|
|
|
Displayed below are selected recent viaLibri matches for books published in 1469
|
Livre des mille et une nuits (le).
|
Charpentier et Fasquelle 1469, Paris - 16 vol. in-8, demi-chagrin rouge, dos lisse orné, tête dorée, non rogné (reliure de l'époque). Première édition de la traduction du docteur J. C. Mardrus, prise notamment sur l'édition égyptienne de Boulak. L'auteur dédie chacun des volumes à ses amis, tels Paul Valéry, André Gide, Henri de Régnier, etc., et l'ouvrage à la mémoire de Stéphane Mallarmé, grand amateur de ces contes. Bel ensemble formant une jolie série. Rousseurs.
[Bookseller: Bonnefoi Livres Anciens] |
| 1. Check availability: AbeBooks
Link/Print |
MACHIAVELLI Niccolò,
Opere.
|
Stamperia Valdonega 5909, Verona - 9 volumi in 4 (su un totale di 11), splendida legatura editoriale, ad opera di Giovanni De Stefanis, in pieno marocchino rosso-violetto a gran larga, titolo e riquadri di filetti in oro ai dorsi a nervi, triplice riquadro di filetti in oro ai piatti, riquadro dorato int., intonso con taglio superiore dorato, astuccio bordato in marocchino. Superba edizione, ideata per il cinquecentenario della nascita di Machiavelli (1469); e composta in carattere Dante. Se ne stamparono, nell'arco di 14 anni, 500 esempl. su carta a mano filigranata Magnani. Il testo, curato da Sergio Bertelli, e' ornato da silografie di Italo Zetti; il volume X, pubblicato nel 1979, contiene tra l'altro una dettagliata bibliografia critica delle edizioni del Machiavelli. Mancano i volumi VIII e XI.
[Bookseller: Libreria Antiquaria Palatina] |
| 2. Check availability: AbeBooks
Link/Print |
MANUSCRIPT WITH ENGRAVINGS - HERALDRY]. [SMALLEGANGE, Mattheus].
Armorial of the Netherlands].[Amsterdam?], ca. 1736. Folio (34 x 22 cm). An armorial of the (mostly northern) Low Countries, with about 1451 engraved and 18 manuscript coats of arms pasted onto (or in the case of the manuscript arms drawn on) pre-printed engraved forms (each leaf with 25 spaces numbered 1-25). The facing pages, neatly written in brown ink, list the names of the families whose arms are shown, keyed to the pre-printed numbers. The engraved arms in the first part (each 21 x 20 mm) are taken from the ca. 1700 appendix to Smallegange's 1696 Nieuwe Cronyk van Zeeland, and that part has additional manuscript notes copied from the same source. The engraved arms in the second part (each 24 x 21 mm) have not been identified. Contemp
|
- (11 blank), (88), (8 blank), (102), (5 blank) pp. including paste-downs.An armorial of the Netherlands, with about 1469 small coats of arms (about 1451 engraved and 18 manuscript), identified on the facing pages, sometimes with informative notes. It is divided into two parts, each with its arms arranged alphabetically by family name. Part 1, with about 794 engraved coats of arms from the heraldic appendix to Smallegange's Cronyk and 2 more added in manuscript, covers Zeeland nobility and includes not only the family names, but also notes copied from Smallegange (the note to "Blois" even copying his reference to "my" Chronyk van Zeeland). Part 2 contains about 657 engraved and 16 manuscript coats of arms, slightly larger than those in the first part and covering Low Countries nobility from various provinces, mostly the northern provinces that formed the Dutch Republic (approximately the modern Netherlands). We have not identified the source of the engravings in part 2. Occasionally part 2 includes the arms of a Zeeland family also included in part 1, but the arms then differ in execution (as with Smallegange's own arms) and sometimes in content. The arms of Soutelande (Zoutelande), for example, show two different marks of cadence: a label (eldest son, before the father's death) in part 1 and a crescent (second son, before or after the father's death) in part 2, though the label became a fixed element and the municipality of Zouteland adopted the arms with label in 1817. We have not had the opportunity to compare the arms of Holland families in part 2 with those in Smallegange's 1677 Wapenen de Steden en Oud-Adelyke Geslachten in. Holland en West-Vriesland or those of Utrecht families with those in the 1671 Wydberoemde Binnen-Stichtsche Wapenen. The manuscript arms (some added at the end in a different ink) are: in part 1, Honigs (added: Rethaan Macaré); and in part 2, Van Banchem, Boreel, Bors van Wareren, Hop and Rendorp (added: Van Bambeek, Van Bueren, Van Kretschmar, Kraijenhoff, Van Maanen, Van der Meersch, De Mey van Streefkerk, De Man, Muller, Pancras and Tulp). A calligraphic inscription under the front paste-down may provide clues to the compiler of the armorial, but is difficult to read.The paper, including the endpapers, is watermarked: PS = arms (chevron with 2 stars above and a sheaf of wheat below). These arms were used with the PS countermark by Paulus Sébille in 1736 (Voorn, Noord-Holland 161 and Gaudriault 199 & p. 307, without the heart or the zig-zag pattern that appear in the base of the present version), and with other initials or names by Daniel Sébille & Wend 1762-1763; Sebille, Van Ketel & Wassenbergh in 1776; and with initials replacing bearings by H.C. Wend & Zoonen in 1788. Paul Sébille baptised 7 children in the Walloon Reformed church in Amsterdam from 1719 to 1735, and his wife Susanne Bernard witnessed baptisms alone from 1737 to 1756, so he may have died ca. 1736.With the blind-embossed arms of Charles Philippe Louis van Kinschot (1806-1862) or his grandson of the same name (1875-1936) on the first leaf and the latter's 1903 pencilled note criticising the depiction of the Kinschot arms in part 2 (the fields normally bearing bees are blank). In very good condition, with the manuscript leaf numbers and sometimes also the letter of the alphabet heading the list of family names shaved. The sewing is loose and the binding worn and tattered. A manuscript and engraved armorial of the Netherlands, with about 1469 coats of arms.
[Bookseller: ASHER Rare Books] |
| 3. Check availability: AbeBooks
Link/Print |
[MANUSCRIPT WITH ENGRAVINGS - HERALDRY]. [SMALLEGANGE, Mattheus].
[Armorial of the Netherlands].[Amsterdam?], ca. 1736. Folio (34 x 22 cm). An armorial of the (mostly northern) Low Countries, with about 1451 engraved and 18 manuscript coats of arms pasted onto (or in the case of the manuscript arms drawn on) pre-printed engraved forms (each leaf with 25 spaces numbered 1-25). The facing pages, neatly written in brown ink, list the names of the families whose arms are shown, keyed to the pre-printed numbers. The engraved arms in the first part (each 21 x 20 mm) are taken from the ca. 1700 appendix to Smallegange's 1696 Nieuwe Cronyk van Zeeland, and that part has additional manuscript notes copied from the same source. The engraved arms in the second part (each 24 x 21 mm) have not been identified. Contemporary red roan (sheepskin), marbled sides, green cloth ties.
|
. (11 blank), (88), (8 blank), (102), (5 blank) pp. including paste-downs.An armorial of the Netherlands, with about 1469 small coats of arms (about 1451 engraved and 18 manuscript), identified on the facing pages, sometimes with informative notes. It is divided into two parts, each with its arms arranged alphabetically by family name. Part 1, with about 794 engraved coats of arms from the heraldic appendix to Smallegange's Cronyk and 2 more added in manuscript, covers Zeeland nobility and includes not only the family names, but also notes copied from Smallegange (the note to "Blois" even copying his reference to "my" Chronyk van Zeeland). Part 2 contains about 657 engraved and 16 manuscript coats of arms, slightly larger than those in the first part and covering Low Countries nobility from various provinces, mostly the northern provinces that formed the Dutch Republic (approximately the modern Netherlands). We have not identified the source of the engravings in part 2. Occasionally part 2 includes the arms of a Zeeland family also included in part 1, but the arms then differ in execution (as with Smallegange's own arms) and sometimes in content. The arms of Soutelande (Zoutelande), for example, show two different marks of cadence: a label (eldest son, before the father's death) in part 1 and a crescent (second son, before or after the father's death) in part 2, though the label became a fixed element and the municipality of Zouteland adopted the arms with label in 1817. We have not had the opportunity to compare the arms of Holland families in part 2 with those in Smallegange's 1677 Wapenen de Steden en Oud-Adelyke Geslachten in ... Holland en West-Vriesland or those of Utrecht families with those in the 1671 Wydberoemde Binnen-Stichtsche Wapenen . The manuscript arms (some added at the end in a different ink) are: in part 1, Honigs (added: Rethaan Macare); and in part 2, Van Banchem, Boreel, Bors van Wareren, Hop and Rendorp (added: Van Bambeek, Van Bueren, Van Kretschmar, Kraijenhoff, Van Maanen, Van der Meersch, De Mey van Streefkerk, De Man, Muller, Pancras and Tulp). A calligraphic inscription under the front paste-down may provide clues to the compiler of the armorial, but is difficult to read.The paper, including the endpapers, is watermarked: PS = arms (chevron with 2 stars above and a sheaf of wheat below). These arms were used with the PS countermark by Paulus Sebille in 1736 (Voorn, Noord-Holland 161 and Gaudriault 199 & p. 307, without the heart or the zig-zag pattern that appear in the base of the present version), and with other initials or names by Daniel Sebille & Wend 1762-1763; Sebille, Van Ketel & Wassenbergh in 1776; and with initials replacing bearings by H.C. Wend & Zoonen in 1788. Paul Sebille baptised 7 children in the Walloon Reformed church in Amsterdam from 1719 to 1735, and his wife Susanne Bernard witnessed baptisms alone from 1737 to 1756, so he may have died ca. 1736.With the blind-embossed arms of Charles Philippe Louis van Kinschot (1806-1862) or his grandson of the same name (1875-1936) on the first leaf and the latter's 1903 pencilled note criticising the depiction of the Kinschot arms in part 2 (the fields normally bearing bees are blank). In very good condition, with the manuscript leaf numbers and sometimes also the letter of the alphabet heading the list of family names shaved. The sewing is loose and the binding worn and tattered. A manuscript and engraved armorial of the Netherlands, with about 1469 coats of arms..
[Bookseller: Asher Rare Books (Since 1830) (Member of] |
| 4. Check availability: ILAB choosebooks
Link/Print |
Dowling, Maria
Fisher of Men: A Life of John Fisher, 1469-1535
|
Palgrave Macmillan - 0312223676 Average used book, may have price sticker on front cover. Shows some shelfwear on the edges. Immediate shipping for all orders and FREE STANDARD DELIVERY on Domestic US Orders! International, APO, FPO and PO Box addresses accepted. All of our titles are exactly the same title as shown and are 100% Guaranteed! Used items may not include extras such as infotrac, CD or other web access codes. We recommend expedited shipping for faster delivery. Standard shipping may take up to 14 business days. ABEP45 [Attributes: Hard Cover]
[Bookseller: Paperleaf Books] |
| 5. Check availability: AbeBooks
Link/Print |
MACHIAVELLI, NICCOLO.:
TUTTE L'OPERE DI NICCOLO MACHIAVELLI Segretario e Cittadino Fiorentino: con una Prefazione di Giuseppe Baretti.
|
London, Thomas Davies, 1772. Three volumes, complete set, Italian text, 4to, 305 x 230 mm, 12" x 9", frontispiece portrait in Volume I, 3 folding plates in Volume II, pages lx, 407; 453; 580, (1 - description of the plates), bound in full contemporary tree calf, very elegantly and professionally rebacked to style, raised bands to spine, ornate gilt decoration in compartments, gilt lettered contrasting morocco labels, marbled endpapers. Corners expertly restored, few minor scuffs to covers, armorial bookplate on first pastedowns, slight offsetting from portrait onto title page, a few pages lightly age-browned, occasional light foxing chiefly to margins, heavy foxing in 2 places in Volume I affecting 10 pages in each case, 3 closed tears, 2 marginal, 1 into text with no loss, all with neat old repairs, one upper edge slightly ragged, 1 corner tip missing, binding tight and firm. A very good handsome set.Niccolò Machiavelli (1469 –1527) was a Florentine statesman and political philosopher. As a theorist, he was the key figure in realistic political theory, crucial to European statecraft during the Renaissance. His two most famous books, Discourses on Livy and The Prince, were written in the hope of improving the conditions of the Northern Italian principalities, but became general handbooks for a new style in politics. The Prince, written to encourage the appearance of a political saviour who would unify the corrupt city-states and fend off foreign conquest, advocated the theory that whatever was expedient was necessary—an early example of utilitarianism and realpolitik. Images sent on request.
[Bookseller: roger middleton] |
| 7. Check availability: PBFA
Link/Print |
Sir Thomas Malory
Le Morte D'Arthur - two volumes
|
The Easton Press, Norwalk, Connecticutt - Dark brown leather-like cover, gold foil stamped on front, spine and back. 7 3/8" x 10 3/4". Gold gilding on all three edges. Silk bound-in bookmark. Ribbed spine. Moire endpapers. Each volume has a bookplate reading "Published expressly for the personal library of Barry Griffin." "The story of King Arthur & his noble knights of the round table written by Sir Thomas Malory, first printed by William Caxton, now modernised, as to spelling and punctuation, by A. W. Pollard, illustrated by Robert Gibbings. The Morte d'Arthur was finished in the ninth year of the reign of Edward the IV., i.e. between March 4, 1469 and the same date in 1470. It is thus, fitly enough, the last important English book written before the introduction of printing into the country, and since no manuscript of it has come down to us, it is also the first English classic for our knowledge of which we are entirely dependent on a printed text. Caxton was not only the printer of the book, but to some extent its editor also, dividing Malory's work into twenty-one books, splitting up the books into chapters, by no means skilfully, and supplying the "Rubrish" or chapter headings." Note: there may be extra shipping charges for this two-volume set. [Attributes: Hard Cover]
[Bookseller: Rivendell Books] |
| 8. Check availability: AbeBooks
Link/Print |
Iancu-Agou, D
Juifs et neophytes en Provence L'exemple d'Aix a travers le destin de Regine Abram de Draguignan (1469-1525), Preface de G. Duby (Collection de la Revue des Etudes Juives)
|
Peeters Publishers. PAPERBACK. 9042909684 Le cheminement d'une jeune juive de Draguignan unie en 1469 à un Juif aixois et qui, convertie et remariée peu après, s'installe pour de nombreuses décennies dans la société chrétienne aixoise, a permis d'observer ses contemporains: sa parenté issue des milieux de médecins juifs provençaux, ses anciens coreligionnaires vivant une fin de XVième siècle précaire dans le Comté français, et ses «semblables» néophytes ayant embrassé plus ou moins tôt le christianisme. individuel féminin, suivi sur un demi-siècle, s'articule autour du phénomène et de la typologie des conversions en Provence: abandons du judaïsme spontanés, «forcés», individuels, collectifs; ou inhérents à l'expulsion, dernier recours vers 1500 d'une partie (la moitié environ) des communautés en déroute. individus identifiés avec anciens et nouveaux noms), mutations professionnelles, familiales, formes extérieures de dévotion, comportements en réseaux, solidarités de groupe, regard des autres (Peeters 2001). 9789042909687. Paperback . New. 2001-01-01.
[Bookseller: The David Brown Book Company] |
| 9. Check availability: Biblio
Link/Print |
[CATALOGUE D'EXPOSITION].
Great Exhibition of the Works of Industry of all Nations, 1851. Official descriptive and illustrated catalogue in three volumes. London, William Clowes and Sons, 1851. In-8, percaline bleue illustree, estampee et doree, tranches dorees, 1469 pp.
|
Dans le premier volume, contient une carte "Geographial view of the great exhibition of 1851. Shewing at one view the relative & territorial distribution of the various localities from whence the raw materials & manufactures contributed to the exhibition have been severally supplied." Le premier et deuxieme volumes sont consacres a la Grande Bretagne ainsi qu'a ses colonies, le troisieme volume est quant a lui consacre aux autres pays. Dechirure page 7 de la troisieme partie du premier volume, legerement derelie, infimes usures au dos et aux mors pour les trois tomes.
