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Displayed below are selected recent viaLibri matches for books published in 1490



pagina in pergamena di cm 19 x 14 ca
      databile intorno al 1490. scrittarua a fronte retro du 17 righe con circa 25 caratteri per riga di tematica religiosa. La datazione e riconducibile al tipo di scrittura utlaizzata che unadelle ultime versioni scritte, utilizzata soltanto in piemonte elombardia, della gotaca bastarda. 8 miniature colorare al fronte, 3 "E" in mionio rosso, una E in minio rooso e blu, una a in minio blu su fondo rosso una t in mino blu su fondo rosso, ed infine una P di dimensioni di cm 1,5 x 1,5 in blu con fondo rosso e con decorazione vegetale ai lati in minio rosso. Retro 6 miniature tre delel quali in minio rossi e tre in minio blu su fondo rosso. Ottimo stato di conservaizone.
      [Bookseller: librerie antiquarie iavarone adlibros]
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DIOGENES LAERTIUS
Vitae et sententiae philosophorum (Translated by Ambrosius Traversarius.Edited by Benedictus Brognolus)
      (Bonetus Locatellus for) Octavius Scotus Venice 18. December 1490 19th century vellum 4to . "The chief service of Diogenes Laertius (fl. 220) in his Lives was the preservation of the 'Sovran Maxims' of Epicurus, the collection of the forty most important articles in the Epicurean doctrine. Other biographies of scientific (including chemical) interest are those of Aristotle, Democritus, Leucippus, and Theophrastus. Diogenes's famous Lives of the philosophers was among the favorite schoolbooks of the ealier Renaissance, and there were numerous editions of it, especially in Italy where is remained in favor until the beginning of the seventeenth century. The text contains many biographical facts and quotations not easily accessible elsewhere. ... A rare incunable" (Neville Historical Chemical Library, I, 368: this edition) [112] leaves. Roman type; varying sizes of woodcut initials; Some neat contemporary annotations with later title inscription; some guide letters; few tiny round worm holes in the front of the volume and worm hole in bottom blank margin of a few leaves in the middle; some minor marginal dampstains; minor marginal handsoiling to titlegenerally a nice clean, crisp copy. § Hain-Copinger 6202; GW 8381; BMC V, 438; Goff D-222
      [Bookseller: Jeffrey D. Mancevice Inc.]
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Große Bibliotheken der Welt. Schätze der Bibliotheque Nationale.
      Coron Exclusiv. - Folio. 9 (von 10) farb. Faksimiles unter Passepartout in Orig.-Samtkassette mit Metallapplikation u. goldgeprägt. Rückentitel. - Runder Brandfleck (6 cm) auf Kassetten-Deckel. *Nr. 585 von 1490 Exemplaren.
      [Bookseller: Antiquariat Kunsthaus Adlerstrasse]
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BULLETIN DE L'ACADEMIE DELPHINALE. - Edmond MAIGNIEN.
BULLETIN DE L'ACADEMIE DELPHINALE (3e Série - Tome 18e - 2me Partie 1883). - L'IMPRIMERIE. LES IMPRIMEURS ET LES LIBRAIRES A GRENOBLE DU XVe AU XVIIIe SIECLE. - / BIBLIOGRAPHIE GRENOBLOISE (1490-1788).
      Imprimerie Gabriel Dupont, Grenoble 1885. Fort volume broché in-8 (14x22,5cm). Couverture imprimée du titre et vignette en noir. CXIVff + 603 pages (non coupées). Nombreuses marques typographiques et signatures des Imprimeurs et quelques illustrations nb dans le texte. 5 tableaux généalogiques dépliants (Verdier, Faure, Giroud, Charvys, Champ). - Rare première édition de cet ouvrage de référence sur l'histoire de l'imprimerie et de la librairie à Grenoble. Bon état. L'Imprimerie. Les Imprimeurs et les Libraires à Grenoble du XVe au XVIIIe siècle, par Edmond Maignien, Conservateur de la Bibliothèque de Grenoble (114 pages, avec marques typographiques et signatures des Imprimeurs + 5 tableaux généalogiques). - / Bibliographie grenobloise (1490-1788) suivie de quelques documents, tables alphabétiques des imprimeurs et des libraires de Grenoble, des auteurs compris dans la bibliographie grenobloise, des ouvrages parus sans nom d'auteur et errata (603 pages).
      [Bookseller: La Bouquinerie Jacques Chenal]
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Sacrobosco Johannes de; Regiomontanus; Georgius Peurbachius
SPHAERA MUNDI. Regiomontanus, DISPUTATIONES CONTRA CREMONENSIA DELIRAMENTA. Georgius Peurbachius, THEORICAE NOVE PLANETARUM
      Venice: [Bonetus Locatellus for] Octavianus Scotus, 4 October 1490. A very early issuance of these pre-Copernican texts of astronomy. Printed in Roman type, 41 lines without headlines. With 4-line and 12-line white-on-black woodcut initials, a full-page allegorical woodcut of Astonomia seated on a throne and flanked by Urania and Ptolemy, seven wood cut diagrams printed in 2 or 3 colors, and numerous other woodcut diagrams throughout including one of an armillary sphere, and the woodcut printerOs mark printed in red 4to (195x 135mm), bound in full antique vellum. 48 leaves, unfoliated. A very fine copy, complete and uncommonly fresh; a few leaves shaved close by the binder affecting a few letters at the outside margin.. rare. An early printing of this great scientific text and one of the two earliest astronomical books ever issued. Sacrobosco's SPHAERA MUNDI is probably the most popular astronomical text ever written. Originally printed at Ferrara in 1472, it was only the second astronomical book ever printed and among the earliest scientific text in any field. Although it did not advance astronomical knowledge beyond that attained by the Arabs in their commentaries on Ptolemy, it gained a great reputation; twenty-four editions appeared before 1500, and at least forty between 1500 and 1647, when the last edition was printed at Leiden. Little is known of Sacrobosco himself. It is believed he was of English origin, but unquestionably lived in the first half of the thirteenth century as professor of astronomy at Paris and it is known that he died in that city in 1256. He owed his reputation as an astronomer chiefly to this astronomical textbook "De Sphaera Mundi," which was used at universities all throughout Europe for several centuries. The exact place and time of his birth is unknown. As the Latinized name Sacrobosco seems to be a translation of the English name Holywood or Holybush, many believe that Holywood (now Halifax), in Yorkshire, was his birthplace. Others give it as Holywood near Dublin; others again claim that he came from Scotland. Sacrobosco studied first at Oxford, but then went to France, where, as a contemporary of St. Thomas Aquinas, he proved himself an efficient teacher of mathematics and astronomy. At that time many were deterred from undertaking the study of astronomy by such ponderous (and at that time largely obscure) works as those of Ptolemy, Alfraganus, and Albategnius, so Sacrobosco wisely resolved to write a compendium of spherical astronomy, which universities could use as a textbook. How well-timed and well received his book was is shown by the numerous editions published before the middle of the seventeenth century when the new Copernican theory was generally adopted. Georg Peurbach lived from 1423-1461 and was the teacher of Regiomontanus (1436-1476), another of the great early Renaissance scientists of astronomy. The work here included by Regiomontanus has to do with corrections rendered to planetary tables and it is accompanied not only by SacroboscoOs text but by Peurbach"s NOVAE THEORICAE PLANETARUM. OPeurbach and Regiomontanus were the outstanding astronomers of their time and their early deaths were "a serious loss to the progress of astronomy... [which] left the technical development of mathematical astronomy deprived of substantial improvement until the generation of Tycho Brahe" (ibid). Around 1454 Peurbach composed his textbook of astronomy, NOVAE THEORICAE PLANETARUM (published in N!rnberg,1473), which became the standard astronomical text for over a century and a half, as well as writing, with Regiomontanus, the Epitome of Ptolemy (published in 1496), the clearest and most accurate exposition of Ptolemaic astronomy in the fifteenth and sixteenth centuries. Following Arab astronomers, Peurbach "added trepidation to Ptolemy"s six motions of the celestial spheres and substituted solid crystal spheres for the hypothetical circles employed in Ptolemy"s Almagest" (Watson citing Stillwell).
      [Bookseller: Buddenbrooks, Inc.]
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Foresti, Jacobus Philippus de Bergamo
[Supplementum chronicarum.]
      Venice: Bernardinus Rizus, Novariensis 15 May, 1490. Folio, 11.6 x 8.2 inches. Second illustrated edition. [1]6, [11]6, a-z8, [et]8, [con]8, [orum]8, A-F8, G6. 272 of 274 leaves. (Lacking the first and last blanks, [1]1 and G6.) This illustrated incunabula contains the following woodcut images: a large (6.5 inch square) woodcut of the creation of Eve; three half-paged woodcuts: 1) Adam and Eve tasting the fruit and then banished from the garden; 2) Cain and Abel; and 3) the building of the Tower of Babel. A three-part smaller woodcut shows the destruction of Sodom and Gomorra. The other sixty-three woodcuts found in the text are of city views, with some repeats. Most of the woodcuts of cities are small, and some are repeated, but Venice and Rome are quite large. The woodcut of Rome may be the earliest printed view of the city ever made, see Essling I, p. 303. The printer also uses some 12-line white-on-black floriated woodcut initials. The woodcut device on the colophon leaf is Kristeller 268. This copy is bound in late-sixteenth century Italian brown sheepskin over paper boards. It is ruled in blind with a large X-shape on both boards. The endpapers are from the time of the rebinding. A seventeenth century news article about Madrid has been pasted inside the back board. The condition is quite good in this copy, which contains notes throughout..
      [Bookseller: James & Devon Gray Booksellers]
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Medieval Music leaf on vellum
"Gloria Patri et filio et spiritui sancto..."
      Italy: c1490. Double leaf. 360 x 485mm. The leaf is a palimpsest with traces of the original text of a larger leaf written crossways to ours. The verso of the leaves are blank and the leaf is probably a binding rescue. There are two holes in the text (one in each leaf) which are patched (some text lost); there is dampstaining at the outer edges and some worming in the inner margin. 4 line music staff in red with text in Gothic hand with 8 colored initials in alternating red and blue. The manuscript was probably added to the leaf after it was used in a binding. An old note claims it was from the collection of "John H. Carter."
      [Bookseller: Krown & Spellman, Booksellers]
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Northcote, James (1746-1831)
The Life of Titian: With Anecdotes of the Distinguished Persons of His Time. in Two Volumes
      Henry Colburn and Richard Bentley, London, 1830. First Edition. Scarce. Handsomely bound two volume set detailing the life of the artist Titian (born Tiziano Vecelli ca. 1490), founder of the Venetian School of the Italian Renaissance. Includes a frontis portrait of the artist and a folding genealogical chart at the end of volume II. Original 3/4 tree calf with marbled boards, raised spine bands. Large 8vo. Portrait; 399 + 384 pages. Fine. * Biography of the artist Titian (born Tiziano Vecellio c.1490), founder of the Venetian School of the Italian Renaissance. James Northcote was a pupil of Sir Joshua Reynolds and more successful at painting animals than higher forms of life which prompted Henry Fuseli to remark upon seeing Northcote's "Angel opposing Balaam"-"Northcote, you are an angel at an ass, but an ass at an angel. " William Hazlitt assisted Northcote in his life of Titian.
      [Bookseller: Alibris]
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BULLETIN DE L'ACADEMIE DELPHINALE. - Edmond MAIGNIEN.
BULLETIN DE L'ACADEMIE DELPHINALE (3e Serie - Tome 18e - 2me Partie 1883). - L'IMPRIMERIE. LES IMPRIMEURS ET LES LIBRAIRES A GRENOBLE DU XVe AU XVIIIe SIECLE. - / BIBLIOGRAPHIE GRENOBLOISE (1490-1788).
      Imprimerie Gabriel Dupont, Grenoble 1885. Fort volume broche in-8 (14x22,5cm). Couverture imprimee du titre et vignette en noir. CXIVff + 603 pages (non coupees). Nombreuses marques typographiques et signatures des Imprimeurs et quelques illustrations nb dans le texte. 5 tableaux genealogiques depliants (Verdier, Faure, Giroud, Charvys, Champ). - Rare premiere edition de cet ouvrage de reference sur l'histoire de l'imprimerie et de la librairie a Grenoble. Bon etat.L'Imprimerie. Les Imprimeurs et les Libraires a Grenoble du XVe au XVIIIe siecle, par Edmond Maignien, Conservateur de la Bibliotheque de Grenoble (114 pages, avec marques typographiques et signatures des Imprimeurs + 5 tableaux genealogiques). - / Bibliographie grenobloise (1490-1788) suivie de quelques documents, tables alphabetiques des imprimeurs et des libraires de Grenoble, des auteurs compris dans la bibliographie grenobloise, des ouvrages parus sans nom d'auteur et errata (603 pages).
      [Bookseller: La Bouquinerie Jacques Chenal]
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D. José Zurrilla
Obras Completas
      Baudry - Em 3 volumes, formato 22 x 14 cm, encadernçao em couro e papel fantasia com nervuras nas lombadas, total de 1490 páginas, páginas escurecidas pelo tempo, Nueva edicion corregida y la sola reconocida por el autor, con su biografia, impresso em paris, capas bem gastas, volume três com buraco na maioria das páginas e afetam um pouco do texto. Literatura Estrangeira 2315 gr.
      [Bookseller: Livraria Nova Floresta]
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GUICCIARDINI, Francesco.:
Delle Historia d'ItaliaLibri XX Trai quali sono aggiunti i Libri quattro ultimi, che nel altro impresioni non erano. Con un discorso di M. Curtio Marinello (..)
