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Displayed below are some recent viaLibri matches for books published in 1476
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Middleton, Richard of (ca. 1249-1308)
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| Commentum super quartem sententarium. [bound with: handwritten Index of the late Middle Ages].
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Venice, Christophorus Arnoldus, [1476-77].. Folio; 10.4 in x 7.5. 278 leaves; a10, b8, c6, d-i10, k12, l-z10, A-D10, E12. Modern vellum binding. Very good condition.. IncunabulaThis beautiful incunable contai0ns an commentary by the Franciscan monk Richard of Middleton (also Richardus de Mediavilla) to the famous and often discussed "Sententiae" by Petrus Lombardus. The commentary was printed by Christophorus Arnoldus in two editions. The one at hand is exceptionally rarer than the other. A wonderfully painted initial can be found at the beginning of the text. It stretches over half the page in length and is decorated with ornaments of dots and lines. All other initials are smaller but nonetheless artistically painted. They are placed at the beginning each paragraph and stretch over 2-3 lines. The text is printed in a Gothic type set in two columns and completely rubricated in strong red ink. Elegant modern vellum binding. Author and title are gilt-stamped onto the spine. [Condition of the binding: Very Good (-) / Condition of the paper: Very Good (-) / Further remarks: The binding is slightly rubbed with some minor stains. The first couple of pages are loosened. Some leaves with very light water stains. First leave with blacked out exlibris. On the whole this is a very impressive work which, especially for its age, has been preserved in extraordinary condition.] The "Sententiae" are the main work by the respected scholastic and bishop of Paris Petrus Lombardus (c. 1100 - 1160). The text contains important theological ideas on the doctrine of the trinity, creation, incarnation and the scraments. When it was first published in 1158 it was one of the most important writings of its time and Petrus Lombardus was awarded the title of "Magister Sententarium". Later, commenting this work became a vital part of studying theology. That is why many important church fathers like Thomas Aquinas, Bonaventura and Albertus Magnus have all written commentaries on the "Sententiae". Richard of Middleton (c. 1249 - 1308) was the first Franciscan to write a complete commentary on the sentences after Bonaventura. He was rooted deeply in the Augustine-Franciscan traditions. Nonetheless he was also very influenced by the ideas of Thomas Aquinas, which might prove that he belonged to the Aristotelian branch of the Franciscan movement. After teaching the "Sententiae" at university, Middleton began writing the commentary in 1281. When he finished his work in 1284 he had already been promoted to the director of the Franciscan school of Paris. Middleton's origins remained a mysteries and have been the subject of many a discussion. Until today it is not known whether he was English or French. Most scholars have settled for the theory that Middleton belonged to the Menevill or Meynil family from Northumberland and had latinised his name. Regardless of his nationality, he is regarded as one of the most important theologians of the 13th century. His other works include "Quaestiones disputae", "Quodlibeta" and "Homilien". His most important, however, is the commentary on the "Sententiae". The copy at hand being a very early and rare print. It is in extraordinary condition which adds to the value of this beautiful incunable.
[Bookseller: Bibliopegi GmbH] |
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ROSSIGNOL M.
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| Histoire de la Bourgogne pendant la période monarchique. Conquête de la Bourgogne après la mort de Charles-Le-Téméraire, 1476-1483.
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1 vol In8, reliure 1/2 toile modeste, tranches mouchetées, de III + 431 pages. Bon état. Quelques rousseurs éparses. Lamarche et Drouelle 1853 Dijon
[Bookseller: Eve & Jean-Louis Grison] |
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| Mamotrectus Super Bibliam (GWM 20797, H 10556).
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Köln, Conrad Winters de Homberg (Homborch), 24. Dezember 1476. Type 1.. Zweispaltiges, 40-zeiliges O-Inkunabelblatt mit einer 3-zeiligen roten Lombarde, rotgestrichenen Versalbuchstaben u. Rubriken und einer Marginalglosse. Blattgröße: 20,5 x 27 cm. Incunabula text leaf.. Konrad Winters, Geselle Ulrich Zells gründete um 1472 seine eigene Druckerrei in Köln. Seine ältesten datierbaren Drucke sind von 1476. Sein letzter Druck erscheint 1482.
[Bookseller: Versandantiquariat Christine Laist] |
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ROSSIGNOL (M.)
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| Histoire de la Bourgogne pendant la période monarchique. Conquête de la Bourgogne après la mort de Charles-Le-Téméraire, 1476-1483.
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Dijon, Lamarche et Drouelle, 1853, in-8, III-431 pp., demi-veau prune, dos à nerfs orné, tête dorée (rel. de l'époque). Bon exemplaire.
[Bookseller: Clavreuil - Fabrice Teissèdre] |
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RÉVOLUTION FRANÇAISE].-
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| Gazette Nationale ou Le Moniteur Universel.-
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An VIII. 2 volumes in-f°(290 x 420mm) dos cuir marron, 1476 pages (pagination continue), impression sur 3 colonnes. Année complète. Reliures de l'époque très abîmées, qq. petits défauts, sinon intérieur en bon état. Le répertoire historique le plus vaste, le plus curieux et le plus complet, pour l'époque qu'il embrasse, surtout, et, malgré ses défauts, pour l'histoire de la Révolution. Il eut pour fondateur Charles-Joseph Panckoucke, le célèbre éditeur de l'Encyclopédie méthodique.Cette Gazette devait embrasser 5 grands objets: l'Assemblée nationale, la politique intérieure et extérieure, l'administration et tout ce qui en dépend; la littérature, les sciences et les arts.Exactitude dans les faits, clarté dans le style, fidélité scrupuleuse dans la transcription des décrets: voilà quels étaient à cet égard les engagements des auteurs et propriétaires envers le public. Extrait de Hatin, page 125.
[Bookseller: Librairie Les Vieux Ordinaires] |
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BRUNI LEONARDO (ARETINO)
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| Historia Florentina tradotta da Donato Acciaioli.
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Venezia, Giacomo De Rossi, 12 febbraio 1476.In-fol. (mm.315x215), cc.nn.218; 41 linee, caratteri romani. Spazi capitali. Leg. p.pelle. sec.XIX, titolo oro al dorso, piatti impressi a freddo con stemma nobiliare al centro in oro, tagli dorati. Lievi bruniture marginali su poche carte, cerniere rinforzate, ma ottimo esemplare, in carta forte. - Leonardo Bruni, detto l'Aretino, nacque ad Arezzo nel 1370; nel 1405 cominciò la carriera dei pubblici uffici a Roma, sotto Innocenzo VII. Dopo il concilio di Costanza (1414) si trasferì definitivamente a Firenze dove tenne la carica di cancelliere della Repubblica dal 1427 sino alla morte, avvenuta nel 1444. Bruni fu un umanista di profonda cultura e tra i maggiori scrittori in latino del suo tempo, soprattutto come traduttore dal greco di Platone e di Aristotele dei quali tradusse numerore opere. La sua opera più importante è l'Historia Florentina: la prima storia di Firenze basata su un accurato esame critico delle fonti grazie anche agli incarichi di Cancelliere che il Bruni ricoprì prima alla Corte papale e poi a Firenze.Divisa in dodici libri, iniziata nel 1414 e conclusa con il Commentario degli avvenimenti del suo tempo (Rerum suo tempore gestarum commentarius) scritto nel 1378-1440, l'opera è tesa a esaltare la libertà di Firenze, ad affermare il suo ruolo egemonico in Italia, rivolgendo l'attenzione più alla costituzione interna e alle vicende civili, che non alle imprese militari: sono concetti espressi con una profondità e un senso critico insoliti alle cronache del tempo.Hain, 13172; B.M.C., V, 215; IGI, 7940; Goff, 873; Id., B-1247; Moreni, II, 162-163; D.B.I., XIII, 640-646.
[Bookseller: Libreria Antiquaria Gonnelli s.r.l.] |
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Middleton, Richard of (ca. 1249-1308)
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| Commentum super quartem sententarium.: [bound with: handwritten Index of the late Middle Ages].