[Bookseller: Librairie Chretien] |
| 10. Check availability: livre-rare-book
Link/Print |
BESSARION, Johannes Basilius of Trebizond, Cardinal
Adversus Calumniatorem Platonis. -- Correctio Librorum Platonis de Legibus Georgio Trapezuntio interprete. -- De Natura et Arte adversus Georgium Trapezuntium
|
Roman & Greek type. 10-line initial opening text in red & blue with purple pen work decoration & extensions, 7-line initials opening subsequent books in red or blue, headings in red, chapter numbers in red in margins, paragraph marks alternating in red & blue. 231 leaves (lacking the first & final two blanks). Folio (280 x 197 mm.), 18th cent. sheep (a few small wormholes in first two & final three quires, some spotting & browning), sides ruled in blind, spine gilt, contrasting leather lettering piece on spine. Rome: C. Sweynheym & A. Pannartz, [before 28 Aug. 1469]. First edition of "one of the most important texts in the history of Platonism."!J. Hankins, Plato in the Italian Renaissance, p. 215. Bessarion wrote this book to counter the attacks of George of Trebizond, who, in his translation of the Laws of Plato, had sharply criticized their author, exalting Aristotle instead. In defending Plato, Bessarion provides a general exposition of Platonic philosophy. It was one of the earliest expositions on Platonism to appear in print, published well in advance of any of Plato's own works, and therefore contributed greatly to disseminating and popularizing Platonic philosophy in the West. Bessarion's work was not merely a defense of Plato, but a defense of Greek culture and heritage. One of his main strategies in countering Trebizond was to prove the deficiency of Latin translations of Plato's works, which consequently resulted in western misconceptions. Included in this edition is Bessarion's detailed and sharp enumeration of the faults in Trebizond's own translation and commentary of Plato's Laws. Bessarion (1403-72), united the two worlds of Byzantine and Renaissance Italian culture. After 1440, the cardinal remained in Italy for most of the rest of his life and established himself as a dominant figure in Italian culture. At Rome, the house of Bessarion functioned as a humanist academy, frequented by Poggio, Filelfo, Trebizond (until the quarrel), Argyropulus, Cusanus, and Regiomontanus. The cardinal's promotion of Greek no doubt helped to turn the minds of Nicholas V and Duke Federico of Urbino to the patronage of Greek studies. Bessarion's immense collection of Greek manuscripts represents a major landmark in the transmission of classical Greek culture to Renaissance Italy. His collection of 800 Greek manuscripts was given by him in 1468 to the Republic of Venice and today forms the nucleus of the famous library of St. Mark's. Bessarion had considerable mathematical interests which are reflected in the present book. He received lessons in the subject from Gemistus Pletho in the early 1430s and, during his reorganization of the University of Bologna, planned to provide four professorships in mathematics. "At Rome the Byzantine cardinal became a close friend of Cusanus, that dedicated admirer of Archimedes. The influence of Cusanus can be seen in Bessarion's great work In Calumniatorem Platonis (directed against Trapezuntius), where the author defends Plato as a mathematician and adduces Archimedes in support of his contention...While on a mission to Nuremberg and Vienna (1460-1461), Bessarion met the astronomers Peurbach and Regiomontanus, then at Vienna University. Following the death of Peurbach, Bessarion persuaded the younger astronomer to accompany him back to Italy in 1461, thus introducing Regiomontanus to the humanists and mathematicians of Rome and Venice."!Rose, The Italian Renaissance of Mathematics, p. 44. A fine copy of this handsome book printed by Sweynheym and Pannartz, who introduced the art of printing into Italy. It is known that this work was printed in an edition of three hundred copies. Goff B-518. .
[Bookseller: Jonathan A. Hill, Bookseller, Inc.] |
| 11. Check availability: Biblio ABAA
Link/Print |
[LORETO]
Spiegazione delli Quattro prospetti dei bassi rilievi in marmo che circondano le mura della S. Casa di Loreto: qui anessi in puntata, oltre l'altro prospetto del palazzo pontificio, facciata del tempio, campanile, e cupola
|
Very rare pilgrim's souvenir album showing some of the artistic treasures of the Santa Casa di Loreto, one of the principal shrines for Marian devotion from the late 13th century to the present day. The shrine purports to be the house of the Virgin Mary, miraculously transported from Nazareth to Loreto, a small town in the Marche 30 kilometers from Ancona. A sanctuary was built over the house c. 1469 and quickly became a major pilgrimage site. With papal support, a building and decorative program attracted the leading names in Quattrocento architecture, sculpture and painting. In 1509, Julius II commissioned Bramante to construct a rectangular structure to contain the Santa Casa. He encased it in an elaborate marble shell, using fluted Corinthian half marble columns resting on pedestals and supporting entablature, cornice and balustrade to articulate the main story. The structure has two doorways at each of the north/south sides. The sculptural decoration shows 9 scenes from the Life of the Virgin by such sculptors as Giovanni Cristoforo Romano, Andrea Sansovino, Baccio Badinelli, Niccolo Tribolo and Raffaello da Montelupo. These reliefs are framed by pairs of statues in niches set one above the other executed in the 1540s (artist unknown). There is one plate for each side of Bramante's shell, and a final plate shows the courtyard of the basilica, the papal palace and the bell-tower renovated by Luigi Vanvitelli in 1750-54. Not in OCLC, RLIN lists one copy: Penn State. Not at Getty or National Gallery. * Grove Dictionary of Art XIX.685ff.
[Bookseller: Martayan Lan, Inc.] |
| 12. Check availability: ABAA Biblio
Link/Print |
Balbus, Johanes. [Johann Gutenberg]
[Catholicon.]
|
[Peter Schoeffer (?) for Konrad Humery (?),] [Mainz:]: [Peter Schoeffer (?) for Konrad Humery (?),], [ca. 1469.]. First Edition, second impression.. Single leaf from volume one with entries fro "cohors" to "color", 66 lines, double column. Type: 82G cast on two-ine slugs. Printed on Galliziani paper, the half of the sheet without the watermark, but with the characteristic shadows at wire-line intervals of ca. 5mm. Rubricated with one-line red Lombard initials and red paragraph marks. Very clean in a acid-free green mat with decription panel calling it the 1460 Gutenberg printing (incorrectly).. Royal folio.. A single leaf from the first edition, second impression of the Catholocon, printed from two-line slugs on Galliziani paper in 1468 or 1469. As early as 1905 Gottfred Zedler recognized that the Catholicon edition dated Mainz 1460 exists in three impressions printed from a single setting of type but associated with three presses (with different pinhole patterns) and printed on three distinct paper stock. In 1982 Paul Needham presented evidence that the three issues were printed at different times, according to the datable use of their paper stocks: copies on Bull's Head paper (with which are classed the vellum copies) in 1460, copies on Galliziani paper ca. 1469, and copies on Crown and Tower papers ca. 1472. Moreover, Needham argued that the three impressions were produces, not from standing type, but from two-line 'slugs' cast from the type and capable of being reassembled for subsequent impressions. According to this theory, the first impression of the Catholicon was produced by Gutenberg himself in 1460, the 'slugs' then passed into the possession of Konrad Humery with Gutenberg's other typographic material after the latter's death in 1468 and were re-used by Humery probably with the help of Peter Schoeffer, ca. 1469. In this view, which has aroused prolonged controversy among incunabulists, the 1460 Catholicon represents not only Gutenberg's last production but also final achievement, the invention of an early form of stereotyping."#11;[Christie's Nakles Collection of Incunabula, 2000 lot #2]#11;This leaf is almost certainly from those acquired by E. Byrne Hackett and broken up by him for the Brick Row Book Shop in 1936,and sold with an essay on the book by Margaret Stillwell (not present here). Hain/Copinger 2254*. BMC I,39. BSB B8. CIBN B13. GW 3182. Walsh/Harvard B28. Proctor 146. Goff B20.
[Bookseller: Krown & Spellman, Booksellers] |
| 13. Check availability: ABAA Biblio
Link/Print |
Privates Baurecht
Kommentar zu §§ 631 ff. BGB samt Kurzkommentierung zur VOB/B
|
Beck, CH. Privates Baurecht Kommentar zu §§ 631 ff. BGB samt Kurzkommentierung zur VOB/B (Beck, C H) ISBN: 978-3-406-54838-3 Gebunden XXI, 1469 S. Privates Baurecht Kommentar zu §§ 631 ff. BGB samt Kurzkommentierung zur VOB/B Hrsg. v. Messerschmidt, Burkhard / Voit, Wolfgang. Bearb. v. Messerschmidt, Burkhard / Voit, Wolfgang / Boldt, Antje / Cramer, Stephan / Drossart, Ulrich / Freitag, Robert / Glahs, Heike / Hildebrandt, Thomas / Huber, Michael / Koenen, Andreas / Leidig, Alexander / Leupertz, Stefan / Merkens, Dieter / Moufang, Oliver N / Oberhauser, Iris / Ohler, Frank Peter / Richter, Thomas / Schwenker, Hans Christian / Stickler, Thomas / Thiele, Kathrin / Rintelen, Claus von / Wagner, Klaus-R / Wessel, Markus / Wolff, Reinmar Verlag : Beck, C H ISBN : 978-3-406-54838-3 Einband : Gebunden Preisinfo : 154,00 Eur[D] Seiten/Umfang : XXI, 1469 S. Erschienen : 1. Aufl. 17.01.2008 Gewicht : 1718 g Aus der Reihe : Beck'sche Kurz-Kommentare 60 Dieses Werk bietet eine speziell auf das Baugeschehen zugeschnittene Kommentierung des Werkvertragsrechts des BGB. Es liefert Lösungen, wo die VOB nicht ausreicht. Auch steht die AGB-rechtliche Privilegierung der VOB als Ganzes in Frage und die Praxis ist gezwungen, neue Vertragsklauseln zu entwickeln, die nur aus dem BGB-Werkvertragsrecht stammen können. Dieser Situation wird der neue Kommentar gerecht; er bietet eine: - umfassende Kommentierung des Werkvertrags des BGB (§§ 631-651), wobei ein besonderer Schwerpunkt auf den zentralen Vorschriften der Vergütung, der Mängelrechte und der Abnahme liegt. - systematische Darstellung des gesamten Bauvertragsrechts, in der auf über 500 Seiten alle zentralen Bereiche des Bauvertragsrechts dargestellt werden, so u.a. - Besonderheiten einzelner Vertragstypen (Architektenvertrag, Ingenieurvertrag, Gutachtervertrag, Projektsteuerungsvertrag u.a.) - Unternehmereinsatzformen - Bauträgervertrag - Sicherung der Ansprüche, Formen und Möglichkeiten - Abnahme und Abnahmesurrogate - Insolvenz bei Bau- und Planerverträgen - Gerichtliche Durchsetzung - Kurzkommentierung bauspezifischer Gesetze und Regelungen wie - HOAI - VOB Teil B Das Werk verbindet so die Vorteile eines baurechtlichen Kompendiums mit der Aktualität und dem Detailreichtum eines Kommentars, indem Kommentierung und systematische Darstellung durch wechselseitige Bezugnahmen eng miteinander verbunden sind; auch nimmt der Kommentar immer an den entsprechenden Stellen Bezug auf den Kommentar Kapellmann/Messerschmidt, VOB Teil B. Herausgegeben von zwei erfahrenen Spezialisten des Privaten Baurechts, die durch zahlreiche Publikationen und ihre Lehrtätigkeit als hervorragende Kenner der Materie etabliert sind. Die Autoren stammen aus der Richter- und Anwaltschaft und sind in ihrer täglichen Praxis fast ausschließlich mit dem Privaten Baurecht befasst. Für Baujuristen in Anwaltschaft, Bauindustrie und Bauverbänden, öffentliche Auftraggeber, Vergabekammern und Justiz. ISBN: 3-406-54838-3 Verlagsfrisch New Copy
[Bookseller: Antiquariat und Versandbuchhandel Uwe Lö] |
| 14. Check availability: zvab
Link/Print |
BIANCHINI, Giovanni
Tabulae de Motibus Planetarum
|
Manuscript on paper written in brown ink in a neat humanistic hand, with one illuminated coat of arms on first text leaf, signed by the scribe Francesco da Quattro Castella (near Reggio Emilia) on f. 150v., preceded by 4 blanks and followed by 6 more. Folio [33 x 23.5 cm], 150 ff., c. 37 lines written in a neat humanistic hand in brown ink, 2-3 line initials in red or blue, large illuminated initial and coat of arms of the Scalomonte family on first text leaf, flanked by floral decoration, 231 full-page tables densely (but neatly) written in red and brown ink; some marginal or inter-columnar annotations, and one extended annotation on final leaf. Watermarks: cf. Bricquet 3387 (ecclesiastical hat); Bricquet 2667 (basilisk). Bound in contemporary blind-stamped goat skin over wooden boards, sympathetically re-backed, edges of covers abraded and showing through to board. Some minor waterstaining in initial leaves and a little worming at back, but not affecting legibility. Generally in a fine state of preservation Rare manuscript of one of the most sophisticated and widely disseminated 15th-century attempts to correct the Alfonsine Tables, by Giovanni Bianchini (d. 1469), an astronomer and business administrator attached to the Ferrara court of the d'Este, considered by Regiomontanus the greatest astronomer of his time. The work was known by both Regiomontanus and Peurbach, both of whom visited the author in Ferrara and corresponded with him; both made use of the present work in the computation of their own Ephemerides (Hellman & Swerdlow in DSB XV.474). Regiomontanus actually copied the entire manuscript in Vienna in 1460 (Nuremberg Stadtbibliothek MS Cent V 57), and extracts were possibly copied later in the century by Copernicus himself (Uppsala MS Copernicana 4, ff. 276-281), influencing him as well. The work also provides an unusual, to our knowledge singular example of the production of a scientific text from the court of Lionello d'Este, best known for the philology of Guarino da Verona and the appreciation of art and literature, famously documented in Angelo Decembrio's De Politeia litterarum (written c. 1462; editio princeps 1540; 2nd ed. 1560)Understudied owing to its rarity, the work is representative of the technical revolutions in practical mathematics and geography on the eve of the Age of Discovery. The manuscript is divided into two parts. The first consists of an introduction and Canones explaining how the tables were calculated and how they are to be used. The remainder consists of the densely, if neatly written tables.Bianchini set out to achieve a correction of the Alfonsine tables-the standard in Europe for a couple of centuries by the time he wrote-with those of Ptolemy. He was a great admirer of Ptolemy and critical of the corrupted Ptolemaic and Alfonsine texts then in current use. Thorndike observes that historically: "many have erred by neglecting, because of their difficulty, the Alfonsine Tables for longitude and the Ptolemaic for finding the latitude of the planets. Accordingly in his Tables Bianchini has combined the conclusions, roots and movements of the planets by longitude of the Alfonsine Tables with the Ptolemaic for latitude, and with the rules of Ptolemy which Alfonso had employed too." - Thorndike ap. Tomash, p. 141 Although a significant number of manuscripts (at least in European institutions) and three printed editions (1495, 1526, and 1563) suggest that its contemporary circulation was far from negligible, its principal importance was its influence on such crucial texts as Peurbach and Regiomontanus, both of whom, as mentioned above, utilized Bianchini's tables to calculate their own Ephemerides The most recent technical assessment of the work by Goldstein and Chabas concludes:Bianchini compiled a set of "userfriendly" tables that simplified the computations required for using the Alfonsine Tables. Many astronomers in the late Middle Ages (e.g., John of Ligneres,William Batecombe, John of Gmunden, and Abraham Zacut) also had this as a goal (each interpreting it in his own way), and Bianchini fits nicely in this group. Finally, there can be little doubt that early in his career Copernicus depended on Bianchini's tables for planetary latitude which, in turn, are based on Ptolemy's models in the Almagest. Hence, Bianchini's tables can be considered a source for Copernicus's knowledge of astronomy. - p. 573.Provenance: Marco Antonio Scalamonte, most likely from the patrician family of Ancona, who became a senator in Rome in 1502; Robert Honeyman, Jr. (1928-78), noted US collector of scientific books and mss.; his sale Sotheby's, London, Wed May 2, 1979 #1110; Alan Thomas Catalogue 43.2 (1981), to H.P. Kraus and to former owner; Martayan Lan, Summer 2008.Census: Although Boffito, Thorndike and Zinner, and Kristeller locate some few dozen mss. of Bianchini's work in European institutions-not infrequently consisting solely of the tables, e.g., without the introductory matter-the only US copy recorded by Faye and Bond in 1962 was the present copy, then in the collection of Robert Honeyman. There was not then, and there is not now any copy of this manuscript in an American institution. In the same period, we know of a single other copy to come on the market, now in the collection of Erwin Tomash of Los Angeles, supplied by us. The work was occasioned by the visit of the Holy Roman Emperor Frederick III to Ferrara in 1452, and a copy, perhaps the dedication copy, in the Biblioteca Comunale Ariostea, Ferrara (Cl. I. No. 147) contains a miniature in which Bianchini is shown presenting the work to Frederick, with Borso d'Este looking on.* C.U. Faye & W.H. Bond, Supplement to the Census of Medieval and Renaissance Manuscripts in the United States and Canada (1962), p. 21, no. 12 (this copy)= Honeyman Collection of Scientific Books and Manuscripts Part III, Wed. May 2, 1979 #1110: $9840 (exclusive of premium); Tomash Collection (Catalogue in press) B150; Boffito, !Le Tavole Astronomiche di Giovanni Bianchini,' La Bibliofilia 9 (1908) 378-88; L. Thorndike, !Giovanni Bianchini in Paris Mss,' Scripta Mathematica 16 (1950) 69ff. & his !Giovanni Bianchini in Italian Mss.,' Scripta Mathematica 19 (1953) 5-17; Paul L. Rose, The Italian Renaissance of Mathematics, passim; Ernst Zinner, Regiomontanus. His Life and Works (1990); Bernard R. Goldstein & Jose Chabas, !Ptolemy, Bianchini and Copernicus: Tables for Planetary Latitudes,' Archive for the History of Exact Sciences, vol. 58, no. 5, July 2004, pp. 553-73; editio princeps of 1495: Stillwell I.29; BMC V.520; Goff B 697.
