonchè dell' altra edizione dei fratelli da Sabio del 1527. A causa della morte del traduttore gregorio Marino, l' opera fu portata a termine dallo stesso tipografo Giovanni Giolito. Rara edizione, manca ad ADAMS e BM. STC. Alcuni antichi segnetti d' inchiostro a pag. 240 e al frontis per celare il precedente ex libris. Altrimenti esemplare molto bello nitido e fresco con una nota manoscritta coeva a pag. 9. BONGI II 292; ARGELATI II 331; CAPPONI 197. . in ottime condizioni. Rilegato. PRIMA EDIZIONE GIOLITIANA. 1569.
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JUSTINIANO, Lorenzo
Doctrina della vita monastica.
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- (Venecia, Bernardino Benalius), 20 de octubre de 1494. En 4º. 114 hojas. 3 grabados en madera a toda página. Encuadernación de finales del siglo diecinueve en pergamino a la romana. Primera edición de este bello y apreciado incunable, de gran estima por sus tres magníficos grabados a toda página en xilografía, representando el primero a San Juan Bautista y a San Pedro sosteniendo un monograma Yhs coronado por la Trinidad y con la inscripción "Hec est summa veritas"; el segundo es un extraordinario retrato del autor inspirado por Gentile Bellini, cuyo cuadro original se conserva en la Academia de Bellas Artes de Venecia; el tercero representa a Santa Magdalena y a San Francisco sosteniendo un monograba de María con la inscripción "Virgo mater, ante partum, in partu, post partum". La obra está adornada además con bellas capitulares.Muy buen ejemplar de este apreciado incunable italiano poco frecuente. En España se registra sólo un ejemplar.Referencias: Hain 9477; Goff J-500; BMC V, 378; Essling 757; IBE 3564 First edition of this appreciated incunabula, famous on account of its three esplendid full-page illustrations. The first woodcut is a full-body portrait of the author, Patriarch of Venice, painted by the master Gentile Bellini. Very good copy bound in late nineteenth century vellum.
[Bookseller: Librería José Porrúa Turanzas S.A.] |
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Briquet, C.M.
Les Filigranes. Dictionnaire Historique Des Marques Du Papier Des Leur Apparition Vers 1282 Jusqu'En 1600. [ 4 Vols, Complete Set ]
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Georg Olms Verlag, Hildesheim, 1977 reprint of 1923 first edition. Background blocking to spine-titles rubbed, otherwise a Fine set. 4 vols, cloth, 8vo, 25 cm, 836 pp, 1494 pp of ills with some 16112 watermarks reproduced. "A standard reference depicting more than 16, 000 watermarks beginning in 1282, when the first one appeared, to 1600. Over a period of twenty-five years, Briquet traveled to more than 200 European libraries and archives to examine paper, and he went blind in the process. Briquet arranged the descriptions alphabetically, using the numbers of his illustrations for references. His notes reveal much about the origins of papermaking in Europe and often provide fascinating information. For example, 'elephant' sheets derive their name not from their size but from the watermark that appeared on them. Later the term came to be associated with this size of paper, regardless of the watermark. Briquet did not examine paper in Spain, Portugal, Scandinavia, or Great Britain, but for the countries covered this is an indispensable resource. "-Rosenblum.
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Dulberg, Franz
Lucas Van Leyden - 1494 - 1533
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A. Schumann's Verlag, Leipzig - Very Good. A section of spine covering torn away; abrading, nicking and chipping to covers; fading to spine. No publication date cited. [Attributes: Hard Cover]
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Y. Pinson
Art History (Outside a Series) Y. Pinson The Fools' Journey. A Myth of Obsession in Northern Renaissance Art
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Brepols Verlag. Art History (Outside a Series) Y. Pinson The Fools' Journey. A Myth of Obsession in Northern Renaissance Art XVII+226 p., 152 b/w ill.+8 colour ill., 220 x 280 mm, 2009, Paperback ISBN 978-2-503-52612-6, EUR 105.00 Available English Text: Tracing the evolution of the newly emerging iconographical patterns of fools and folly, this book sheds light on the original and innovative invention that was an exclusive creation of northern Renaissance art and culture. The novel theme of the fools' journey, as expressed mainly through prints in Germany and later in the Netherlands in the sixteenth century is revealed as an ironical paraphrase, parodying the well established Christian topos, the Pilgrimage of Life or the Pilgrimage of the Human Soul, which offered the believer the opportunity to travel on the road toward redemption. The new mythical image of the fools' journey, however, confronts the contemporary reader/viewer with the image of the fool on his voyage that leads him, instead, to his doomed fate, thereby reflecting a pessimistic world-view. The newly emerging visual vocabulary is considered in relation to analogical contemporary didactic and satirical theatrical performances such as the rederijkers plays, the sotties, and also carnival processions. Proposing a new reading of Sebastian Brant's The Ship of Fools (Das Narrenschiff, Basel 1494), a landmark in the new iconography of the allegorical journey, this study recognizes as well the power of the visual image employed in the woodcuts-illustrations accompanying the treatise as a tool of moral teaching, used as a means of influencing the larger urban audience for whom word and image were sometimes interchangeable. Concomitantly, the divergence between verbal expression and visual language may be seen to define the inherent codes of the visual expressions. It is precisely the gap between literary sources and visualization, the very moment when visual vocabulary crystallizes, and image departs from word creating its own autonomous expression and language, that attracts our attention. The range and diversity of visual material related to the fools' journey topos, addresses a wide spectrum of audiences. This study also takes into consideration the strategies of communicating meanings and values to various publics. Addressing the wider urban public that was not necessarily lettered, notably women, illustrated-books and images were envisaged first of all as didactic tools. In accordance, the painters-engravers attended their public with rather simple visual elaborations that could be easily deciphered. Paintings, drawings, and prints intended for highly cultivated elite circles of urban society, among them works by Albrecht Dürer and Hieronymus Bosch, demanded greater intellectual involvement on the part of the beholder, challenging the sophisticated viewer to re-create a meaningful ensemble out of the various scenes and motifs presented within complex compositions.. 2-503-52612-6 Verlagsfrisch New Copy
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Renouard, A. -A.
Annales De L'Imprimerie Des Alde, Ou Histoire Des Trois Manuce Et De Leurs Editions. Tome Premiere [With] Tome Deuxieme. [ 2 Vols of 3, in 1]
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A. -A. Renouard, Paris, second edition, 1825. Fore-edges untrimmed and slightly duststained, contents mildly foxed on a few leaves but generally very clean, Good. Later cloth, gilt spine-title "Aldes", 8vo, 425, [1], 434, [2] pp, 2 frontispiece portraits. numerous vignettes. From Bigmore & Wyman: "The Annals, executed with all the care, the taste, and the elegance which characterised the editions of Renouard, are divided into two parts. The first, occupying the first volume, supplies accounts: 1. Of the editions of Aldus Manutius, called Aldus the Elder, between 1494 and 1515, the year in which he died, at the age of-seventy years, leaving four sons of very tender years, among them Paul Minutius, then aged three years. 2. Of the editions of Andrew d'Asola and his sons, between 1516 and 1529, the year of his death. During this period the printing-office of Manutius was superintended by Andrew d'Asola and his sons. 3. Of the editions issued under the direction of Paul Manutius in the name of the successors of Aldus from 1533 (the establishment being closed for four years, owing to quarrels between the son and the successors of the founder) up to 1571. Paul Manuce died in 1574. 4. Of the editions produced by Aldus the Younger, from 1572 up to 1597. when the latter died, and the Aldine dynasty came to an end. The first volume of Renouard is closed with an account of editions without date. The second volume contains a preface, the lives of the three Aldi, the privileges accorded to the first Aldus by the Venetian Senate and the Pontifical Sovereigns; a notice of the four Aldine Catalogues, of which the elder Aldus issued three; a notice of the editions of Andrew d'Asola, between 1480 and 1506; a notice of the editions published in Paris by Bernard Turrisan, grandson of Andrew d'Asola, afterwards by Robert Colombelle; a notice of the counterfeits or editions produced in imitation of those of Aldus; a catalogue of Aldine editions, arranged according to subjects; also a list of authors whose works were issued from this press. The book of Renouard is regarded as a model for a similar compilation. " d'Alde Manuce, 1494-1515. André d'Asola, 1516-29. Paul Manuce, 1533-58. --t. 2. Paul Manuce, 1559-78. Alde le Jeune, 1574-98. e´ditions sans date. Livres imprimés pour l'Accademia veneziana. André Torresano d'Asola. Bernard Turrisan. Éditions de Colombel. Imitation[s]. Contrefactions de Lyon. e´ditions Aldines, parordre de matières. Tables des auteurs. Table des contrefactions. Table des éditions sur vélin. Corrections et additions.
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Opera agricolationum. Collumellae: Varronis Catonisquae: Nec non Palladii: cum annotationibus Philippi Beroaldi. A commentariis quae in aliis impressionibus non exant.
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. Folio. 301 (recte 302) Bl. (es fehlt das letzte weisse Blatt). Lederband des späten 17. Jahrhunderts mit goldgeprägtem Rückentitel und reicher Rückenvergoldung.. Scriptores rei rusticae. - -Adams C, 2407. - 2. Ausgabe bei Hector nach 1494, mit dem Kommentar von Philipp Beroaldus (1453-1505). Die klassische Sammlung von römischen Texten zur Landwirtschaft beschreibt die Organisation und die Einrichtung des Gutsbetriebes, die Arbeiten auf dem Feld, aber auch Rezepte und konkrete Anleitungen zum Weinbau u.a. - Sehr schönes breitrandiges Exemplar mit durchgehenden, zeitgenössischen, handschriftlichen Annotationen. Blatt 7 mit einer farbig aquarellierten, heraldischen Darstellung des 16. Jahrhunderts. Blatt 246 verso mit einem längeren (14 Zeilen) handschriftlichen, lateinischen Text. Titel mit alt angesetzter Papierrestauration am Rand. Einband etwas beschabt. 2 kleine Löchlein im Einbandrücken.
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Y. Pinson
Art History (Outside a Series) Y. Pinson The Fools' Journey. A Myth of Obsession in Northern Renaissance Art
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Brepols Verlag - Art History (Outside a Series) Y. Pinson The Fools' Journey. A Myth of Obsession in Northern Renaissance Art XVII+226 p., 152 b/w ill.+8 colour ill., 220 x 280 mm, 2009, Paperback ISBN 978-2-503-52612-6, EUR 105.00 Available English Text: Tracing the evolution of the newly emerging iconographical patterns of fools and folly, this book sheds light on the original and innovative invention that was an exclusive creation of northern Renaissance art and culture. The novel theme of the fools' journey, as expressed mainly through prints in Germany and later in the Netherlands in the sixteenth century is revealed as an ironical paraphrase, parodying the well established Christian topos, the Pilgrimage of Life or the Pilgrimage of the Human Soul, which offered the believer the opportunity to travel on the road toward redemption. The new mythical image of the fools' journey, however, confronts the contemporary reader/viewer with the image of the fool on his voyage that leads him, instead, to his doomed fate, thereby reflecting a pessimistic world-view. The newly emerging visual vocabulary is considered in relation to analogical contemporary didactic and satirical theatrical performances such as the rederijkers plays, the sotties, and also carnival processions. Proposing a new reading of Sebastian Brant's The Ship of Fools (Das Narrenschiff, Basel 1494), a landmark in the new iconography of the allegorical journey, this study recognizes as well the power of the visual image employed in the woodcuts-illustrations accompanying the treatise as a tool of moral teaching, used as a means of influencing the larger urban audience for whom word and image were sometimes interchangeable. Concomitantly, the divergence between verbal expression and visual language may be seen to define the inherent codes of the visual expressions. It is precisely the gap between literary sources and visualization, the very moment when visual vocabulary crystallizes, and image departs from word creating its own autonomous expression and language, that attracts our attention. The range and diversity of visual material related to the fools' journey topos, addresses a wide spectrum of audiences. This study also takes into consideration the strategies of communicating meanings and values to various publics. Addressing the wider urban public that was not necessarily lettered, notably women, illustrated-books and images were envisaged first of all as didactic tools. In accordance, the painters-engravers attended their public with rather simple visual elaborations that could be easily deciphered. Paintings, drawings, and prints intended for highly cultivated elite circles of urban society, among them works by Albrecht Dürer and Hieronymus Bosch, demanded greater intellectual involvement on the part of the beholder, challenging the sophisticated viewer to re-create a meaningful ensemble out of the various scenes and motifs presented within complex compositions.
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Strabo
Inkunabel: De Situ Orbis
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. Good -Geographica, libri XVI 1. Marcinelli-Edition 1. Marcinelli-Edition 332 Seiten Strabo? De Situ Orbis Geographica, libri XVI 24.04.1494 Venedig, Johannes Rubeus Vercellensis aus dem Griechischen uebersetzt von Guarinus Veronensis und Gregorius Tiphernas, editiert von Antonius Mancinellus Mit Widmungsbrief an Papst Paulus II. von Johannes Andreas de Buxis. Mit Widmungsbrief an Papst Nicolaus V. und-vorrede an Jacobus Antonius Marcellus von Guarinus Veronensis Widmungsbrief an Justinus Carosius von Antonius Mancinellus, datiert: Venetiis quinto nonas Maias.M. cccc. xciiii 1. Marcinelli-Edition mit Tabula und gedruckten Marginalen einspaltig, 61 Linien 1 Holzschnitt-Initialie auf v8verso 8 8 a--r6? 6 s--z6 &6; 166 Blatt, 332 Seiten Lombarden in schwarz, teilweise (am Anfang des Buches) ausgefuehrt neu gebunden, ca 19 Jhdt. Marmorierter Karton, Buchruecken aus Pergament, Buchruecken von Hand beschriftet (oben Autor und Tit...
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GERSON JOANNES
Opera. Secunda Pars (di 3). Ed. Peter Schott et Johann Geiler. Kaysersberg
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Strasburg: Martin Flach, 13 Decembris 1494.. [Incunabolo] (cm. 30) legatura del XVIII secolo in mz. vitello, dorso a tre nervi. Difetti lievi e abrasioni ai margini. E' solo la seconda parte di questa celebre opera assai rara a trovarsi completa e posseduta in parti separate da varie biblioteche. interessante frammento di sole 187 carte non numerate (di 258). Caratteri gotici, spazi per lettere capitali, testo a due colonne con 53 linee. Manca a tutta la parte finale da FF3 a NN8, inoltre manca A1,A2,H2,K5,M6,M7,N1-5,CC8,DD1. Alcuni forellini di tarlo interessano tutto il volume, ma in gran parte sono stati ottimamente restaurati e poco visibili. altrimenti bell' esemplare fresco, nitido e con buoni margini. Edizione poco comune, Sander registra solo due vendite e manca a vari grandi cataloghi come Rosenthal di Monaco (1900), Olschki "Monumenta", Olschki "Incunabula", Maggs, Quaritch ecc. * Hain 7625; * Gw 10717; * Goff G 189; * I.g.i. 4241; * Oates 255; * Pellechet 5128; * Proctor 698; * Bmc I 152. Manca ad Harvard. . in ottime condizioni. Rilegato. 1494.
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BURGASSI, Antonio Cesare & Jacopo MORELLI).
Most valuable early bibliography of the Aldine Press, Serie dell'edizioni Aldine per ordine cronologico ed alphabetico. Seconda edizione con emendazioni e giunte.