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Venice, Christophorus Arnoldus, [1476-77]. Folio; 10.4 in x 7.5. 278 leaves; a10, b8, c6, d-i10, k12, l-z10, A-D10, E12. Modern vellum binding. Very good condition. This beautiful incunable contai0ns an commentary by the Franciscan monk Richard of Middleton (also Richardus de Mediavilla) to the famous and often discussed "Sententiae" by Petrus Lombardus. The commentary was printed by Christophorus Arnoldus in two editions. The one at hand is exceptionally rarer than the other. A wonderfully painted initial can be found at the beginning of the text. It stretches over half the page in length and is decorated with ornaments of dots and lines. All other initials are smaller but nonetheless artistically painted. They are placed at the beginning each paragraph and stretch over 2-3 lines. The text is printed in a Gothic type set in two columns and completely rubricated in strong red ink. Elegant modern vellum binding. Author and title are gilt-stamped onto the spine. [Condition of the binding: Very Good (-) / Condition of the paper: Very Good (-) / Further remarks: The binding is slightly rubbed with some minor stains. The first couple of pages are loosened. Some leaves with very light water stains. First leave with blacked out exlibris. On the whole this is a very impressive work which, especially for its age, has been preserved in extraordinary condition.] The "Sententiae" are the main work by the respected scholastic and bishop of Paris Petrus Lombardus (c. 1100 - 1160). The text contains important theological ideas on the doctrine of the trinity, creation, incarnation and the scraments. When it was first published in 1158 it was one of the most important writings of its time and Petrus Lombardus was awarded the title of "Magister Sententarium". Later, commenting this work became a vital part of studying theology. That is why many important church fathers like Thomas Aquinas, Bonaventura and Albertus Magnus have all written commentaries on the "Sententiae". Richard of Middleton (c. 1249 - 1308) was the first Franciscan to write a complete commentary on the sentences after Bonaventura. He was rooted deeply in the Augustine-Franciscan traditions. Nonetheless he was also very influenced by the ideas of Thomas Aquinas, which might prove that he belonged to the Aristotelian branch of the Franciscan movement. After teaching the "Sententiae" at university, Middleton began writing the commentary in 1281. When he finished his work in 1284 he had already been promoted to the director of the Franciscan school of Paris. Middleton's origins remained a mysteries and have been the subject of many a discussion. Until today it is not known whether he was English or French. Most scholars have settled for the theory that Middleton belonged to the Menevill or Meynil family from Northumberland and had latinised his name. Regardless of his nationality, he is regarded as one of the most important theologians of the 13th century. His other works include "Quaestiones disputae", "Quodlibeta" and "Homilien". His most important, however, is the commentary on the "Sententiae". The copy at hand being a very early and rare print. It is in extraordinary condition which adds to the value of this beautiful incunable.
[Bookseller: Bibliopegi GmbH] |
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QUINTILIANUS
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| Institutiones Oratoriae. Milan, Antonius Zarotus, 9 June
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Folio (315 x 213mm.). 206 leaves. 41 lines, roman letter, spaces left for Greek words. 17th centurymottled calf gilt, gilt and panelled back, morocco labels, r.e. (joints weak). 1476 Fourth edition of this classic work which became one of the most important texts of the Renaissance, "the only systematic pedagogical treatise of antiquity to be preserved . . . in which Quintilian traces the path towards an ideal educational goal, where the skills of the orator are not divorced from the other tasks of forming his mind and developing his virtues" (Encyclopaedia of the Italian Renaissance, ed. J. R. Hale, p. 272).Provenance. The copy of Egidio Sacchetti who has supplied his own ink-written title-page, with armorial, and three-page index. There are also numerous contemporary manuscript marginalia which are also almost certainly in the same hand. Armorial book-plate of William Horatio Crawford (1812-1888), of Cork, and benefactor of the Municipal Art Gallery. Signature on fly-leaf (dated 1894) of Richard C. Jackson, President of the Dante Society, who has recorded in two long notes that this copy was lot 2602 in the Crawford sale on 23 March 1891.Many lower corners stained (sometimes quite dark), lower margin of title-page cut away and replaced with later paper.HCR 13648. BMC VI, 713. Goff Q27.
[Bookseller: Maggs Bros Ltd.] |
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Thomas, Aquinas, santo (1221-1274).
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| Quaestiones disputatae de veritate.
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Roma, Arnold Pannartz, 20 gennaio 1476. "In-folio (mm 334x230). Segnatura: [?4, a-f10.8, g8, h10, i-q10.8, r-s8, t-v10, x-z8.10, A-N8.10, O-P8]. 344 carte non numerate. Carattere 106(108)R, testo su due colonne di 42 linee. Legatura ottocentesca in marocchino biondo con ricca decorazione dorata ai piatti e al dorso, tagli originali con titolo manoscritto. Esemplare ad ampi margini in ottimo stato di conservazione. Numerose postille di mano coeva nel testo. Copia appartenuta ai Principi Massimo, con i pezzi araldici (leone coronato) impressi in oro sui piatti e sul dorso della legatura. Prezioso incunabolo, il penultimo impresso dal primo tipografo italiano ‘in domo Petri de Maximo’, in una zona intermedia tra Piazza Navona e Campo de’ Fiori, là dove più tardi fu costruito Palazzo Massimo alle Colonne. Il sodalizio dei due celebri prototipografi tedeschi Conrad Sweynheym e Arnold Pannartz cessò nel 1473 per la morte del primo, mentre il secondo proseguì la sua attività (impressit Rome ingeniosus vir Arnoldud Pannartz natione germanus in domo clari civis Petri de Max[imo]) fino al 1476, realizzando – secondo le linee editoriali della precedente collaborazione - ancora edizioni di notevole impegno culturale e di pregevole qualità tipografica. La raccolta di Questiones, qui in seconda edizione che segue la princeps di Colonia dell’anno precedente, comprende il De Veritate, testo fondamentale della patristica cristiana, in cui San Tommaso affronta i problemi ontologici connaturati all’idea di verità e verosimiglianza. HC 1420; BMC iv, 62; Goff T, 180; IGI 9561; Pellechet 1019. Precious Roman incunable, the penultimate printed by the first Italian prototypographer Arnold Pannartz whom after Sweynheym’s death carried on the press activity, producing books of cultural relevance and valuable typographical quality. Well-preseved copy from the Princes Massimo Library, located in the palace where the two german printers begun their activity in Rome after their first press in Subiaco"
[Bookseller: Philobiblon S.r.l.] |
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BRUNI LEONARDO (ARETINO), POGGIO BRACCIOLINI GIAN FRAN (...)
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| Historia Florentina tradotta da Donato Acciaioli. (Legato a:) Historia Florentina tradotta da Jacobus Poggius.
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Venezia, Giacomo De Rossi, 12 febbraio 1476 - Venezia, Le Ronge, 8 marzo 1476.2 opere in un vol. in-fol. (mm.315x225), cc.num.218 (la prima opera) e cc.num.116 (la seconda opera); 41 linee, caratteri romani. Spazi capitali, numerosissime note manoscritte in bella grafia di più mani (sec. XVII) ai margini di molte cc. Bella leg. p.pelle sec.XIX, titolo oro su tassello nero al dorso. Ottimo esemplare a pieni margini, in carta forte. - Poggio Bracciolini Gian Francesco (Terranova Bracciolini 1380 - Firenze 1459) occupò importanti magistrature alla Corte di Roma; nel 1404 ricoprì l'ufficio di scrittore apostolico, fu poi all'estero al Concilio di Costanza. Visitò varii monasteri svizzeri, francesi e tedeschi che gli permisero di scoprire opere di classici. Nel 1423 tornò a Roma con l'ufficio di Segretario Apostolico, che nel 1453 cambiò con quello di Cancelliere della Repubblica fiorentina. Il Bracciolini non fu un pensatore di rilievo, ma più di ogni altro umanista del primo '400, espose in maniera agile dottrine da lui ben assimilate. Usò una prosa latina viva e senza pedanteria; importanti fra le sue opere: Dialoghi, De Varietate fortunae, Liber facetiarium e Historia florentina, che fu volgarizzata dal figlio Jacopo (1442-1478). Questa Historia abbraccia le cose della Repubblica fiorentina dal 1350 al 1455 e costituisce una fonte a stampa di notevole importanza.Leonardo Bruni, detto l'Aretino, nacque ad Arezzo nel 1370; nel 1405 cominciò la carriera dei pubblici uffici a Roma, sotto Innocenzo VII. Dopo il concilio di Costanza (1414) si trasferì definitivamente a Firenze, dove tenne la carica di cancelliere della Repubblica dal 1427 sino alla morte, avvenuta nel 1444. Bruni fu umanista di profonda cultura e tra i maggiori scrittori in latino del suo tempo, soprattutto come traduttore dal greco di Platone e di Aristotele, dei quali tradusse numerose opere. La sua opera più importante è l'Historia Florentina: la prima storia di Firenze, basata su un accurato esame critico delle fonti grazie anche agli incarichi di Cancelliere che il Bruni ricoprì prima alla Corte papale e poi a Firenze.Divisa in dodici libri, iniziata nel 1414 e conclusa con il Commentario degli avvenimenti del suo tempo (Rerum suo tempore gestarum commentarius) scritto nel 1378-1440, l'opera è tesa ad esaltare la libertà di Firenze, ad affermare il suo ruolo egemonico in Italia, rivolgendo l'attenzione più alla costituzione interna e alle vicende civili, che non alle imprese militari: sono concetti espressi con una profondità ed un senso critico insoliti alle cronache del tempo.Hain, 13172; B.M.C. V, 215; IGI, 7940; Goff, 873; Goff, B-1247; Moreni II, 162-163; D.B.I., XIII, 640-646.
