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Displayed below are selected recent viaLibri matches for books published in 1470
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Various / Unstated
FIFTEENTH CENTURY BOOK OF DEVOTIONS.
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1470 - Book of Devotions: FLEMISH 15 TH CENTURY. (circa 1470-1500) Folio 33. Incipit devotu meditatio.expositionibus copulatis ex ludolpho et aliis doctoribus. Manuscript on paper, 252 ll., 19 lines to the page, written in red and black in a clear gothic hand, 5 large initials in colours with marginal decorations, numerous other smaller initials in red, blue and green, some with floral decorations in the margin, contemporary stamped calf over woooden boards, brass catches (no clasps), re-backed, (140mm by 102mm). email us for photos of binding and contents. Quantity Available: 1. Inventory No: 02989.
[Bookseller: Bygone Books] |
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Kalender - Johann von Gemünd] -
Kalender. Zwei Kalenderblätter bedruckt mit je einem Holzschnitt: mit je 6 Spalten Text, mit je 6 kleinen Zodiak-Medaillionen (Dm. 2 cm) sowie je 6 großen szenischen Medaillion-Darstellungen (Dm. 6 cm).
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o. O. - o. O., o. J. [ca. 29,5 x 41 cm]. ?Wahrscheinlich Abzüge des 19. Jahrhunderts von einem Holzstock um 1470. Vgl. Schreiber, Holzschnitten, 1927, S. 67 Nr. 1903. Bas. 94, 1048. - Mit den lateinischen Heiligennamen im Kalendarium. - Rand etw. beschnitten, kl. Randläsuren. - Außergewöhnlich hübscher Kalender mit zwölf entzückenden Monatsdarstellugnen im Tondo. Der originale Holzstock, wahrscheinlich zwischen 1465 und 1475 geschnitten, wird im Berliner Kupferstichkabinett zusammen mit einem weiteren Abzug aufbewahrt. Ein weiterer alter Abzug auf zwei Blättern ist im British Museum in London vorhanden. Am Ende des Monats Februar findet sich der Name des Verfassers: Hec Magister Johannes De Gamundia. - Schöne Abzüge. Lateinisch
[Bookseller: Antiquariat Weinek] |
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VARIOUS / UNSTATED
FIFTEENTH CENTURY BOOK OF DEVOTIONS.
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1470. Book of Devotions: FLEMISH 15 TH CENTURY. (circa 1470-1500) Folio 33. Incipit devotu meditatio...expositionibus copulatis ex ludolpho et aliis doctoribus. Manuscript on paper, 252 ll. 19 lines to the page, written in red and black in a clear gothic hand, 5 large initials in colours with marginal decorations, numerous other smaller initials in red, blue and green, some with floral decorations in the margin, contemporary stamped calf over woooden boards, brass catches (no clasps), re-backed, (140mm by 102mm). email us for photos of binding and contents. Quantity Available: 1. Inventory No: 02989.
[Bookseller: Bygone Books] |
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AA.VV.
Rassegna di giurisprudenza sul codice civile
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Giuffrè GI2358, Milano - Diretta da Nicolò Rosario - in 8° - pp.IV + 311 + 347 + 561 + 408 + 782 + 579 + 605 + 157 + 631+ 233 - Brossura editoriale - 10 volumi - fogli intonsi - Libro Primo a cura di Scarpello G. - Richter M.S. ; Libro secondo a cura di Arienzo - Berri M. ; Libro terzo a cura di Pescatore Gabriella ; Libro quarto Titolo I a cura di Torrente A. ; Libro quarto titolo II a cura di De Martini A. - Giannattasio C. ; Libro Quarto titolo III, Capi I-XV (Art. 1470-1822) a cura di Jannelli F. - Torrente A. ; Libro quarto titolo III, Capi XVI - XXVI e titoli IV - IX a cura di Ruperto C. - Torrente A. ; Libro Quinto Titoli I-IV a cura di Scotto I. - Giordano A. ; Libro Quinto Titoli V-XI a cura di Giordano A. - Pascasio M. - Giannattasio C. ; Libro sesto a cura di Richter M.S. - Libro usato [Attributes: Soft Cover]
[Bookseller: Antica Libreria Srl] |
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FITZHERBERT, SIR ANTHONY. CROMPTON, RICHARD.
LOffice et Auctority de Iustices de Peace in Part collect per Sir...
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Fitzherbert, Sir Anthony [1470-1538]. [Crompton, Richard (fl. 1573-1599), Editor]. LOffice et Auctority de Iustices de Peace in Part Collect per Sir Anthonie Fitzherbert Chivaler, Iades un de les Iustices del Common Banke; et Ore Le Cinque Soits Inlarge per Richard Crompton un Apprentice de la Common Ley: et Imprimee Lan du grace 1606. A Que est Annex Loffice de Viconts, Bailifes, Escheators, Constables, Coroners, &c. Collect per le dit Mounsieur Fitzherbert in part. Et Auxy Certaine Presidents de Indictments, & Auters Choses. Sisueris Index, Miti sis Corde Memento, Dicito quae Possunt, Dicta Decere Senem. London: Printed for the Companie of Stationers, 1606. [v], 274 ff. Text in law French, Latin and English. [Bound with] A Summary Account of All the Statute-Laws of This Kingdom Now in Force, Made Against Jesuites, Seminary Priests, And Popish Recusants: Drawn Up for the Benefit of All Protestants. Done by a Protestant, To Inform Such of His Fellow-Subjects, that Are Ignorant of These Laws, and Would be Willing to do their Duties, Where, And When the Laws Enjoyn Them. London: Printed for John Starkey, 1673. 14 pp. Quarto (7-1/2" x 5-1/2"). Contemporary calf, blind panels to boards, rebacked in period style, hinges mended. Some rubbing to extremities, a few shallow scuffs to boards, corners bumped and somewhat worn. "F. Pollock/ ex dono Caroli F. Vachell/ nuper auditoris/ Lincoln's Inn/ 1886" to front pastedown. Toning occasional dampstaining, light soiling to title page, edgewear to a few leaves of second work, which is trimmed tightly with minor loss to headlines and side-notes in a few places, minor worming to margins of final few leaves and rear pastedown. Underlining and annotations in early hand in a few places, interior otherwise clean. A copy with an appealing association. $2,250. * Fitzherbert: Later edition; Summary, first edition in this form, originally published in 1666 with a different title. First printed in 1538, Fitzherbert's manual was issued eight more times; its final edition was printed in 1617. The first edition by Crompton was published in 1583. A significant improvement, it is arranged more systematically and has a great deal of additional material. Despite Crompton's efforts, this work was e
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WALDSEEMÜLLER, Martin.
The Oldest Map with the Name America of the year 1507 and the Carta Marina of the year 1516 by M. Waldseemüller (Ilacomilus). = Die älteste Karte mit dem Namen Amerika aus dem Jahre 1507 und die Carta Marina aus dem Jahre 1516 des M. Waldseemüller (Ilacomilus). Herausgegeben mit Unterstützung der Kaiserlichen Akademie der Wissenschaften in Wien von Prof. Jos. Fischer und Prof. Fr.R. v. Wieser.Innsbruck, Wagnerschen Universitäts-Buchhandlung; London, Henry Stevens, son & Stiles, 1903. Large folio (51.5 x 36.5). With 27 double-page facsimile plates, numbered 1-20, 20a, 21-26; several further reproductions illustrating the 41-page introduction in German with a parallel English translation; and two synoptical tables of topographic names in Afri
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- A photolithographic facsimile of the two monumental wall maps by Martin Waldseemüller (1470-1521), published in 1507 and 1516. For each map, the facsimile shows a reduced overview of the entire map followed by original-size reproductions of the 12 woodcut sections from which it is assembled, all reproduced from the only surviving copies, in the library of Wolfegg castle in Württemberg. Plate 20a shows the contemporary manuscript tracing of one section of the 1516 map, with the topographic names and other texts written in, showing the extensive intended revisions to the original block. The present facsimile was prepared by Franz von Wieser of the Universität Innsbruck für historische Geographie and Joseph Fischer, the Jesuit priest who discovered both maps in 1901. The skilful reproduction was executed by the O. Consée art istitute in Munich. Prince Johannes Waldburg-Wolfegg sold the 1507 map, the oldest to include the name "America," for ten million dollars in 2003.A good copy. Binding somewhat worn, mainly on the spine and corners. A limited facsimile edtion of the map that has been called "America's birth certificate."
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PAULUS DE SANCTA MARIA.
Scrutinium scripturarum.
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Strasbourg, Johann Mentelin, (pas après 1470). In-folio, [dimension: 285 x 201 mm] de (218) ff., les feuillets 72, 217 et 218 blancs. Peaue de truie estampée sur ais de bois à décor floral. (Reliure de l'époque.) Première édition. Pablo de Sancta Maria, dit aussi Paul de Burgos, (1351-1435), de son premier nom Solomon ha-Levi était rabbin et se convertit au catholicisme à la lecture des oeuvres de Thomas d'Acquin. Il passa plusieurs année à Paris, où il fut reçu docteur en théologie, séjourna à Londres et entama une carrière ecclésiastique en Espagne, et finit archevêque de Burgos. Il s'employa activement à la conversion des juifs et composa cet ouvrage l'année précédent sa mort. Le texte se présente sous la forme d'un dialogue entre Saul, un juif, et Paul, un chrétien. Cet écrit servira de base à toutes les publications ultérieures contre les juifs jusqu'à Martin Luther et au delà. Il existe deux tirages de ce volume, tous les deux sans date, avec de légères différences typographiques. Dans le premier, selon le BMC, la collation des trois premiers cahiers est : a10, b10, c12. Dans le second, la collation est a10, b12, c10. Cet exemplaire est bien du premier tirage, le second cahier en 10 feuillets et le troisième, 12. Piqûres de vers sur les premiers feuillets. GW M29971. Goff P-201. BMC I, 54. Relié à la suite : - Margarita Davitica, seu Expositio psalmorum. [Augsburg, Günther Zainer, vers 1475-76]. In-folio de (122) ff. Première et seule édition incunable. Elle est remarquable par les deux grandes et belles initiales en tête de volume. Ces "perles" des Psaumes de David sont compilées d'après les commentaires de Saint-Jérome, Saint-Augustin et Cassiodore. Günther Zainer était le premier imprimeur d'Augsburg. Il manque les deux derniers feuillets qui contiennent la table; ils paraissent n'avoir jamais été reliés dans cet exemplaire. BMC II, 323. Goff M262. Superbe exemplaire dans une reliure strictement contemporaine. More details and pictures on request
[Bookseller: Hugues de Latude] |
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Reisch Gregorius (1470-1525)
Margarita Philosophica
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Grüner, Fribourg - Reisch Gregorius (1470-1525) ~ Margarita Philosophica ~ 1 feuillet double de 4 pages ~ Fribourg, Grüner, circa 1500 ~ Incunable ~ In-8, 1 feuille double incunable , superbe typographie agrémentée de plusieurs figures très curieuses. Texte en latin, très dense, étant donné qu'il y a ici de nombreuses contractions & abréviations, encore en usage au début du 16ème siècle. Présence également de mini-titres des différents sujets traités & sous-parties, dans les marges intérieures & extérieures. Ce double feuillet provient du livre 9, Liber nonus intitulé De origine rerum naturalium &, plus exactement, nous avons ici la fin du chapitre 8, dont nous n'avons pas le titre, hormis deux indications dans les marges : " regionis ignite medie " & " regionis ignite isime " puis vient le chapitre 9, intitulé " De materia efficiente loco & tempore impressionum aquosarum. Capitulum. ix " puis le chapitre 10, intitulé " De Grandine. Capitulum. x " ;,puis le chapitre 11, intitulé " De Granulis & Nive. Capitulum. xi " ;puis le chapitre 12, intitulé " De Pluvia. Capitulum. xii " ;puis le chapitre 13, intitulé " De Rore. Capitulum. xiii " ;puis le chapitre 14, intitulé " De Pruina. Capitulum. xiiii " ;puis le chapitre 15, intitulé " De Fontium & fluminum origine & perpetuitate. Capitulum. xv " ;puis le chapitre 16, intitulé " De maris falsedine fluxu & refluxu. Ca. xvi " (seulement le début). Texte très intéressant, mélange de science, d'occultisme & d'ésotérisme, le tout étant formulé sous la forme d'un dialogue fictif : le disciple (discipipulus ou dis) pose les questions, le maître (magister ou mag.) répond & explique en détails Dans les dernières années du XV[e] s., le chanoine de Fribourg-en-Brisgau Gregorius Reisch publia, dans son " Enchiridion " ou "Margarita Philosophica ", un exposé des principaux problèmes philosophiques, en référence aux autorités antiques et médiévales, illustré par des gravures sur bois anonymes. La plus intéressante constitue le frontispice du livre II intitulé " Typus logice ". L'image allégorique de la philosophie comme chasseresse se rencontre chez Platon, chez Thomas d'Aquin, très particulièrement chez Nicolas de Cues. Elle ne survivra guère à la Renaissance [Attributes: Soft Cover]
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Manuscrit – Heures « à l’usage de Paris »
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1470 - Manuscrit du milieu du XVè siècle, vers 1470. 1 volume in-8° (135 x 197 mm) de 167 feuillets de parchemin calligraphiés en gothique de forme, aux encres noires et rouges, à 16 lignes par page. Relié en velours bleu ancien sur ais de bois, dos à 4 gros nerfs apparents, gardes de soie anciennes, les 3 tranches, bien qu’effacées, gardent des traces d’une peinture représentant un personnage en robe rouge. La miniature représentant Saint Jean manque probablement, bien que le texte soit entier, un feuillet manque au début des heures de la croix. Traces d’usure sur quelques pages ; un feuillet dérelié (165). [Attributes: Hard Cover]
[Bookseller: L'Oeil de Mercure] |
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Stundenbuch.