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Pietro Brandolese, 738FX11SL76E, Padova, - 12mo. Contemporary wrappers with handwritten title label pasted on spine. With woodcut vignette on title. (8), 182, (1) pp. Important and very early chronological survey of the editions published by the Aldine Press (1494-1595). It is one of the very few early bibliographies on the output of a publishing house, the more interesting as it regards the famous Aldine Press of Aldus Manutius and his sons at Venice.The exhibition catalogue of the Grolier club, Bibliography. Its history and development (1984), describing the standard bibliography of the Aldine Press by A.A. Renouard, Annales de l'imprimerie des Alde, ou histoire des trois Manuce et de leurs éditions (3rd ed., Paris 1834), mentions Burgassi's bibliography with honour: "Although it (Renouard) had eighteenth-century precursors, these were of little value, except perhaps for Antonio Cesare Burgassi's Serie dell'edizioni Aldine (Pisa 1790), especially in its second edition, by Jacopo Morelli (Padua 1790)" (= the copy offered by us). An appendix by Santo Fattori was published in Padove, Pietro Bandolese,1803 and in the same year a third edition appeared in Florence, edited by F.L. Baroni. Fine uncut copy. Besterman, Early printed books 1644; Breslauer & Folter Bibliography. Its history and development (Exhibition, Grolier Club 1984) 115; Ahmanson-Murphy , The Aldine Press 1185A; Renouard, Annales, Introd. [Attributes: Hard Cover]
[Bookseller: Antiquariaat FORUM BV] |
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JUSTINIAN, Emperor of the East
Digestum novum
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Venice: Bernardinus Stagninus de Tridino. 1494. Modern half vellum Folio . Rare edition of the "Corpus Juris Civilis"; not in American libraries, the BMC, Italy, etc. Includes the Glossa Ordinaria by Accursius Florentinus and the Summaria by Bartolus de Saxoferrato and Paulus de Castro with enlargements by Hieronymus Clarius (?).#11;The volume, part of which has been subject to some expert repairs, and although some text has been affected it is a complete copy as well as an impressive, and monumental (16 1/2 x 11 1/4 inches) piece of printing; printed in red and black throughout.#11;"The most enduring work of Justinian was his codification of the laws. ... The great empire he was reconquering must have the strength of organized unity. He says in the edict of promulgation of his laws that a state rests on arms and law ("De Justin. Cod. Confirmando", printed in front of the codex). The scattered decrees of his predecessors must then be collected in a well-ordered and complete codex, logically arranged, so that every Roman citizen could learn at once the law of the empire on any subject. This codification was Justinian's great work. He made many new laws himself, but his enduring merit is rather the classification of scattered older laws. ...#11;So the immortal "Corpus Juris Civilis" was produced, consisting of four parts: (a) Digestae seu Pondecta, (b) Institutiones, (c) Codex, (d) Authenticum seu Novellae (an excellent account of its composition is found in Bury's Gibbon, ed. Cit., IV 461-510). It would be difficult to exaggerate the importance of this "Corpus". It is the basis of all canon law (ecclesia vivit lege romana), and the basis of civil law in every civilized country" (Catholic Enc.; New Advent) 308 (of 310 leaves; lacking the last 2 blank leaves). Title printed in red; printed in red and black throughout; gothic type; double column; 70 to 82 lines; woodcut printer's device (Husung 214) printed in red at the end. Extensive expert repairs to the first two leaves which only affect a few letters; about a dozen leaves in the first part of the volume have a brownish coffee color stain (occasionally large but not affecting the legibility of the text); from leaf 147 to the end of the volume at the top inner margin a small round hole has been repaired with some loss of text; mildew stain in blank margins towards the end of the volume (stabilized); blank corner margins of last two leaves repaired (affect a few words on last leaf); few neat tear repairs. ! Hain 9592; GKW 7718 (only 22 copies located); BSB C-592
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STRABO
Geographia. Translated by Guarinus Veronensis and Gregorius Tiphernas. Edited by Antonius Mancinellus
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[Colophon on &6r:] [Venice]: Joannes (Rubeus) Vercellensis, 24 April 1494., 1494. folio. 310 x 215 mm. ff. [16], cl. 61 lines & headline. roman & Greek type. initial spaces. old bds. covered with marbled paper (some chipping to spine, a few early ms. notes & measurements in margins, repairs to upper & lower margins of final leaf with partial loss of one word, a few small wormholes in the last few leaves, some light dampstaining). The First Edition to be Edited by Antonio Mancinello. The previous four editions, the first of which was printed by Sweynheym and Pannartz at Rome in 1469 (Goff S793), were all edited by Giovanni Andrea, Bishop of Aleria. Mancinello's dedication of his table is dated 'quinto nonas Maias. M.cccc.xciiii', eleven days later than the colophon, which presumably accounts for the duplication of the title. In his second edition of 28 January 1494/5 (Goff S798), the printer replaced the second title with some Latin verses. "A geographical encyclopaedia written for the information of government officials and travellers and containing much regarding the customs and usages of various countries that is of technological interest. For instance, it describes the marble quarries of Carrara, the mining of vermilion in Spain, and the use of rock salt deposits there. It mentions the raising of the water by means of Archimedean screws. It describes the use of asphalt for building-blocks and in liquid form as a water-proofing agent - a product made from a bitumen seepage in Babylonia. It speaks of trade in bitumen, a product of the petroleum family, and discusses dyes, use of pitch in sealing the cracks in Celtic beer barrels, and the fact that Spanish wine will keep." (Stillwell, The Awakening Interest in Science during the First Century of Printing 1450-1550) BMC V 418. Goff S797. Hain-Copinger *15090. Howgego S178. Klebs 935.5. Polain (B) 3626. Proctor 5135. cfStillwell 893 (1st Edn.).. 1st Edition. Hardcover. Very Good.
[Bookseller: D & E Lake Ltd. (ABAC, ILAB)] |
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Strabo
Inkunabel: De Situ Orbis
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- Geographica, libri XVI 1. Marcinelli-Edition 1. Marcinelli-Edition 332 Seiten Strabo De Situ Orbis Geographica, libri XVI 24.04.1494 Venedig, Johannes Rubeus Vercellensis aus dem Griechischen uebersetzt von Guarinus Veronensis und Gregorius Tiphernas, editiert von Antonius Mancinellus Mit Widmungsbrief an Papst Paulus II. von Johannes Andreas de Buxis. Mit Widmungsbrief an Papst Nicolaus V. und -vorrede an Jacobus Antonius Marcellus von Guarinus Veronensis Widmungsbrief an Justinus Carosius von Antonius Mancinellus, datiert: Venetiis quinto nonas Maias.M.cccc.xciiii 1. Marcinelli-Edition mit Tabula und gedruckten Marginalen einspaltig, 61 Linien 1 Holzschnitt-Initialie auf v8verso - 8 - 8 a--r6 ?6 s--z6 &6 ; 166 Blatt, 332 Seiten Lombarden in schwarz, teilweise (am Anfang des Buches) ausgefuehrt neu gebunden, ca 19 Jhdt. Marmorierter Karton, Buchruecken aus Pergament, Buchruecken von Hand beschriftet (oben Autor und Tit ... [Publisher: Venedig, Johannes Rubeus Vercellensis,]
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MAUROLICO FRANCESCO.
Ritratto del matematico a inchiostro.
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primo quarto del XVII secolo., Italia - Bifoglio di mm 260x205. Fine ritratto di profilo di Maurolico in panni monacali, incoronato da alloro. A piè di pagina è presente una nota manoscritta coeva, che recita (in traduzione): "Francesco Maurolico o "Marulo" di Messina, abate del Santo Ordine Benedettino, matematico celeberrimo".Francesco Maurolico (1494-1575) fu un importante matematico siciliano: intuì e sviluppò il principio di induzione matematica, studiò metodi per la misurazione della Terra, fece varie osservazioni astronomiche, fornì le carte geografiche alla flotta cristiana in partenza da Messina per la Battaglia di Lepanto e collaborò alla realizzazione di alcune opere architettoniche; vasta fu la sua ricerca in molte discipline scientifiche, e corpose la sua opera manoscritta e le pubblicazioni a stampa.Estratto da un'opera non conosciuta (la pag. del ritratto, infatti, reca il numero 149). Ottimo stato di conservazione. Leggero alone nell'angolo inferiore sinistro.
[Bookseller: libreria antiquaria perini] |
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MISSA BEATAE VIRGINAE, et aliae Orationes.
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Bologna (?), Italy; after 1494. 12mo 66x95mm. Illuminated manuscript on vellum. Ff. [ii]145 [ii], fol.31 with full page illumination depicting the Virgin and the Infant Christ within fullpage border, scrolling decoration at head and foot on a red and green ground, urns and flowers with jewels and pearls on a deep blue ground, text slightly worn, shield at foot azur an eagle or with initials N.M., fol.66 with elaborate illuminated 5-line D with stave of flowers, leaves, scrolls, jewels and pearls on crimson, blue and gold grounds, one-line crosses in red and blue. In Rotunda Italiana script, 11 lines per page, in Latin, some rubrics in Italian towards the end. 2-line liquid gold illuminated letters on red, blue and green grounds with scrolling decoration, initial letters with traces of gold, partially rubricated. Text slightly faded in places on hairside only. Occasional slight marginal soiling, oil-stain to blank outer corner of last three leaves. Generally very good and clean in early 19th C black morocco, panel stamped with the Malpassuti (di Tortona) (?) arms and quadruple-ruled in blind. Title and ex libris of Isabella Sofia Commercati (c.1800) added to the recto and verso of the first and last leaves respectively. Light blue watered silk endpapers with bookplates of Pamela and Raymond Lister and Michael Tomkinson, a.e.g. In folding box. A charming pocket-sized liturgical work, apparently not corresponding to any of the principal liturgical books. Ff 1-19 contain a calendar of saints. The only irregular Saints appearing here are Saint Petronius, indicating a Bolognan provenance, Mark the Evangelist and the apostle Barnabas. Ff 20-51v comprise the Mass of the Virgin. The Confiteor, Misereatur and Blessing are followed by the Pericopes arranged in chronological order (John 1, 1-14; Luke 1, 26-37; Matthew 2, 1-12; Mark 16, 14-20). The striking and colourful fullpage illumination marks the start of the Mass of the Virgin. It opens with psalm 44, before moving onto a farced Gloria with additional tropes specifically for the Marian mass, a collect, epistle, gradual, the Nicene Creed, Ave Maria, Eucharistic prayer II, the Preface of Mary, Sanctus, Agnus, Benedictus, Salve Regina, the Marian antiphons, Psalm 90, prayers of Saint Augustine, and on the Passion. Ff 51v-81 contains the prayers of St Brigit on the passion of Christ and 81v-85 of St. Anselm. Ff 86-134 contain the seven penitential psalms and litanies beginning with a lovely elaborate illuminated letter, then follow prayers of St Bernard from ff 135-138r. Ff 138v to the end give the prayers used at the Lateran Basilica in Rome and for papal indulgences. Originally written for 'Jacopo,' whose name appears several times in the text in the same hand, reference to St Anselm, if the Archbishop of Canterbury, dates the book to after 1494, when Anselm was canonized by Pope Alexander VI. The small size of the book indicates private use, albeit at public celebrations, and the arms and initials within the fullpage illumination a lay origin. The clear and elegant calligraphy - the very regular rotunda script indicating a high-end scribal production for a wealthy patron - and style of illumination point towards by the circle of the famed calligrapher Sallando - though this is not his hand - and the illuminator Marmitta, both of whom were working in Bologna from the last decade of the 15th century, and who made use of a palette of strong, dark colours and foliage. The N.M. monogram at the foot may indicate an earlier member of the Malpassuti family.While we have been unable to trace the Comercati family, the Malpassuti family originate from Tortona in Lombardy. L883
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Albertus Magnus
Physica. Mit Holzschnitt-Druckermarke am Ende.
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Venedig, Johannes und Gregorius de Gregoriis, 31. Januar 1494. Neuer Ldr. unter Verwendung von goldgepr. Deckeln d. 17. Jhs. Folio. 3 (st. 4) nn., 124 num. Bll. Got. Type, 2 Spalten, 65 Zeilen. - GW 717. - Hain/Cop. (Add.) 519. - Goff A 300. - BMC V, 346. - BSB A-163. - Polain (B) 71. - Klebs 24.2. - Husung 161 und Kristeller 227.II (Druckermarke). - Zweite Ausgabe (von insges. zwei Ausg. im 15. Jh.), erschien erstmals 1488/89 ebenfalls bei Johannes und Gregorius de Gregoriis. - Das aus Forli stammende Brüderpaar druckte gemeinsam von 1480 bis 1505 in Venedig, vor allem juristische, medizinische und philosophische Werke für den Universitätsgebrauch. Ihre Drucke zeichnen sich durch Eleganz und Ausgewogenheit des Druckbilds aus. "Albert's principal importance for the history of modern science derives from the role he played in rediscovering Aristotle and introducing Greek and Arabic science into the universities of the Middle Ages ... Albert's early identification as a precursor of modern science undoubtedly stemmed from his empiricist methodology, which he learned from Aristotle but which he practised with a skill unsurpassed by any other Schoolman ... He stated that evidence based on sense perception is the most secure and is superior to reasoning without experimentation. Similarly he noted that a conclusion that is inconsistent with the evidence cannot be believed and that a principle that does not agree with sense experience is really no principle at all" (DSB). - Ohne das Titelblatt. - Erste 7 Bll. mit restaur. Randschäden, tlw. etw. wasserrandig, vereinz. alte Marginalien und wenige mit Feder eingezeichnete Initialen. Die ursprüngliche Bindung (u. Schnittkanten) des Buchblocks beibehalten. - - Second edition (first 1488/89) of only 2 editions in 15th century. With woodcut printer's device at end. New calf using 17th cent. boards with fillet and gilt laurel vignette (initial inner binding and edges preserved). - Lacking the title. First 7 leaves with restored marginal defects, partly some waterstaining, few old marginalia and painted initials in pen.
[Bookseller: Ketterer Kunst GmbH, vorm. F. Dörling Gm] |
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JUSTINIAN, Emperor of the East
Digestum novum
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Bernardinus Stagninus de Tridino Venice 1494 Modern half vellum Folio . Rare edition of the "CorpusJuris Civilis"; not in American libraries, the BMC, Italy, etc. Includes the Glossa Ordinaria by Accursius Florentinus and the Summaria by Bartolus de Saxoferrato and Paulus de Castro with enlargements by Hieronymus Clarius (?). The volume, part of which has been subject to some expert repairs, and although some text has been affected it is a complete copy as well as an impressive, and monumental (16 1/2 x 11 1/4 inches) piece of printing; printed in red and black throughout. "The most enduring work of Justinian was his codification of the laws. ... The great empire he was reconquering must have the strength of organized unity. He says in the edict of promulgation of his laws that a state rests on arms and law ("De Justin. Cod. Confirmando", printed in front of the codex). The scattered decrees of his predecessors must then be collected in a well-ordered and complete codex, logically arranged, so that every Roman citizen could learn at once the law of the empire on any subject. This codification was Justinian's great work. He made many new laws himself, but his enduring merit is rather the classification of scattered older laws. ... So the immortal "Corpus Juris Civilis" was produced, consisting of four parts: (a) Digestae seu Pondecta, (b) Institutiones, (c) Codex, (d) Authenticum seu Novellae (an excellent account of its composition is found in Bury's Gibbon, ed. Cit., IV 461-510). It would be difficult to exaggerate the importance of this "Corpus". It is the basis of all canon law (ecclesia vivit lege romana), and the basis of civil law in every civilized country" (Catholic Enc.; New Advent) 308 (of 310 leaves; lacking the last 2 blank leaves). Title printed in red; printed in red and black throughout; gothic type; double column; 70 to 82 lines; woodcut printer's device (Husung 214) printed in red at the end. Extensive expert repairs to the first two leaves which only affect a few letters; about a dozen leaves in the first part of the volume have a brownish coffee color stain (occasionally large but not affecting the legibility of the text); from leaf 147 to the end of the volume at the top inner margin a small round hole has been repaired with some loss of text; mildew stain in blank margins towards the end of the volume (stabilized); blank corner margins of last two leaves repaired (affect a few words on last leaf); few neat tear repairs. § Hain 9592; GKW 7718 (only 22 copies located); BSB C-592
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La France,Robert G.
Bachiacca.: Artist of the Medici Court.