[Bookseller: Martayan Lan, Inc.] |
| 15. Check availability: ABAA Biblio
Link/Print |
Jean-François Pic de la Mirandole
La Sorcière. Dialogue en trois livres sur la tromperie des démons. Dialogus in tres libros divisus: titulus est Strix, sive de ludificatione Daemonum (1523)
|
- 231 pp. Brepols. Hardback. French Text: Jean-François Pic de la Mirandole (1469-1533), neveu du célèbre Jean Pic de la Mirandole, joua sans aucun doute un rôle de premier plan dans le contexte culturel de la fin du XVe siècle et de la première moitié du XVIe. Il fut à la fois un auteur original et un opérateur culturel qui contribua efficacement à la diffusion de thématiques philosophiques et religieuses au moment où l?Italie et 1?Europe connurent de grands bouleversements: l?invasion française de l?Italie par Charles VIII; le début des guerres d?Italie ; la réforme luthérienne; l?affirmation de la puissance impériale de Charles Quint. Jean-François mourut en 1533, après le sac de Rome (1527) et après la capitulation de la république de Florence (1530). Il publia, en 1523, le Dialogus in tres libros [Attributes: Hard Cover]
[Bookseller: Studio Bibliografico Bosazzi] |
| 16. Check availability: AbeBooks
Link/Print |
BESSARION, Johannes Basilius of Trebizond, Cardinal
Adversus Calumniatorem Platonis. -- Correctio Librorum Platonis de Legibus Georgio Trapezuntio interprete. -- De Natura et Arte adversus Georgium Trapezuntium
|
Roman & Greek type. 10-line initial opening text in red & blue with purple pen work decoration & extensions, 7-line initials opening subsequent books in red or blue, headings in red, chapter numbers in red in margins, paragraph marks alternating in red & blue. 231 leaves (lacking the first & final two blanks). Folio (280 x 197 mm.), 18th cent. sheep (a few small wormholes in first two & final three quires, some spotting & browning), sides ruled in blind, spine gilt, contrasting leather lettering piece on spine. Rome: C. Sweynheym & A. Pannartz, [before 28 Aug. 1469].pFirst edition of "one of the most important texts in the history of Platonism."!J. Hankins, Plato in the Italian Renaissance, p. 215. Bessarion wrote this book to counter the attacks of George of Trebizond, who, in his translation of the Laws of Plato, had sharply criticized their author, exalting Aristotle instead. In defending Plato, Bessarion provides a general exposition of Platonic philosophy. It was one of the earliest expositions on Platonism to appear in print, published well in advance of any of Plato's own works, and therefore contributed greatly to disseminating and popularizing Platonic philosophy in the West. Bessarion's work was not merely a defense of Plato, but a defense of Greek culture and heritage. One of his main strategies in countering Trebizond was to prove the deficiency of Latin translations of Plato's works, which consequently resulted in western misconceptions. Included in this edition is Bessarion's detailed and sharp enumeration of the faults in Trebizond's own translation and commentary of Plato's Laws. Bessarion (1403-72), united the two worlds of Byzantine and Renaissance Italian culture. After 1440, the cardinal remained in Italy for most of the rest of his life and established himself as a dominant figure in Italian culture. At Rome, the house of Bessarion functioned as a humanist academy, frequented by Poggio, Filelfo, Trebizond (until the quarrel), Argyropulus, Cusanus, and Regiomontanus. The cardinal's promotion of Greek no doubt helped to turn the minds of Nicholas V and Duke Federico of Urbino to the patronage of Greek studies. Bessarion's immense collection of Greek manuscripts represents a major landmark in the transmission of classical Greek culture to Renaissance Italy. His collection of 800 Greek manuscripts was given by him in 1468 to the Republic of Venice and today forms the nucleus of the famous library of St. Mark's. Bessarion had considerable mathematical interests which are reflected in the present book. He received lessons in the subject from Gemistus Pletho in the early 1430s and, during his reorganization of the University of Bologna, planned to provide four professorships in mathematics. "At Rome the Byzantine cardinal became a close friend of Cusanus, that dedicated admirer of Archimedes. The influence of Cusanus can be seen in Bessarion's great work In Calumniatorem Platonis (directed against Trapezuntius), where the author defends Plato as a mathematician and adduces Archimedes in support of his contention...While on a mission to Nuremberg and Vienna (1460-1461), Bessarion met the astronomers Peurbach and Regiomontanus, then at Vienna University. Following the death of Peurbach, Bessarion persuaded the younger astronomer to accompany him back to Italy in 1461, thus introducing Regiomontanus to the humanists and mathematicians of Rome and Venice."!Rose, The Italian Renaissance of Mathematics, p. 44. A fine copy of this handsome book printed by Sweynheym and Pannartz, who introduced the art of printing into Italy. It is known that this work was printed in an edition of three hundred copies. Goff B-518.. First Edition. Hard cover.
[Bookseller: Jonathan A. Hill, Bookseller, Inc.] |
| 17. Check availability: Biblio
Link/Print |
Queen Isabella and King Ferdinand
Patrons of Columbus, in separate documents, Spanish monarchs Isabella and Ferdinand grant a salary payment and request an appointment be made - at the time of these orders, in 1501 and 1510, each monarch authorized actions which, in effect, resulted in the beginning of the African slave trade to the New World.
|
The marriage of Queen Isabella of Castile and King Ferdinand of Aragon in 1469 eventually led to a united Spain. Their sponsorship of the four voyages of Christopher Columbus to the New World and their subsequent encouragement of colonial development of the Americas led to a period of prosperity and sea supremacy for Spain for almost 100 years. (1) Queen Isabella of Spain. Manuscript DS “Yo la Reyna” (“I the Queen”), one page, 8.5” x 12”. Granada. April 6, 1501. In old Spanish, not translated. “La Reyna” at top center. Countersigned by the Queen’s secretary “Gaspar de Trizio” beneath the words “By Command of the Queen.” An order to her chamberlain, Sancho de Paredes, to pay the sum of 7,500 maravedis to fray Juan Beato, thus completing his annual salary of 15,000 maravedis. Manuscript receipt signed “Fray Juan Beato” in lower portion of document. Docketed on verso. On laid paper with two inconspicuous cancellation cuts used during this period strengthened by glassine on verso. Fine condition. In 1501, Queen Isabella established the encomienda in New Spain, allowing the allotmentof natives as slave workers to missions and to individual owners. The Queen also granted permission to the Spanish colonists in the Caribbean to import African slaves. (2) King Ferdinand of Spain. Manuscript DS “Yo el Rey” (“I the King”), one page, 8.25” x 11”. Guadalajara, April 8, 1510. In old Spanish, not translated. “El Rey” at top center. Order to Dona Beatriz Maldonado, wife of el Licenciado Pedrosa, to appoint a replacement for Diego de Salamanca who is not qualified for his post. On laid paper. Slight separations at edges of horizontal folds. Related dockets on verso Fine condition. On January 22, 1510, eleven weeks before he signed this document, King Ferdinand authorized a shipment of 50 African slaves to be sent from southern Spain to Santo Domingo and that more be sent later. In April, at the time of this document, over a hundred slaves were bought in the Lisbon market. According to Yale history professor Dr. Edward Gaylord Bourne in “Spain in America, 1450-1580” (New York: Harper & Bros., 1904), “This is the beginning of the African slave-trade to America.”
[Bookseller: University Archives] |
| 19. Check availability: ILAB
Link/Print |
Coing, Helmut
Handbuch der Quellen und Literatur der neueren europäischen Privatrechtsgeschichte. Veröffentlichung des Max-Planck-Instituts für europäische Rechtsgeschichte / Das 19. Jahrhundert
|
Beck, CH - Coing, Helmut Handbuch der Quellen und Literatur der neueren europäischen Privatrechtsgeschichte. Veröffentlichung des Max-Planck-Instituts für europäische Rechtsgeschichte / Das 19. Jahrhundert Gesetzgebung zu den privatrechtlichen Sondergebieten [BD III / TEILBD 3] (Beck, C H) ISBN: 978-3-406-30713-3 Gebunden XXV, 1469 S. Coing, Helmut Handbuch der Quellen und Literatur der neueren europäischen Privatrechtsgeschichte. Veröffentlichung des Max-Planck-Instituts für europäische Rechtsgeschichte / Das 19. Jahrhundert Gesetzgebung zu den privatrechtlichen Sondergebieten Verlag : Beck, C H ISBN : 978-3-406-30713-3 Einband : Gebunden Preisinfo : 168,00 Eur[D] / 172,80 Eur[A] / 284,00 CHF UVP Alle Preisangaben in CHF (Schweizer Franken) sind unverbindliche Preisempfehlungen. Legende: UVP = unverbindliche Preisempfehlung, iVb = in Vorbereitung. Seiten/Umfang : XXV, 1469 S. Erschienen : 1. Aufl. 24.09.1986 Gewicht : 1950 g
[Bookseller: Antiquariat-Versandbuchhandel Uwe Löb] |
| 20. Check availability: AbeBooks
Link/Print |
Balbus, Johanes. [Johann Gutenberg] [Catholicon.]
|
[Mainz:] [Peter Schoeffer (?) for Konrad Humery (?),] [ca. 1469.] Royal folio. Single leaf. Single leaf from volume one with entries fro "cohors" to "color", 66 lines, double column. Type: 82G cast on two-ine slugs. Printed on Galliziani paper, the half of the sheet without the watermark, but with the characteristic shadows at wire-line intervals of ca. 5mm. Rubricated with one-line red Lombard initials and red paragraph marks. Very clean in a acid-free green mat with decription panel calling it the 1460 Gutenberg printing (incorrectly). First Edition, second impression. "A single leaf from the first edition, second impression of the Catholocon, printed from two-line slugs on Galliziani paper in 1468 or 1469. As early as 1905 Gottfred Zedler recognized that the Catholicon edition dated Mainz 1460 exists in three impressions printed from a single setting of type but associated with three presses (with different pinhole patterns) and printed on three distinct paper stock. In 1982 Paul Needham presented evidence that the three issues were printed at different times, according to the datable use of their paper stocks: copies on Bull's Head paper (with which are classed the vellum copies) in 1460, copies on Galliziani paper ca. 1469, and copies on Crown and Tower papers ca. 1472. Moreover, Needham argued that the three impressions were produces, not from standing type, but from two-line 'slugs' cast from the type and capable of being reassembled for subsequent impressions. According to this theory, the first impression of the Catholicon was produced by Gutenberg himself in 1460, the 'slugs' then passed into the possession of Konrad Humery with Gutenberg's other typographic material after the latter's death in 1468 and were re-used by Humery probably with the help of Peter Schoeffer, ca. 1469. In this view, which has aroused prolonged controversy among incunabulists, the 1460 Catholicon represents not only Gutenberg's last production but also final achievement, the invention of an early form of stereotyping." [Christie's Nakles Collection of Incunabula, 2000 lot #2] This leaf is almost certainly from those acquired by E. Byrne Hackett and broken up by him for the Brick Row Book Shop in 1936,and sold with an essay on the book by Margaret Stillwell (not present here). Hain/Copinger 2254*. BMC I,39. BSB B8. CIBN B13. GW 3182. Walsh/Harvard B28. Proctor 146. Goff B20.
[Bookseller: Krown & Spellman, Booksellers] |
| 21. Check availability: ILAB
Link/Print |
Optimality Theory and Language Change
Optimality Theory and Language Change
|
Springer - Optimality Theory and Language Change (Springer Netherland) ISBN: 978-1-4020-1469-7 Gebunden 472 S. - 24,00 x 16,00 cm Optimality Theory and Language Change Hrsg. v. Holt, D. E. Verlag : Springer Netherland ISBN : 978-1-4020-1469-7 Einband : Gebunden Preisinfo : 197,90 Eur[D] Seiten/Umfang : 472 S. - 24,00 x 16,00 cm Erschienen : 1. Ed. 31.08.2003 Gewicht : 878 g Aus der Reihe : Studies in Natural Language and Linguistic Theory 56 Optimality Theory and Language Change:- discusses many optimization and linguistic issues in great detail; - treats the history of a variety of languages, including English, French, Germanic, Galician/Portuguese, Latin, Russian, and Spanish.-- shows that the application of OT allows for innovative and improved analyses; - allows researchers that appeal to OT to see the connections of their (usually synchronic) work with diachronic studies; - contains a complete bibliography on Optimality Theory and language change.This volume may be used as one of the texts in courses on historical phonology or syntax that treat these topics from generative approaches or that give a general survey of various frameworks of research into these areas. Likewise, the volume may serve as a text for courses in phonology, syntax and Optimality Theory that have a component dedicated to extensions of linguistic theory to historical change. It is of interest for historical linguists, researchers into Optimality Theory and linguistic theory, and for phonologists and syntacticians with an interest in historical change.
[Bookseller: Antiquariat-Versandbuchhandel Uwe Löb] |
| 22. Check availability: AbeBooks
Link/Print |
By D. Iancu-Agou
Juifs Et Néophytes En Provence L'Exemple D'Aix À Travers Le Destin De Régine Abram De Draguignan (1469-1525), Préface De G. Duby
|
Peeters Publishers. Le cheminement d'une jeune juive de Draguignan unie en 1469 à un Juif aixois et qui, convertie et remariée peu après, s'installe pour de nombreuses décennies dans la société chrétienne aixoise, a permis d'observer ses contemporains: sa parenté issue des milieux de médecins juifs provençaux, ses anciens coreligionnaires vivant une fin de XVième siècle précaire dans le Comté français, et ses «semblables» néophytes ayant embrassé plus ou moins tôt le christianisme. individuel féminin, suivi sur un demi-siècle, s'articule autour du phénomène et de la typologie des conversions en Provence: abandons du judaïsme spontanés, «forcés», individuels, collectifs; ou inhérents à l'expulsion, dernier recours vers 1500 d'une partie (la moitié environ) des communautés en déroute. individus identifiés avec anciens et nouveaux noms), mutations professionnelles, familiales, formes extérieures de dévotion, comportements en réseaux, solidarités de groupe, regard des autres (Peeters 2001). 9789042909687. Paperback.