Ausgießung des heiligen Geistes. Miniatur auf einem beidseit.
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. beschriebenen Blatt aus einem Stundenbuch auf Pergament, Paris, um 1470-80. 9 x 6 cm., in Bogenfensterumrahmung, darunter Schmuckinitiale "D" in Farben und Blattgold u. 4-zeil. Text, umrahmt von floraler Bordüre in Farben (15 x 9,6 cm.). - Rückseite beschrieben, mit 6 Initialen u. 2 Zeilenfüllern sowie floraler Randleiste in Farben u. Blattgold. Schriftspiegel 10,5 x 8,7 cm., Blgr. 16 x 11,8 cm. - Farben stellenw. etw. verwischt.. HandschriftenIncl. 18% Aufgeld und 7% Mehrwertsteuer
[Bookseller: Antiquariat Kiefer] |
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Carco/Dignimont
Morsure
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EDITIONS DU LIVRE. Very Good B000UD4DA0! First edition-#1470. Beautiful illustrations. Cover shows wear, text is in good shape, no apparent writing or highlighting. Expedited shipping available.
[Bookseller: Alibris] |
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Fitzherbert, Sir Anthony
La Graunde Abridgement, Collecte par le Iudge Tresreverend Monsieur...
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2009 Fitzherbert, Sir Anthony [1470-1538]. La Graunde Abridgement Collecte par le Iudge Tresreverend Monsieur Anthony Fitzherbert, Dernierment Conferre Ouesque la Copye Escript et per ceo Correcte, Ouesque le Nombre del Sueil, Per Quel Facilement Poies Trover les Cases cy Abrydges en les Livers Dans, Novelment Annote: Iammais Devaunt Imprimes. [And] La Secounde Part du Graund Abridgment... [And] Tabula. Cy Ensuit la Table pur Trover les Titles. London: Richard Tottell, 1577. 1 Volume. [ii], 342 [i.e. 341]; [ii], 265; [ii], 66 ff. First and second parts have title pages. Small folio (10" x 7"). Later reversed calf, blind rules to boards, endpapers renewed, raised bands to spine, recently rebacked retaining lettering piece, hinges mended. Moderate rubbing and scuffing to boards, corners worn. "F. Pollock/ Linc: Inn-" to front pastedown. Handsome woodcut architectural borders to title pages, woodcut initials. Toning, faint dampstaining and occasional dampspotting to first quarter of text. Occasional annotations in early hand. A nice copy with an appealing association. * Second Tottell edition. Arguably one of the most imposing volumes in the history of English law, Fitzherbert abridged 13,485 cases under 263 titles in alphabetical order. It was the first serious attempt to set the law down in systematic shape, and served as a model to such writers as Brooke and Rolle. According to Boersma, Fitzherbert accomplished "nothing less than to abridge all notes of significant cases at common law." In Law Library Journal, Graham and Heckel refer to this work as the "book that 'made' the common law" (51: 100-101). Sir Frederick Pollock [1845-1937] was one of the greatest British judges and legal scholars of his day. His treatises on contracts, jurisprudence the common law and other subjects did much to clarify and systematize English law. Several of these were standard texts that went through several editions. He is also remembered for his collaboration with F.W. Maitland on The History of English Law Before the Time of Edward I and his correspondence with Oliver Wendell Holmes, which was published posthumously as The Holmes-Pollock Letters. Beale, Bibliograph
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ILLUMINATED LEAF
Manuscript Koran Leaf
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1470 1470 - ILLUMINATED LEAF. Manuscript Koran Leaf. Bihar, India, circa 1470. 12mo, single sheet of handmade paper (4-1/2 by 6 inches), written on both recto and verso, and illuminated in black, gold, red, green and blue inks; frame measures 13 by 16 inches. $1500. Lovely leaf from an Indian Koran, scribed in the late 15th century in 15 lines of elegant bihari script, handsomely framed in silk matting, gold filet and gilt moulding. This particular leaf is a superb example from its period, likely to have been owned by an important lay person or an Imam. Scribed in 15 lines of elegant bihari script, with gold roundels to mark verse endings, the name "Allah" scribed in gilt throughout, inner and outer borders ruled in red and blue, and with superb illuminated medallions in the margins, recto and verso. Near-fine condition, with only a few faint marks of handling, handsomely framed. [Attributes: Hard Cover]
[Bookseller: Bauman Rare Books] |
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Fitzherbert, Sir Anthony
La Graunde Abridgement, Collecte par le Iudge Tresreverend Monsieur
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Fitzherbert, Sir Anthony [1470- - 1538]. La Graunde Abridgement Collecte par le Iudge Tresreverend Monsieur Anthony Fitzherbert, Dernierment Conferre Ouesque la Copye Escript et per ceo Correcte, Ouesque le Nombre del Sueil, Per Quel Facilement Poies Trover les Cases cy Abrydges en les Livers Dans, Novelment Annote: Iammais Devaunt Imprimes. [And] La Secounde Part du Graund Abridgment. [And] Tabula. Cy Ensuit la Table pur Trover les Titles. London: Richard Tottell, 1577. 1 Volume. [ii], 342 [i.e. 341]; [ii], 265; [ii], 66 ff. First and second parts have title pages. Small folio (10" x 7"). Later reversed calf, blind rules to boards, endpapers renewed, raised bands to spine, recently rebacked retaining lettering piece, hinges mended. Moderate rubbing and scuffing to boards, corners worn. "F. Pollock/ Linc: Inn-" to front pastedown. Handsome woodcut architectural borders to title pages, woodcut initials. Toning, faint dampstaining and occasional dampspotting to first quarter of text. Occasional annotations in early hand. A nice copy with an appealing association. * Second Tottell edition. Arguably one of the most imposing volumes in the history of English law, Fitzherbert abridged 13,485 cases under 263 titles in alphabetical order. It was the first serious attempt to set the law down in systematic shape, and served as a model to such writers as Brooke and Rolle. According to Boersma, Fitzherbert accomplished "nothing less than to abridge all notes of significant cases at common law." In Law Library Journal, Graham and Heckel refer to this work as the "book that 'made' the common law" (51: 100-101). Sir Frederick Pollock [1845-1937] was one of the greatest British judges and legal scholars of his day. His treatises on contracts, jurisprudence the common law and other subjects did much to clarify and systematize English law. Several of these were standard texts that went through several editions. He is also remembered for his collaboration with F.W. Maitland on The History of English Law Before the Time of Edward I and his correspondence with Oliver Wendell Holmes, which was published posthumously as The Holmes-Pollock Letters. Beale, Bibliograph. [Attributes: Soft Cover]
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ILLUMINATED LEAF
Manuscript Koran Leaf
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1470. ILLUMINATED LEAF. Manuscript Koran Leaf. Bihar, India, circa 1470. 12mo, single sheet of handmade paper (4-1/2 by 6 inches), written on both recto and verso, and illuminated in black, gold, red, green and blue inks; frame measures 13 by 16 inches. $1500. Lovely leaf from an Indian Koran, scribed in the late 15th century in 15 lines of elegant bihari script, handsomely framed in silk matting, gold filet and gilt moulding. This particular leaf is a superb example from its period, likely to have been owned by an important lay person or an Imam. Scribed in 15 lines of elegant bihari script, with gold roundels to mark verse endings, the name "Allah" scribed in gilt throughout, inner and outer borders ruled in red and blue, and with superb illuminated medallions in the margins, recto and verso. Near-fine condition, with only a few faint marks of handling, handsomely framed.
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Illuminated manuscript leaf on vellum.
Illuminated miniature of the Annunciation.
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- Florence: c.1470-1480. 127 c 187 mm, verso blank. Framed. This glorious leaf is unmistakably in the style of Francesco di Antonio del Chierico, one of the finest Florentine illuminators of the period. Garzelli reproduces several miniatures of the Annunciation and one miniature in particular, (now in Modena, Bib. Estense, cod. lat 855f, 13v, see fig. 212 in Garzoni's catalogue) shows several close parallels with this leaf. The style and attitude of the Virgin is especially close, as is the treatment of the window. Also, in the border, there are similarities in the figure of God the father, the urns supported by putti, and the floral motifs. Another artist, Francesco Rosselli, has also been noticed as have stylistic similarities to the central figure in this leaf in his Annunciation in Bib. Vat, barb. Lat 382, f. 15v (see Garzoni ff.536.) The arms of the Cresci family are in the lower border. See Annarosa Garzelli, Miniature Fiorentina del Rinascimento 1440-1525, Florence 1985. Cataloguing derived from the Maggs Bros. description. Full description and images available on my website.
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AN ILLUMINATED VELLUM MANUSCRIPT LEAF WITH A SMALL HISTOR...
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Paris, ca. 1470s 132 x 88 mm. (5 1/2 x 3 1/2"). Single column, 16 lines of text in a fine early bâtarde book hand. Attractively matted. Rubrics in red, RECTO WITH A FULL BORDER filled with swirling blue and gold acanthus leaves, sprays of pink, red, and blue flowers on leafy stems, and numerous burnished gold bezants, the border INHABITED WITH A LARGE GOLDEN MOTH AND A CHARMING WINGED GROTESQUE, THE SAME SIDE WITH A FOUR-LINE HISTORIATED "L" FEATURING ST. LUKE WITH HIS BULL. IN FINE, FRESH CONDITION, with only the most trivial imperfections--the gold glittering, the paint rich, and the margins extremely ample. The recto of this leaf contains key Bible readings appropriate for the celebration of the Annunciation. The texts commence with John 1:13-14, including "the Word was made flesh." The little miniature of Luke signals a new text, beginning with Luke 1:26, telling the story of the annunciation by the archangel Gabriel to the Virgin, which continues on the verso. Luke is portrayed as a venerable elder with beard and white locks, sitting at a writing table that is massive by Medieval standards. His emblem, the bull, whose body is truncated by the frame, looks on benignly. Despite the dragon wings and snake tail, a lap dog seems to have been the principal model for the furry golden grotesque below. This creature and the moth at the upper right form a triangle of animated decoration that is both skillfully executed and quite delightful. $ 2500
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Joachim Ritter / Gründer, Karlfried / Gabriel, Gottfried (Hrsg.)
Historisches Wörterbuch der Philosophie. 13 Bände (ersch. 1971-2007)
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Basel Schwabe 0 - sehr gutes Exemplar !Einzelbände auf Nachfrage !!(statt früher 2380,00) 1036 S. (Band 1 A-C) 1151 S. (Band 2 D-F), 1271 S. (Band 3 G-H) 1470 S. (Band 4 I-K) 1447 S. (Band 5 L-Mn) 1395 S. (Band 6 Mo-O) 1842 S. (Band 7 P-Q) 1519 S. (Band 8 R-Sc) 1558 S. (Band 9 Se-Sp) 1618 S. (Band 10 St-T) 1275 S. (Band 11 U-V) 1555 S. (Band 12 W-Z) 1046 S. (Band 13 Register). Orig.Leinen mit Orig.Umschlag 4. Dem Band 13 ist die CD-Rom "Historisches Wörterbuch der Philosophie. 13 Bände 1971-2007" beigelegt. Völlig neu bearbeitete Ausgabe des "Wörterbuchs der philosophischen Begriffe" von Rudolf Eisler. Unter Mitwirkung von mehr als 1500 Fachgelehrten. In Verbindung mit Günther Bien, Tilman Borsche, Ulrich Dierse, Wilhelm Goerdt, Oskar Graefe, Wolfgang Hübener, Anton Hügli, Helmut Kühn, Friedrich Kambartel, Friedrich Kaulöbach, Theo Kobusch, Ralf Konersmann, Margarita Kranz, Hermann Lübbe, Odo Marquard, Reinhart Maurer, Stephan Meier.Oeser, Friedrich Niewöhner, Ludger Oeing-Hanhoff, Willi Oelmüller, Thomas Rentsch, Kurt Röttgers, Eckart Scheerer. Heinrich Schepers, Gunter Scholtz, Winfried Schröder, Martin Seils, Robert Spaeman.