[Bookseller: Libreria Antiquaria Gonnelli s.r.l.] |
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PERALDUS GUIL.
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| De fide et legibus.
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(Augsburg, Günther Zainer, 1475-1476). Small folio. Contemporary richly blind-stamped vellum over wooden boards, with two brass clasps, blue painted edges. With all initials supplied in red, rubricated throughout. (139) leaves. Editio princeps of a mediaeval work on Church Law by Guilielmus Peraldus, or Guillaume Pérault or Peyraud, doctor at the Paris University and bishop of Lyon (ca. 1190-1255). The work is mostly ascribed to Guillermus or Guillelmus Arvernus, bishop of Paris, and a very popular author, who died in 1248. In our copy the author is called: "Wilhelmi Epilugdunensis", and "doctoris parisiensis". The present, somewhat mysterious edition, was probably the only edition and published by the first printer of Augsburg, Günther Zainer. His first book, the "Meditationes" of Bonaventura was published in 1468 and Zainer died on April 13, 1478. Hain and Polain date the present work at ca. 1469, but other bibliographers date the work at ca. 1475-1476. The book is well produced, printed in a fine small Roman type, with 43 lines to a page, and is finished by hand and rubricated throughout. The first blank is lacking. On top of the first text-leaf a contemporary ms. note reads: "Cart. in Buxheim", and a small stamp of the "Bibl. Buxheim:" is present at the bottom. So the book originally belonged to the Carthusians at Buxheim in Germany. The publisher Zainer was after his death remembered for his gifts to the Carthusian Monastry at Buxheim, and our copy may have been one of these. The Monastry's library was sold in the 19th century. Our copy has also an interesting contemporary German binding. Fine large paper copy, with the additional bookplate of the Library of George Dunn of Woolley Hall, near Maidenhead.- (Binding sl. stained and rubbed). Goff G 711; Proctor 1556; BMC II 323; Hain-Copinger 8317; Polain 1807; Oates 883; IGI 4602; STC German p. 681.
[Bookseller: Antiquariaat FORUM BV] |
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QUINTILIANUS
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| Institutiones Oratoriae. Milan, Antonius Zarotus, 9 June
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Folio (315 x 213mm.). 206 leaves. 41 lines, roman letter, spaces left for Greek words. 17th century mottled calf gilt, gilt and panelled back, morocco labels, r.e. (joints weak). 1476 Fourth edition of this classic work which became one of the most important texts of the Renaissance, "the only systematic pedagogical treatise of antiquity to be preserved in which Quintilian traces the path towards an ideal educational goal, where the skills of the orator are not divorced from the other tasks of forming his mind and developing his virtues" (Encyclopaedia of the Italian Renaissance, ed. J. R. Hale, p. 272). Provenance. The copy of Egidio Sacchetti who has supplied his own ink-written title-page, with armorial, and three-page index. There are also numerous contemporary manuscript marginalia which are also almost certainly in the same hand. Armorial book-plate of William Horatio Crawford (1812-1888), of Cork, and benefactor of the Municipal Art Gallery. Signature on fly-leaf (dated 1894) of Richard C. Jackson, President of the Dante Society, who has recorded in two long notes that this copy was lot 2602 in the Crawford sale on 23 March 1891. Many lower corners stained (sometimes quite dark), lower margin of title-page cut away and replaced with later paper. HCR 13648. BMC VI, 713. Goff Q27.
[Bookseller: Maggs Bros. Ltd ABA ILAB BA] |
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BIBLIA.
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| Biblia Latina.
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[colofón al folio de signatura 18.6.6.] Explicit biblia impressa Venetiis, per Franciscum [Renner] de Hailbrun et Nicolaum de Franckfordia socios, 1476. 4to. mayor; 345 hojas sin numerar, de 456. El ejemplar empieza en la signatura i4 correspondiente al Libro de Ruth. Impresión a doble columna de 51 líneas para el texto, y a triple columna de 54 líneas para las «Interpretationes Hebraicorum Nominum» finales que acaban abruptamente en la letra «I». Excelente impresión en letra gótica sobre grueso papel de hilo, con capitulares e iniciales manuscritas, de la época, en tintas de colores, así como notas marginales manuscritas. Encuadernación moderna en pergamino fuerte. Nº Hain 3063. Nº Gesamtkatalog 4223.
[Bookseller: Hesperia Libros] |
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Middleton, Richard von (ca. 1249-1308)
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| Commentum super quartem sententarium.: [beigebunden: handschriftlicher, spätmittelalterlicher Index]
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Venedig, Christophorus Arnoldus, [1476-77]. Folio; 26,5 cm hoch und 19 cm tief. 278 Blatt; a10, b8, c6, d-i10, k12, l-z10, A-D10, E12. Neuerer Ganzpergamentband. Sehr guter Zustand. Diese wunderschöne Inkunabel beeinhaltet einen Kommentar des Franziskanermönchs Richard von Middleton (auch Richardus de Mediavilla) zu dem berühmten und viel diskutierten Werk "Sententiae" von Petrus Lombardus. Das Werk wurde von Christophoros Arnoldus in zwei Auflagen gedruckt, von denen diese bei weitem die seltenere ist. Der Text wurde komplett in einem leuchtenden Rot rubriziert. Zu Beginn des eigentlichen Werkes, dem eine Inhaltsangabe vorangestellt wurde, findet sich eine sehr prächtige Schmuckinitiale. Sie erstreckt sich über die Hälfte der Seite und wurde mit einem Muster aus Linien und Punkten kunstvoll verziert. Alle weiteren Initialen wurden in besonders schöner Optik gestaltet. Zu Beginn eines jeden Absatzes sind sie von einer Größe, die sich über zwei, häufig auch über drei Zeilen erstreckt. Der Text wurde zweispaltig, in einer hübschen, kleinen gotischen Type gesetzt. Neuerer Pergamenteinband von schlichter Eleganz. Auf dem Rücken findet sich eine edle goldgeprägte Angabe von Autor und Titel. [Zustand des Einbandes: 1- / Zustand des Papiers: 1- / Sonstige Anmerkungen: Der Einband ist etwas berieben und weist kleinere Flecken auf. Die ersten Seiten des Buches sind etwas gelockert. Das Papier ist geringfügig nachgedunkelt und hat einige Braun- und Fingerflecken. Auf einigen Seiten finden sich leichte Wasserflecken. Das erste Blatt sowie einige Seiten des Indexes weisen sehr kleine Wurmgänge auf. Die erste Textseite wurde mit einem handschriftlichen Besitzvermerk versehen, der später durchgestrichen wurde. Insgesamt ist das Werk, vor allem unter Berücksichtigung seines Alters, in einem hervorragenden Zustand.] Bei der "Sententiae" handelt es sich um das in vier Bänden erschienene Hauptwerk des Scholastikers und Bischofs von Paris, Petrus Lombardus (ca. 1100-1160). Es beinhaltet die wichtigen theologischen Themen der Gotteslehre und Trinität, Schöpfung, Inkarnation und Sakramente. Das Werk, dessen erste erhaltene Fassung von 1158 stammt, war zu dieser Zeit das wichtigste seiner Art und brachte Lombardus den Ehrentitel des "Magister Sententarium" ein. Die Kommentierung dieses Werkes wurde etwas später zu einem festen Bestandteil des Magisterstudiums der Theologie. In diesem Zusammenhang entstanden auch die wichtigen Kommentare der "Sententiae" von z.B. Thomas von Aquin, Bonaventura oder Albertus Magnus. Als erster Franziskaner nach Bonaventura gab Richard von Middleton (ca. 1249-1308) einen vollständigen Kommentar zu den Sentenzen heraus. Er war mit der augustinisch-franziskanischen Tradition stark verwurzelt. Trotzdem stand er unter einem gewissen Einfluss der Ideen und Ansichten Thomas von Aquins, was darauf schließen lässt, dass er eher dem aristotelischen Zweig der Franziskaner angehörte. Nachdem Middleton an der Universität schon Vorlesungen zu den Sentenzen gehalten hatte, begann er um 1281 mit der Arbeit an dem vorliegenden Kommentar, welchen er etwa 1284 vollendete. Zu dieser Zeit hatte er auch die Position des Direktors der Franziskanerschule in Paris inne. Ein großes Rätsel und Inhalt vieler Diskussionen war die Herkunft Middletons. Es ist bis heute nicht geklärt, ob er aus England oder Frankreich stammte. Es wird allerdings vermutet, dass er ursprünglich aus der englischen Grafschaft Northumberland kam und Mitglied der Familie Menevill oder Meynil war, deren Name latinisiert wurde. Middleton, der als einer der wichtigsten Theologen des 13. Jahrhunderts angesehen wird, gab unter anderem die Werke "Quaestiones disputae", "Quodlibeta" und "Homilien" heraus. Das wichtigste bleibt jedoch der Sentenzenkommentar, der hier in einer sehr frühen und äußerst seltenen Ausgabe vorliegt. Der außerordentlich gute Zustand macht diese Rarität darüber hinaus zu einem einzigartigen Schmuckstück.