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Leo S. Olschki, Firenze 2008 - Fondazione Carlo Marchi - Studi Volume: 24.00.00 cm. 22,5 x 30, xii-462 pp. con 144 tavv. f.t. di cui 64 a colori. Rilegato (Hardcover). English Text. abstract: Francesco dUbertino Verdi (1494-1557), detto Bachiacca, produsse per la corte medicea opere darte sfarzose che combinavano la creatività figurativa italiana con lo stile paesaggistico nordeuropeo. Questo ampio studio affronta i vari generi dellopera di Bachiacca e dimostra che, al contrario di quanto sostenuto dalla storiografia darte, fu un gusto cosmopolita e non solo unambizione nazionalista ad ispirare la cultura pittorica del 500. Il volume include un catalogo ed unappendice documentaria. Francesco dUbertino Verdi (1494-1557), nicknamed Bachiacca, provided the Medici court and privileged Florentine patrons with opulent works of art that combined the figural inventiveness of Italian artists with lush northern European landscapes. This comprehensive study of Bachiaccas work in all media explicates the artists distinctive, hybrid style and demonstrates that cosmopolitan tastes, not nationalist narratives, inspired the vibrant pictorial culture of Renaissance Florence. It includes a catalog and documentary appendices. abstract: Francesco dUbertino Verdi (1494-1557), nicknamed Bachiacca, provided the Medici court and privileged Florentine patrons with opulent works of art that combined the figural inventiveness of Italian artists with lush northern European landscapes. This comprehensive study of Bachiaccas work in all media explicates the artists distinctive, hybrid style and demonstrates that cosmopolitan tastes, not nationalist narratives, inspired the vibrant pictorial culture of Renaissance Florence. It includes a catalog and documentary appendices. Weight gr. 800
[Bookseller: Libreria già Nardecchia s.r.l.] |
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JUSTINIAN, Emperor of the East
Digestum novum
|
Bernardinus Stagninus de Tridino, Venice 1494 - Modern half vellum Folio . Rare edition of the "Corpus Juris Civilis"; not in American libraries, the BMC, Italy, etc. Includes the Glossa Ordinaria by Accursius Florentinus and the Summaria by Bartolus de Saxoferrato and Paulus de Castro with enlargements by Hieronymus Clarius (?). The volume, part of which has been subject to some expert repairs, and although some text has been affected it is a complete copy as well as an impressive, and monumental (16 1/2 x 11 1/4 inches) piece of printing; printed in red and black throughout. "The most enduring work of Justinian was his codification of the laws. . The great empire he was reconquering must have the strength of organized unity. He says in the edict of promulgation of his laws that a state rests on arms and law ("De Justin. Cod. Confirmando", printed in front of the codex). The scattered decrees of his predecessors must then be collected in a well-ordered and complete codex, logically arranged, so that every Roman citizen could learn at once the law of the empire on any subject. This codification was Justinian's great work. He made many new laws himself, but his enduring merit is rather the classification of scattered older laws. . So the immortal "Corpus Juris Civilis" was produced, consisting of four parts: (a) Digestae seu Pondecta, (b) Institutiones, (c) Codex, (d) Authenticum seu Novellae (an excellent account of its composition is found in Bury's Gibbon, ed. Cit., IV 461-510). It would be difficult to exaggerate the importance of this "Corpus". It is the basis of all canon law (ecclesia vivit lege romana), and the basis of civil law in every civilized country" (Catholic Enc.; New Advent) 308 (of 310 leaves; lacking the last 2 blank leaves). Title printed in red; printed in red and black throughout; gothic type; double column; 70 to 82 lines; woodcut printer's device (Husung 214) printed in red at the end. Extensive expert repairs to the first two leaves which only affect a few letters; about a dozen leaves in the first part of the volume have a brownish coffee color stain (occasionally large but not affecting the legibility of the text); from leaf 147 to the end of the volume at the top inner margin a small round hole has been repaired with some loss of text; mildew stain in blank margins towards the end of the volume (stabilized); blank corner margins of last two leaves repaired (affect a few words on last leaf); few neat tear repairs. § Hain 9592; GKW 7718 (only 22 copies located); BSB C-592.
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BADISCHE COMPANY
SUBSTANTIVE DYESTUFFS ON COTTON PIECE-GOODS
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2. BADISCHE COMPANY. SUBSTANTIVE DYESTUFFS ON COTTON PIECE-GOODS. New York: Badische Company [n.d. ca. early 20th century]. 12 pp. + 12 pp. stiff card pages with 256 numbered small dyed cloth samples, all different colors. 8vo., green cloth stamped in gilt and blind. "1494" in gilt on front cover. Moderate shelfwear to boards at edges and corners, spine frayed, paper label on spine. Light soil/rubbing to title page, text. Sample pages are interleaved with glassine, some of which is chipped. Very good overall, with samples labeled as to process.
[Bookseller: Boston Book Company] |
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Versor, Johannes
Questiones magistri Johannis versoris super metaphisicam Arestotelis cu[m] textu eiusdem
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[Cologne: Heinrich Quentell, not after 1 November 1494]. Folio, 10.25 x 7.5 inches. Second edition. a-i6, k4, l-v6. 118 leaves. The first few leaves require marginal paper repairs. The binding is seventeenth century Italian parchment. The title is inscribed with some verses from OvidOs Tristia. . OIn the arts faculty the Aristotelian commentaries of Johannes Versor, especially on the Metaphysics, written in Paris in the mid-fifteenth century, [provided an up-to-date textbook version of AristotleOs work] summarizing AristotleOs teaching on the natural world from a Thomist perspective. [E] Later theologians, such as the Heidelberg professor Johannes Wenck, the opponent of Nicholas of Cusa, and Johannes Versor in mid-century Paris, would fall back on the Thomist idea that human knowledge was grounded in sense-perception, and permitted some degree of knowledge of God, or natural theology; but they would reach their position in full awareness of the alternative solutions to the problem of essence and existence, and of the relation of possible to actual worlds. Underlying the more or less unsatisfactory solutions to these problems posed in the century from 1350 to 1450 was a slow change in the conceptus entis, the concept of ObeingO itself. Scotus had adumbrated a more dynamic notion of ObeingO by grounding it in the causal principle of the divine will: God impart to creation a vestige of his own creativity and freedom. A notion of OensO which embraced both creator and creation must imply some hierarchy or scale of Obeing,O which in turn opened the possibility of applying to it the measure of language of intention and remission developed in the course of the century by Thomas Bradwardine, Nicolas Oresme and others to describe variations of heat, velocity and other qualities.O (Quoted from Hebrew Bible Old Testament, by Magne Saebo.) For more on Versor see the Cambridge History of Renaissance Philosophy. #11;
[Bookseller: James & Devon Gray Booksellers] |
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RABELAIS, François.
Oeuvres de Maitre François Rabelais Édition Collationée sur les Textes Originaux
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Delarue, Libraire-Éditeur 6139, Paris - Quarter brown morocco over marbled boards, spine lettered and ruled in gilt, titles printed in red and black. Some rubbing to extremities and wear to corners, foxing throughout, but still a very good set. Francois Rabelais (1494-1553) was an important French Renaissance doctor and writer. He is primarily known for his satires, fantasies, and bawdy humor. His best known work is Gargantua and Pantagruel, a satirical story about two giants, filled with bawdy humor, vulgar insults, and amusing adventures. Six octavo volumes. [iv], 212; [iv], 187; [iv], 244; [iv], 281; [iv], 198; [iv], 218, [2] pp., including index in each volume. Title in red and black, with woodcut printers device; woodcut chapter initials, head- and tail-pieces.
[Bookseller: Dragon Books] |
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Lancelot Du Lac. [Arthurian Romance]
Le Premier (& Second) Volume De Lancelot Du Lac Nouvellement Imprime a Paris
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Anton Verard, 1494, 1 July. Folio. 2 (of 3) vols. 310 x 216mm. [a6] b-z8, A-G8, H6, I4; aa4, bb-zz8, sign reversed 2r1, sign reversed 2c4. [Lacks bb1 blank] [12], 242ff=484; [8], [2]-186 (of 187 without last blank)ff=370pp Second Verard Edition. 18th c, 1/2 calf over brown paste-paper boards, rubbed; Mildew & dampstains at ends; verso of Vol I t.p. reinforced; folios H3-I4 of Vol I defective and remargined at top with loss of some text on H6-I4; old repairs to corners or gutters of 1st & final quires of Vol II (no text loss); old owner's inscription on recto offirst leaf of volume 1 and t.p. of volume 2: Joachim, Graf Furstenberg dated 1599. The Donaueschingen Library copy. 45 lines & headling; double column; type 12: 106B. With woodcut title page with xylographic initial [Macfarlane LXII] with calligraphic flourishes & grotesque faces & 19 woodcuts (6 repeats) [Macfarlane XXVIII & XXIX]; numerous white on black, black lombard and other woodcut initials with calligraphic flourishes and grotesques. The great Vulgate Prose Lancelot was written in the thirteenth century and expanded on Chretien de Troyes' version of the Arthurian tale. It tells of Lancelot's boyhood, his adventurous growth to manhood, his enrapture with Guenevere and his meeting with the Lady of the Lake. It continues with his search for the Grail and his eventual learning that only his son Galahad could complete his quest. The Morte D'Arthur appears did not appear until the third volume printed by Verard in 1502. “ Anthoine Vérard dominated French book production in Paris from 1485 to 1512, a critical period in the shift from manuscript to print. Although he defined himself invariably as a “ humble bookseller, ” this modest epithet belies the gargantuan scale of his enterprise, for during his career he issued more than 300 editions. Even more remarkable than their sheer number, however, is their visual splendor, for Vérard was the “ father of the French illustrated book. ” [Mary Beth Winn, Verard. ]
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STRABO
De Situ Orbis. Geographia, libri XVI, trans. a Guarinus Veronensis & Gregorius Tiphernas
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"(F. &6 recto, colophon:) ""Strabonis Amasini Scriptoris illustris geographiae opus finit; quod Ioannes Vercellensis… diligentia imprimi curavit. Anno Salutis M.cccclxxxxiiii"".[Venezia], Joannes (Rubeus) Vercellensis, 24 Aprile 1494, in-folio (mm 314 x 209), ff. 166, numerati dal 18 al 166 come II-CL (*8, 2*8, a-r6, *6, s-z6, &6); bella legatura settecentesca in piena pergamena, sul piatto anteriore super libros di Carlo Giacinto Caissotti di Chiusano (collezione andata dispersa alla sua morte nel 1831), dorso con tit. su tassello colorato, capitelli passanti, tagli tinti di blu. Testo in car. rom. e grec. su una colonna di 61 ll. Lettere guida segnano l'incipit delle varie parti del testo, una sola iniziale silografica al f. 2*8v. Si tratta della traduzione latina, edita da Antonius Mancinellus, del più vasto e pregevole trattato di geografia dell'antichità greca (I sec a.C.); considerata la prima opera di geografia politica ed etnica. L'edizione originale di tale opera venne stampata a Roma nel 1469 e riedita sei volte nel corso del XV secolo. Note di provenienza: sul primo risguardo anteriore e al f. *2r annotazioni della Biblioteca dei Cappuccini di Cuneo. Bellissimo esemplare a pieni margini, in perfetto stato di conservazione. HC *15090. BMC V, 418. Goff S-797. IGI 9175. Klebs 935.5. ISTC No. Is00797000; Malaguzzi, Biblioteche storiche disperse, Torino, 1999"
[Bookseller: Pregliasco Libreria Antiquaria di Umbert] |
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Strabo
Inkunabel: De Situ Orbis
|
. Good -Geographica, libri XVI 1. Marcinelli-Edition 1. Marcinelli-Edition 332 Seiten Strabo? De Situ Orbis Geographica, libri XVI 24.04.1494 Venedig, Johannes Rubeus Vercellensis aus dem Griechischen uebersetzt von Guarinus Veronensis und Gregorius Tiphernas, editiert von Antonius Mancinellus Mit Widmungsbrief an Papst Paulus II. von Johannes Andreas de Buxis. Mit Widmungsbrief an Papst Nicolaus V. und-vorrede an Jacobus Antonius Marcellus von Guarinus Veronensis Widmungsbrief an Justinus Carosius von Antonius Mancinellus, datiert: Venetiis quinto nonas Maias.M. cccc. xciiii 1. Marcinelli-Edition mit Tabula und gedruckten Marginalen einspaltig, 61 Linien 1 Holzschnitt-Initialie auf v8verso 8 8 a--r6? 6 s--z6 &6; 166 Blatt, 332 Seiten Lombarden in schwarz, teilweise (am Anfang des Buches) ausgefuehrt neu gebunden, ca 19 Jhdt. Marmorierter Karton, Buchruecken aus Pergament, Buchruecken von Hand beschriftet (oben Autor und Tit...
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Lancelot du Lac. [Arthurian Romance]
Le premier (& second) volume De lancelot du lac nouvellement imprime a Paris
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Paris:: Anton Verard,, 1494, 1 July.. Second Verard Edition.. 18th c, 1/2 calf over brown paste-paper boards, rubbed; Mildew & dampstains at ends; verso of Vol I t.p. reinforced; folios H3-I4 of Vol I defective and remargined at top with loss of some text on H6-I4; old repairs to corners or gutters of 1st & final quires of Vol II (no text loss); old ownerOs inscription on recto offirst leaf of volume 1 and t.p. of volume 2: Joachim, Graf Furstenberg dated 1599. The Donaueschingen Library copy.. Folio. 2 (of 3) vols. 310 x 216mm.. 45 lines & headling; double column; type 12:106B. With woodcut title page with xylographic initial [Macfarlane LXII] with calligraphic flourishes & grotesque faces & 19 woodcuts (6 repeats) [Macfarlane XXVIII & XXIX]; numerous white on black, black lombard and other woodcut initials with calligraphic flourishes and grotesques. The great Vulgate Prose Lancelot was written in the thirteenth century and expanded on Chretien de TroyesO version of the Arthurian tale. It tells of LancelotOs boyhood, his adventurous growth to manhood, his enrapture with Guenevere and his meeting with the Lady of the Lake. It continues with his search for the Grail and his eventual learning that only his son Galahad could complete his quest.The Morte DOArthur appears did not appear until the third volume printed by Verard in 1502. #11;OAnthoine V!rard dominated French book production in Paris from 1485 to 1512, a critical period in the shift from manuscript to print.E Although he defined himself invariably as a Ohumble bookseller,O this modest epithet belies the gargantuan scale of his enterprise, for during his career he issued more than 300 editions.E Even more remarkable than their sheer number, however, is their visual splendor, for V!rard was the Ofather of the French illustrated book.O [Mary Beth Winn, Verard.] Hain 9850. Goff L34. Fairfax Murray 301. Proctor 8459. Polain III,16. Brunet III, 806. Macfarlane 166 [1494-1502]. Moreau/Renouard 67. Sotheby's, July 1, 1994 Donaueschingen Library [Furstenberg], lot 192. See: BMC VIII 83. CIBN L31. Donau 314.Not in BSB.
[Bookseller: Krown & Spellman, Booksellers] |
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RICHARDUS DE SANCTO VICTORE
De duodecim patriarchis seu Beniamin minor
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Basel, 1494. Second edition, small 8vo (142 x 95mm.), 74 leaves including the final black, collating [A1]-[H8], I-1-[I10], in 8s; BMC III, p. 755; Goff R-194 noting that this and the following are often found separately; bound with: De arca mystica. Basel: Johann Amerbach, 1494; first edition, small 8vo, 148 leaves, collating [A-1]-[R8] in 8s, S1-S4, T1-[T-8]; 16th century limp vellum, ties perished, spine partially perished with cords showing, old manuscript titling on spine and remains of old paper label at the bottom; both texts crisp and clean throughout; in a new cloth clamshell box. Goff R-194 (both titles); BMC III, p. 756.
[Bookseller: Rulon-Miller Books] |
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Strabo
Inkunabel: De Situ Orbis
|
Venedig, Johannes Rubeus Vercellensis, 1494. Good -Geographica, libri XVI 1. Marcinelli-Edition 1. Marcinelli-Edition 332 Seiten Strabo ? De Situ Orbis Geographica, libri XVI 24.04.1494 Venedig, Johannes Rubeus Vercellensis aus dem Griechischen uebersetzt von Guarinus Veronensis und Gregorius Tiphernas, editiert von Antonius Mancinellus Mit Widmungsbrief an Papst Paulus II. von Johannes Andreas de Buxis. Mit Widmungsbrief an Papst Nicolaus V. und-vorrede an Jacobus Antonius Marcellus von Guarinus Veronensis Widmungsbrief an Justinus Carosius von Antonius Mancinellus, datiert: Venetiis quinto nonas Maias.M. cccc. xciiii 1. Marcinelli-Edition mit Tabula und gedruckten Marginalen einspaltig, 61 Linien 1 Holzschnitt-Initialie auf v8verso 8 8 a--r6? 6 s--z6 &6; 166 Blatt, 332 Seiten Lombarden in schwarz, teilweise (am Anfang des Buches) ausgefuehrt neu gebunden, ca 19 Jhdt. Marmorierter Karton, Buchruecken aus Pergament, Buchruecken von Hand beschriftet (oben Autor und Tit...
