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Displayed below are selected recent viaLibri matches for books published in 1473
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Thüring von Ringoltingen:
Melusine. 2 Bände [Faksimile / Kommentar.]
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- Nach dem Erstdr. Basel, Richel um 1473/74 hrsg. von André Schnyder in Verbindung mit Ursula Rautenberg. Wiesbaden : Reichert, 2006. 203 S.; 159 S. Gebundene Ausgabe. Ein gutes und sauberes Exemplar. - André Schnyder, Transkription des Erstdruckes mit Übersetzung und Bildtafeln der kolorierten Holzschnitte -- André Schnyder, Stellenkommentar -- Vinzenz Bartlome, Thüring von Ringoltingen - ein Lebensbild -- Ursula Rautenberg, DieMelusine` des Thüring von Ringoltingen und der Basler Erstdruck des Bernhard Richel -- Mechthild Habermann, Die Sprache der ,Melusine` im Basler Erstdruck Bernhard Richels -- André Schnyder, Literarische Aspekte des Werkes. ISBN 9783895005084 [Attributes: Hard Cover]
[Bookseller: Fundus-Online GbR Borkert SchwarzZerfaß] |
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Solinus Gaius Julius
SITU ORBIS TERRARUM ET MEMORABILIBUS QUAE MUNDI AMBITU CONTINENTUR LIBER
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Venetiis: Nicolaus Jenson, 1473. Very Rare First Edition., the Editio Princeps. Printed with the Roman type designed by Jenson. The typography used for this important book is so beautiful and so basically correct that it has served as a model for all those typographical artists who have thoguht to carry on this tradition. Folio (278 x 180 mm), handsomely bound in 18th century green morocco, the covers with triple gilt fillet lines at the borders, the spine with raised bands, the compartments decorated with elaborately gilt panes with central ornamental tools, two morocco lettering labels gilt, gilt edges, marbled endleaves. 68 leaves (136 pp.) In a pleasing binding and a highly important rare survival, the binding remains in very sound and attractive state, lower outside corner of the first leaf skillfully repaired, interesting manuscript notations and emendations throughout, this copy washed in the 18th century when it was bound.. VERY RARE FIRST EDITION OF THIS IMPORTANT WORK. SolinusOs work, also called OCollectanea Rerum MemorabiliumO is a compendium of curiosities and wonders of the ancient world, with remarks on geographical, historical, social, religious and natural history questioins. The greatest part of this instances is taken from PlinyOs Onatural HistoryO and Pomponius Mela. Solinus is the only ancient writer who mentions the English Isle of Thanet. This text exerted a great influence during the Midle Ages, most notably upon Isidore of Seville and Brunetto Latini. Julius Solinus (fl. 250 AD), surnamed Polyhistor, or "Teller of Varied TalesO, Latin grammarian and compiler, proably flourished during the first half of the 3rd century A.D. He provided the standard source of geographic myth during all the years of the OGreat InterruptionO, from the fourth till the fourteenth centuries. It is doubtful if anyone else over so long a period has ever influenced geography "so profoundly or so mischievously." Solinus' work had wide appeal. Saint Augustine himself drew on Solinus', as did all the other leading Christian thinkers of the Middle Ages.E The stories and fabulous images that Solinus retailed enlivened Christian maps right down to the Age of Discovery. They became an all- encompassing network of fantasy, replacing the forgotten rational gridwork of latitude and longitude, which had been Ptolemy's legacy. Solinus found wonders near and far. From Italy he reported people who sacrificed to Apollo by dancing barefoot on burning coals, pythons that grew long and fat by feeding on the udders of milk cows, and lynxes whose urine congealed to "the hardness of precious stone, having magnetic powers and the color of amber." Grasshoppers and crickets in Rhegium still dared make no sound because Hercules, irritated by their noise, had once ordered them to keep silent. Further afield were the dog-headed Simeans of Ethiopia, ruled by a dog-king. Along the Ethiopian coast were peoples with four eyes, while along the Niger were ants as big as mastiffs. In Germany there was a mule-like creature with such a long upper lip that "he cannot feed except walking backward." Human monstrosities that were normal in remote parts of the world included tribes who had their eight-toed feet turned backwards, men with dogs' heads and talons for fingers who "barked for speech," people who had only one leg, but with a foot so large that it protected them from the hot sun by serving as a parasol. History of Science As to Jenson--O...(A)mong the early Venietian printers the most important was certainly Nicholas Jenson. A Frenchman by birth, he passed his apprenticeship in the Paris Mint, and became afterwards the head of the Mint at Tours. In 1458, in consequence of the stories of the invention of printing, he was sent by Charles VII to Mainz to learn the art, and introduce it into France. Jenson returned in 1461, when Louis XI had just been crowned; but he does not seem to have settled in France, and we first hear of him again in 1470 as a printer at Venice. From 1470 to 1480 he printed continuously, issuing, according to Sardini, at least one hundred and fifty five editions, though this number must be considerably under the mark. His will was drawn up on the 7th September 1480, and he died in the same month....In 1474 he began to use Gothic type (after a crisis in the printing and book trades during which Jenson developed the new type and began to use it in a significant way in his printing of a number of the most important law-texts)...and in 1471, in the EPISTOLAE FAMILIARES, he used Greek type in the quotations, the first instance of its employment in Venice.O Duff, Early Printed Books ...The COLOGNE CHRONICLE in 1499 made reference to Jenson in the following passage: -- OOne named Omnibonus wrote in a preface to the book called QUINCTILIANUS, and in some other books too, that a Walloon from France, named Nicol. Jenson, discovered first of all this masterly art (printing)...O While it is now agreed that the art was first discovered in Mainz by Gutenberg, JensonOs importance to the discovery and scientific advancement of printing cannot be overstated. He is one of the most important players in the development of the extraordinary art of printing which allowed the Rennaissance to flower. O His type has great clarity and liveliness, and at the same time an element of divine repose. The Jenson types are part of the same Renaissance glory that gave the world the supremely beautiful written letters of the humanistic scribes.O (Blumenthal) His cutting of types in Venice made the city a centre of the art for the centuries that followed.
[Bookseller: Buddenbrooks, Inc.] |
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Burin, E
Manuscript Illuminations in Lyons (1473-1530) (ARS 3) (Ars Nova)
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Brepols Publishers. Hardcover. 2503512321 In the late fifteenth and early sixteenth centuries, Lyons grew into one of Europe's great commercial centres and even served as an unofficial second capital of the French kingdom. While scholars have long recognized the city's prominent role in the history of printing, this is the first book to survey the art of manuscript illumination after the introduction of printing to Lyons in 1473. Using the manuscripts themselves as its main source, this study identifies and assesses the art of Lyons's busiest illuminators' workshops. It then reviews the nature of patronage and the activities of the illuminators during the close of the Middle Ages and the dawn of the Renaissance. The picture that emerges is one of a tightly knit community of artists adapting their production of fine religious and secular manuscripts to the changing demand of the clergy, the merchant class, the nobility, writers, and members of the court. A descriptive catalogue provides complementary information on 136 illuminated manuscripts, books, and leaves, many of them never published at length. The work is illustrated by a broad selection of colour and black-and-white reproductions. 470p, 187 b/w, 25 col. iilus. (Brepols 2002). 9782503512327. Hardback . New. 2002-01-01.
[Bookseller: The David Brown Book Company] |
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Portrait. Burgund, Karl der Kühne Herzog von.
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1473-77 Inhaber vom Herzogtum Geldern, 1465 vor Paris, Schlacht bei Montlheri, 1473 in Trier, kämpfte für den abgesetzten Kurfürsten Ruprecht von Köln, belagerte 1474-75 Neuss, verlor 1474 bei Hericourt, 1476 Niederlage bei Granson u. bei Murten. 1433 Dijon - 1477 Nancy gefallen. Brustbild in Rüstung mit aufgeklapptem Helm, im Oval, unten Wappen u. lateinische Verse, in den Ecken Pflanzenverzierungen. Kupferstich von C. Visscher, nach J. van Eyck. 400 x 290 mm. prachtvoller Abzug, breitrandig.
[Bookseller: Antiquariat Harlinghausen] |
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LEONARDUS DE UTINO MATTEI
SERMONES AUREI DE SANCTIS. VENETIIS, FRANCISCUS (RENNER) DE HEILBRONN ET NICOLAUS DE FRANCKFORDIA, 1473,
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in-4 (mm. 220 x 160), ff. (314 senza segnature, numerazione e richiami, ultimo bianco presente), impressi in carattere romano su due colonne. Legatura 800sca m. pelle, fregi e tit. oro al dorso. Nel testo centinaia d'iniziali grandi e piccole e rubriche dipinte in rosso e blu. F.1v.: "Hec est tabula omnium sermonum"; f.2r.: "Sermones aurei de Sanctis / fratrsi Leonardi de Utino"; f. 313v., colophon: "Expliciunt Sermones aureiin vigilia beatissimi patris nostri Dominici confessorisImpressiVenetijs per magistrum Franciscum d'Hailbrun et mag. Nicolaum de Franckfordia socios M.CCCC.LXXiii". Prima edizione. Uno dei primi libri usciti dalla stamperia di Franc. Renner de Heilbronn. Sono 65 ampi sermoni sui santi e sulle principali festivita' del calendario liturgico, che il frate domenicano e celebre predicatore Leonardo Mattei da Udine termino' di scrivere il 3 agosto 1446. L'ultimo sermone, quasi omaggio alla citta' natale, frate Leonardo lo dedico' al rito della "dedicazione", cioe' della consacrazione, della chiesa di S. Pietro martire di Udine. Da notare che nel testo latino del presente volume vi sono quattro pagine (ff.204 v. - 206 r.) in volgare, una laude poetica in italiano dedicata a Maria Vergine, che inizia "trenta foglie ha la rosa Maria dolze e beata". Insolita' rarita' linguistica stampata per la prima volta. Bell'esempl. su carta forte (foglio di titolo con porzione del margine bianco inferiore rimarginata, alcune lievi fioriture). BMC V, 192. HC 16129. IGI 5737. Goff L-152. Oates 1656. Proctor 4158. Polain 2480. Vaticana L86.
[Bookseller: Libreria Antiquaria PREGLIASCO ] |
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Petrarca, Francesco,
Petrarchas Criseldis
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- Johann Zainer in Ulm 1473/74 (REPRINT), mit einem Nachwort von Ernst Voullième, Faksimile-Ausgabe Potsdam, Müller & Co. [1921]. mit zahlreichen Vignetten im Text, den Holzschnitt-Titel zeichnete H. Th. Hoyer, (4 weiße Bl.), 14 Bl. (4 Bl. Nachwort und Impressum), (4 weiße Bl.), 20x29, weißes OPgmt SCHÖNES EXEMPLAR IM IMPRESSUM RÖMISCH NUMMERIERTES EXEMPLAR VII (vermutlich handelt es sich um eines von nur wenigen Verleger-Exemplaren) VON INSGESAMT 235 Exemplaren auf Handbütten gedruckt. DER MIT DER HAND GEARBEITETE GANZPERGAMENT-EINBAND wurde in den Werkstätten für Bucheinbände von Heyne-Ballmüller, Berlin hergestellt VR 28954, REPRNT
[Bookseller: Antiquariat Im Baldreit] |
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ARNAULD DE VILLENEUVE;VALESCUS DE TARENTE;PIETRO D'ABANO;
De arte cognoscendi venena. [Suivi des traités De epidemia et peste de Valescus de Tarente, et De venenis de Pietro de d'Abano].
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Padoue Leonardus Achates, de Bâle 1473 - In-4 de 47 ff.n.ch. (sans le 19e f. blanc) ; cartonnage recouvert d'une page d'antiphonaire ancien (reliure moderne). Goff, A-1066 ; HC, 8 ; Klebs, 98.2 ; IGI, 862 ; BMC, VII, 909 ; GW, 2521 ; Garrison-Morton, 2070 (pour le De venenis de Petrus de Abano, édition de Mantoue, 1472) ; pas dans Wellcome ; la NLM possède un exemplaire incomplet. Précieuse édition réunissant trois importants traités de toxicologie et épidémiologie. Le volume s'ouvre par le traité De arte cognoscendi venenis d'Arnauld de Villeneuve (en catalan Arnau de Vilanova, v. 1250 - v. 1310), l'un des piliers de l'université de Montpellier au XIIIe siècle, disciple d'Avicenne, précurseur de Paracelse et maître de Raymond Lulle. On trouve ensuite le De epidemia et peste du médecin portugais Valescus de Tarente (1382-1417), l'un des premiers auteurs à mentionner une épidémie de grippe et à donner une description correcte des ulcérations vénériennes. Le troisième texte est peut-être le plus intéressant du recueil, ce qui explique sans doute qu'il ait été relié avant les deux autres (comme c'est le cas pour l'exemplaire de la British Library). Il s'agit du Tractatus de venenis du médecin, philosophe et astrologue italien Pietro d'Abano (Abano, 1257 - Padoue, 1315), que Garrison, recensant l'édition de 1472 imprimée à Mantoue, qualifie de "first printed book on toxicology". "Pietro d'Abano was one of the most illustrious and influential men of his time. A Paduan physician, he was consulted by such men as Pope Honorius IV and was in great demand for lectures, consultation, and teaching. Dante was among his pupils. A defender of Italian Averroism, Pietro disputed much of the church dogma and scholastic philosophy. For his heretical and outspoken views he ran afoul of the Inquisition and was condemned, but he died before he could be executed" (Heirs of Hippocrates, p. 34). Les deux dernières pages contiennent De lapide begaar ex Pandectis, extrait des Pandectes de Matteo Silvatico (mort vers 1342). Rare impression de Leornardus Achates (Leonhard Agtstein), de Bâle, actif entre 1472 et 1491, l'un des premiers à avoir introduit l'art typographique en Italie. Une autre édition de ces traités a été publiée la même année, à Mantoue, par Johannes Vurster et Johannes Baumeister. Quatre annotations marginales à l'encre, dont trois anciennes ; quelques taches et piqûres sans gravité ; auréole dans la marge inférieure des huit derniers feuillets. [Attributes: Hard Cover]
[Bookseller: thomas-scheler] |
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Zollinger, Manfred
Bibliographie der Spielbücher Erster Band: 1473-1700 [BD 1]
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Hiersemann Verlag - Zollinger, Manfred Bibliographie der Spielbücher Erster Band: 1473-1700 [BD 1] (Hiersemann, A) ISBN: 978-3-7772-9629-6 Leinen LXXXIV, 472 S., 24 Abb. - 27,5 x 20,5 cm Zollinger, Manfred Bibliographie der Spielbücher Erster Band: 1473-1700 Herausgegeben von Bauer, Günther G Verlag : Hiersemann, A ISBN : 978-3-7772-9629-6 Einband : Leinen Preisinfo : 148,00 Eur[D] Alle Preisangaben in CHF (Schweizer Franken) sind unverbindliche Preisempfehlungen. Legende: UVP = unverbindliche Preisempfehlung, iVb = in Vorbereitung. Seiten/Umfang : LXXXIV, 472 S., 24 Abb. - 27,5 x 20,5 cm Erschienen : 1996 Gewicht : 1500 g Aus der Reihe : Hiersemanns bibliographische Handbücher 12 verwandte Themen : Spielanleitung Ballspiel Lernspiel 148,00 Eur[D] Insbesondere Kulturhistoriker, Spieleforscher, Spielesammler und -erfinder, Bibliothekare, Antiquare und große Auktionshäuser auf der ganzen Welt mußten bisher auf eine umfassende Bibliographie alter Spielbücher verzichten. Vor allem die Spielforschung als einer der jüngsten kulturhistorischen Wissenschaftszweige, gleichzeitig aber auch die fächerübergreifenden Disziplinen wie Rechtswissenschaft, Theologie, Medizin, Psychologie, Pädagogik u.a. waren bis heute auf Zufallsfunde und -kenntnisse angewiesen. Der erste Band der auf zwei Teile angelegten Bibliographie der Spielbücher (= Band 12 der Verlagsreihe "Hiersemanns bibliographische Handbücher") erfaßt sämtliche praktischen theoretischen und literarischen Einzeldrucke von der Zeit der Wiegendrucke bis 1700, die das Spiel ausschließlich oder überwiegend thematisieren. Damit sind Spielanleitungsbücher aller Art gemeint (Regelbücher, Anleitungen zu Zauberkunststücken und wissenschaftlichen Spielereien, Lernspielbücher, Konversationsspiele, Los- und Orakelspiele etc.), wissenschaftliche Traktate (historische, philologische, juridische, moralische, pädagogische, medizinische u.a. Untersuchungen), Texte zur Wahrscheinlichkeitsrechnung, sofern sie dem Spiel zuzuordnen sind, Lyrik, Drama und Prosa, musikalische Druckwerke und illustrative Darstellungen in Buchform. Der Begriff "Spiel" wird in seiner Kernbedeutung verstanden, d.h., Texte zu Festen, Turnieren, Sport im modernen Wortsinn werden nicht dazugerechnet, sehr wohl jedoch Ball- und Bewegungsspiele. Das berücksichtigte Sprachgebiet ist das europäische unter Einschluß des Lateinischen, jedoch mit Ausnahme der slawischen und skandinavischen Sprachen, letztere sollen im zweiten Band nachgetragen werden. Zur exakten und ausführlichen Titelaufnahme und Beschreibung der Drucke gehören die Nennung der diversen Auflagen und Ausgaben, Verweise auf Quellen und Sekundärliteratur, ein Kommentar mit biographischen, texthistorischen und inhaltlichen Angaben sowie die Standortnennung mit Bibliothekssignatur. Drei Register: Autoren, Herausgeber, Übersetzer, Bearbeiter; Drucker, Verleger, Buchhändler; Spiele, vervollständigen die Angaben der Haupteinträge und sollen das gezielte Auffinden relevanter Informationen erleichtern. Ausgewählte Illustrationen aus den Druckwerken (Titelkupfer, Frontispize) dokumentieren die ikonographische Seite dieser Texte. Die auf Deutsch, Englisch und Französisch gebotene Einleitung analysiert die bibliographischen Rahmenbedingungen und die historische Entwicklung der erfaßten Werke. Band 2 wird in zwei Teilbänden den Zeitraum des 18. Jahrhunderts behandeln sowie Nachträge und Texte, in welchen das Spiel als Mittel zur Darstellung politischer Gegebenheiten (Satiren, Pamphlete) oder als Metapher des gesellschaftlichen Gefüges benutzt wird, bringen.