[Bookseller: Alibris] |
| 23. Check availability: Alibris
Link/Print |
STADLER, Daniel.
Tractatus de Duello Honoris Vindice ad Theologiae, et Juris Principia Examinatio. Ingelstad - Würzburg, J.F.X. Crätz - Th. Summer, 1751. 4to. Title-page printed in red and black, full-page engraved frontispiece and engraved headpiece, many woodcut tailpieces. Contemporary blind-stamped pigskin binding, with floral rolls, brass catches, blue edges.
|
- (30), 464 pp. De Backer-Sommervogel VI, col. 1469. Attractive copy this study of duels with special attention for judicial aspects. The author basically rejects a duel in favour of solving conflicts in court, but allows it under three conditions: grave offence, serious damage, and blatant miscarriage of justice. Stadler's apparent approval of duels under certain circumstances brought him in conflict with Pope Benedict XIV, who "ayant condamné trois propositions favorables au duel, des PP. Reiffenstuel, Sporer et Milante, deux desquelees le P. Stadler avait aussi soutenues, celui-ci lui écrivit pour prouver qu'il ne les soutenait pas. Le Pape lui répondit, par un bref, du 3 mars 1753, que son ouvrage n'avait pas été nommé dans la condamnation" (De Backer-Sommervogel). Several small corrosion spots, good copy in attractive binding.
[Bookseller: ASHER Rare Books] |
| 24. Check availability: AbeBooks
Link/Print |
1378 Première version des Philippiques de La Grange-Chancel.
Sarthe. Un franc-archer assure la protection de la fabrique de Sargé-sur-Braye.
|
Nombre de document : 1 Parchemin 15 x 26 cm. 11/11/1469 brunissures, sceau plaqué de cire brune manquant. Accord passé entre la fabrique de la paroisse Saint-Martin de Sargé-sur-Braye et Colin Hochedé, franc-archer de ladite paroisse. La fabrique, représentée par ses procureurs, Jean Janvier l’Ancien et Jean du Couldray, doit payer à son franc-archer, pour sa protection, la somme de 40 sous tournois, «tant pour salade, gantelez, gorgery, arbaleste, trect, aucton et aultres habillemens qui luy soyent necessaires». En français et latin Nombre de page : 34
[Bookseller: Traces écrites] |
| 26. Check availability: ILAB
Link/Print |
Ripelin Von Strassburg Hugo
COMPENDIUM THEOLOGICAE VERITATIS (erroneamente attribuito ad ALBERTO MAGNO), Venetiis, Rampazzettum Antonium, 1588
|
- cm. 8 x 12, bella legatura seicentesca mz, perg. con titolo in oro su tassello al dorso, pp.765 (2)+ 22 di indici. Sulla prima pagina bianca manoscritti a pennino degli antichi lettori che sottolineano l'attribuzione a UGO RIPELIN (1200-1210/1268) di quest'opera straordinaria e fondamentale, che prese a modello il relativo "Breviloquium di San Bonaventura". Firme anche al frontespizio. Buon esemplare con piccoli tarli alle sole ultime pagine. L'opera viene stampata per la prima volta nel 1469 a Norimberga con il nome di ALBERTUS MAGNUS, e poi numerose volte ripresentata. La nostra è una buona cinquecentina, ben conservata ed i sette libri sono commentati da Serafino Capponi da Porretta (Bo).
[Bookseller: Ferraguti service s.a.s. - Rivisteria] |
| 27. Check availability: AbeBooks
Link/Print |
Cartan, Henri.- Remmert, R./Serrre, J.-P. (Eds.),
Oeuvres. Collected Works. 3 Volumes.Springer Berlin, 1979,
|
- 1469 S. m. 3 Porträts, Originalleinen mit Schutzumschlag (original cloth with dustjacket), Hardcover,wie neu (like new). ISBN 3-540-09189-0 Lexikon bedeut.Math., S. 93. Cartan, Henri (Paul) (1904-2008) Sohn von Elie C., Prof. in Caen, Straßburg u. an der Ecole Normale Sup. in Paris, gehörte ab 1935 etwa 20 Jahre zu dem Kollektiv 'Nicolas Bourbaki', seit 1975 Mitglied der Académie des Sciences in Paris. Seine Hauptarbeitsgebiete sind die Funktionentheorie, die Algebra und die algebraische Topologie. [Attributes: Hard Cover]
[Bookseller: Dr. Martin Saendig GmbH] |
| 28. Check availability: AbeBooks
Link/Print |
René 1er 1409 1480
Le roi René s'adresse au bailli de Bar.
|
- Nombre de document : 1 Vélin 27 x 36 cm 11/12/1469 Sceau manquant. bon Mandement du roi René, duc de Bar et de Lorraine, relatif à une plainte de l'abbé Saint-Vincent de Metz envers les officiers du duché de Bar, «luy empeschant et occupant la justice et juridiction du lieu de Dugney [Dugny-sur-Meuse] et d'anciens villaiges déppendant d'iceluy, aussy plusieurs anciens droiz appartenans audit suppliant à cause de ladite abbaye [.]». Duc d'Anjou, de Bar et de Lorraine, comte de Provence, roi de Naples et de Sicile.
[Bookseller: Traces Ecrites] |
| 29. Check availability: AbeBooks
Link/Print |
LIVIUS, Titus and Lucius FLORUS.
Von Ankunfft unnd Ursprung des Römischen Reichs, .(colophon: Strasbourg, Theodosius Rihel, 1574). Small folio. With title printed in red and black in an elaborate woodcut frame by Tobias Stimmer; Rihel's printer's mark (13 x 10 cm); 131 examples of 66 woodcuts by Stimmer and others (10.5 x 14.5 cm); dozens of large (48 mm) and small gothic initial letters. Contemporary elaborately blind-tooled sheepskin parchment, painted in red, green, white and yellow, and gilt; blind-tooled board edges and turn-ins; gilt and gauffered edges with red and uncoloured decorations; headbands in green, yellow and white; signed "H" probably Caspar Hornheffers in Augsburg.
|
- (28), 887, (23), (2 blank) pp. Chrisman, Bibl. Strasbourg Imprints A.2.13A; Karlsruhe Virt. Kat. (5 copies); Ritter, Cat. Bib. Mun. Strasbourg 1384; Ritter, Cat. Bib. Nat. & U. Strasbourg III, 1375; not in Adams, OCLC WorldCat. FIRST STRASBOURG EDITION of the best German translation of Livius's classic history of Rome, beautifully illustrated with a new series of woodcuts by Tobias Stimmer and others and in a splendid contemporary binding probably by Caspar Horneffers in Augsburg. The numerous woodcuts illustrate a wide variety of events and scenes from Roman history, each in a frame, with scrollwork, figures, animals and mythical beasts, fruits and vegetables, armour and weapons, etc. Most are initialed, many by Bernard Jobin after Tobias Stimmer and others by Christoph Maurer and Christoffel van Sichem.Titus Livius (59 B.C.-A.D. 17) is known primarily for his great history of Rome, already printed as early as 1469 and published in German in 1505. The present translation by Zacharias Müntzer, first published at Frankfurt in 1568, quickly established itself as the standard and was reprinted many times. Rihel not only adorned it with beautiful woodcuts, but also printed it exquisitely with a wide variety of fine fraktur types and with roman and Greek types by the great French master Robert Granjon.The binding has large arabesque scrollwork stamps in the centres of the boards, that on the back possibly a stylized Augsburg pinecone. The cornerpieces are also scrollwork arabesques, and that used for the lower left and upper right corners on both boards appears to be initialled HG (its mirror image used for the other corners is unsigned). The space around the central stamps is filled with *-shaped stamps and the whole surrounded by a frame of rolls. Additional rolls occupy the compartments on the spine. The watermarks in the endleaves are very close to Briquet 2122 (1568-1581), and Briquet's note after number 2123 suggests that papers with its merchant's mark (inside the shield at the foot) come from Augsburg. In fact, the present mark has the form of the Augsburg coat of arms, but with a bunch of grapes occupying the position of the pinecone. In general style, the present binding resembles one made ca. 1579 by Caspar Horneffers at Augsburg (active 1564-1595), illustrated in Schunke, Die Einbände der Palatina, plate CL.In very good condition and with very large margins, with two tears repaired, slightly affecting one woodcut and the text of one leaf; a few transparent brown stains slightly affecting two woodcuts and the text on a few leaves; a tiny hole affecting two words of the text; and very minor marginal wormholes in a few leaves, not approaching the woodcuts or text. Binding very good, with the hinges and board edges worn and a few minor stains and wormholes. A classic history of Rome, beautifully illustrated and in a splendid contemporary initialled binding.
[Bookseller: ASHER Rare Books] |
| 30. Check availability: AbeBooks
Link/Print |
Ripelin Von Strassburg Hugo
COMPENDIUM THEOLOGICAE VERITATIS (erroneamente attribuito ad ALBERTO MAGNO), Venetiis, Rampazzettum Antonium, 1588
|
- cm. 8 x 12, bella legatura seicentesca mz, perg. con titolo in oro su tassello al dorso, pp.765 (2)+ 22 di indici. Sulla prima pagina bianca manoscritti a pennino degli antichi lettori che sottolineano l'attribuzione a UGO RIPELIN (1200-1210/1268) di quest'opera straordinaria e fondamentale, che prese a modello il relativo "Breviloquium di San Bonaventura". Firme anche al frontespizio. Buon esemplare con piccoli tarli alle sole ultime pagine. L'opera viene stampata per la prima volta nel 1469 a Norimberga con il nome di ALBERTUS MAGNUS, e poi numerose volte ripresentata. La nostra è una buona cinquecentina, ben conservata ed i sette libri sono commentati da Serafino Capponi da Porretta (Bo).
[Bookseller: Ferraguti service s.a.s. - Rivisteria] |
| 31. Check availability: AbeBooks
Link/Print |
STADLER, Daniel.
Tractatus de Duello Honoris Vindice ad Theologiae, et Juris Principia Examinatio. Ingelstad - Würzburg, J.F.X. Crätz - Th. Summer, 1751. 4to. Title-page printed in red and black, full-page engraved frontispiece and engraved headpiece, many woodcut tailpieces. Contemporary blind-stamped pigskin binding, with floral rolls, brass catches, blue edges.
|
- (30), 464 pp. De Backer-Sommervogel VI, col. 1469. Attractive copy this study of duels with special attention for judicial aspects. The author basically rejects a duel in favour of solving conflicts in court, but allows it under three conditions: grave offence, serious damage, and blatant miscarriage of justice. Stadler's apparent approval of duels under certain circumstances brought him in conflict with Pope Benedict XIV, who "ayant condamné trois propositions favorables au duel, des PP. Reiffenstuel, Sporer et Milante, deux desquelees le P. Stadler avait aussi soutenues, celui-ci lui écrivit pour prouver qu'il ne les soutenait pas. Le Pape lui répondit, par un bref, du 3 mars 1753, que son ouvrage n'avait pas été nommé dans la condamnation" (De Backer-Sommervogel). Several small corrosion spots, good copy in attractive binding.
[Bookseller: ASHER Rare Books] |
| 32. Check availability: AbeBooks
Link/Print |
[CATALOGUE D'EXPOSITION].
Great Exhibition of the Works of Industry of all Nations, 1851. Official descriptive and illustrated catalogue in three volumes. London, William Clowes and Sons, 1851. In-8, percaline bleue illustrée, estampée et dorée, tranches dorées, 1469 pp.
|
Dans le premier volume, contient une carte "Geographial view of the great exhibition of 1851. Shewing at one view the relative & territorial distribution of the various localities from whence the raw materials & manufactures contributed to the exhibition have been severally supplied." Le premier et deuxième volumes sont consacrés à la Grande Bretagne ainsi qu'à ses colonies, le troisième volume est quant à lui consacré aux autres pays. Déchirure page 7 de la troisième partie du premier volume, légèrement dérelié, infimes usures au dos et aux mors pour les trois tomes.
[Bookseller: Librairie Chrétien] |
| 33. Check availability: Livre-Rare-Book
Link/Print |
LIVIUS, Titus and Lucius FLORUS.
Von Ankunfft unnd Ursprung des Römischen Reichs, ...(colophon: Strasbourg, Theodosius Rihel, 1574). Small folio. With title printed in red and black in an elaborate woodcut frame by Tobias Stimmer; Rihel's printer's mark (13 x 10 cm); 131 examples of 66 woodcuts by Stimmer and others (10.5 x 14.5 cm); dozens of large (48 mm) and small gothic initial letters. Contemporary elaborately blind-tooled sheepskin parchment, painted in red, green, white and yellow, and gilt; blind-tooled board edges and turn-ins; gilt and gauffered edges with red and uncoloured decorations; headbands in green, yello...
|
(28), 887, (23), (2 blank) pp. Chrisman, Bibl. Strasbourg Imprints A.2.13A; Karlsruhe Virt. Kat.(5 copies); Ritter, Cat. Bib. Mun. Strasbourg 1384; Ritter, Cat. Bib. Nat. & U. Strasbourg III, 1375; not in Adams, OCLC WorldCat. FIRST STRASBOURG EDITION of the best German translation of Livius's classic history of Rome, beautifully illustrated with a new series of woodcuts by Tobias Stimmer and others and in a splendid contemporary binding probably by Caspar Horneffers in Augsburg. The numerous woodcuts illustrate a wide variety of events and scenes from Roman history, each in a frame, with scrollwork, figures, animals and mythical beasts, fruits and vegetables, armour and weapons, etc. Most are initialed, many by Bernard Jobin after Tobias Stimmer and others by Christoph Maurer and Christoffel van Sichem.Titus Livius (59 B.C.-A.D. 17) is known primarily for his great history of Rome, already printed as early as 1469 and published in German in 1505. The present translation by Zacharias Müntzer, first published at Frankfurt in 1568, quickly established itself as the standard and was reprinted many times. Rihel not only adorned it with beautiful woodcuts, but also printed it exquisitely with a wide variety of fine fraktur types and with roman and Greek types by the great French master Robert Granjon.The binding has large arabesque scrollwork stamps in the centres of the boards, that on the back possibly a stylized Augsburg pinecone. The cornerpieces are also scrollwork arabesques, and that used for the lower left and upper right corners on both boards appears to be initialled HG (its mirror image used for the other corners is unsigned). The space around the central stamps is filled with *-shaped stamps and the whole surrounded by a frame of rolls. Additional rolls occupy the compartments on the spine. The watermarks in the endleaves are very close to Briquet 2122 (1568-1581), and Briquet's note after number 2123 suggests that papers with its merchant's mark (inside the shield at the foot) come from Augsburg. In fact, the present mark has the form of the Augsburg coat of arms, but with a bunch of grapes occupying the position of the pinecone. In general style, the present binding resembles one made ca. 1579 by Caspar Horneffers at Augsburg (active 1564-1595), illustrated in Schunke, Die Einbände der Palatina, plate CL.In very good condition and with very large margins, with two tears repaired, slightly affecting one woodcut and the text of one leaf; a few transparent brown stains slightly affecting two woodcuts and the text on a few leaves; a tiny hole affecting two words of the text; and very minor marginal wormholes in a few leaves, not approaching the woodcuts or text. Binding very good, with the hinges and board edges worn and a few minor stains and wormholes. A classic history of Rome, beautifully illustrated and in a splendid contemporary initialled binding.