[Bookseller: Alibris] |
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Augustine St.
De Civitate Dei & de Trinitate
|
Freiburg (Fisher) 1494. Two books in one volume.In folio (30,5x21,5cm). Contemporary calf over wooden boards. Original clasps. Blindstamped in the way of a monastery. Spine & binding restored.256 nn leaves; 80 nn leaves (complete).(Civitate: Hain 2068; BM III 695 & Trinitate: Hain 2040; BM III 695).*Two important texts by the Churchfather Augustinus. Authentic and attractive binding, restored, saving as much of the original as possible. First and last leaves with minimal restoration of wormholes. About 5 leaves with marginal repairs. About one quarter of the book limited damage to upper corners. Good and clear print on strong and still vivid paper.#[419]
[Bookseller: Frederik Muller Rare Books bv / De Ark] |
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Giovanni Boccaccio (1313-1375):
De claris mulieribus, es. De las mujeres illustres (GW 04491, H 3337). Fo. XLVI, Cap. XXXIX, De lavinia.
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Zaragoza, Paul Hurus, 24. Oktober 1494.. Zweispaltiges, 42-zeiliges O-Inkunabelblatt auf festem sauberen Papier mit der Signatur 'g II'. Blatt mit einem Holzschnitt (11,6 x 8,2 cm), umgeben von Holzschnittrandleisten und einer 4-zeiligen Holzschnittinitiale "L". Blattgröße: 18,3 x 26,3 cm. Incunabula text woodcut leaf.. Das Gesamtwerk umfasst 76 Holzschnitte, die aus der sehr seltenen Augsburger Ausgabe von Anton Sorg aus dem Jahr 1479 stammen. Am 22. Oktober 1476 ist Paulus de Constantia (Paul Hurus, auch Hürus oder Hyrus) bereits als Drucker in Barcelona notariell erfasst, in dem er dort mit seinem Kollegen Heinrich Botel die erste in der Druckgeschichte bekannte Subscription protokollieren ließ. Um 1480 baute Paul Hurus seine Druckerei in Zaragoza aus, sodass sie mit ihren Produktionen an der Spitze aller spanischen Offizinen des 15. Jahrhundets stand. In Zusammenarbeit mit spanischen Gelehrten u. Übersetzern gelang es ihm zahlreiche literarisch bedeutsame Werke im Erstdruck herauszubringen. Kein deutscher in Spanien tätiger Inkunabeldrucker hatte so enge Beziehungen zu seiner Heimat, wie Paul Hurus. Mehrfach reiste er nach Süddeutschland. Nach seinem letzten Druck im Jahre 1499 kehrte er in seine Vaterstadt Konstanz zurück und wurde 1505 in den Rat der Stadt gewählt (Geldner, 1970, II, 273ff).
[Bookseller: Versandantiquariat Christine Laist] |
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Augustine St.
De Civitate Dei & de Trinitate
|
- Freiburg (Fisher) 1494. Two books in one volume.In folio (30,5x21,5cm). Contemporary calf over wooden boards. Original clasps. Blindstamped in the way of a monastery. Spine & binding restored.256 nn leaves; 80 nn leaves (complete).(Civitate: Hain 2068; BM III 695 & Trinitate: Hain 2040; BM III 695).*Two important texts by the Churchfather Augustinus. Authentic and attractive binding, restored, saving as much of the original as possible. First and last leaves with minimal restoration of wormholes. About 5 leaves with marginal repairs. About one quarter of the book limited damage to upper corners. Good and clear print on strong and still vivid paper.#[419] [Attributes: Hard Cover]
[Bookseller: Frederik Muller Rare Books BV] |
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JUSTINIAN, Emperor of the East
Digestum novum
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Bernardinus Stagninus de Tridino Venice 1494 Modern half vellum Folio . Rare edition of the "CorpusJuris Civilis"; not in American libraries, the BMC, Italy, etc. Includes the Glossa Ordinaria by Accursius Florentinus and the Summaria by Bartolus de Saxoferrato and Paulus de Castro with enlargements by Hieronymus Clarius (?). The volume, part of which has been subject to some expert repairs, and although some text has been affected it is a complete copy as well as an impressive, and monumental (16 1/2 x 11 1/4 inches) piece of printing; printed in red and black throughout. "The most enduring work of Justinian was his codification of the laws. ... The great empire he was reconquering must have the strength of organized unity. He says in the edict of promulgation of his laws that a state rests on arms and law ("De Justin. Cod. Confirmando", printed in front of the codex). The scattered decrees of his predecessors must then be collected in a well-ordered and complete codex, logically arranged, so that every Roman citizen could learn at once the law of the empire on any subject. This codification was Justinian's great work. He made many new laws himself, but his enduring merit is rather the classification of scattered older laws. ... So the immortal "Corpus Juris Civilis" was produced, consisting of four parts: (a) Digestae seu Pondecta, (b) Institutiones, (c) Codex, (d) Authenticum seu Novellae (an excellent account of its composition is found in Bury's Gibbon, ed. Cit., IV 461-510). It would be difficult to exaggerate the importance of this "Corpus". It is the basis of all canon law (ecclesia vivit lege romana), and the basis of civil law in every civilized country" (Catholic Enc.; New Advent) 308 (of 310 leaves; lacking the last 2 blank leaves). Title printed in red; printed in red and black throughout; gothic type; double column; 70 to 82 lines; woodcut printer's device (Husung 214) printed in red at the end. Extensive expert repairs to the first two leaves which only affect a few letters; about a dozen leaves in the first part of the volume have a brownish coffee color stain (occasionally large but not affecting the legibility of the text); from leaf 147 to the end of the volume at the top inner margin a small round hole has been repaired with some loss of text; mildew stain in blank margins towards the end of the volume (stabilized); blank corner margins of last two leaves repaired (affect a few words on last leaf); few neat tear repairs. § Hain 9592; GKW 7718 (only 22 copies located); BSB C-592
[Bookseller: Jeffrey D. Mancevice Inc.] |
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Strabo
Inkunabel: De Situ Orbis - Geographica, libri XVI 1. Marcinelli-Edition 1. Marcinelli-Edition
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Venedig, Johannes Rubeus Vercellensis, 1494. - 332 SeitenStrabo De Situ OrbisGeographica, libri XVI24.04.1494Venedig, Johannes Rubeus Vercellensisaus dem Griechischen übersetzt von Guarinus Veronensis und Gregorius Tiphernas, editiert von Antonius MancinellusMit Widmungsbrief an Papst Paulus II. von Johannes Andreas de Buxis. Mit Widmungsbrief an Papst Nicolaus V. und -vorrede an Jacobus Antonius Marcellus von Guarinus Veronensis Widmungsbrief an Justinus Carosius von Antonius Mancinellus, datiert: Venetiis quinto nonas Maias.M.cccc.xciiii1. Marcinelli-Editionmit Tabula und gedruckten Marginalen einspaltig, 61 Linien 1 Holzschnitt-Initialie auf v8verso i ii iii8 v vi vii viii8 a--r6 ?6 s--z6 6 166 Blatt, 332 Seiten Lombarden in schwarz, teilweise (am Anfang des Buches) ausgeführtneu gebunden, ca 19 Jhdt. Marmorierter Karton, Buchrücken aus Pergament, Buchrücken von Hand beschriftet (oben Autor und Titel, unten Jahr), Schnitt-Längsseite ebenfalls beschriftet (STRABO), Einband etwas abgerieben, Schnitt verfärbt und fleckig, Seiten vergilbt, fingerfleckig, mit handschriftlichen Notizen, einige Buchwurmlöcher mit minimalem Textverlust, einige Seiten am Rand restauriert (ohne Textverlust), Vorsatzblätter erneuert, die ersten Seiten stärker ramponiert, generell alte Feuchtigkeitsflecken im Randbereich, ansonsten in gutem antiquarischem ZustandTitelblatt, 15 Bl. Tabula, am letzte verso Widmung von Mancillenus, 2. Titelblatt, 3 Blatt Widmungen, z6 verso bestempelt (Dr. L. Oster, Konstanz) Kollophon z6 rectoGW M44098. Goff S-797. HC 15090*. Klebs 935.5. Pell Ms 10796. BN-Inc S-474. Aquilon 627. Arnoult 1365. Torchet 868. Polain (B) 3626. IDL 4235. IBE 2330. IGI 9175. IBP 5126. Sajó-Soltész 3149. Sallander 1962. Madsen 3792. Lökkös (Cat BPU) 409. Voull (B) 4236. Hubay (Augsburg) 1947. Hubay (Eichstätt) 959. Sack (Freiburg) 3297. Walsh 2222. Sheppard 4124. Rhodes (Oxford Colleges) 1645. Pr 5135. BMC V 418. BSB-Ink S-598Strabo (etwa 63 v. Chr. - 23 n. Chr.), (der Schielende), war ein antiker griechischer Geschichtsschreiber und Geograph.Über Strabons Leben ist wenig bekannt.Er verfasste die Geschichtlichen Anmerkungen(Historika Hypomn?mata, 43 Bücher), die als Fortsetzung des Werkes des Polybios gedacht war und uns nur in wenigen Bruchstücken erhalten ist. Danach verfasste er eine als ergänzend zum Geschichtswerk konzipierte 17-bändige Geographie (Ge???af???, Geôgraphiká), die bis auf einige fehlende Teile des Buches VII überliefert ist. Sein Ziel war es dabei erklärtermaßen, ein für einen möglichst weiten Leserkreis leicht verständliches und gut lesbares, nichtsdestoweniger aber informatives Werk zu schaffen. Da er für sein Werk auch verschiedene frühere Texte (teils aus mehreren Jahrhunderten) verwendet, und eingehende Kenntnisse über die römischen Rechtssysteme in verschiedenen Städten und Gebieten besitzt, gilt er auch als wertvolle Quelle hinsichtlich des Beginns und Verlaufs der allmählichen Romanisierung Galliens und der Iberischen Halbinsel. So berichtet er vor allem in den Büchern III und IV von der im Gefolge der Akkulturation einzelner Gesellschaftsschichten erfolgten Herausbildung einer neuen Lebenskultur in diesen Gebieten. Er beschreibt auch die klassischen sieben Weltwunder und liefert unter anderem eine Beschreibung Babylons.Quelle: Wikipedia 1st Marcinelli-EditionTranslated from Greek into Latin by Guarinus Veronensis and Gregorius Tiphernas. Edited by Antoninus Mancinellusdedication to Pope Paulus II. b Johannes Andreas de Buxis. Dedication to Pope Nicolaus V. and preface to Jacobus Antonius Marcellus by Guarinus Veronensis dedication to Justinus Carosius by Antonius Mancinellus, dated: Venetiis quinto nonas Maias.M.cccc.xciiiiwith Tabula and printed marginal notes 1 collum, 61 lines 1 woddcut-initiale on v8verso i ii iii8 v vi vii viii8 a--r6 ?6 s--z6 6 166 Blatt, 332 Seiten Lombarden in schwarz, teilweise (am Anfang des Buches) ausgeführt19th century marbled paper-covered boards, vellum spine with hand written author and title on the upper side and year on the lower side, STRABO in hand writing on the fore-edge, cover a little rubbed but clean, edges colored and stained, pages a little browned, stained, finger prints, old staines of fleuid especially at the margins, a lot of hand written notes, some wormholes with a little loss of text, many pages restored (no loss of text), endpapers renewed, the first pages are mote damaged than the others, despite if that in good antiquarian conditiontitle, 15 l. Tabula, dedication of Mancillenus, 2. title, 3 l. dedications, z6 verso stampedlt (Dr. L. Oster, Konstanz) collophon z6 rectoGoff S-797, BSB S-598, BMC V 418Strabo (63/64 BC ca. AD 24) was a Greek historian, geographer and philosopher.Strabo was born in a wealthy family from Amaseia in Pontus (modern Amasya Turkey), which had recently become part of the Roman Empire. He studied under various geographers and philosophers first in Nysa, later in Rome. He was philosophically a Stoic and politically a proponent of Roman imperialism. Later he made extensive travels to Egypt and Kush, among others.Strabos History is nearly completely lost. Although Strabo quotes it himself, and other classical authors mention that it existed, the only surviving document is a fragment of papyrus now in possession of the University of Milan (renumbered [Papyrus] 46).The Geography Strabo is mostly famous for his 17-volume work Geographica, which presented a descriptive history of people and places from different regions of the world known to his era. It is an important source of information on the ancient world, especially when information is corroborated by other sources. Source: Wikipedia -
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WOLFF, Christian, Freiherr von.
Mathematisches Lexicon, darinnen die in allen Theilen der Mathematick üblichen Kunst-Wörter erkläret, und zur Historie der Mathematischen Wissenschafften dienliche Nachrichten ertheilet
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- Engraved allegorical frontis. & numerous woodcut diagrams in the text. Title printed in red & black. 8 p.l. (incl. frontis.), 1494 cols., [29] leaves of index. 8vo, cont. vellum over boards. Leipzig: J.F. Gleditsch, 1716. First edition of this noteworthy and scarce mathematical dictionary by Wolff (1679-1754), the famous mathematician and philosopher who was professor at the University of Halle and an ardent exponent of the philosophical ideas of his friend Leibniz. This is a very complete and comprehensive dictionary of mathematics in the widest sense, including also astronomy, physics, mechanics, architecture, music, etc., etc. There are several quite interesting sections on calculating instruments including the abacus, Napier?s rods, etc. A fine and fresh copy. Contemporary ownership inscription on title. ❧ D.S.B., XIV, pp. 482-84. Smith, History of Mathematics, I, pp. 501-02. [Attributes: First Edition; Hard Cover]
[Bookseller: Jonathan A. Hill, Bookseller Inc.] |
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Huttich, Johann (Ca 1480-1544) And Simon Grynaeus (1493-1541).