       In Venetia, Antonio Bertano, MDLXXX.In-4 de (56)596-(597)folios. Demi-veau posterieur, reliure ancienne, dos orne, papier des plats renouvele. Ex.. rogne court en tete et petite mouillure claire en coin des dernieres pages. Un des meilleurs livres historique de la litterature italienne; il decrit les annees 1490 a 1540. Les vues de l'auteur etaient modernes: elles mettent l'accent sur la cause des evenements.
      [Bookseller: Librairie Rita de Maere]
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BERNI CASA, VARCHI, MAURO, BINO?
Opere Burlesche.
      Edition originale.Un frontispice portrait de Berni et deux vignettes de titre. Absent de la bibliotheque nationale italienne, par ailleurs les 3 tomes se trouvent rarement reunis. §Ex libris ex bibliotheca Ferdinandi Baroli. Colleg. Medic. Doct. §Pleine Basane d'epoque, dos lisse tres ornes de petits fers et roulettes. Pieces de titres noires. Beaux exemplaires. §Compilation des Å“uvres burlesques de tres nombreux auteurs italiens de la Renaissance dont Berni (1490-1536), le plus celebre pour ses Å“uvres burlesques qui furent appeles Bernesques. On trouve egalement les Å“uvres de l'Aretin, de Bronzino (le peintre), de Medici, Galileo, Rustini. §Photos sur www.Edition-originale.com. Apresso Jacopo Broedelet In Usecht al Reno _1771 in 8 (17,5x12cm) XVI 414pp., 359pp., 328pp. 3 tomes en 3 Vol. relies
      [Bookseller: Librairie Le Feu Follet]
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pagina in pergamena di cm 19 x 14 ca
      databile intorno al 1490 - scrittarua a fronte retro du 17 righe con circa 25 caratteri per riga di tematica religiosa. La datazione è riconducibile al tipo di scrittura utlaizzata che unadelle ultime versioni scritte, utilizzata soltanto in piemonte elombardia, della gotaca bastarda. 8 miniature colorare al fronte, 3 "E" in mionio rosso, una E in minio rooso e blu, una a in minio blu su fondo rosso una t in mino blu su fondo rosso, ed infine una P di dimensioni di cm 1,5 x 1,5 in blu con fondo rosso e con decorazione vegetale ai lati in minio rosso. Retro 6 miniature tre delel quali in minio rossi e tre in minio blu su fondo rosso. Ottimo stato di conservaizone.
      [Bookseller: Librerie Antiquarie Iavarone / adlibros]
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D.A. Brown
The Legacy of Leonardo
      Skira. New PLEASE NOTE that we do not offer expedited shipping. Orders placed with the priority shipping option will automatically be canceled. The ever increasing art historical attention being paid to the School of Leonardo lies at the root of this volume published almost sixty years after Suida's classic treatment of the subject. This is the first time since then that Lombard art of Leonardesque inspiration has been the object of a systematic analysis embracing a period of around half a century starting from 1490. On the 22nd of September of that year, in fact, Leonardo recorded the presence of Marco d'Oggiono in his workshop at Milan: this, for us, is the first clue to the existence of a school associated with the Florentine master and the point of departure for the adventure of the Leonardesques. The essays opening the volume provide an overview dealing with the environment, the organisation and the working practices of Leonardo's atelier and the problems faced by historians, whilst each artist is discussed in a critical profile that, taking into account the most recent academic research, acts a brief up-to-date monograph. Also available from Abbeville PressMichelangelo: the PietàLorenzo LottoThe Frescoes in the Oratorio Suardi at TrescorePieter Bruegel the Elder at the Kunsthistorisches Museum in Vienna ISBN10: 888118463X.
      [Bookseller: Alibris]
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GUICHARDIN, Francois;
Histoire des guerres d'Italie, traduite de l'Italien. 1490 - 1534.
      Londres, Paul et Isaac Vaillant, 1738 3 volumes in-4, veau marbre, filets dores sur les plats, dos a nerfs ornes et dores, pieces de titre et de tomaison de maroquin rouge et citron, coupes et bordures decorees, tranches dorees sur marbrures (reliures de l'epoque). Impartialite du commentaire et veracite des faits rapportes: les specialistes sont unanimes pour reconnaitre ici la meilleure histoire des bouleversements qui devaient durablement remodeler le paysage politique et religieux de l'Italie a l'aube du XVI siecle. Parallelement - et pourrait-on dire paradoxalement - si l'on regarde Guichardin comme le plus fidele historien de son temps, on l'accuse aussitot d'immoralite et d'arrivisme: certains croient pouvoir relever la l'influence de Machiavel. Rahir, Bibliotheque de l'amateur, n 451: seule edition retenue. Defauts aux coiffes mais bel exemplaire.
      [Bookseller: Librairie Laurent Coulet]
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BLADES, William (editor).:
The Gouernayle of Helthe: with the Medecyne of Ye Stomacke. With Introductory Remarks and Notes by William Blades.
      London, Blades, East & Blades, 1858. Reprinted from William Caxton's edition of 1490, and LIMITED TO 55 COPIES ONLY.8vo, 200 x 135 mm, 8 x 5¼ inches, frontispiece with tissue guard is a printed facsimile of the first page of Caxton's book, repeated within, the text consists of a complete reproduction of Caxton's print in gothic type and "an annotated reprint" in roman type, pages viii, 110 including Glossary, + 2 leaves of publisher's adverts, bound in full 19th century morocco, gilt border to covers, rebacked to match, no lettering or label, all edges red. Small neat repair to fore-edge of upper cover, edges of covers just slightly rubbed, tissue guard browned and with a small chip at fore-edge, contents clean and bright, binding tight and firm. A very good copy of a scarce book. Fifteenth century books on health are very rare. This is a health maintenance manual focusing on how to keep men (not women) healthy, with occasional notes on ill-health. Both parts were published anonymously and The Gouernayle of Helthe has been variously attributed to John de Bordeaux and also to Bartholomaeus Montagnana, the younger, the Medecyne of Ye Stomacke has been attributed to John Lydgate.Caxton's edition was not reprinted until our edition of 1858 which is beautifully printed and not to be confused with the recent American paperback issue.William Blades the editor and publisher of our edition was deeply interested in Caxton and wrote the Life and Typography of William Caxton, England's First Printer, which was published in 1861-1863. Images sent on request.
      [Bookseller: roger middleton]
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BERGOMENSIS
CHRONICA
      1490. La Chronique de Bergame illustree, imprimee a Venise en 1490. 1 volume in-folio, plein velin du XVIIIe siecle. 305 x 205 mm. SECONDE EDITION ILLUSTREE DE CETTE CELEBRE CHRONIQUE DE L'EPOQUE MEDIEVALE. LES TROIS GRANDES FIGURES SUR BOIS, oeuvres de Jeronimo de Sancti, "la Creation de la femme" (160 x 160 mm), "la Tentation" (150 x 120 mm), "la Mort d'Abel" (150 x 120 mm) ET LES 70 REPRESENTATIONS DE VILLE, DONT CERTAINES SE REPETENT, APPARAISSENT DANS CE LIVRE POUR LE PREMIERE FOIS. Ce livre connut un tel retentissement qu'il servit de modele a Schedel pour la composition de la Chronique de Nuremberg imprimee sept annees plus tard. L. Oloscki considere cet ouvrage comme l'un des premiers livres orne d'illustrations sorti des presses de Venise. (Le livre illustre au XVe siecle, 1926). BEL EXEMPLAIRE avec quelques trous de vers sans consequence, DONT LE GRAND BOIS DE LA CREATION A ETE ANCIENNEMENT COLORE. References : Hain 2808 ; Goff J. 211 ; Essling 343 ; Proctor 4954. 28082007085
      [Bookseller: Librairie Sourget]
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Llavia (Ramón de)
Cancionero.
      Cancionero. Zaragoza, Juan Hurus, 1490. En folio menor pergamino a la romana, 98 folios en letra gótica a dos columnas de 40 y 42 líneas.
      [Bookseller: Librería Rodríguez]
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BIBERMÜHLE COLLECTION.
Horae B.M.V. 158 Stundenbuchdrucke der Sammlung Bibermühle 1490-1550. Graphik, Illumination und Einbandkunst in Frankreich um 1500.
      Antiquariat Bibermühle AG, Ramsen. 2003. 3 Vols., oblong folio, 1348pp., over 1000 coloured illustrs., orig. decorated cloth, slip-case. The Bibermühle collection consists of 150 Books of Hours printed between 1490 and 1550 in France, forming, to the best of our knowledge, the most important collection of this type of book in private hands assembled within the last 300 years. It comprises 28 incunables, 112 vellum copies and 52 illuminated ones; many of them still being in their first or early bindings. Provenances are as wide-ranging as Anne de Beaujeu, Ruler of France on one side and the Duke of Bourbon-Parma on the other, with nearly every important collection of the 19th and 20th centuries fairly represented. The new catalogue Horae B.M.V. gives a comprehensive survey of this collection and the once so popular printed Books of ours in general, focusing on illumination, illumination and bindings. Introductory essays on printers, artists and publishers throw light upon the evolution of pictures, border-cycles and decorations. For the first time the numerous illustrations and border cycles have been classified and ascribed to different Parisian artists and workshops. Each entry with detailed bibliographical information, collation, full colophons etc. About 1000 coloured illustrations, most of them in original size, and full indices and references complete the thorough descriptions to form the most comprehensive study of these popular but as yet poorly documented books.
      [Bookseller: Forest Books]
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Harvey Miller
A Survey of Manuscripts Illuminated in the British Isles, HMMSBI 6, K. L. Scott, Later Gothic Manuscripts 1390-1490
      Brepols Verlag - Harvey Miller A Survey of Manuscripts Illuminated in the British Isles HMMSBI 6 K. L. Scott Later Gothic Manuscripts 1390-1490 728 p., +incl. 560 ills., with 17 in colour, 235 x 335 mm, 1996, Hardback ISBN 978-0-905203-04-1, EUR 90.00 Available This is the sixth and final part of the Survey of Manuscripts Illuminated in the British Isles, in which the author has made a perceptive selection of the rich and varied illuminated books of the 15th century, many previously unstudied, and has catalogued these in the greatest detail. English Text: This is the sixth and final part of the Survey of Manuscripts Illuminated in the British Isles. The author has made a perceptive selection of the rich and varied illuminated books of the 15th century, many previously unstudied, and has catalogued these in the greatest detail. She includes many surviving manuscripts of the period which contain the finest works of art, and also shows some of the illustrations to the great examples of Middle English literature such as Chaucer, Lydgate and Gower which will be of particular interest to English scholars. Among the masterpieces of the period are liturgical works: the Carmelite, Abingdon and Sherbone Missals, the Bedford Hours and the Lovell Lectionary. Besides these, medical, botanical and topographical books are represented as well as works of chivalry and chronicles of the Kings of England. Dr Scott describes workshop practice and the way in which different craftsmen contributed to the same book. She traces the development from monastic to commercial shop practice (especially in London) in the period preceding the advent of printing. These manuscripts provide insights into the 15th-century view of court, church, ordinary ways of life and working methods, making this final volume in the Survey of English manuscripts a book of exceptional interest and value for historians of art and society.
      [Bookseller: Antiquariat-Versandbuchhandel Uwe Löb]
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LONGUEIL (Christophe de).
Epistolarum Lib. IIII.Tulliana videlicet eloquentiaead unguem expressa imago. Doctorum item aliquot Epistolarum ad eundem Longolium, Lib. I. Quibus eiusdem Vitaa Coloniae Agripinae, Sumptibus Gosvini Cholini, 1605. 356pp. 1f. (Relies a la suite:) II). FABRICIUS (Georgius). Elegantiaum Puerilium ex M. Tullii Ciceronis Epistolis Libri Tres. Lipsiae, (a la fin: Ioannes Streinman, 1582). 8ff. 228pp. 6ff. III). STURM (Ioannes). M.T. Ciceronis Epistolarum Libri Tres. Magdeburg, Iohannes Francum, 1582. 94pp. n. ch.
       3 ouvrages en 1 volume in-8. Demi peau de truie a coins estampee a froid, tranches bleues (Reliure ancienne, un coin coupe). Interessant recueil de 3 textes humanistes a l'usage de la jeunesse. Le premier ouvrage contient la correspondance avec des personnages illustres de son temps de l'humaniste belge Christophe de Longueil (1490-1522). L'ouvrage de Georg Fabricius (1514-1571) est un recueil de textes litteraires, moraux, etc. tires de Ciceron. Johannes Surm (1507-1589) humaniste allemand, promoteur de la reforme fut l'un des restaurateurs des belles-lettres en son pays. Il est l'auteur de plusieurs ouvrages contenant des exercices pour les eleves. Celui-ci est une version scolaire des lettres de Ciceron. Rousseurs parfois importantes dues a la nature du papier. Taches a quelques feuillets. Bonne reliure ancienne portant la date de 1613 et les initiales: "H.E.V.Q.".
      [Bookseller: Llibreria Antiquaria Comellas]
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EXIMENIS, Francisco
Libro de los Santos Angeles [en Español].