[Bookseller: Asher Rare Books (Since 1830)] |
| 34. Check availability: ILAB
Link/Print |
E W Cowell
Jataka : Or Stories of the Buddhas Former Births
|
AES. New. Contents: Vol. I/translated by Robert Chalmers: Preface. 1. Apannaka-Jataka. 2. Vannupatha-Jataka. 3. Serivanija-Jataka. 4. Cullaka-Setthi-Jataka. 5. Tandulanali-Jataka. 6. Devadhamma-Jataka. 7. Katthahari-Jataka. 8. Gamani-Jataka. 9. Makhadeva-Jataka. 10. Sukhavihari-Jataka. 11. Lakkhana-Jataka. 12. Nigrodhamiga-Jataka. 13. Kandina-Jataka. 14. Vatamiga-Jataka. 15. Kharadiya-Jataka. 16. Tipallatthamiga-Jataka. 17. Maluta-Jataka. 18. Matakabhatta-Jataka. 19. Ayacitabhatta-Jataka. 20. Nalapana-Jataka. 21. Kurunga-Jataka. 22. Kukkura-Jataka. 23. Bhojajaniya-Jataka. 24. Ajanna-Jataka. 25. Tittha-Jataka. 26. Mahilamukha-Jataka. 27. Abhinha-Jataka. 28. Nandivisala-Jataka. 29. Kanha-Jataka. 30. Munika-Jataka. 31. Kulavaka-Jataka. 32. Nacca-Jataka. 33. Sammodamana-Jataka. 34. Maccha-Jataka. 35. Vattaka-Jataka. 36. Sakuna-Jataka. 37. Tittira-Jataka. 38. Baka-Jataka. 39. Nanda-Jataka. 40. Khadirangara-Jataka. 41. Losaka-Jataka. 42. Kapota-Jataka. 43. Veluka-Jataka. 44. Makasa-Jataka. 45. Rohini-Jataka. 46. Aramadusaka-Jataka. 47. Varuni-Jataka. 48. Vedabbha-Jataka. 49. Nakkhatta-Jataka. 50. Dummedha-Jataka. 51. Mahasilava-Jataka. 52. Culajanaka-Jataka. 53. Punnapati-Jataka. 54. Phala-Jataka. 55. Pancavudha-Jataka. 56. Kancanakkhandha-Jataka. 57. Vanarinda-Jataka. 58. Tayodhamma-Jataka. 59. Bherivada-Jataka. 60. Samkhadhamana-Jataka. 61. Asatamanta-Jataka. 62. Andabhuta-Jataka. 63. Takka-Jataka. 64. Durajana-Jataka. 65. Anabhirati-Jataka. 66. Mudulakkhana-Jataka. 67. Ucchanga-Jataka. 68. Saketa-Jataka. 69. Visavanta-Jataka. 70. Kuddala-Jataka. 71. Varana-Jataka. 72. Silavanaga-Jataka. 73. Saccamkira-Jataka. 74. Rukkhadhamma-Jataka. 75. Maccha-Jataka. 76. Asamkiya-Jataka. 77. Mahasupina-Jataka. 78. Illisa-Jataka. 79. Kharassara-Jataka. 80. Bhimasena-Jataka. 81. Surapana-Jataka. 82. Mittavinda-Jataka. 83. Kalakanni-Jataka. 84. Atthassadvara-Jataka. 85. Kimpakka-Jataka. 86. Silavimamsana-Jataka. 87. Mamgala-Jataka. 88. Sarambha-Jataka. 89. Kuhaka-Jataka. 90. Akatannu-Jataka. 91. Litta-Jataka. 92. Mahasara-Jataka. 93. Vissasabhojana-Jataka. 94. Lomahamsa-Jataka. 95. Mahasudassana-Jataka. 96. Telapatta-Jataka. 97. Namasiddhi-Jataka. 98. Kutavanija-Jataka. 99. Parosahassa-Jataka. 100. Asatarupa-Jataka. 101. Parosata-Jataka. 102. Pannika-Jataka. 103. Veri-Jataka. 104. Mittavinda-Jataka. 105. Dubbalakattha-Jataka. 106. Udancani-Jataka. 107. Salittaka-Jataka. 108. Bahiya-Jataka. 109. Kundakapuva-Jataka. 110. Sabbasamharaka-Panha. 111. Gadrabha-Panha. 112. Amaradevi-Panha. 113. Sigala-Jataka. 114. Mitacinti-Jataka. 115. Anusasika-Jataka. 116. Dubbaca-Jataka. 117. Tittira-Jataka. 118. Vattaka-Jataka. 119. Akalaravi-Jataka. 120. Bandhanamokkha-Jataka. 121. Kusanali-Jataka. 122. Dummedha-Jataka. 123. Nangalisa-Jataka. 124. Amba-Jataka. 125. Katahaka-Jataka. 126. Asilakkhana-Jataka. 127. Kalanduka-Jataka. 128. Bilara-Jataka. 129. Aggika-Jataka. 130. Kosiya-Jataka. 131. Asampadana-Jataka. 132. Pancagaru-Jataka. 133. Ghatasana-Jataka. 134. Jhanasodhana-Jataka. 135. Candabha-Jataka. 136. Suvannahamsa-Jataka. 137. Babbu-Jataka. 138. Godha-Jataka. 139. Ubhatobhattha-Jataka. 140. Kaka-Jataka. 141. Godha-Jataka. 142. Sigala-Jataka. 143. Virocana-Jataka. 144. Nanguttha-Jataka. 145. Radha-Jataka. 146. Kaka-Jataka. 147. Puppharatta-Jataka. 148. Sigala-Jataka. 149. Ekapanna-Jataka. 150. Sanjiva-Jataka. Index of proper names.|~|Vol. II/translated by W.H.D. Rouse: 151. Rajovada-Jataka. 152. Sigala-Jataka. 153. Sukara-Jataka. 154. Uraga-Jataka. 155. Gagga-Jataka. 156. Alina-Citta-Jataka. 157. Guna-Jataka. 158. Suhanu-Jataka. 159. Mora-Jataka. 160. Vinilaka-Jataka. 161. Indasamanagotta-Jataka. 162. Santhava-Jataka. 163. Susima-Jataka. 164. Gijjha-Jataka. 165. Nakula-Jataka. 166. Upasalha-Jataka. 167. Samiddhi-Jataka. 168. Sakunagghi-Jataka. 169. Araka-Jataka. 170. Kakantaka-Jataka. 171. Kalyana-Dhamma-Jataka. 172. Daddara-Jataka. 173. Makkata-Jataka. 174. Dubhiya-Makkata-Jataka. 175. Adiccupatthana-Jataka. 176. Kalaya-Mutthi-Jataka. 177. Tinduka-Jataka. 178. Kacchapa-Jataka. 179. Satadhamma-Jataka. 180. Duddada-Jataka. 181. Asadisa-Jataka. 182. Samgamavacara-Jataka. 183. Valodaka-Jataka. 184. Giridanta-Jataka. 185. Anabhirati-Jataka. 186. Dadhi-Vahana-Jataka. 187. Catumatta-Jataka. 188. Sihakotthuka-Jataka. 189. Sihacamma-Jataka. 190. Silanisamsa-Jataka. 191. Ruhaka-Jataka. 192. Siri-Kalakanni-Jataka. 193. Culla-Paduma-Jataka. 194. Manicora-Jataka. 195. Pabbatupatthara-Jataka. 196. Valahassa-Jataka. 197. Mittamitta-Jataka. 198. Radha-Jataka. 199. Gahapati-Jataka. 200. Sadhusila-Jataka. 201. Bandhanagara-Jataka. 202. Keli-Sila-Jataka. 203. Khandha-Vatta-Jataka. 204. Viraka-Jataka. 205. Gangeyya-Jataka. 206. Kurunga-Miga-Jataka. 207. Assaka-Jataka. 208. Sumsumara-Jataka. 209. Kakkara-Jataka. 210. Kandagalaka-Jataka. 211. Somadatta-Jataka. 212. Ucchittha-Bhatta-Jataka. 213. Bharu-Jataka. 214. Punna-Nadi-Jataka. 215. Kacchapa-Jataka. 216. Maccha-Jataka. 217. Seggu-Jataka. 218. Kuta-Vanija-Jataka. 219. Garahita-Jataka. 220. Dhammaddhaja-Jataka. 221. Kasava-Jataka. 222. Cula-Nandiya-Jataka. 223. Puta-Bhatta-Jataka. 224. Kumbhila-Jataka. 225. Khanti-Vannana-Jataka. 226. Kosiya-Jataka. 227. Gutha-Pana-Jataka. 228. Kamanita-Jataka. 229. Palayi-Jataka. 230. Dutiya-Palayi-Jataka. 231. Upahana-Jataka. 232. Vina-Thuna-Jataka. 233. Vikannaka-Jataka. 234. Asitabhu-Jataka. 235. Vaccha-Nakha-Jataka. 236. Baka-Jataka. 237. Saketa-Jataka. 238. Ekapada-Jataka. 239. Harita-Mata-Jataka. 240. Maha-Pingala-Jataka. 241. Sabba-Datha-Jataka. 242. Sunakha-Jataka. 243. Guttila-Jataka. 244. Viticcha-Jataka. 245. Mula-Pariyaya-Jataka. 246. Telovada-Jataka. 247. Padanjali-Jataka. 248. Kimsukopama-Jataka. 249. Salaka-Jataka. 250. Kapi-Jataka. 251. Samkappa-Jataka. 252. Tila-Mutthi-Jataka. 253. Mani-Kantha-Jataka. 254. Kundaka-Kucchi-Sindhava-Jataka. 255. Suka-Jataka. 256. Jarudapana-Jataka. 257. Gamani-Canda-Jataka. 258. Mandhatu-Jataka. 259. Tirita-Vaccha-Jataka. 260. Duta-Jataka. 261. Paduma-Jataka. 262. Mudu-Pani-Jataka. 263. Culla-Palobhana-Jataka. 264. Maha-Panada-Jataka. 265. Khurappa-Jataka. 266. Vatagga-Sindhava-Jataka. 267. Kakkata-Jataka. 268. Arama-Dusa-Jataka. 269. Sujata-Jataka. 270. Uluka-Jataka. 271. Udapana-Dusaka-Jataka. 272. Vyaggha-Jataka. 273. Kacchapa-Jataka. 274. Lola-Jataka. 275. Rucira-Jataka. 276. Kuru-Dhamma-Jataka. 277. Romaka-Jataka. 278. Mahisa-Jataka. 279. Satapatta-Jataka. 280. Puta-Dusaka-Jataka. 281. Abbhantara-Jataka. 282. Seyya-Jataka. 283. Vaddhaki-Sukara-Jataka. 284. Siri-Jataka. 285. Mani-Sukara-Jataka. 286. Saluka-Jataka. 287. Labha-Garaha-Jataka. 288. Macch-Uddana-Jataka. 289. Nana-Cchanda-Jataka. 290. Sila-Vimamsa-Jataka. 291. Bhadra-Ghata-Jataka. 292. Supatta-Jataka. 293. Kaya-Vicchinda-Jataka. 294. Jambu-Khadaka-Jataka. 295. Anta-Jataka. 296. Samudda-Jataka. 297. Kama-Vilapa-Jataka. 298. Udumbara-Jataka. 299. Komaya-Putta-Jataka. 300. Vaka-Jataka.|~|Vol. III/translated by H.T. Francis and R.A. Neil: 301. Cullakalinga-Jataka. 302. Mahaassaroha-Jataka. 303. Ekaraja-Jataka. 304. Daddara-Jataka. 305. Silavimamsana-Jataka. 306. Sujata-Jataka. 307. Palasa-Jataka. 308. Javasakuna-Jataka. 309. Chavaka-Jataka. 310. Sayha-Jataka. 311. Pucimanda-Jataka. 312. Kassapamandiya-Jataka. 313. Khantivadi-Jataka. 314. Lohakumbhi-Jataka. 315. Mamsa-Jataka. 316. Sasa-Jataka. 317. Matarodana-Jataka. 318. Kanavera-Jataka. 319. Tittira-Jataka. 320. Succaja-Jataka. 321. Kutidusaka-Jataka. 322. Daddabha-Jataka. 323. Brahmadatta-Jataka. 324. Cammasataka-Jataka. 325. Godha-Jataka. 326. Kakkaru-Jataka. 327. Kakati-Jataka. 328. Ananusociya-Jataka. 329. Kalabahu-Jataka. 330. Silavimamsa-Jataka. 331. Kokalika-Jataka. 332. Rathalatthi-Jataka. 333. Godha-Jataka. 334. Rajovada-Jataka. 335. Jambuka-Jataka. 336. Brahachatta-Jataka. 337. Pitha-Jataka. 338. Thusa-Jataka. 339. Baveru-Jataka. 340. Visayha-Jataka. 341. Kandari-Jataka. 342. Vanara-Jataka. 343. Kuntani-Jataka. 344. Ambacora-Jataka. 345. Gajakumbha-Jataka. 346. Kesava-Jataka. 347. Ayakuta-Jataka. 348. Aranna-Jataka. 349. Sandhibheda-Jataka. 350. Devatapanha-Jataka. 351. Manikundala-Jataka. 352. Sujata-Jataka. 353. Dhonasakha-Jataka. 354. Uraga-Jataka. 355. Ghata-Jataka. 356. Karandiya-Jataka. 357. Latukika-Jataka. 358. Culladhammapala-Jataka. 359. Suvannamiga-Jataka. 360. Sussondi-Jataka. 361. Vannaroha-Jataka. 362. Silavimamsa-Jataka. 363. Hiri-Jataka. 364. Khajjopanaka-Jataka. 365. Ahigundika-Jataka. 366. Gumbiya-Jataka. 367. Saliya-Jataka. 368. Tacasara-Jataka. 369. Mittavinda-Jataka. 370. Palasa-Jataka. 371. Dighitikosala-Jataka. 372. Migapotaka-Jataka. 373. Musika-Jataka. 374. Culladhanuggaha-Jataka. 375. Kapota-Jataka. 376. Avariya-Jataka. 377. Setaketu-Jataka. 378. Darimukha-Jataka. 379. Neru-Jataka. 380. Asanka-Jataka. 381. Migalopa-Jataka. 382. Sirikalakanni-Jataka. 383. Kukkuta-Jataka. 384. Dhammaddhaja-Jataka. 385. Nandiyamiga-Jataka. 386. Kharaputta-Jataka. 387. Suci-Jataka. 388. Tundila-Jataka. 389. Suvannakakkata-Jataka. 390. Mayhaka-Jataka. 391. Dhajavihetha-Jataka. 392. Bhisapuppha-Jataka. 393. Vighasa-Jataka. 394. Vattaka-Jataka. 395. Kaka-Jataka. 396. Kukku-Jataka. 397. Manoja-Jataka. 398. Sutano-Jataka. 399. Gijjha-Jataka. 400. Dabbhapuppha-Jataka. 401. Dasannaka-Jataka. 402. Sattubhasta-Jataka. 403. Atthisena-Jataka. 404. Kapi-Jataka. 405. Bakabrahma-Jataka. 406. Gandhara-Jataka. 407. Mahakapi-Jataka. 408. Kumbhakara-Jataka. 409. Dalhadhamma-Jataka. 410. Somadatta-Jataka. 411. Susima-Jataka. 412. Kotisimbali-Jataka. 413. Dhumakari-Jataka. 414. Jagara-Jataka. 415. Kummasapinda-Jataka. 416. Parantapa-Jataka. 417. Kaccani-Jataka. 418. Atthasadda-Jataka. 419. Sulasa-Jataka. 420. Sumangala-Jataka. 421. Gangamala-Jataka. 422. Cetiya-Jataka. 423. Indriya-Jataka. 424. Aditta-Jataka. 425. Atthana-Jataka. 426. Dipi-Jataka. 427. Gijjha-Jataka. 428. Kosambi-Jataka. 429. Mahasuka-Jataka. 430. Cullasuka-Jataka. 431. Harita-Jataka. 432. Padakusalamanava-Jataka. 433. Lomasakassapa-Jataka. 434. Cakkavaka-Jataka. 435. Haliddiraga-Jataka. 436. Samugga-Jataka. 437. Putimamsa-Jataka. 438. Tittira-Jataka.|~|Vol. IV/translated by W.H.D. Rouse: 439. Catu-Dvara-Jataka. 440. Kanha-Jataka. 441. Catu-Posathika-Jataka. 442. Samkha-Jataka. 443. Culla-Bodhi-Jataka. 444. Kanhadipayana-Jataka. 445. Nigrodha-Jataka. 446. Takkala-Jataka. 447. Maha-Dhamma-Pala-Jataka. 448. Kukkuta-Jataka. 449. Matta-Kundali-Jataka. 450. Bilari-Kosiya-Jataka. 451. Cakka-Vaka-Jataka. 452. Bhuri-Panha-Jataka. 453. Maha-Mangala-Jataka. 454. Ghata-Jataka. 455. Mati-Posaka-Jataka. 456. Junha-Jataka. 457. Dhamma-Jataka. 458. Udaya-Jataka. 459. Paniya-Jataka. 460. Yuvanjaya-Jataka. 461. Dasaratha-Jataka. 462. Samvara-Jataka. 463. Supparaka-Jataka. 464. Culla-Kunala-Jataka. 465. Bhadda-Sala-Jataka. 466. Samudda-Vanija-Jataka. 467. Kama-Jataka. 468. Janasandha-Jataka. 469. Maha-Kanha-Jataka. 470. Kosiya-Jataka. 471. Mendaka-Jataka. 472. Maha-Paduma-Jataka. 473. Mittamitta-Jataka. 474. Amba-Jataka. 475. Phandana-Jataka. 476. Javana-Hamsa-Jataka. 477. Culla-Narada-Jataka. 478. Duta-Jataka. 479. Kalinga-Bodhi-Jataka. 480. Akitta-Jataka. 481. Takkariya-Jataka. 482. Ruru-Jataka. 483. Sarabha-Miga-Jataka. 484. Salikedara-Jataka. 485. Canda-Kinnara-Jataka. 486. Maha-Ukkusa-Jataka. 487. Uddalaka-Jataka. 488. Bhisa-Jataka. 489. Suruci-Jataka. 490. Panc-Uposatha-Jataka. 491. Maha-Mora-Jataka. 492. Taccha-Sukara-Jataka. 493. Maha-Vanija-Jataka. 494. Sadhina-Jataka. 495. Dasa-Brahmana-Jataka. 496. Bhikkha-Parampara-Jataka. 497. Matanga-Jataka. 498. Citta-Sambhuta-Jataka. 499. Sivi-Jataka. 500. Sirimanda-Jataka. 501. Rohanta-Miga-Jataka. 502. Hamsa-Jataka. 503. Sattigumba-Jataka. 504. Bhallatiya-Jataka. 505. Somanassa-Jataka. 506. Campeyya-Jataka. 507. Maha-Palobhana-Jataka. 508. Panca-Pandita-Jataka. 509. Hatthi-Pala-Jataka. 510. Ayoghara-Jataka. |~|Vol. V/translated by H.T. Francis: 511. Kimchanda-Jataka. 512. Kumbha-Jataka. 513. Jayaddisa-Jataka. 514. Chaddanta-Jataka. 515. Sambhava-Jataka. 516. Mahakapi-Jataka. 517. Dakarakkhasa-Jataka see Mahaummagga-Jataka. 518. Pandara-Jataka. 519. Sambula-Jataka. 520. Gandatindu-Jataka. 521. Tesakuna-Jataka. 522. Sarabhanga-Jataka. 523. Alambusa-Jataka. 524. Samkhapala-Jataka. 525. Culla-Sutasoma-Jataka. 526. Nalinika-Jataka. 527. Ummadanti-Jataka. 528. Mahabodhi-Jataka. 529. Sonaka-Jataka. 530. Samkicca-Jataka. 531. Kusa-Jataka. 532. Sona-Nanda-Jataka. 533. Culla-Hamsa-Jataka. 534. Maha-Hamsa-Jataka. 535. Sudhabhojana-Jataka. 536. Kunala-Jataka. 537. Maha-Sutasoma-Jataka.|~|Vol. VI/translated by E.W. Cowell and W.H.D. Rouse: 538. Muga-Pakkha-Jataka. 539. Mahajanaka-Jataka. 540. Sama-Jataka. 541. Nimi-Jataka. 542. The Khandahala-Jataka. 543. Bhuridatta-Jataka. 544. Mahanaradakassapa-Jataka. 545. Vidhurapandita-Jataka. 546. The Maha-Ummagga-Jataka. 547. Vessantara-Jataka.|~|Vol. VII: Index. . ISBN: 81-206-1469-0.