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THOMAS D'AQUIN (Saint)
Quodlibeta duodecim disputata circa annum d(omi)ni M.CC.LXX. (EDITION INCUNABLE, UNE DES PREMIERS IMPRESSIONS ROMAINES)
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- S.l.n.d. (Rome, Georgius Lauer, ca 1470). In folio plein vélin ivoire cordé de l?époque à petits rabats, titre manuscrit en long au dos, (1) f. blanc, (217) f., 33 lignes longues à la page avec les initiales en rouge. Edition princeps incunable de ce texte majeur de Thomas d'Aquin, l'une des toutes premières impressions romaines, donnée par Georg Lauer dont c'est l'une des premières productions. Originaire de Wurtzbourg, Georg Lauer (ou Laver) installa, en cette année 1470, une presse au monastère Saint Eusèbe, sous la protection du cardinal Caraffa. Il utilise ici un caractère romain aux formes arrondies tenant à la fois du gothique par leur graisse et du romain par leur dessin, caractère proche de celui de Conrad Sweynheym et Arnoldo Pannartz, élèves de Gutenberg et introducteurs de l'imprimerie en Italie cinq années auparavant (1465). Acte universitaire par excellence dans le haut enseignement médiéval, les «Disputes» constituent la clé de voûte de l'?uvre de Thomas d'Aquin. C'est, plus encore, dans l'activité périlleuse et redoutée des «Disputes de quolibet» (questions extraordinaires), qu'il excellait particulièrement : elles permettaient aux participants, lors de séances solennelles bisannuelles, de poser librement au maître les questions les plus diverses, souvent alors de brûlante actualité. Thomas conclut l'un des douze exercices quolibetiques qu'il conduisit ainsi : «Si nous résolvons les problèmes de la foi par seule voie d'autorité, nous posséderons certes la vérité, mais dans une tête vide». (Brunet, V, 827. Goff, T, 182. Hain-Copinger, 1400. Pellechet, 1002. Marais, Bibliothèque Mazarine, 25. Deschamps, 100). Dos d'origine conservé, plats restaurés, gardes renouvelées, exemplaire anciennement lavé, galeries de vers comblées dans les marges, quelques taches d'encre et brunissures. Bon exemplaire, solide, bien relié, complet. Le premier feuillet blanc, qui a été conservé, comporte l?ex-libris manuscrit à l?époque : «Ad usum Iacinti Iati». [Attributes: Hard Cover]
[Bookseller: Librairie Hatchuel] |
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Illuminated manuscript leaf on vellum.
Illuminated miniature of the Annunciation.
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- Florence: c.1470-1480. 127 c 187 mm, verso blank. Framed. This glorious leaf is unmistakably in the style of Francesco di Antonio del Chierico, one of the finest Florentine illuminators of the period. Garzelli reproduces several miniatures of the Annunciation and one miniature in particular, (now in Modena, Bib. Estense, cod. lat 855f, 13v, see fig. 212 in Garzoni's catalogue) shows several close parallels with this leaf. The style and attitude of the Virgin is especially close, as is the treatment of the window. Also, in the border, there are similarities in the figure of God the father, the urns supported by putti, and the floral motifs. Another artist, Francesco Rosselli, has also been noticed as have stylistic similarities to the central figure in this leaf in his Annunciation in Bib. Vat, barb. Lat 382, f. 15v (see Garzoni ff.536.) The arms of the Cresci family are in the lower border. See Annarosa Garzelli, Miniature Fiorentina del Rinascimento 1440-1525, Florence 1985. Cataloguing derived from the Maggs Bros. description. Full description and images available on my website.
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[ INCUNABLE. ] THOMAS D'AQUIN.
[Quaestiones de qodlibet sancti Thome de Aquino.]
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Sans lieu ni date (Rome, Georgius Lauer, vers 1470). In-folio plein velin, dos ancien portant le titre a l'encre, [217] feuillets non chiffres de 33 longues lignes a la page, caracteres romains, initiales en rouges. (Exemplaire lave et restaure, travaux de vers combles dans les marges, quelques taches d'encre et brunissures.) BON EXEMPLAIRE. GOOD. Importante edition princeps incunable des questions quodlibetiques de Thomas d'Aquin. Genre litteraire et pratique caracteristique de la theologie scholastique des XIIe et XIIIe siecles, la question disputee et en particulier la question quodlibetique, c'est-a-dire librement posee par les auditeurs, tend a l'evaluation du maitre qui dispute et finit invariablement par se prononcer et par trancher la question. Cette premiere edition est imprimee sans lieu ni date, sans chiffres, signatures ni reclames. Les 5 premiers feuillets sont pour la table. Au feuillet suivant : [Q]uesitum est de deo : angelo : & homi[n]e. De deo quesitum est : & quantum ad divinam naturam... Au dessus du texte imprime, texte manuscrit a l'encre rouge : Quodlibeta duodecim disputata circa annum d[omi]ni M.CC. LXX. Au verso du dernier feuillet, en pied : Explicit. Les caracteres romains aux formes arrondies sont proches de ceux utilises par Sweynheym et Pannartz pour le Lactance de 1468 ; ils sont semblables a ceux employes pour l'impression des Homelies de Jean Chrysostome, premier ouvrage atteste de l'imprimeur allemand, originaire de Wurtzbourg, Georges LAUER ou LAVER, installe des 1470 au Monastere de Saint Eusebe, sous la protection du cardinal Caraffa. Ex-libris manuscrit ancien au recto du second feuillet de garde : Ad usum Iacinti Iati. De La SERNA, 115. HAIN 1400. PELLECHET, 1002. BRUNET V, 827. DESCHAMPS 1100.
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[anonymous]
Medieval Monastery Scriptorium - Double Sided Leaf; miniature [miniscule psalter; incunabula] Circa 1470
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[monastery Scriptorium for Noble class], 1470. circa 1470, Dutch / German. Two sided-leaf, in red, blue and black ink. Written in miniscule on vellum. 3.75" x 2.75" Anonymous; Psalters such as the one this leaf comes from were created in late medieval monastery scriptoria. Minor marginal toning, else about fine. When, in the fifteenth century, a King from the region would hold court in the numerous castles throughout his realm, the nobility would follow with their prayer books. These were intentionally manufactured on this miniature scale by the monasteries to allow the nobility to easily carry them on these journeys. This remarkably well-preserved red, blue and black ink two-sided page originated in one such psalter. Nice example of incunabula - printed artifacts originating prior to 1501. Please feel free to ask questions or request additional scans. - Jeff Harvey L30A. Unknown. Near Fine. 3.75" x 2.75".
[Bookseller: Singularity Rare & Fine] |
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Medieval Miniature-King David
King David In Penitence - Historiated initial "U" cut from a choirbook (c.1470)
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Ferrara:, c.1470.. From illuminated manuscript on vellum. Within a pink-staved initial decorated with white penwork and blue and green foliage and set against a burnished gold ground, the half length figure of King David, white-haired and bearded, wearing a girdled green robe and a tall turbaned crown, beating his breasts and his eyes raised towards the golden rays that spark to decorate the dark blue background. Some staining affecting the background, some losses to gold. Cut to shape. Mounted and framed. From the collection of Duncan Benesford-Jones. Large in size.. 113 x 128mm (overall).. This fine intial is attributable to Guglielmo Giraldi or one of his collaborators. He was the favorite illumintaor of Borso d'Este, Duke of Ferrara and was also responsible for the decoration of series of choirbooks for Ferraese churches and monasteries. The present intial is tellingly close in drapery style, gesture, and background to his work.
[Bookseller: Krown & Spellman, Booksellers] |
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Illuminated manuscript leaf on vellum
Illuminated miniature of the Annunciation
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Florence: c.1470-1480. 127 c 187 mm, verso blank. Framed. This glorious leaf is unmistakably in the style of Francesco di Antonio del Chierico, one of the finest Florentine illuminators of the period. Garzelli reproduces several miniatures of the Annunciation and one miniature in particular, (now in Modena, Bib. Estense, cod. lat 855f, 13v, see fig. 212 in GarzoniOs catalogue) shows several close parallels with this leaf. The style and attitude of the Virgin is especially close, as is the treatment of the window. Also, in the border, there are similarities in the figure of God the father, the urns supported by putti, and the floral motifs. Another artist, Francesco Rosselli, has also been noticed as have stylistic similarities to the central figure in this leaf in his Annunciation in Bib. Vat, barb. Lat 382, f. 15v (see Garzoni ff.536.) The arms of the Cresci family are in the lower border. See Annarosa Garzelli, Miniature Fiorentina del Rinascimento 1440-1525, Florence 1985. Cataloguing derived from the Maggs Bros. description. Full description and images available on my website.
[Bookseller: Antiquarian Bookseller] |
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Arbour, Roméo
Dictionnaire des femmes libraires en France (1470-1870)
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DROZ - 9782600008273 Livre usage a l'etat de neuf / Used book as new condition Depuis une vingtaine d’années, en France particulièrement, l’étude de la participation des femmes aux métiers du livre s'intensifie et le Dictionnaire des femmes libraires en France (1470-1870) en résulte. 1470 : introduction de l’imprimerie en France ; 1870 : fin de l’époque des brevets. L’expression de " femmes libraires " désigne, par commodité, les femmes qui ont exercé, à titre professionnel, l’un ou l’autre des principaux métiers du livre : l’imprimerie, la librairie, la reliure. Pour rendre compte fidèlement de la carrière de ces femmes et de leur contribution à la diffusion de la culture, Roméo Arbour a méthodiquement exploré l’ensemble du travail d’édition, d’impression et de commerce. Donc tout imprimé.
[Bookseller: La Canopee] |
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Fifteenth Century Book of Devotions.
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1470. . Book of Devotions: FLEMISH 15 TH CENTURY. (circa 1470-1500) Folio 33. Incipit devotu meditatio...expositionibus copulatis ex ludolpho et aliis doctoribus. Manuscript on paper, 252 ll, 19 lines to the page, written in red and black in a clear gothic hand, 5 large initials in colours with marginal decorations, numerous other smaller initials in red, blue and green, some with floral decorations in the margin, contemporary stamped calf over woooden boards, brass catches (no clasps), re-backed, (140mm by 102mm). email us for photos of binding and contents..
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Roettgen, Steffi:
Wandmalerei der Frührenaissance in Italien.
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- Band II: Die Blütezeit 1470-1510 mit Aufnahmen von Antonio Quattrone und Fabio Lensini. München: Hirmer, 1997. 469 S. Mit zahlr., überwieg. farb. Abb., Originalleinen mit Schutzumschlag im Schuber. 4°. Ein gutes und sauberes Exemplar. Opulenter Bildband. - Mantua, Palazzo Ducale, Camera degli Sposi, Bildnisse der Familie Gonzaga, Bildnisse antiker Kaiser und mythologische Szenen, Andrea Mantegna -- San Gimignano, Collegiata S. Maria Assunta, Cappella di S. Fina. Szenen aus der Legende der sel. Fina, Propheten, Kirchenväter, Heilige, Evangelisten, Domenico Ghirlandaio -- Loreto, Santuario della Santa Casa. I Sakristei des hl. Johannes, Apostelpaare, Christus und der ungläubige Thomas, Bekehrung des Paulus, Gewölbe mit Engeln, Evangelisten und Kirchenvätern, Luca Signorelli -- II Sakristei des hl. Markus. Einzug Christi in Jerusalem, Gewölbe mit Propheten und Engeln, Melozzo da Forli -- Rom, Città del Vaticano, Cappella Sistina. Szenen aus dem Leben Mosis und aus dem Leben Christi, 28 Päpste, Sandro Botticelli, Domenico Ghirlandaio, Pietro Perugino, Cosimo Rosselli, Luca Signorelli -- Florenz, Palazzo della Signoria, Sala dei Gigli. Hl. Zenobius, Uomini famosi der römischen Antike, Domenico Ghirlandaio -- Florenz, S. Trinita, Cappella Sassetti Szenen aus dem Leben und Wirken des hl. Franziskus, Sibyllen, Domenico Ghirlandaio -- Florenz, S. Maria Novella, Cappella Tornabuoni Szenen des Marienlebens, Szenen aus der Geschichte Johannes des Täufers, Evangelisten, Domenico Ghirlandaio -- Rom, S. Maria sopra Minerva, Cappella Carafa Verkündigung und Himmelfahrt Mariens, Triumph und "Wunder des hl. Thomas von Aquin, Sibyllen, Filippino Lippi -- Florenz, S. Maria Novella, Cappella Strozzi. Szenen aus dem Leben des Evangelisten Johannes und des Apostels Philippus, Musen und allegorische Figuren, Patriarchen Filippino Lippi -- Perugia, Collegio del Cambio, Sala di Udienza. Kardinaltugenden und Uomin: famosi, Propheten und Sibyllen, Anbetung des Kindes, Verklärung Christi, Planetengötter und Tierkreiszeichen, Pietro Perugino -- Spello, S. Maria Maggiore, Cappella Baglioni Verkündigung Mariae, Anbetung der Hirten, Der zwölfjährige Jesus im Disput mit den Schriftgelehrten, Sibyllen, Pinturicchio -- Siena, Dom, Libreria Piccolomini. Szenen aus dem Leben des Enea Silvio Piccolomini; Decke mit Groteskendekor und mythologischen und allegorischen Figuren; Krönung Pius III. Pinturicchio -- Issogne, Castello Challant. Werkstätten und Verkaufsläden, Marktstände Lokale Werkstatt des Aostatals -- Monteoliveto Maggiore, Großer Kreuzgang , Szenen aus dem Leben des hl. Benedikt, Luca Signorelli, Sodoma -- Orvieto, Dom, Cappella Nuova (di S. Brizio). Allerheiligenhimmel und Jüngstes Gericht, Taten des Antichrist, Weltuntergang; antike Dichter und Dante mit Szenen aus ihren Dichtungen Fra Angelico, Luca Signorelli -- Bologna, ehem. Kirche S. Cecilia bei S. Giacomo Maggiore. Szenen aus der Legende der hll. Cäcilie und Valerian Il Francia, Lorenzo Costa d. A., Amico Aspertini. [Attributes: Hard Cover]
[Bookseller: Fundus-Online GbR Borkert SchwarzZerfaß] |
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Danzi, Massimo
La Biblioteca del Cardinal Pietro Bembo
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DROZ - 9782600009249 Livre usage a l'etat de neuf / Used book as new condition Au terme d’un vaste essai sur la double culture littéraire et artistique de Pietro Bembo (Venise 1470 - Rome 1547), Massimo Danzi donne l’édition commentée du seul catalogue qui nous est parvenu de sa bibliothèque et qui a récemment été retrouvé à Cambridge. Rédigé vers 1540 à Rome par le juriste français Jean Matal, l’inventaire fait état de plusieurs centaines de volumes imprimés et manuscrits permettant pour la première fois de reconstituer la personnalité de l’humaniste. Il en émerge ainsi un réseau intellectuel de dimension européenne où les interlocuteurs de Pietro Bembo sont Erasme, Damião de Goís, Reuchlin, Sebastian Münster, Alde ou Froben. Le document cite en outre des ouvrages orientaux, hébreux principalement ainsi qu’en moindre proportion caldéens, qui autorisent à formuler de nouvelles hypothèses sur une érudition considérée jusqu’alors comme trilingue. Par sa grande précision enfin, l’inventaire a permis d’identifier une série d’exemplaires qui ont physiquement appartenu à Bembo et qui viennent attester d’un travail philologique parmi les plus intenses de la Renaissance.