      Burgos, Fadrique de Basilea, 15 de Octubre de 1490. En folio (283 x 204)mm. Tipografía gótica. 42 líneas y cabecera. Impreso a dos columnas. 147 hojas (de 148, falto de la última blanca sólo). Encuadernación del siglo diecinueve en pergamino a la romana, rueda dorada en los planos. Primera edición en español de este rarísimo inclunable impreso en Burgos. La primera edición apareció en francés impresa en Colonia en 1478, gozando fama de ser el primer libro impreso en aquella ciudad. La presente traducción al español parece ser obra de Miguel de Cuenca y Gonzalo Ocaña. Friedrich Biel se trasladó a España para establecer su imprenta en Burgos y fue conocido en nuestro país como Fadrique de Basilea. El mismo fue el encargado de introducir la imprenta en Burgos publicando en 1485 una edición de la Gramática de Gutiérrez. Durante su primer período de actividad Fadrique imprimió carca de setenta libros. Todas sus impresiones son muy raras en el mercado. Francisco Eximenis o Eiximenis fue un autor nacido en Cataluña; en el catálogo de la Biblioteca de La Vallière se dice que que el autor escribió este libro en 1387 a instancia de Don Pedro Dartes, caballero de la Corte del rey de Aragón. Se ignora si el original se escribió en latín o en la lengua madre del autor. Como hemos visto, a pesar de ser el autor catalán, se imprimió primero la obra en francés y luego español, no se imprimió en catalán hasta varios años más tarde, en 1494. Muy buen ejemplar. Pequeña restauración en a8, alguna mancha ocasional, por lo demás perfecto. Procedencia: 1. Antonio Cánovas del Castillo, ex-libris; 2. Hispanic Society of America, ex-libris, vendido como duplicado. Referencias: Palau 85188; Goff X-10; Hain 16232; Vindel VII 52; BMC X 61; IBE 2266
      [Bookseller: Librería José Porrúa Turanzas, S.A.]
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GUICHARDIN, François;
Histoire des guerres d'Italie, traduite de l'Italien. 1490 - 1534.
      Londres, Paul et Isaac Vaillant, 1738 3 volumes in-4, veau marbré, filets dorés sur les plats, dos à nerfs ornés et dorés, pièces de titre et de tomaison de maroquin rouge et citron, coupes et bordures décorées, tranches dorées sur marbrures (reliures de l'époque). Impartialité du commentaire et véracité des faits rapportés: les spécialistes sont unanimes pour reconnaître ici la meilleure histoire des bouleversements qui devaient durablement remodeler le paysage politique et religieux de l'Italie à l'aube du XVI siècle. Parallèlement - et pourrait-on dire paradoxalement - si l'on regarde Guichardin comme le plus fidèle historien de son temps, on l'accuse aussitôt d'immoralité et d'arrivisme: certains croient pouvoir relever là l'influence de Machiavel. Rahir, Bibliothèque de l'amateur, n 451: seule édition retenue. Défauts aux coiffes mais bel exemplaire.
      [Bookseller: Librairie Laurent Coulet]
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SENECA, Lucio Anneo
Opera Philosophica. Epistolae. Suasoriae. Controversiae
      Venecia, Bernardinus de Choris de Cremona & Simonem de Luere, 5 de octubre de 1490. En folio. Tipografía romana. 215 hojas. Signaturas *2, a-r8, s-t8, A-G8, H10. (3), 147, 65 hojas, (1) hoja blanca. Encuadernación del siglo diecisiete en pergamino rígido, título rotulado en la lomera; ligeramente ajada en el cajo superior. Tercera edición de las Obras del famoso filósofo cordobés Lucio Anneo Séneca (4 ac. - 65) y primera edición en la que se incluye su tratado "Quaestiones naturales", donde se describe el sistema del universo así como los diferentes fenómenos naturales: el agua, el clima, los vientos, la lluvias, etc. El sexto libro contiene su famoso tratado sobre los terremotos, el primer texto científico conocido sobre este fenómeno, donde se les pone en relación con los volcanes; vaticinó además una futura explicación de los cometas como verdaderos cuerpos celestes. Contiene el volumen las obras completas de Séneca, tanto la “Opera filosófica” (De clementia. De beneficiis. Dialogorum libri XII. De studiis libraralibus, etc.), como “las Epístolas” (folios 151 a 215), y las “Questiones naturales” (folios 88 a 110). Incluye el volumen varios tratados seudo-Séneca (Liber de moribus. De remedis fortuitorum. De quattuor vortutibus, etc.) así como algunos textos de su padre Marco como “las Controversias”. Ejemplar bien impreso y que conserva sus márgenes. Leve mancha de agua en el margen de las primeras hojas, por lo demás perfecto. Totalmente completo incluyendo la última hoja blanca. Referencias: Hain 14593; BMC V, p. 464; Gof S-370; IBE 5191 (2 ejemplares: Avila BP. y Madrid BN.) Third edition of Seneca’s principal works, THE FIRST EDITION TO INCLUDE HIS QUAESTIONES NATURALES, an insight into the theories of cosmology, meteorology, natural history and similar subjects. The Spanish Lucius Annaeus Seneca was the most brilliant figure of his time. He was sent to Rome where he studied Stoic philosophy mixed with neo-Pythagoreanism. He served as tutor to Nero and later when Nero became emperor, he served as advisor. Good copy. Seventeenth century vellum.
      [Bookseller: Librería José Porrúa Turanzas, S.A.]
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PTOLEMY, Claudius
[Turkey] Prima Asiae Tabula
      [Rome: Petrus de Turre, 4 November 1490]. Engraved map. Good condition apart from some marginal repairs. 16 1/8 x 22 inches. An important early map of Turkey, from an edition of Ptolemy's 'Cosmographia' containing some of the finest Ptolomaeic plates ever produced This important map is from the 1490 Rome edition of Ptolemy's Cosmographia:. It shows the whole of Turkey, the Black Sea above, the Mediterranean below, with part of Cyprus in outline. All the maps are printed from the same plates as the Rome edition of 1478. 'The copper plates engraved at Rome ... [were] much superior in clarity and craftsmanship to those of the 1477 Bologna edition ... Many consider the Rome plates to be the finest Ptolemaic plates produced until Gerard Mercator engraved his classical world atlas in 1578' (Shirley p.2). Skelton echoes Shirley's sentiments: 'The superior craftsmanship of the engraved maps in the Rome edition, by comparison with those of the [1477] Bologna edition, is conspicuous and arresting. The cleanliness and precision with which the geographical details are drawn; the skill with which the elements of the map are arranged according to their significance, and the sensitive use of the burin in working the plates - these qualities ... seem to point to the hand of and experienced master, perhaps from North Italy' (Claudius Ptolomaeus Cosmographia Rome 1478, Amsterdam, 1966, p.VIII). A number of authorities have suggested an engraver from either Venice or Ferrara. In any event, the prints from these fine copper plates rank as some of the earliest successful intaglio engravings, quite apart from their undeniable cartographic importance. Another aspect of these maps which stands out is the fine roman letters used for the place names on the plates: in an apparently unique experiment, these letters were not engraved with a burin but punched into the printing plate using metal stamps or dies. According to Skelton the 1490 edition of Ptolemy, from which this map came, was issued 'in response to the geographical curiosity aroused by the Portuguese entry into the Indian Ocean... [The printer, Petrus de Turre (Pietro de la Torre) used the plates of the 1478 edition, which still showed little wear and produced excellent impressions' (op.cit. p.X). Cf. BMC IV,p.133; Campbell pp.131-133; cf. Goff P-1086; cf. Hain 13541; IGI 8128; cf. Klebs 812.7; cf. Proctor 3966; cf. Sabin 66474; cf. Sander 5976; cf. Skelton Claudius Ptolomaeus Cosmographia Rome 1478, Amsterdam, 1966,p.XIII; cf. Stevens, Ptolemy 42; cf. Stilwell P-992.
      [Bookseller: Donald Heald Rare Books]
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REGLE DE L'ABBAYE DE MONS
      Mons, 1490. MANUSCRIT SUR PEAU DE VELIN, calligraphie sur 67 feuillets en franCais et latin, aux encres noire, rouge pour le texte, bleue, jaune, rouge et violette pour les lettrines. La partie franCaise du Nord de la France et plus precisement des scriptoria monastiques de la region de Louvain. Maroquin brun, sur ais de bois, double cadre de quadruple filet a froid sur les plats, fleurons circulaires a la roue dans le cadre exterieur, fleurons a froid a l'aigle a deux tetes en encadrement, rectangle central orne d'un jeu de double filet losange inserant des cercles a froid ornes au pelican, parties de fermoirs en laiton. Reliure monastique de l'epoque. 302 x 207 mm. Le monastere servit en 1691 de camp retranche face a l'avance des 80 000 hommes de l'armee franCaise commandee par le marechal de Luxembourg. Devant l'acharnement des defenseurs de Mons, Louis XIV en personne donna l'assaut au risque d'y laisser sa vie. L'Abbaye fut alors completement rasee par l'artillerie et Mons capitula le 8 avril 1691. G. Bavay : Sainte Waudru de l'hagiographie montoise a l'hagiographie sonegienne Des melanges offerts a Chritian Pierard, Annales du Cercle Archeologique de Mons, 1990, p. 41, 70. Robert Born : Les Croy. MANUSCRIT EST RECOUVERT DE SA BELLE RELIURE ORIGINELLE, DE TYPE MONASTIQUE. DECOREE A FROID. Cette reliure, dans un parfait etat de conservation, est une production typique des grands ateliers de reliure de la region de Louvain. 28082007052
      [Bookseller: Librairie Sourget]
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LITURGIES. LATIN RITE. MISSALS.
Missale secundum morem Sancte Romane Ecclesie.
      [Colophon on T9v:] Venice: Giovanni Battista Sessa, ‘1490’ [1493-1498]. - 8vo. 176 x 120 mm. ff. [8], 280 [ie. 281], [1]. printed in in red & black throughout. roman type, title in gothic. 34 lines. 2 columns. Sessa’s cat and mouse device (Kristeller 289) printed in red on title, with a different device (Kristeller 288) at the end, also printed in red. woodcut initials & red-printed Lombards. musical notes on red printed staves. full-page woodcut of the Crucifixion on q4v. contemporary Venetian dark brown calf over thin wooden bds, blind-stamped side panels enclosing 2 gilt fleurons & gilt roundel with the Holy Monogram, spine compartments filled with blind diagonal intersecting triple fillets, two ornamental brass clasps with catches, edges gilt & gauffered (head & foot of spine worn away, a few minor abrasions elsewhere, small piece cut out & replaced from lower blank margin of title not affecting any printing, old stamp deleted from lower margin of penultimate leaf verso - marginal repair on recto, neat repairs to bottom margins of a few leaves, overall an excellent tall and fresh copy). in modern quarter calf felt-lined drop-back box. An elegantly produced small format Roman missal in its original Venetian binding: the gilt roundel with the Holy Monogram appears to be identical with that used on another liturgical book of the same period illustrated by De Marinis (No. 2199; repro. facing II, p. 120). For a discussion of the beautiful full-page woodcut of the Crucifixion, see Rivoli, Missels, p. 61, where a German influence is noted (cfSander). The colophon date of 1490 is incorrect, as Alexander VI became Pope in 1492 and his bull on the feast of Saint Augustine belongs to the following year. The type used (83 R) is here in its earliest state, which does not appear to have persisted after 1498. This sets the actual date of printing between 1493 and 1498. According to Kristeller the present work marks the earliest appearance of the famous Sessa cat and mouse device. Incunable missals are often defective and in poor condition owing to extensive use. This is a fine complete example in its first binding. The missal itself is rare, with Goff citing only the Huntington copy; the BM copy lacks a total of 28 leaves, including the title and the cut of the Crucifixion. BMC V 480-81. Duggan 113. Goff M-703. Hain-Copinger 11395. IGI 6693. Rivoli 157:35. Sander 4755. Weale p. 138. Weale-Bohatta 943. [Attributes: Hard Cover]
      [Bookseller: D & E LAKE LTD. (ABAC/ILAB)]
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STACE, STATIUS, Publius Papinius.
Thebaidos. Achileidos. Sylvarum.
      Venise, Jacobus de Paganini, 23 décembre 1490. - In-folio, [dimension: 293 x 206 mm] de 208 ff. Maroquin rouge, dos à nerfs orné, deux encadrements dorés sur les plats avec fleurons d'angle, tranches dorées. (Reliure du XVIIe.) Seconde édition complète et datée des trois oeuvres de Stace, le grand poète du premier siècle. Le texte reprend selon Brunet celui de la première de 1483. Contient : Thebaidos, avec les commentaires de Placidus Lactantius - Papinii vita - Achileidos, commentaires de Franciscus Mataratius - Silvae, commentaires de Domitius Calderinus - Domitius in Sapho Ovidii. Caractères romains, les gloses dans une police de caractère plus petite entoure le texte. Deux feuillets blancs manquent (a1 et N6). Petite réparation marginale aux feuillets a2 et a3. Bel exemplaire dans une reliure italienne en maroquin du XVIIe siècle. Collation : a-o8, p6, q4, A8, B-C6, D-G8, H-N6. BMC V, 456. Goff S-692. Brunet V, 512.
      [Bookseller: Hugues de Latude]
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MUSI, Agostino De', Agostino De Musis, called Agostino Ve...
Vulcan giving Cupid's arrows to Venus; after Raphael. 1530. Engraving 355mm x 255mm ( image ). Mounted, framed and glazed.
      Almost certainly a later sixteenth century impression, small repair at the lower end. Musi was an eminent engraver born in Venice about 1490, he was a pupil of Campagnola, and afterwards formed his style on a study of Albrecht Dürer. He was one of the printmakers who, together with Marcantonio Raimondi and Marco Dente da Ravenna, was chiefly employed in engraving the designs of Raphael and his studio. The prints of Musi are quite uncommon, particularly fine impressions. He sometimes marked them with a tablet similar to that used by Marc Antonio, but more frequently with the initials A. V. with the date. The tablet is quite clear in this impression in the lower left corner. For more details of Musi see Bryan's Dictionary of Painters and Engravers. See also Bartsch, vol. XIV, 1920. And Oberhuber, Konrad. The Works of Marcantonio Raimondi and his School. The illustrated Bartsch, 27. 1978.