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TURRECREMATA, JOHANNES (DE) [JUAN DE TORQUEMADA].
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| EXPOSITIO SUPER TOTO PSALTERIO. ROMA, WOLF HAN (LUPUS GALLUS), 1476,
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in 4, bella legatura in piena pergamena molle con cornice e fregi dorati, ccnn 204 compreso l'ultima carta con indice e colophon, L'unica opera conosciuta firmata e datata del tipografo Lupo Han. Bell'esemplare con grandi margini. Cfr Hain - Copinger, 15700.
[Bookseller: Libreria PONTREMOLI - Milano - Italy] |
| 15. Check availability: Maremagnum
Link/Print |
Thomas von Aquin
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| Catena aurea super quattor Evangelistas
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Basel, Michael Wenssler 1476. 39 x 24 cm. (1 w.), 436 (ohne das letzte wei!e) nicht numeriert Bl., 2 Sp., 62 Z. mit 4 gro!en und zahlreichen kleineren rot ausgemalten Initialen, rot rubriziert. Blindgepragter Lederband der Zeit auf Holzdeckeln mit 2 Messingschlie!en - Hain 1332 - Goff T-229 - Panzer, Annales IV, 15, 93 - Haegen, Basel 5, 23 - Madsen 3886; IDL 4352; BM STC 113; Voullieme, Bonn, 1131 (enthalt nur Matthaus und Markus). Selten. Einer der wichtigsten neutestamentlichen Kommentare, der eine aus vielen Kirchenvatern hergestellte fortlaufende Erklarung der Evangelien enthalt. Begonnen ist das Werk unter Urban IV. (Realenz. XIX, 708). Michael Wenssler, aus Stra!burg stammend, war neben Ruppel und Richel einer der ersten Basler Drucker (Voullieme, Deutsche Drucker des 15. Jahrh. 19ff). Einbanddecken mit breiten Rahmen, die Buckel in den Eckquadraten fehlen. In den Mittelfeldern Rauten, darin Einzelstempel: Lilien und Agnus Dei(?). In den Umrandungen oben und unten "Maria" und links und rechts davon Einzelstempel Greif(?). Im ganzen gut erhaltenes Exemplar, Rucken und Ecken restauriert unter weitgehender Verwendung des alten Materials, Bibl.-Titelschild entfernt, Kettenhalterung als Fragment vorhanden. Im vorderer Innendeckel alter Besitzeintrag, durchgangig wenig storender Feuchtigkeitsrand, letzte 6 Blatt einzelne Wurmlocher im wei!en Rand, das erste und die letzten 3 Blatt in der oberen Ecke restauriert. - Sprache / Language: Lateinisch / Latin -
[Bookseller: Wenner Antiquariat] |
| 16. Check availability: Biblio
Link/Print |
Filelfo, Francesco (1398-1481)
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| Satyrarum Hecatostichon Decades Decem
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Mailand, Christopher Valdarfer, 13. November 1476. Erstauflage. 4°; 27,4 cm hoch, 19,5 cm tief. 150 Bll. (a-s8, t6). Goff P615, Hain 12917*, WG M33062, CIBN P-329 Späterer Ganzpergamenteinband. Guter Zustand. Das "Satyrarum hecastichon decades decem" besteht, wie der Name schon verrät, aus zehn Büchern oder Dekaden. Jede Dekade wiederum vereint zehn Satiren. Und jede Satire umfasst exakt 100 Zeilen. Die erste Dekade wurde wahrscheinlich schon im Winter von 1432 verfasst, während der gesamte Zyklus allerdings erst im Dezember 1448 abgeschlossen wurde. Der Text ist der lyrischen Form entsprechend in schlichter Eleganz gesetzt. Die Anfangsbuchstaben der Zeilen sind jeweils in Großbuchstaben und etwas nach links gerückt abgedruckt. Die Überschriften hingegen sind ganz in Kapitalen gedruckt und zentral ausgerichtet. Durch zusätzliche Einrückung der folgenden drei Zeilen verschaffte der Drucker dem Gedicht eine bessere Übersicht. Diese einfache aber wirkungsvolle Art den Text zu setzen zeugt vom Alter dieser Inkunabel. Obwohl aus Italien bereits 1465 erste Pressen bekannt sind, erreichte der Buchdruck Mailand erst relativ spät im Jahre 1470. Das vorliegende Werk kann also zu den ersten gedruckten Büchern der Mailänder Offizien gezählt werden. Späterer Ganzpergamenteinband von schlichter Eleganz mit dreiseitigem Rotschnitt. Der Autor und der Kurztitel der Inkunabel sowie der Druckort und das -jahr sind auf den Buchrücken aufgeprägt. [Zustand des Einbandes: 2+ / Zustand des Papiers: 2 / Sonstige Anmerkungen: Der Einband ist leicht berieben. Das Papier in sehr guter Qualität erhalten und lediglich an den Rändern teilweise fleckig. Das erste Blatt ist beschmutzt und weist zwei kleine Löchern im Randbereich auf, welche von alten Tintenflecken stammen. Die letzten 12 Blatt mit kleiner Wurmspur und vereinzelt mit minimalem Buchstabenverlust. Insgesamt eine sehr gut erhaltene Inkunabel.] Francesco Filelfo (1398-1481) war ein Humanist der italienischen Renaissance. Er machte es sich zu seiner Lebensaufgabe die griechische Antike für die italienische Kultur wiederzuentdecken. Während Petrarca und die florentinischen Studenten am Ende des 14. Jahrhunderts die Vorarbeit zur Renaissance leisteten, indem sie wichtige römische Autoren entdeckten und das Lateinstudium wieder einführten, konzentrierte sich Filelfo auf die griechische Antike. Nach einem Studium der Rhetorik und der lateinischen Sprache, ermöglichte ihm der venetische Staat 1419 als Gesandter nach Konstantinopel zu reisen, wo Filelfo unter dem bekannten Chrysoloras griechisch lernte und eine beachtliche Sammlung Kodizes erwarb, die er zum besseren Studium nach Italien brachte. Neben zahlreicher wichtiger Übersetzungen von Aristoteles, Plutarch, Xenophon und Lysias, verfasste er auch zahlreiche lyrische Werke. Der vorliegende Zyklus ist im klassischen griechischen Stil der satirischen Dichtung geschrieben, den sich Filelfo beim Studium griechischer Werke aneignete und in die zeitgenössische Dichtung einführte. Sein Werk kann als maßgebend für die Renaissance gewertet werden. Wie kein Anderer gab er sich intensiv dem Studium der Antike hin, lehrte an verschiedensten Universitäten und verfasste unzählige Werke. Filelfo war ein Pionier des Humanismus und wichtiger Wegbereiter des Erasmus von Rotterdam sowie des italienischen Humanisten Angelo Poliziano. Der vorliegende Gedichtzyklus gehört zu Filelfos letzten Werken und liegt hier in der sehr seltenen und schönen Inkunabel-Erstausgabe vor.