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ILLUMINATED MANUSCRIPT LEAF ON VELLUM.
Illuminated miniature of the Annunciation. Florence:
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Florence, c.1470-1480. 127 c 187 mm, verso blank. Framed This glorious leaf is unmistakably in thestyle of Francesco di Antonio del Chierico, one of the finest Florentine illuminators of the period. Garzelli reproduces several miniatures of the Annunciation and one miniature in particular, (now in Modena, Bib. Estense, cod. lat 855f, 13v, see fig. 212 in Garzoni's catalogue) shows several close parallels with this leaf. The style and attitude of the Virgin is especially close, as is the treatment of the window. Also, in the border, there are similarities in the figure of God the father, the urns supported by putti, and the floral motifs. Another artist, Francesco Rosselli, has also been noticed as have stylistic similarities to the central figure in this leaf in his Annunciation in Bib. Vat, barb. Lat 382, f. 15v (see Garzoni ff.536.) The arms of the Cresci family are in the lower border. See Annarosa Garzelli, Miniature Fiorentina del Rinascimento 1440-1525, Florence 1985. Cataloguing derived from the Maggs Bros. description.
[Bookseller: Henry Sotheran Ltd.] |
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Philip H. Young
The Printed Homer: a 3, 000 Year Publishing and Translation History of the Iliad and the Odyssey
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McFarland & Company. New Please note that deliveries to addresses in the UK and Europe will be in 4-14 business days. Other countries should refer to Alibris standard times. This work first considers who Homer might have been and then explores the when and how of the creation of the written forms of the two works. The Homeric text in classical times and in medieval Europe and the Byzantine Empire, and the Homeric text, the printing press and Renaissance humanism are next taken up. The successes and failures of the many who attempted to translate the works are analyzed critically and then — a major portion of the book — all the known texts, editions and translations of the Iliad and the Odyssey from 1470 to 2000 are listed. The author considers the future of the Homeric texts and the Poet's relevance to this and future generations. Seven valuable appendices (e.g., Modernizing of Latin City Names; First Printings in Vernacular Languages), a bibliography, and an index complete the work. ISBN10: 0786438975.
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Houben-Weyl
Science of Synthesis (SOS). Houben-Weyl Methods of Molecular Transformations / Category 3: Compounds with Four and Three Carbon-Heteroatom Bonds (Volumes 18-24) / Three Carbon-Heteroatom Bonds: Ketene Acetals and Yne-X Compounds [BD 24]
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Thieme Verlag. Houben-Weyl Science of Synthesis (SOS). Houben-Weyl Methods of Molecular Transformations / Category 3: Compounds with Four and Three Carbon-Heteroatom Bonds (Volumes 18-24) / Three Carbon-Heteroatom Bonds: Ketene Acetals and Yne-X Compounds [BD 24] (Thieme) ISBN: 978-3-13-118751-2 gebunden in Schuber LIV, 1194 S., 1470 Reaktionsgleichungen, 15 Tab. - 25,5 x 17 cm Houben-Weyl Science of Synthesis (SOS). Houben-Weyl Methods of Molecular Transformations / Category 3: Compounds with Four and Three Carbon-Heteroatom Bonds (Volumes 18-24) / Three Carbon-Heteroatom Bonds: Ketene Acetals and Yne-X Compounds Herausgegeben von Meijere, Armin de / Schaumann, Ernst. Beiträge von Alayrac, Carole / Banert, Klaus / Meijere, Armin de / Dölling, Wolfgang. Herausgegeben von Bellus, Daniel / Ley, Steven V / Noyori, Ryoji / Regitz, Manfred / Reider, Paul J / Shinkai, Ichiro / Thomas, E Jim / Trost, Barry M Verlag : Thieme ISBN : 978-3-13-118751-2 Einband : gebunden in Schuber Preisinfo : 2200,00 Eur[D] UVP / 2261,70 Eur[A] UVP / 3652,00 CHF UVP Alle Preisangaben in CHF (Schweizer Franken) sind unverbindliche Preisempfehlungen. Legende: UVP = unverbindliche Preisempfehlung, iVb = in Vorbereitung. Sonstige Preise : Bei Abn. d. Gesamtw.: 1980,00 Eur[D] / 3128,00 CHF UVP Seiten/Umfang : LIV, 1194 S., 1470 Reaktionsgleichungen, 15 Tab. - 25,5 x 17 cm Erschienen : 5. Aufl. 27.12.2005 Gewicht : 2220 g verwandte Themen : Organische Chemie Chemische Synthese Azetale Ketene Chemie Chemische Synthese [DNB] Methode [DNB]. 3-13-118751-2 Verlagsfrisch New Copy
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OBSEQUENS Jules / VERGILIUS Polidorus
De Prodigii. De prodigii Lib. III. Per Damiano Maraffi fatti Toscani
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- Lyon, Jean de Tournes, 1554In 8° (15,5 x 9,6). Pp. 340+(18) + 1 c.b. Margine superiore un poco rifilato. Bel frontespizio a bordura, ritratto del Maraffi al verso e 44 magnifiche illustrazioni xilografiche n.t., attribuite a Bernard Salomon. Insignificanti macchie a pochi fogli, debole uniforme ingiallitura ma buona copia in legatura settecentesca tutta pelle maculata, dorso riccamente ornato. Tagli rossi. Nice title page and portrait of Maraffi on verso. Beautiful forty-four woodcut illustrations in the text, probably of Bernard Salomon. Upper margin quite close, a few slight stains and very slight browning, overall a very good copy in Eighteenth Century full marbled calf, spine richly gilt. Red edges. Prima edizione italiana, nonché prima stampa di queste rimarchevoli illustrazioni. Il libro contiene inoltre un terzo trattato non menzionato nel titolo, La Norica, o vero deglostenti di Joachim Camerarius. I discorsi dell'Obsequens su prodigi, disastri e mostruosità coprono un arco tra il 249 e il 12 a.C., mentre il trattato di Virgilio Polidoro (1470-1555), dedicato al Duca Francesco Maria dUrbino, è sostanzialmente un netto attacco a tutte le superstizioni. First italian edition, rare. ADAMS, O-10. CAILLET, 8131. MORTIMER, French books, 388
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AUGUSTINE, ST. (Pseudo)
Epistola ad Cyrillum de magnificentiis Hieronymi [With other tracts]
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Ulrich Zell [ca 1470], Cologne - Modern blindstamped calf over wooden boards in a very attractive antique style of the period with central metal clasp (signed "GF. Köln") 4to (21:15 cm) . Only incunabular edition of these pseudo epigraphical writings attributed to St. Augustine that were printed by eminent German printer,Ulrich Zell, in Cologne around 1470. An Italian translation by Bartolomeo da Cremona appeared in Venice around 1472/74. The other tracts included are "1-9, Epistola Augustini ad Cyrillum de magnificentiis Hieronymi; 10-51a, epistola Cyrilli ad Augustinum de miraculis Hieronymi; 51a-58, epistola Hieronymi ad Susannam lapsam; 59-64, epistola Hieronymi ad Heliodorum" (BMC). A very attractive piece of early printing with rubrications and capital letters supplied in red by a contemporary hand. Although there are two worm holes towards the end of the text that affect a number of letters it is a wide margin and very fresh, unsophisticated copy. The last auction record was the Doheny copy which sold in 2001 for $9600 [64] leaves. Gothic type; rubricated throughout with initials supplied in red. Some worming which slightly affects some letters towards the end; minor foxing in the blank margins of a few leaves; otherwise a fresh, wide margined copy. § Hain-C. 6719 (2) & 8568 (59-64); GW 2949; BMC I, 188; Voulliéme, Köln 187; Goff H-238. [Attributes: Signed Copy; Hard Cover]
[Bookseller: Jeffrey D. Mancevice, Inc.] |
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[Salomon et Marcolphus] Collatio[n]es quas dicuntur fecisse mutuo Rex Salomon sapientissimus et Marcolphus facie deformis et turpissimus tamen ut fertur eloquentissimus feliciter, [Leipzig, Konrad Kachelofen, ca. 1487-89].
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4° (mm 210x147); cc. (12), segnate a-b6. Silografia sotto al titolo. Pergamena moderna. Tracce di sporco, più fastidiose presso la prima e l’ultima carta; tuttavia bell’esemplare, con ampî margini e affatto unsofisticated. Rarissima early edition della celebre commedia verbale tra il Saggio e il Buffone, palinsesto fondante della letteratura carnevalesca occidentale. GW, 12765; HC, 14247; BMC, III, 630 (and 623); Goff, s-97; Schreiber, 5186; M. von Arnim, Kat. der Bibliothek Otto Schäfer, 296. Dalle origini remote della Contradictio Salomonis, mutatasi nel corso dei secoli da disputatio teologica manichea in barbarica e plebea altricacio, in cinica e carnevalesca “fabula” senza pudore, la commedia buffonesca di Salomone e Marcolfo attraversa il medioevo consegnando all’età moderna un theasurus carnevalesco dalla straordinaria fortuna. Nella seconda metà del xii secolo già circolavano «fabulose popularium narrationes», una selva di racconti che confluirono nell’anonimo Dialogus; quest’ultimo, anche con titoli diversi (Salomon et Marcolphus collocutores, ad esempio), conobbe un’intensa diffusione, anche editoriale, nella seconda metà del ‘400; si suppongono almeno una trentina di incunaboli, a partire dal 1470, la maggior parte dei quali provenienti dall’Europa settentrionale. Il successo dell’opera continuò vigoroso anche nel secolo seguente. Tutte le edizioni quattrocentesche del Dialogus appaiono oggi – un poco incomprensibilmente – assai rare.