Novus Orbis Regionum Ac Insularum Verteribus Incognitarum
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Paris: Antoine Augerelle, for Jean Petit, 8 Nov 1532. Folio (12 x 8 inches). Title-page with woodcut printer's device of Jean Petit, folding woodcut map of the world by Oronce Fine (1494-1555), 1531 (lower margin of map close cut, left blank margin slightly shaved and with extended margin, occasional light spotting to text). 18th-century vellum over paste-board, lettered in ink on spine "Variorum Geographia" and "Grynaeus Novus Orbis 94"; modern quarter brown morocco clamshell box. Provenance: Near contemporary ownership inscription of Carolus Bartolomeus Ranasius Cremonensis at the foot of the title-page; 18th-century inscription "No 94 Variorum Auctorum" in the upper right-hand margin of the title-page. The first appearance of Magellan's name on a map First published in Basel the same year, this is an exceptionally fine copy with the RARE WORLD MAP BY ORONCE FINE, the most prominent French cartographer of the 16th-century. Fine's double-cordiform (or heart-shaped) projection of the world is a modification of Werner's cordiform, but first employed by Fine in his world map of 1519. This new form which shows both the north and south poles went on to be used by Mercator in his 1538 world map and by Lafreri in 1560 and is a logical departure from the speculative geography of Waldseemüller and Ruysch. Fine names the lower Pacific "Mare Magellanium", which is the first appearance of Magellan's name on a map. The definition of the Antarctic land mass is surprisingly accurate given the lack of any knowledge of the region. The definition of the west coast of Mexico is one of the earliest to show the discoveries of Cortes. The work contains accounts of the voyages of Cadamosto, the three voyages of Columbus, Nino, Pinzon, Vespucius, Cabral, and part of the Fourth Decade of Peter Martyr, and Marco Polo. Shirley 66 (world map); Adams G1336. Purchased for $40, 000 at Christie's 16th November 2005, lot 180. Catalogue description prepared for and on behalf of Arader Galleries by Kate Hunter, Antiquarian book dealer and bibliographer
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DOCUMENTO MANUSCRITO. SIGLO XV, FIRMADO POR FERNANDO EL CATOLICO, ZARAGOZA, JUDIOS, MADRID
1494, octubre, 14. Madrid: Documeto manuscrito sobre pergamino en el que el Rey Fernando el Católico concede a Juan de Embún, merino de la ciudad de Zaragoza, la percepción de una renta anual de 1000 sueldos jaqueses mientras viviera o desempeñara el cargo de merino, en compensación del dinero que solía cobrar como parte de su salario a la ALJAMA JUDIA DE ZARAGOZA antes de la expulsión de los judíos. [TERMINA]: . YO EL REY. Vidit A. Boneti pro generale consilie. Dominus rex mandavit mihi, Ludovico Gonçales; visa per Antonium Bonet pro generali consilie
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Data in villa de Madrid die XIIII mensis octobris, anno a nativitate Domini millesimo quadrigentesimo nonagésimo quarto (1494) regnorumque nostrorum videlicet Sicilie anno vigesimoseptimo, Castelle et Legionis vigesimoprimo, Aragonum et aliorum sextodecimo, Granate vero tertio.- Documento manuscrito sobre pergamino; con clara caligrafía de fines del siglo XV; de 39 x 59 cm.; DOCUMENTO UNICO FECHADO EN MADRID, EN IMPECABLE ESTADO. MUY IMPORTANTE PARA LA HISTORIA DE ARAGON, ZARAGOZA Y EL PROBLEMA DE LA EXPULSION DE LOS JUDIOS. Para su mejor lectura y comprensión se adjunta con el documento su transcripción íntegra en latín.*
[Bookseller: Librería Miguel Miranda, AILA ILAB] |
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JUSTINIAN, Emperor of the East
Digestum novum
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Bernardinus Stagninus de Tridino Venice 1494 Modern half vellum Folio . Rare edition of the "CorpusJuris Civilis"; not in American libraries, the BMC, Italy, etc. Includes the Glossa Ordinaria by Accursius Florentinus and the Summaria by Bartolus de Saxoferrato and Paulus de Castro with enlargements by Hieronymus Clarius (?). The volume, part of which has been subject to some expert repairs, and although some text has been affected it is a complete copy as well as an impressive, and monumental (16 1/2 x 11 1/4 inches) piece of printing; printed in red and black throughout. "The most enduring work of Justinian was his codification of the laws. ... The great empire he was reconquering must have the strength of organized unity. He says in the edict of promulgation of his laws that a state rests on arms and law ("De Justin. Cod. Confirmando", printed in front of the codex). The scattered decrees of his predecessors must then be collected in a well-ordered and complete codex, logically arranged, so that every Roman citizen could learn at once the law of the empire on any subject. This codification was Justinian's great work. He made many new laws himself, but his enduring merit is rather the classification of scattered older laws. ... So the immortal "Corpus Juris Civilis" was produced, consisting of four parts: (a) Digestae seu Pondecta, (b) Institutiones, (c) Codex, (d) Authenticum seu Novellae (an excellent account of its composition is found in Bury's Gibbon, ed. Cit., IV 461-510). It would be difficult to exaggerate the importance of this "Corpus". It is the basis of all canon law (ecclesia vivit lege romana), and the basis of civil law in every civilized country" (Catholic Enc.; New Advent) 308 (of 310 leaves; lacking the last 2 blank leaves). Title printed in red; printed in red and black throughout; gothic type; double column; 70 to 82 lines; woodcut printer's device (Husung 214) printed in red at the end. Extensive expert repairs to the first two leaves which only affect a few letters; about a dozen leaves in the first part of the volume have a brownish coffee color stain (occasionally large but not affecting the legibility of the text); from leaf 147 to the end of the volume at the top inner margin a small round hole has been repaired with some loss of text; mildew stain in blank margins towards the end of the volume (stabilized); blank corner margins of last two leaves repaired (affect a few words on last leaf); few neat tear repairs. § Hain 9592; GKW 7718 (only 22 copies located); BSB C-592
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WOLFF, Christian, Freiherr von.
Mathematisches Lexicon, darinnen die in allen Theilen der Mathematick üblichen Kunst-Wörter erkläret, und zur Historie der Mathematischen Wissenschafften dienliche Nachrichten ertheilet…
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Engraved allegorical frontis. & numerous woodcut diagrams in the text. Title printed in red & black. 8 p.l. (incl. frontis.), 1494 cols., [29] leaves of index. 8vo, cont. vellum over boards. Leipzig: J.F. Gleditsch, 1716. First edition of this noteworthy and scarce mathematical dictionary by Wolff (1679-1754), the famous mathematician and philosopher who was professor at the University of Halle and an ardent exponent of the philosophical ideas of his friend Leibniz. This is a very complete and comprehensive dictionary of mathematics in the widest sense, including also astronomy, physics, mechanics, architecture, music, etc., etc. There are several quite interesting sections on calculating instruments including the abacus, Napier’s rods, etc. A fine and fresh copy. Contemporary ownership inscription on title. ❧ D.S.B., XIV, pp. 482-84. Smith, History of Mathematics, I, pp. 501-02.
[Bookseller: Jonathan A. Hill, Bookseller, Inc.] |
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LYRE (Nicolas de) ou NICOLAUS DE LYRA, PHILIPPI (Jacobus)...
1- PHILIPPI (Jacobus) [Jacobus Philippus]. Reformatorium vite morumque et honestatis clericorum saluberimum ; cum fraterna quadam resipiscendi a viciis exhortationem, et ad penitentie portum applicandi admonitionem, cum expressione quorundam signorum ruine et tribulationis Ecclesie. Basilea, per Michaelem Furter, M.cccc.xliiij [sic] in Kathedra Petri [Basel, Michael Furter, 1494], en colophon. (79) f. (sur 100) [sign.: a-l8 m12 (dernier blanc) ; manquent : e1-3, e8, f1-8, g1-8, h1], marges renforcées aux 9 prem. f. sans atteinte au texte, marque de l’imprimeur en fin, 31 lignes par page....
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Ensemble de 4 ouvrages reliés en un volume in-8, plein veau brun de l’époque, dos à 3 nerfs, plats ornés d’un décor estampé de filets d’encadrement et de 2 larges roulettes d’entrelacs en long, tranches mouchetées (décor estompé, reliure anciennement restaurée). Exceptionnel recueil de quatre œuvres, dont trois incunables, qui s'inscrivent, toutes quatre, dans le courant de « préréforme » et de renouveau de la vie intellectuelle à l'aube de la Renaissance. Réintroduisant la contestation contre la décadence de l'Eglise et le problème de la restauration chrétienne, l’édition de ces textes est emblématique de l'effort de réflexion entrepris, en cette fin du XVe siècle, autour des questions séculaires du rapport entre morale individuelle, morale collective, culture, croyance et pratiques, thèmes qui feront fortune au sein de l'humanisme naissant. Très bon exemplaire, intérieur très frais, bien préservé dans sa première reliure de veau estampé. Quelques notes érudites manuscrites par un humaniste à l'époque, d'une fine écriture en marge du texte, accompagnées d'une signature de la même main. Les textes se répartissent, dans le volume, selon l'ordre suivant : Jacobus Philippi, Guy Jouenneaux, Nicolas de Lyre et Isidore de Séville.
[Bookseller: Librairie Hatchuel, livres anciens et ra] |
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Strabo
Inkunabel: De Situ Orbis - Geographica, libri XVI 1. Marcinelli-Edition 1. Marcinelli-Edition
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Venedig, Johannes Rubeus Vercellensis, 1494. - 332 SeitenStrabo De Situ OrbisGeographica, libri XVI24.04.1494Venedig, Johannes Rubeus Vercellensisaus dem Griechischen übersetzt von Guarinus Veronensis und Gregorius Tiphernas, editiert von Antonius MancinellusMit Widmungsbrief an Papst Paulus II. von Johannes Andreas de Buxis. Mit Widmungsbrief an Papst Nicolaus V. und -vorrede an Jacobus Antonius Marcellus von Guarinus Veronensis Widmungsbrief an Justinus Carosius von Antonius Mancinellus, datiert: Venetiis quinto nonas Maias.M.cccc.xciiii1. Marcinelli-Editionmit Tabula und gedruckten Marginalen einspaltig, 61 Linien 1 Holzschnitt-Initialie auf v8verso i ii iii8 v vi vii viii8 a--r6 ?6 s--z6 6 166 Blatt, 332 Seiten Lombarden in schwarz, teilweise (am Anfang des Buches) ausgeführtneu gebunden, ca 19 Jhdt. Marmorierter Karton, Buchrücken aus Pergament, Buchrücken von Hand beschriftet (oben Autor und Titel, unten Jahr), Schnitt-Längsseite ebenfalls beschriftet (STRABO), Einband etwas abgerieben, Schnitt verfärbt und fleckig, Seiten vergilbt, fingerfleckig, mit handschriftlichen Notizen, einige Buchwurmlöcher mit minimalem Textverlust, einige Seiten am Rand restauriert (ohne Textverlust), Vorsatzblätter erneuert, die ersten Seiten stärker ramponiert, generell alte Feuchtigkeitsflecken im Randbereich, ansonsten in gutem antiquarischem ZustandTitelblatt, 15 Bl. Tabula, am letzte verso Widmung von Mancillenus, 2. Titelblatt, 3 Blatt Widmungen, z6 verso bestempelt (Dr. L. Oster, Konstanz) Kollophon z6 rectoGW M44098. Goff S-797. HC 15090*. Klebs 935.5. Pell Ms 10796. BN-Inc S-474. Aquilon 627. Arnoult 1365. Torchet 868. Polain (B) 3626. IDL 4235. IBE 2330. IGI 9175. IBP 5126. Sajó-Soltész 3149. Sallander 1962. Madsen 3792. Lökkös (Cat BPU) 409. Voull (B) 4236. Hubay (Augsburg) 1947. Hubay (Eichstätt) 959. Sack (Freiburg) 3297. Walsh 2222. Sheppard 4124. Rhodes (Oxford Colleges) 1645. Pr 5135. BMC V 418. BSB-Ink S-598Strabo (etwa 63 v. Chr. - 23 n. Chr.), (der Schielende), war ein antiker griechischer Geschichtsschreiber und Geograph.Über Strabons Leben ist wenig bekannt.Er verfasste die Geschichtlichen Anmerkungen(Historika Hypomn?mata, 43 Bücher), die als Fortsetzung des Werkes des Polybios gedacht war und uns nur in wenigen Bruchstücken erhalten ist. Danach verfasste er eine als ergänzend zum Geschichtswerk konzipierte 17-bändige Geographie (Ge???af???, Geôgraphiká), die bis auf einige fehlende Teile des Buches VII überliefert ist. Sein Ziel war es dabei erklärtermaßen, ein für einen möglichst weiten Leserkreis leicht verständliches und gut lesbares, nichtsdestoweniger aber informatives Werk zu schaffen. Da er für sein Werk auch verschiedene frühere Texte (teils aus mehreren Jahrhunderten) verwendet, und eingehende Kenntnisse über die römischen Rechtssysteme in verschiedenen Städten und Gebieten besitzt, gilt er auch als wertvolle Quelle hinsichtlich des Beginns und Verlaufs der allmählichen Romanisierung Galliens und der Iberischen Halbinsel. So berichtet er vor allem in den Büchern III und IV von der im Gefolge der Akkulturation einzelner Gesellschaftsschichten erfolgten Herausbildung einer neuen Lebenskultur in diesen Gebieten. Er beschreibt auch die klassischen sieben Weltwunder und liefert unter anderem eine Beschreibung Babylons.Quelle: Wikipedia 1st Marcinelli-EditionTranslated from Greek into Latin by Guarinus Veronensis and Gregorius Tiphernas. Edited by Antoninus Mancinellusdedication to Pope Paulus II. b Johannes Andreas de Buxis. Dedication to Pope Nicolaus V. and preface to Jacobus Antonius Marcellus by Guarinus Veronensis dedication to Justinus Carosius by Antonius Mancinellus, dated: Venetiis quinto nonas Maias.M.cccc.xciiiiwith Tabula and printed marginal notes 1 collum, 61 lines 1 woddcut-initiale on v8verso i ii iii8 v vi vii viii8 a--r6 ?6 s--z6 6 166 Blatt, 332 Seiten Lombarden in schwarz, teilweise (am Anfang des Buches) ausgeführt19th century marbled paper-covered boards, vellum spine with hand written author and title on the upper side and year on the lower side, STRABO in hand writing on the fore-edge, cover a little rubbed but clean, edges colored and stained, pages a little browned, stained, finger prints, old staines of fleuid especially at the margins, a lot of hand written notes, some wormholes with a little loss of text, many pages restored (no loss of text), endpapers renewed, the first pages are mote damaged than the others, despite if that in good antiquarian conditiontitle, 15 l. Tabula, dedication of Mancillenus, 2. title, 3 l. dedications, z6 verso stampedlt (Dr. L. Oster, Konstanz) collophon z6 rectoGoff S-797, BSB S-598, BMC V 418Strabo (63/64 BC ca. AD 24) was a Greek historian, geographer and philosopher.Strabo was born in a wealthy family from Amaseia in Pontus (modern Amasya Turkey), which had recently become part of the Roman Empire. He studied under various geographers and philosophers first in Nysa, later in Rome. He was philosophically a Stoic and politically a proponent of Roman imperialism. Later he made extensive travels to Egypt and Kush, among others.Strabos History is nearly completely lost. Although Strabo quotes it himself, and other classical authors mention that it existed, the only surviving document is a fragment of papyrus now in possession of the University of Milan (renumbered [Papyrus] 46).The Geography Strabo is mostly famous for his 17-volume work Geographica, which presented a descriptive history of people and places from different regions of the world known to his era. It is an important source of information on the ancient world, especially when information is corroborated by other sources. Source: Wikipedia Reiss -
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Agricola, Georgius.
Libri V. De mensuris et ponderibus [Romanis & Graecis]: in quibus pleraque à Budaeo et Portio parum animadversa diligenter excutiuntur.
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[Venetiis] [per Ioan. Anto. de Nicolinis de Sabio. Sumpt. Dni M 8vo, ff. 116, Sessa wood engraved 'cat and mouse' device on title and colophon page, woodcut initials, contemp. vellum. Second Italian edition. Georg Agricola or Georg Pawer (Bauer), also Landmann (1494-1555), the pioneer of mineralogical science in modern Europe, author of De Re Metallica. German scholar and philologer, D.M. His work on classical metrology is of lasting importance for the history of ancient measures. He established a distinction between medical and legal weights. "The book is also valuable to the student of Roman and Greek numerals, and of the various symbols of measures"--Smith, Rara Arithmetica. Kress I, 38 (Paris, 1533 edition); Lipenius II, 170 (1550 edition); not in Adams, not in Goldsmith
[Bookseller: Christian F. Verbeke Rare Books] |
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Juvenalis [Juvenal] Decimus; Aulus Persius Flaccus [Sammelband]
Satyrae, Cum tribus comentariis videlicet Domitii Calderini, Georgii Merulae nec non[n] Georgii Vallae.#11;Venice: Simon Bevilaqua, 1496/7#11; [bound with:]#11;Persius Flaccus: Pauli Flacci Persii poetae Satyrarum opus. Ioannis Brita(n)nici Brixiai com
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[1494-1497]. 18th century Italian mottled calf, spine extra-gilt with floral devices; two red morocco labels with gilt titles; marbled endpapers; some old notes on first t.p., contemp. 5 line entry from Virgil beginning OArma virumque canoO on Persius t.p. in fine hand; a few leaves browned in Juvenal; repaired tear in last leaf in Persius. . Folio. 2 works in 1 vol. 293 x 202mm.. Large woodcut on t.p. of Persius with Persius at a table and the editors, Giovanni Britannicio and Bartholomaeo de Fonte at their writing desks pens in hand. Composed of two blocks it was also used in Tacuinus' edition of Juvenal but with the right hand block replaced; white on black initials; TacuinoOs printerOs device at end of Persius. Juvenal (fl. A.D. 100)was the last great Roman satiric poet, and although it is not certain, it is generally believed that he was a member of the imperial court of Domitian who fell out of favor for lampooning a court favorite. His work was largely unpopular until the fourth century when Lactantius quoted him by name and Ausonius, among others, imitated him. Juvenal's satire may be seen as a protest against the corruptions of Rome in his day, and the works were greatly admired throughout the Middle Ages and became the model for many satirists in the Renaissance and thereafter.#11;Persius Flaccus (A.D.34-62), Etruscan knight and Stoic, is best remembered for his satires. His works were much read in Anitquity and the Middle Ages, but for his contorted thought, language, and many digressions, they are little read today. Donne emulated him, and his work has been compared for its flavor to that of Auden. Juvenalis: Goff J665. Hain/Copinger 9712*. IDL 2833. IGI 5600. Saj!-Solt!sz 2003. IBE 3396. Coll(U) 919. Madsen 2411, 2412. G!nt(L) 3157 . Voull(B) 4415. Walsh 2523. Oates 2099. Sheppard 4476. Bodleain J318. Rhodes(Oxford Colleges) 106. Proctor 5410. BMC V 521.BSB-Ink I-692. ISTC ij00665000.#11;#11;Persius: Goff P356. Hain/Copinger 12738. Mor(P) 41. Essling 794. Sander 5563. Pell Ms 9251 (9075). Hillard 1548. P!ligry 621. IBE 4450. IGI 7505. IBP 4271. Mendes 993. Voull(Bonn) 887. Voull(B) 4418.Walsh 2558. Oates 2107. Sheppard 4523, 4524. Bodleain P146. Rhodes(Oxford Colleges) 1352. Proctor 5429 ; BMC V 529. ISTC ip00356000.