[Bookseller: Bibliopegi GmbH] |
| 17. Check availability: ABEBooks
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VORAGINE, Jacobus de.
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| Printed by the first printers in France Legenda aurea.
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Paris, Martin Crantz, Ulrich Gering and Michael Friburger, (ca. 1476).. Folio. 18th century light brown calf, gilt fillets along the edges, spine gilt in compartments with two red labels with gilt lettering: 'Legenda sanctorum' and 'Parisiis absque anno', gilt inner dentelles, marbled edges. Rubricated throughout with the capitals painted alternately in red and blue, the first initial in gold against a blue and red background, heightened with white interlace, with penwork extending into the right margin. Printed in two columns, 45 lines to a page. Type: 114SG. Collation: (a)-(m)10 (n)12 (o)-(z) (A)-(F)10. (292) lvs, complete with the first and last blank.. One of the early incunable editions of the famous Legenda aurea , written and composed between 1260 and 1267 by Jacopo de Varazze - better known as Jacob de Voragine - in the Dominican monastery at Genua. Certainly it is the most popular and highly influential compilation of Saints' lives from the Middle Ages: at least 91 Latin, and 7 Italian, 5 English, 20 French, 2 German and 33 Dutch editions have been printed before the year 1500. The Legenda aurea contain ca. 160 lives of saints and 20 treatises on the principal feasts of the church. As there are a number of undated early editions, it is difficult to say which edition is the first, but probably the Zainer edition printed in Augsburg in 1468-70 can be considered as such.is the splendid and rare second Paris edition of the Legenda printed by the well-known combination of the three printers Martin Crantz from Strasbourg, Ulrich Gering from Constance and Michael Friburger from Colmar - all three being members of the intellectual set at the Sorbonne at Paris - who had started producing books with the financial backing of Guillaume Fichet and Jean Heynlin in the later part of 1470, establishing the very first press on French soil. After three years they moved their printing house, named 'Le soleil d'or', or 'In sole aureo', to the Rue Saint Jacques. On the first of September in 1475 their first edition of the Legenda aurea was published. The present undated edition appears to be the later one and is generally considered to be printed in the course of 1476. Contents: f. 1: blank. 2r: Prologus: Incipit prologus super legendas sanctorum; quas compilavit frater Iacobus Ianuensis natione, de ordine fratrum predicatorum; [U]NIVERSUM tempus.... 2v-3v: Contents. 3v-281 r: (col. 2) Incipiunt legende sanctorum. Et primo de tempore renovationis agitur quod est adventus domini.. 281v-282v: blank. 283r-291r: Tabula super legendas sanctorum incipit. 291r: Colophon: Tabula continens fere omnia notabilia legende auree desinit feliciter. Pulchre transcripta parisius per Martinum chrancz, Undalricum gering, et Michaelem friburger impressorie artis magistros. 292: blank Very beautiful copy of this extremely rare early 'Legenda aurea' edition printed by the first printers active in France; with wide margins and complete with the mostly lacking first and last blanks.- (Some occ. insignificant soiling). Cop. 6394; Oates 2876; Polain 6455 (only 4 copies, the copy in the Bibl. Nat. at Paris is incomplete); Claudin I, p. 79 (with plates of the first and last pages on p. 80-81); Hist. de l'edition franc. I, p. 166; not in NUC or Goff; cf. BMC VIII, p. 7 (1475 ed.: 294 lvs., 2 cols., and 45 lines).
[Bookseller: Antiquariaat Forum BV] |
| 18. Check availability: ZVAB
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Regiomontanus, Johannes (1436-1476).
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| Kalendarium.
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Venezia, Bernhard Maler, Peter Löslein e Erahrd Ratdolt, 1476. "In-4° (mm 270x203). Segnatura: [a8,b10, c14]. 32 carte non numerate. Caratteri 109:R per il testo e 2:50G per alcune parole o lettere delle tavole. Testo su 30 linee. Frontespizio stampato in rosso e nero racchiuso entro elegante bordura silografica ornata. Iniziali gotiche e lombarde in rosso e nero. Quattro grandi diagrammi silografici a piena pagina: l’Instrumentum horarum inequalium e l’Instrumentum veri motus lunae quest’ultimo completo delle due parti mobili legate insieme da un filo di canapa; il Quadrans horologii horizontalis, il Quadratum Horarium generale - stampati su due fogli incollati insieme alla fine del volume - con una lancetta in ottone che permette di utilizzare la tavola come una sorta di orologio solare costruito per i viaggiatori. Nel testo 60 diagrammi raffiguranti le varie fasi delle eclissi lunari e solari (alcune ripetute), molte colorate a mano in giallo. Legatura settecentesca in carta marmorizzata entro camicia di mezzo marocchino verde con titolo in oro al dorso e astuccio. Esemplare in ottimo stato di conservazione, le carte incollate tra loro con normale brunitura uniforme. Primo libro nella storia della stampa in cui compaia un frontespizio. È probabile che l’edizione in latino sia stata stampata per prima, poiché presentava meno difficoltà per i tre tipografi stranieri, e che ad essa spetti la priorità assoluta nell’ordine cronologico della produzione italiana del Ratdolt e dei suoi socii Bernhard Pictor detto ‘il pittore’, anche lui originario di Asburgo e Peter Löslein, originario di Norimberga, in qualità di ‘correttore’. Nello stesso 1476 l’opera dell’astronomo tedesco venne tradotta e impressa in italiano. La geniale ed elegantissima progettazione tipografica dell’edizione - con un vero e proprio frontespizio entro raffinata bordura vegetale e l’indicazione del luogo di stampa («veneta impressum fuit»), anno e nomi dei tipografi - fa sì che sia rimasta un unicum in tutta la storia del libro. Johann Müller (detto Regiomontanus dal nome latinizzato della sua città di origine) fu un celebre astronomo che ha il merito di aver semplificato l’apparato matematico-asronomico; per volontà di Sisto iv collaborò alla riforma del calendario giuliano. Durante il suo viaggio verso Roma si fermò a Venezia dove collaborò con Ratdolt alla pubblicazione delle sue effemeridi, una serie di tabelle che contengono dati precisi riguardo alla posizione, nel corso di un particolare intervallo di tempo, dei corpi celesti. HC 13776; BMC V, 243; Goff R, 93; IGI 5310; Klebs 836, 2; Sander 6400; Essling 247. Beautiful copy of Kalendarium, with all movable parts and hinged decorative brass pointer hand. The first book in printing history in which a title-page with typographical notes appears and probably the first book printed in Italy by Ratdolt and his partners. A landmark in history of astronomy."
[Bookseller: Philobiblon S.r.l.] |
| 19. Check availability: ILAB
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PEREZ GALDOS, BENITO.-
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| OBRAS COMPLETAS (2 SERIE). 4 TOMOS. TOMO I Y II: NOVELAS. TOMO III: NOVELAS Y MISCELANEA. TOMO IV: CUENTOS, TEATRO Y CENSO DE PERSONAJES. INTRODUCCION DE FEDERICO CARLOS SAINZ DE ROBLES. AGUILAR, COL. OBRAS ETERNAS, 1970 Y 1971, MADRID.
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18x14. Piel edit. 1476, 1634, 1482 y 1436 pgs. 1 retrato. Papel biblia.