[Bookseller: Chartaphilus Libri antichi e rari di Gia] |
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Houben-Weyl
Science of Synthesis (SOS). Houben-Weyl Methods of Molecular Transformations / Category 3: Compounds with Four and Three Carbon-Heteroatom Bonds (Volumes 18-24) / Three Carbon-Heteroatom Bonds: Ketene Acetals and Yne-X Compounds [BD 24]
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Thieme Verlag - Houben-Weyl Science of Synthesis (SOS). Houben-Weyl Methods of Molecular Transformations / Category 3: Compounds with Four and Three Carbon-Heteroatom Bonds (Volumes 18-24) / Three Carbon-Heteroatom Bonds: Ketene Acetals and Yne-X Compounds [BD 24] (Thieme) ISBN: 978-3-13-118751-2 gebunden in Schuber LIV, 1194 S., 1470 Reaktionsgleichungen, 15 Tab. - 25,5 x 17 cm Houben-Weyl Science of Synthesis (SOS). Houben-Weyl Methods of Molecular Transformations / Category 3: Compounds with Four and Three Carbon-Heteroatom Bonds (Volumes 18-24) / Three Carbon-Heteroatom Bonds: Ketene Acetals and Yne-X Compounds Herausgegeben von Meijere, Armin de / Schaumann, Ernst. Beiträge von Alayrac, Carole / Banert, Klaus / Meijere, Armin de / Dölling, Wolfgang. Herausgegeben von Bellus, Daniel / Ley, Steven V / Noyori, Ryoji / Regitz, Manfred / Reider, Paul J / Shinkai, Ichiro / Thomas, E Jim / Trost, Barry M Verlag : Thieme ISBN : 978-3-13-118751-2 Einband : gebunden in Schuber Preisinfo : 2200,00 Eur[D] UVP / 2261,70 Eur[A] UVP / 3652,00 CHF UVP Alle Preisangaben in CHF (Schweizer Franken) sind unverbindliche Preisempfehlungen. Legende: UVP = unverbindliche Preisempfehlung, iVb = in Vorbereitung. Sonstige Preise : Bei Abn. d. Gesamtw.: 1980,00 Eur[D] / 3128,00 CHF UVP Seiten/Umfang : LIV, 1194 S., 1470 Reaktionsgleichungen, 15 Tab. - 25,5 x 17 cm Erschienen : 5. Aufl. 27.12.2005 Gewicht : 2220 g verwandte Themen : Organische Chemie Chemische Synthese Azetale Ketene Chemie Chemische Synthese [DNB] Methode [DNB]
[Bookseller: Antiquariat-Versandbuchhandel Uwe Löb] |
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AUGUSTINE, ST. (Pseudo)
Epistola ad Cyrillum de magnificentiis Hieronymi [With other tracts]
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Ulrich Zell Cologne [ca. 1470] Modern blindstamped calf over wooden boards in a very attractive antique style of the period with central metal clasp (signed "GF. Köln") 4to (21:15 cm) . Only incunabular edition of these pseudo epigraphical writings attributed to St. Augustine that were printed by eminent German printer,Ulrich Zell, in Cologne around 1470. An Italian translation by Bartolomeo da Cremona appeared in Venice around 1472/74. The other tracts included are "1-9, Epistola Augustini ad Cyrillum de magnificentiis Hieronymi; 10-51a, epistola Cyrilli ad Augustinum de miraculis Hieronymi; 51a-58, epistola Hieronymi ad Susannam lapsam; 59-64, epistola Hieronymi ad Heliodorum" (BMC). A very attractive piece of early printing with rubrications and capital letters supplied in red by a contemporary hand. Although there are two worm holes towards the end of the text that affect a number of letters it is a wide margin and very fresh, unsophisticated copy. The last auction record was the Doheny copy which sold in 2001 for $9600 [64] leaves. Gothic type; rubricated throughout with initials supplied in red. Some worming which slightly affects some letters towards the end; minor foxing in the blank margins of a few leaves; otherwise a fresh, wide margined copy. § Hain-C. 6719 (2) & 8568 (59-64); GW 2949; BMC I, 188; Voulliéme, Köln 187; Goff H-238
[Bookseller: Jeffrey D. Mancevice Inc.] |
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AUGUSTINE, ST. (Pseudo)
Epistola ad Cyrillum de magnificentiis Hieronymi [With other tracts]
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Ulrich Zell [ca 1470], Cologne - Modern blindstamped calf over wooden boards in a very attractive antique style of the period with central metal clasp (signed "GF. Köln") 4to (21:15 cm) . Only incunabular edition of these pseudo epigraphical writings attributed to St. Augustine that were printed by eminent German printer,Ulrich Zell, in Cologne around 1470. An Italian translation by Bartolomeo da Cremona appeared in Venice around 1472/74. The other tracts included are "1-9, Epistola Augustini ad Cyrillum de magnificentiis Hieronymi; 10-51a, epistola Cyrilli ad Augustinum de miraculis Hieronymi; 51a-58, epistola Hieronymi ad Susannam lapsam; 59-64, epistola Hieronymi ad Heliodorum" (BMC). A very attractive piece of early printing with rubrications and capital letters supplied in red by a contemporary hand. Although there are two worm holes towards the end of the text that affect a number of letters it is a wide margin and very fresh, unsophisticated copy. The last auction record was the Doheny copy which sold in 2001 for $9600 [64] leaves. Gothic type; rubricated throughout with initials supplied in red. Some worming which slightly affects some letters towards the end; minor foxing in the blank margins of a few leaves; otherwise a fresh, wide margined copy. § Hain-C. 6719 (2) & 8568 (59-64); GW 2949; BMC I, 188; Voulliéme, Köln 187; Goff H-238. [Attributes: Signed Copy; Hard Cover]
[Bookseller: Jeffrey D. Mancevice, Inc.] |
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AUGUSTINUS, Aurelius (Pseudo-).
De vita christiana.
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c. 1470-75, Mainz, Peter Schoeffer - With 2 three-line initials, paragraph marks and capital strokes in red, Schoeffer's device in red at bottom of last leaf. Gothic type (type 3:91 G). 28 lines. 17 unn. leaves (of 18, lacking last blank). Small 4to (195 x 125 mm). 19th-century red morocco, gilt coat of arms of Gitton du Plessis (Olivier 510), gilt lettering on spine, gilt inner dentelles, edges gilt (by Duplanil; slight rubbing, minor repair to head of spine). From the collections of J.A.M. Gitton du Plessis (binding), and of John Pierpont Morgan (JPM booklabel; sold as duplicate at Sotheby's, 8 June 1971). (Mainz, Peter Schoeffer, c. 1470-75). A fine testimony to early printing in its second Schoeffer edition. Set in the Durandus type in its post-1466/67 state, which is the first small text type ever cut. This type was originaly made for the 1459 Durandus, which is the third dated book printed. The type is also closely related to Schoeffer's edition of Gerson, De custodia linguae (Mainz, not after September 1470). After Gutenberg had produced his famous 42-line Bible in 1455, he fell out with his associate Johann Fust. The latter teamed up with Peter Schoeffer, a calligrapher, later to become his son-in-law; together they continued to operate this first printing press. After a series of editions in large formats with extraordinary typography in colors (e.g. the 1457 Psalter), Fust and Schoeffer turned to producing books in smaller formats like the Pseudo-Augustinus, first printed between 1465-1466. After Fust's death in 1466, Peter Schoeffer flourished for about another thirty years, running his printing office as one of the most successful presses of Mainz. The tract "De vita christiana" is a Pelagian work of the fourth or early fifth century. It has been attributed to the British or Scottish monk Pelagius himself, or to his pupil Fastidius (see Dekkers, Clavis patrum latinorum, no. 740; Migne, Patrologia latina, 40: 1031 sqq; Hillard 236). - Some old underlinings and marginalia in faint brown ink, lower part of last leaf replaced with the Fust/Schoeffer device partly added in hand-painted facsimile. - Hain 2093*; GW 3039; BMC I, 37 (IA 270); Goff A-1356; BNCI A-774; Proctor 135; Pell-Pol 1580; Pol 428; Voulliéme (Berlin) 1547; BSB-Ink P 123 (also lacking last blank); Bibl. Apost. Vaticana A-587; Bod.-Inc. A-608; De Ricci, Catalogue raisonné des premières impressions de Mayence, no. 88bis (this copy listed under nos. 20-22); Weil,Druckerzeichen, p. 85. INCUNABLES ; RELIGION / THEOLOGY ; [Attributes: First Edition; Hard Cover]
[Bookseller: Hellmut Schumann Antiquariat] |
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Fitzherbert, Anthony; David Seipp (New Intro. )
La Graunde Abridgement, Collecte Par Le Iudge Tresreverend...1577...
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2009. Fitzherbert, Anthony [1470-1538]. La Graunde Abridgement Collecte par le Iudge Tresreverend Monsieur Anthony Fitzherbert, Dernierment Conferre Ouesque la Copye Escript et per ceo Correcte, Ouesque le Nombre del Sueil, Per Quel Facilement Poies Trover les Cases cy Abrydges en les Livers Dans, Novelment Annote: Iammais Devaunt Imprimes. [And] La Secounde Part du Graund Abridgment...[And] Tabula. Cy Ensuit la Table pur Trover les Titles. London: Richard Tottell, 1577. 1 Volume. [ii], 342 [i.e. 341]; [ii], 265; [ii], 66 fols. First and second parts of abridgment have title pages. Reprinted 2009 by The Lawbook Exchange, Ltd. With a new introduction and tables by David J. Seipp, Professor of Law, Boston University School of Law. ISBN-13: 978-1-58477-876-9. ISBN-10: 1-58477-876-8. Cloth (9" x 12"). New. * Reprint of the second Tottell edition. Arguably one of the most imposing volumes in the history of English law, Fitzherbert abridged over 14, 000 cases under 260 titles in alphabetical order. It was the first serious attempt to set the law down in systematic shape, and served as a model to such writers as Brooke and Rolle. According to Boersma, Fitzherbert accomplished "nothing less that to abridge all notes of significant cases at common law. " Graham and Heckel refer to this work as the "book that 'made' the Common Law. : Law Library Journal 51 [1957]: 100-101.
[Bookseller: Alibris] |
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ILLUMINATED MANUSCRIPT
BOOK OF HOURS IN LATIN, ILLUMINATED MANUSCRIPT ON VELLUM.
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Northern France (most probably Amiens - note on f 10 the Saint St Blandina in the Litany of Saints.) circa 1470 103 leaves 10x7 cms. Leaves numbered 1-36 then change of hand and numbered 36-97 then change of hand 99 with 4 more unnumbered leaves in the same hand as leaf number 99. 2 LARGE ILLUMINATED INITIALS IN GOLD AND BLUE WITH IVY SCROLLS IN THE INNER MARGINS (at f 1 and 14) and 48 initials in red and blue with scroll work (sometimes more than one to a page) and rubrication on many other leaves. 3 leaves of Litany of Saints with each S in alternating blue and red with scrolls at the end of the lines. First gold initial a tiny bit trimmed and a small mark on f 28 but otherwise in very good condition. Bound much later full embossed morocco. A very pretty little illuminated manuscript- the vendor is unsure if it is complete but, naively, nothing appears missing. See photos on russellrarebooks.com
[Bookseller: Russell Rare Books] |
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MARTIN SCHONGAUER COLMAR 1450 CIRCA - BREISACH 1491
MADONNA CON BAMBINO E PAPPAGALLO 1470
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Bulino circa 1470/75, monogrammata in lastra in basso. Esemplare del secondo stato, con la pera aggiunta nella mano destra del Cristo. Bellissima prova, impressa su carta vergata coeva con filigrana piccola testa di bue con croce di Sant'Antonio (tipica delle migliori impressioni di questo lavoro), rifilata alla linea marginale, in ottimo stato di conservazione. Questa composizione dello Schongauer rispecchia pressoche' fedelmente il modello classico interpretato da molto artisti del tempo, quello sull'educazione di Gesu' Bambino. La Vergine e' raffigurata con il libro aperto, mentre il Cristo rivolge la sua attenzione altrove, generalmente verso un frutto o un uccello. Normalmente questi due elementi di distrazione non sono raffigurati nella stessa opera, come possiamo notare nella prova di stampa di questo lavoro (o primo stato) conosciuta nell'unico esemplare conservato al British Museum. Il secondo stato dell'opera e' quindi coevo, e mostra le modifiche apportate dall'artista; oltre all'aggiunta del frutto la versione definitiva dell'opera mostra ritocchi nel cuscino in basso e il prolungamento dei capelli della Vergine, che parzialmente coprono la finestra. Solo trenta esemplari di questo lavoro sono censiti, ed i migliori sono stampati su carta con questa filigrana. Ottimo esempalre di questa rarissima incisione. Engraving, 1470/75 circa, signed at lower edge. Example in the second state, with a pear added on Christ's right hand. Beautiful work, printed on contemporary laid paper with small ox head with St. Anthony cross watermark (typical of the best examples of this work), trimmed to marginal line, in excellent condition. Schongauer's composition faithfully mirrors the classical model that many artists interpreted, i.e. the education of Baby Jesus. The Virgin is depicted with an open book, while Christ's attention is caught by something else, a fruit or a bird. Normally, these distracting elements are not depicted together, as it can be seen in the first state of this work, whose sole known example is kept in the British Museum. The second state is therefore contemporary to the first and shows the changes made by the artist; beside the pear, he also changed the pillow on lower part and the hair of the Virgin. There are just thirty recorded examples of this work, and the best have been printed on paper with this watermark. Excellent example of a rare work. Lehrs pp. 188/192, 37; Bartsch 29; TIB 037 II/II. Dimensioni 112x159
[Bookseller: Libreria ANTIQUARIUS ] |
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[INCUNABLE.] THOMAS D'AQUIN.
[Quaestiones de qodlibet sancti Thome de Aquino.]
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Sans lieu ni date (Rome, Georgius Lauer, vers 1470).. In-folio plein velin, dos ancien portant le titre a l'encre, [217] feuillets non chiffres de 33 longues lignes a la page, caracteres romains, initiales en rouges. (Exemplaire lave et restaure, travaux de vers combles dans les marges, quelques taches d'encre et brunissures.) Importante edition princeps incunable des questions quodlibetiques de Thomas d'Aquin. Genre litteraire et pratique caracteristique de la theologie scholastique des XIIe et XIIIe siecles, la question disputee et en particulier la question quodlibetique, c'est-a-dire librement posee par les auditeurs, tend a l'evaluation du maitre qui dispute et finit invariablement par se prononcer et par trancher la question. Cette premiere edition est imprimee sans lieu ni date, sans chiffres, signatures ni reclames. Les 5 premiers feuillets sont pour la table. Au feuillet suivant : [Q]uesitum est de deo : angelo : & homi[n]e. De deo quesitum est : & quantum ad divinam naturam... Au dessus du texte imprime, texte manuscrit a l'encre rouge : Quodlibeta duodecim disputata circa annum d[omi]ni M.CC. LXX. Au verso du dernier feuillet, en pied : Explicit. Les caracteres romains aux formes arrondies sont proches de ceux utilises par Sweynheym et Pannartz pour le Lactance de 1468 ; ils sont semblables a ceux employes pour l'impression des Homelies de Jean Chrysostome, premier ouvrage atteste de l'imprimeur allemand, originaire de Wurtzbourg, Georges LAUER ou LAVER, installe des 1470 au Monastere de Saint Eusebe, sous la protection du cardinal Caraffa. Ex-libris manuscrit ancien au recto du second feuillet de garde : Ad usum Iacinti Iati. De La SERNA, 115. HAIN 1400. PELLECHET, 1002. BRUNET V, 827. DESCHAMPS 1100. BON EXEMPLAIRE. GOOD..