[Bookseller: Antiquariat-Versandbuchhandel Uwe Löb] |
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"ARNAULD DE VILLENEUVE;VALESCUS DE TARENTE;PIETRO D'ABANO;"
De arte cognoscendi venena. [Suivi des traités De epidemia et peste de Valescus de Tarente, et De venenis de Pietro de d'Abano].
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Padoue Leonardus Achates, de Bâle 1473 "In-4 de 47 ff.n.ch. (sans le 19e f. blanc) ; cartonnage recouvert d'une page d'antiphonaire ancien (reliure moderne)." "Goff, A-1066 ; HC, 8 ; Klebs, 98.2 ; IGI, 862 ; BMC, VII, 909 ; GW, 2521 ; Garrison-Morton, 2070 (pour le De venenis de Petrus de Abano, édition de Mantoue, 1472) ; pas dans Wellcome ; la NLM possède un exemplaire incomplet. Précieuse édition réunissant trois importants traités de toxicologie et épidémiologie. Le volume s'ouvre par le traité De arte cognoscendi venenis d'Arnauld de Villeneuve (en catalan Arnau de Vilanova, v. 1250 - v. 1310), l'un des piliers de l'université de Montpellier au XIIIe siècle, disciple d'Avicenne, précurseur de Paracelse et maître de Raymond Lulle. On trouve ensuite le De epidemia et peste du médecin portugais Valescus de Tarente (1382-1417), l'un des premiers auteurs à mentionner une épidémie de grippe et à donner une description correcte des ulcérations vénériennes. Le troisième texte est peut-être le plus intéressant du recueil, ce qui explique sans doute qu'il ait été relié avant les deux autres (comme c'est le cas pour l'exemplaire de la British Library). Il s'agit du Tractatus de venenis du médecin, philosophe et astrologue italien Pietro d'Abano (Abano, 1257 - Padoue, 1315), que Garrison, recensant l'édition de 1472 imprimée à Mantoue, qualifie de ""first printed book on toxicology"". ""Pietro d'Abano was one of the most illustrious and influential men of his time. A Paduan physician, he was consulted by such men as Pope Honorius IV and was in great demand for lectures, consultation, and teaching. Dante was among his pupils. A defender of Italian Averroism, Pietro disputed much of the church dogma and scholastic philosophy. For his heretical and outspoken views he ran afoul of the Inquisition and was condemned, but he died before he could be executed"" (Heirs of Hippocrates, p. 34). Les deux dernières pages contiennent De lapide begaar ex Pandectis, extrait des Pandectes de Matteo Silvatico (mort vers 1342). Rare impression de Leornardus Achates (Leonhard Agtstein), de Bâle, actif entre 1472 et 1491, l'un des premiers à avoir introduit l'art typographique en Italie. Une autre édition de ces traités a été publiée la même année, à Mantoue, par Johannes Vurster et Johannes Baumeister. Quatre annotations marginales à l'encre, dont trois anciennes ; quelques taches et piqûres sans gravité ; auréole dans la marge inférieure des huit derniers feuillets."
[Bookseller: Librairie Thomas-Scheler] |
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Frater Johannes (Hrsg.):
Speculum humanae salvationis cum speculo S. Mariae Virginis (lateinisch u. deutsch). (GWM 43054, H 14929, Schramm II, 498 und 499).
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Augsburg,St. Ulrich und Afra mit Typen Günther Zainers (Zainer), nicht nach 1473. Type 2.. Einspaltiges, 34-zeiliges O-Inkunabelblatt mit einem Holzschnitt (11,8 x 7,2 cm) des Traumes des König Nebukadnezar. Im Rand 2 kl. Wurmlöcher. Festes Papier mit dem Wasserzeichen: Ochsenkopf mit Kreuz- und Blumenstandarte. Blattgröße: 19,5 x 28 cm. Incunabula text woodcut leaf.. Blatt aus der Erstausgabe des Speculum humanae. Der Inkunabelkatalog (INKA) und der bvb geben an, dass das Werk im Kloster St. Ulrich und Afra gedruckt wurde. Die Holzschnittdarstellung ist betitelt mit: "Eyn groß saul sache der Kunig Nabuchodo no sog". Das Blatt ist in der digitalen Bibliothek bvb einsehbar:http://mdz1.bib-bvb.de/~db/0003/bsb00031706/images/index.html?seite=127
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BERGAMO (ALMALDURA DA ) Fra Pietro F. P.
Tabula seu index atque compendium & epilogus omnium sententiarum diui Thomae Aquinatis, per conclusiones resolutas, ... prout dudum reuerendo patre fratre Petro Bergomensi, ... caeterisque similiter optimis theologiae professoribus coactum fuerat opus & auctum.
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Nouvelle edition, apres la princeps de 1473 a Bologne (sous un autre titre). Tres rare. Marque de l'imprimeur Junta sur la page de titre et sur le dernier feuillet. Dedicace a Hercule Gonzague de Mantoue. Absent a Brunet. Un exemplaire a Oxford et un dans les catalogue italiens, mais rien dans les catalogues francais ni a la BN de France. §Demi Veau 1800. Dos a nerfs a filets. Piece de titre brune. Coiffe de tete rognee. Bordures frottees. §Pietro da Bergamo (mort en 1482) de son veritable nom Almaldura, son ouvrage fut appele la tabula aurea (la table d'or), car elle fut l'unique instrument, essentiel pour la lecture et la consultation de l'oeuvre de Saint thomas (voir La tabula Aurea di pietro da bergamo de T. Sterli Trento, paru en 2003). La tabula est un index universel de l'oeuvre entiere de Thomas d'Aquin. Une seconde partie, a pagination separee est constituee d'un autre index : Concordantiae dictorum et conclusionum divi Thomae de aquino. Enfin une derniere partie recense les entree par terme biblique (Psaume, Daniel, Deuteronome...). Cette nouvelle edition est l'oeuvre de Vincenzo Giaccari. Apres avoir ete venere comme un saint durant son existence studieuse de frere dominicain, Fra Pietro da Bergamo fut inhume dans la crypte de la chapelle SaintThomas d'Aquin.Photos sur www.Edition-originale.com. Apud haeredes Lucaeantonij Iuntae Florentini Venetiis (Venise) _1539 In 4 (17x24cm) 4f. 396ff. 127ff. Un Vol. relie
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ARNAULD DE VILLENEUVE;VALESCUS DE TARENTE;PIETRO D'ABANO;
De arte cognoscendi venena. [Suivi des traités De epidemia et peste de Valescus de Tarente, et De venenis de Pietro de d'Abano].
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Padoue Leonardus Achates, de Bâle 1473 - In-4 de 47 ff.n.ch. (sans le 19e f. blanc) ; cartonnage recouvert d'une page d'antiphonaire ancien (reliure moderne). Goff, A-1066 ; HC, 8 ; Klebs, 98.2 ; IGI, 862 ; BMC, VII, 909 ; GW, 2521 ; Garrison-Morton, 2070 (pour le De venenis de Petrus de Abano, édition de Mantoue, 1472) ; pas dans Wellcome ; la NLM possède un exemplaire incomplet. Précieuse édition réunissant trois importants traités de toxicologie et épidémiologie. Le volume s'ouvre par le traité De arte cognoscendi venenis d'Arnauld de Villeneuve (en catalan Arnau de Vilanova, v. 1250 - v. 1310), l'un des piliers de l'université de Montpellier au XIIIe siècle, disciple d'Avicenne, précurseur de Paracelse et maître de Raymond Lulle. On trouve ensuite le De epidemia et peste du médecin portugais Valescus de Tarente (1382-1417), l'un des premiers auteurs à mentionner une épidémie de grippe et à donner une description correcte des ulcérations vénériennes. Le troisième texte est peut-être le plus intéressant du recueil, ce qui explique sans doute qu'il ait été relié avant les deux autres (comme c'est le cas pour l'exemplaire de la British Library). Il s'agit du Tractatus de venenis du médecin, philosophe et astrologue italien Pietro d'Abano (Abano, 1257 - Padoue, 1315), que Garrison, recensant l'édition de 1472 imprimée à Mantoue, qualifie de "first printed book on toxicology". "Pietro d'Abano was one of the most illustrious and influential men of his time. A Paduan physician, he was consulted by such men as Pope Honorius IV and was in great demand for lectures, consultation, and teaching. Dante was among his pupils. A defender of Italian Averroism, Pietro disputed much of the church dogma and scholastic philosophy. For his heretical and outspoken views he ran afoul of the Inquisition and was condemned, but he died before he could be executed" (Heirs of Hippocrates, p. 34). Les deux dernières pages contiennent De lapide begaar ex Pandectis, extrait des Pandectes de Matteo Silvatico (mort vers 1342). Rare impression de Leornardus Achates (Leonhard Agtstein), de Bâle, actif entre 1472 et 1491, l'un des premiers à avoir introduit l'art typographique en Italie. Une autre édition de ces traités a été publiée la même année, à Mantoue, par Johannes Vurster et Johannes Baumeister. Quatre annotations marginales à l'encre, dont trois anciennes ; quelques taches et piqûres sans gravité ; auréole dans la marge inférieure des huit derniers feuillets. [Attributes: Hard Cover]
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E. Burin
Manuscript Illumination in Lyons (1473-1530)
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David Brown. New PLEASE NOTE that we do not offer expedited shipping. Orders placed with the priority shipping option will automatically be canceled. In the late fifteenth and early sixteenth centuries, Lyons grew into one of Europe's great commercial centres and even served as an unofficial second capital of the French kingdom. While scholars have long recognized the city's prominent role in the history of printing, this is the first book to survey the art of manuscript illumination after the introduction of printing to Lyons in 1473. Using the manuscripts themselves as its main source, this study identifies and assesses the art of Lyons's busiest illuminators' workshops. It then reviews the nature of patronage and the activities of the illuminators during the close of the Middle Ages and the dawn of the Renaissance. The picture that emerges is one of a tightly knit community of artists adapting their production of fine religious and secular manuscripts to the changing demand of the clergy, the merchant class, the nobility, writers, and members of the court. A descriptive catalogue provides complementary information on 136 illuminated manuscripts, books, and leaves, many of them never published at length. The work is illustrated by a broad selection of colour and black-and-white reproductions. ISBN10: 2503512321.
[Bookseller: Alibris] |
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Svetonius, Caius Tranquillus (sec. i-ii d. C.).
De grammaticis et rethoribus.
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[Roma, Johann Schurener de Bopardia, tra il 7 maggio 1473 e il 1 marzo 1474]. "In-8° (mm 194x140). Segnatura: [a-b8]. 15 di 16 carte non numerate, manca l’ultima carta bianca. Testo su una colonna di 26 linee. Carattere 101R1. Rubricato in inchiostro rosso. Al margine superiore della prima carta titolo manoscritto in inchiostro rosso, parzialmente rifilato. Legatura moderna in pergamena con titolo impresso al dorso. Esemplare ad ampi margini, in ottimo stato di conservazione. Antica nota di possesso manoscritta al margine inferiore della prima carta; ex-libris inciso al contropiatto anteriore: ‘Dominicis De Advocatis comitis Odelli equitis benensis’. Timbro ‘Missionis Domus Congr. Monregal’ al recto della prima carta. Probabile editio princeps, di estrema rarità, di questi opuscoli che forniscono notizie bio-bibliografiche su antichi grammatici e retori. Precede un’epistola di Iohannes Aloisius Tuscanus, ‘Advocatus Consistorialis’, curatore dell’edizione, al cardinale di Novara Giovanni Arcimboldo (1430-1488), ‘tituli Sanctorum Nerei et Achillei’. L’edizione è datata tra il 7 maggio del 1473 – giorno in cui Giovanni Arcimboldo fu creato cardinale titolare dei SS. Nereo e Achilleo da papa Sisto iv (soltanto dopo il 15 gennaio 1477 assunse la titolarità di S. Prassede) - e il 1 di marzo del 1474, giorno di acquisto dell’opera, come risulta da una nota manoscritta posta in fine all’esemplare della Biblioteca Vaticana. La stampa potrebbe dunque essere anteriore a quella fatta a Padova da Barth. de Vardezoccho e Martinus de Septem Arboribus datata dalle bibliografie tra il 1473 e il 1476. Very rare edition, probably the first, of this two Svetonius’ pamphlets containing biographical and bibliographical informations about the ancient grammarians and rethoricians. The texts are preceeded by an epistle by the editor Iohannes Aloisius Tuscanus. Modern vellum with gilt title on spine. Fine, wide-margined copy. Rubricated in red. Ancient note of possession on the lower margin of first leaf; engraved bookplate on the inner board: ‘Dominicis De Advocatis comitis Odelli equitis benensis’; stamp on the recto of the first leaf. HC* 15131; BMC iv, 59; Goff S, 813; IGI 9225; Proctor 3515."
[Bookseller: Philobiblon di Francesca Petrilli e Fili] |
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Boccaccio, Giovanni.
Von etlichen frowen.
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- Ulm, Johann Zainer, um 1473.Daraus Blatt c [100] mit 2 kolorierten Holzschnitten.Die beiden altkolorierten Holzschnitte zeigen auf der Vorderseite die Königstochter Beronice, die ihren Bruder mit dem Schwert tötet und damit den Mord an ihrem Mann und ihren beiden kleinen Söhnen rächt. Auf der Rückseite die erste gedruckte Darstellung einer Vergewaltigung: Die Ehefrau des Königs Drigiagontis wird in römischer Gefangenschaft vom bewachenden Hauptmann zum Liebesdienst gezwungen (linke Bildhälfte). Nach ihrer Befreiung rächt sie die Schmach und überbringt ihrem Gatten das Haupt des Schänders (rechte Bildhälfte). Unterhalb der beiden Darst. Text mit jeweils einer kolor. Holzschn.-Initiale. - Breitrandig, im w. Rand gering fleckig u. knitterig sowie im seitl. Rand hinterlegter Einriß. - GW 4486. Hain 3333. Schramm V, 76 u. 77.
[Bookseller: Antiquariat Inlibris] |
| 15. Check availability: booklooker.de
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Manilius M(arcus).
Astronomicon ex recensione Richardi Bentleji cum selectis variorum ac propriis notis praefationi subjuncta varia de Manilio Judicia et Julii Pontederae epistola de Manilii Astronomia Anno coelesti cura et studio M. Eliae Stoeber. Straburg, Amandus Kni
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- Brunet III, 1369 - Graesse IV, 365: ãCette dition, devenue trs rare, rend le texte de Bentley...Ò.- Astronomischen Lehrgedichte des rmischen Dichters Manilius aus dem 1. Jahrhundert. Zwei Manuskripte aus dem 10. und 11. Jahrhundert haben in Klstern die Zeit berdauert. Die editio princeps wurde von dem Astronomen Regiomontanus um 1473 in Nrnberg verffentlicht.- Das Werk umfat im 1. Buch eine Himmelsbeschreibung (spaera), im 2. Buch das Himmelssystem und die astrologischen Grundbegriffe, im 3. Buch die Nativitten und Horoskope, im 4. Buch den Einflu der Tierkreiszeichen auf Leben und Charakter der Menschen und im abschlieenden 5. Buch die Einwirkungen der mit den Tierkreiszeichen zugleich aufsteigenden Gestirne (sog. Paranatellonten). Mit dem ausfhrlichen Kommentar Bentleys.- Titel mit hs. Besitzvermerk u. verso gestempelt, tls. leicht braunfleckig, Ebd. tls. etw. fleckig u. Kapitale besch.
[Bookseller: Antiquariat Müller] |
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Copernicus, Nicolaus: =
Portrait, Halbfigur, halblinks, mit einer Hand Blumen haltend, umher ovaler Rahmen mit Inschrift "Nicolaus Copernicus Tornaus Borussus Mathemat. Nat. A°. 1473 ob. 1543". Umher manieristische Blumenornamente. Monogrammist BR (J.Th. de Bry), Kupferstich aus J.J.Boissard, Icones virorum illustrium, Frankfurt 1597-99, Kupferstich, 142 x 106 auf 147 x 120 mm; hinterlegter Einriss.
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- Nicolaus Copernicus (February 19, 1473 - May 24, 15) was the first astronomer to formulate a comprehensive heliocentric cosmology, which displaced the Earth from the center of the universe. His epochal book "De revolutionibus orbium coelestium", is often regarded as the starting point of modern astronomy and the defining epiphany that began the Scientific Revolution.
[Bookseller: Medicusbooks.Com] |
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SUETONIUS (Tranquillus)
De Grammaticis et Rethoribus clarissimis libellus
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[Padoue, Bartholomaeus de Valdezoccho et Martinus de Septum Arboribus, vers 1473]; petit in-4, plein maroquin rouge janseniste, encadrement int de fil. dor. (Reluire fin XIXe siecle). 16 ff. n. ch., le dernier blanc. Car. rom. - 24 lignes. Hain 1532 - Hunt 3888 - Proctor 6767 - BMC VII. 905 - Goff s. 812 - Brunet 585 (qui n'identifie pas l'imprimeur et signale l'exemplaire d'Ourches). EDITION PRINCEPS du petit traite de Suetone sur les grammairiens et retheurs illustres. On y trouve des scenes de la vie des trois rheteurs Lucius, Sextus et Cains et de sept grammairiens parmi lesquels Curius, Scribonius, Quintus et Aurelius. Elle fut donnee par les premiers typographes de Padoue : un certain Bartolommeo de Valdezochio, citoyen de la ville qui s'etait associe a un imprimeur etranger Martinus de Septem Arboribus Prutenus [von Siebeneichen ?]. Proctor signale 13 impressions de cet atelier (du 21 mars 1472 a octobre 1476), tout comme Goff p. 711. Exemplaire a grandes marges.