[Bookseller: Librería RENACIMIENTO] |
| 20. Check availability: Maremagnum
Link/Print |
Filelfo, Francesco (1398-1481)
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| Satyrarum Hecatostichon Decades Decem
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Milan, Christopher Valdarfer, 13th November, 1476. First Edition. 4to; 10.8 in x 7.7 in. 150 leaves (a-s8, tg). Goff P615, Hain 12917*, WG M33062, CIBN P-329 Later full vellum binding. Good condition. The " Satyrarum Hecatostichon Decades Decem" consists as the name suggests of ten books or decades. Each decade includes ten satires, which in turn are made up of exactly 100 verses. The first decade was most probably written in the winter of 1432. The whole cycle was finished in December 1448. The text is set elegantly simple reflecting the lyrical form. The initial letters if each line are printed in capitals and are a bit removed to the left. The headlines of the decades and satires are aligned to the middle and completely capitalised. By moving the next three lines in the printer achieved improved readibility and a better understanding of the poems. This simple but effective way of setting a text shows the age of this incunable. Even though Italy got its first printing workshop in 1465, Milan did not have a press until late in 1470. The work at hand therefore counts amongst the first works ever to be printed in Milan's workshops. Later full vellum binding, all edges of the book block red. Author and title of this incunabulum as well s the printing location and year are written in beautiful hand on the spine. [ Condition of the binding: Good (+) / Condition of the paper: Good / Further remarks: The binding is slightly rubbed. Paper is very well preserved, with occasional, very light foxing in the margins. First leaf with stronger foxing and two holes by an old ink mark. Text not affected. Last 12 leaves with small worm holes, some single letters touched. On the whole this is a very impressive early incunablua edition of the first printing workshops in Milan of one of Italy's greatest men of the renaissance. ] Francesco Filelfo (1398-1481) was an important Italian humanist of the renaissance period. He pioneered the discovery of classic Greek antiquity for Italian culture. While Petrarch and the Florentine students formed the beginning of the renaissance in the late 14th century by reintroducing Roman authors and promoting the study of Latin at university, Filelfo concentrated mostly on the studies of ancient Greece. After studying rhetorics and Latin the Venetian state sent him on diplomatic missions to Constantinople where Filelfo learned Greek under the famous teacher Chrysoloras. He also aquired a considerable collection of Codices which he imported to Italy for further studies. Apart from his pioneering translations of Aristotle, Plutarch, Xenophon and Lysias, Filelfo also wrote numerous lyrical texts. The poetic cycle at hand was written in the style of classic Greek satires which Filelfo acquired from his studies and introduced to his contemporaries. His work attitude was typical for the renaissance as he intensively studied the antique authors, taught at several universities and published various books. Feancesco Filelfo was one of the pioneers of humanism and paved the way for scholars like Erasmus of Rotterdam or the Italian humanist and poet Angelo Poliziano. The poetry cycle at hand was written at the height of Filelfo's artistic period. This first incunabula edition is therefore especially rare and preserved in truly beautifully condition. [Attributes: First Edition]
[Bookseller: Bibliopegi GmbH] |
| 21. Check availability: ABEBooks
Link/Print |
Thomas von Aquin
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|
| Catena aurea super quattor Evangelistas
|
Basel, Michael Wenssler 1476. 39 x 24 cm. (1 w.), 436 (ohne das letzte wei!e) nicht numeriert Bl., 2 Sp., 62 Z. mit 4 gro!en und zahlreichen kleineren rot ausgemalten Initialen, rot rubriziert. Blindgepragter Lederband der Zeit auf Holzdeckeln mit 2 Messingschlie!en - Hain 1332 - Goff T-229 - Panzer, Annales IV, 15, 93 - Haegen, Basel 5, 23 - Madsen 3886; IDL 4352; BM STC 113; Voullieme, Bonn, 1131 (enthalt nur Matthaus und Markus). Selten. Einer der wichtigsten neutestamentlichen Kommentare, der eine aus vielen Kirchenvatern hergestellte fortlaufende Erklarung der Evangelien enthalt. Begonnen ist das Werk unter Urban IV. (Realenz. XIX, 708). Michael Wenssler, aus Stra!burg stammend, war neben Ruppel und Richel einer der ersten Basler Drucker (Voullieme, Deutsche Drucker des 15. Jahrh. 19ff). Einbanddecken mit breiten Rahmen, die Buckel in den Eckquadraten fehlen. In den Mittelfeldern Rauten, darin Einzelstempel: Lilien und Agnus Dei(?). In den Umrandungen oben und unten "Maria" und links und rechts davon Einzelstempel Greif(?). Im ganzen gut erhaltenes Exemplar, Rucken und Ecken restauriert unter weitgehender Verwendung des alten Materials, Bibl.-Titelschild entfernt, Kettenhalterung als Fragment vorhanden. Im vorderer Innendeckel alter Besitzeintrag, durchgangig wenig storender Feuchtigkeitsrand, letzte 6 Blatt einzelne Wurmlocher im wei!en Rand, das erste und die letzten 3 Blatt in der oberen Ecke restauriert. - Sprache / Language: Lateinisch / Latin -
[Bookseller: Wenner Antiquariat] |
| 22. Check availability: Biblio
Link/Print |
ALBERTUS,magnus .
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| Compendium theologicae veritatis.
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in 4° piccolo ( 185x131 mm ).Carte 159 ( di 160:manca l'ultima carta bianca ) non numerate e non segnate,caratteri semigotici,35 linee.Un alone nei margini interni di due quaderni,altri,lievi,in quelli inferiori,alcune note ms coeve di incerta grafìa,qual Venezia,Christophorus Arnoldus alemannus, 5 Aprile 1476 Prima edizione incunabula a stampa in Italia.Quest'opera,scritta intorno al 1270,tratta della fine del mondo,dell'Anticristo, dell'Inferno e del Purgatorio,del libero arbitrio e della predestinazione,dell'arte della memoria,dei dèmoni. Alberto ebbe la più vasta cono
[Bookseller: Studio Bibliografico Pampaloni] |
| 23. Check availability: ILAB
Link/Print |
VORAGINE, JACOBUS DE.
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| LEGENDA AUREA. PARIS, MARTIN CRANTZ, ULRICH GERING AND MICHAEL FRIBURGER, (CA. 1476).
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Folio. 18th century light brown calf, gilt fillets along the edges, spine gilt in compartments with two red labels with gilt lettering: 'Legenda sanctorum' and 'Parisiis absque anno', gilt inner dentelles, marbled edges. Rubricated throughout with the capitals painted alternately in red and blue, the first initial in gold against a blue and red background, heightened with white interlace, with penwork extending into the right margin. Printed in two columns, 45 lines to a page. Type: 114SG. Collation: (a)-(m)10 (n)12 (o)-(z) (A)-(F)10. (292) lvs, complete with the first and last blank. One of the early incunable editions of the famous Legenda aurea, written and composed between 1260 and 1267 by Jacopo de Varazze - better known as Jacob de Voragine - in the Dominican monastery at Genua. Certainly it is the most popular and highly influential compilation of Saints' lives from the Middle Ages: at least 91 Latin, and 7 Italian, 5 English, 20 French, 2 German and 33 Dutch editions have been printed before the year 1500. The Legenda aurea contain ca. 160 lives of saints and 20 treatises on the principal feasts of the church. As there are a number of undated early editions, it is difficult to say which edition is the first, but probably the Zainer edition printed in Augsburg in 1468-70 can be considered as such.is the splendid and rare second Paris edition of the Legenda printed by the well-known combination of the three printers Martin Crantz from Strasbourg, Ulrich Gering from Constance and Michael Friburger from Colmar - all three being members of the intellectual set at the Sorbonne at Paris - who had started producing books with the financial backing of Guillaume Fichet and Jean Heynlin in the later part of 1470, establishing the very first press on French soil. After three years they moved their printing house, named 'Le soleil d'or', or 'In sole aureo', to the Rue Saint Jacques. On the first of September in 1475 their first edition of the Legenda aurea was published. The present undated edition appears to be the later one and is generally considered to be printed in the course of 1476.Contents:f. 1: blank. 2r: Prologus: Incipit prologus super legendas sanctorum; quas compilavit frater Iacobus Ianuensis natione, de ordine fratrum predicatorum; [U]NIVERSUM tempus.... 2v-3v: Contents. 3v-281 r: (col. 2) Incipiunt legende sanctorum. Et primo de tempore renovationis agitur quod est adventus domini.. 281v-282v: blank. 283r-291r: Tabula super legendas sanctorum incipit. 291r: Colophon: Tabula continens fere omnia notabilia legende auree desinit feliciter. Pulchre transcripta parisius per Martinum chrancz, Undalricum gering, et Michaelem friburger impressorie artis magistros. 292: blank Very beautiful copy of this extremely rare early 'Legenda aurea' edition printed by the first printers active in France; with wide margins and complete with the mostly lacking first and last blanks.- (Some occ. insignificant soiling). Cop. 6394; Oates 2876; Polain 6455 (only 4 copies, the copy in the Bibl. Nat. at Paris is incomplete); Claudin I, p. 79 (with plates of the first and last pages on p. 80-81); Hist. de l'edition franc. I, p. 166; not in NUC or Goff; cf. BMC VIII, p. 7 (1475 ed.: 294 lvs., 2 cols., and 45 lines).