[Bookseller: Picard Livres Anciens Et Modernes] |
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INCUNABLE.] THOMAS D'AQUIN.
Quaestiones de qodlibet sancti Thome de Aquino.]
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Sans lieu ni date (Rome, Georgius Lauer, vers 1470). - In-folio plein vélin, dos ancien portant le titre à l'encre, [217] feuillets non chiffrés de 33 longues lignes à la page, caractères romains, initiales en rouges. (Exemplaire lavé et restauré, travaux de vers comblés dans les marges, quelquestaches d'encre et brunissures.)Importante édition princeps incunable des questions quodlibétiques de Thomas d'Aquin. Genre littéraire et pratique caractéristique de la théologie scholastique des XIIe et XIIIe siècles, la question disputée et en particulier la questionquodlibetique, c'est-à-dire librement posée par les auditeurs, tend à l'évaluation du maître qui dispute et finit invariablement par se prononcer et par trancher la question. Cette première édition est imprimée sans lieu ni date, sans chiffres,signatures ni réclames. Les 5 premiers feuillets sont pour la table. Au feuillet suivant : [Q]uesitum est de deo : angelo : & homi[n]e. De deo quesitum est : & quantum ad divinam naturam. Au dessus du texte imprimé, texte manuscrit à l'encrerouge : Quodlibeta duodecim disputata circa annum d[omi]ni M.CC. LXX. Au verso du dernier feuillet, en pied : Explicit. Les caractères romains aux formes arrondies sont proches de ceux utilisés par Sweynheym et Pannartz pour le Lactance de 1468 ;ils sont semblables à ceux employés pour l'impression des Homélies de Jean Chrysostome, premier ouvrage attesté de l'imprimeur allemand, originaire de Wurtzbourg, Georges LAUER ou LAVER, installé dès 1470 au Monastère de Saint Eusèbe, sous laprotection du cardinal Caraffa. Ex-libris manuscrit ancien au recto du second feuillet de garde : Ad usum Iacinti Iati. De La SERNA, 115. HAIN 1400. PELLECHET, 1002. BRUNET V, 827. DESCHAMPS 1100.BON EXEMPLAIRE.GOOD. .(V94).
[Bookseller: Librairie PICARD] |
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[ INCUNABLE. ] THOMAS D'AQUIN.
[Quaestiones de qodlibet sancti Thome de Aquino.]
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Sans lieu ni date (Rome, Georgius Lauer, vers 1470). In-folio plein vélin, dos ancien portant le titre à l'encre, [217] feuillets non chiffrés de 33 longues lignes à la page, caractères romains, initiales en rouges. (Exemplaire lavé et restauré, travaux de vers comblés dans les marges, quelques taches d'encre et brunissures.) BON EXEMPLAIRE. GOOD. Importante édition princeps incunable des questions quodlibétiques de Thomas d'Aquin. Genre littéraire et pratique caractéristique de la théologie scholastique des XIIe et XIIIe siècles, la question disputée et en particulier la question quodlibetique, c'est-à-dire librement posée par les auditeurs, tend à l'évaluation du maître qui dispute et finit invariablement par se prononcer et par trancher la question. Cette première édition est imprimée sans lieu ni date, sans chiffres, signatures ni réclames. Les 5 premiers feuillets sont pour la table. Au feuillet suivant : [Q]uesitum est de deo : angelo : & homi[n]e. De deo quesitum est : & quantum ad divinam naturam... Au dessus du texte imprimé, texte manuscrit à l'encre rouge : Quodlibeta duodecim disputata circa annum d[omi]ni M.CC. LXX. Au verso du dernier feuillet, en pied : Explicit. Les caractères romains aux formes arrondies sont proches de ceux utilisés par Sweynheym et Pannartz pour le Lactance de 1468 ; ils sont semblables à ceux employés pour l'impression des Homélies de Jean Chrysostome, premier ouvrage attesté de l'imprimeur allemand, originaire de Wurtzbourg, Georges LAUER ou LAVER, installé dès 1470 au Monastère de Saint Eusèbe, sous la protection du cardinal Caraffa. Ex-libris manuscrit ancien au recto du second feuillet de garde : Ad usum Iacinti Iati. De La SERNA, 115. HAIN 1400. PELLECHET, 1002. BRUNET V, 827. DESCHAMPS 1100.
[Bookseller: Librairie Picard] |
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COLLECTIF
PORTRAIT DE LA FRANCE MODERNE HISTOIRE DE LYON ET DU LYONNAIS 2 VOL
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FAMOT - Cartonnage éditeur marron avec fers et tranche or Histoire de Lyon et du Lyonnais. 2 volumes, publiés sous la direction de A. Latreille. Articles de M. Laferrère, A. Audin, R. Fédou, R. Gascon, M. Garden, G. Garrier, A. Latreille. Vol. 1 : Les pays lyonnais et le site de Lyon. Lugdunum : colonie romaine et capitale des gaules. Les temps obscurs (Vè-Xè siècles). Seigneurs et clercs : querelles féodales, vitalité religieuse (Xiè-XIIIè siècles). Paysans et bourgeois : essor économique et réveil urbain (XIIè-XIIIè siècles). Epreuves et promesses (1320-1470). A l'échelle de l'Europe : Lyon capitale du grand commerce et de la banque. Au fil des jours : la vie d'une société urbaine. Ferveurs, déchirements et reconstructions : de la Renaissance et de la Réforme à l'âge classique. Trois provinces, une généralité (XVIIè-XVIIIè siècles). Le Lyonnais première "région industrielle" de France. Effacement politique, contradictions culturelles et tensions sociales. Photo couleur en frontispice. 35 illustrations n&b hors texte. 17 illustrations n&b dans le texte. 291 p. Vol. 2 : La Révolution et l'Empire (1789-1815). Economie et société lyonnaise de 1815 aux années 1880. La vie politique et le mouvement des idées de 1815 à 1905. Le "principat" d'Edouard Herriot. L'avènement d'une métropole industrielle. Les campagnes ans l'ombre de la ville. Vignes et vignerons du Beaujolais. La seconde guerre mondiale et l'époque contemporaine. Photo couleur en frontispice. 9 illustrations n&b in texte. 38 illustrations n&b hors texte. 250 p. Poids : 136 g. Bon état.
[Bookseller: Chapitre livres anciens et rares] |
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Illuminated Medieval Manuscript, Book of Hours Leaf. ca.1470
1470 Illuminated Medieval Manuscript, Book of Hours Leaf.
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France 1470 - Illuminated Medieval Manuscript, Book of Hours Leaf. ca.1470 Book of Hours, Use of Rome, France (Anjou), In Latin, On Vellum, ca. 1470. 11 rows of script in a gothic liturgical hand upon lines ruled in purple ink; capitals touched in yellow and/or rubrics; and burnished gold verse initials with black penwork and/or letters rubricated in blue with contrasting red penwork (approx. 123 x 82 mm.) Before moveable type, books were tediously but carefully written by hand, and such manuscripts were a product of the joint labors of more than scribes, but included vellum makers, painters, illuminators, and booksellers. From the evenly scrape calves’, goats’, or sheep skins in preparing the vellum for the gold, inks, and paint; to the leather work and binding of the pages; workshops existed to coordinate the complex work required to create such a valuable prize as a Book of Hours. A devotional codex could easily cost as much as a house (and at auction, more elaborate ones still do), but was worth the cost to the status and pious minded royalty and developing Medieval middle class. Manuscripts still comprised most books well into the last half of the 15th century, despite Gutenberg’s Bible in the 1450’s. Printed text and pictures would soon come to dominate mass media for the next five hundred years, but a remnant of those days before printing became widespread is presented here, a single leaf from a Book of Hours: Accompanied with certificate of Authenticity from the Christian Heritage Museum. [Attributes: First Edition; Soft Cover]
[Bookseller: Christian Heritage Museum] |
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DEYDIÉ DE FAGES
DU GUESCLIN. Tomes I-II
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Sans Lieu, (début XXème) - 2 volumes reliés demi maroquin rouge à coins, dos à nerfs, 199 feuillets montés sur onglets, manuscrits au recto, d'une fine et lisible écriture (reliure début XXème). Copie fidéle du manuscrit original. Deydié de Fages vivant en 1470 a fait l'histoire de Duguesclin sur les mémoires et notes qu'avait laissé Guilhaume de Fages son bisaïeul lequel avait servi sous ce connestable pendant toutes ses guerres, ledict Guilhaume fut fait ensuite capitaine de cent hommes d'armes. Bel exemplaire [Attributes: Hard Cover]
[Bookseller: Librairie Rouchaleou] |
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BEMBO PIETRO
Gli asolani. In Venetia, al colophon: per Comin de Trino, 1540
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- Cm. 15,5, cc. 104. Leg. ottocentesca in piena perg. rigida con titoli ms. al dorso. Antica firma di possesso al frontespizio. Cerniere internamente allentate, con traccia di alcuni cm. della carta di guardia rimasta applicata al margine interno del frontespizio. Sporadici e marginali aloni e piccole macchiette sparse, strappetto (lontano dal testo) all'angolo inferiore delle prime cc., peraltro nel complesso buon esemplare. Rara edizione dell'opera principale del celebre umanista e letterato veneziano (1470-1547). Cfr. Iccu; Brunet, I, 766; non in Gamba. (S125)
[Bookseller: Studio Bibliografico Apuleio] |
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MIKRAOT GEDOLOT - HACHUT HAMESHULASH - COMMENTARIES ON THE TORAH BY RABBEINU CHANANEL, RASH'BAM, R'DAK & SEFORNO-4 VOLS
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Lambda 2008 - Four Volumes (From the description) The selection of these four authors: Rabbeinu Chananel, Rash'bam, R'dak, and Seforno, was prompted by the desire to acquaint the reader with exegetes who concentrate in the main on the peshat, the meaning of the text as it strikes the reader at the first cursory perusal of the text. Rabbeinu Chananel (born approximately 975) was the head of the Yeshiva in Kairuan, which became internationally recognized as a great center of learning.Rabbi Sh'muel ben Meir (Rash'bam) (approximately 1085 - 1174) was one of the gransons of Rashi, and is well known for his concentration on the literal meaning of the text.Rabbi David Kimchi (R'dak) (1160 - 1235) was born in Narbonne, wrote commentary on the Tanach, and is well known for his major work dealing with grammar of the Holy Tongue, Sefer Hashorashim.Rabbi Ovadiah Seforno (born 1470) served as the Rabbi of Rome for over 30 years and was a physician. [Attributes: Hard Cover]
[Bookseller: Schoen Books] |
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ADORNO
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Itinéraire d'Anselme Adorno en Terre Sainte (1470-1471 ). Paris, CNRS, 1978; in-8, 510 pp. avec 1 planche et 1 carte hors texte, cartonnage de l'éditeur. Texte édité, traduit et annoté par Jacques Heers et Georgette de Groer. " .. j'avais été frappé, par l'étonnante richesse de ce récit de voyage qui ... l'emportait sur beaucoup d'autres par le choix d'un itinéraire très complexe, par des relations d'une grande précision sur quantité d'aspects de la vie sociale dans les pays visités. L'absence d'une publication intégrale pouvait étonner " J. Heers
[Bookseller: Librairie Abencerage] |
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document manuscrit
Brevet de capitaine du château de Rouvres délivré en 1470.
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- Nombre de document : 1 parchemin 16 x 32 cm 18/03/1470 Reste de queue de parchemin (manque le sceau). Contreseing sur le revers "par monseigneur le dauphin d'Auvergne". mouillures claires, rognure au pli central Brevet par lequel Gilbert de Bourbon, dauphin d'Auvergne et lieutenant général du roi, nomme messire Guy de Beaulieu, conseiller et chambellan du roi, «cappitaine du chastel, chastellenie et mandement de Roure lez Dijon [Rouvres-en-Plaine, Côte d'Or, résidence favorite des ducs de Bourgogne] au duché de Bourgongne, pour dicelui office ensemble des droiz gages confiés et esmolumens acoustumés [.] tant qu'il plaira à mondit seigneur en déboutant tout autre détenteur dudit office [.]». Cette nomination intervient en plein conflit entre Charles le Téméraire et le roi Louis XI.
[Bookseller: Traces Ecrites] |
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Danzi, by Massimo
La Biblioteca del Cardinal Pietro Bembo
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DROZ. HARDBACK. 2600009248 Au terme d'un vaste essai sur la double culture littéraire et artistique de Pietro Bembo (Venise 1470 - Rome 1547), Massimo Danzi donne l'édition commentée du seul catalogue qui nous est parvenu de sa bibliothèque et qui a récemment été retrouvé à Cambridge. Rédigé vers 1540 à Rome par le juriste français Jean Matal, l'inventaire fait état de plusieurs centaines de volumes imprimés et manuscrits permettant pour la première fois de reconstituer la personnalité de l'humaniste. Il en émerge ainsi un réseau intellectuel de dimension européenne où les interlocuteurs de Pietro Bembo sont Erasme, Damiao de Gois, Reuchlin, Sebastian Münster, Alde ou Froben. Le document cite en outre des ouvrages orientaux, hébreux principalement ainsi qu'en moindre proportion caldéens, qui autorisent à formuler de nouvelles hypothèses sur une érudition considérée jusqu'alors comme trilingue. Par sa grande précision enfin, l'inventaire a permis d'identifier une série d'exemplaires qui ont physiquement appartenu à Bembo et qui viennent attester d'un travail philologique parmi les plus intenses de la Renaissance. 472p (Droz 2005). 9782600009249. Hardback . New. 2005-01-01.