      [Bookseller: Roger J Treglown]
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ILLUMINATED MANUSCRIPT LEAVES ON VELLUM.
Six illuminated leaves from the calendar of a Book of Hours, with miniatures on recto and verso of each leaf, showing the labors of the months and the appropriate zodiacal signs.
      Central France (Bourges or Tours?): c. 1490. Each miniature c. 40 x 80 mm, on leaves 215 x 135 mm, 33 lines of text in a neat lettre batarde in gold, blue, and red. Each mounted, in fine condition. The complete occupational calendar from what must have been a glorious French Book of Hours. Each leaf has a delightful miniature at the head, as well as an illuminated panel border to the side of the text, illuminated initials and lettering &c. "Artists apparently had complete freedom in how they depicted the occupations and signs of the zodiac [in calendars]. In routine Books of Hours the treatment of these subjects is conventional or perfunctory; but in the more costly examples artists had scope for landscape painting and naturalistic observation." Harthan, Books of Hours, pp.24-26. At the foot of the first leaf is a black ink stamp of ownership (possibly ducal?) with the rather sombre motto (as yet unidentified) "Sic Undique Luctus" (Thus misery is all around).
      [Bookseller: Henry Sotheran Ltd.]
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Ponce de León, Juan y Leonor Guzman.
[Manuscrito] Lo que en este libro se contiene es apuntamientos... e avisos que convienen a los letrados.
      Cádiz, final del s.XV. h.1490-1500 20x15 cm. 74 hojas. Manuscrito sobre papel verjurado. Caligrafíamuy bella y clara de una sola mano. Pergamino de la época. Muy bien conservado. Manuscrito que contiene los pleitos de nobleza, antecedentes e hidalguía entre las familias Ponce de León y Guzmán para asegurarse las herencias, mayorazgos, títulos y beneficios. En ellos pleitean y demuestran su abolengo y legitimidad matrimonial y filial don Juan, casado con Leonor de Guzmán, don Rodrigo, hijo ilegítimo y luego legitimado y camarero personal de Fernando el Católico, y el duque don Manuel Ponce. Muy interesante pliego sobre legitimidad filial en la baja edad media andaluza.
      [Bookseller: Llibreria Antiquària Delstres]
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SENECA, Lucius Annaeus (c.4 BC-65 AD)
Opera philosophica, including Epistolae and Questiones naturales [[dagger]1a:] Seneca moralis. [Colophon, H9v:] Impressum Venetiis per Bernadinum de Cremona & Simonem de Luero. Die. v. octobris. MCCCCXC
      Venice: Bernardinus de Choris, de Cremona and Simon de Luere, 5 October, 1490. Folio: [dagger]2a--r8 s--t6 A--G8 H10 (--H10, blank) 215 of 216 leaves, ff. [3] cxlvii LXV. Roman letter, 62 lines and headline per page, initial spaces with guide letters, spaces for Greek words. Initials and rubrication: red and blue decorated initials on a1 and m1; other initials alternating in red and blue, paragraph marks in red or blue. Greek words not supplied. Leaf size and condition: 320 x 320 x 212mm. [dagger]1r dustsoiled; light stains in the text on C4 and E3 and light marginal waterstains on a few other leaves, small hole in last 2 leaves (contents) affecting one or two letters. A fine fresh copy. Binding: Eighteenth-century British panelled calf, red sprinkled edges. Joints cracked, one upper cord broken, other cords holding but weak, head and tail of spine chipped, corners worn. Provenance and annotation: The Benedictine monasterry of Santa Giustina in Padua with inscription on a2, 'Est monasterii sancte Iustine signatus numero 20026', Three line verse in Italian on [dagger]1r in a contemporary hand; 11 words of contemporary annotation in the text and occasional underlining, pointing fists and grotesque faces in the margins. Engraved armorial bookplate of John Campbell of Shawfield, near Glasgow, probably the son of Daniel Campbell, 1672--1735, the politician who provoked the 'Shawfield riots'; Signet Library, Edinburgh with gilt stamp on boards and shelf-label on pastedown (Sotheby's 11th--12th April 1960, lot 1415, £38, Francis Edwards). Walter Pagel (1896--1983); B. E. J. Pagel (1930--2007). References: ISTC: is00370000; Goff S-370; BMC V 464 ; Walsh 2371; BSB-Ink S-267; Bod-inc S-155. Third edition of the Opera containing the editio princeps of Questiones naturales. (First 1475; there were 5 other fifteenth-century editions, including one in French and one in Spanish). § The first edition of Seneca's works to contain his 'Natural questions' his only extant scientific work. These deal with meteorology in the modern sense, rivers, earthaquakes, meteors and comets, all topics that belonged to meteorology in its ancient sense. According to Sarton, 'Seneca was the first to express a belief in the progress of knowledge (not the progress of humanity); this idea of progress is unique in ancient literature'. The Questiones naturales is the most substantial extant ancient work after Aristotle and so the main source for the history of Greek meteorolgy after Aristotle since it relies heavily on Greek sources. Sarton draws particulary attention to Seneca's account of the earthquake in Campania on 5 February 63 which led him to discuss earthquates and volcanic phenomena. For details of Ficino's contributions and references, see Alan Coates and others, A catalogue of books printed in the fifteenth century now in the Bodleian Library (2005), S-267. A very good and attractive copy from the famous library of Santa Giustina in Padua, one of the most important libraries in Italy in the middle ages. Literature: Sarton I, pp. 247--8; L. D. Reynolds, ed. Texts and Transmission (1983), pp. 376--8.
      [Bookseller: Roger Gaskell]
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Statham, Nicholas (d.1472); Richard Pynson
Abridgement of cases, in Anglo-French of the law courts. c. 1488-90...
      1490 [Rouen]: Guillaume Le Talleur, for Richard Pynson First Edition of the First Printed Abridgement of Case-Law Statham, Nicholas (d.1472). Abridgement of cases, [in Anglo-French of the law courts]. [Rouen]: Guillaume Le Talleur, for Richard Pynson, [c. 1488-90]. Chancery 2? (299 x 215mm). Collation: \Kp\k2 a-y8 z \\i6 (\Kp\k1r blank, \Kp\k1v index, a1r text, \\i6v Le Talleur device). 188 leaves (of 190, lacking \Kp\k2, quires r and s bound in reverse order). 50 lines and headline, shoulder notes. Type: 2:111G, 6:85G, 7:81B. 11-line initial space. (A few headlines shaved, occasional light dampstain, short wormtrack affecting a few letters in quires r and s.) 17th-century calf ruled in blind, author's name written on fore-edge (rebacked). Provenance: annotated and with an extensive index written in a contemporary hand, with 18th-century bibliographical notes on front flyleaf. * First Edition of the First Printed Abridgement of Case-Law, printed by the first printer at Rouen, Le Talleur, for Pynson at London. The abridgement contains cases decided in the Courts between the reigns of Edward I and Henry VI. Duff speculates that the 2-leaf index may have been printed later and added only to some copies. The present copy supports Duff's suggestion, since its two-leaf manuscript index written in a strictly contemporary hand makes clear that the copy never contained a printed index. HC(Add) 15092; BMC VIII, 390 (IB. 43928; C.11.c.12); CIBN S-375; Duff 374; STC 23238; Goff S-689. Beale, Bibliography of English Law, R455.
      [Bookseller: The Lawbook Exchange, Ltd.]
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THOMAS AQUINAS, saint (1225?-1274)
Opuscula (71). Ed: Antonius Pizamanus, with a life of St. Thomas [aa1r blank; aa1v:] Tabula omnium opusculoru[m] ... [Colophon, GG7r:] impressa Venetiis ingenio ac impe[n]sa Hermanni lichtenstein Coloniensis. Anno salut[is] Mcccc.xc. vii. Idus septembris
      Venice: Hermannus Liechtenstein, 7 September, 1490. 4to: aa12 a--v8 x12 A--Z8 AA--GG8 HH12, 520unnumbered leaves. Gothic letter in double columns of 55 lines. Initial spaces with guide letters. Illumination and rubrication: Illuminated letter L on a1r and a stylised leaf and fruit decoration at the foot of the same page. Capitals supplied in red throughout with flourishes extending into the lower margins. Leaf size and condition: 243 x 175mm. A superb large, fresh and clean copy. Binding: Contemporary blind stamped calf over oak boards, remains of clasps, holes where there were once bosses. Leather cracked and defective over cords and at head and foot; old repairs to head of spine and corners. Provenance and annotation: About 60 words of contemporary annotation and occasional underlining and marginal marks and numbers. Inscription on a1r 'Ad cenobium sancte elisabeth in suburbio brixine spectat presens liber.' (To the monastery of St. Elizabeth in the vicinity of Brixen belongs the present book.). Walter Pagel (1896--1983); B. E. J. Pagel (1930--2007). References: Goff T258; Poynter 574; Bod-inc T-140; BMC V 358; BSB-Ink T-236. Later edition, but one of the most complete, containing 71 treatises. ISTC lists 8 incunable editions. The first edition of 1472 comprises 12 treatieses. This recension, edited by Pizamanus, was reprinted at Venice by Bonetus Locatellus for Octavianus Scotus in 1498 with two treatises added. § This is one of the most complete fifteenth century editions of Thomas Aquinas, the 'Angelic doctor,' and a superb copy from the library of a womens' religious house. The dominant figure in medieval scolasticism, Aquinas' writings on the Aristotelian corpus defined the teaching of science up to the so called 'scientific revolution' of the seventeenth century. In theology, Aquinas taught that faith was not incompatible with reason. This collection begins with Pizamanus' life of Aquinas followed by 72 numbered 'Opuscula', including many scientific treatises, roughly grouped around Opuscula 26--55. Although 72 treatises are listed, the editor, Pizimanus, notes that one could not be found, no. 48 on Aristotle's logic, and so although numbered it is not printed. Opusculum 35 'De motu cordis' is discussed by Pagel for its bearing on Harvey's ideas. Pagel notes that this treatise has sometimes been described as a work on the motion of the blood but that this is a misunderstanding and the title really implies the motion of the heart. Aquinas argues that although the motion of the heart is made up of two movements -- pushing and pulling, systole and diastole -- it always returns to the same point and so although not truly a circular motion, it is like a circular motion, and comes close to a simple circular motion like that of the heavens. Pagel concludes that circular symbolism considered with relation to the motion of the heart can be traced back to this treatise of Aquinas; and circular symbolism considered with relation to the circular motion of the blood to Giodano Bruno's De rerum principiis. Binding and provenance. The inscription is that of the Franciscan house of women at Bressanone, now part of Italy but formerly in Germany and called Brixen (John R. H. Moorman, Medieval Franciscan Houses (1983) p. 560. The binding and the fine illuminated initial at the start of the text are consistent with a South German provenance. Literature: Pagel, William Harvey's Biological Ideas (1967) pp. 90--93 and 124; Vincent R. Larkin, 'St Thomas Aquinas on the movement of the heart', Journal of the History of Medicine 15 (1960) 22--30.
      [Bookseller: Roger Gaskell]
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STACE, STATIUS, Publius Papinius.
Thebaidos. Achileidos. Sylvarum.
      Venise, Jacobus de Paganini, 23 décembre 1490. - In-folio, [dimension: 293 x 206 mm] de 208 ff. Maroquin rouge, dos à nerfs orné, deux encadrements dorés sur les plats avec fleurons d'angle, tranches dorées. (Reliure du XVIIe.) Seconde édition complète et datée des trois oeuvres de Stace, le grand poète du premier siècle. Le texte reprend selon Brunet celui de la première de 1483. Contient : Thebaidos, avec les commentaires de Placidus Lactantius - Papinii vita - Achileidos, commentaires de Franciscus Mataratius - Silvae, commentaires de Domitius Calderinus - Domitius in Sapho Ovidii. Caractères romains, les gloses dans une police de caractère plus petite entoure le texte. Deux feuillets blancs manquent (a1 et N6). Petite réparation marginale aux feuillets a2 et a3. Bel exemplaire dans une reliure italienne en maroquin du XVIIe siècle. Collation : a-o8, p6, q4, A8, B-C6, D-G8, H-N6. BMC V, 456. Goff S-692. Brunet V, 512.
      [Bookseller: Hugues de Latude]
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Ponce de León, Juan y Leonor Guzman.
[Manuscrito] Lo que en este libro se contiene es apuntamientos... e avisos que convienen a los letrados.
      Cádiz, final del s.XV. h.1490-1500 20x15 cm. 74 hojas. Manuscrito sobre papel verjurado. Caligrafíamuy bella y clara de una sola mano. Pergamino de la época. Muy bien conservado. Manuscrito que contiene los pleitos de nobleza, antecedentes e hidalguía entre las familias Ponce de León y Guzmán para asegurarse las herencias, mayorazgos, títulos y beneficios. En ellos pleitean y demuestran su abolengo y legitimidad matrimonial y filial don Juan, casado con Leonor de Guzmán, don Rodrigo, hijo ilegítimo y luego legitimado y camarero personal de Fernando el Católico, y el duque don Manuel Ponce. Muy interesante pliego sobre legitimidad filial en la baja edad media andaluza.