[Bookseller: Vedams eBooks (P) Ltd] |
| 36. Check availability: Biblio
Link/Print |
Balbus, Johanes. [Johann Gutenberg]
[Catholicon.]
|
[Mainz:] [Peter Schoeffer (?) for Konrad Humery (?),] [ca. 1469.] Royal folio. Single leaf. Single leaf from volume one with entries fro "cohors" to "color", 66 lines, double column. Type: 82G cast on two-ine slugs. Printed on Galliziani paper, the half of the sheet without the watermark, but with the characteristic shadows at wire-line intervals of ca. 5mm. Rubricated with one-line red Lombard initials and red paragraph marks. Very clean in a acid-free green mat with decription panel calling it the 1460 Gutenberg printing (incorrectly). First Edition, second impression. "A single leaf from the first edition, second impression of the Catholocon, printed from two-line slugs on Galliziani paper in 1468 or 1469. As early as 1905 Gottfred Zedler recognized that the Catholicon edition dated Mainz 1460 exists in three impressions printed from a single setting of type but associated with three presses (with different pinhole patterns) and printed on three distinct paper stock. In 1982 Paul Needham presented evidence that the three issues were printed at different times, according to the datable use of their paper stocks: copies on Bull's Head paper (with which are classed the vellum copies) in 1460, copies on Galliziani paper ca. 1469, and copies on Crown and Tower papers ca. 1472. Moreover, Needham argued that the three impressions were produces, not from standing type, but from two-line 'slugs' cast from the type and capable of being reassembled for subsequent impressions. According to this theory, the first impression of the Catholicon was produced by Gutenberg himself in 1460, the 'slugs' then passed into the possession of Konrad Humery with Gutenberg's other typographic material after the latter's death in 1468 and were re-used by Humery probably with the help of Peter Schoeffer, ca. 1469. In this view, which has aroused prolonged controversy among incunabulists, the 1460 Catholicon represents not only Gutenberg's last production but also final achievement, the invention of an early form of stereotyping." [Christie's Nakles Collection of Incunabula, 2000 lot #2] This leaf is almost certainly from those acquired by E. Byrne Hackett and broken up by him for the Brick Row Book Shop in 1936,and sold with an essay on the book by Margaret Stillwell (not present here). Hain/Copinger 2254*. BMC I,39. BSB B8. CIBN B13. GW 3182. Walsh/Harvard B28. Proctor 146. Goff B20.
[Bookseller: Krown & Spellman, Booksellers] |
| 37. Check availability: ILAB
Link/Print |
BALBUS, JOHANES. [JOHANN GUTENBERG]
[CATHOLICON.] [MAINZ:] [PETER SCHOEFFER (?) FOR KONRAD HUMERY (?),] [CA. 1469.]
|
Royal folio. Single leaf. Single leaf from volume one with entries fro "cohors" to "color", 66 lines, double column. Type: 82G cast on two-ine slugs. Printed on Galliziani paper, the half of the sheet without the watermark, but with the characteristic shadows at wire-line intervals of ca. 5mm. Rubricated with one-line red Lombard initials and red paragraph marks. Very clean in a acid-free green mat with decription panel calling it the 1460 Gutenberg printing (incorrectly). First Edition, second impression. "A single leaf from the first edition, second impression of the Catholocon, printed from two-line slugs on Galliziani paper in 1468 or 1469. As early as 1905 Gottfred Zedler recognized that the Catholicon edition dated Mainz 1460 exists in three impressions printed from a single setting of type but associated with three presses (with different pinhole patterns) and printed on three distinct paper stock. In 1982 Paul Needham presented evidence that the three issues were printed at different times, according to the datable use of their paper stocks: copies on Bull's Head paper (with which are classed the vellum copies) in 1460, copies on Galliziani paper ca. 1469, and copies on Crown and Tower papers ca. 1472. Moreover, Needham argued that the three impressions were produces, not from standing type, but from two-line 'slugs' cast from the type and capable of being reassembled for subsequent impressions. According to this theory, the first impression of the Catholicon was produced by Gutenberg himself in 1460, the 'slugs' then passed into the possession of Konrad Humery with Gutenberg's other typographic material after the latter's death in 1468 and were re-used by Humery probably with the help of Peter Schoeffer, ca. 1469. In this view, which has aroused prolonged controversy among incunabulists, the 1460 Catholicon represents not only Gutenberg's last production but also final achievement, the invention of an early form of stereotyping."[Christie's Nakles Collection of Incunabula, 2000 lot #2]This leaf is almost certainly from those acquired by E. Byrne Hackett and broken up by him for the Brick Row Book Shop in 1936,and sold with an essay on the book by Margaret Stillwell (not present here). Hain/Copinger 2254*. BMC I,39. BSB B8. CIBN B13. GW 3182. Walsh/Harvard B28. Proctor 146. Goff B20.
[Bookseller: Booksellers KROWN & SPELLMAN - Culver Ci] |
| 38. Check availability: Maremagnum
Link/Print |
LIVIUS, Titus and Lucius FLORUS.
Von Ankunfft unnd Ursprung des Römischen Reichs, .(colophon: Strasbourg, Theodosius Rihel, 1574). Small folio. With title printed in red and black in an elaborate woodcut frame by Tobias Stimmer; Rihel's printer's mark (13 x 10 cm); 131 examples of 66 woodcuts by Stimmer and others (10.5 x 14.5 cm); dozens of large (48 mm) and small gothic initial letters. Contemporary elaborately blind-tooled sheepskin parchment, painted in red, green, white and yellow, and gilt; blind-tooled board edges and turn-ins; gilt and gauffered edges with red and uncoloured decorations; headbands in green, yellow and white; signed "H" probably Caspar Hornheffers in Augsburg.
|
- (28), 887, (23), (2 blank) pp. Chrisman, Bibl. Strasbourg Imprints A.2.13A; Karlsruhe Virt. Kat. (5 copies); Ritter, Cat. Bib. Mun. Strasbourg 1384; Ritter, Cat. Bib. Nat. & U. Strasbourg III, 1375; not in Adams, OCLC WorldCat. FIRST STRASBOURG EDITION of the best German translation of Livius's classic history of Rome, beautifully illustrated with a new series of woodcuts by Tobias Stimmer and others and in a splendid contemporary binding probably by Caspar Horneffers in Augsburg. The numerous woodcuts illustrate a wide variety of events and scenes from Roman history, each in a frame, with scrollwork, figures, animals and mythical beasts, fruits and vegetables, armour and weapons, etc. Most are initialed, many by Bernard Jobin after Tobias Stimmer and others by Christoph Maurer and Christoffel van Sichem.Titus Livius (59 B.C.-A.D. 17) is known primarily for his great history of Rome, already printed as early as 1469 and published in German in 1505. The present translation by Zacharias Müntzer, first published at Frankfurt in 1568, quickly established itself as the standard and was reprinted many times. Rihel not only adorned it with beautiful woodcuts, but also printed it exquisitely with a wide variety of fine fraktur types and with roman and Greek types by the great French master Robert Granjon.The binding has large arabesque scrollwork stamps in the centres of the boards, that on the back possibly a stylized Augsburg pinecone. The cornerpieces are also scrollwork arabesques, and that used for the lower left and upper right corners on both boards appears to be initialled HG (its mirror image used for the other corners is unsigned). The space around the central stamps is filled with *-shaped stamps and the whole surrounded by a frame of rolls. Additional rolls occupy the compartments on the spine. The watermarks in the endleaves are very close to Briquet 2122 (1568-1581), and Briquet's note after number 2123 suggests that papers with its merchant's mark (inside the shield at the foot) come from Augsburg. In fact, the present mark has the form of the Augsburg coat of arms, but with a bunch of grapes occupying the position of the pinecone. In general style, the present binding resembles one made ca. 1579 by Caspar Horneffers at Augsburg (active 1564-1595), illustrated in Schunke, Die Einbände der Palatina, plate CL.In very good condition and with very large margins, with two tears repaired, slightly affecting one woodcut and the text of one leaf; a few transparent brown stains slightly affecting two woodcuts and the text on a few leaves; a tiny hole affecting two words of the text; and very minor marginal wormholes in a few leaves, not approaching the woodcuts or text. Binding very good, with the hinges and board edges worn and a few minor stains and wormholes. A classic history of Rome, beautifully illustrated and in a splendid contemporary initialled binding.
[Bookseller: ASHER Rare Books] |
| 39. Check availability: AbeBooks
Link/Print |
BESSARION, Johannes Basilius of Trebizond, Cardinal.
Adversus Calumniatorem Platonis. -- Correctio Librorum Platonis de Legibus Georgio Trapezuntio interprete. -- De Natura et Arte adversus Georgium Trapezuntium.
|
Roman & Greek type. 10-line initial opening text in red & blue with purple pen work decoration & extensions, 7-line initials opening subsequent books in red or blue, headings in red, chapter numbers in red in margins, paragraph marks alternating in red & blue. 231 leaves (lacking the first & final two blanks). Folio (280 x 197 mm.), 18th cent. sheep (a few small wormholes in first two & final three quires, some spotting & browning), sides ruled in blind, spine gilt, contrasting leather lettering piece on spine. Rome: C. Sweynheym & A. Pannartz, [before 28 Aug. 1469]. First edition of "one of the most important texts in the history of Platonism."J. Hankins, Plato in the Italian Renaissance, p. 215. Bessarion wrote this book to counter the attacks of George of Trebizond, who, in his translation of the Laws of Plato, had sharply criticized their author, exalting Aristotle instead. In defending Plato, Bessarion provides a general exposition of Platonic philosophy. It was one of the earliest expositions on Platonism to appear in print, published well in advance of any of Plato's own works, and therefore contributed greatly to disseminating and popularizing Platonic philosophy in the West. Bessarion's work was not merely a defense of Plato, but a defense of Greek culture and heritage. One of his main strategies in countering Trebizond was to prove the deficiency of Latin translations of Plato's works, which consequently resulted in western misconceptions. Included in this edition is Bessarion's detailed and sharp enumeration of the faults in Trebizond's own translation and commentary of Plato's Laws. Bessarion (1403-72), united the two worlds of Byzantine and Renaissance Italian culture. After 1440, the cardinal remained in Italy for most of the rest of his life and established himself as a dominant figure in Italian culture. At Rome, the house of Bessarion functioned as a humanist academy, frequented by Poggio, Filelfo, Trebizond (until the quarrel), Argyropulus, Cusanus, and Regiomontanus. The cardinal's promotion of Greek no doubt helped to turn the minds of Nicholas V and Duke Federico of Urbino to the patronage of Greek studies. Bessarion's immense collection of Greek manuscripts represents a major landmark in the transmission of classical Greek culture to Renaissance Italy. His collection of 800 Greek manuscripts was given by him in 1468 to the Republic of Venice and today forms the nucleus of the famous library of St. Mark's. Bessarion had considerable mathematical interests which are reflected in the present book. He received lessons in the subject from Gemistus Pletho in the early 1430s and, during his reorganization of the University of Bologna, planned to provide four professorships in mathematics. "At Rome the Byzantine cardinal became a close friend of Cusanus, that dedicated admirer of Archimedes. The influence of Cusanus can be seen in Bessarion's great work In Calumniatorem Platonis (directed against Trapezuntius), where the author defends Plato as a mathematician and adduces Archimedes in support of his contention...While on a mission to Nuremberg and Vienna (1460-1461), Bessarion met the astronomers Peurbach and Regiomontanus, then at Vienna University. Following the death of Peurbach, Bessarion persuaded the younger astronomer to accompany him back to Italy in 1461, thus introducing Regiomontanus to the humanists and mathematicians of Rome and Venice."Rose, The Italian Renaissance of Mathematics, p. 44. A fine copy of this handsome book printed by Sweynheym and Pannartz, who introduced the art of printing into Italy. It is known that this work was printed in an edition of three hundred copies. Goff B-518.