[Bookseller: The David Brown Book Company] |
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Petrarca (Petrarch), Francesco. Rime, In Italian Verse, M...
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Italy (perhaps Florence): c1470 [third quarter of the fifteenth century] 282mm. by 210mm. Early foliation (ignored here) xi-xv, xxi, xvi-xvii, xix-xx, misbound, leaves should be in the order fols.1-5, 7-8, one lacking, 9-10 and 6, lacking all leaves after that. 10 leaves. Double column, c.40-44 lines, written-space c.240mm. by 175mm., written in dark brown ink in a flamboyant cursive hand, opening initials of each verse set apart into left-hand margins, some minor wear and stains in corners, generally sound, old marbled paper boards.The manuscript has the bookplate of Joseph Tasker, Middleton Hall, Essex. [Tasker had an extensive collection of English literature according to Hazlett’s ‘Roll Of Honour’. His books were sold at auction 7 March & 13 Nov. 1862 (SLS & JW) with a remainder on 22 Dec. 1868 (SW & H.) In the 1840's he published several translations of works on Spanish Treasury Bonds signing himself as “Joseph Tasker, Chairman of the Holders of Spanish Treasury Bonds.”] On the cover is a paper label identifying it as 'No. 32." The watermark is a cardinal’s hat, type of Briquet 3370 (Florence 1465-67, variants in Venice 1469, etc.). These are the Rime sparsi of Francesco Petrarca, or Petrarch (1304-1374), written in honour of Laura, the mysterious and elusive paragon whom he claimed to have first glimpsed in the church of St.Clare in Avignon in 1327. Petrarch recorded that she died in 1348. Even the poet’s own friends questioned whether Laura was a real woman or a fictional symbol of perfection. The love poems were begun in the early 1330s and were mostly completed by the mid-1350s. A final version was begun in 1366 and survives in a manuscript which is at least partly autograph (Vatican, cod. Vat.Lat. 3195). These are lyric poems of intense love, frustration, beauty and tragedy, filled with allegory, wit, self-accusation, remorse and despair. They are among the most important and moving poems of the early Renaissance. The present copy is unusual in being written in a cursive or even notarial hand. It is apparently unrecorded, and is not listed in N. Mann, Petrarch Manuscripts in the British Isles (Censimento dei codici petrarcheschi, VI), 1975. The manuscript opens on fol.1r with Rima 1, “Voi ch’ascoltate in rime sparse ilsono …”, continuing with nos.2, 3 (on the poet’s first meeting with Laura on Good Friday), 4 (on Laura’s birth), 5 (playing with the syllables of her name Lau-re-ta), 6, 7, 8, 9, 10 (addressed to Stefano Colonna the elder), 11, 12, 13, and so on, to the end of Rima 33 (fol.5v); the text then continues without a break on fol.7r, with Rima 34 (inviting Apollo to come to see the marvel of his lady shading herself from the sun), continuing with nos.35 (in which the cares of love exile him into the forests and mountains), 36, 37 (the heading at the top of fol.7v occurs in mid-sentence and bears no relation to the text of the poem), 38, 39, 40, and so on, to the end of Rima 48 (fol.8v); one leaf of text (166 lines) is lacking; it picks up again on fol.9r in Rima 53, line 53, and continues with nos.54, 55, 56, and so on, to Rima 70, line 13 (fol.10v), breaking off and picking up again without a break on fol.6r with Rima 70, line 14, continuing with nos.71 (on the brevity of life) and 72, to line 18 (fol.6v), all ending, “… del suo lavoro in terra”; it lacks all text after that. Petrarca or Petrarch (1304-1374) Italian scholar and poet, often considered the "first humanist".He was widely traveled and became the first great Alpinist. His famous series of poems to Laura, the Canzoniere, are still considered some of the greatest poems ever written. "Not only did this culture hero gain an ardent welcome or these ideas and practices (antiquarianism, study of elegant Latin, study of Greek, etc.), but he shaped them into a single movement that came to dominate the culture of the age: to have established the vogue and ideology of classical antiquity and humanistic studies was Petrarch's most significant achievement. In this sense he was 'the founder of the Renaissance." Wedeck & Schweitzer, Dictionary of the Renaissance.
[Bookseller: Krown & Spellman, Booksellers] |
| 60. Check availability: ILAB
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ILLUMINATED MANUSCRIPT
BOOK OF HOURS IN LATIN, ILLUMINATED MANUSCRIPT ON VELLUM.
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Northern France (most probably Amiens - note on f 10 the Saint St Blandina in the Litany of Saints.) circa 1470 - 103 leaves 10x7 cms. Leaves numbered 1-36 then change of hand and numbered 36-97 then change of hand 99 with 4 more unnumbered leaves in the same hand as leaf number 99. 2 LARGE ILLUMINATED INITIALS IN GOLD AND BLUE WITH IVY SCROLLS IN THE INNER MARGINS (at f 1 and 14) and 48 initials in red and blue with scroll work (sometimes more than one to a page) and rubrication on many other leaves. 3 leaves of Litany of Saints with each S in alternating blue and red with scrolls at the end of the lines. First gold initial a tiny bit trimmed and a small mark on f 28 but otherwise in very good condition. Bound much later full embossed morocco. A very pretty little illuminated manuscript- the vendor is unsure if it is complete but, naively, nothing appears missing. Photos sent on request. [Attributes: Hard Cover]
[Bookseller: Charles Russell, ABA, ILAB, est 1978] |
| 62. Check availability: AbeBooks
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Medieval Miniature-King David King David In Penitence - H...
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Ferrara: c.1470. 113 x 128mm (overall). From illuminated manuscript on vellum. Within a pink-stavedinitial decorated with white penwork and blue and green foliage and set against a burnished gold ground, the half length figure of King David, white-haired and bearded, wearing a girdled green robe and a tall turbaned crown, beating his breasts and his eyes raised towards the golden rays that spark to decorate the dark blue background. Some staining affecting the background, some losses to gold. Cut to shape. Mounted and framed. From the collection of Duncan Benesford-Jones. Large in size. This fine intial is attributable to Guglielmo Giraldi or one of his collaborators. He was the favorite illumintaor of Borso d'Este, Duke of Ferrara and was also responsible for the decoration of series of choirbooks for Ferraese churches and monasteries. The present intial is tellingly close in drapery style, gesture, and background to his work.
[Bookseller: Krown & Spellman, Booksellers] |
| 63. Check availability: ILAB
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Konig, Kilian; Konig, Chilian
Process unnd Practica: Mit Sondern Fleisse Revidirt
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1470] 1470 - Konig, Kilian (Chilian) [b. ca.Prietzen, Joachim Gregor von, Editor. Process unnd Practica: Mit Sondern Fleisse Revidirt, Mit Vielen Newen Nutzlichen Rubricis und Titulis Extendirt, Mercklich Verbessert, Vermehret, Und in Vier Unterschiedene Teil Abgeteilet durch Ioachimum Gregorij von Prietzen. Allen Gerichtspersonen/Amptsverwaltern und Denen so in Foro Versiren Sehr Notig unt Nutzlich Zulesen. [Heidelberg]: Impensis Voegelinianis, [1599]. [viii], 713, [15] pp. Quarto (7-1/2" x 6"). Contemporary vellum, blind frames and small arabesques to boards,"M M" and "1608" black-stamped to front, faint early hand-lettered titles to spine, head of front board and fore-edge of text block. Moderate soiling, some edgewear, boards slightly bowed, vellum just beginning to crack through front pastedown, minor worming to joints. Handsome title page printed in red and black within ornate woodcut border. Toning to text, light browning in a few places, faint marginal dampstain to lower corner of fore-edge of first quarter of text block. Small later library stamp and owner signature to front free endpaper, occasional early annotations and underlining. A nice copy of a scarce title. * Later edition. Initially based on local custom and gradually modified by the introduction of Roman, procedure in the Holy Roman courts was especially intricate. This created a ready market for procedural manuals. Process unnd Practica is one of the best and long-lived examples. Originally published in 1541, it went through several editions, the final in 1625. Verzeichnis der im deutschen Sprachbereich Erschienenen Drucke des 16. Jahrhunderts (VD16) ZV 20965. [Attributes: Hard Cover]
[Bookseller: The Lawbook Exchange, Ltd., ABAA ILAB] |
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ILLUMINATED MANUSCRIPT
BOOK OF HOURS IN LATIN, ILLUMINATED MANUSCRIPT ON VELLUM.
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Northern France (most probably Amiens - note on f 10 the Saint St Blandina in the Litany of Saints.) circa 1470 - 103 leaves 10x7 cms. Leaves numbered 1-36 then change of hand and numbered 36-97 then change of hand 99 with 4 more unnumbered leaves in the same hand as leaf number 99. 2 LARGE ILLUMINATED INITIALS IN GOLD AND BLUE WITH IVY SCROLLS IN THE INNER MARGINS (at f 1 and 14) and 48 initials in red and blue with scroll work (sometimes more than one to a page) and rubrication on many other leaves. 3 leaves of Litany of Saints with each S in alternating blue and red with scrolls at the end of the lines. First gold initial a tiny bit trimmed and a small mark on f 28 but otherwise in very good condition. Bound much later full embossed morocco. A very pretty little illuminated manuscript- the vendor is unsure if it is complete but, naively, nothing appears missing. Photos sent on request. [Attributes: Hard Cover]
[Bookseller: Charles Russell, ABA, ILAB, est 1978] |
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BERNT, WALTHER:
DIE NIEDERLÄNDISCHEN MALER DES 17. JAHRHUNDERTS (3 BÄNDE);
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- 800 Künstler mit Signaturen u. 1470 Abb. in 3 Bänden, Vorw. v. Ellen u. W. Bernt, ~190 S. Text u. 1457 S. Abb., Bruckmann, München 1969/70, 4°, Orig.Leinen, Einbd v. Bd. 1 leicht unfrisch, vereinzelt handschr. Eintragungen --- 3., völlig neu bearbeitete Auflage. Der (4.) Nachtragsband früherer Auflagen ist integriert. Standardwerk 6000 Gramm. [Attributes: First Edition; Hard Cover]
[Bookseller: Antiquariat A. Thomi] |
| 67. Check availability: AbeBooks
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Philip H. Young
The Printed Homer: a 3, 000 Year Publishing and Translation History of the Iliad and the Odyssey
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McFarland & Company. New PLEASE NOTE that we do not offer expedited shipping. Orders placed with the priority shipping option will automatically be canceled. This work first considers who Homer might have been and then explores the when and how of the creation of the written forms of the two works. The Homeric text in classical times and in medieval Europe and the Byzantine Empire, and the Homeric text, the printing press and Renaissance humanism are next taken up. The successes and failures of the many who attempted to translate the works are analyzed critically and then — a major portion of the book — all the known texts, editions and translations of the Iliad and the Odyssey from 1470 to 2000 are listed. The author considers the future of the Homeric texts and the Poet's relevance to this and future generations. Seven valuable appendices (e.g., Modernizing of Latin City Names; First Printings in Vernacular Languages), a bibliography, and an index complete the work. ISBN10: 0786438975.
[Bookseller: Alibris] |
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Joachim Ritter / Gründer, Karlfried / Gabriel, Gottfried (Hrsg.)
Historisches Wörterbuch der Philosophie. 13 Bände (ersch. 1971-2007)
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Basel Schwabe 0 - sehr gutes Exemplar ! Einzelbände auf Nachfrage !! (statt früher 2380,00) 1036 S. (Band 1 A-C) 1151 S. (Band 2 D-F), 1271 S. (Band 3 G-H) 1470 S. (Band 4 I-K) 1447 S. (Band 5 L-Mn) 1395 S. (Band 6 Mo-O) 1842 S. (Band 7 P-Q) 1519 S. (Band 8 R-Sc) 1558 S. (Band 9 Se-Sp) 1618 S. (Band 10 St-T) 1275 S. (Band 11 U-V) 1555 S. (Band 12 W-Z) 1046 S. (Band 13 Register). Orig.Leinen mit Orig.Umschlag 4°. Dem Band 13 ist die CD-Rom "Historisches Wörterbuch der Philosophie. 13 Bände 1971-2007" beigelegt. Völlig neu bearbeitete Ausgabe des "Wörterbuchs der philosophischen Begriffe" von Rudolf Eisler. Unter Mitwirkung von mehr als 1500 Fachgelehrten. In Verbindung mit Günther Bien, Tilman Borsche, Ulrich Dierse, Wilhelm Goerdt, Oskar Graefe, Wolfgang Hübener, Anton Hügli, Helmut Kühn, Friedrich Kambartel, Friedrich Kaulöbach, Theo Kobusch, Ralf Konersmann, Margarita Kranz, Hermann Lübbe, Odo Marquard, Reinhart Maurer, Stephan Meier.Oeser, Friedrich Niewöhner, Ludger Oeing-Hanhoff, Willi Oelmüller, Thomas Rentsch, Kurt Röttgers, Eckart Scheerer. Heinrich Schepers, Gunter Scholtz, Winfried Schröder, Martin Seils, Robert Spaeman. [Attributes: Hard Cover]
[Bookseller: Basis Buchhandlung & Antiquariat GmbH] |
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by Massimo Danzi
La Biblioteca del Cardinal Pietro Bembo
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DROZ - Au terme d'un vaste essai sur la double culture littéraire et artistique de Pietro Bembo (Venise 1470 - Rome 1547), Massimo Danzi donne l'édition commentée du seul catalogue qui nous est parvenu de sa bibliothèque et qui a récemment été retrouvé à Cambridge. Rédigé vers 1540 à Rome par le juriste français Jean Matal, l'inventaire fait état de plusieurs centaines de volumes imprimés et manuscrits permettant pour la première fois de reconstituer la personnalité de l'humaniste. Il en émerge ainsi un réseau intellectuel de dimension européenne où les interlocuteurs de Pietro Bembo sont Erasme, Damiao de Gois, Reuchlin, Sebastian Münster, Alde ou Froben. Le document cite en outre des ouvrages orientaux, hébreux principalement ainsi qu'en moindre proportion caldéens, qui autorisent à formuler de nouvelles hypothèses sur une érudition considérée jusqu'alors comme trilingue. Par sa grande précision enfin, l'inventaire a permis d'identifier une série d'exemplaires qui ont physiquement appartenu à Bembo et qui viennent attester d'un travail philologique parmi les plus intenses de la Renaissance. 472p (Droz 2005). 9782600009249. Hardback [Attributes: Hard Cover]
[Bookseller: The David Brown Book Company] |
| 71. Check availability: AbeBooks
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A PRINTED LEAF FROM JOHANNES BALBUS' CATHOLICON.