[Bookseller: Antiquariaat FORUM BV] |
| 24. Check availability: Maremagnum
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BOUCHET (Jean)
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| Sensuit le labyrinht (sic) de fortune et de Séjour des trois nobles dames. Composé par lacteur des Regnards traversans et loups ravissans surnommé le traveseur des voyes périlleuses (et autres oeuvres). Paris, Philippe le Noir (vers 1526). Petit in-4 gothique: maroquin rouge, décor "à la fanfare" sur les plats, armes au centre, dos à nerfs orné, filets sur les coupes, dentelle intérieure, tranches dorées sur marbrure (Belz-Niedrée).
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Belle édition gothique. Elle est dédiée à Marguerite de Valois. Le titre imprimé en rouge et noir est orné d'une grande lettrine et de la marque de Philippe Le Noir. Deuxième édition de ce traité poétique sur les malheurs qui accablent les hommes de toutes conditions. Jean Bouchet (1476-1557), poète et historien poitevin, fut le dernier des grands rhétoriqueurs. C'est à Poitiers que son Labyrinthe de fortune vit le jour (1522, et seconde émission en 1524) puis à Paris (Michel Le Noir, 1526, 1529 et 1534) et enfin chez Alain Lotrian (vers 1528). L'inventaire chronologique a ainsi permis de modifier et de compléter la séquence des éditions décrites par Tchermerzine.Spectaculaire reliure décorée "à la fanfare", exécutée avec maestria par le doreur Jean-Philppe Belz. Elle porte au centre les armes du baron Seillière (1890, numéro 444). Ex-libris Marcel Bénard (cat.1925, numéro 56). L'exemplaire figurait à l'exposition Dix siècles de livres français (Lucerne, 1949, numéro 90); il est le seul cité par Tchermerzine.
[Bookseller: S. Miraglia] |
| 25. Check availability: AbeBooks
Link/Print |
POGGIUS FLORENTINUS.
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| Historia Florentina.
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Venice: Jacobus Rubeus, 8 March 1476. FIRST EDITION. Folio. 116 unnumbered ll., a10, b-c8, d-h10,i-k6, l-m10, n8. Roman letter, capital spaces, lightly foxed. A very nice copy on thick paper with good margins, in handsome English 18th-century diced goatskin, central roll-tooled gilt frame enclosed within a frame of triple-ruled gilt fillets, fleurons at corners, spine with six gilt elephants, emblem of Sir Andrew Fountaine of Narford, in seven compartments, outer and inner edges with floral pattern gilt. Joints a little cracked, corners and head and foot of spine very lightly bumped. Modern armorial plate of Robert Walsingham Martin inside upper cover, some early marginalia. In quarter leather box with folding chemise. A very nice copy of the handsome first edition of Giovanni Francesco Poggio Bracciolini's history of Florence from the Fountaine library. Bracciolini (1380-1459) was a noted Renaissance Humanist and an avid hunter and discoverer of manuscript sources of lost Classical texts. He acted as Apostolic Secretary to Boniface IX and five successive Popes, which role allowed him not only to travel but gave him the leisure to write on a wide range of subjects, including archaeology; his treatment of the ruins of Rome was perhaps the first systematic approach to the subject. After his retirement to Florence in 1452, he was appointed historiographer and head of the Chancery of the Republic, and composed the present work, a popular but partial history of the city from the beginning of the war with Milan in 1350 to the peace made with King Alfonso of Naples in 1455. Poggio set out to record events in print which were up till then preserved only in popular memory. An avowed imitator of Livy, Poggio was a great champion of, and wrote only in, Latin. His work, unfinished at his death, was translated into Italian by his son, Jacopo. The Latin version itself was not published until 1715. This first edition is a very early example of a popular modern history written of recent times for a general readership. It is of value as recording much incidental information which otherwise would have been lost. Jacobus Rubeus was Jacques le Rouge, a French printer from Chablis whose connection with Jensen (le Rouge is remembered in Jensen's will and may well have worked for him) influenced the style of his types, clear, upright and elegant. This edition is a product of his first press in Venice, which operated from 1473 to 1478, when he retired to Pinerolo near Turin; he stopped printing in 1481 and entered the book trade in a more general capacity. Sir Andrew Fountaine (1676-1753) had travelled to the continent in the early part of the 18th century and collected books. He was a friend of Pope, with whom he used to frequent the London bookshops, and is satirised by him in his 'Dunciad' as Annius the antiquary. He was also a collector of antiquities, miniatures and porcelain, and a friend of that great early 18th-century bibliophile, the Earl of Macclesfield. BMC V 215; Hain 13172; Goff P-873; Brunet IV 771; Gamba p.346; cf. de Ricci, English Collectors 1530-1930, p. 42.
[Bookseller: Sokol Books Ltd.] |
| 26. Check availability: ILAB
Link/Print |
BRUNI ARETINO LEONARDUS
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| HISTORIAE FLORENTINI POPULI. (TRADUZIONE ITALIANA DI DONATUS ACCIAIOLUS).
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Colophon f. 218r: "Impresso a Vinegia perlo diligente huomo Maestro Iacomo de Rossi di natione Gallo: Nellanno del MCCCCLXXVI a di XII di Febraio: Regnante lo inclyto Principe Messer Piero Mozenico". (Venezia, Jacobus Rubeus, 12 Feb. 1476) in-folio (mm 295x216), ff. 217 su 218 (primo bianco mancante; collazione: a-k10, kk6, l-p10, q12; r-x10), legatura cinquecentesca in p. pergamena floscia, piccoli restauri e tassello granata al dorso con titolo in oro di epoca ottocentesca. Prima edizione della traduzione italiana curata da Donato Acciaioli delle Storie del popolo fiorentino (Historiae florentini populi) in dodici libri, iniziate da Leonardo Bruni Aretino (1370 - 1444) nel 1414, e la cui stesura accompagno' il celebre intellettuale, filosofo e scrittore tutta la vita. Lopera e' tesa a esaltare la liberta' di Firenze, ad affermare il suo ruolo egemonico in Italia: sono concetti gia' prefigurati da Bruni nel suo Elogio della citta' fiorentina (Laudatio florentinae urbis, 1401-3). Nella sua opera storiografica Bruni rivela un metodo fondato sul confronto dei documenti e sulla rinuncia a ogni interpretazione provvidenzialistica, tanto che la tradizionale narrazione delle origini leggendarie di Firenze viene abbandonata in favore di una breve compilazione sulla nascita della citta' in epoca romana. Buon esemplare, fresco ad ampi margini (lievi tracce di polvere al titolo su cui compare anche una nota di possesso di mano cinquecentesca di antica provenienza). HC 1562*. Goff B1247. BMC V 215. Proctor 4242. IGI 2202
[Bookseller: Libreria Antiquaria PREGLIASCO - Torino ] |
| 27. Check availability: Maremagnum
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Johannes Nider:
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| Sermones de tempore et de sanctis cum quadragesimali. (GW M26958, H 11799).
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Esslingen, Konrad Fyner, 1476-78. Type 2. . Einspaltiges Original-Inkunabelblatt mit zwei 4-zeiligen roten Lombarden, im Randbereich etw. fleckig und kleiner Wurmgang, rotverzierte Versalbuchstaben. Blattgröße: 21 x 29 cm. Incunabula text leaf. . Konrad Fyner aus Gerhusen (Gerhausen bei Blaubeuren) ist der einzige nachweisbare Drucker Esslingens. Johannes Nider aus Isny trat um 1400 unter Konrad von Preußen zu Colmar in den Dominikanerorden, wo er seine Studien begann. Von 1429 - 31 war er Generalvikar der größtenteils von ihm selbst reformierten Klöster der oberdeutschen Ordensprovinzen. (Schieler 1885, II 26 ff.) Den Buchdruck erlernte er wohl bei Heinrich Eggestein in Strassburg und druckte seit 1472 in Eßlingen. Fyners Type 1 ist noch fast identisch mit der Type 5 von Eggestein und zeigt hier seine Nähe zu ihm. (Geldner 1968, 206) Seine Type 2 "darf man wohl als eine nach handschriftlicher Vorlage geschaffene Urtype ansehen". (Haebler 1927, S.42). Ende der 70er Jahre verläßt er Esslingen und druckte anschließend in Urach und vielleicht auch in Stuttgart, da dort seine Type in Drucken verwendet wurde. (Geldner 1968, 206).
[Bookseller: Versandantiquariat Christine Laist] |
| 28. Check availability: ZVAB
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DIODORUS SICULUS.