[Bookseller: Librairie du Manoir de Pron] |
| 18. Check availability: livre-rare-book
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ARISTOTELES
Problemata
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Translated by Theodorus Gaza. [96] leaves (the 6th leaf a blank). 39 lines, Roman type. Capital strokes & paragraph marks in table supplied in red & blue. Folio (288 x 205 mm.), modern boards covered with 15th-century manuscript leaves, the front including the Commemorations on the Feast of the Holy Family Malachias 3:1 opening with illuminated initial E, the back cover with text from Mark 14 (several unimportant marginal wormholes). Mantua: J. Vurster and J. Baumeister, [ca. 1473]. First edition of Aristotle's Problemata; this is one of the earliest of any of the texts by Aristotle to be published. The Problemata are a collection of scientific dissertations in the form of questions and answers ascribed to Aristotle in twenty chapters. Subjects include mathematics, meteorology, medicine, wine, botany, oceanography, vision, and color. The text was translated by Theodorus Gaza (ca. 1400-1475), who fled from his native city of Thessalonica before its capture by the Turks in 1430. He was one of the leaders of the revival of learning in the 15th century. In 1447 he became professor of Greek in the new university of Ferrara, to which his fame soon attracted students from all parts of Italy. In 1450, at the invitation of Pope Nicholas V, he went to Rome, where he was for some years employed in making Latin translations from Aristotle and other Greek authors. With the signature and notes of Tobias Faber, very probably the Lutheran minister who flourished ca. 1580 and was the author of Theses Medicae (Basel: 1580). A fine copy and very rare; ISTC locates only three copies in the U.S. (Harvard, LC, and PML). Goff A-1030. Klebs 95.1. Stillwell 583. .
[Bookseller: Jonathan A. Hill, Bookseller, Inc.] |
| 19. Check availability: Biblio ABAA
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Petrarca, Francesco (1304-1374).
Secretum. [Strasburgo, Adolf Rusch, non dopo il 1473]. (Legato con:) Id. De vita solitaria. [Strasburgo, Adolf Rusch, non dopo il 1473].
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"Due opere in un volume in-folio (mm 284x197). i. Segnatura: [a8, b8+1, c10, d-e8, f10]. 53 carte non numerate. Testo su una colonna di 34 linee. Carattere rotondo 103. ii. Segnatura: [a-b10, c-d8, e-f10, g10+1, h-i8, k6]. 89 carte non numerate, il verso dell’ultima carta bianco. Testo su una colonna di 34-36 linee. Carattere rotondo 103. Capilettera dipinti in inchiostro rosso nelle due opere, entrambe rubricate in rosso. Legatura inglese del xix secolo in vitello nocciola decorata a secco; tagli spruzzati di rosso. Custodia moderna in tela con titolo in oro su tassello al dorso. Esemplare ad ampi margini, stampato su carta forte, in ottimo stato di conservazione; qualche lieve fioritura su alcune carte. Ex-libris al contropiatto anteriore. Prima rarissima edizione di due importanti opere autobiografiche di Francesco Petrarca – il Secretum e il De vita solitaria – che si trovano, nella maggioranza dei casi, legate insieme e che sono ascrivibili all’attività tipografica di uno stampatore identificabile con Adolf Rausch, originario di Ingweiler e genero di Johann Mentelin – del quale proseguì l’attività e che operò probabilmente tra la fine degli anni ’60 e la fine degli anni ’70 del Quattrocento. Adolf Rausch è noto anche col nome di ‘R-printer’, dalla forma caratteristica che contraddistingue la ‘R’ del carattere 103, utilizzato da questo stampatore. Composto tra il 1342 e il 1343, il Secretum, il cui titolo esteso è De secreto conflictu curarum mearum, «s’incornicia in una visione al modo di Boezio, apparendo all’autore la consueta “mulier quaedam inenarrabilis aetatis et luminis”, che qui è la Verità; la quale come le “donne benedette” di Dante a Virgilio, lo affida a Sant’Agostino: e s’intenda quello delle Confessioni e del De vera religione, le opere […] espressamente nominate. Il santo Dottore ha col Petrarca tre giorni di colloqui, a ognuno dei quali è dedicato un libro. Agostino imputa l’infelicità del peccatore alla sua negligenza della morte, nozione astratta che non diventa concreto fondamento d’azione; mette a nudo i suoi vizi, la superbia, la lussuria e soprattutto l’accidia, questa radicale insoddisfazione di sé e del mondo; nell’ultimo libro denuncia l’amore dell’amore e quello, collegato alla gloria, controdeducendo alla gloria il pensiero della morte, che per tal modo chiude il circolo» (G. Contini, la letteratura italiana delle origini, Firenze 20033, p. 646). Il De vita solitaria è invece comunemente considerato il migliore dei trattatelli del Petrarca «forse perché nato, lo dice egli stesso alla fine dell’opera, come epistola (s’intenda un’epistola di tipo senechiano), il genere a lui più congeniale» (G. Contini, ibid., p. 654). L’opera venne redatta tra il 1346 e il 1356 ed è divisa in due libri in cui viene descritta come necessaria la vita contemplativa, sia per i religiosi, sia per i filosofi che per i pensatori in genere. L’ideale di vita per Petrarca è quello di una raccolta solitudine nella pace agreste, dedicata agli studi letterari e alla riflessione religiosa. First very rare edition of Petrarch’s two great autobiographical works, fundamental for the understanding of his inner life. The Secretum is Petrarch’s principal prose work, composed about 1342-43 and never intended for publication. It is his confession of faith and has been called the «deed of foundation of Humanism and a formal renunciation of Medievalism». The second work is the De vita solitaria, written to justify Petrarch’s departure from Avignon and his retirement to Vaucluse. Though these two works are sometimes found singly, they properly belong together as here. 19th century brown calf blind decorated; edges sparkled red; modern slipcase. Handsome, wide-margined copy, printed on thick paper; some minor foxing to some leaves. Blue or red painted initials throughout; rubricated in red. I. HC* 12800; Goff P, 412; IGI 7580; BMC I, 61. II. HC* 12796; Goff P, 417; IGI 7586; BMC I, 61."
[Bookseller: Philobiblon di Francesca Petrilli e Fili] |
| 20. Check availability: ILAB
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Doyen, F.D.
Bibliographie Namuroise, Indiquant Les Livres Imprim‚S … Namur...
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. Ann‚es 1473-1799 (-1880). Namur, 1884-1902. (Soci‚t‚ Arch‚ologique). -Reprint Nieuwkoop, 1973. 3 parts, 2 volumes. Orig. cloth binding. (IV), 810 + (IV), 360 + (IV), 458 pp. [KEYWORDS: biobfkl, *, bibliography.
[Bookseller: Alibris] |
| 21. Check availability: Alibris
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Manilius M(arcus).,
Astronomicon ex recensione Richardi Bentleji cum selectis variorum ac propriis notis praefationi subjuncta varia de Manilio Judicia et Julii Pontederae epistola de Manilii Astronomia & Anno coelesti cura et studio M. Eliae Stoeber. Straßburg, Amandus König 1767. 8°. 531 S. 5 Bll. mit gest. Frontispiz, Ldr. d. Zt.
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- Brunet III, 1369 - Graesse IV, 365: Cette édition, devenue très rare, rend le texte de Bentley.".- Astronomischen Lehrgedichte des römischen Dichters Manilius aus dem 1. Jahrhundert. Zwei Manuskripte aus dem 10. und 11. Jahrhundert haben in Klöstern die Zeit überdauert. Die editio princeps wurde von dem Astronomen Regiomontanus um 1473 in Nürnberg veröffentlicht.- Das Werk umfaßt im 1. Buch eine Himmelsbeschreibung (spaera), im 2. Buch das Himmelssystem und die astrologischen Grundbegriffe, im 3. Buch die Nativitäten und Horoskope, im 4. Buch den Einfluß der Tierkreiszeichen auf Leben und Charakter der Menschen und im abschließenden 5. Buch die Einwirkungen der mit den Tierkreiszeichen zugleich aufsteigenden Gestirne (sog. Paranatellonten). Mit dem ausführlichen Kommentar Bentleys.- Titel mit hs. Besitzvermerk u. verso gestempelt, tls. leicht braunfleckig, Ebd. tls. etw. fleckig u. Kapitale besch.
[Bookseller: Antiquariat Müller] |
| 22. Check availability: AbeBooks
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ARISTOTELES
Problemata
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Translated by Theodorus Gaza. [96] leaves (the 6th leaf a blank). 39 lines, Roman type. Capital strokes & paragraph marks in table supplied in red & blue. Folio (288 x 205 mm.), modern boards covered with 15th-century manuscript leaves, the front including the Commemorations on the Feast of the Holy Family Malachias 3:1 opening with illuminated initial E, the back cover with text from Mark 14 (several unimportant marginal wormholes). Mantua: J. Vurster and J. Baumeister, [ca. 1473].pFirst edition of Aristotle's Problemata; this is one of the earliest of any of the texts by Aristotle to be published. The Problemata are a collection of scientific dissertations in the form of questions and answers ascribed to Aristotle in twenty chapters. Subjects include mathematics, meteorology, medicine, wine, botany, oceanography, vision, and color. The text was translated by Theodorus Gaza (ca. 1400-1475), who fled from his native city of Thessalonica before its capture by the Turks in 1430. He was one of the leaders of the revival of learning in the 15th century. In 1447 he became professor of Greek in the new university of Ferrara, to which his fame soon attracted students from all parts of Italy. In 1450, at the invitation of Pope Nicholas V, he went to Rome, where he was for some years employed in making Latin translations from Aristotle and other Greek authors. With the signature and notes of Tobias Faber, very probably the Lutheran minister who flourished ca. 1580 and was the author of Theses Medicae (Basel: 1580). A fine copy and very rare; ISTC locates only three copies in the U.S. (Harvard, LC, and PML). Goff A-1030. Klebs 95.1. Stillwell 583.. First Edition. Hard cover.
[Bookseller: Jonathan A. Hill, Bookseller, Inc.] |
| 23. Check availability: Biblio
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Frater Johannes (Hrsg.):
Speculum humanae salvationis cum speculo S. Mariae Virginis (lateinisch u. deutsch). (GWM 43054, H 14929, Schramm II, ).
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Augsburg,St. Ulrich und Afra mit Typen Günther Zainers (Zainer), nicht nach 1473. Type 2.. Einspaltiges, 34-zeiliges O-Inkunabelblatt mit zwei Holzschnitten (11,8 x 7,2 cm) des Samson und des Judaskusses. 3 kl. Wurmlöcher im Rand. Festes Papier. Blattgröße: 19,5 x 28 cm. Incunabula text woodcut leaf.. Blatt aus der Erstausgabe des Speculum humanae. Der Inkunabelkatalog (INKA) und der bvb geben an, dass das Werk im Kloster St. Ulrich und Afra gedruckt wurde. Die beiden Holzschnittdarstellungen sind betitelt: "Die juden suchten Jhesum Da sprach er zu in Wen suchend ir Da viellen sy von dem wort all zurugken" und "Sampson erschlug zu todt tausent mann mit eynes Esels kynbacken". Das Blatt ist in der digitalen Bibliothek bvb einsehbar:http://mdz1.bib-bvb.de/~db/0003/bsb00031706/images/index.html?seite=188
[Bookseller: Versandantiquariat Christine Laist] |
| 24. Check availability: choosebooks
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Morin, Jean (1591-1659)
Commentarius historicus de disciplina in administratione sacramenti pntentiæ : tredecim primis seculis in Ecclesia Occidentali, et huc usque in Orientali observata, in decem libros distinctus.... ....in legibus & praxi istius disciplinae,
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Antuerpiae [i.e. Amsterdam?], : Ex officina Frederici a` Metelen, sub signo Quatuor Euangelistarum., M.DC.LXXXII - Place of publication fictitious? Metelen worked from Amsterdam, cf. Gruys & Wolf. Thesaurus 1473-1800, p. 121], 1682. 1st Edition. Signatures: *6 e~6 i~-o~4 A-3X6 3Y-3Z4 2A-2M6 2N-2O4. Title page printed in red and black, with engraved printer's device. Tail-pieces, initials. Physical desc.: [40], 819, [1]; 159, [1] p. ; fol. Subject: Penance - History. Judaism - Customs and practices - Works to 1900. A very good copy in the full, contemporary aniline calf. The spine's top compartment has been recased in an impressively period-sympathetic fashion. Scans and additional bibliographic detail on request.
[Bookseller: MW Books Ltd.] |
| 25. Check availability: Biblio
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GRAMMATICUS THOMAS
Decisiones, quas ex causis potissimum per eum in Sacro Regio Neapolitano Consilio relatis selegit ac consilia duo in materia foriudicationis quaestionesque aliquot notabiles et quotidianae, nunc denuo per auctorem ipsum diligenter recognitae ac plurimis in locis ampliatae. Quibus omnibus duae eiusdem decisiones, videlicet CVI et CVII in hac secunda editione adiectae fuere. Cum indice locupletissimo. Opus tam in foro versantibus, quam de iure respondentibus maxim eutile. Venetiis, apud Iuntas, 1551 (al colophon: Venetiis, apud Cominum de Tridino, 1555).
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- Cm. 18, cc. (44) 199 (1). Bel marchio tip. a frontespizio e colophon e bellissima vignetta raffigurante l'A. in cattedra. Leg. coeva in piena perg. molle. Antiche firme di possesso. Mancanza di alcuni cm. al dorso, cerniere internamente disunite. Lievi fioriture e trascurabili piccoli aloni, peraltro esemplare ben conservato. Tommaso Grammatico (1473-1556), celebre giureconsulto, fu membro del Sacro Regio Consiglio del Regno di Napoli. Rara seconda edizione che raccoglie 107 decisiones, 3 quaestiones e 2 ampi consilia di materia processuale. Edizione non comune. Cfr. Iccu; Sapori, 747-48 per altre edizioni. (S127)
[Bookseller: Studio Bibliografico Apuleio] |
| 26. Check availability: AbeBooks
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SANCIUS, RODERICUS.
SPECULUM VITAE HUMANAE. ROME, JOANNES PHILIPPUS DE LIGNAMINE, 31 JULY 1473.
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Small folio. Old vellum. (163) lvs. Rome incunable of a very popular educational book by Rodericus Sancius, Latin for Rodriguez Sanchez de Arevalo, bishop of Zamora (1404-1470). Rodriguez studied law at the University of Salamanca and then became a priest. The Spanish King sent him as ambassador to the Emperor Fredrik III, later to Rome were he was persuaded to stay and was used for papal missions. He became a firm defender of papal authority. He first published the present "Mirror of Human Life" at Rome in 1468. Discussing the pros and contras of various human trades and professions, the work became quite popular and was published about a dozen times in the fifteenth century alone. It remained popular in the sixteenth century as well and was republished as late as 1683, at Frankfurt in Germany. Good large-paper copy, with the engraved armorial bookplate of Manuel Gonzalez Salmon.- (First blank lacking; contemp. ms. ink mark and short notes in the margins troughout; few stains). Goff R 220; Proctor 3391; Klebs 857.9; IGI 8397; BMC IV, p. 31; Hain-Copinger 13943; Oates 1380.
[Bookseller: Antiquariaat FORUM BV ] |
| 27. Check availability: ILAB Maremagnum
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SANCIUS, Rodericus.
Rare Rome incunable edition of the Mirror of Human Life Speculum vitae humanae.
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Rome, Joannes Philippus de Lignamine, 31 July 1473.. Small folio. Old vellum. (163) lvs.. Rome incunable of a very popular educational book by Rodericus Sancius, Latin for Rodriguez Sanchez de Arevalo, bishop of Zamora (1404-1470). Rodriguez studied law at the University of Salamanca and then became a priest. The Spanish King sent him as ambassador to the Emperor Fredrik III, later to Rome were he was persuaded to stay and was used for papal missions. He became a firm defender of papal authority. He first published the present "Mirror of Human Life" at Rome in 1468. Discussing the pros and contras of various human trades and professions, the work became quite popular and was published about a dozen times in the fifteenth century alone. It remained popular in the sixteenth century as well and was republished as late as 1683, at Frankfurt in Germany. Good large-paper copy, with the engraved armorial bookplate of Manuel Gonzalez Salmon.- (First blank lacking; contemp. ms. ink mark and short notes in the margins troughout; few stains). Goff R 220; Proctor 3391; Klebs 857.9; IGI 8397; BMC IV, p. 31; Hain-Copinger 13943; Oates 1380.
[Bookseller: Antiquariaat Forum BV] |
| 28. Check availability: zvab
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Ars Nova
ARS 3, E. Burin, Manuscript Illumination in Lyons (1473-1530)
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Brepols Verlag - Ars Nova ARS 3 E. Burin Manuscript Illumination in Lyons (1473-1530) X+470 p., 187 b/w ill.+25 colour ill., 190 x 250 mm, 2002, Hardback ISBN 978-2-503-51232-7, EUR 125.00 Available This book surveys the art of manuscript illumination after the introduction of printing to Lyons in1473, using the manuscripts themselves as its main source, and thus identifying and assessing the art of Lyons busiest illuminators workshops. English Text: In the late fifteenth and early sixteenth centuries, Lyons grew into one of Europes great commercial centres and even served as an unofficial second capital of the French kingdom. While scholars have long recognized the citys prominent role in the history of printing, this is the first book to survey the art of manuscript illumination after the introduction of printing to Lyons in 1473. Using the manuscripts themselves as its main source, this study identifies and assesses the art of Lyonss busiest illuminators workshops. It then reviews the nature of patronage and the activity of the illuminators during the close of the Middle Ages and the dawn of the Renaissance. The picture that emerges is one of a tightly knit community of artists adapting their production of fine religious and secular manuscripts to the changing demand of the clergy, the merchant class, the nobility, writers, and members of the court. A descriptive catalogue provides complementary information on 136 illuminated manuscripts, books, and leaves, many of them never published at length. The work is illustrated by a broad selection of colour and black-and-white reproductions.