[Bookseller: Jonathan A. Hill, Bookseller, Inc.] |
| 40. Check availability: ILAB
Link/Print |
René 1er
Le roi René s'adresse au bailli de Bar.
|
Nombre de document : 1 vélin 27 x 36 cm 11/12/1469 Sceau manquant. bon Mandement du roi René, duc de Bar et de Lorraine, relatif à une plainte de l'abbé Saint-Vincent de Metz envers les officiers du duché de Bar, «luy empeschant et occupant la justice et juridiction du lieu de Dugney [Dugny-sur-Meuse] et d'anciens villaiges déppendant d'iceluy, aussy plusieurs anciens droiz appartenans audit suppliant à cause de ladite abbaye [...]». Duc d'Anjou, de Bar et de Lorraine, comte de Provence, roi de Naples et de Sicile.
[Bookseller: Traces écrites] |
| 41. Check availability: ILAB
Link/Print |
René 1er 1409 1480
Le roi René s'adresse au bailli de Bar.
|
- Nombre de document : 1 Vélin 27 x 36 cm 11/12/1469 Sceau manquant. bon Mandement du roi René, duc de Bar et de Lorraine, relatif à une plainte de l'abbé Saint-Vincent de Metz envers les officiers du duché de Bar, «luy empeschant et occupant la justice et juridiction du lieu de Dugney [Dugny-sur-Meuse] et d'anciens villaiges déppendant d'iceluy, aussy plusieurs anciens droiz appartenans audit suppliant à cause de ladite abbaye [.]». Duc d'Anjou, de Bar et de Lorraine, comte de Provence, roi de Naples et de Sicile.
[Bookseller: Traces Ecrites] |
| 42. Check availability: AbeBooks
Link/Print |
[CATALOGUE D'EXPOSITION].
Great Exhibition of the Works of Industry of all Nations, 1851. Official descriptive and illustrated catalogue in three volumes. London, William Clowes and Sons, 1851. In-8, percaline bleue illustrée, estampée et dorée, tranches dorées, 1469 pp.
|
Dans le premier volume, contient une carte "Geographial view of the great exhibition of 1851. Shewing at one view the relative & territorial distribution of the various localities from whence the raw materials & manufactures contributed to the exhibition have been severally supplied." Le premier et deuxième volumes sont consacrés à la Grande Bretagne ainsi qu'à ses colonies, le troisième volume est quant à lui consacré aux autres pays. Déchirure page 7 de la troisième partie du premier volume, légèrement dérelié, infimes usures au dos et aux mors pour les trois tomes.
[Bookseller: Librairie Chrétien] |
| 43. Check availability: Livre-Rare-Book
Link/Print |
Chodowiecki, N. Daniel
12 Blätter zu Aug. von Kotzebue, die Indianer in England.
|
o. J.. Darst.Gr. je 8,5 x 4,9 cm, Pl.; 23 x 36,5 cm., Radierung, WvzNr. Bauer 1469 - 1480, Engelmann 631 II., Zust. gut erhalten.. B. 1469 - 1480, E. 631 II. Schöne kräftige Abdrücke auf festem Papier, mit ca. 6 - 8 mm Rand. [273]
[Bookseller: Kunst & Graphik Kabinett] |
| 44. Check availability: zvab
Link/Print |
Sarthe. Un franc-archer assure la protection de la fabrique de Sargé-sur-Braye.
Accord passé entre la fabrique de la paroisse Saint-Martin de Sargé-sur-Braye et Colin Hochedé, franc-archer de ladite paroisse. La fabrique, représentée par ses procureurs, Jean Janvier l'Ancien et Jean du Couldray, doit payer à son franc-archer, pour sa protection, la somme de 40 sous tournois, «tant pour salade, gantelez, gorgery, arbaleste, trect, aucton et aultres habillemens qui luy soyent necessaires». En français et latin
|
Parchemin Nombre de document : 1 15 x 26 cm. 11/11/1469 brunissures, sceau plaqué de cire brune manquant.
[Bookseller: Traces écrites] |
| 45. Check availability: Livre-Rare-Book
Link/Print |
Machiavelli, Niccolò
Opere. 6 vol.Cambiagi Firenze (Gaetano Cambiagi), 1782-1786,
|
- C, 451 S.; 420 S.; 490 S.; 392 S.; 475 S.; 532 S.; 4o, Pergament der Zeit mit Rückenschildern, die Rücken sind teilweise ersetzt, bei zwei Bänden sind die vorderen Gelenke,angeplatzt, im ganzen schönes und dekoratives Exemplar. Graesse IV, S. 325; Ebert II, S. 12642. Machiavelli, Niccolò (1469-1527) ital. politischer Schriftsteller./ Die Bände 5 und 6 auf BLAUEM PAPIER!! Breitrandiges Exemplar mit dem Stempel: Großherzogliche Bibliothek Neustrelitz.
[Bookseller: Dr. Martin Saendig GmbH] |
| 46. Check availability: AbeBooks
Link/Print |
STADLER, Daniel.
Tractatus de Duello Honoris Vindice ad Theologiae, et Juris Principia Examinatio. Ingelstad - Würzburg, J.F.X. Crätz - Th. Summer, 1751. 4to. Title-page printed in red and black, full-page engraved frontispiece and engraved headpiece, many woodcut tailpieces. Contemporary blind-stamped pigskin binding, with floral rolls, brass catches, blue edges.
|
(30), 464 pp. De Backer-Sommervogel VI, col. 1469 . Attractive copy this study of duels withspecial attention for judicial aspects. The author basically rejects a duel in favour of solving conflicts in court, but allows it under three conditions: grave offence, serious damage, and blatant miscarriage of justice. Stadler's apparent approval of duels under certain circumstances brought him in conflict with Pope Benedict XIV, who "ayant condamné trois propositions favorables au duel, des PP. Reiffenstuel, Sporer et Milante, deux desquelees le P. Stadler avait aussi soutenues, celui-ci lui écrivit pour prouver qu'il ne les soutenait pas. Le Pape lui répondit, par un bref, du 3 mars 1753, que son ouvrage n'avait pas été nommé dans la condamnation" (De Backer-Sommervogel). Several small corrosion spots, good copy in attractive binding.
[Bookseller: Asher Rare Books (Since 1830)] |
| 47. Check availability: choosebooks ILAB
Link/Print |
Machiavelli, Niccol°
Opere. 6 vol.Cambiagi Firenze (Gaetano Cambiagi), 1782-1786,
|
C, 451 S.; 420 S.; 490 S.; 392 S.; 475 S.; 532 S.; 4o, Pergament der Zeit mit Rückenschildern, die Rücken sind teilweise ersetzt, bei zwei Bänden sind die vorderen Gelenke,angeplatzt, im ganzen schönes und dekoratives Exemplar.. Graesse IV, S. 325; Ebert II, S. 12642. Machiavelli, Niccol° (1469-1527) ital. politischer Schriftsteller.Die Bände 5 und 6 auf BLAUEM PAPIER!! Breitrandiges Exemplar mit dem Stempel: Großherzogliche Bibliothek Neustrelitz..
[Bookseller: Wissenschaftliches Antiquariat Dr. Marti] |
| 48. Check availability: choosebooks
Link/Print |
DE CARNE GASTON
LES CHEVALIERS BRETONS DE SAINT MICHEL
|
LES CHEVALIERS BRETONS DE SAINT-MICHEL (depuis la fondation de l'ordre en 1469, jusqu'à l'ordonnance de 1669), notices recueillis par le COMTE D'HOZIER, un vol. in 8 relie demi chagrin noir à coins, de 475 p. exemplaire numéroté 160/500 ; N Vincent Forest et Emile Grimaud, imprimeurs-éditeurs à Nantes. peu courant
[Bookseller: Livre Ancien d'Aleth] |
| 49. Check availability: Livre-Rare-Book
Link/Print |
LIVIUS, Titus and Lucius FLORUS.
Von Ankunfft unnd Ursprung des Römischen Reichs, .(colophon: Strasbourg, Theodosius Rihel, 1574). Small folio. With title printed in red and black in an elaborate woodcut frame by Tobias Stimmer; Rihel's printer's mark (13 x 10 cm); 131 examples of 66 woodcuts by Stimmer and others (10.5 x 14.5 cm); dozens of large (48 mm) and small gothic initial letters. Contemporary elaborately blind-tooled sheepskin parchment, painted in red, green, white and yellow, and gilt; blind-tooled board edges and turn-ins; gilt and gauffered edges with red and uncoloured decorations; headbands in green, yellow and white; signed "H" probably Caspar Hornheffers in Augsburg.
|
(28), 887, (23), (2 blank) pp. Chrisman, Bibl. Strasbourg Imprints A.2.13A; Karlsruhe Virt. Kat. (5 copies); Ritter, Cat. Bib. Mun. Strasbourg 1384; Ritter, Cat. Bib. Nat. & U. Strasbourg III, 1375; not in Adams, OCLC WorldCat. FIRST STRASBOURG EDITION of the best German translation of Livius's classic history of Rome, beautifully illustrated with a new series of woodcuts by Tobias Stimmer and others and in a splendid contemporary binding probably by Caspar Horneffers in Augsburg. The numerous woodcuts illustrate a wide variety of events and scenes from Roman history, each in a frame, with scrollwork, figures, animals and mythical beasts, fruits and vegetables, armour and weapons, etc. Most are initialed, many by Bernard Jobin after Tobias Stimmer and others by Christoph Maurer and Christoffel van Sichem.Titus Livius (59 B.C.-A.D. 17) is known primarily for his great history of Rome, already printed as early as 1469 and published in German in 1505. The present translation by Zacharias Müntzer, first published at Frankfurt in 1568, quickly established itself as the standard and was reprinted many times. Rihel not only adorned it with beautiful woodcuts, but also printed it exquisitely with a wide variety of fine fraktur types and with roman and Greek types by the great French master Robert Granjon.The binding has large arabesque scrollwork stamps in the centres of the boards, that on the back possibly a stylized Augsburg pinecone. The cornerpieces are also scrollwork arabesques, and that used for the lower left and upper right corners on both boards appears to be initialled HG (its mirror image used for the other corners is unsigned). The space around the central stamps is filled with *-shaped stamps and the whole surrounded by a frame of rolls. Additional rolls occupy the compartments on the spine. The watermarks in the endleaves are very close to Briquet 2122 (1568-1581), and Briquet's note after number 2123 suggests that papers with its merchant's mark (inside the shield at the foot) come from Augsburg. In fact, the present mark has the form of the Augsburg coat of arms, but with a bunch of grapes occupying the position of the pinecone. In general style, the present binding resembles one made ca. 1579 by Caspar Horneffers at Augsburg (active 1564-1595), illustrated in Schunke, Die Einbände der Palatina, plate CL.In very good condition and with very large margins, with two tears repaired, slightly affecting one woodcut and the text of one leaf; a few transparent brown stains slightly affecting two woodcuts and the text on a few leaves; a tiny hole affecting two words of the text; and very minor marginal wormholes in a few leaves, not approaching the woodcuts or text. Binding very good, with the hinges and board edges worn and a few minor stains and wormholes. A classic history of Rome, beautifully illustrated and in a splendid contemporary initialled binding.
[Bookseller: ASHER Rare Books] |
| 50. Check availability: ABEBooks
Link/Print |
P. CORNELII SEVERI
AETNA, & QUAE SUPERSUNT FRAGMENTA, CUM NOTIS ET INTERPRETATIONE JOS. SCALIGERI, FRID. LINDENBRUCHII & THEOD. GORALLI. ACCESSIT PETRI BEMBI AETNA. ASTELAEDAMI, APUD HENRICUM SCHELTE, 1703. IN 8 (CM. 15,8) LEGATURA ORIGINALE IN PIENA PELLE CON NERVI, TASSELLO E RICCHI FREGI AL DORSO; 1 C.BIANCA, 3 CC.NN., PP. 224, 12 CC.NN. (INDEX). ALL'ANTIPORTA TAVOLA RIPIEG., INCISA IN RAME, CON BELLA VEDUTA DELLA CITTA' E PORTO DI CATANIA CON L'ETNA IN ERUZIONE, A FIRMA J.LAMSVELT (CA.1664-1725). IL TESTO DEL POEMA E' STAMPATO A SINISTRA E SULLA PAGINA A FRONTE C'E' L'INTERPRETAZIONE. TAGLI SPRUZZATI. PICCOLE ABRASIONI ALLA LEG., ALTRIMENTI BELLISSIMO ESEMPLARE FRESCO E NITIDO.
|
La prima edizione di quest'opera, attribuita al poeta romano Lucilius, apparve sotto il nome di Virgilio intorno al 1469. Questa nostra e' la prima ediz. di Amsterdam, alla quale ne segui' una seconda nel 1715. Piuttosto rara, manca alla biblioteca siciliana del Moncada.
[Bookseller: Studio bibliografico CALABRO' Maria] |
| 51. Check availability: Maremagnum
Link/Print |
PITRE-CHEVALIER (P.-M.-F. Chevalier dit)
La Bretagne ancienne et moderne
|
s.d. demi-basane bleu nuit, dos lisse orné, titre doré (reliure de l'époque). nombreuses rouss., coiffes frottées. 2 vol. gr. in-8, 656 pp. en pagination continue, frontispice en couleurs, carte, 21 vignettes gravées sur acier, 6 pl. chromolithographiées (blasons), 34 pl., nbses gravures sur bois in-t., ìdition originale. Dédiée à M. le vicomte de Châteaubriand dont la réponse est imprimée à la suite de la préface et précédée d'une gravure reproduisant le portrait de l'écrivain par Girodet. Contient des chants inédits, communiqués par M. de la Villemarqué. Illustrée par A. Leleux et O. Penguilly. Kerviler, V, 1469 (indique 2 cartes).