      [Bookseller: Llibreria Antiquària Delstres]
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BERNARDUS- CLARAVALLENSIS PSEUDO
MODUS BENE VIVENDI IN CHRISTIANAM RELIGIONEM. (IN FINE:) VENETIIS PER BERNARDINUM BENALIIS PERGOMENSEM & MATTHEUM PARMENSEM. MCCCCLXXXX. DIE XVI. DECEMBRIS, (VENEZIA, BERNARDINUS BENALIUS & MATTEO CAPOCASA, 16 DICEMBRE 1490),
      in-4 (mm 205x152), ff. 46 n.n. (segn.: a-e8, f6), leg. moderna in p. perg., ai piatti lacci di chiusura in cuoio. Carattere romano su due colonne di 40 linee; spazi per lettere guida in inchiostro rosso. Prima edizione del trattato filosofico morale falsamente considerato nel XV-XVI secolo un'epistola tra S. Bernardo di Chiaravalle (1090-1153) e sua sorella. Comprende: f. 1r titolo, f. 1v Tavola, ff. 2r-46r Modus bene vivendi in Christianam religionem; f. 46v bianco. Raro in quanto censiti due soli esemplari in Inghilterra, quattro in America, e una ventina in Italia. Buon esemplare a grandi margini.Goff B412. Pellechet 2138. IGI 1540. GW 4046 (Pseudo-Bernardus).
      [Bookseller: Libreria Antiquaria PREGLIASCO ]
 37.   Check availability:     Maremagnum   Link/Print  


GUICHARDIN, François;
Histoire des guerres d'Italie, traduite de l'Italien. 1490 - 1534.
      Londres, Paul et Isaac Vaillant, 1738 3 volumes in-4, veau marbré, filets dorés sur les plats, dos à nerfs ornés et dorés, pièces de titre et de tomaison de maroquin rouge et citron, coupes et bordures décorées, tranches dorées sur marbrures (reliures de l'époque). Impartialité du commentaire et véracité des faits rapportés: les spécialistes sont unanimes pour reconnaître ici la meilleure histoire des bouleversements qui devaient durablement remodeler le paysage politique et religieux de l'Italie à l'aube du XVI siècle. Parallèlement - et pourrait-on dire paradoxalement - si l'on regarde Guichardin comme le plus fidèle historien de son temps, on l'accuse aussitôt d'immoralité et d'arrivisme: certains croient pouvoir relever là l'influence de Machiavel. Rahir, Bibliothèque de l'amateur, n 451: seule édition retenue. Défauts aux coiffes mais bel exemplaire.
      [Bookseller: Librairie Laurent Coulet]
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pagina in pergamena di cm 19 x 14 ca
      databile intorno al 1490 - scrittarua a fronte retro du 17 righe con circa 25 caratteri per riga di tematica religiosa. La datazione è riconducibile al tipo di scrittura utlaizzata che unadelle ultime versioni scritte, utilizzata soltanto in piemonte elombardia, della gotaca bastarda. 8 miniature colorare al fronte, 3 "E" in mionio rosso, una E in minio rooso e blu, una a in minio blu su fondo rosso una t in mino blu su fondo rosso, ed infine una P di dimensioni di cm 1,5 x 1,5 in blu con fondo rosso e con decorazione vegetale ai lati in minio rosso. Retro 6 miniature tre delel quali in minio rossi e tre in minio blu su fondo rosso. Ottimo stato di conservaizone.
      [Bookseller: Librerie Antiquarie Iavarone / adlibros]
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MANCHESTER, Herbert
Four Centuries of Sport
      0 - MANCHESTER, Herbert. Four Centuries of Sport in America, 1490-1890. Introduction by Harry Worcester Smith. Illustrated from Original Sources. N.Y.: Derrydale Press, 1931. Large 4to. xxiv, 245pp. Illus. Orig. cloth with photo tipped in on front cover, t.e.g. A little wear to spine ends and corners. A very good copy. Limited to 850 copies. [Attributes: Hard Cover]
      [Bookseller: G.S. MacManus Co., ABAA]
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Jacobus de Voragine (c. 1230-1298).
Legenda aurea sanctorum sive Lombardica historia. [The Golden Legend.]
      Basel: [Michael Wearsler], 1490. Small quarto, old calf, [265] leaves. This is an early edition of Jacobus’ Golden Legend, on of the most popular religious works of the Middle Ages. It is a collection of the legendary lives of the greater saints of the medieval church. Jacobus was beatified by Pius VII in 1816. The covers of this volume are detached, and it lacks the following folios: blank, [1-14], 15-27 and 265.
      [Bookseller: Lighthouse Books]
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Monumenta Cartographica
Tabulae Mundi - Kartographische Denkmäler - Triumph über die Zeit, großformatige Kassette
      - Zwölf Meisterwerke der Kartographie, die heute kaum noch der Öffentlichkeit zugänglich sind, beherbergt diese großformatige Sammlung: die beiden Weltkarten von Henricus Martellus aus der Zeit vor 1490, die Weltkarte Claudii Ptholemei uiri. von 1470, die Weltkarte Die gantze Welt in ein Kleeberblatt von Heinrich Bünting von 1548 und verschiedene Karten von Irland, Skandinavien, Italien, Griechenland, Spanien und Frankreich. Alle Karten sind Vollfaksimilierungen aus den Sammlungen der Biblioteca Nazionale Centrale, Florenz, The British Library, London, der Bibliothek des Kollegiatstiftes Zeitz und des Stadtarchivs Hannover. Hrsg. von Werner Kreuer. Mit umfangreichem Kommentarband. 100 S., 30 x 42 cm, kart., Kartenblätter und Kommentarband befinden sich in einer großformatigen Leinenkassette, 46 x 63,5 cm (Klett / Perthes, 1999) [Attributes: Soft Cover]
      [Bookseller: Rhenania Buchversand GmbH & Co. KG]
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CARACCIOLUS ROBERTUS
Sermones de Laudibus Sanctorum. (a Gasparino Borro Veneto Examinatum).
      Venetiis, In Fine: Venetiis, Per Bernardinum Benalium. Die Kal. Octobris (1 Ottobre) 1490. 1490. [INCUNABOLO] (cm. 21) ottima piena pergamena XX secolo, con unghie. -- cc. 219 (di 220) manca solo l' ultima bianca cc.4 nn. +cc.215 a numerazione romana fino a XXXII e dalla 33 a 215 a numerazione araba. Il colophon e il registro sono a carta 215 verso. Caratteri gotici, testo a due colonne, 48 linee. Spazi per lettere capitali. l'autore (Lecce 1425-1495) fu uno dei più celebri predicatori della sua epoca, e gli vengono attribuite oltre 100 edizioni antiche. Che meriterebbero uno studio più approfondito onde mettere a fuoco le numerose varianti. Curiosamente, secondo Hain le 11 edizioni di questi sermoni sono tutte state impresse nel 1489 e 1490. Un rinforzo alla cerniera delle prime 5 carte per lievi difetti. presenti anche al margine alto delle ultime 12 carte con un filo di tarlo ben restaurato che intacca il testo. Altrimenti esemplare molto bello e fresco. Alla prima carta vecchio timbretto :"Massimiliae J.H.S. soc. Jes." Goff elenca solo 9 copie in America e sander "prices" solo 2 vendite. HAIN 4482 IGI 2462 GOFF C 150 GW 6059 PROCTOR 4874 HARVARD LIBRARY 2091 POLAIN 1001 PELLECHET 3292 BMC V 373.
      [Bookseller: Libri Antichi e Rari Francesco & Claudia]
 43.   Check availability:     AntiQbook   Link/Print  


D.A. Brown
The Legacy of Leonardo
      Skira. New The ever increasing art historical attention being paid to the School of Leonardo lies at the root of this volume published almost sixty years after Suida's classic treatment of the subject. This is the first time since then that Lombard art of Leonardesque inspiration has been the object of a systematic analysis embracing a period of around half a century starting from 1490. On the 22nd of September of that year, in fact, Leonardo recorded the presence of Marco d'Oggiono in his workshop at Milan: this, for us, is the first clue to the existence of a school associated with the Florentine master and the point of departure for the adventure of the Leonardesques. The essays opening the volume provide an overview dealing with the environment, the organisation and the working practices of Leonardo's atelier and the problems faced by historians, whilst each artist is discussed in a critical profile that, taking into account the most recent academic research, acts a brief up-to-date monograph. Also available from Abbeville PressMichelangelo: the PietàLorenzo LottoThe Frescoes in the Oratorio Suardi at TrescorePieter Bruegel the Elder at the Kunsthistorisches Museum in Vienna ISBN10: 888118463X.
      [Bookseller: Alibris]
 44.   Check availability:     Alibris   Link/Print  


GUICHARDIN, François;
Histoire des guerres d'Italie, traduite de l'Italien. 1490 - 1534.
      Londres, Paul et Isaac Vaillant, 1738 3 volumes in-4, veau marbré, filets dorés sur les plats, dos à nerfs ornés et dorés, pièces de titre et de tomaison de maroquin rouge et citron, coupes et bordures décorées, tranches dorées sur marbrures (reliures de l'époque). Impartialité du commentaire et véracité des faits rapportés: les spécialistes sont unanimes pour reconnaître ici la meilleure histoire des bouleversements qui devaient durablement remodeler le paysage politique et religieux de l'Italie à l'aube du XVI siècle. Parallèlement - et pourrait-on dire paradoxalement - si l'on regarde Guichardin comme le plus fidèle historien de son temps, on l'accuse aussitôt d'immoralité et d'arrivisme: certains croient pouvoir relever là l'influence de Machiavel. Rahir, Bibliothèque de l'amateur, n 451: seule édition retenue. Défauts aux coiffes mais bel exemplaire.
      [Bookseller: Librairie Laurent Coulet]
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La Mode Feminine de 1490 - 1920.
      [n.p., n.d.]. - 12 volumes in three. Ex-Detroit News library, in their calf bindings (spines broken) with marks on the endpapers, but all the plates are clean and unmarked. 240 hand colored plates.
      [Bookseller: Thomas A. Goldwasser Rare Books (ABAA)]
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Johannes de Fonte, attrib. [Aristotle, Seneca, Boethius, ...
      Venice: [Georgius Arrivabene,] [c1490.] 4to. a-e8,f4. 44 folios. Rebound in early limp vellum , some spotting, some minor restorations of wormholes (mostly marginal: a1, a2, & b5 have minimal losses), trimmed into running title and foliation marks on a few leaves. Johannes de Fonte was a Franciscan of Montpellier who is most famous for his “Conclusiones” on the Sentences. This popular Florilegium, known as Auctoritates Aristotelis was composed around the end of the thirteenth century by Johannes de Fonte [who was identified by Jacqueline Hamesse, in her ‘Les auctoritates Aristotlelis’ Louvain & Paris, 1974] “Yet another way that scholars encountered the S(ecretis) [S(ecretorum) was through a florilegium or compendium (i.e. a collection of brief extracts) of Aristotle’s books. These provided an easy way to access Aristotle’s philosophy as well as to dress up a written composition or a sermon with quotations from his work. Several compendia containing the SS were already available in the thirteenth and early fourteenth century, the most popular and well known of which was the Parvi flores. This is a large collection of sententiae of which was the Parvi flores. This is a large collection of sententiae taken from school texts that was put together in its current form in the years on either side of 1300 by a Franciscan, Johannes de Fonte, during his tenure as lector in theology in his order’s convent in Montpellier. John states in his prologue that his work is intended to provide assistance “as much for preaching to the people as study of the arts.” Judging by the wide circulation enjoyed by his work, his wish was nore than fulfilled.” [Steven J. Williams, The Secret of Secrets...2003] Goff A1202. GW 2836 (Berlin only). Reichling 822. Klebs 121.4. Polain(B) 4170. IGI 949. IBP 5792. Schmitt II 4115,5. IBE 630. VB 41155. ISTC 1a01202000.
      [Bookseller: Krown & Spellman, Booksellers]
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Ailly, Pierre de Quaestiones super libros sententiarum cum quibusdam in fine adjunctis
Ailly, Pierre de Quaestiones super libros sententiarum cum quibusdam in fine adjunctis
      Minerva Journals Verlag - Ailly, Pierre de Quaestiones super libros sententiarum cum quibusdam in fine adjunctis Verlag : Minerva Journals ISBN : 3-86598-151-8 Einband : Leinen Seiten/Umfang : 380 Seiten Erschienen : 1., Nachdruck d. Orig.-Auflage Strassburg 1490 v. Minerva Frankfurt/M 1968 08.07.2005 Preisinfo : 220,00 Eur[D]
      [Bookseller: Antiquariat-Versandbuchhandel Uwe Löb]
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DIOGENE LAERZIO
De vita et moribus philosophorum
      Scoto, Venezia 1490 - In Quarto (mm. 225x165); 112 carte non numerate; fascicolazione a-o8. Testo su 42 linee, carattere romano. Con iniziali decorate silografiche di varie dimensioni. Legatura coeva veneziana in mezza pelle decorata a secco e assi scoperte in cipresso, con tracce di fermagli; dorso a tre nervi.Sulla vita di Diogene Laerzio si hanno scarse informazioni. Autore del III secolo d. C., la fama che lo riveste è fondamentalmente legata alla sua opera in dieci libri Raccolta delle vite e delle dottrine dei filosofi. In essa esamina 84 figure di pensatori, dai Sette sapienti ad Epicuro, disponendo le informazioni per scuole filosofiche e rispettando le succesioni degli scolarchi fissate dalla tradizione. Senza quest'opera buona parte della nostra conoscenza della filosofia antica sarebbe andata perduta.Genuino esemplare arricchito da bellissime iniziali silografiche decorate e da note antiche manoscritte. Scritta illeggibile datata 1712 al piatto superiore; dorso a tre nervi con restauro a cuffia e piede; perduti i legacci al piatto superiore, superstiti i fermagli metallici all'inferiore. Antiche note manoscritte al frontespizio ed alle sguardie, sguardia finale mancante della metà sup. Diffuse fioriture e alcune tracce di umidità ai margini delle carte; segni di inchiostro alla carta aiii. Piccolissimo lavoro di tarlo nella seconda parte del libro che cessa d'essere trascurabile all'ultima carta. Sguardia finale è stata in parte tagliata ed asportata per metà. Goff D-222 p.213; IGI 3461; BMC V 438. Due sole copie in ICCU.