[Bookseller: Antiquariat-Versandbuchhandel Uwe Löb] |
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Nikolaus Kopernikus / Andreas Osiander Der Altere / Nicolaus Copernicus
Nicolai Copernici Torinensis De Revolutionibus Orbium Coelestium: Libri VI / V I: in Quibus Stellarum Et Fixarum Et Erraticarum Motus Ex Veteribus Atque Recentibus Observationibus Restituit Hic Autor: Praeterea Tabulas Expeditas Luculentasque Addidit
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Basileae 1566 / Modern Reprint. Astrology, Horoscope, Zodiac. Astrology / Astrological Guidebook / Astronomy. 448 pages. Softcover reprinted edition in very good condition, this book has card covers with cloth spine. Very slight wear to edges. Modern facsimile replica of the original text / original work or manuscript / book. Privately published. Archival reprint. This book is not old, however, there is no other publication date other than of the original text. Most likely produced for research purposes since the original text is fragile or very rare. Both book and text are clean and unmarked. Overall a very good copy of this scarce title. Excellent reading resource, research and study. A good book to enjoy and keep on hand. Or would make a great gift for the fan / reader in your life. This is NOT a mass market paperback, or mass produced book. As is, as found. TEXT IS ONLY IN LATIN. About the author, excerpt from wikipedia: Nicolaus Copernicus, February 19, 1473 to May 24, 1543, was the first astronomer to formulate a comprehensive heliocentric cosmology, which displaced the Earth from the center of the universe. His epochal book, De revolutionibus orbium coelestium, On the Revolutions of the Celestial Spheres, is often regarded as the starting point of modern astronomy and the defining epiphany that began the Scientific Revolution. Although Greek, Indian and Muslim savants had published heliocentric hypotheses centuries before Copernicus, his publication of a scientific theory of heliocentrism, demonstrating that the motions of celestial objects can be explained without putting the Earth at rest in the center of the universe, stimulated further scientific investigations and became a landmark in the history of modern science that is known as the Copernican Revolution. Among the great polymaths of the Renaissance, Copernicus was a mathematician, astronomer, physician, classical scholar, translator, artist, Catholic cleric, jurist, governor, military leader, diplomat and economist. Among his many responsibilities, astronomy figured as little more than an avocation yet it...
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Manilius M(arcus).,
Astronomicon ex recensione Richardi Bentleji cum selectis variorum ac propriis notis praefationi subjuncta varia de Manilio Judicia et Julii Pontederae epistola de Manilii Astronomia & Anno coelesti cura et studio M. Eliae Stoeber. Stra§burg, Amandus Knig 1767. 8¡. 531 S. 5 Bll. mit gest. Frontispiz, Ldr. d. Zt.
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- Brunet III, 1369 - Graesse IV, 365: ãCette edition, devenue trs rare, rend le texte de Bentley.Ò.- Astronomischen Lehrgedichte des rmischen Dichters Manilius aus dem 1. Jahrhundert. Zwei Manuskripte aus dem 10. und 11. Jahrhundert haben in Klstern die Zeit berdauert. Die editio princeps wurde von dem Astronomen Regiomontanus um 1473 in Nrnberg verffentlicht.- Das Werk umfa§t im 1. Buch eine Himmelsbeschreibung (spaera), im 2. Buch das Himmelssystem und die astrologischen Grundbegriffe, im 3. Buch die Nativitten und Horoskope, im 4. Buch den Einflu§ der Tierkreiszeichen auf Leben und Charakter der Menschen und im abschlie§enden 5. Buch die Einwirkungen der mit den Tierkreiszeichen zugleich aufsteigenden Gestirne (sog. Paranatellonten). Mit dem ausfhrlichen Kommentar Bentleys.- Titel mit hs. Besitzvermerk u. verso gestempelt, tls. leicht braunfleckig, Ebd. tls. etw. fleckig u. Kapitale besch.
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Morin, Jean (1591-1659)
Commentarius historicus de disciplina in administratione sacramenti pntentiæ : tredecim primis seculis in Ecclesia Occidentali, et huc usque in Orientali observata, in decem libros distinctus.:in legibus & praxi istius disciplinae, constitutum, derogatum, ampliatum, abrogatum, & quovis modo relaxatum, aut novatum est: quando, quave occasione, aut causa id factum.
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Antuerpiae [i.e. Amsterdam?], : Ex officina Frederici a` Metelen, sub signo Quatuor Euangelistarum., M.DC.LXXXII - Place of publication fictitious? Metelen worked from Amsterdam, cf. Gruys & Wolf. Thesaurus 1473-1800, p. 121] 1682 - Physical desc.: [40], 819, [1]; 159, [1] p. ; fol. Subject: Penance - History. Judaism - Customs and practices - Works to 1900.A very good copy in the full, contemporary aniline calf. The spine's top compartment has been recased in an impressively period-sympathetic fashion. Scans and additional bibliographic detail on request. 819 pp. 5 Kg. 1st Edition. Signatures: *6 e~6 i~-o~4 A-3X6 3Y-3Z4 A- M6 N- O4. Title page printed in red and black, with engraved printer's device. Tail-pieces, initials. [Attributes: First Edition]
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1473 - 1800 English Short Title Catalogue - ( Estc ) - Bibliography On Cd
1473 - 1800 ENGLISH SHORT TITLE CATALOGUE ( Catalog ) - ( ESTC ) - Bibliography of Rare & Early English Printed Books on CD [ Excellent Research Tool and Software Program ]
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2003. Third Edition. CD-ROM. Published by Primary Source Microfilm in association with the British Library. The English Short Title Catalogue is the largest retrospective cataloguing project ever undertaken and also the first on-line computerized catalog of early printed books, providing, as far as radically possible, a complete record of English 18th-century printing. This 3rd Edition of the English Short Title Catalogue (ESTC) on CD-ROM is the most complete edition to date. Included for the first time are records for: Every item in Pollard and Redgrave's A Short-Title Catalogue of Books Printed in England, Scotland, & Ireland and of English Books Printed Abroad 1473-1640 (STC) , Wing's Short-Title Catalogue of Books Printed in England, Scotland, Ireland, Wales, and British America and of English Books Printed in Other Countries 1641-1700) as well as thousands of records for pre-1701 items not included in either STC or Wing. Nearly 4,000 newspapers and other serials. In all, 465,000 records with approximately 3,000,000 appended locations are included. That is, 130,000 records and 1,000,000 locations more than the last edition, making the 3rd edition of the ESTC the most comprehensive resource for British and British colonial studies to 1800 ever. The aims of the ESTC are to provide a comprehensive bibliography of the printed output of the hand-press era, to list the whereabouts of surviving copies, and to note the existence of facsimiles. The holdings of over 2,000 libraries around the world are represented. Chronologically, the scope of the ESTC extends from the earliest printing in England (ca. 1473) to the end of December 1800. Geographically, it includes: All relevant items printed in the British Isles in any language All relevant items printed in Colonial America, the United States (1776-1800) and Canada; in any language All relevant items printed wholly or partly in English, or other British vernaculars, in any other part of the world. (R. C. Alston and M. J. Jannetta. Bibliography, Machine Readable Cataloguing and the ESTC, London, the British Library, 1978, p.16) Records for items that purport to be within geographical scope, but in fact are not. In particular, there are thousands of foreign language items of continental origin bearing false London imprints. Such imprints may very reasonably be sought within the ESTC, and have thus been included, with notes giving the true places of printing where these can be ascertained All letterpress items, monograph and serial (with these few exceptions: trade and visiting cards, labels, tickets, invitations, playbills, and theatre programs, playing cards, games and puzzles) , as well as some categories of engraved material, are included. The ESTC is the product of three editorial centers: the American Antiquarian Society, the British Library, and the Center for Bibliographical Studies and Research, University of California, Riverside. ISBN:0753657457 .
[Bookseller: Antiquarian Collections ] |
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Syfer-D'Olne
The Flemish Primitives IV: Masters With Provisional Names
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Brepols Publishers. PLEASE NOTE that we do not offer expedited shipping. Orders placed with the priority shipping option will automatically be canceled. The fourth volume examines all the works attributed to masters with provisional names from the 1470s to the first half of the 16th century (Master of the Joseph Sequence, Master of the Magdalen Legend, Master of the Orsoy Altarpiece, Master of the Saint Barbara Legend, Master of the Saint Catherine Legend, Master of the Saint Lucy Legend, Master of the Saint Ursula Legend, Master of the View of Saint-Gudule, Master of 1473). It was towards 1900 that anonymous works were first grouped, on the basis of stylistic affinities, around certain paintings presenting particular characteristics. Each group is attributed to an anonymous master named after the painting (the eponymous work) which forms the basis for this group. These ensembles serve to give direction to the work of art historians, in the hope of identifying these anonymous painters at a later date. Some of these groups, to which new works have been added over past decades, appear fairly heterogeneous, and merit critical reexamination in the light of modern analysis methods. ISBN10: 2503517439.
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Dubois, Anne; Fransen, Bart; Slachmuylders, Roel; Syfer-d'Olne, Pascale
Flemish Primitives IV: Masters With Provisional Names
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Brepols Publishers. Hardcover. 2503517439 This fourth volume examines all the works attributed to masters with provisional names from the 1470s to the first half of the 16th century (Master of the Joseph Sequence, Master of the Magdalen Legend, Master of the Orsoy Altarpiece, Master of the Saint Barbara Legend, Master of the Saint Catherine Legend, Master of the Saint Lucy Legend, Master of the Saint Ursula Legend, Master of the View of Saint-Gudule, Master of 1473). It was towards 1900 that anonymous works were first grouped, on the basis of stylistic affinities, around certain paintings presenting particular characteristics. Each group is attributed to an anonymous master named after the painting (the eponymous work) which forms the basis for this group. These ensembles serve to give direction to the work of art historians, in the hope of identifying these anonymous painters at a later date. Some of these groups, to which new works have been added over past decades, appear fairly heterogeneous, and merit critical reexamination in the light of modern analysis methods. Like the three previous volumes, this one is published in English and abundantly illustrated with colour photographs of the investigated paintings, detail photographs and comparative material. Each of the nineteen paintings has been submitted to exhaustive and detailed examination following a scientific research method which has been fully established over the years. This includes, on the one hand, examination of the supports and the original frames, dendrochronological analysis, infrared reflectography, stereomicroscopic observation, radiographic analysis, ultraviolet fluorescence imaging and, where possible, examination of paint samples and, on the other hand, historical, iconographic and stylistic analysis, dating, attribution and bibliography. Information is drawn from documents in the museum's archives and supplemented with material held at the Royal Institute for the Study and Conservation of Belgium's Artistic Heritage (IRPA/KIK) and the Centre for the Study of Fifteenth-Century Painting in the Southern Netherlands and the Principality of Liège. Each group of paintings attributed to a master with a provisional name is introduced with a short status quaestionis evoking the origins of the grouping and the principal publications relating to it. In their notices on the individual paintings, the authors have based their research on comparing them as closely as possible with the works around which each ensemble is grouped. Certain paintings in the Royal Museums of Fine Arts of Belgium are themselves eponymous works. In these cases the authors have made every effort to document these reference works as thoroughly as possible. 458p, 316 b/w illus, 195 col illus (Brepols, December 2006). 9782503517438. Hardback . New. 2006-01-01.
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Thüring von Ringoltingen:
Melusine. 2 Bände [Faksimile / Kommentar.]
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- Nach dem Erstdr. Basel, Richel um 1473/74 hrsg. von André Schnyder in Verbindung mit Ursula Rautenberg. Wiesbaden : Reichert, 2006. 203 S.; 159 S. Gebundene Ausgabe. Ein gutes und sauberes Exemplar. - André Schnyder, Transkription des Erstdruckes mit Übersetzung und Bildtafeln der kolorierten Holzschnitte -- André Schnyder, Stellenkommentar -- Vinzenz Bartlome, Thüring von Ringoltingen - ein Lebensbild -- Ursula Rautenberg, DieMelusine des Thüring von Ringoltingen und der Basler Erstdruck des Bernhard Richel -- Mechthild Habermann, Die Sprache der ,Melusine im Basler Erstdruck Bernhard Richels -- André Schnyder, Literarische Aspekte des Werkes. ISBN 9783895005084 [Attributes: Hard Cover]
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PETRARCA Francesco
Sonetti e Canzoni. I Trionfi. (Seguono:) Memorabilia quaedam de Laura manu propria Francisci Petrarcae scripta in quodam codice Virgilii…
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(Colophon: f. 175v) Venezia, (Gabriele di Pietro, dopo 13 Agosto) 1473, in-folio piccolo, ff. 186 n.n. (su 188, privo dei ff. 8 e 188 bianchi), legatura di fine Ottocento in marocchino citron, i piatti adorni di filetti e volute incrociati nello stile del movimento Arts and Crafts. Ff. 1r-7v Indici, ff. 9r-145v Rime sparse; ff. 146r-182v Trionfi; f. 183 r e v Memorabilia quaedam de Laura manu propria; ff. 184r- 187v Vita del Petrarca. Rara e pregevole edizione del Canzionere e dei Trionfi petrarcheschi, che segue a quella di Vindelinus de Spira del 1470, l’introvabile romana di Lauer (1471), e l’unica edizione del Petrarca che sia esemplata sicuramente e interamente sull’originale [Vat.lat.3195], quella di Padova Valdezzocco 1472. Nel 1473 uscirono, oltre alla presente, altre due edizioni del Canzoniere: Roma, J. P. de Lignamine e Milano, Antonius Zarotus, 1473. Buon esemplare su carta forte in superba legatura: la Guild of Women-Binders fu fondata da Frank Karslake (iniziatore anche della Hampstead Bindery) nel 1898 e fu attiva sino al 1904; fu una corporazione femminile di notevole importanza nell’ambito del movimento Arts and Crafts; questa rilegatura risente chiaramente del gusto femminile. (All’epoca della rilegatura vennero probabilmente rimarginati e inseriti da un altro esemplare i ff. 1, 6, 9, 18 e 25; rinfrescato). Edizione particolare dal formato allungato. Cat. Martini 264. BMC V, 199. Goff P375. IGI 7521.
[Bookseller: Libreria Antiquaria Pregliasco s.a.s. di] |
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Burin, Elizabeth
Manuscript Illumination in Lyons, 1473-1530 (Ars Nova 3)
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David Brown Y - 2503512321 In the late fifteenth and early sixteenth centuries, Lyons grew into one of Europe's great commercial centres and even served as an unofficial second capital of the French kingdom. While scholars have long recognized the city's prominent role in the history of printing, this is the first book to survey the art of manuscript illumination after the introduction of printing to Lyons in 1473. Using the manuscripts themselves as its main source, this study identifies and assesses the art of Lyons's busiest illuminators' workshops. It then reviews the nature of patronage and the activities of the illuminators during the close of the Middle Ages and the dawn of the Renaissance. The picture that emerges is one of a tightly knit community of artists adapting their production of fine religious and secular manuscripts to the changing demand of the clergy, the merchant class, the nobility, writers, and members of the court. A descriptive catalogue provides complementary information on 136 illuminated manuscripts, books, and leaves, many of them never published at length. The work is illustrated by a broad selection of colour and black-and-white reproductions. 470p, 187 b/w, 25 col. iilus. (Brepols 2002). 9782503512327. Hardback [Attributes: Hard Cover]
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E. Burin
Manuscript Illumination in Lyons (1473-1530)
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David Brown. New In the late fifteenth and early sixteenth centuries, Lyons grew into one of Europe's great commercial centres and even served as an unofficial second capital of the French kingdom. While scholars have long recognized the city's prominent role in the history of printing, this is the first book to survey the art of manuscript illumination after the introduction of printing to Lyons in 1473. Using the manuscripts themselves as its main source, this study identifies and assesses the art of Lyons's busiest illuminators' workshops. It then reviews the nature of patronage and the activities of the illuminators during the close of the Middle Ages and the dawn of the Renaissance. The picture that emerges is one of a tightly knit community of artists adapting their production of fine religious and secular manuscripts to the changing demand of the clergy, the merchant class, the nobility, writers, and members of the court. A descriptive catalogue provides complementary information on 136 illuminated manuscripts, books, and leaves, many of them never published at length. The work is illustrated by a broad selection of colour and black-and-white reproductions. ISBN10: 2503512321.
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Comestor, Petrus ((Petrus Manducator (El Comilón), )
Historia Scholastica .