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| BIBLIOTHECA HISTORIARUM PRISCARUM A POGGIO IN LATINUM LIBER PRIMUS INCIPIT... SEGUE: TACITUS CORNELIUS. DE SITU MORIBUS ET POPULIS GERMANIAE LIBELLUS AUREUS. VENEZIA, PER ANDREA IACOBI [PALTASCICHIS] KATHARENSEM ANDREA VENDRAMINO DUCE, 1476
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in folio, ccnn 127 (su 128), leg. p. perg. rigida. Con elegante carattere tipografico rotondo, su 36 linee. Numerose chiose mss marginali di calligrafia antica, alcune raffigurano un rapace e unantica nave. Traduzione di G. Francesco Poggio Bracciolini, uno dei piu' grandi umanisti italiani del XV sec., dellopera dello storico greco contenente informazioni sullEgitto, Mesopotamia, India, Arabia, Africa, Grecia ed Europa, dal punto di visto storico, geografico e scientifico. Segue altra opera storiografica di Tacito. Seconda rara ediz. ad incunabolo per Diodoro Siculo. Dopo le prime 2 cc e' presente una carta bianca. Manca la prima carta di titolo conformemente allesempl. descritto da Hain *6189. Bmc V, 251. IGI 3452. Goff D-211. INKA (Inkunabelkatalog Deutscher Bibliotheken) cita 4 esempl. di questa edizione ma nessuno completo. Picc. restauri alla leg. con integrazione della perg. Alcune cc. foderate al filo del margine esterno bianco, e fori di tarlo restaurati sulle prime cc. Esempl. a pieni margini. [387]
[Bookseller: Libreria SCRIPTORIUM - Mantova - Italy] |
| 29. Check availability: AntiQbook
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BOUCHET (Jean)
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| Sensuit le labyrinht (sic) de fortune et de Séjour des trois nobles dames. Composé par lacteur des Regnards traversans et loups ravissans surnommé le traveseur des voyes périlleuses (et autres oeuvres). Paris, Philippe le Noir (vers 1526). Petit in-4 gothique: maroquin rouge, décor "à la fanfare" sur les plats, armes au centre, dos à nerfs orné, filets sur les coupes, dentelle intérieure, tranches dorées sur marbrure (Belz-Niedrée).
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Belle édition gothique. Elle est dédiée à Marguerite de Valois. Le titre imprimé en rouge et noir est orné d'une grande lettrine et de la marque de Philippe Le Noir. Deuxième édition de ce traité poétique sur les malheurs qui accablent les hommes de toutes conditions. Jean Bouchet (1476-1557), poète et historien poitevin, fut le dernier des grands rhétoriqueurs. C'est à Poitiers que son Labyrinthe de fortune vit le jour (1522, et seconde émission en 1524) puis à Paris (Michel Le Noir, 1526, 1529 et 1534) et enfin chez Alain Lotrian (vers 1528). L'inventaire chronologique a ainsi permis de modifier et de compléter la séquence des éditions décrites par Tchermerzine. Spectaculaire reliure décorée "à la fanfare", exécutée avec maestria par le doreur Jean-Philppe Belz. Elle porte au centre les armes du baron Seillière (1890, numéro 444). Ex-libris Marcel Bénard (cat.1925, numéro 56). L'exemplaire figurait à l'exposition Dix siècles de livres français (Lucerne, 1949, numéro 90); il est le seul cité par Tchermerzine.
[Bookseller: Librairie Miraglia] |
| 30. Check availability: AntiQbook
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Aesop(us):
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| Vita et fabulae. Der Ulmer Aesop von 1476/77. Aesops Leben und Fabeln sowie Fabeln und Schwänke anderer Herkunft. Herausgeben und ins Deutsche übersetzt von Heinrich Steinhöwel. Kommentar von Peter Amelung.
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(Ulm), (Zainer), (1476); Nachdruck 1995. (450) S., zahlr. Ill.; 84 S., 2 Bde., qt., Ldr. u. Kt., Schuber.
[Bookseller: Antiquariat Hohmann] |
| 31. Check availability: ZVAB
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OUDEGHERST, (PIERRE D')
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| LES CHRONIQUES ET ANNALES DE FLANDRES: CONTENANTES LES HEROICQUES ET TRESVICTORIEUX EXPLOICTS DES FORESTIERS, & COMTES DE FLANDRES, & LES SINGULARITES & CHOSES MEMORABLES ADVENUES AUDICT FLANDRES, DEPUIS L'AN DE NOSTRE SEIGNEUR IESUS CHRISTI VIC.620, JUSQUES A L'AN 1476. ANVERS, JEAN WITHAGEN, POUR CHRISTOPHE PLANTIN, 1571. IN-4, VEAU HAVANE, DOS A' NERFS ORNE', PIECE DE TITRE DE MAROQUIN ROUGE, TRANCHES ROUGES. REL. EPOQUE.
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Edition originale, imprimee avec les caracteres de Plantin.Historien Flamand, Pierred'Oudeghers (1540-1592), est ne' a' Lille. Il etudia le droit a' Louvain, fut mele' aux affaires de son temps a' la Cour de Maximilien II, puis en Espagne, ou il mourut.Dediees a' Maximilien II, les Chroniques et Annales de Flandres, couvrent la periode 620-1476, date de la mort de Charles le Temeraire. Elles sont rediges sur des documents authentiques, avec l'ambition de supplanter l'histoire ecrite par son contemporain Antonius de Meyere, egalement publiee par Plantin en 1556.Exemplaire de choix, en veau decore' du XVIII siecle. Rahir, 566 - Voet, IV, 1841.
[Bookseller: MIRAGLIA - Lyon Cedex 2 - France] |
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OUDEGHERST, PIERRE D'
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| Les chroniques et annales de Flandres: contenantes les heroicques et tresvictorieux exploicts des forestiers, & comtes de Flandres, & les singularités & choses memorables advenuës audict Flandres, depuis l'an de nostre Seigneur Jesus Christ VIc. &
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XX (=620) jusques a l'an 1476. Anvers, Christopher Plantin, 1571.18th century mottled calf, gilt fillets round sides and central gilt heraldic supralibros to frontcover, spine richly gilt, with red morocco title label to spine (1 hinge sl. dam. but holding; extremities of spine dam.). With woodcut printer's device on title-page and woodcut initials. (20),340 lvs. ¶ First edition. - Pierre d'Oudegherst or Oudegherste (1540 - 1592), a Flemish historian, wrote this history of Flanders (Belgium) from the year 620 to 1476. Plantin was too busy with the printing of the Polyglot Bible that he had the actual printing of this book done by his Antwerp colleague, Jan Withagen, using Plantin's type, as shown on the last leaf of the preliminaries. - A very fine copy.Voet, Plantin Press, 1841.
[Bookseller: Antiquariaat Gert Jan Bestebreurtje (NVv] |
| 33. Check availability: AntiQbook
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| Biblia, deutsch (5. deutsche Bibel). (GW 4299, H 3132).
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Nürnberg, Andreas Frisner und Johann Sensenschmidt, 1476-78. Type 4. . Zweispaltiges Original-Inkunabelblatt auf festem Papier. Siebenzeilige rote-grüne Initiale "I", fünfzeilige Lombarde, rotgestrichene Versalbuchstaben und roten Rubriken. Ein kleines Wurmloch im unteren Rand. Wasserzeichen: siebenblättrige Blume. Blattgröße: 28 x 40,8 cm. Incunabula text leaf. . Das Blatt beinhaltet die Vorrede zum Buch Hiob. In der 2005 im Evangelischen Presseverlag Pfalz erschienenen Monographie " Biblia deutsch" von Michael Landgraf und Henning Wendland wurde die Initiale "I" dieses Blattes zur Illustration verwendet (S. 19). Sensenschmidt aus Eger führte 1470 den Buchdruck in Nürnberg ein und arbeitete u. a. mit dem Magister der freien Künste Andreas Frisner zusammen.
[Bookseller: Versandantiquariat Christine Laist] |
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Portrait. Trivulzio, Gian Giacomo,
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Marchese von Vigevano. Feldherr. Unterdrückte 1476 den Aufstand der Ghibellinen in Genua, 1495 in französ. Diensten, eroberte 1499 das Herzogtum Mailand, Statthalter von Mailand, fiel später beim König in Ungnade. 1436 Mailand - 1518. Ganze Figur, in einer architektonischen Umrahmung stehend, in der Rechten Kommandostab. Kupferstich bei D. Custos um 1600. 425 x 291 mm. rückseitig lat. Biographie. sehr schöne Exemplar mit Rand.
[Bookseller: Antiquariat Harlinghausen] |
| 35. Check availability: ILAB
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