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Strabo:
Inkunabel: De Situ Orbis
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- Geographica, libri XVI 1. Marcinelli-Edition 1. Marcinelli-Edition Venedig, Johannes Rubeus Vercellensis, 1494. 332 Seiten Strabo ! De Situ Orbis Geographica, libri XVI 24.04.1494 Venedig, Johannes Rubeus Vercellensis aus dem Griechischen ubersetzt von Guarinus Veronensis und Gregorius Tiphernas, editiert von Antonius Mancinellus Mit Widmungsbrief an Papst Paulus II. von Johannes Andreas de Buxis. Mit Widmungsbrief an Papst Nicolaus V. und -vorrede an Jacobus Antonius Marcellus von Guarinus Veronensis Widmungsbrief an Justinus Carosius von Antonius Mancinellus, datiert: Venetiis quinto nonas Maias.M.cccc.xciiii 1. Marcinelli-Edition mit Tabula und gedruckten Marginalen einspaltig, 61 Linien 1 Holzschnitt-Initialie auf v8verso 8 8 a--r6 ?6 s--z6 &6 ; 166 Blatt, 332 Seiten Lombarden in schwarz, teilweise (am Anfang des Buches) ausgefuhrt neu gebunden, ca 19 Jhdt. Marmorierter Karton, Buchrucken aus Pergament, Buchrucken von Hand beschriftet (oben Autor und Titel, unten Jahr), Schnitt-Langsseite ebenfalls beschriftet (STRABO), Einband etwas abgerieben, Schnitt verfarbt und fleckig, Seiten vergilbt, fingerfleckig, mit handschriftlichen Notizen, einige Buchwurmlocher mit minimalem Textverlust, einige Seiten am Rand restauriert (ohne Textverlust), Vorsatzblatter erneuert, die ersten Seiten starker ramponiert, generell alte Feuchtigkeitsflecken im Randbereich, ansonsten in gutem antiquarischem Zustand Titelblatt, 15 Bl. Tabula, am letzte verso Widmung von Mancillenus, 2. Titelblatt, 3 Blatt Widmungen, z6 verso bestempelt (Dr. L. Oster, Konstanz) Kollophon z6 recto Goff S-797, BSB S-598, BMC V 418 Strabo (etwa 63 v. Chr. - 23 n. Chr.), (!der Schielende"), war ein antiker griechischer Geschichtsschreiber und Geograph. Uber Strabons Leben ist wenig bekannt. Er verfasste die !Geschichtlichen Anmerkungen"(Historika Hypomn?mata, 43 Bucher), die als Fortsetzung des Werkes des Polybios gedacht war und uns nur in wenigen Bruchstucken erhalten ist. Danach verfasste er eine als erganzend zum Geschichtswerk konzipierte 17-bandige !Geographie" (Ge???af???, Geographika), die bis auf einige fehlende Teile des Buches VII uberliefert ist. Sein Ziel war es dabei erklarterma!en, ein fur einen moglichst weiten Leserkreis leicht verstandliches und gut lesbares, nichtsdestoweniger aber informatives Werk zu schaffen. Da er fur sein Werk auch verschiedene fruhere Texte (teils aus mehreren Jahrhunderten) verwendet, und eingehende Kenntnisse uber die romischen Rechtssysteme in verschiedenen Stadten und Gebieten besitzt, gilt er auch als wertvolle Quelle hinsichtlich des Beginns und Verlaufs der allmahlichen Romanisierung Galliens und der Iberischen Halbinsel. So berichtet er vor allem in den Buchern III und IV von der im Gefolge der Akkulturation einzelner Gesellschaftsschichten erfolgten Herausbildung einer neuen Lebenskultur in diesen Gebieten. Er beschreibt auch die klassischen sieben Weltwunder und liefert unter anderem eine Beschreibung Babylons. Quelle: Wikipedia 1st Marcinelli-Edition Translated from Greek into Latin by Guarinus Veronensis and Gregorius Tiphernas. Edited by Antoninus Mancinellus dedication to Pope Paulus II. b8 8 a--r6 ?6 s--z6 &6 ; 166 Blatt, 332 Seiten Lombarden in schwarz, teilweise (am Anfang des Buches) ausgefuhrt 19th century marbled paper-covered boards, vellum spine with hand written author and title on the upper side and year on the lower side, STRABO in hand writing on the fore-edge, cover a little rubbed but clean, edges colored and stained, pages a little browned, stained, finger prints, old staines of fleuid especially at the margins, a lot of hand written notes, some wormholes with a little loss of text, many pages restored (no loss of text), endpapers renewed, the first pages are mote damaged than the others, despite if that in good antiquarian condition title, 15 l. Tabula, dedication of Mancillenus, 2. title, 3 l. dedications, z6 verso stampedlt (Dr. L. Oster, Konstanz) collophon z6 recto Goff S-797, BSB S-598, BMC V. Softcover.
[Bookseller: Liber Antiqua] |
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GIULIO CESARE.
COMMENTARII DE BELLO GALLICO. VENEZIA, FILIPPO PINCIO, 1494.
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In folio (mm 300x210); fascicolazione: a-q8, r6. 134 carte n.n. Testo in romana su 45 linee. Belle iniziali silografiche decorate, la prima in inchiostro rosso come il titolo. Vignetta silografica raffigurante Sant'Antonio a fine volume. Tagli rossi. Piena pelle settecentesca marmorizzata, dorso a cinque nervi, con decorazioni dorate e tassello recante titolo impresso in oro. Bella edizione dei commentari sulla guerra di Cesare in Gallia, compresa l'aggiunta di Irzio sulla guerra d'Alessandria, d'Africa e di Spagna. Si tratta di una ristampa dell'edizione del 1490, con indice di Raimondo Marliano e trascurabili modifiche. BMC V, 496; BSB C-30 ; GKW 5871; Goff C-24; Hain-C 4220; Pellechet 3147; Polain 951; IGI 2328; Proctor 5304; Schweiger II 40 ; Walsh 2451.Bell'esemplare con leggeri ingiallimenti ad alcuni fascicoli. Trascurabili mende alla legatura dovute all'uso.
[Bookseller: Libreria Antiquaria PERINI s.a.s. ] |
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JUSTINIANO, Lorenzo
Doctrina della vita monastica.
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(Venecia, Bernardino Benalius), 20 de octubre de 1494. En 4º. 114 hojas. 3 grabados en madera a toda página. Encuadernación de finales del siglo diecinueve en pergamino a la romana. Primera edición de este bello y apreciado incunable, de gran estima por sus tres magníficos grabados a toda página en xilografía, representando el primero a San Juan Bautista y a San Pedro sosteniendo un monograma Yhs coronado por la Trinidad y con la inscripción “Hec est summa veritas”; el segundo es un extraordinario retrato del autor inspirado por Gentile Bellini, cuyo cuadro original se conserva en la Academia de Bellas Artes de Venecia; el tercero representa a Santa Magdalena y a San Francisco sosteniendo un monograba de María con la inscripción “Virgo mater, ante partum, in partu, post partum”. La obra está adornada además con bellas capitulares.Muy buen ejemplar de este apreciado incunable italiano poco frecuente. En España se registra sólo un ejemplar.Referencias: Hain 9477; Goff J-500; BMC V, 378; Essling 757; IBE 3564 First edition of this appreciated incunabula, famous on account of its three esplendid full-page illustrations. The first woodcut is a full-body portrait of the author, Patriarch of Venice, painted by the master Gentile Bellini. Very good copy bound in late nineteenth century vellum.
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Strabo:
Inkunabel: De Situ Orbis - Geographica, libri XVI 1. Marcinelli-Edition 1. Marcinelli-Edition
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Venedig, Johannes Rubeus Vercellensis, 1494.. 332 Seiten. Strabo - De Situ Orbis Geographica, libri XVI 24.04.1494 Venedig, Johannes Rubeus Vercellensis aus dem Griechischen übersetzt von Guarinus Veronensis und Gregorius Tiphernas, editiert von Antonius Mancinellus Mit Widmungsbrief an Papst Paulus II. von Johannes Andreas de Buxis. Mit Widmungsbrief an Papst Nicolaus V. und -vorrede an Jacobus Antonius Marcellus von Guarinus Veronensis Widmungsbrief an Justinus Carosius von Antonius Mancinellus, datiert: Venetiis quinto nonas Maias.M.cccc.xciiii 1. Marcinelli-Edition mit Tabula und gedruckten Marginalen einspaltig, 61 Linien 1 Holzschnitt-Initialie auf v8verso 8 8 a--r6 ?6 s--z6 &6 ; 166 Blatt, 332 Seiten Lombarden in schwarz, teilweise (am Anfang des Buches) ausgeführt neu gebunden, ca 19 Jhdt. Marmorierter Karton, Buchrücken aus Pergament, Buchrücken von Hand beschriftet (oben Autor und Titel, unten Jahr), Schnitt-Längsseite ebenfalls beschriftet (STRABO), Einband etwas abgerieben, Schnitt verfärbt und fleckig, Seiten vergilbt, fingerfleckig, mit handschriftlichen Notizen, einige Buchwurmlöcher mit minimalem Textverlust, einige Seiten am Rand restauriert (ohne Textverlust), Vorsatzblätter erneuert, die ersten Seiten stärker ramponiert, generell alte Feuchtigkeitsflecken im Randbereich, ansonsten in gutem antiquarischem Zustand Titelblatt, 15 Bl. Tabula, am letzte verso Widmung von Mancillenus, 2. Titelblatt, 3 Blatt Widmungen, z6 verso bestempelt (Dr. L. Oster, Konstanz) Kollophon z6 recto Goff S-797, BSB S-598, BMC V 418 Strabo (etwa 63 v. Chr. - 23 n. Chr.), ("der Schielende"), war ein antiker griechischer Geschichtsschreiber und Geograph. Über Strabons Leben ist wenig bekannt. Er verfasste die "Geschichtlichen Anmerkungen"(Historika Hypomn?mata, 43 Bücher), die als Fortsetzung des Werkes des Polybios gedacht war und uns nur in wenigen Bruchstücken erhalten ist. Danach verfasste er eine als ergänzend zum Geschichtswerk konzipierte 17-bändige "Geographie" (Ge???af???, Geographika), die bis auf einige fehlende Teile des Buches VII überliefert ist. Sein Ziel war es dabei erklärtermaßen, ein für einen möglichst weiten Leserkreis leicht verständliches und gut lesbares, nichtsdestoweniger aber informatives Werk zu schaffen. Da er für sein Werk auch verschiedene frühere Texte (teils aus mehreren Jahrhunderten) verwendet, und eingehende Kenntnisse über die römischen Rechtssysteme in verschiedenen Städten und Gebieten besitzt, gilt er auch als wertvolle Quelle hinsichtlich des Beginns und Verlaufs der allmählichen Romanisierung Galliens und der Iberischen Halbinsel. So berichtet er vor allem in den Büchern III und IV von der im Gefolge der Akkulturation einzelner Gesellschaftsschichten erfolgten Herausbildung einer neuen Lebenskultur in diesen Gebieten. Er beschreibt auch die klassischen sieben Weltwunder und liefert unter anderem eine Beschreibung Babylons. Quelle: Wikipedia 1st Marcinelli-Edition Translated from Greek into Latin by Guarinus Veronensis and Gregorius Tiphernas. Edited by Antoninus Mancinellus dedication to Pope Paulus II. b 8 8 a--r6 ?6 s--z6 &6 ; 166 Blatt, 332 Seiten Lombarden in schwarz, teilweise (am Anfang des Buches) ausgeführt 19th century marbled paper-covered boards, vellum spine with hand written author and title on the upper side and year on the lower side, STRABO in hand writing on the fore-edge, cover a little rubbed but clean, edges colored and stained, pages a little browned, stained, finger prints, old staines of fleuid especially at the margins, a lot of hand written notes, some wormholes with a little loss of text, many pages restored (no loss of text), endpapers renewed, the first pages are mote damaged than the others, despite if that in good antiquarian condition title, 15 l. Tabula, dedication of Mancillenus, 2. title, 3 l. dedications, z6 verso stampedlt (Dr. L. Oster, Konstanz) collophon z6 recto Goff S-797, BSB S-598, BMC V 418 Strabo (63/64 BC - ca. AD 24) was a Greek historian, geographer and philosopher. Strabo was born in a wealthy family from Amaseia in Pontus (modern Amasya Turkey), which had recently become part of the Roman Empire. He studied under various geographers and philosophers; first in Nysa, later in Rome. He was philosophically a Stoic and politically a proponent of Roman imperialism. Later he made extensive travels to Egypt and Kush, among others. Strabos History is nearly completely lost. Although Strabo quotes it himself, and other classical authors mention that it existed, the only surviving document is a fragment of papyrus now in possession of the University of Milan (renumbered [Papyrus] 46). The Geography Strabo is mostly famous for his 17-volume work Geographica, which presented a descriptive history of people and places from different regions of the world known to his era. It is an important source of information on the ancient world, especially when information is corroborated by other sources. Source: Wikipedia Lesepult -
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Trithemius [Tritheim] , Johannes
Institutio vite sacerdotalis div(ine) Joannis tritemii abbatis spanhemensis ordinis divi patris benedicti mogu(n)tinensis diocesis Ad nicolaum presbyteru(m) mernicenisem Treverensis diocesis
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[Peter von Friedberg,] [Mainz:]: [Peter von Friedberg,], [After 22 October, 1494.]. First edition (one of three issues).. Modern full brown morocco,minor stains. Fine copy.. 4to.. Rubricated with intial Lombard letters in blue and red inks. The work in question is the Institutio viatae sacerdotalis, addressed to Trithemius' close friend and conscholarius during his former Heildelberg student days currently living in the neighborhood of Trier, Nicolaus de Merneck. Proposing to instruct the prospective scholar (as distict from regular) cleric in the performance of his office, the Institutio grew out of the first epistle of a series of letters from Trithemius to the novice priest Merneck begining April 1,1486.#11;Of the various dangers of the clerical vocation which Trithemius chose to warn his friend at that early moment in both their careers -- for at the age of 24 Trithemius himself was barely past his novitiate -- none is more predominantly at the front of his concerns in the Institutio than horrid acedia... And of course Trithemius' favorite remedy of the study of letters to help counteract aceia is also again close at hand... 'Withdraw from the company of those who reject knowledge...that is, those who neglect the reading of Scriptures and despise study!' Such ignorant seducers of young clerical novices 'are priests in name but asses in behavior...'#11;Trithemius did not wish to save the cleric from illiteracy only to have him come to no less disasterous ruin on the rockpile of the opposite stte, vain curiosity in matters detrimental to the lofty responsibilities of his office..."#11;[Noel L. Brann, The Abbot Trithemius (1462-1516) The Renaissance of Monastic Humanism. Brill,1981] Goff T439 ; Hain 15621* ; Aquilon 654 ; Polain(B) 3809 ; Voull(Trier) 952 ; Voull(B) 1584 ; Ohly-Sack 2807, 2808 ; Pad-Ink 656 ; Proctor 174 ; BMC I 46 ; BSB-Ink T-466. ISTC it00439000.