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1303. 1303 - . Pergamino. 274 hojas. 313 mm. x 223 mm. Plena piel del siglo XIX, con gofrados en tapas, nervios y dorados en lomera. Religión / Teología / Ética / Monasterios /Ordenes Religiosas (Biblia-Historia de la Iglesia), Siglo XIV. JUNTO CON COD. 66/5 Manuscrito sobre pergamino original, fechado en el año de 1303, que contiene la Historia Escolástica escrita por el exégeta Petrus Comestor (Troyes - 1178 París), también llamado Petrus Manducator, Petrus Trecensis y Pierre le Mangeur. Comestor fue Decano de Troyes, Canciller en Paris y Magistrado en Teología. Esta obra fue escrita en 1170 y la primera edición impresa fue en el año de 1473. Durante la Edad Media, este libro ha sido considerado la principal obra de la historia bíblica y contiene, junto a los vastos y elaborados conocimientos, una presentación teológica popular de la completa revelación bíblica Así, por ejemplo, en la Historia Scholastica, Petrus Comestor hace una aclaración sobre la cuestión de la creación humana como "a imagen y semejanza de Dios". Se explica que, si bien la esencia y la razón (o sea, el alma) fueron hechas a imagen de Dios, las virtudes fueron hechas a semejanza, puesto que el hombre es pecador. En el fragmento dedicado a "Dela fechura dell omne e del Parayso", Alfonso cita a mahestre Pedro como fuente, pero no incluye esta explicación sobre la naturaleza inferior de las virtudes humanas. En otro caso, Petrus Comestor dedica un extenso fragmento a la creación del alma (no se dice simplemente que Dios "aspiro enel respiramiento de uida: e fue el ombre fecho e acabdo con alma uiua"). Se deja afuera una reflexión interesante sobre el problema teológico del "soplido divino", que podría traducirse así: Cuando en lo que respecta al alma se dice "inspiravit" (sopló, insufló, otorgó, puso el hálito vital), etc, como si dijera: ?hizo el cuerpo de tierra, y el alma de la nada?. Tiene otra traducción, "insufflavit", o mejor "sufflavit", lo que no es inapropiado acerca de Dios, como ciertos (eruditos) creen, al no poseer ni garganta (boca) ni espíritu. Porque Dios "inspiravit", es decir, creó el espíritu. De la misma forma "insufflavit", es evidentemente ?creó el alma?. De donde Isaías: "creé todo hálito". Por otra parte lo dice "in faciem" (en el rostro), por sinécdoque, se entiende el todo por la parte, dado que proveyó de alma a todo el hombre. Pero nombró sólo el rostro porque es la parte más digna, puesto que alberga el sentido.
[Bookseller: Librería de Bilbao] |
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Laue/Mises,
Stereoskopbilder von Kristallgittern I und II./ Stereoscopic drawings of crystal structures I and II.Springer Berlin, 1926 - 1936,
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- 43 S. m. 3 Textfig. und gest. 24 Tafeln; 56 S. und 24 gest. Tafeln, Halbleinen (half cloth) m. aufgeklebtem Teil des OUmschl., StaT., St.a.,Ebd., im Text und auf den Taf. (verso), Bibliotheksexemplar (library copy), Ebd.-Rü. l. fl., bei I etwas eingerissen. Poggendorff VI, S. 1473. Laue, Max von (1879-1960) / Mises, Richard von (1883-1953). Veröffentlicht, als beide Professoren an der Univ. Berlin waren und sollte den Studenten beim Studium der Kristalle dienen. Wohl nur in kleiner Auflage erschienen und meist nur in wissenschaftlichen Institutionen vorhanden. [Attributes: Hard Cover]
[Bookseller: Dr. Martin Saendig GmbH] |
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GRAMMATICUS THOMAS
Decisiones, quas ex causis potissimum per eum in Sacro Regio Neapolitano Consilio relatis selegit ac consilia duo in materia foriudicationis quaestionesque aliquot notabiles et quotidianae, nunc denuo per auctorem ipsum diligenter recognitae ac plurimis in locis ampliatae. Quibus omnibus duae eiusdem decisiones, videlicet CVI et CVII in hac secunda editione adiectae fuere. Cum indice locupletissimo. Opus tam in foro versantibus, quam de iure respondentibus maxim eutile. Venetiis, apud Iuntas, 1551 (al colophon: Venetiis, apud Cominum de Tridino, 1555).
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- Cm. 18, cc. (44) 199 (1). Bel marchio tip. a frontespizio e colophon e bellissima vignetta raffigurante lA. in cattedra. Leg. coeva in piena perg. molle. Antiche firme di possesso. Mancanza di alcuni cm. al dorso, cerniere internamente disunite. Lievi fioriture e trascurabili piccoli aloni, peraltro esemplare ben conservato. Tommaso Grammatico (1473-1556), celebre giureconsulto, fu membro del Sacro Regio Consiglio del Regno di Napoli. Rara seconda edizione che raccoglie 107 decisiones, 3 quaestiones e 2 ampi consilia di materia processuale. Edizione non comune. Cfr. Iccu; Sapori, 747-48 per altre edizioni. (S127)
[Bookseller: Studio Bibliografico Apuleio] |
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Bedjaoui, Youcef; Abbas Aroua & Meziane Ait-Larbi (editors) w/foreword by Professor Noam Chomsky & Lord Eric Avebury
Inquiry (An) into the Algerian Massacres
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Bedjaoui, Youcef; Abbas Aroua & Meziane Ait-Larbi (editors) w/foreword by Professor Noam Chomsky & Lord Eric Avebury., pub. by Hoggar (Suisse), nd, c1999, - illus. boards, tiny scratch on spine & corner of dedication page creased o/w fine (no dj), 1473 pp w/index & appendix, B & W/color photographic & other illus., Sm 4to, $350.00 [Attributes: Hard Cover]
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Thomas d'Aquin
De veritate catholicae fidei.
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Franz Renner et Nicolas de Francfort, Venise 1473 - In-folio et in-4, sans pagination ni réclame. 282 feuillets sur 286. L'exemplaire est revêtu de sa première reliure, se composant d'un fragment d'ais de bois avec ses ligatures. Le plat inférieur, recouvert de veau, est orné de compartiments en losanges en à froid, traces de fermoirs. L'exemplaire est très large de marge afin de laisser une place à la glose. Impression sur 2 colonnes avec une moyenne de 42 lignes par colonne, dans une petite gothique allemande. Grandes et petites initiales peintes au minium, avec parfois un travail de plume en marge. Les numéros des chapitres sont peints dans la marge supérieure. Il est intéressant de noter que cet ouvrage n'a jamais été restauré, comme nous l'indique une étiquette du XVIIè s collée sur les ficelles du dos. Il manque à cet exemplaire la page de titre, des fragments des 2 premières pages avec perte de texte, un feuillet liminaire à la fin de la table qui se trouve en début de volume, et peut-être un dernier feuillet (blanc ?) après le colophon. L'impression fut introduite à Venise en 1469 par Jean Wendelin. Franz Renner y installe ses presses en 1471. Il n'est que le sixième imprimeur à s'installer dans la ville de Venise. Il produit seul 4 titres, puis s'associe en 1473 à Nicolas de Francfort, avec lequel il édite 13 ouvrages, dont celui-ci. A la fin de cette association, il poursuit son activité avec Petrus de Bartua durant un an (1477-1478), puis termine seul jusqu'en 1483, date probable de sa mort.
[Bookseller: L'Oeil de Mercure] |
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Leonardo de Utino (ca. 1400 -1470).
Sermones quadragesimales de legibus dicti.
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Franciscus Renner de Heilbronn y Nicolás de Frankfurt,, Venecia: 1473 - 404 hojas en signaturas [a-s10, t8, v-y10, z-r8, A-R10]. Dos columnas de letra gótica del tipo 75 G en 52 líneas. Pergamino del siglo xvii, marfilado. Muy bonito. Grandes márgenes. Puntos de polilla muy antiguos y manchas esporádicas de humedad. Hain 16117. Goff L-143. BMC v, 192. IGI 5732. IBE 3477. Emptus Papie en julio de 1490 por Rizardino, profesor y notable de la ciudad. Paul Helbronner, siglo xix. Primera edición. Ejemplar anotado y comentado a finales del siglo xv y durante el siglo xvi. Este denso tomo es un depósito de teología, de sabiduria envangélica, de comentarios a los padres de la Iglesia, de reflexiones sobre la ley divina y sobre la ley humana y un intento acertado de conciliar ambas. No son sermones de tono popular y predicativo, sino que están cargados de intelectualidad y de referencias cultas.
[Bookseller: Els Llibres del Tirant] |
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(JOHANNES GUALLENSIS [Gallensis, Vallensis]).
(Summa collectionum aut communiloquium)
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(Ulm, Johann Zainer [d.Ä.]) 1[4]81. Im Kolophon steht irrtümlich "1281".. Gr.-4°. (12) Bll.; (1) Bl. (weiß); (174) Bll.; (1) Bl. (weiß). [* - ** 6; a - y 8]. Die ersten vier Lagen nach dem Register in Rot rubriziert und mit eingemalten roten Initialen. Letztes Bl. recto mit gemaltem Besitzer-Wappen. Blindgeprägtes Kalbsleder d. Zt. über Holzdeckeln mit ziemlicher Sicherheit aus der Werkstatt des Augsburger Binders Jörg Schapf (leicht berieben und bestoßen [Ecken, Kanten etwas stärker, Seiten der Bünde stark bestoßen, tls. mit kleiner Bezugsfehlstelle], Gelenke fachmännisch restauriert); zwei intakte originale Schließen mit aufgeprägtem Monogramm "man"). Vierte Ausgabe. Johann Zainer (d.Ä.), der Erstdrucker von Ulm, wahrscheinlich der Bruder des Augsburger Druckers Günther Zainer, hat - wie dieser auch - das Druckerhandwerk in Straßburg bei Mentelin gelernt. Sein erster Druck stammt wohl von 1473, und seine Anfangsjahre sind geprägt von der Zusammenarbeit mit Heinrich Steinhöwel. Die Blüte seiner Offizin dauerte jedoch nur ca. 12 Jahre; 1487 war er schon hoch verschuldet, 1493 musste er deswegen Ulm verlassen. Ab 1496 wird in der Johann-Zainersche Offizin in Ulm die Arbeit wieder aufgenommen, aber in der Fachliteratur besteht keine Einigkeit darüber, von wem: von Johann Zainer selbst (so u.a. Geldner) oder von seinem gleichnamigen Sohn (so schon Wegener und neuerdings GW und Amelung). Biografisches ist über Johannes Gallensis nur wenig bekannt: geb. zwischen 1210 und 1230, walisischer Herkunft; gest. wahrscheinlich 1285 in Paris. 1257 kommt er zu den Franziskanern nach Oxford und lehrt ab 1258 im Rahmen des dortigen Ordensstudiums. 1281 bis 1283 ist er an der Universität von Paris tätig; in dieser Zeit wird er auf eine diplomatische Mission nach Wales vom Erzbischof von Canterbury gesandt. "Durch seine Kompilationen, ohne systematischen Anspruch, bemühte sich J.G., den Predigern seiner Zeit Material, vor allem solches von antiken Schriftstellern, zur moralischen Erbauung ihrer Zuhörer an die Hand zu geben, sie selbst aber mit den Normen für ihr Verhalten und mit ihren Pflichten vertraut zu machen." (BBKL III, Sp. 287). Umstritten ist eine Stelle im communiloquium, in der das Ende eines Schachspiels mit dem Lebensende verglichen wird: "Die Welt gleiche einem Brett mit weißen und schwarzen Feldern, auf denen die Menschen als Schachpuppen verschiedene Plätze einnehmen. Früh holt man die Figuren ... aus einem Sack hervor ... nach vollendetem Spiel wartet aber Aller, ungeachtet ihrer verschiedenen Stellung im Leben und im Spiele, der nämliche Ort. Und wie der König dabei wohl zuunterst im Beutel zu liegen komme, so könnten auch die Großen der Erde zur Hölle, die Armen aber in den Himmel gelangen. Auf dem Brett des Lebens spielt der Teufel mit dem Menschen und sagt ihm Schach , wer sich dann nicht schnell bekehrt, dessen Seele wird mit Matt geraubt". (J. Seifert, Schachphilosophie, 1989, S. 117). In zwei Inkunabelausgaben ist sie enthalten, in den beiden anderen - wie in unserer - nicht; so wird sie auch als Interpolation gesehen. Die Zuweisung des ausgezeichnet erhaltenen Einbandes an Jörg Schapf aus Augsburg ist gut fundamentiert: Die Deckelaufteilung entspricht der bei Kyriss 63 abgebildeten, alle Stempel sind in der Einbanddatenbank der Staatsbibliothek Berlin unter diesem Binder aufgelistet. Auf dem Vorderdeckel folgt auf einen schmalen Rand ein Rahmen mit Rosettenstempeln,sechsblättrig, Blätter breit und gebuchtet, umrandet im Quadrat (so weder bei S-S noch in EBDB). In dem inneren großen Rechteck findet sich Rautengerank (EBDB s002566 / S-S Rautengerank 137), in dessen inneren Feldern ein Stempel "Staude mit Krause" (EBDB s002561/ S-S Blattwerk 370). Der Rückendeckel trägt das gleiche Rautengerank mit Staude, der Rahmen darum ist mit Kopfstempeln besetzt (EBDB s002555 / S-S Kopfstempel 29) - laut v. Rabenau ein für Schapf typisches Dekor (S-S II, S. 9). Auf dem Rücken wiederholen sich die Kopfstempel des Rautengeranks. Ein sehr breitrandiges Exemplar: eine Reihe von Temoins sind sichtbar. Schwach gebräunt und gering fingerfleckig (Vorsätze und Spiegel stärker). Vorderer Vorsatz verso mit alter handschr. Bibliothekssignatur, Bl. y8 recto über dem eingemalten Wappen der Besitzereintrag: "Johannes Weydenhuser possessor huius libri". Ein ungewöhnlich gut erhaltenes Exemplar im originalen Zustand. Einbände von J. Schapf sind auch in großen Sammlungen selten: weder bei v. Arnim noch bei Goldschmidt ist einer aufgeführt. H 7443; GKW (online-Katalog) M13990; Wegener (Zainer) 11; BMC II 527; BSB-InkI-576; Scholderer (Vallensis) S. 77..
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Solinus Gaius Julius
SITU ORBIS TERRARUM ET MEMORABILIBUS QUAE MUNDI AMBITU CONTINENTUR LIBER
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Venetiis Nicolaus Jenson 1473 - Very Rare First Edition., the Editio Princeps. Printed with the Roman type designed by Jenson. The typography used for this important book is so beautiful and so basically correct that it has served as a model for all those typographical artists who have thoguht to carry on this tradition. Folio (278 x 180 mm), handsomely bound in 18th century green morocco, the covers with triple gilt fillet lines at the borders, the spine with raised bands, the compartments decorated with elaborately gilt panes with central ornamental tools, two morocco lettering labels gilt, gilt edges, marbled endleaves. 68 leaves (136 pp.) In a pleasing binding and a highly important rare survival, the binding remains in very sound and attractive state, lower outside corner of the first leaf skillfully repaired, interesting manuscript notations and emendations throughout, this copy washed in the 18th century when it was bound. VERY RARE FIRST EDITION OF THIS IMPORTANT WORK. SolinusÕs work, also called ÒCollectanea Rerum MemorabiliumÓ is a compendium of curiosities and wonders of the ancient world, with remarks on geographical, historical, social, religious and natural history questioins. The greatest part of this instances is taken from PlinyÕs Ònatural HistoryÓ and Pomponius Mela. Solinus is the only ancient writer who mentions the English Isle of Thanet. This text exerted a great influence during the Midle Ages, most notably upon Isidore of Seville and Brunetto Latini. Julius Solinus (fl. 250 AD), surnamed Polyhistor, or "Teller of Varied TalesÓ, Latin grammarian and compiler, proably flourished during the first half of the 3rd century A.D. He provided the standard source of geographic myth during all the years of the ÒGreat InterruptionÓ, from the fourth till the fourteenth centuries. It is doubtful if anyone else over so long a period has ever influenced geography "so profoundly or so mischievously." Solinus' work had wide appeal. Saint Augustine himself drew on Solinus', as did all the other leading Christian thinkers of the Middle Ages.Ê The stories and fabulous images that Solinus retailed enlivened Christian maps right down to the Age of Discovery. They became an all- encompassing network of fantasy, replacing the forgotten rational gridwork of latitude and longitude, which had been Ptolemy's legacy. Solinus found wonders near and far. From Italy he reported people who sacrificed to Apollo by dancing barefoot on burning coals, pythons that grew long and fat by feeding on the udders of milk cows, and lynxes whose urine congealed to "the hardness of precious stone, having magnetic powers and the color of amber." Grasshoppers and crickets in Rhegium still dared make no sound because Hercules, irritated by their noise, had once ordered them to keep silent. Further afield were the dog-headed Simeans of Ethiopia, ruled by a dog-king. Along the Ethiopian coast were peoples with four eyes, while along the Niger were ants as big as mastiffs. In Germany there was a mule-like creature with such a long upper lip that "he cannot feed except walking backward." Human monstrosities that were normal in remote parts of the world included tribes who had their eight-toed feet turned backwards, men with dogs' heads and talons for fingers who "barked for speech," people who had only one leg, but with a foot so large that it protected them from the hot sun by serving as a parasol. History of Science As to Jenson--Ò.(A)mong the early Venietian printers the most important was certainly Nicholas Jenson. A Frenchman by birth, he passed his apprenticeship in the Paris Mint, and became afterwards the head of the Mint at Tours. In 1458, in consequence of the stories of the inventi [Attributes: First Edition; Hard Cover]
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Manilius M(arcus).,
Astronomicon ex recensione Richardi Bentleji cum selectis variorum ac propriis notis praefationi subjuncta varia de Manilio Judicia et Julii Pontederae epistola de Manilii Astronomia & Anno coelesti cura et studio M. Eliae Stoeber. Straßburg, Amandus König 1767. 8º. 531 S. 5 Bll. mit gest. Frontispiz, Ldr. d. Zt.
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Brunet III, 1369 - Graesse IV, 365: ãCette édition, devenue très rare, rend le texte de Bentley...“.- Astronomischen Lehrgedichte des römischen Dichters Manilius aus dem 1. Jahrhundert. Zwei Manuskripte aus dem 10. und 11. Jahrhundert haben in Klöstern die Zeit überdauert. Die editio princeps wurde von dem Astronomen Regiomontanus um 1473 in Nürnberg veröffentlicht.- Das Werk umfaßt im 1. Buch eine Himmelsbeschreibung (spaera), im 2. Buch das Himmelssystem und die astrologischen Grundbegriffe, im 3. Buch die Nativitäten und Horoskope, im 4. Buch den Einfluß der Tierkreiszeichen auf Leben und Charakter der Menschen und im abschließenden 5. Buch die Einwirkungen der mit den Tierkreiszeichen zugleich aufsteigenden Gestirne (sog. Paranatellonten). Mit dem ausführlichen Kommentar Bentleys.- Titel mit hs. Besitzvermerk u. verso gestempelt, tls. leicht braunfleckig, Ebd. tls. etw. fleckig u. Kapitale besch.