TEXT FROM THE LETTER P.
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[Strassburg: The ""R-Printer"" (Adolf Rusch)], ca. 1470] 413 x 292 mm. (16 1/4 x 11 1/2""). 67 lines in double columns in a plain open gothic type. Matted. 46 TWO-LINE INITIALS PAINTED IN GREEN OR RED paragraph marks and capitals struck in red. Fine condition. Goff B-23 (7 copies); BMC I, 65.
[Bookseller: Phillip J. Pirages Fine Books & Manuscri] |
| 72. Check availability: ILAB
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Die Drucke von Petrarcas 'Rime' 1470-2000
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- Used, remainders or ex-library, english-speaking-service, multi-volumes: please ask before ordering, Gebraucht oder Verlagsrestbestand, evtl. aus Bibliotheksbestand, bei mehrbändigen Werken bitten wir um vorherige Anfrage, korrekte Rechnung mit ausgewiesener MwSt., deutschsprachiger Service, 14-Tage-Rückgaberecht
[Bookseller: buxbox] |
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THOMAS D'AQUIN.
Cofessionale seu libellus poptim [per optimus] Beati Thome de aquino de modo confideodi et de puritate conscientie cui libet confessori et confiteri volenti putilis r necessarius. M. G. de Villalonga [Guillaume Guerson de Villalonga, 1470-1502].
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Paris: Claude Jaumar (imprimé par Etienne Jehannot), [ca 1496]. 28 ff.n.ch. (a8, b8, c8, d4) dont la page de titre avec bois gravé (couronnement de la vierge), au verso du dernier feuillet bois gravé montrant Dieu le Père soutenant Jésus crucifié, avec une colombe, et le nom Claude Jaumar [ce bois est-il la marque de Claude Jaumar?], lettrines et marques de paragraphe en bleu et rouge (certaines manuscrites), capitales rehaussées en jaune. RELIE AVEC: Interrogationes curatorum. [Paris]: Denis Roce . 8ff.n.ch. (a8) dont page de titre portant la grande marque à pleine page de Denis Roce (deux griffons soutenant un écu orné d'un chevron, de deux têtes de chien et d'une coquille Saint Jacques), avec sa devise "A l'aventure"; lettrine en rouge et rehauts en jaune rouge et bleu. RELIE AVEC: [Guillermo du Vuert.?]. Libellus de modo penitendi et confitendi. [Paris]: Denis Roce (imprimé par Guy Marchant, 30 janvier 1496). 40 ff.n.ch. (a-e8) dont page de titre portant la même grande marque de Roce, et un beau bois gravé à pleine page; texte rehaussé en rouge et jaune. Format in-12 (87 x 128 mm). Cartonnage muet du dix-neuvième siècle à dos de maroquin vert, tranches rouges. Charmant recueil en excellent état. Trois petits manuels de confession incunables très vraisemblablement contemporains, le dernier daté du 30 janvier 1496, et tous de la plus grande rareté. Le premier traite particulièrement des péchés de chair: pollution, luxure, pensées libidineuses, familiarité excessive avec les femmes. Imprimé par Etienne Jehannot, il porte les noms des libraires-éditeurs M. G. de Villalonga (Guillaume Guerson de Villalonga, musicologue et éditeur proche de Jehannot) et Claude Jaumar. Les deux traités suivants portent la marque du libraire parisien Denis Roce, actif entre 1490 et 1517. Ces trois charmants opuscules sont imprimés en caractères gothiques avec rehauts de couleur, le premier sur 30 lignes et titre courant, les suivants sur 27 lignes. Le bois gravé ornant le dernier traité, qui représente la collecte de la manne tombant du ciel, est d'une fraîcheur saisissante.
[Bookseller: Librairie des Carrés] |
| 75. Check availability: Livre-Rare-Book
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Wachsmann,S.
Aegeans in the Theban Tombs
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Peeters - 9789068310665 The wall paintings of several Theban tombs represent foreigners who present gifts that are sometimes typically Cretan or Aegean. Other foreigners, although labeled «Princes of Keftiu» (Crete), are represented as Asiatics. The aim of the present volume is to analyze these wall paintings in order to distinguish the Aegeans and their gifts. The author manages to establish their characteristics in nine Theban tombs, divides chronologically in two groups, and shows that the related figures reflect actual Aegeo-Egyptian relations in the time of the XVIIIth dynasty, down to c. 1470/1450 BC. This result is obtained by a careful comparison of represented gifts with undoubtedly Minoan objects and documents from the Aegean, especially Crete.
[Bookseller: Librairie La Canopee. Inc.] |
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QUITE PRETTY ILLUMINATED VELLUM MANUSCRIPT LEAVES FROM A ...
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Poitiers, ca. 1470 159 x 108 mm. (6 1/4 x 4 1/4""). Single column 14 lines in a neat regular gothicbook hand. Leaves with varying numbers of one-line initials in brushed gold on red or blue squares EVERY LEAF WITH A VERY PLEASING PANEL BORDER ON EACH SIDE featuring curling blue and gold acanthus leaves flowers and often fruit. Leaves occasionally a little yellowed infrequent minor soiling but as a whole IN FINE BRIGHT CONDITION. These leaves come from the manuscript described in items #43 and 44 above. $250 - $300 (depending on decoration and condition)
[Bookseller: Phillip J. Pirages Fine Books & Manuscri] |
| 79. Check availability: ILAB
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Graf zu Leiningen-Westerburg Karl Emich 1856 1906
Echanges d’ex-libris et d’autographes entre collectionneurs.
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- Nombre de document : 4 Nombre de page : 14 Divers Enveloppes jointes. En-tête gaufré. bon Echanges entre les deux collectionneurs : lettres autographes (Louis I, Louis II de Bavière, etc.), contre ex-libris et livres. «Ma collection d’ex-libris contient 14 700 pièces de 1470–1899. Elle est la plus grande du continent» Avec une lettre d’Alexander Harteman à Graf (Graz, 1889, 2 pp. in-8, sur les ex-libris), une carte de visite de J.H. von Hefner-Alteneck (à Graf) et un imprimé d’un collectionneur d’ex-libris, Gustav Drobner. le plus grand collectionneur d’ex-libris.
[Bookseller: Traces Ecrites] |
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CALENDAR LEAF
Illuminated leaf from a Calendar of a Book of Hours. Paris, c.
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- Panel border on each side of the page, each containing a small minature (a man digging the land, and a ram), and with decoration of acanthus and flowers and leaves. Size of leaf: 150 x 110mm. 16 lines of gothic text written in burnished gold, blue and red. 1470. A leaf from the calendar of a Book of Hours, for the month of March.
[Bookseller: Maggs Bros. Ltd ABA ILAB BA] |
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THOMAS D'AQUIN (Saint)
Quodlibeta duodecim disputata circa annum d(omi)ni M.CC.LXX. (EDITION INCUNABLE, UNE DES PREMIERS IMPRESSIONS ROMAINES)
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- S.l.n.d. (Rome, Georgius Lauer, ca 1470). In folio plein vélin ivoire cordé de l’époque à petits rabats, titre manuscrit en long au dos, (1) f. blanc, (217) f., 33 lignes longues à la page avec les initiales en rouge. Edition princeps incunable de ce texte majeur de Thomas d'Aquin, l'une des toutes premières impressions romaines, donnée par Georg Lauer dont c'est l'une des premières productions. Originaire de Wurtzbourg, Georg Lauer (ou Laver) installa, en cette année 1470, une presse au monastère Saint Eusèbe, sous la protection du cardinal Caraffa. Il utilise ici un caractère romain aux formes arrondies tenant à la fois du gothique par leur graisse et du romain par leur dessin, caractère proche de celui de Conrad Sweynheym et Arnoldo Pannartz, élèves de Gutenberg et introducteurs de l'imprimerie en Italie cinq années auparavant (1465). Acte universitaire par excellence dans le haut enseignement médiéval, les «Disputes» constituent la clé de voûte de l'œuvre de Thomas d'Aquin. C'est, plus encore, dans l'activité périlleuse et redoutée des «Disputes de quolibet» (questions extraordinaires), qu'il excellait particulièrement : elles permettaient aux participants, lors de séances solennelles bisannuelles, de poser librement au maître les questions les plus diverses, souvent alors de brûlante actualité. Thomas conclut l'un des douze exercices quolibetiques qu'il conduisit ainsi : «Si nous résolvons les problèmes de la foi par seule voie d'autorité, nous posséderons certes la vérité, mais dans une tête vide». (Brunet, V, 827. Goff, T, 182. Hain-Copinger, 1400. Pellechet, 1002. Marais, Bibliothèque Mazarine, 25. Deschamps, 100). Dos d'origine conservé, plats restaurés, gardes renouvelées, exemplaire anciennement lavé, galeries de vers comblées dans les marges, quelques taches d'encre et brunissures. Bon exemplaire, solide, bien relié, complet. Le premier feuillet blanc, qui a été conservé, comporte l’ex-libris manuscrit à l’époque : «Ad usum Iacinti Iati». [Attributes: Hard Cover]
[Bookseller: Librairie Hatchuel] |
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Book of Hours, use of Rome.
Illuminated Latin manuscript on vellum.
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Northern Italy (Torino diocese), 1470/1480. - 120 ff. 140 x 115 mm, lacking one single leaf in quire xii (end of "Oratio S. Anselmi" before Office of the Dead, which was removed as a whole in the 18th century); otherwise complete. Collation: i8, ii4, iii-xii8, xiii3 (instead of 4), xiv-xvi8, xvii3 (instead of 6: three final blanks omitted). Vertical catchwords, 16 lines, written space 110 x 850 mm. Written in brown ink in a rounded gothic liturgical hand, rubrics in red, 13 large historiated initials, initials 4-5 lines high in burnished gold on panelled grounds, one with a one-sided illuminated border of colored leaves and flowers with tiny gold bezants. 158 two-line illuminated initials for each psalm in burnished gold on panels divided into red, green, and blue with delicate tracery in white and yellow, one-line and two-line initials throughout alternately in blue and burnished gold. 18th-c. calf with cover fillets; remains of clasps. Book of Hours written for a layman close to the Third Order of St. Francis, as suggested by red highlighting of the feasts of St. Bernardino of Siena and of the Order's founder (Oct. 4) within the (non-liturgical) calendar. The emphasis on St. Francis and St. Bernardino in the litany (they are placed immediately after St. Benedict), as that on Clara of Assisi and Elizabeth of Thuringia, and also a prayer from the Office of St. Francis, appended shortly after the completion of the ms. on fol. 94v, support this attribution. - The calendar and litany commemorate three great popular preachers besides St. Francis, namely the Franciscan Bernardino of Siena, d. 1444 (5v, 105r), the Dominican Vincent Ferrer, d. 1419 (105r), and the Augustinian Hermit Nicholas of Tolentino, d. 1305 (9r), a fact that underlines the lay element of the manuscript. - The illumination of the text is remarkable: while the Office of the Virgin is usually illustrated by a childhood or passion cycle (the Annunciation classically forming the opening scene), the first historiated initial here contains a rather abstract devotional picture of Mary, serving as an obligatory bow to the Virgin's eschatological importance; the following hours, however, invoke a series of additional advocates for the reader's salvation. Especially noteworthy is the distinction awarded to St. Michael, who occupies the only five-line initial, while all the other figures are fitted within four-line characters. The illustrated litany extends beyond the Office of the Virgin to another text (59v), so that a total of nine saints (Mary, Michael, John the Evangelist, Catharine, Jerome, John the Baptist, Anthony, Francis, Elizabeth) are commemorated in illuminations. - Some leaves (including the first) rather rubbed; decorative initials within calendar trimmed during rebinding; a few smudges and small stains, but mostly sound.
[Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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