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GIULIO CESARE.
Commentarii de bello Gallico.
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Filippo Pincio, 1494., Venezia, - In folio (mm 300x210); fascicolazione: a-q8, r6. 134 carte n.n. Testo in romana su 45 linee. Belle iniziali silografiche decorate, la prima in inchiostro rosso come il titolo. Vignetta silografica raffigurante Sant'Antonio a fine volume. Tagli rossi. Piena pelle settecentesca marmorizzata, dorso a cinque nervi, con decorazioni dorate e tassello recante titolo impresso in oro. Bella edizione dei commentari sulla guerra di Cesare in Gallia, compresa l'aggiunta di Irzio sulla guerra d'Alessandria, d'Africa e di Spagna. Si tratta di una ristampa dell'edizione del 1490, con indice di Raimondo Marliano e trascurabili modifiche. BMC V, 496; BSB C-30 ; GKW 5871; Goff C-24; Hain-C 4220; Pellechet 3147; Polain 951; IGI 2328; Proctor 5304; Schweiger II 40 ; Walsh 2451.Bell'esemplare con leggeri ingiallimenti ad alcuni fascicoli. Trascurabili mende alla legatura dovute all'uso.
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[Arthurian Romance] Lancelot du Lac
Le premier (& second) volume De lancelot du lac nouvellement imprime a Paris
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Anton Verard, Paris:: Anton Verard,, 1494, 1 July.. Second Verard Edition.. 18th c, 1/2 calf over brown paste-paper boards, rubbed; Mildew & dampstains at ends; verso of Vol I t.p. reinforced; folios H3-I4 of Vol I defective and remargined at top with loss of some text on H6-I4; old repairs to corners or gutters of 1st & final quires of Vol II (no text loss); old ownerOs inscription on recto offirst leaf of volume 1 and t.p. of volume 2: Joachim, Graf Furstenberg dated 1599. The Donaueschingen Library copy.. Folio. 2 (of 3) vols. 310 x 216mm.. 45 lines & headling; double column; type 12:106B. With woodcut title page with xylographic initial [Macfarlane LXII] with calligraphic flourishes & grotesque faces & 19 woodcuts (6 repeats) [Macfarlane XXVIII & XXIX]; numerous white on black, black lombard and other woodcut initials with calligraphic flourishes and grotesques. The great Vulgate Prose Lancelot was written in the thirteenth century and expanded on Chretien de TroyesO version of the Arthurian tale. It tells of LancelotOs boyhood, his adventurous growth to manhood, his enrapture with Guenevere and his meeting with the Lady of the Lake. It continues with his search for the Grail and his eventual learning that only his son Galahad could complete his quest.The Morte DOArthur appears did not appear until the third volume printed by Verard in 1502. #11;OAnthoine V!rard dominated French book production in Paris from 1485 to 1512, a critical period in the shift from manuscript to print.E Although he defined himself invariably as a Ohumble bookseller,O this modest epithet belies the gargantuan scale of his enterprise, for during his career he issued more than 300 editions.E Even more remarkable than their sheer number, however, is their visual splendor, for V!rard was the Ofather of the French illustrated book.O [Mary Beth Winn, Verard.] Hain 9850. Goff L34. Fairfax Murray 301. Proctor 8459. Polain III,16. Brunet III, 806. Macfarlane 166 [1494-1502]. Moreau/Renouard 67. Sotheby's, July 1, 1994 Donaueschingen Library [Furstenberg], lot 192. See: BMC VIII 83. CIBN L31. Donau 314.Not in BSB.
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Strabo:
Inkunabel: De Situ Orbis
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- - Geographica, libri XVI 1. Marcinelli-Edition 1. Marcinelli-Edition Venedig, Johannes Rubeus Vercellensis, 1494. 332 Seiten Strabo De Situ Orbis Geographica, libri XVI 24.04.1494 Venedig, Johannes Rubeus Vercellensis aus dem Griechischen übersetzt von Guarinus Veronensis und Gregorius Tiphernas, editiert von Antonius Mancinellus Mit Widmungsbrief an Papst Paulus II. von Johannes Andreas de Buxis. Mit Widmungsbrief an Papst Nicolaus V. und -vorrede an Jacobus Antonius Marcellus von Guarinus Veronensis Widmungsbrief an Justinus Carosius von Antonius Mancinellus, datiert: Venetiis quinto nonas Maias.M.cccc.xciiii 1. Marcinelli-Edition mit Tabula und gedruckten Marginalen einspaltig, 61 Linien 1 Holzschnitt-Initialie auf v8verso 8 8 a--r6 ?6 s--z6 &6 ; 166 Blatt, 332 Seiten Lombarden in schwarz, teilweise (am Anfang des Buches) ausgeführt neu gebunden, ca 19 Jhdt. Marmorierter Karton, Buchrücken aus Pergament, Buchrücken von Hand beschriftet (oben Autor und Titel, unten Jahr), Schnitt-Längsseite ebenfalls beschriftet (STRABO), Einband etwas abgerieben, Schnitt verfärbt und fleckig, Seiten vergilbt, fingerfleckig, mit handschriftlichen Notizen, einige Buchwurmlöcher mit minimalem Textverlust, einige Seiten am Rand restauriert (ohne Textverlust), Vorsatzblätter erneuert, die ersten Seiten stärker ramponiert, generell alte Feuchtigkeitsflecken im Randbereich, ansonsten in gutem antiquarischem Zustand Titelblatt, 15 Bl. Tabula, am letzte verso Widmung von Mancillenus, 2. Titelblatt, 3 Blatt Widmungen, z6 verso bestempelt (Dr. L. Oster, Konstanz) Kollophon z6 recto Goff S-797, BSB S-598, BMC V 418 Strabo (etwa 63 v. Chr. - 23 n. Chr.), (der Schielende"), war ein antiker griechischer Geschichtsschreiber und Geograph. Über Strabons Leben ist wenig bekannt. Er verfasste die Geschichtlichen Anmerkungen"(Historika Hypomn?mata, 43 Bücher), die als Fortsetzung des Werkes des Polybios gedacht war und uns nur in wenigen Bruchstücken erhalten ist. Danach verfasste er eine als ergänzend zum Geschichtswerk konzipierte 17-bändige Geographie" (Ge???af???, Geôgraphiká), die bis auf einige fehlende Teile des Buches VII überliefert ist. Sein Ziel war es dabei erklärtermaßen, ein für einen möglichst weiten Leserkreis leicht verständliches und gut lesbares, nichtsdestoweniger aber informatives Werk zu schaffen. Da er für sein Werk auch verschiedene frühere Texte (teils aus mehreren Jahrhunderten) verwendet, und eingehende Kenntnisse über die römischen Rechtssysteme in verschiedenen Städten und Gebieten besitzt, gilt er auch als wertvolle Quelle hinsichtlich des Beginns und Verlaufs der allmählichen Romanisierung Galliens und der Iberischen Halbinsel. So berichtet er vor allem in den Büchern III und IV von der im Gefolge der Akkulturation einzelner Gesellschaftsschichten erfolgten Herausbildung einer neuen Lebenskultur in diesen Gebieten. Er beschreibt auch die klassischen sieben Weltwunder und liefert unter anderem eine Beschreibung Babylons. Quelle: Wikipedia 1st Marcinelli-Edition Translated from Greek into Latin by Guarinus Veronensis and Gregorius Tiphernas. Edited by Antoninus Mancinellus dedication to Pope Paulus II. b8 8 a--r6 ?6 s--z6 &6 ; 166 Blatt, 332 Seiten Lombarden in schwarz, teilweise (am Anfang des Buches) ausgeführt 19th century marbled paper-covered boards, vellum spine with hand written author and title on the upper side and year on the lower side, STRABO in hand writing on the fore-edge, cover a little rubbed but clean, edges colored and stained, pages a little browned, stained, finger prints, old staines of fleuid especially at the margins, a lot of hand written notes, some wormholes with a little loss of text, many pages restored (no loss of text), endpapers renewed, the first pages are mote damaged than the others, despite if that in good antiquarian condition title, 15 l. Tabula, dedication of Mancillenus, 2. title, 3 l. dedications, z6 verso stampedlt (Dr. L. Oster, Konstanz) collophon z6 recto Goff S-797, BSB S-598, BMC V [Attributes: Soft Cover]
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ALEXANDER VI, Pope.
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[Venice, Jacobus de Paganinis, May-June 1494]. One of two known copies of this letter of indulgencefor the benefactors and members of the fraternity of the mons pietatis (or pawnshop bank) at Padua. The only other known copy is at Vicenza, Bibl. comunale Bertoliana. It is reproduced in V. Meneghin, Bernardino da Feltre e i Monti di Pietà, Vicenza 1974 (Tav. 8, opp. p. 88) where the background is discussed at length. We know that it was printed in 6036 copies (the printer being paid 7 ducats for his trouble) to be given to all members of the fraternity, present and future. Subscription to the fraternity was one shilling a month (singulis mensibus … solidum unum persolvere tenerentur). The encouragement to join was the right to appoint a confessor who could remit venial sins, non-fulfilment of vows, etc. By the end of the 15th century there were eighteen montes pietatis in Italy, but the printed evidence to document their growth is very rare. Only two other such printed broadsides are known (both apparently unique): one relating to the mons pietatis at Cremona (1493), the other to the mons pietatis at Verona (again 1493) (see below). The montes pietatis were an attempt to solve the problems of usury. There is an account of their institution in John T. Noonan, The Scholastic Analysis of Usury (Harvard University Press, 1957), pp. 294-5: “The medieval usury doctrine especially discouraged the small-loan business. Public lending to the poor was manifest usury … To accept lending as a profession, to admit public dealing in simple consumption loans as desirable, was to make a radical break with the past. This break occurred with the acceptance of the montes pietatis. With this came not only a belief that lending could be a livelihood: although the montes themselves were pawnshops, their acceptance led to acceptance of much of the structure of institutional banking, and in particular, to the approval of investments in lending institutions and a charge of the institutional obligation of being in a position to lend.A mons pietatis was a public pawnshop, regularly financed by charitable donations and run not for profit but for the service of the poor. It charged a small fee for its care of the pawns and for the expenses of administration, including the salaries of its employees, so that the capital would not eventually be exhausted by the cost of the business. In Italy this fee came usually to 6 per cent, as compared with the 32 ½ to 43 ½ per cent charged by the public usurers. The directors of the mons were usually one or two ecclesiastical representatives and several respected merchants of the town.From the first, the mons met theological opposition on the grounds that it was an institution making a business out of lending at usury. But in 1467 Paul II approved the constitution of the original Perugian mons and successive popes approved the montes in other Italian cities. The Franciscans espoused the institution, and Blessed Bernardine of Feltre, a great Franciscan preacher [mentioned by name in the present broadside] was its special apostle, travelling throughout Italy attacking Jewish money-lenders and pleading for the mons as the remedy for usury. Some montes founded by Franciscans originally loaned entirely gratuitously, but in 1493, Bernardine convinced a general council of the order that the only practicable ways of preserving them was to charge interest; accordingly, an interest charge was made mandatory for all Franciscan establishments. At the end of the fifteenth century, there were eighty montes pietatis in Italy – a growth which itself is perhaps the best indication of the necessity of their work”.The printer. Dr Martin Davies writes,The type of the Paduan mons pietatis broadside is a gothic fount measuring 84mm. for 20 lines, as used by a number of Venetian printers, in this case the 84G of the brothers de Paganinis of Brescia, whose books were variously signed by Paganinus, Jacobus and Hieronymus. Jacobus signs books only of late 1490 to 1491 (BMC V 453), but we have an archival document in Padua (V. Meneghin, Fra Bernardino da Feltre, p. 312) to the effect that this broadside was the work of a printer called “Giacomo da Brescia”, who on 4 June 1494 was paid seven ducats for printing 6,036 copies of it. (The broadside 84G is quite different from that used by Jacobus Britannicus of Brescia, the only other possible candidate among known printers.) The peculiar ticked Q (line 21), standing for Quod, is found sparingly towards the end of the only book signed by Jacobus de Paganinis in the British Library, Panormitanus, Consilia, 7 Apr. 1491, IC.23307, at h4v col. a ad calc. ‘Quarto’, i6v col. b v. 20, k4v col. a v. 4. This sort is also often seen filed down to make a regular Q (one of three distinct designs used by Jacobus in the book), as it is in the Pacioli, Somma di arithmetica, Nov. 1494 signed by his brother Paganinus. Imperfectly modified versions of this sort form the Q at fol. 7r col. 2 of the opening table (‘Quintus) and fol. 63r/h7r (‘Quanta’) in that book. The Panormitanus of Jacobus has no woodcut initials, but the black-ground woodcut V that begins the broadside is often used in the Pacioli of Paganinus, in the British Library copy (IB.23272) first at fol. 36 (c4r). The BL copy has its opening quires from a later printing, with lombards in place of the original woodcut initials: these latter can be seen in the online facsimile provided by Wolfenbüttel HAB at http://diglib.hab.de/inkunabeln/83-1-quod-2f/start.htm, the first woodcut V at frame 65 = fol. 24/c8r, and plentifully thereafter. The two words in roman type (all in capitals) will be printed in the de Paganinis 79R or 85R.The only broadsides relating to montes pietatis noted by Falk Eisermann, Verzeichnis der typographischen Einblattdrucke des 15. Jahrhunderts im Heiligen Römischen Reich Deutscher Nation (VE15), 3 vols., Wiesbaden, 2004, I.38-56 in his ‘Negativliste’ (i.e. broadsides from outside the German Reich):i) No. 77. Alexander VI, Bulle “Intenta semper salutis operibus”, 15.3.1492 [= 1493]. daran: Indulgentiae stationum urbis confraternitati pietatis Cremonae. Cremona: [Carolus de Darleriis]. ISTC ia00369950.ii) No. 79. Alexander VI, Bulle “Pastoris aeterni”, 4.6.1493 [Verona: Johannes Alvisius]. ISTC ia00370900 [= IGI VI 278-A, vellum].
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JUSTINIAN, Emperor of the East
Digestum novum
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Bernardinus Stagninus de Tridino Venice 1494 Modern half vellum Folio . Rare edition of the "CorpusJuris Civilis"; not in American libraries, the BMC, Italy, etc. Includes the Glossa Ordinaria by Accursius Florentinus and the Summaria by Bartolus de Saxoferrato and Paulus de Castro with enlargements by Hieronymus Clarius (?). The volume, part of which has been subject to some expert repairs, and although some text has been affected it is a complete copy as well as an impressive, and monumental (16 1/2 x 11 1/4 inches) piece of printing; printed in red and black throughout. "The most enduring work of Justinian was his codification of the laws. ... The great empire he was reconquering must have the strength of organized unity. He says in the edict of promulgation of his laws that a state rests on arms and law ("De Justin. Cod. Confirmando", printed in front of the codex). The scattered decrees of his predecessors must then be collected in a well-ordered and complete codex, logically arranged, so that every Roman citizen could learn at once the law of the empire on any subject. This codification was Justinian's great work. He made many new laws himself, but his enduring merit is rather the classification of scattered older laws. ... So the immortal "Corpus Juris Civilis" was produced, consisting of four parts: (a) Digestae seu Pondecta, (b) Institutiones, (c) Codex, (d) Authenticum seu Novellae (an excellent account of its composition is found in Bury's Gibbon, ed. Cit., IV 461-510). It would be difficult to exaggerate the importance of this "Corpus". It is the basis of all canon law (ecclesia vivit lege romana), and the basis of civil law in every civilized country" (Catholic Enc.; New Advent) 308 (of 310 leaves; lacking the last 2 blank leaves). Title printed in red; printed in red and black throughout; gothic type; double column; 70 to 82 lines; woodcut printer's device (Husung 214) printed in red at the end. Extensive expert repairs to the first two leaves which only affect a few letters; about a dozen leaves in the first part of the volume have a brownish coffee color stain (occasionally large but not affecting the legibility of the text); from leaf 147 to the end of the volume at the top inner margin a small round hole has been repaired with some loss of text; mildew stain in blank margins towards the end of the volume (stabilized); blank corner margins of last two leaves repaired (affect a few words on last leaf); few neat tear repairs. § Hain 9592; GKW 7718 (only 22 copies located); BSB C-592
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Riffenburgh, Beau
Exploradores y sus descubrimientos, Los. Las expediciones mas famosas del mundo
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Ediciones LU Ediciones LU. 8496865088 Con todos los personajes que han marcado el curso de la historia este libro le invita a un viaje de descubrimiento. Desde los tiempos de Erik el Rojo pasando por los viajes de Marco Polo Cristobal Colon los conquistadores espanoles asi como los pioneros franceses portugueses hasta los heroicos intentos de personajes como Livingstone Amundsen Scott este libro bellamente ilustrado le acompana en un recorrido por el mundo junto con los exploradores que dedicaron en algunos casos sacrificaron su vida para que pudieramos ampliar nuestro conocimiento del planeta. Contiene mas de 30 documentos facimiles de gran importancia historica entre los que se encuentran: extracto de una carta de Cristobal Colon publicada por primera vez en 1494 acuarela de las cataratas Victoria pintada por Dvid Livingstone bloc de notas sobre animales africanos perteneciente a Hohn Hanning Speke extracto del Tratado de Tordesillas mapa de una parte del rio Orinoco realizado por Alexander von Humboldt. Tambien incluye CD con 35 mapas en color procedentes del extenso archivo del RGS. . Good. 2007.