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[DICTIONARY]
Vocabularius rerum [in Latin and German].
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[Augsburg, Günther Zainer, 1473-74] Folio (290 x 208 mm), ff 138, gothic letter, large woodcut initial at beginning of text, painted in red, some underlining and initial strokes supplied in red; leaves numbered in MS with cross-references in the index, occasional MS annotations, a very fresh, large copy, with many deckle edges, pastiche binding ca 1900 of wooden boards and blind-stamped calf spine. £40,000
First edition, extremely rare, of the first printed technical dictionary, and, after the Vocabularius ex quo, the first dictionary to employ two languages. This work is devoted entirely to technical terms, each with its own section, of medicine (four sections), culinary and medicinal herbs and food plants, zoology, mining and mineralogy, navigation, architecture, textiles, tanning and leather work, musical instruments, books and book production, cooking and kitchen utensils, baking, wine and viticulture, gambling, carpentry, horses and carriages, etc. 'Some of the words are highly technical, lexicographical rarities. In the section on scribes and book production we find definitions not only of the traditional scribal tools (calamus, stilus, graphius, pugillaris, etc.), but also of such specialist words as antipira (= the scribe's eye-shade, for protection against the fire or candle-light), corrosorium (= the mill or grinder to reduce chalk to a powder for the preparation of vellum), and epicausterium (= the table-cloth on which the parchment is laid for ease of writing). None of these last words occurs, for example, in Karen Gould's "Terms for Book Production in a Fifteenth-Century Latin-English Nominale", The Papers of the Bibliographical Society of America, 79 (1985), pp. 75-99. There is also an entry on the distinction between the words liber, volumen, and codex; likewise between exemplar and exemplum.' (Nicholas Poole-Wilson). A large part of the work is devoted to medicine, including anatomical terms, surgical terms and instruments, diseases and their definitions, etc. There are also extensive lists of plants, including culinary, horticultual, and medicinal plants. 'Possessed of a knowledge of names rather than of things, the mediaeval student had one urgent need - a dictionary. New words began to pour in - in Arabic, Syriac, Hebrew, and Greek - whose meanings he sought to know; and, for the medical student, there were new drugs, the composition and uses of which were essential to his practice. It is not surprising then to find books of the dictionary class among the first to be printed... The Vocabularius, a Latin-German dictiionary from the press of Günther Zainer, Augsburg, about 1473, has four sections devoted to medicine: (1) De homine et de diversis membris, in which the parts of the body are defined in order, with the German equivalents; brief references to authors are given. (2) De nominibus balneatorum etc., containing all the terms relating to bathing, bleeding, and cupping. (3) De medicis et eorum que pertinent ad medicine artes. The definitions here are most interesting... Siringa is described as a metallic instrument with which a surgeon injects resolving medicines into the Virile member in order to dissolve calculi in the bladder. (4) De nominibus quorundam egritudinum, contains seven and a half folios of definitions of diseases.' (Osler, Incunabula medica). This work is very rare, no copy having appeared at auction in Britain or America for over twenty-five years.
Provenance: André Simon, with bookplate, but not in his Bibliotheca Bacchica nor in the 1981 sale catalogue of his gastronomy collection
C6326; BMC II 321; Klebs (Add) 1044.01; Osler IM 47; Goff V322 (Chicago, Grolier, Huntington, Yale, and National Library of Medicine); Poynter 600 (William Morris copy); Sudhoff 104; Stillwell 288; Schullian and Somer 485; ISTC lists, in addition to the five U.S. locations above, two copies in London (BL and Wellcome), one each in Italy (Vatican), Basel, Copenhagen, and Kyoto, and 18 in Germany, of which at least one is imperfect
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Elizabeth Burin
Manuscript Illumination in Lyons, 1473-1530 (Ars Nova 3)
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Brepols Publishers. New In the late fifteenth and early sixteenth centuries, Lyons grew into one of Europe's great commercial centres and even served as an unofficial second capital of the French kingdom. While scholars have long recognized the city's prominent role in the history of printing, this is the first book to survey the art of manuscript illumination after the introduction of printing to Lyons in 1473. Using the manuscripts themselves as its main source, this study identifies and assesses the art of Lyons's busiest illuminators' workshops. It then reviews the nature of patronage and the activities of the illuminators during the close of the Middle Ages and the dawn of the Renaissance. The picture that emerges is one of a tightly knit community of artists adapting their production of fine religious and secular manuscripts to the changing demand of the clergy, the merchant class, the nobility, writers, and members of the court. A descriptive catalogue provides complementary information on 136 illuminated manuscripts, books, and leaves, many of them never published at length. The work is illustrated by a broad selection of colour and black-and-white reproductions. ISBN10: 2503512321.
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Thomas d'Aquin
De veritate catholicae fidei.
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Franz Renner et Nicolas de Francfort, Venise 1473 - In-folio et in-4, sans pagination ni réclame. 282 feuillets sur 286. L'exemplaire est revêtu de sa première reliure, se composant d'un fragment d'ais de bois avec ses ligatures. Le plat inférieur, recouvert de veau, est orné de compartiments en losanges en à froid, traces de fermoirs. L'exemplaire est très large de marge afin de laisser une place à la glose. Impression sur 2 colonnes avec une moyenne de 42 lignes par colonne, dans une petite gothique allemande. Grandes et petites initiales peintes au minium, avec parfois un travail de plume en marge. Les numéros des chapitres sont peints dans la marge supérieure. Il est intéressant de noter que cet ouvrage n'a jamais été restauré, comme nous l'indique une étiquette du XVIIè s collée sur les ficelles du dos. Il manque à cet exemplaire la page de titre, des fragments des 2 premières pages avec perte de texte, un feuillet liminaire à la fin de la table qui se trouve en début de volume, et peut-être un dernier feuillet (blanc ?) après le colophon. L'impression fut introduite à Venise en 1469 par Jean Wendelin. Franz Renner y installe ses presses en 1471. Il n'est que le sixième imprimeur à s'installer dans la ville de Venise. Il produit seul 4 titres, puis s'associe en 1473 à Nicolas de Francfort, avec lequel il édite 13 ouvrages, dont celui-ci. A la fin de cette association, il poursuit son activité avec Petrus de Bartua durant un an (1477-1478), puis termine seul jusqu'en 1483, date probable de sa mort.
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LEONARDO DA VINCI. A CURA DI CARLO PEDRETTI.
I DISEGNI DI LEONARDO DA VINCI E DELLA SUA CERCHIA NEL GABINETTO DISEGNI E STAMPE DELLA GALLERIA DEGLI UFFIZI A FIRENZE. LA SERIE DELLE RIPRODUZIONI IN FACSIMILE DEI DISEGNI DI LEONARDO E DELLA SUA CERCHIA, CHE SI INIZIA CON LA PRESENTE OPERA, E' STATA IDEATA CON L'INTENTO DI PUBBLICARE SISTEMATICAMENTE TUTTI I "FOGLI SPARSI" CIOE' TUTTI QUEI DISEGNI O FRAMMENTI CHE SI TROVANO NELLE COLLEZIONI PUBBLICHE O PRIVATE IN OGNI PARTE DEL MONDO. I DISEGNI SONO RAGGRUPPATI SECONDO LE COLLEZIONI, O I PAESI, E SONO RIPRODOTTI IN FACSIMILE, COMPRESO IL VERSO ANCHE QUANDO QUESTO E' BIANCO. OGNI CATALOGO E' PRECEDUTO DA UN'INTRODUZIONE RICCAMENTE ILLUSTRATA SULLA STORIA DELLE DIVERSE COLLEZIONI, SULLA PROBLEMATICA DELLE ATTRIBUZIONI, DELLO STILE E DELLA CRONOLOGIA ED E' CORREDATO DA UN'ESAURIENTE BIBLIOGRAFIA. SCOPO DI QUESTA OPERA E' FORNIRE COSI' UN CORPUS COMPLETO QUALE PREZIOSO STRUMENTO DI RICERCA E QUALE MEZZO INTESO A MEGLIO DEFINIRE L'IMPATTO DELL'OPERA E DEL PENSIERO DI LEONARDO SUI SUOI CO
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NTEMPORANEI E SEGUACI. CARLO PEDRETTI, IN QUALITA' DI CURATORE, SI E' VALSO DELLA COLLABORAZIONE DI ESPERTI DI VARI PAESI. LA PRESTIGIOSA COLLEZIONE DEGLI UFFIZI, CHE COMPRENDE IL PRIMO DISEGNO DI LEONARDO DI CUI SI ABBIA CONOSCENZA, IL PAESAGGIO DEL 1473, E' PRESENTATA DA CARLO PEDRETTI CON UN'ESAURIENTE INTRODUZIONE SEGUITA DA UNA BIBLIOGRAFIA COMPLETA E TAVOLE DI CONCORDANZA. I DISEGNI (11 DI LEONARDO E 39 DEI SUOI DISCEPOLI) SONO CATALOGATI DA GIGETTA DALLI REGOLI. IN UN ASTUCCIO (FORMATO 33,5 X 48,8) RIVESTITO IN PELLE CON IMPRESSIONI IN ORO, SONO CONTENUTE 50 TAVOLE CON RIPRODUZIONI IN FACSIMILE DEI DISEGNI, RECTO E VERSO, E UN VOLUME DI TESTO DI 106 PAGINE STAMPATO SU CARTA A MANO RILEGATO IN CARTA DI FABRIANO. EDIZIONE IN FACSIMILE DI 998 COPIE NUMERATE PER TUTTO IL MONDO. FIRENZE, GIUNTI 1985,
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DECRETALES EPISTOLAE SUMMORUM PONTIFICUM, A GREGORIO NONO PONTEFICE MAXIMO COLLECTAE, Parisiis, apud Gulielmum Desboys sub Sole aureo, ac Sebastianum Nivellium sub Ciconiis, in Via Iacobaea, 1558.
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"Mendis sanè quamplurimis summa diligentia repurgatae". "Adiectis passim ad marginem, tam Bibliorumquàm Iuris Civilis concordantiis". Testo latino. Cm.16,4x10,7. Pg.56 non numerate, 824 numerate solo al recto. Legatura in piena pergamena, con lievi spellature. Alcuni capilettera incisi. Si tratta di una delle edizioni a stampa cinquecentesche dei celebri Decreti di Papa Gregorio IX, al secolo Ugolino dei Conti Segni, salito al soglio pontificio il 19 marzo 1227 come successore di Onorio III. Fiero avversario di Federico II, a lui si deve l'istituzione, nel 1232, del Tribunale dell'Inquisizione. Il testo dei "Decretales", in cinque libri, fu fatto compilare dal suo cappellano Ramon De Penaforte, e inviato il 5 settembre 1234 alla Università di Bologna: conteneva i principi fondamentali del diritto canonico medioevale e come tale fu poi inserito nel Corpus Iuris Canonici fino alla riforma di Benedetrto XV. La prima edizione a stampa fu edita a Mayence nel 1473. > Sapori, I, 778-782, cita altre edizioni cinquecentesche.
[Bookseller: Studio Bibliografico Pera s.n.c.] |
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SUETONIUS (Tranquillus)
De Grammaticis et Rethoribus clarissimis libellus
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[Padoue, Bartholomaeus de Valdezoccho et Martinus de Septum Arboribus, vers 1473]; petit in-4, plein maroquin rouge janséniste, encadrement int de fil. dor. (Reluire fin XIXè siècle). 16 ff. n. ch., le dernier blanc. Car. rom. - 24 lignes. Hain 1532 - Hunt 3888 - Proctor 6767 - BMC VII. 905 - Goff s. 812 - Brunet 585 (qui n'identifie pas l'imprimeur et signale l'exemplaire d'Ourches). EDITION PRINCEPS du petit traité de Suétone sur les grammairiens et retheurs illustres. On y trouve des scènes de la vie des trois rhéteurs Lucius, Sextus et Cains et de sept grammairiens parmi lesquels Curius, Scribonius, Quintus et Aurelius. Elle fut donnée par les premiers typographes de Padoue : un certain Bartolommeo de Valdezochio, citoyen de la ville qui s'était associé à un imprimeur étranger Martinus de Septem Arboribus Prutenus [von Siebeneichen ?]. Proctor signale 13 impressions de cet atelier (du 21 mars 1472 à octobre 1476), tout comme Goff p. 711. Exemplaire à grandes marges.
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Frater Johannes (Hrsg.):
Speculum humanae salvationis cum speculo S. Mariae Virginis (lateinisch u. deutsch). (GWM 43054, H 14929, Schramm II, 521).
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Augsburg, Günther Zainer, 1473. Type 2.. Einspaltiges, 34-zeiliges O-Inkunabelblatt mit einem Holzschnitt (12 x 7,2 cm) und einer 3-zeiligen Lombarde. Fachgerecht restaurierter Einriss im oberen Randbereich und den obersten 3 Zeilen. Kleine Wurmlöcher im Rand. Wasserzeichen: Ochsenkopf mit Kreuz- und Blumenstandarte. Blattgröße: 19,2 x 28 cm. Incunabula text woodcut leaf.. Blatt aus der Erstausgabe des Speculum humanae. Der Inkunabelkatalog (INKA) gibt an, dass das Werk möglicherweise auch im Kloster St. Ulrich und Afra gedruckt worden sein kann. Der Holzschnitt zeigt den, mit den Schriftgelehrten diskutierenden Knaben Jesus. Diese für den deutschen Sprachraum ungewohnte pädagogische Freiheit der offenen Diskussion, wird noch heute in der Redewendung "Das ist ja so laut, wie in der Judenschule" deutlich. Auch für den Holzschneider war ein mit Lehrern diskutierender Knabe nicht im Bereich ihrer Alltagserfahrung und sie stellten deshalb den Knaben Jesu als Lehrenden und Erhöhten dar. Die Textstelle im Neuen Testament lautet jedoch: "Nach drei Tagen fanden sie (seine Eltern) ihn im Tempel. Er saß mitten unter den Lehrern, hörte ihnen zu und stellten Fragen an sie. " (Lk. 2, 46).
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BOCCACCIO, GIOVANNI.
VON ETLICHEN FROWEN. ULM, JOHANN ZAINER, C. 1473.
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Fol. c [100] with 2 colored woodcuts. Depicts Princess Beronice killing her brother in revenge for the murder of her husband and her two little sons. The reverse bears the first printed representation of a rape: the wife of King Drigiagontis is ravished by her Roman captor (left half of image); after her liberation, she revenges her violation and brings her husband the head of her ravisher (right half). Both illustrations accompanied by text with a colored woodcut initial each. - Wide margins slightly spotty and wrinkled; small restored tear at edge. GW 4486. Hain 3333. Schramm V, 76 and 77.
[Bookseller: Antiquariat INLIBRIS - Wien - Austria] |
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GREGORY I , Saint, Pope
Homiliae super Evangeliis. [Augsburg, Günther Zainer], 28 August
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First two initials in red and blue pasted over spaces.Folio. (303 x 205mm.) [142]ff. 33 lines, gothic letter. Early 19th century calf, possibly by C. Lewis, triple gilt fillet on covers, spine gilt in compartments, black morocco labels. 1473. First edition of the Homilies on the Gospels by Pope Gregory I which were among the most widely read and venerated texts of the Middle Ages. They were delivered to the people of Rome in 590-591 soon after his election to the papacy and represent his only surviving liturgical teaching. Unlike his other works which were delivered to monastic audiences, the Homilies on the Gospels are pastoral talks which he made more direct and less allegorical, with numerous examples drawn from life, so that the text also preserves significant anecdotes about Gregory himself, and the times he lived in. The work was enormously popular in the Middle Ages, and survives in over 400 manuscripts.Printed in Gunther Zainer's square heavy type, which the printer had begun to use from 1470. Gunther Zainer was the first printer in Augsburg; he was a native of Reurlingen and completed his first book at Augsburg on 12 March 1468. His press remained active until 1477, although he himself appears to have given up the business in 1475, and retired to the Buxheim Charterhouse where he died on 13 April 1478.Provenance. Armorial and monogrammed bookplates inside front cover of Sir John Hayford Thorold (1773-1831) and his library at Syston Park, sold at Sotheby's sale of the library 13 December 1884, lot 853 for £2-2s, to Willian Ridler, bookseller. John William Pease (1836-1901) and by descent to Christopher Henry Beaumont Pease (1924-2005), Lord Wardington, with his bookplate inside rear cover.H7948. GW 11418. BMC II, 319. Goff G417.
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.NICOLAUS DE AUSMO.
SUPPLEMENTUM SUMMAE PISANELLAE . INSIEME A: ASTESANUS DE ASTI. CANONES POENITENTIALES.VENETIIS, BARTHOLOMAEUS CREMONENSIS, 30 NOV. 1473.