      [Bookseller: libreria antiquaria perini]
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SENECA, Lucio Anneo
Opera Philosophica. Epistolae. Suasoriae. Controversiae
      - Venecia, Bernardinus de Choris de Cremona & Simonem de Luere, 5 de octubre de 1490. En folio. Tipografía romana. 215 hojas. Signaturas *2, a-r8, s-t8, A-G8, H10. (3), 147, 65 hojas, (1) hoja blanca. Encuadernación del siglo diecisiete en pergamino rígido, título rotulado en la lomera; ligeramente ajada en el cajo superior. Tercera edición de las Obras del famoso filósofo cordobés Lucio Anneo Séneca (4 ac. - 65) y primera edición en la que se incluye su tratado "Quaestiones naturales", donde se describe el sistema del universo así como los diferentes fenómenos naturales: el agua, el clima, los vientos, la lluvias, etc. El sexto libro contiene su famoso tratado sobre los terremotos, el primer texto científico conocido sobre este fenómeno, donde se les pone en relación con los volcanes; vaticinó además una futura explicación de los cometas como verdaderos cuerpos celestes.Contiene el volumen las obras completas de Séneca, tanto la "Opera filosófica" (De clementia. De beneficiis. Dialogorum libri XII. De studiis libraralibus, etc.), como "las Epístolas" (folios 151 a 215), y las "Questiones naturales" (folios 88 a 110). Incluye el volumen varios tratados seudo-Séneca (Liber de moribus. De remedis fortuitorum. De quattuor vortutibus, etc.) así como algunos textos de su padre Marco como "las Controversias".Ejemplar bien impreso y que conserva sus márgenes. Leve mancha de agua en el margen de las primeras hojas, por lo demás perfecto. Totalmente completo incluyendo la última hoja blanca.Referencias: Hain 14593; BMC V, p. 464; Gof S-370; IBE 5191 (2 ejemplares: Avila BP. y Madrid BN.) Third edition of Seneca’s principal works, THE FIRST EDITION TO INCLUDE HIS QUAESTIONES NATURALES, an insight into the theories of cosmology, meteorology, natural history and similar subjects. The Spanish Lucius Annaeus Seneca was the most brilliant figure of his time. He was sent to Rome where he studied Stoic philosophy mixed with neo-Pythagoreanism. He served as tutor to Nero and later when Nero became emperor, he served as advisor. Good copy. Seventeenth century vellum.
      [Bookseller: Librería José Porrúa Turanzas S.A.]
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D.A. Brown
The Legacy of Leonardo
      Skira. New The ever increasing art historical attention being paid to the School of Leonardo lies at the root of this volume published almost sixty years after Suida's classic treatment of the subject. This is the first time since then that Lombard art of Leonardesque inspiration has been the object of a systematic analysis embracing a period of around half a century starting from 1490. On the 22nd of September of that year, in fact, Leonardo recorded the presence of Marco d'Oggiono in his workshop at Milan: this, for us, is the first clue to the existence of a school associated with the Florentine master and the point of departure for the adventure of the Leonardesques. The essays opening the volume provide an overview dealing with the environment, the organisation and the working practices of Leonardo's atelier and the problems faced by historians, whilst each artist is discussed in a critical profile that, taking into account the most recent academic research, acts a brief up-to-date monograph. Also available from Abbeville PressMichelangelo: the PietàLorenzo LottoThe Frescoes in the Oratorio Suardi at TrescorePieter Bruegel the Elder at the Kunsthistorisches Museum in Vienna ISBN10: 888118463X.
      [Bookseller: Alibris]
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ROLEWINCK, Werner
Fasciculus temporum.
      - Sin indicaciones tipográficas pero [Estrasburgo, Johann Pruss, 1490]. En folio. Tipografía gótica. (6), 90 folios inc. portada con grabado a toda página al verso y numerosas xilografías e ilustraciones al texto, TODOS RUBRICADO Y COLOREADO A MANO DE ÉPOCA EN ROJO, algunas xilografías coloreadas en rojo y amarillo. Encuadernación en pergamino del siglo XVII. Buen ejemplar de este estimado incunable ilustrado, un clásico. Se trata de una Crónica del Mundo, desde la creación hasta el papado de Inocencio VIII en el segundo tercio del siglo XV. El libro está ilustrado al verso de la portada con una bella xilografía a toda página mostrando al autor con su obra en la mano ofreciéndola al rey, y además, numerosas vistas de ciudades (repetidas), el Arca, la Torre de Babel, la destrucción de Troya, etc. con un bello grabado de Cristo en el folio XXXVII coloreado a dos tintas, sosteniendo la bola del mundo a modo de mapa-mundi en forma de T.Ejemplar en muy buen estado y de amplios márgenes, todo coloreado y rubricado por una mano contemporánea, muy limpio a excepción de alguna pequeña mancha ocasional que no afecta realmente, alguna hoja ligeramente oscurecida, portada con mínima restauración en la esquina inferior.Referencias: Goff R-276; HC 6916; Pol. 3363 Good copy, rubricated, WITH ALL THE WOODCUTS CONTEMPORARY HAND COLOURED IN RED. Rare edition of Rolewinck’s famous world history, illustrated with woodcuts of town-views, monsters, Biblical scenes, and diagrams. This synoptic world chronicle is the most widely used historical reference work of the incunabula period. Seventeenth century limp vellum.
      [Bookseller: Librería José Porrúa Turanzas S.A.]
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LACTANTIUS L. C. Firmianus
Opera. (Edidit Ioannes Andreae, episcopus Aleriensis).
      Venetiis, Theodorus de Ragazonibus, 21 aprile 1490, in-folio, ff. (147, su 148, mancando il primo bianco), leg. del tempo m. pelle allumata, piatti in assicelle, tracce di fermagli metallici (porzione di etichetta cartacea al piatto inf., restauri al dorso a nervi). Lettera dedicatoria di Ioannes Andreae, curatore dell'edizione, al Papa Paolo II, ripresa dall'ediz. di Roma 1470 di Sweynheym e Pannartz. Testo in car. rom. con rari passi in greco, lettera-guida per le iniz. F.2r.: "Lactantii Firmiani de divinis institutionibusadversus gentes. Rubricae primi libri in / cipiunt…"; f. 9v.: "Ioannis Andreae episcopi Aleriensis ad Paulum secundum Venetum pontificem ma- / ximum epistola"; f. 148v., colophon: "Impressum Venetiis per Magistrum Theodorm de Ragazonibus de Asula. Anno incarna / tionis domini. M.CCCC.LXXXX. Vigesimo primo mensis Aprilis". Pregevolisima edizione delle opere di Lattanzio, celebre apologista cristiano del IV sec., comprendente: "De divinis institutionibus; De ira Dei; De opificio Dei vel de formatione hominis; De Phenice carmen"; seguono passi sulla fenice tratti dalle Metamorfosi di Ovidio e da Dante Alighieri, il "De resurrectionis dominicae die" ed il "Nephythomon" entrambi di Lattanzio (anziché il "Carmen de Pascha" di Venantius Fortunatus, come erroneamente riportato da IGI). Bell'esempl. assai puro e marginoso (con antica nota di possesso nel margine super. del secondo f., piccole porzioni di margine esterno rifatto agli ultimi 4 ff. e qualche forellino di tarlo sugli ultimi 3). BMC V, 477. H 9815. IGI III, 5627. Goff L-10.
      [Bookseller: Pregliasco Libreria Antiquaria di Umbert]
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EXIMENIS, Francisco
Libro de los Santos Angeles [en Español].
      - Burgos, Fadrique de Basilea, 15 de Octubre de 1490. En folio (283 x 204)mm. Tipografía gótica. 42 líneas y cabecera. Impreso a dos columnas. 147 hojas (de 148, falto de la última blanca sólo). Encuadernación del siglo diecinueve en pergamino a la romana, rueda dorada en los planos. Primera edición en español de este rarísimo inclunable impreso en Burgos. La primera edición apareció en francés impresa en Colonia en 1478, gozando fama de ser el primer libro impreso en aquella ciudad. La presente traducción al español parece ser obra de Miguel de Cuenca y Gonzalo Ocaña. Friedrich Biel se trasladó a España para establecer su imprenta en Burgos y fue conocido en nuestro país como Fadrique de Basilea. El mismo fue el encargado de introducir la imprenta en Burgos publicando en 1485 una edición de la Gramática de Gutiérrez. Durante su primer período de actividad Fadrique imprimió carca de setenta libros. Todas sus impresiones son muy raras en el mercado.Francisco Eximenis o Eiximenis fue un autor nacido en Cataluña; en el catálogo de la Biblioteca de La Vallière se dice que que el autor escribió este libro en 1387 a instancia de Don Pedro Dartes, caballero de la Corte del rey de Aragón. Se ignora si el original se escribió en latín o en la lengua madre del autor. Como hemos visto, a pesar de ser el autor catalán, se imprimió primero la obra en francés y luego español, no se imprimió en catalán hasta varios años más tarde, en 1494.Muy buen ejemplar. Pequeña restauración en a8, alguna mancha ocasional, por lo demás perfecto.Procedencia: 1. Antonio Cánovas del Castillo, ex-libris; 2. Hispanic Society of America, ex-libris, vendido como duplicado.Referencias: Palau 85188; Goff X-10; Hain 16232; Vindel VII 52; BMC X 61; IBE 2266
      [Bookseller: Librería José Porrúa Turanzas S.A.]
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ROLEWINCK, Werner
Fasciculus temporum.
      Sin indicaciones tipográficas pero [Estrasburgo, Johann Pruss, 1490]. En folio. Tipografía gótica. (6), 90 folios inc. portada con grabado a toda página al verso y numerosas xilografías e ilustraciones al texto, TODOS RUBRICADO Y COLOREADO A MANO DE ÉPOCA EN ROJO, algunas xilografías coloreadas en rojo y amarillo. Encuadernación en pergamino del siglo XVII. Buen ejemplar de este estimado incunable ilustrado, un clásico. Se trata de una Crónica del Mundo, desde la creación hasta el papado de Inocencio VIII en el segundo tercio del siglo XV. El libro está ilustrado al verso de la portada con una bella xilografía a toda página mostrando al autor con su obra en la mano ofreciéndola al rey, y además, numerosas vistas de ciudades (repetidas), el Arca, la Torre de Babel, la destrucción de Troya, etc... con un bello grabado de Cristo en el folio XXXVII coloreado a dos tintas, sosteniendo la bola del mundo a modo de mapa-mundi en forma de T. Ejemplar en muy buen estado y de amplios márgenes, todo coloreado y rubricado por una mano contemporánea, muy limpio a excepción de alguna pequeña mancha ocasional que no afecta realmente, alguna hoja ligeramente oscurecida, portada con mínima restauración en la esquina inferior. Referencias: Goff R-276; HC 6916; Pol. 3363 Good copy, rubricated, WITH ALL THE WOODCUTS CONTEMPORARY HAND COLOURED IN RED. Rare edition of Rolewinck’s famous world history, illustrated with woodcuts of town-views, monsters, Biblical scenes, and diagrams. This synoptic world chronicle is the most widely used historical reference work of the incunabula period. Seventeenth century limp vellum.
      [Bookseller: Librería José Porrúa Turanzas, S.A.]
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DIOGENE LAERZIO
De vita et moribus philosophorum
      Venezia Scoto 1490 In Quarto (mm. 225x165); 112 carte non numerate; fascicolazione a-o8. Testo su 42 linee, carattere romano. Con iniziali decorate silografiche di varie dimensioni. Legatura coeva veneziana in mezza pelle decorata a secco e assi scoperte in cipresso, con tracce di fermagli; dorso a tre nervi.Sulla vita di Diogene Laerzio si hanno scarse informazioni. Autore del III secolo d. C., la fama che lo riveste è fondamentalmente legata alla sua opera in dieci libri Raccolta delle vite e delle dottrine dei filosofi. In essa esamina 84 figure di pensatori, dai Sette sapienti ad Epicuro, disponendo le informazioni per scuole filosofiche e rispettando le succesioni degli scolarchi fissate dalla tradizione. Senza quest'opera buona parte della nostra conoscenza della filosofia antica sarebbe andata perduta.Genuino esemplare arricchito da bellissime iniziali silografiche decorate e da note antiche manoscritte. Scritta illeggibile datata 1712 al piatto superiore; dorso a tre nervi con restauro a cuffia e piede; perduti i legacci al piatto superiore, superstiti i fermagli metallici all'inferiore. Antiche note manoscritte al frontespizio ed alle sguardie, sguardia finale mancante della metà sup. Diffuse fioriture e alcune tracce di umidità ai margini delle carte; segni di inchiostro alla carta aiii. Piccolissimo lavoro di tarlo nella seconda parte del libro che cessa d'essere trascurabile all'ultima carta. Sguardia finale è stata in parte tagliata ed asportata per metà. Goff D-222 p.213; IGI 3461; BMC V 438. Due sole copie in ICCU. incunabolo
      [Bookseller: Perini Libreria Antiquaria di Alberto & ]
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EXIMENIS, Francisco
Libro de los Santos Angeles [en Español].