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JUSTINIAN, Emperor of the East
Digestum novum
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Bernardinus Stagninus de Tridino, Venice 1494 - Modern half vellum Folio . Rare edition of the "Corpus Juris Civilis"; not in American libraries, the BMC, Italy, etc. Includes the Glossa Ordinaria by Accursius Florentinus and the Summaria by Bartolus de Saxoferrato and Paulus de Castro with enlargements by Hieronymus Clarius (?). The volume, part of which has been subject to some expert repairs, and although some text has been affected it is a complete copy as well as an impressive, and monumental (16 1/2 x 11 1/4 inches) piece of printing; printed in red and black throughout. "The most enduring work of Justinian was his codification of the laws. . The great empire he was reconquering must have the strength of organized unity. He says in the edict of promulgation of his laws that a state rests on arms and law ("De Justin. Cod. Confirmando", printed in front of the codex). The scattered decrees of his predecessors must then be collected in a well-ordered and complete codex, logically arranged, so that every Roman citizen could learn at once the law of the empire on any subject. This codification was Justinian's great work. He made many new laws himself, but his enduring merit is rather the classification of scattered older laws. . So the immortal "Corpus Juris Civilis" was produced, consisting of four parts: (a) Digestae seu Pondecta, (b) Institutiones, (c) Codex, (d) Authenticum seu Novellae (an excellent account of its composition is found in Bury's Gibbon, ed. Cit., IV 461-510). It would be difficult to exaggerate the importance of this "Corpus". It is the basis of all canon law (ecclesia vivit lege romana), and the basis of civil law in every civilized country" (Catholic Enc.; New Advent) 308 (of 310 leaves; lacking the last 2 blank leaves). Title printed in red; printed in red and black throughout; gothic type; double column; 70 to 82 lines; woodcut printer's device (Husung 214) printed in red at the end. Extensive expert repairs to the first two leaves which only affect a few letters; about a dozen leaves in the first part of the volume have a brownish coffee color stain (occasionally large but not affecting the legibility of the text); from leaf 147 to the end of the volume at the top inner margin a small round hole has been repaired with some loss of text; mildew stain in blank margins towards the end of the volume (stabilized); blank corner margins of last two leaves repaired (affect a few words on last leaf); few neat tear repairs. § Hain 9592; GKW 7718 (only 22 copies located); BSB C-592.
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Quintilianus,(M.F.).
Institutiones cum commento Laurentii Vallensis: Pomponii: ac
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. Sulpitii. (Venedig, P. de Pasqualibus, 18. VIII. 1494). Fol. Mit Holzschn.-Druckerm. 247 Bl., (le. w. fehlt). Prgt. d. 18. Jhts. mit goldgepr. Rsch. (Etw. gebräunt u. best.).. InkunabelnHain-C. 13654. BMC V, 393. Proctor 4865. Goff Q 30. Ebert 18425: "Vallae u. Laeti Noten gehen blos über d. 1e u. 2e Buch, v. 3n Buche an sind es blos die d. Rph. Rcgius (nicht d. Sulpicius, v. welchen in dieser Ausg. gar nichts ist). Der Text ist nach Regii Conjecturen geändert". - Frühe Ausgabe d. Hauptwerkes d. Prinzenerziehers am Hof Domitians. "Das Werk, das auf griech. u. latein. Quellen beruht, ist mit Wärme u. geläutertem Geschmack geschr. Der ruhige, klare Stil steht unter d. Einfluß Ciceros, ist aber darüber hinaus selbständig" (Tusc. Lex.). - Etw. gebräunt, tls. stockfl. Bl. m1 mit gekl. Einriss u. im unt. w. Rand verknittert. Anfang mit kl. Wurmlöchern u. leicht randriss. Zahlr. Marginalien in alter Tinte. Genannte Preise sind Rückgangspreise inc. Aufgeld und 7% MWSt.
[Bookseller: Antiquariat Kiefer] |
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JUSTINIAN, Emperor of the East
Digestum novum
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Bernardinus Stagninus de Tridino, Venice 1494 - Modern half vellum Folio . Rare edition of the "Corpus Juris Civilis"; not in American libraries, the BMC, Italy, etc. Includes the Glossa Ordinaria by Accursius Florentinus and the Summaria by Bartolus de Saxoferrato and Paulus de Castro with enlargements by Hieronymus Clarius (?). The volume, part of which has been subject to some expert repairs, and although some text has been affected it is a complete copy as well as an impressive, and monumental (16 1/2 x 11 1/4 inches) piece of printing; printed in red and black throughout. "The most enduring work of Justinian was his codification of the laws. . The great empire he was reconquering must have the strength of organized unity. He says in the edict of promulgation of his laws that a state rests on arms and law ("De Justin. Cod. Confirmando", printed in front of the codex). The scattered decrees of his predecessors must then be collected in a well-ordered and complete codex, logically arranged, so that every Roman citizen could learn at once the law of the empire on any subject. This codification was Justinian's great work. He made many new laws himself, but his enduring merit is rather the classification of scattered older laws. . So the immortal "Corpus Juris Civilis" was produced, consisting of four parts: (a) Digestae seu Pondecta, (b) Institutiones, (c) Codex, (d) Authenticum seu Novellae (an excellent account of its composition is found in Bury's Gibbon, ed. Cit., IV 461-510). It would be difficult to exaggerate the importance of this "Corpus". It is the basis of all canon law (ecclesia vivit lege romana), and the basis of civil law in every civilized country" (Catholic Enc.; New Advent) 308 (of 310 leaves; lacking the last 2 blank leaves). Title printed in red; printed in red and black throughout; gothic type; double column; 70 to 82 lines; woodcut printer's device (Husung 214) printed in red at the end. Extensive expert repairs to the first two leaves which only affect a few letters; about a dozen leaves in the first part of the volume have a brownish coffee color stain (occasionally large but not affecting the legibility of the text); from leaf 147 to the end of the volume at the top inner margin a small round hole has been repaired with some loss of text; mildew stain in blank margins towards the end of the volume (stabilized); blank corner margins of last two leaves repaired (affect a few words on last leaf); few neat tear repairs. § Hain 9592; GKW 7718 (only 22 copies located); BSB C-592.
[Bookseller: Jeffrey D. Mancevice, Inc.] |
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GUILLELMUS PERALDUS
Summa de virtutibus et vitiis
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Angelus and Jacobus Britannicus Brescia 24 December 1494 18th century vellum 8vo . Early collected edition (2nd? preceded by a Cologne 1479 ed.). An excellent note on the value of these texts is made by Dr. A.M. Verweij in his announcement for an a project to make an English translation of Guillelmus Peraldus', 'Summa de virtutibus': "The aim of this project is to prepare a critical, annotated edition of the by and large most influential text on the cardinal virtues from the later medieval period: Guillaume Peyraut (Guillelmus Peraldus, ca. 1200-1271?), 'Summa de virtutibus' (ca. 1248), section III, 'De virtutibus cardinalibus'. Peraldus, a Dominican preacher from Lyon, composed the 'Summa de virtutibus' as a counterpart of his 'Summa de vitiis' (ca. 1236); by 1250 both Summae often circulated together, so that they are sometimes mentioned as a single work, by medieval readers as well as by modern bibliographers. It is important to note that the 'Summa de virtutibus' is not a specimen of speculative theology or philosophy. There are few references to Aristotle or other Greek philosophers; Peraldus rather uses the Latin Stoics (Cicero, Seneca, Macrobius) and otherwise clings to the Christian tradition, from the Bible and patristic writings to Bernard of Clairvaux. One may characterize his Summae as compendia for preachers and confessors, adapted to their instructional needs and emphasizing more the concrete actions of common believers than human psychology or morality in general. Their rhetoric and structure suit these pragmatic needs: the works include a large amount of illustrative material (quotations, anecdotes, exempla), which were to facilitate the moral instruction of the congregation from the pulpit. Moreover, rubrics were introduced into the text to stimulate the use of the Summae as works of reference. The influence of the 'Summa de virtutibus' can hardly be overestimated. The work has been preserved in over 300 manuscripts (against 500 for the 'Summa de vitiis'), many of these originating in Dominican and Franciscan environments, and a few dozen early printed editions. For many Latin and vernacular treatises dealing with the virtues, the 'Summa' has functioned as a leading or exclusive model (which has caused many of these works to be mistakenly attributed to Peraldus)" ( Dr. A.M. Verweij, Instituut voor Historische, Literaire en Culturele Studies). The project may have been canceled or not yet accomplished since an online check doesn't bring up any English translations yet available. A very nice copy which is illustrated with a fine title woodcut of Saint Peter 2 parts in 1 volume. 220 (last leaf blank), [163] (instead of 164; lacking last blank leaf). With title woodcut; gothic type; 50 lines; capital spaces with guide letters; title-page expertly clean and remargined covering a few letters on verso but not affecting legibility of the text; some light occasional foxing. Generally a very good copy. § Hain-Copinger 12389; Pellechet 8983; Polain 3038; IGI 7211; Proctor 6988; BMC VII, 976; GKW 12054; Goff P 85 (3 copies); BSB G-524
[Bookseller: Jeffrey D. Mancevice Inc.] |
| 72. Check availability: ILAB
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R. H. Parker; B. S. Yamey
Accounting History: Some British Contributions
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OUP Oxford - In recent years there has been increasing interest shown in the history and development of accounting practices; accounting records are an important source of historical data, and they can also provide evidence of varied organizational structures and systems of management control. This volume brings together published work by the major British scholars in the field, and is intended as a contribution to accounting scholarship on the 500th anniversary of Pacioli's Summa de Arithmetica (1494). Contributions are grouped under the following headings: The Ancient World; Before Double Entry; Corporate Accounting; Local Government Accounting; Cost and Management Accounting; Accounting Theory; an.
[Bookseller: Books Express (Academic & Professional)] |
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Lorenzo Polizzotto
The Elect Nation: The Savonarolan Movement in Florence, 1494-1545
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Clarendon Press - The Elect Nation is the first comprehensive study of the religious, political and cultural movement inspired by Savonarola. Based on a thorough examination of archival material and manuscript sources, the book argues that the followers of Savonarola exercised a profound influence on every facet of Florentine life during the important period of the city's transition from republic to principate. It is the author's contention that their ideology and activities provide the key to understanding not only the policital developments of the last years of the Florentine Republic, but also the nature of contemporary political debate and the characteristics of the merging Medicean Principate. A maj.
[Bookseller: Books Express (Academic & Professional)] |
| 75. Check availability: AbeBooks
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GUILLELMUS PERALDUS
Summa de virtutibus et vitiis
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Angelus and Jacobus Britannicus 24 December 1494, Brescia - 18th century vellum 8vo . Early collected edition (2nd? preceded by a Cologne 1479 ed.). An excellent note on the value of these texts is made by Dr. A.M. Verweij in his announcement for an a project to make an English translation of Guillelmus Peraldus', 'Summa de virtutibus': "The aim of this project is to prepare a critical, annotated edition of the by and large most influential text on the cardinal virtues from the later medieval period: Guillaume Peyraut (Guillelmus Peraldus, ca. 1200-1271?), 'Summa de virtutibus' (ca. 1248), section III, 'De virtutibus cardinalibus'. Peraldus, a Dominican preacher from Lyon, composed the 'Summa de virtutibus' as a counterpart of his 'Summa de vitiis' (ca. 1236); by 1250 both Summae often circulated together, so that they are sometimes mentioned as a single work, by medieval readers as well as by modern bibliographers. It is important to note that the 'Summa de virtutibus' is not a specimen of speculative theology or philosophy. There are few references to Aristotle or other Greek philosophers; Peraldus rather uses the Latin Stoics (Cicero, Seneca, Macrobius) and otherwise clings to the Christian tradition, from the Bible and patristic writings to Bernard of Clairvaux. One may characterize his Summae as compendia for preachers and confessors, adapted to their instructional needs and emphasizing more the concrete actions of common believers than human psychology or morality in general. Their rhetoric and structure suit these pragmatic needs: the works include a large amount of illustrative material (quotations, anecdotes, exempla), which were to facilitate the moral instruction of the congregation from the pulpit. Moreover, rubrics were introduced into the text to stimulate the use of the Summae as works of reference. The influence of the 'Summa de virtutibus' can hardly be overestimated. The work has been preserved in over 300 manuscripts (against 500 for the 'Summa de vitiis'), many of these originating in Dominican and Franciscan environments, and a few dozen early printed editions. For many Latin and vernacular treatises dealing with the virtues, the 'Summa' has functioned as a leading or exclusive model (which has caused many of these works to be mistakenly attributed to Peraldus)" ( Dr. A.M. Verweij, Instituut voor Historische, Literaire en Culturele Studies). The project may have been canceled or not yet accomplished since an online check doesn't bring up any English translations yet available. A very nice copy which is illustrated with a fine title woodcut of Saint Peter 2 parts in 1 volume. 220 (last leaf blank), [163] (instead of 164; lacking last blank leaf). With title woodcut; gothic type; 50 lines; capital spaces with guide letters; title-page expertly clean and remargined covering a few letters on verso but not affecting legibility of the text; some light occasional foxing. Generally a very good copy. § Hain-Copinger 12389; Pellechet 8983; Polain 3038; IGI 7211; Proctor 6988; BMC VII, 976; GKW 12054; Goff P 85 (3 copies); BSB G-524.
[Bookseller: Jeffrey D. Mancevice, Inc.] |
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FINE' Oronce
Opere di Orontio Fineo del Delfinato. Divise in cinque parti; Aritmetica, Geometria, Cosmogafia, e Oriuoli, tradotte da Cosimo Bartoli, Gentilhuomo & Academico.
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- Venezia, Francesco de' Franceschi, 1587In 4° (20,7 x 15,5). Cc. (8)+81; 84; 126; 88; 18+(2). Manca la carta bianca L2 posta fra prima e seconda parte. Marca tipografica al titolo. Numerosissimi diagrammi e belle figure xilografiche nel testo. Qualche brunitura ad alcuni fascicoli in fine, una leggerissima gora sempre in fine ma esemplare molto bello e sano nella sua legatura del tempo piena pergamena floscia con unghie. Titolo ms. al dorso (svanito) e al taglio di piede. Lacks the blank leaf L2 between first and second part. A few quires browned but overall a nice copy in contemporary limp vellum. Title manuscript on spine and at foot. Prima edizione in volgare, importante e non comune. Il traduttore è il matematico Cosimo Bartoli che in quel tempo dissertava delle medesime materie, in particolare quelle astronomiche e misurative. Ricco è l'apparato illustrativo, consueto alle opere dello scienziato di Briançon (1494-1547). Finé ottenne la cattedra di matematica al Collège Royal de France ma la sua fama è rimasta legata in primo luogo alla progettazione degli orologi solari. First italian edition, rare. The translation of the complete work of Oronce Finé made by Cosimo Bartoli, another great men of science who wrote an important treatise on mensuration. ADAMS, F-459. ICCU/EDIT16, n. 19063. MORTIMER, n.187. RICCARDI, vol. I, p. 91 n.3.1. SMITH, p.164
[Bookseller: LIBRERIA ANTIQUARIA PIEMONTESE]
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