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In 4 (mm.258 x215) di (352 cc.), bella legatura seicentesca in pergamena, piatti riquadrati in oro e decorati ai piccoli ferri ,testo in carattere rotondo,su due colonne, interamente rubricato in rosso e bleu, margini amplissimi, carta frusciante, minimi aloni a qualche pagina, in esemplare freschissimo e assai bello. Seconda edizione a stampa, impressa appena quattro mesi dopo la princeps, di uno dei testi capitali della riflessione teologico-giuridica.del secolo XVI. Composto da Nicolo' da Osimo, canonista e teologo francescano,vicario in Terra Santa ,il Supplementum, concepito come la continuazione della Summa Pisanella del frate domenicano Bartolomeo da San Concordio fu portato a termine nel novembre 1444. Strutturata come un dizionario di teologia morale, l'opera dette un significativo contributo alla razionalizzazione del metodo casistico che venne affermandosi all'indomani del Concilio Lateranense IV. La lineare organizzazione di tipo alfabetico unita all'assai cospicuo numero di fattispecie prese in esame, oltre a determinarne l'immediata e pressoche' universale adozione da parte degli ordini mendicanti, decretandone cosi' lo straordinario successo editoriale ( solo nel XV secolo si contano oltre 20 edizioni) , dette un contributo non secondario alla sedimentazione della normativa di diritto canonico. Splendida antica edizione, di raro incunabolo veneziano.Ref. Goff N58 ; HC 2151 ; GfT 1693 ; Pell 1624 ; IGI 6868 ; IBE 4064 ; Madsen 2849 ; Pr 4226 ; BMC V 209, manca a GW
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RODERICUS SANCIUS ZAMORENSIS.
SPECULUM VITAE HUMANAE. ROME, JOANNES PHILIPPUS DE LIGNAMINE, 31 JULY 1473.
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Small folio. Old vellum. (163) lvs. Rome incunable of a very popular educational book by Rodericus Sancius, Latin for Rodriguez Sanchez de Arevalo, bishop of Zamora (1404-1470). Rodriguez studied law at the University of Salamanca and then became a priest. The Spanish King sent him as ambassador to the Emperor Fredrik III, later to Rome were he was persuaded to stay and was used for papal missions. He became a firm defender of papal authority. He first published the present "Mirror of Human Life" at Rome in 1468. Discussing the pros and contras of various human trades and professions, the work became quite popular and was published about a dozen times in the fifteenth century alone. It remained popular in the sixteenth century as well and was republished as late as 1683, at Frankfurt in Germany. Good large-paper copy, with the engraved armorial bookplate of Manuel Gonzalez Salmon.- (First blank lacking; contemp. ms. ink mark and short notes in the margins troughout; few stains). Goff R 220; Proctor 3391; Klebs 857.9; IGI 8397; BMC IV, p. 31; Hain-Copinger 13943; Oates 1380.
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METLINGER (Bartholomaeus).
Ein Regiment des gesuntheit, Für die jungen Kinder. Francfort, Gülfferisch, 1550, in-8, maroquin rouge à petits rabats, plats ornés d'un décor à la Duseuil, dos lisse avec titre doré en long, coupes et bordures dorées (reliure à l'imitation du XVIIe siècle), 24 ff.
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Quatrième édition du premier ouvrage de pédiatrie en langue vernaculaire, la dernière donnée au XVIe siècle. On doit la première édition (Regiment der Jungen Kinder) à Günter Zainer, le grand imprimeur d'Augsbourg, en 1473. Le livre fit sensation : c'est le premier ouvrage de pédiatrie édité en langue vulgaire, en même temps que le premier à contenir des illustrations. Bartholmaeus Medlinger a largement puisé dans les écrits d'Hippocrate et des médecins arabes, (jusqu'à recopier presque mot pour mot, dans certains chapitres, des passages de Rhazès, Averroès ou Avicenne). Ses indications vont des soins à prodiguer à la naissance jusqu'à la diététique, l'éducation et les jeux des enfants. En fin de volume, dictionnaire latin-allemand de plantes médicinales. L'ouvrage est illustré de huit vignettes gravées sur bois (55x65 mm) dont une répétée sur le titre. Quelques-unes ont été coloriées à l'époque. Elles représentent notamment le bain de l'enfant, le repas, l'enfant dans son berceau, un enfant jouant sur un tricycle à côté de sa mère. Bel exemplaire. (Bibliotheca Walleriana, n°6528).
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Solinus, Gaius Julius.
SITU ORBIS TERRARUM ET MEMORABILIBUS QUAE MUNDI AMBITU CONTINENTUR LIBER
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(Venetiis: Nicolaus Jenson, 1473) Very Rare First Edition., the Editio Princeps. Printed with the Roman type designed by Jenson. The typography used for this important book is so beautiful and so basically correct that it has served as a model for all those typographical artists who have thoguht to carry on this tradition. Folio (278 x 180 mm), handsomely bound in 18th century green morocco, the covers with triple gilt fillet lines at the borders, the spine with raised bands, the compartments decorated with elaborately gilt panes with central ornamental tools, two morocco lettering labels gilt, gilt edges, marbled endleaves. 68 leaves (136 pp.) In a pleasing binding and a highly important rare survival, the binding remains in very sound and attractive state, lower outside corner of the first leaf skillfully repaired, interesting manuscript notations and emendations throughout, this copy washed in the 18th century when it was bound. VERY RARE FIRST EDITION OF THIS IMPORTANT WORK. SolinusÕs work, also called ÒCollectanea Rerum MemorabiliumÓ is a compendium of curiosities and wonders of the ancient world, with remarks on geographical, historical, social, religious and natural history questioins. The greatest part of this instances is taken from PlinyÕs Ònatural HistoryÓ and Pomponius Mela. Solinus is the only ancient writer who mentions the English Isle of Thanet. This text exerted a great influence during the Midle Ages, most notably upon Isidore of Seville and Brunetto Latini. Julius Solinus (fl. 250 AD), surnamed Polyhistor, or "Teller of Varied TalesÓ, Latin grammarian and compiler, proably flourished during the first half of the 3rd century A.D. He provided the standard source of geographic myth during all the years of the ÒGreat InterruptionÓ, from the fourth till the fourteenth centuries. It is doubtful if anyone else over so long a period has ever influenced geography "so profoundly or so mischievously." Solinus' work had wide appeal. Saint Augustine himself drew on Solinus', as did all the other leading Christian thinkers of the Middle Ages.Ê The stories and fabulous images that Solinus retailed enlivened Christian maps right down to the Age of Discovery. They became an all- encompassing network of fantasy, replacing the forgotten rational gridwork of latitude and longitude, which had been Ptolemy's legacy. Solinus found wonders near and far. From Italy he reported people who sacrificed to Apollo by dancing barefoot on burning coals, pythons that grew long and fat by feeding on the udders of milk cows, and lynxes whose urine congealed to "the hardness of precious stone, having magnetic powers and the color of amber." Grasshoppers and crickets in Rhegium still dared make no sound because Hercules, irritated by their noise, had once ordered them to keep silent. Further afield were the dog-headed Simeans of Ethiopia, ruled by a dog-king. Along the Ethiopian coast were peoples with four eyes, while along the Niger were ants as big as mastiffs. In Germany there was a mule-like creature with such a long upper lip that "he cannot feed except walking backward." Human monstrosities that were normal in remote parts of the world included tribes who had their eight-toed feet turned backwards, men with dogs' heads and talons for fingers who "barked for speech," people who had only one leg, but with a foot so large that it protected them from the hot sun by serving as a parasol. History of Science As to Jenson--Ò...(A)mong the early Venietian printers the most important was certainly Nicholas Jenson. A Frenchman by birth, he passed his apprenticeship in the Paris Mint, and became afterwards the head of the Mint at Tours. In 1458, in consequence of the stories of the invention of printing, he was sent by Charles VII to Mainz to learn the art, and introduce it into France. Jenson returned in 1461, when Louis XI had just been crowned; but he does not seem to have settled in France, and we first hear of him again in 1470 as a printer at Venice. From 1470 to 1480 he printed continuously, issuing, according to Sardini, at least one hundred and fifty five editions, though this number must be considerably under the mark. His will was drawn up on the 7th September 1480, and he died in the same month....In 1474 he began to use Gothic type (after a crisis in the printing and book trades during which Jenson developed the new type and began to use it in a significant way in his printing of a number of the most important law-texts)...and in 1471, in the EPISTOLAE FAMILIARES, he used Greek type in the quotations, the first instance of its employment in Venice.Ó Duff, Early Printed Books ...The COLOGNE CHRONICLE in 1499 made reference to Jenson in the following passage: -- ÒOne named Omnibonus wrote in a preface to the book called QUINCTILIANUS, and in some other books too, that a Walloon from France, named Nicol. Jenson, discovered first of all this masterly art (printing)...Ó While it is now agreed that the art was first discovered in Mainz by Gutenberg, JensonÕs importance to the discovery and scientific advancement of printing cannot be overstated. He is one of the most important players in the development of the extraordinary art of printing which allowed the Rennaissance to flower. Ò His type has great clarity and liveliness, and at the same time an element of divine repose. The Jenson types are part of the same Renaissance glory that gave the world the supremely beautiful written letters of the humanistic scribes.Ó (Blumenthal) His cutting of types in Venice made the city a centre of the art for the centuries that followed.
[Bookseller: Buddenbrooks, Inc.] |
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Boccaccio, Giovanni.
Von etlichen frowen.
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Ulm, Johann Zainer, c. 1473. Fol. c [100] with 2 colored woodcuts. Depicts Princess Beronice killing her brother in revenge for the murder of her husband and her two little sons. The reverse bears the first printed representation of a rape: the wife of King Drigiagontis is ravished by her Roman captor (left half of image); after her liberation, she revenges her violation and brings her husband the head of her ravisher (right half). Both illustrations accompanied by text with a colored woodcut initial each. - Wide margins slightly spotty and wrinkled; small restored tear at edge. GW 4486. Hain 3333. Schramm V, 76 and 77.
[Bookseller: Antiquariat Inlibris GmbH] |
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[DICTIONARY]
Vocabularius rerum [in Latin and German].
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[Augsburg, Günther Zainer, 1473-74] Folio (290 x 208 mm), ff 138, gothic letter, large woodcut initial at beginning of text, painted in red, some underlining and initial strokes supplied in red; leaves numbered in MS with cross-references in the index, occasional MS annotations, a very fresh, large copy, with many deckle edges, pastiche binding ca 1900 of wooden boards and blind-stamped calf spine. £40,000 First edition, extremely rare, of the first printed technical dictionary, and, after the Vocabularius ex quo, the first dictionary to employ two languages. This work is devoted entirely to technical terms, each with its own section, of medicine (four sections), culinary and medicinal herbs and food plants, zoology, mining and mineralogy, navigation, architecture, textiles, tanning and leather work, musical instruments, books and book production, cooking and kitchen utensils, baking, wine and viticulture, gambling, carpentry, horses and carriages, etc. 'Some of the words are highly technical, lexicographical rarities. In the section on scribes and book production we find definitions not only of the traditional scribal tools (calamus, stilus, graphius, pugillaris, etc.), but also of such specialist words as antipira (= the scribe's eye-shade, for protection against the fire or candle-light), corrosorium (= the mill or grinder to reduce chalk to a powder for the preparation of vellum), and epicausterium (= the table-cloth on which the parchment is laid for ease of writing). None of these last words occurs, for example, in Karen Gould's "Terms for Book Production in a Fifteenth-Century Latin-English Nominale", The Papers of the Bibliographical Society of America, 79 (1985), pp. 75-99. There is also an entry on the distinction between the words liber, volumen, and codex; likewise between exemplar and exemplum.' (Nicholas Poole-Wilson). A large part of the work is devoted to medicine, including anatomical terms, surgical terms and instruments, diseases and their definitions, etc. There are also extensive lists of plants, including culinary, horticultual, and medicinal plants. 'Possessed of a knowledge of names rather than of things, the mediaeval student had one urgent need - a dictionary. New words began to pour in - in Arabic, Syriac, Hebrew, and Greek - whose meanings he sought to know; and, for the medical student, there were new drugs, the composition and uses of which were essential to his practice. It is not surprising then to find books of the dictionary class among the first to be printed... The Vocabularius, a Latin-German dictiionary from the press of Günther Zainer, Augsburg, about 1473, has four sections devoted to medicine: (1) De homine et de diversis membris, in which the parts of the body are defined in order, with the German equivalents; brief references to authors are given. (2) De nominibus balneatorum etc., containing all the terms relating to bathing, bleeding, and cupping. (3) De medicis et eorum que pertinent ad medicine artes. The definitions here are most interesting... Siringa is described as a metallic instrument with which a surgeon injects resolving medicines into the Virile member in order to dissolve calculi in the bladder. (4) De nominibus quorundam egritudinum, contains seven and a half folios of definitions of diseases.' (Osler, Incunabula medica). This work is very rare, no copy having appeared at auction in Britain or America for over twenty-five years. Provenance: André Simon, with bookplate, but not in his Bibliotheca Bacchica nor in the 1981 sale catalogue of his gastronomy collection C6326; BMC II 321; Klebs (Add) 1044.01; Osler IM 47; Goff V322 (Chicago, Grolier, Huntington, Yale, and National Library of Medicine); Poynter 600 (William Morris copy); Sudhoff 104; Stillwell 288; Schullian and Somer 485; ISTC lists, in addition to the five U.S. locations above, two copies in London (BL and Wellcome), one each in Italy (Vatican), Basel, Copenhagen, and Kyoto, and 18 in Germany, of which at least one is imperfect
[Bookseller: W P Watson Antiquarian Books] |
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ARISTOTELES.
Problemata.
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Translated by Theodorus Gaza. [96] leaves (the 6th leaf a blank). 39 lines, Roman type. Capital strokes & paragraph marks in table supplied in red & blue. Folio (288 x 205 mm.), modern boards covered with 15th-century manuscript leaves, the front including the Commemorations on the Feast of the Holy Family Malachias 3:1 opening with illuminated initial E, the back cover with text from Mark 14 (several unimportant marginal wormholes). Mantua: J. Vurster and J. Baumeister, [ca. 1473]. First edition of Aristotle's Problemata; this is one of the earliest of any of the texts by Aristotle to be published. The Problemata are a collection of scientific dissertations in the form of questions and answers ascribed to Aristotle in twenty chapters. Subjects include mathematics, meteorology, medicine, wine, botany, oceanography, vision, and color. The text was translated by Theodorus Gaza (ca. 1400-1475), who fled from his native city of Thessalonica before its capture by the Turks in 1430. He was one of the leaders of the revival of learning in the 15th century. In 1447 he became professor of Greek in the new university of Ferrara, to which his fame soon attracted students from all parts of Italy. In 1450, at the invitation of Pope Nicholas V, he went to Rome, where he was for some years employed in making Latin translations from Aristotle and other Greek authors. With the signature and notes of Tobias Faber, very probably the Lutheran minister who flourished ca. 1580 and was the author of Theses Medicae (Basel: 1580). A fine copy and very rare; ISTC locates only three copies in the U.S. (Harvard, LC, and PML). Goff A-1030. Klebs 95.1. Stillwell 583.
[Bookseller: Jonathan A. Hill, Bookseller, Inc.] |
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Zollinger, Manfred Bibliographie der Spielbücher: Band 1 Erster Band: 1473-1700
Zollinger, Manfred Bibliographie der Spielbücher: Band 1 Erster Band: 1473-1700
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Stuttgart Hiersemann Verlag. Zollinger, Manfred Bibliographie der Spielbücher: Band 1 Erster Band: 1473-1700 Verlag : Hiersemann, A ISBN : 3-7772-9629-5 Einband : Leinen Seiten/Umfang : LXXXIV, 472 Seiten, 24 Abbildung(en) - 27,5 × 20,5 cm Erschienen : 1996 Gewicht : 1500 g Preisinfo : 148,00 Eur[D] / 148,00 Eur[A] Aus der Reihe : Hiersemanns bibl. Handb. 12 Insbesondere Kulturhistoriker, Spieleforscher, Spielesammler und -erfinder, Bibliothekare, Antiquare und große Auktionshäuser auf der ganzen Welt mußten bisher auf eine umfassende Bibliographie alter Spielbücher verzichten. Vor allem die Spielforschung als einer der jüngsten kulturhistorischen Wissenschaftszweige, gleichzeitig aber auch die fächerübergreifenden Disziplinen wie Rechtswissenschaft, Theologie, Medizin, Psychologie, Pädagogik u.a. waren bis heute auf Zufallsfunde und -kenntnisse angewiesen.Der erste Band der auf zwei Teile angelegten Bibliographie der Spielbücher ( Band 12 der Verlagsreihe "Hiersemanns bibliographische Handbücher") erfaßt sämtliche praktischen theoretischen und literarischen Einzeldrucke von der Zeit der Wiegendrucke bis 1700, die das Spiel ausschließlich oder überwiegend thematisieren. Damit sind Spielanleitungsbücher aller Art gemeint (Regelbücher, Anleitungen zu Zauberkunststücken und wissenschaftlichen Spielereien, Lernspielbücher, Konversationsspiele, Los- und Orakelspiele etc.), wissenschaftliche Traktate (historische, philologische, juridische, moralische, pädagogische, medizinische u.a. Untersuchungen), Texte zur Wahrscheinlichkeitsrechnung, sofern sie dem Spiel zuzuordnen sind, Lyrik, Drama und Prosa, musikalische Druckwerke und illustrative Darstellungen in Buchform. Der Begriff "Spiel" wird in seiner Kernbedeutung verstanden, d.h., Texte zu Festen, Turnieren, Sport im modernen Wortsinn werden nicht dazugerechnet, sehr wohl jedoch Ball- und Bewegungsspiele. Das berücksichtigte Sprachgebiet ist das europäische unter Einschluß des Lateinischen, jedoch mit Ausnahme der slawischen und skandinavischen Sprachen, letztere sollen im zweiten Band nachgetragen werden.CR Fast ausschließlich nach dem Prinzip der Autopsie in den wichtigsten europäischen Bibliotheken und Sammlungen erfaßt, sind im ersten Band 954 Titel zu finden, darunter eine Vielzahl von Unikaten. Auf der Grundlage von Bibliothekskatalogen und verläßlichen Quellen wurden Titel aufgenommen, die nicht eingesehen werden konnten, deren Existenz jedoch unzweifelhaft ist bzw. war (so z.B. Kriegsverluste).Zur exakten und ausführlichen Titelaufnahme und Beschreibung der Drucke gehören die Nennung der diversen Auflagen und Ausgaben, Verweise auf Quellen und Sekundärliteratur, ein Kommentar mit biographischen, texthistorischen und inhaltlichen Angaben sowie die Standortnennung mit Bibliothekssignatur. Drei Register: Autoren, Herausgeber, Übersetzer, Bearbeiter; Drucker, Verleger, Buchhändler; Spiele, vervollständigen die Angaben der Haupteinträge und sollen das gezielte Auffinden relevanter Informationen erleichtern. Ausgewählte Illustrationen aus den Druckwerken (Titelkupfer, Frontispize) dokumentieren die ikonographische Seite dieser Texte. Die auf Deutsch, Englisch und Französisch gebotene Einleitung analysiert die bibliographischen Rahmenbedingungen und die historische Entwicklung der erfaßten Werke.Band 2 wird in zwei Teilbänden den Zeitraum des 18. Jahrhunderts behandeln sowie Nachträge und Texte, in welchen das Spiel als Mittel zur Darstellung politischer Gegebenheiten (Satiren, Pamphlete) oder als Metapher des gesellschaftlichen Gefüges benutzt wird, bringen.. ISBN: 9783777296295 Neuwertig
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METLINGER (Bartholomaeus).