      - Burgos, Fadrique de Basilea, 15 de Octubre de 1490. En folio (283 x 204)mm. Tipografía gótica. 42 líneas y cabecera. Impreso a dos columnas. 147 hojas (de 148, falto de la última blanca sólo). Encuadernación del siglo diecinueve en pergamino a la romana, rueda dorada en los planos. Primera edición en español de este rarísimo inclunable impreso en Burgos. La primera edición apareció en francés impresa en Colonia en 1478, gozando fama de ser el primer libro impreso en aquella ciudad. La presente traducción al español parece ser obra de Miguel de Cuenca y Gonzalo Ocaña. Friedrich Biel se trasladó a España para establecer su imprenta en Burgos y fue conocido en nuestro país como Fadrique de Basilea. El mismo fue el encargado de introducir la imprenta en Burgos publicando en 1485 una edición de la Gramática de Gutiérrez. Durante su primer período de actividad Fadrique imprimió carca de setenta libros. Todas sus impresiones son muy raras en el mercado.Francisco Eximenis o Eiximenis fue un autor nacido en Cataluña; en el catálogo de la Biblioteca de La Vallière se dice que que el autor escribió este libro en 1387 a instancia de Don Pedro Dartes, caballero de la Corte del rey de Aragón. Se ignora si el original se escribió en latín o en la lengua madre del autor. Como hemos visto, a pesar de ser el autor catalán, se imprimió primero la obra en francés y luego español, no se imprimió en catalán hasta varios años más tarde, en 1494.Muy buen ejemplar. Pequeña restauración en a8, alguna mancha ocasional, por lo demás perfecto.Procedencia: 1. Antonio Cánovas del Castillo, ex-libris; 2. Hispanic Society of America, ex-libris, vendido como duplicado.Referencias: Palau 85188; Goff X-10; Hain 16232; Vindel VII 52; BMC X 61; IBE 2266
      [Bookseller: Librería José Porrúa Turanzas S.A.]
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MACHANEUS Dominicus
Verbani Lacus, locorumque adiacentium chorographica descriptio
      a Stazio Trugo Catalauno de Ameno…literis consignata in speciem Commentarij ad lucubratiumculam Dominici Macanei editam an. 1490. Mediolani, e Praelo Ghisulphiano, 1699, in-4, pp. (8), 96, leg. ottoc. m. marocch. bruno, dorso a nervi con tit. e fregi oro. Bel car. tondo, iniz. e fregi silogr. Seconda edizione (dopo la prima pubblicata da V. Scinzenzeler nel lontanissimo 1490) dell'interessantissima opera geografico-descrittiva sul Lago Maggiore e luoghi adiacenti composta nel XV sec. dal Maccaneo (il cui vero nome, secondo il Predari, sarebbe Domenico della Bella da Maccagno); l'opera è qui, passo passo, ampiamente commentata dal letterato novarese del XVII sec. Lazzaro Agostino Cotta (che si cela sotto lo pseudonimo di Stazio Trugo Catalauno, come testimoniato dal Lancetti, Pseudonimia, p. 258, e dal nome di mano coeva scritto sul front.). L'antico testo inizia a pag. 11; le pp. precedenti contengono, oltre il front., la dedica del tipogr. Ghisolfi al conte Giov. Ant. Guilizzoni, un epigramma al medesimo da parte di Gius. Gir. Semenzi, l'imprimatur, l'indice, uno stemma silogr. a piena pag. ed una lunga dedica a L. A. Muratori, una lettera dell'a. a Gaspare Visconti ed infine una lettera di Gio. Giacomo Ghilini in lode del Maccaneo. Opera di notevole interesse e rarità. Perfetto esempl. Manca a Lozzi e Platner. BMC, XVII sec., 513. Predari p. 591. Coleti p. 91 e Bocca p. 136 (entrambi sotto Catalaunus).
      [Bookseller: Pregliasco Libreria Antiquaria di Umbert]
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Florentinus, Antoninus:
Secunda pars summe domini Antonini. De vitiis deque eorundem annexis variisque insertis.
      Strassburg: Johann (Reinhard) Grüninger, 17 Aug. 1490.. Folio, ff. [272]. Printed in blackletter in two columns, 60 lines per page. Wormholes in text area (about a dozen in first and last 20 leaves, reducing to only two that span the text-block), none larger than a character with minimal effect on legibility. Some underlining, early notes, and simple rubrication, all in red. Title a bit dusty, with small area of worming in blank margin, a later ownership inscription and a red blotch (from the rubrication ink) above title. Contemporary pigskin-covered wooden boards, sides partly bevelled, brass clasps, old paper label to spine, scratched and wormed, head of spine worn. Bookplate of the Library of Dominican Fathers to upper pastedown. Saint Antoninus Florentinus (1389-1459), birth-name Antonio Pierozzi, entered the Dominican order in 1405 and became Archbishop of Florence in 1446. He was canonised by Pope Adrian VI. Among his writings are a history of the world and several manuals for confessors and penitents; these latter are mostly abridgements and selections from his major work, his 'Summa Theologica' (sometimes called the 'Summa Moralis'), which was first published in 1477 and reprinted more than a dozen times within 50 years. Antoninus based much of his 'Summa', especially the first part, on the more famous 'Summa' of Aquinas, but his most significant contributions came when he narrowed the focus to moral theology, devoting parts two and four to vices and virtues in particular. The four parts were generally each issued separately: in this edition, they appeared in separate months from July and December 1490. This is the second part, dealing specifically with vices. GW 2191. Goff A-877. ISTC ia00877000..
      [Bookseller: Unsworth's Antiquarian Booksellers]
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GUICHARDIN, François;
Histoire des guerres d'Italie, traduite de l'Italien. 1490 - 1534.
      Londres, Paul et Isaac Vaillant, 1738 3 volumes in-4, veau marbré, filets dorés sur les plats, dos à nerfs ornés et dorés, pièces de titre et de tomaison de maroquin rouge et citron, coupes et bordures décorées, tranches dorées sur marbrures (reliures de l'époque). Impartialité du commentaire et véracité des faits rapportés: les spécialistes sont unanimes pour reconnaître ici la meilleure histoire des bouleversements qui devaient durablement remodeler le paysage politique et religieux de l'Italie à l'aube du XVI siècle. Parallèlement - et pourrait-on dire paradoxalement - si l'on regarde Guichardin comme le plus fidèle historien de son temps, on l'accuse aussitôt d'immoralité et d'arrivisme: certains croient pouvoir relever là l'influence de Machiavel. Rahir, Bibliothèque de l'amateur, n 451: seule édition retenue. Défauts aux coiffes mais bel exemplaire.
      [Bookseller: Librairie Laurent Coulet]
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DIOGENE LAERZIO
De vita et moribus philosophorum
      Scoto, Venezia 1490 - In Quarto (mm. 225x165); 112 carte non numerate; fascicolazione a-o8. Testo su 42 linee, carattere romano. Con iniziali decorate silografiche di varie dimensioni. Legatura coeva veneziana in mezza pelle decorata a secco e assi scoperte in cipresso, con tracce di fermagli; dorso a tre nervi.Sulla vita di Diogene Laerzio si hanno scarse informazioni. Autore del III secolo d. C., la fama che lo riveste è fondamentalmente legata alla sua opera in dieci libri Raccolta delle vite e delle dottrine dei filosofi. In essa esamina 84 figure di pensatori, dai Sette sapienti ad Epicuro, disponendo le informazioni per scuole filosofiche e rispettando le succesioni degli scolarchi fissate dalla tradizione. Senza quest'opera buona parte della nostra conoscenza della filosofia antica sarebbe andata perduta.Genuino esemplare arricchito da bellissime iniziali silografiche decorate e da note antiche manoscritte. Scritta illeggibile datata 1712 al piatto superiore; dorso a tre nervi con restauro a cuffia e piede; perduti i legacci al piatto superiore, superstiti i fermagli metallici all'inferiore. Antiche note manoscritte al frontespizio ed alle sguardie, sguardia finale mancante della metà sup. Diffuse fioriture e alcune tracce di umidità ai margini delle carte; segni di inchiostro alla carta aiii. Piccolissimo lavoro di tarlo nella seconda parte del libro che cessa d'essere trascurabile all'ultima carta. Sguardia finale è stata in parte tagliata ed asportata per metà. Goff D-222 p.213; IGI 3461; BMC V 438. Due sole copie in ICCU.
      [Bookseller: libreria antiquaria perini]
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AN ILLUMINATED VELLUM MANUSCRIPT LEAF WITH A MINIATURE DEPICTING PENTECOST FROM A BOOK OF HOURS IN LATIN.
TEXT FROM THE OPENING OF THE OFFICE OF THE HOLY GHOST.
      France, ca. 1490 - Single column three lines of text beneath the miniature (12 on verso) in an attractive gothic book hand. Rubrics in red three one- or two-line initials in burnished gold on a ground of blue or magenta with white tracery two-line fillers of similar design three-line initial in blue with white tracery enclosing flowers of orange and white the whole on a ground of burnished gold full border of acanthus leaves and other foliage and flowers the flowers partly within circles of magenta or black the border enclosing A MINIATURE PAINTING OF PENTECOST. Border trimmed at left and bottom (and just grazed at top) significant paint erosion in two faces (the Virgin's features no longer visible) otherwise very well preserved with rich coloring. In an upper room with lavender walls and a bright green tiled floor the Holy Spirit enters in the form of a dove shedding brilliance on the central figure of Mary flanked by John the Evangelist and Saint Peter. The latter's face is sensitive thoughtful.
      [Bookseller: Phillip J. Pirages Rare Books (ABAA)]
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Colonna V.
Le Rime. Corrette su testi a penna e pubblicate con la vita della medesima da Pietro Ercole Visconti. Si aggiungono le poesie ommesse nelle precedenti edizioni e le inedite
      - pp. 4-148-2-472, 4°, bella legatura edit. in piena pelle blu con diversi fregi impressa a secco ed in oro sui piatti e sul dorso, stemma Torlonia Colonna impresso in oro al centro dei piatti, tagli dorati, bel ritratto + 2 belle tavole f.t. di medaglie, buono stato. Prima Edizione critica del canzoniere della celebre poetessa rinascimentale ( 1490-1547 ), amica di Michelangelo e di varie altre personalità dell'epoca. Questa pregiata edizione venne pubblicata in numero limitato di esemplari per le nozze di Alessandro Torlonia con Teresa Colonna. E' stampato su carta speciale prodotta appositamente per l'occasione; la filigrana infatti riproduce lo stemma delle due famiglie, il nome degli sposi e la data delle nozze, il 16 luglio 1840- Roma, Salviucci, 1840, (LETTERATURA)
      [Bookseller: Franco A. Volta]
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Llavia (Ramón de)
Cancionero.
      - Zaragoza, Juan Hurus, 1490. En folio menor pergamino a la romana, 98 folios en letra gótica a dos columnas de 40 y 42 líneas. Contiene obras de Fernán Pérez de Guzmán, Juan de Mena, Iñigo López de Mendoza, Jorge Manrique, Juan Alvarez Ervias, Gómez Manrique, Fernán Ruiz de Sevilla, Gonzalo Martínez de Sevilla, Fernán Sánchez Talavera y Fray Gauberto. Cancionero rarísimo, sólo se conoce la existencia de cuatro ejemplares: en la Biblioteca Nacional de Madrid, Biblioteca de El Escorial, Biblioteca Imperial de Viena y Biblioteca del Museo Británico. Algunos folios restaurados por el margen.
      [Bookseller: Librería Rodríguez]
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Jacopo da Pontormo.
Diario.
      Salerno Ed., Roma, - Riproduzione integrale in fac-simile del ms. Magliabechiano VIII 1490 della Biblioteca Nazionale di Firenze, autografo di Jacopo da Pontormo cm.15x22, pp.32,1 vol. di Commentario di pp.144, con 16 tav. Tiratura limitata in 490 esemplari. rileg. in piena pelle, custodia. [Attributes: Hard Cover]
      [Bookseller: FIRENZELIBRI SRL]
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Maillard Olivier
Sermones de adventu quadragesimales: dominicales et de peccati stripendio et gratie premio: unacum pulcherrimus iuris questionibus quolibet in sermone insertis et spiritualiter applicatis... noviter impressi et accuratissime emendati. (Lyon, S. Gueygnardi 1503). 4º. 4 Bll., CCCLVI (356 Bll.) mit Holzschn.-Initiale u. gr. Holzschn.-Druckermarke auf dem Titel, blindgepr. Schweinsldr. d. Zt. über Holzdeckeln mit 2 Messingschließen.
      Tchemerzine VII, 303 (Abb. 4) - nicht in Adams u. STC.- Frühe Ausgabe der “Sermones de adventu” (erstmals Paris 1490).- Interessante Predigten des populären Pariser Minoriten Olivier Maillard (1430-1502), “der zwar freimütig das Ablaßunwesen und besonders die Sittenverderbnisse, Habsucht der Advokaten, Wucher u.s.f. straft, dabei aber durch seine Späße, profanen Schwänke und Scherze, und namentlich durch die häufige Behandlung obscöner Dinge die Verbindung des Burlesken mit dem Scholastischen noch widerlicher macht asl Barletta” (Herzog-H. XV, 656).- Titel verso gestempelt, nur leicht gebräunt od. braunfleckig, Ebd. etw. fleckig u. berieben.
      [Bookseller: Kunsthandlung - Antiquariat Johannes Mül]
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FINE ILLUMINATED VELLUM MANUSCRIPT LEAVES FROM A BOOK OF ...
      Rouen, ca. 1490 195 x 130 mm. (7 3/4 x 5""). Single column 24 lines in a clean attractive bâtarde hand. Rubrics in red line endings of blue or red with gold embellishment several (typically a dozen or even 20) one-line initials in gold on a red or blue ground all but a few leaves with at least one two-line initial in white with black or maroon decoration on a brushed gold ground and enclosing a charming flower in red and green and BOTH SIDES OF EVERY LEAF WITH A VERY ATTRACTIVE PANEL BORDER featuring acanthus leaves flowers grapes and other vegetation all ON A BRUSHED GOLD GROUND. One margin just slightly browned at the very edge other trivial imperfections but generally IN FINE CONDITION the gold and paint bright and fresh and the margins very ample. $275 - $475 (depending upon decoration)
      [Bookseller: Phillip J. Pirages Fine Books & Manuscri]
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AMBROSIUS (S.)
EPISTOLAE, LIBRI X. DE VOCATIONE; SERMONES; ORATIONES; DE SACRAMENTIS; DE VIRGINIBUS; DE VIDUIS ... DE HELIA ET IEIUNIO. IN FINE: IMPRESSUM PER MAGISTRUM LEONARDUM PACHEL. 18 DICEMBRE. 1490. (CM. 28,0) SOLIDA PIENA PERGAMENA SEC. XVIII, NERVI E TITOLO SU TASSELLO. DORSO DANNEGGIATO CON ABRASIONI. - CC. 185 NN. (DI 188), CARATTERE ROTONDO, 56 LINEE, SPAZI PER LETTERE CAPITALI. MANCANO 3 CARTE: LA PRIMA A1, BIANCA AL VERSO, LA C1 E L'ULTIMA (188) ANCH'ESSA BIANCA AL VERSO. ALCUNE MACCHIETTE ALLE ULTIME CARTE, LE ULTIME TRE CON VECCHIO RESTAURO PER FORO CENTRALE, CON PERDITA DI TESTO. PERALTRO BELL'ESEMPLARE NITIDO E BEN MARGINATO.
      Editio princeps di queste epistole di grande valore storico, politico ed autobiografico, che ci danno il vero volto di sant'Ambrogio vescovo di Milano ed una delle figure piu' importanti del Cristianesimo. Notevoli anche le aggiunte di Georgius Cribellus. Impressione non comune, manca ad Harvard, Oates in Cambridge, Cat. Rosenthal di Monaco 1900 ed a vari importanti cataloghi come Baer, Maggs, Quaritch. - Sander "Prices" riporta due sole vendite e Goff registra solo 7 copie in America. - Hain-Copinger 898; Goff A 552; GW 1600; Proctor 5989; Pellechet 582; Polain 4130; BMC VI 779. Vedi anche ct. Olschki "Monumenta" 1903 n. 299, Harper 1930 n. 216; Olschki "Incunabola" 1915 n. 15; Olschki cat. Henry Walters 1906 pag. 18.
      [Bookseller: Studio bibliografico CALABRO' Maria - Tr]
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STACE, STATIUS, Publius Papinius.
Thebaidos. Achileidos. Sylvarum.
      Venise, Jacobus de Paganini, 23 décembre 1490. - In-folio, [dimension: 293 x 206 mm] de 208 ff. Maroquin rouge, dos à nerfs orné, deux encadrements dorés sur les plats avec fleurons d'angle, tranches dorées. (Reliure du XVIIe.) Seconde édition complète et datée des trois oeuvres de Stace, le grand poète du premier siècle. Le texte reprend selon Brunet celui de la première de 1483. Contient : Thebaidos, avec les commentaires de Placidus Lactantius - Papinii vita - Achileidos, commentaires de Franciscus Mataratius - Silvae, commentaires de Domitius Calderinus - Domitius in Sapho Ovidii. Caractères romains, les gloses dans une police de caractère plus petite entoure le texte. Deux feuillets blancs manquent (a1 et N6). Petite réparation marginale aux feuillets a2 et a3. Bel exemplaire dans une reliure italienne en maroquin du XVIIe siècle. Collation : a-o8, p6, q4, A8, B-C6, D-G8, H-N6. BMC V, 456. Goff S-692. Brunet V, 512.
      [Bookseller: Hugues de Latude]
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FLORES POETARUM
NON MI//NUS IUCUNDISSIMI UTILISSIMI//PRO INSTRUENDIS PURIS PRIMIS LECTIONIBUS: (SEGUE AL VERSO DI CARTA 20) SANCTI BASILII DE LIBERALIBUS//STUDIIS ET INGENUIS MORIBUS//LIBER. PER LEONARDUM AR(ETINUM) EX//GRAECO IN LATINUM CONVER//SUS. (SENZA LUOGO, ANNO, NE' NOTE TIPOGRAFICHE) MA CIRCA 1490. (CM. 21,5) BUONA MZ. PERGAMENA ANTICA MANOSCRITTA BEN RESTAURATA, PIATTI IN CARTA MARMORIZZATA XVIII SECOLO, SGUARDIE ANTICHE - C.C. 29 /DI 30) CARATTERE ROMANO 33-36 LINEE. L'ULTIMA CARTA E' BIANCA. AL VERSO DI C. 29 "FINIS" SOTTO L'ERRATA CHE TERMINA CON LE PAROLE "EMENDABIS". INCUNABOLO ASSOLUTAMENTE RARISSIMO. PURTROPPO MANCA LA PRIMA CARTA IN XILOGRAFIA CHE ABBIAMO RIPRODOTTO IN FOTOCOPIA. ALTRIMENTI OTTIMO ESEMPLARE A PIENI MARGINI CON MINIME TRACCE DI POLVERE ALLA PRIMA E ULTIMA CARTA BIANCA.
      Incunabolo rarissimo. IGI registra una sola copia in Italia (Roma Casanatense) e Goff una sola copia in America. Manca ad Hain, BMC, Harvard, Polain e Sander "Prices" non registra alcuna vendita. Reichling lo considera stampato a Roma verso il 1490 da Eucario Silber; Sander dice Firenze, Ant. Miscomini; Goff, Firenze circa 1500 e GW Firenze "Stampatore del Flores Poetarum" circa 1500. - IGI 3997; Goff F 220; GW 10069; Sander 2797; Reichling 184; Hunt 3710.
      [Bookseller: Studio bibliografico CALABRO' Maria - Tr]
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STACE, STATIUS, Publius Papinius.
Thebaidos. Achileidos. Sylvarum.
      Venise, Jacobus de Paganini, 23 décembre 1490. - In-folio, [dimension: 293 x 206 mm] de 208 ff. Maroquin rouge, dos à nerfs orné, deux encadrements dorés sur les plats avec fleurons d'angle, tranches dorées. (Reliure du XVIIe.) Seconde édition complète et datée des trois oeuvres de Stace, le grand poète du premier siècle. Le texte reprend selon Brunet celui de la première de 1483. Contient : Thebaidos, avec les commentaires de Placidus Lactantius - Papinii vita - Achileidos, commentaires de Franciscus Mataratius - Silvae, commentaires de Domitius Calderinus - Domitius in Sapho Ovidii. Caractères romains, les gloses dans une police de caractère plus petite entoure le texte. Deux feuillets blancs manquent (a1 et N6). Petite réparation marginale aux feuillets a2 et a3. Bel exemplaire dans une reliure italienne en maroquin du XVIIe siècle. Collation : a-o8, p6, q4, A8, B-C6, D-G8, H-N6. BMC V, 456. Goff S-692. Brunet V, 512.
      [Bookseller: Hugues de Latude]
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Northcote, James (1746-1831)
The Life of Titian: With Anecdotes of the Distinguished Persons of His Time. in Two Volumes
      Henry Colburn and Richard. First Edition. Scarce. Handsomely bound two volume set detailing the life of the artist Titian (born Tiziano Vecelli ca. 1490), founder of the Venetian School of the Italian Renaissance. Includes a frontis portrait of the artist and a folding genealogical chart at the end of volume II. Original 3/4 tree calf with marbled boards, raised spine bands. Large 8vo. Portrait; 399 + 384 pages. Fine. * Biography of the artist Titian (born Tiziano Vecellio c.1490), founder of the Venetian School of the Italian Renaissance. James Northcote was a pupil of Sir Joshua Reynolds and more successful at painting animals than higher forms of life which prompted Henry Fuseli to remark upon seeing Northcote's "Angel opposing Balaam"-"Northcote, you are an angel at an ass, but an ass at an angel. " William Hazlitt assisted Northcote in his life of Titian.
      [Bookseller: Alibris]
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Colonna V.
Le Rime. Corrette su testi a penna e pubblicate con la vita della medesima da Pietro Ercole Visconti. Si aggiungono le poesie ommesse nelle precedenti edizioni e le inedite
      - pp. 4-148-2-472, 4°, bella legatura edit. in piena pelle blu con diversi fregi impressa a secco ed in oro sui piatti e sul dorso, stemma Torlonia Colonna impresso in oro al centro dei piatti, tagli dorati, bel ritratto + 2 belle tavole f.t. di medaglie, buono stato. Prima Edizione critica del canzoniere della celebre poetessa rinascimentale ( 1490-1547 ), amica di Michelangelo e di varie altre personalità dell'epoca. Questa pregiata edizione venne pubblicata in numero limitato di esemplari per le nozze di Alessandro Torlonia con Teresa Colonna. E' stampato su carta speciale prodotta appositamente per l'occasione; la filigrana infatti riproduce lo stemma delle due famiglie, il nome degli sposi e la data delle nozze, il 16 luglio 1840- Roma, Salviucci, 1840, (LETTERATURA)
      [Bookseller: Franco A. Volta]
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PIETRO D’ABANO.
Tractatus de Venenis.
      [Colophon:] Rome: [no printer,] 1490. - 4to, 18 unnumbered leaves. Gothic letter, 33 lines. Modern dark unlettered sheep, fine copy. Eighth printing, but the fifth separate edition. The first printed book on toxicology, treating of poisons and their antidotes. "The topics considered in its six main chapters are: the classification of poisons, how they act upon the body, how to guard against them, the effects and cures of a long list of particular poisons, and finally the problem of a panacea or bezoar against all poisons" (Thorndike). The poisons considered are wide ranging, and include arsenic and hemlock, narcotics, and animal poisons. The author makes reference to the loadstone as a poison if taken internally, and to two kinds of magnet (see Mottelay, p. 501, referring to this edition). Pietro d’Abano was born near Padua in 1250, and wrote De venenis in about 1316. First printed with his Conciliator at Mantua in 1472, the same year as Bagellardo’s book on paediatrics, it was one of the first books on a specific medical speciality to be printed. Klebs 774.8. BMC IV, 91. For a full account of this book, and of Pietro d’Abano’s life and other works, see Thorndike, II, pp. 874–947, and for the more bizarre aspects of his life (and death), see the Biographie Générale.
      [Bookseller: Nigel Phillips ABA ILAB]
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HEROLT, JOHANNES,
Discipulus de eruditione cristifidelium, cum thematibus sermonum dominicalium.
      . Straatsburg, Johann Prüss, 1490. Halfleer. 6°-8°. (6), (6), A1-A8, B1-B6, C1-C6, D1-D6, E1-E6, F1-F8, G1-G6, H1-H6, I1-I6, K1-K6, L1-L6, M1-M8, N1-N6, O1-O6, P1-P6, Q1-Q6, R1-R6, S1-S8, T1-T7 (135 bladen) * niet-contemporaine halfleren band, de bladen met de tabel en index zijn bij het opnieuw inbinden vooraan geplaatst, papier wormstekig met hier en daar licht tekstverlies, voorplat licht beschadigd, bibliotheekstempel van Bibliotheca SS. Cordium Valkenburg, blad met titel deels gerestaureerd en voorzien van oude aantekeningen*. *'The writings of Johannes Herolt, Dominican friar in the convent of Nuremberg, who signed his works 'Discipulus', were enormously popular throughout Germany and eastern Europe. His work 'De eruditione cristifidelium' is a moral manual designed to provide material for preachers. At the end of the volume is a table ordering materials collected from the sermons for preaching on the sundays of the liturgical year. This table is followed by another topical index, arranged alphabetically'. (In dit exemplaar zijn de tabel en de index niet achterin maar voorin gebonden).F. Goff. Incunabula in American libraries: a third census of fifteenth-century books recorded in North American collections. New York, 1973. H 95. T. Kaeppeli. Scriptores ordinis praedicatorum medii aevi. 4 volumes. Roma, 1970-93, no. 2386. A.C. Masin. Incunabula typographica: catalogue of fifteenth-century books held by the Memorial Library of the University of Notre Dame. Notre Dame, 1979, 85, no. 46. 'Johannes Herolt, gestorben 1468 in Regensburg, wird von Johannes Meyer gerühmt als observanter Ordensmann und feuriger Eiferer für die Seelen. Er war Lektor und Prior in Würzburg. In weitverbreiteten homiletischen Werken, besonders über Gebote und Tugenden, bot er den Predigern Hilfsmittel und Beispiele. Er nannte sich mit Vorliebe discipulus. Die Frommigkeitsgeschichte findet bei ihm warme Andacht zum Hl. Geist, zum Altarssakrament, zum Herzen Jesu und Maria'. A. Walz. Dominikaner und Dominikanerinnen in Süddeutschland (1225-1966). Freising, 1967, p. 54
      [Bookseller: Antiquariaat Isis]
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