Ein Regiment des gesuntheit, Für die jungen Kinder. Francfort, Gülfferisch, 1550, in-8, maroquin rouge à petits rabats, plats ornés d'un décor à la Duseuil, dos lisse avec titre doré en long, coupes et bordures dorées (reliure à l'imitation du XVIIe siècle), 24 ff.
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Quatrième édition du premier ouvrage de pédiatrie en langue vernaculaire, la dernière donnée au XVIe siècle. On doit la première édition (Regiment der Jungen Kinder) à Günter Zainer, le grand imprimeur d'Augsbourg, en 1473. Le livre fit sensation : c'est le premier ouvrage de pédiatrie édité en langue vulgaire, en même temps que le premier à contenir des illustrations. Bartholmaeus Medlinger a largement puisé dans les écrits d'Hippocrate et des médecins arabes, (jusqu'à recopier presque mot pour mot, dans certains chapitres, des passages de Rhazès, Averroès ou Avicenne). Ses indications vont des soins à prodiguer à la naissance jusqu'à la diététique, l'éducation et les jeux des enfants. En fin de volume, dictionnaire latin-allemand de plantes médicinales. L'ouvrage est illustré de huit vignettes gravées sur bois (55x65 mm) dont une répétée sur le titre. Quelques-unes ont été coloriées à l'époque. Elles représentent notamment le bain de l'enfant, le repas, l'enfant dans son berceau, un enfant jouant sur un tricycle à côté de sa mère. Bel exemplaire. (Bibliotheca Walleriana, n°6528).
[Bookseller: Librairie Chrétien] |
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BURIN
Manuscript Illumination in Lyons, 1473-1530
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25-1. Brand new. In the late fifteenth and early sixteenth centuries, Lyons grew into one of Europe's great commercial centres and even served as an unofficial second capital of the French kingdom. While scholars have long recognized the city's prominent role in the history of printing, this is the first book to survey the art of manuscript illumination after the introduction of printing to Lyons in 1473. Using the manuscripts themselves as its main source, this study identifies and assesses the art of Lyons's busiest illuminators' workshops. It then reviews the nature of patronage and the activities of the illuminators during the close of the Middle Ages and the dawn of the Renaissance. The picture that emerges is one of a tightly knit community of artists adapting their production of fine religious and secular manuscripts to the changing demand of the clergy, the merchant class, the nobility, writers, and members of the court. A descriptive catalogue provides complementary information on 136 illuminated manuscripts, books, and leaves, many of them never published at length. The work is illustrated by a broad selection of colour and black-and-white reproductions.
[Bookseller: Thunder Books] |
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Portrait, Porträt.
Carondelet, Ferry.
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Ferry, Ferricus Carondelet *1473 Mechelen - 1528 Besancon. Abt der Abtei Montbenuit, Erzbischof von Besancon, Beichtvater von Margarite von Österreich. Halbfigur mit zwei Sekretären. In der Hand ein Schriftstück: Honorabili devoto nobis dilecto Invico Carondelet Archidia - cone Bisuntino Consiliario nro in urbe.. Kupferstich um 1730 von Nicolas de Larmessin (Armessin) nach Sebastiano del Piombo, ca. 35 x 25 cm.. Carondelet, Ferry.
[Bookseller: Kunsthandel Braun] |
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Incisione Originale Su Rame Raffigurante "La Madonna Detta Della Misericordia", Da Un Dipinto Di Fra Bartolomeo Conservato Nella Pinacoteca Di Lucca
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. Bella tavola in formato cm.93x60, incisa da Giuseppe Saunders su disegno di Carlo Fanucchi. Formato della incisione cm.73x48. Al piede la dedicatoria del Fanucchi "A Sua Altezza Reale e Imperiale Carlo Lodovico, Duca di Lucca" con stemma borbonico. Eccellenti condizioni di conservazione. Baccio della Porta (Firenze, 1473-1517) è il nome originale del pittore fiorentino, che cambiò in Fra Bartolommeo quando si ascrisse all'ordine domenicano nel 1500 in seguito all'influenza su di lui esercitata dalle concioni di Girolamo Savonarola. Allievo di Cosimo Roselli, iniziò la produzione artistica nel 1504, lavorando ad una "Visione di San Bernardo" che vide la luce nel 1507 ed è conservata presso l'Accademia fiorentina. Influenzato da Giovanni Bellini durante un viaggio a Venezia, realizzò numerose opere di grande pregio, fra cui l'ultima è la presente "Madonna della Misericordia" (1515), che riflette la maestosità dello stile di Michelangiolo e Raffaello, incontrati durante un soggiorno a Roma nel 1514.
[Bookseller: Alibris] |
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BOCCACCIO, GIOVANNI.
VON ETLICHEN FROWEN. ULM, JOHANN ZAINER, C. 1473.
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Fol. c [100] with 2 colored woodcuts. Depicts Princess Beronice killing her brother in revenge for the murder of her husband and her two little sons. The reverse bears the first printed representation of a rape: the wife of King Drigiagontis is ravished by her Roman captor (left half of image); after her liberation, she revenges her violation and brings her husband the head of her ravisher (right half). Both illustrations accompanied by text with a colored woodcut initial each. - Wide margins slightly spotty and wrinkled; small restored tear at edge. GW 4486. Hain 3333. Schramm V, 76 and 77.
[Bookseller: Antiquariat INLIBRIS - Wien - Austria] |
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Laue/Mises,
Stereoskopbilder von Kristallgittern I und II./ Stereoscopic drawings of crystal structures I and II.Springer Berlin, 1926 - 1936,
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- 43 S. m. 3 Textfig. und gest. 24 Tafeln; 56 S. und 24 gest. Tafeln, Halbleinen (half cloth) m. aufgeklebtem Teil des OUmschl., StaT., St.a.,Ebd., im Text und auf den Taf. (verso), Bibliotheksexemplar (library copy), Ebd.-Rü. l. fl., bei I etwas eingerissen. Poggendorff VI, S. 1473. Laue, Max von (1879-1960) / Mises, Richard von (1883-1953). Veröffentlicht, als beide Professoren an der Univ. Berlin waren und sollte den Studenten beim Studium der Kristalle dienen. Wohl nur in kleiner Auflage erschienen und meist nur in wissenschaftlichen Institutionen vorhanden. [Attributes: Hard Cover]
[Bookseller: Dr. Martin Saendig GmbH] |
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GRAMMATICUS THOMAS
Decisiones, quas ex causis potissimum per eum in Sacro Regio Neapolitano Consilio relatis selegit ac consilia duo in materia foriudicationis quaestionesque aliquot notabiles et quotidianae, nunc denuo per auctorem ipsum diligenter recognitae ac plurimis in locis ampliatae. Quibus omnibus duae eiusdem decisiones, videlicet CVI et CVII in hac secunda editione adiectae fuere. Cum indice locupletissimo. Opus tam in foro versantibus, quam de iure respondentibus maxim eutile. Venetiis, apud Iuntas, 1551 (al colophon: Venetiis, apud Cominum de Tridino, 1555).
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- Cm. 18, cc. (44) 199 (1). Bel marchio tip. a frontespizio e colophon e bellissima vignetta raffigurante l'A. in cattedra. Leg. coeva in piena perg. molle. Antiche firme di possesso. Mancanza di alcuni cm. al dorso, cerniere internamente disunite. Lievi fioriture e trascurabili piccoli aloni, peraltro esemplare ben conservato. Tommaso Grammatico (1473-1556), celebre giureconsulto, fu membro del Sacro Regio Consiglio del Regno di Napoli. Rara seconda edizione che raccoglie 107 decisiones, 3 quaestiones e 2 ampi consilia di materia processuale. Edizione non comune. Cfr. Iccu; Sapori, 747-48 per altre edizioni. (S127)
[Bookseller: Studio Bibliografico Apuleio] |
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Beck, Leonhard, German, c1480-1542
Saint Wolfgangus [St. Wolfgang], No 118
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Hollstein II, 170. Numbered in block upper right: "118". A fine impression, in fine condition on laid paper. With dampstain at lower bottom margin and a 1/8" foxing stain near church roof. Also with slight scattered foxing at paper edges, not affecting image, with full margins. The original "Images of the Saints", a series of 119 woodcuts, was completed by Hans Burgkmair (1473-1531), Hans Schaufelein (ca.1480-1540), and Leonhard Beck at the court of the Hapsburg Holy Roman Emperor Maximilian I (1459-1531). The series was one of many commissioned by Maximilian to immortalize his reign as emperor. Most of the series were printed in very few impressions during the emperor's reign and remain very rare. Bartsch printed a new edition of the series after securing the original blocks in the 1790's. Beck designed woodcuts at the court of Maximilian I from 1512 until the early 1520s.Saint Wolfgangus (934-994) is known as one of the three brilliant stars of the tenth century, St. Ulrich, St. Conrad, and St. Wolfgang. After the death of Archbishop Henry of Trier, a close friend of St. Wolfgang, Wolfgang entered the Order of St. Benedict in the Abbey of Maria Einsiedeln, Switzerland, and was ordained priest by St. Ulrich in 968. After the death of Bishop Michael of Ratisbon, Bishop Piligrim obtained from the emperor the appointment of Wolfgang as Bishop of Ratisbon. After the summer of 983, St. Wolfgang withdrew as a hermit to a solitary spot, now the Lake of St. Wolfgang, apparently on account of a political dispute, but probably in the course of a journey of inspection to the monastery of Mendsee which was under the direction of the bishops of Ratisbon. He was discovered by a hunter and brought back to Ratisbon. While traveling on the Danube to Lower Austria, he fell ill at the village of Pupping, and at his request, was carried into the chapel of St. Othmar, where he died. 9 1/4 X 8 1/4 inches
[Bookseller: Childs Gallery Limited] |
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LEONARDO DA VINCI. A CURA DI CARLO PEDRETTI.
I DISEGNI DI LEONARDO DA VINCI E DELLA SUA CERCHIA NEL GABINETTO DISEGNI E STAMPE DELLA GALLERIA DEGLI UFFIZI A FIRENZE. LA SERIE DELLE RIPRODUZIONI IN FACSIMILE DEI DISEGNI DI LEONARDO E DELLA SUA CERCHIA, CHE SI INIZIA CON LA PRESENTE OPERA, E' STATA IDEATA CON LINTENTO DI PUBBLICARE SISTEMATICAMENTE TUTTI I FOGLI SPARSI CIOE' TUTTI QUEI DISEGNI O FRAMMENTI CHE SI TROVANO NELLE COLLEZIONI PUBBLICHE O PRIVATE IN OGNI PARTE DEL MONDO. I DISEGNI SONO RAGGRUPPATI SECONDO LE COLLEZIONI, O I PAESI, E SONO RIPRODOTTI IN FACSIMILE, COMPRESO IL VERSO ANCHE QUANDO QUESTO E' BIANCO. OGNI CATALOGO E' PRECEDUTO DA UNINTRODUZIONE RICCAMENTE ILLUSTRATA SULLA STORIA DELLE DIVERSE COLLEZIONI, SULLA PROBLEMATICA DELLE ATTRIBUZIONI, DELLO STILE E DELLA CRONOLOGIA ED E' CORREDATO DA UNESAURIENTE BIBLIOGRAFIA. SCOPO DI QUESTA OPERA E' FORNIRE COSI' UN CORPUS COMPLETO QUALE PREZIOSO STRUMENTO DI RICERCA E QUALE MEZZO INTESO A MEGLIO DEFINIRE LIMPATTO DELLOPERA E DEL PENSIERO DI LEONARDO SUI SUOI CO
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NTEMPORANEI E SEGUACI. CARLO PEDRETTI, IN QUALITA' DI CURATORE, SI E' VALSO DELLA COLLABORAZIONE DI ESPERTI DI VARI PAESI. LA PRESTIGIOSA COLLEZIONE DEGLI UFFIZI, CHE COMPRENDE IL PRIMO DISEGNO DI LEONARDO DI CUI SI ABBIA CONOSCENZA, IL PAESAGGIO DEL 1473, E' PRESENTATA DA CARLO PEDRETTI CON UNESAURIENTE INTRODUZIONE SEGUITA DA UNA BIBLIOGRAFIA COMPLETA E TAVOLE DI CONCORDANZA. I DISEGNI (11 DI LEONARDO E 39 DEI SUOI DISCEPOLI) SONO CATALOGATI DA GIGETTA DALLI REGOLI. IN UN ASTUCCIO (FORMATO 33,5 X 48,8) RIVESTITO IN PELLE CON IMPRESSIONI IN ORO, SONO CONTENUTE 50 TAVOLE CON RIPRODUZIONI IN FACSIMILE DEI DISEGNI, RECTO E VERSO, E UN VOLUME DI TESTO DI 106 PAGINE STAMPATO SU CARTA A MANO RILEGATO IN CARTA DI FABRIANO. EDIZIONE IN FACSIMILE DI 998 COPIE NUMERATE PER TUTTO IL MONDO. FIRENZE, GIUNTI 1985,
[Bookseller: Libreria CHIARI - Firenze - Italy] |
| 81. Check availability: Maremagnum
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Cassell's Popular Natural History in 32 Parts
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Cassell, Petter, & Galpin, London - 32 parts in tan paper covers, issued as periodicals and organized into 4 volums; 1473 pp.+ 45 plates, 28 of which are hand water-color tinted,+ title pages, introductions, scientific tables, tables of contents, and index lists. There are "about" 2000 engravings. The issues are good to very good. All covers and frontis plates are present, except the rear cover is missing from 1 part, and the t.p. and frontis plate(s) missing from another part.
[Bookseller: Owl Creek Books] |
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Beck, Leonhard, German, c1480-1542
Saint Wunnibaldus [St. Wunibald], No 119
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Hollstein II, 170. A fine impression, in fine condition on laid paper. With dampstain at lower bottom margin and a a 1/8" foxing stain near scaffold. Also with slight scattered foxing at paper edges, not affecting image. The original "Images of the Saints", a series of 119 woodcuts, was completed by Hans Burgkmair (1473-1531), Hans Schaufelein (ca.1480-1540), and Leonhard Beck at the court of the Hapsburg Holy Roman Emperor Maximilian I (1459-1531). The series was one of many commissioned by Maximilian to immortalize his reign as emperor. Most of the series were printed in very few impressions during the emperor's reign and remain very rare. Bartsch printed a new edition of the series after securing the original blocks in the 1790's. Beck designed woodcuts at the court of Maximilian I from 1512 until the early 1520s.Saint Wunibald, was born in Wessex, England, and went on a pilgrimage to Rome and the Holy Land with his brother and father. When their father died at Lucca, the brothers proceeded to Rome. Wunibald remained in the Eternal City while his brother went on to the Holy Land. Wunibald studied in Rome for seven years, went back to England, but then returned to Rome determined to enter the religious life. At the invitation of St. Boniface, he gathered together a group of English missionaries and went to Germany in 739. Wunibald was ordained, labored in Thuringia and Bavaria, and then joined his brother in his missionary work in Holland. With his brother, he founded the monastery in Germany, where he served as abbot with his sister as abbess. He struggled against the local pagans and strove to make the monastery one of the leading ecclesiastical centers in Germany. St. Wunibald died in 761. 9 X 9 inches
[Bookseller: Childs Gallery Limited] |
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Decretales Epistolae Summorum Pontificum, a Gregorio Nono Pontefice Maximo Collectae, Parisiis, Apud Gulielmum Desboys Sub Sole Aureo, Ac Sebastianum Nivellium Sub Ciconiis, in Via Iacobaea, 1558
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. "Mendis sanè quamplurimis summa diligentia repurgatae". "Adiectis passim ad marginem, tam Bibliorum quàm Iuris Civilis concordantiis". Testo latino. Cm.16, 4x10, 7. Pg.56 non numerate, 824 numerate solo al recto. Legatura in piena pergamena, con lievi spellature. Alcuni capilettera incisi. Si tratta di una delle edizioni a stampa cinquecentesche dei celebri Decreti di Papa Gregorio IX, al secolo Ugolino dei Conti Segni, salito al soglio pontificio il 19 marzo 1227 come successore di Onorio III. Fiero avversario di Federico II, a lui si deve l'istituzione, nel 1232, del Tribunale dell'Inquisizione. Il testo dei "Decretales", in cinque libri, fu fatto compilare dal suo cappellano Ramon De Penaforte, e inviato il 5 settembre 1234 alla Università di Bologna: conteneva i principi fondamentali del diritto canonico medioevale e come tale fu poi inserito nel Corpus Iuris Canonici fino alla riforma di Benedetrto XV. La prima edizione a stampa fu edita a Mayence nel 1473. > Sapori, I, 778-782, cita altre edizioni cinquecentesche.
[Bookseller: Alibris]
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