[Bookseller: Clavreuil - Fabrice Teissèdre] |
| 52. Check availability: Livre-Rare-Book
Link/Print |
Isabella and Ferdinand V
The Document That Made ColumbusÕs Discovery of America Possible.
|
The Document That Made ColumbusÕs Discovery of America Possible.The Original Amnesty of Zamora.It United Christian Spain Under Ferdinand and Isabella, and Decided the Fate of the New World ~In the Middle Ages, Spain was not a unified nation, but a group of separate states. Castille and Leon ran down the middle of the Iberian Peninsula and over atop Portugal to the west. Aragon was to the northeast, while the Moorish kingdom of Granada remained in the southeast. In 1469, Princess Isabella (1451-1504), sister of King Henry IV of Castille and Leon and heir to its throne, married Prince Ferdinand (1452-1516), son of King Juan II of Aragon and heir to its throne. Ferdinand and Isabella would one day inherit and join together their two kingdoms, which composed some 90% of Spain. Then, once the Moors were driven out, Spain would be united under their rule. That was the intention. However, this plan would not go unchallenged by strong and determined forces. Upon the death of her brother in 1474, IsabellaÕs right to the throne of Castille and Leon was hotly contested. The rival claimant was Juana (called ÒLa BeltranejaÓ), wife of King Alfonso V of Portugal, which was then a wealthy and powerful nation. Juana was theoretically King HenryÕs daughter, but was popularly thought to be the illegitimate child of a Beltran de la Cueva (as Henry was widely believed to be impotent). Like Ferdinand and Isabella, Alfonso had a vision of unification; his, however, was incompatible with theirs. Through his wife, he claimed the throne of Castille and Leon for Portugal, thus hoping to unite the two states into a regional super-power, led from Lisbon, which would dominate the rest of the Iberian Peninsula. Although most Castilians favored Isabella, Juana had very substantial support.Zamora is a town northwest of Madrid, near Salamanca, and not far from the Portugese border. The town sympathized with JuanaÕs cause and the fortress there was held by supporters of Portugal at the start of the contest for the throne. Ferdinand took the initiative, and starting in 1475, a Castilian force led by him besieged Zamora. King Alfonso led a Portuguese army of 8,500 to Zamora's relief in February 1476. The Portuguese, being well equipped with artillery and arquebusiers, bombarded the Castilian positions for two weeks before moving in the direction of nearby Toro. Ferdinand pursued and caught the Portuguese five miles from Toro at 4 pm on March 1, 1476, as they negotiated a narrow pass beside the River Duero. The Portuguese formed up beyond the hills and allowed the Castilians through the gap to face them. Some of Ferdinand's infantry got left behind in the rapid pursuit, so he was slightly outnumbered. The Castilian right was disordered by the Portuguese arquebusiers facing them and the action of the Portuguese cavalry. However, reinforced by late arrivals, the Castilians rallied at the pass and returned to the battle. Toward evening, after 3 hours of fighting, the Portuguese began to give, and they finally broke when their flank was turned by a massed charge of the Castilian cavalry. In the end, at this, the famed Battle of Toro, some 2,000 Portuguese were killed; and badly beaten, Alfonso returned to Portugal empty handed, his hope of ruling Spain frustrated. Although their patron was defeated at Toro and had fled, pro-Juana Spanish leaders still held Zamora and its Fortress. Ferdinand understood that as long as they remained holed up there, his work was incomplete. There would still be armed resistance to his rule, the Portugese might again try to relieve the city, or the garrison might hold out and become a rallying point for his adversaries. So he would have to besiege Zamora and risk the fortunes of war. The forces within Zamora were well aware that a siege was imminent, and knowing there was realistically no hope of being relieved from Portugal, saw that their cause was now ultimately doomed. They preferred to surrender the Fortress and transfer their allegi [Attributes: Signed Copy]
[Bookseller: Raab Collection] |
| 54. Check availability: AbeBooks
Link/Print |
Balbus, Johanes. [Johann Gutenberg]
[Catholicon. ]
|
[Peter Schoeffer (? ) for Konrad Humery (? ), ], [ca. 1469. ]. Royal folio. Single leaf. Single leaf from volume one with entries fro "cohors" to "color", 66 lines, double column. Type: 82G cast on two-ine slugs. Printed on Galliziani paper, the half of the sheet without the watermark, but with the characteristic shadows at wire-line intervals of ca. 5mm. Rubricated with one-line red Lombard initials and red paragraph marks. Very clean in a acid-free green mat with decription panel calling it the 1460 Gutenberg printing (incorrectly). First Edition, second impression. "A single leaf from the first edition, second impression of the Catholocon, printed from two-line slugs on Galliziani paper in 1468 or 1469. As early as 1905 Gottfred Zedler recognized that the Catholicon edition dated Mainz 1460 exists in three impressions printed from a single setting of type but associated with three presses (with different pinhole patterns) and printed on three distinct paper stock. In 1982 Paul Needham presented evidence that the three issues were printed at different times, according to the datable use of their paper stocks: copies on Bull's Head paper (with which are classed the vellum copies) in 1460, copies on Galliziani paper ca. 1469, and copies on Crown and Tower papers ca. 1472. Moreover, Needham argued that the three impressions were produces, not from standing type, but from two-line 'slugs' cast from the type and capable of being reassembled for subsequent impressions. According to this theory, the first impression of the Catholicon was produced by Gutenberg himself in 1460, the 'slugs' then passed into the possession of Konrad Humery with Gutenberg's other typographic material after the latter's death in 1468 and were re-used by Humery probably with the help of Peter Schoeffer, ca. 1469. In this view, which has aroused prolonged controversy among incunabulists, the 1460 Catholicon represents not only Gutenberg's last production but also final achievement, the invention of an early form of stereotyping. " [Christie's Nakles...
[Bookseller: Alibris] |
| 55. Check availability: Alibris
Link/Print |
Balbus, Johanes. [Johann Gutenberg]
Catholicon.]
|
[Peter Schoeffer (?) for Konrad Humery (?),] [Mainz:] [ca. 1469.] Royal folio. Single leaf. Single leaf from volume one with entries fro "cohors" to "color", 66 lines, double column. Type: 82G cast on two-ine slugs. Printed on Galliziani paper, the half of the sheet without the watermark, but with the characteristic shadows at wire-line intervals of ca. 5mm. Rubricated with one-line red Lombard initials and red paragraph marks. Very clean in a acid-free green mat with decription panel calling it the 1460 Gutenberg printing (incorrectly). First Edition, second impression. "A single leaf from the first edition, second impression of the Catholocon, printed from two-line slugs on Galliziani paper in 1468 or 1469. As early as 1905 Gottfred Zedler recognized that the Catholicon edition dated Mainz 1460 exists in three impressions printed from a single setting of type but associated with three presses (with different pinhole patterns) and printed on three distinct paper stock. In 1982 Paul Needham presented evidence that the three issues were printed at different times, according to the datable use of their paper stocks: copies on Bull's Head paper (with which are classed the vellum copies) in 1460, copies on Galliziani paper ca. 1469, and copies on Crown and Tower papers ca. 1472. Moreover, Needham argued that the three impressions were produces, not from standing type, but from two-line 'slugs' cast from the type and capable of being reassembled for subsequent impressions. According to this theory, the first impression of the Catholicon was produced by Gutenberg himself in 1460, the 'slugs' then passed into the possession of Konrad Humery with Gutenberg's other typographic material after the latter's death in 1468 and were re-used by Humery probably with the help of Peter Schoeffer, ca. 1469. In this view, which has aroused prolonged controversy among incunabulists, the 1460 Catholicon represents not only Gutenberg's last production but also final achievement, the invention of an early form of stereotyping." [Christie's Nakles Collection of Incunabula, 2000 lot #2] This leaf is almost certainly from those acquired by E. Byrne Hackett and broken up by him for the Brick Row Book Shop in 1936,and sold with an essay on the book by Margaret Stillwell (not present here). Hain/Copinger 2254*. BMC I,39. BSB B8. CIBN B13. GW 3182. Walsh/Harvard B28. Proctor 146. Goff B20.
[Bookseller: Krown & Spellman, Booksellers] |
| 58. Check availability: AbeBooks
Link/Print |
BALBUS, JOHANES. [JOHANN GUTENBERG]
[CATHOLICON.] [MAINZ:] [PETER SCHOEFFER (?) FOR KONRAD HUMERY (?),] [CA. 1469.]
|
Royal folio. Single leaf. Single leaf from volume one with entries fro "cohors" to "color", 66 lines, double column. Type: 82G cast on two-ine slugs. Printed on Galliziani paper, the half of the sheet without the watermark, but with the characteristic shadows at wire-line intervals of ca. 5mm. Rubricated with one-line red Lombard initials and red paragraph marks. Very clean in a acid-free green mat with decription panel calling it the 1460 Gutenberg printing (incorrectly). First Edition, second impression. "A single leaf from the first edition, second impression of the Catholocon, printed from two-line slugs on Galliziani paper in 1468 or 1469. As early as 1905 Gottfred Zedler recognized that the Catholicon edition dated Mainz 1460 exists in three impressions printed from a single setting of type but associated with three presses (with different pinhole patterns) and printed on three distinct paper stock. In 1982 Paul Needham presented evidence that the three issues were printed at different times, according to the datable use of their paper stocks: copies on Bull's Head paper (with which are classed the vellum copies) in 1460, copies on Galliziani paper ca. 1469, and copies on Crown and Tower papers ca. 1472. Moreover, Needham argued that the three impressions were produces, not from standing type, but from two-line 'slugs' cast from the type and capable of being reassembled for subsequent impressions. According to this theory, the first impression of the Catholicon was produced by Gutenberg himself in 1460, the 'slugs' then passed into the possession of Konrad Humery with Gutenberg's other typographic material after the latter's death in 1468 and were re-used by Humery probably with the help of Peter Schoeffer, ca. 1469. In this view, which has aroused prolonged controversy among incunabulists, the 1460 Catholicon represents not only Gutenberg's last production but also final achievement, the invention of an early form of stereotyping."[Christie's Nakles Collection of Incunabula, 2000 lot #2]This leaf is almost certainly from those acquired by E. Byrne Hackett and broken up by him for the Brick Row Book Shop in 1936,and sold with an essay on the book by Margaret Stillwell (not present here). Hain/Copinger 2254*. BMC I,39. BSB B8. CIBN B13. GW 3182. Walsh/Harvard B28. Proctor 146. Goff B20.
[Bookseller: Booksellers KROWN & SPELLMAN - Culver Ci] |
| 59. Check availability: Maremagnum
Link/Print |
SCHMITT, CHARLES B
GIANFRANCESCO PICO DELLA MIRANDOLA (1469-1533) and his critique of ARISTOTLE
|
Martinus Nijhoff, The Hague - Netherlands 1967 Archives Internationales d'Histoire des Ideés / International Archives of the History of Ideas - No. 23. Contents: I). Gianfrancesco Pico's life. II). Gianfrancesco Pico's general attitude toward philosophy. III). The general attack on Aristotle. IV). The rejection of Arestotelian 'Science'. V). The critique of Arestotle's Physics. VI). The influence of the Examen Vanitatis on later thought. VII). Appendices: A). The works of Gianfrancesco Pico - The manuscripts and printed editions where these may be found - The secondary literature which refers to him. B). A comparison of Gianfrancesco Pico's translation of Sextus Empiricus' outlines of Pyrrhonism with Henri Estienne's translation. C). Did Gianfrancesco Pico influence Agrippa? With index. XIV + 252 pag. [Attributes: Hard Cover]
[Bookseller: FESTINA LENTE italiAntiquariaat] |
| 61. Check availability: AbeBooks
Link/Print |
BESSARION, Johannes Basilius of Trebizond, Cardinal
Adversus Calumniatorem Platonis. -- Correctio Librorum Platonis de Legibus Georgio Trapezuntio interprete. -- De Natura et Arte adversus Georgium Trapezuntium.
|
Roman & Greek type. 10-line initial opening text in red & blue with purple pen work decoration & extensions, 7-line initials opening subsequent books in red or blue, headings in red, chapter numbers in red in margins, paragraph marks alternating in red & blue. 231 leaves (lacking the first & final two blanks). Folio (280 x 197 mm.), 18th cent. sheep (a few small wormholes in first two & final three quires, some spotting & browning), sides ruled in blind, spine gilt, contrasting leather lettering piece on spine. Rome: C. Sweynheym & A. Pannartz, [before 28 Aug. 1469].First edition of "one of the most important texts in the history of Platonism."J. Hankins, Plato in the Italian Renaissance, p. 215. Bessarion wrote this book to counter the attacks of George of Trebizond, who, in his translation of the Laws of Plato, had sharply criticized their author, exalting Aristotle instead. In defending Plato, Bessarion provides a general exposition of Platonic philosophy. It was one of the earliest expositions on Platonism to appear in print, published well in advance of any of Plato's own works, and therefore contributed greatly to disseminating and popularizing Platonic philosophy in the West. Bessarion's work was not merely a defense of Plato, but a defense of Greek culture and heritage. One of his main strategies in countering Trebizond was to prove the deficiency of Latin translations of Plato's works, which consequently resulted in western misconceptions. Included in this edition is Bessarion's detailed and sharp enumeration of the faults in Trebizond's own translation and commentary of Plato's Laws. Bessarion (1403-72), united the two worlds of Byzantine and Renaissance Italian culture. After 1440, the cardinal remained in Italy for most of the rest of his life and established himself as a dominant figure in Italian culture. At Rome, the house of Bessarion functioned as a humanist academy, frequented by Poggio, Filelfo, Trebizond (until the quarrel), Argyropulus, Cusanus, and Regiomontanus. The cardinal's promotion of Greek no doubt helped to turn the minds of Nicholas V and Duke Federico of Urbino to the patronage of Greek studies. Bessarion's immense collection of Greek manuscripts represents a major landmark in the transmission of classical Greek culture to Renaissance Italy. His collection of 800 Greek manuscripts was given by him in 1468 to the Republic of Venice and today forms the nucleus of the famous library of St. Mark's. Bessarion had considerable mathematical interests which are reflected in the present book. He received lessons in the subject from Gemistus Pletho in the early 1430s and, during his reorganization of the University of Bologna, planned to provide four professorships in mathematics. "At Rome the Byzantine cardinal became a close friend of Cusanus, that dedicated admirer of Archimedes. The influence of Cusanus can be seen in Bessarion's great work In Calumniatorem Platonis (directed against Trapezuntius), where the author defends Plato as a mathematician and adduces Archimedes in support of his contention...While on a mission to Nuremberg and Vienna (1460-1461), Bessarion met the astronomers Peurbach and Regiomontanus, then at Vienna University. Following the death of Peurbach, Bessarion persuaded the younger astronomer to accompany him back to Italy in 1461, thus introducing Regiomontanus to the humanists and mathematicians of Rome and Venice."Rose, The Italian Renaissance of Mathematics, p. 44. A fine copy of this handsome book printed by Sweynheym and Pannartz, who introduced the art of printing into Italy. It is known that this work was printed in an edition of three hundred copies. Goff B-518.
[Bookseller: Jonathan A. Hill, Bookseller, Inc.] |
| 62. Check availability: Bibliopoly ILAB
Link/Print |
RIVOLI, DUC DE (PRINCE D'ESSLING)
BIBLIOGRAPHIE DES LIVRES A' FIGURES VENITIENS DE LA FIN DU XVE SIECLE ET AU COMMENCEMENT DU XVIE. 1469-1525.
|
Paris, Techener, 1892. In-8 grande (25 x 18), pp. XLVI+499, con numerosi facsimili nel testo. Legatura mezza pergamena coeva. Buon esemplare. (5557) Primo tentativo di catalogazione ragionata dei libri a figure veneziani dalle origini della stampa al primo quarto del XVI secolo, che contribui' a portare l'attenzione su questo capitolo importante della storia della cultura italiana del Rinascimento oltre la ristretta cerchia dei bibliofili ottocenteschi. Questo primo saggio, ordinato cronologicamente, alquanto raro, costituisce il preludio alla monumentale opera data poi in luce nel 1907 da Olschki in Firenze, con ben diverso lusso tipografico. Ottino-Fumagalli, n. 4489.
[Bookseller: Libreria SOAVE - Torino - Italy] |
| 63. Check availability: Maremagnum
Link/Print |
Anonym
Handschriftliche Urkunde aus dem Jahre 1469.
|
1469 Handschriftliche Urkunde aus dem Jahre 1469. Format: 21 cm breit, 16 cm hoch. Pergament. 1469. Eine schöne Urkunde aus dem Spätmittelalter. Der Text ist in einer feinen, gotischen Minuskel geschrieben; die Initiale ist schwungvoll verziert und erstreckt sich über die ersten 14 Zeilen. Die erste Zeile beginnt mit den Worten: "Ick Johann Beiter Huhier ther int to Bruimern gan begen md benele [..]". An der Urkunde ist ein Siegel befestigt. Dieses zeigt ein Andreaskreuz, zwischen dessen Armen Sterne oder Lilien abgebildet sind. Auf der Außenseite der Urkunde befindet sich ein nur noch schwer zu lesendes Regest in Kurrentschrift sowie die Jahreszahl 1469. [Zustand der Urkunde: 2 / Sonstige Anmerkungen: Das Pergament ist gräulich und hat einige Braunflecken, an den Rändern ist es etwas nachgedunkelt. Die Schrift ist teilweise leicht verblasst, aber noch gut zu lesen. Das Dokument ist einmal in der Breite gefalzt. Alles in allem eine optisch ansprechende und gut erhaltende Urkunde aus dem 15. Jahrhundert.]
[Bookseller: Antiquarischer Lexikonhandel] |
| 65. Check availability: AbeBooks
Link/Print |
PALEARI HENSSLER MARIA
BIBLIOGRAFIA LATINO - ITALIANA DI GASTRONOMIA. (REPRESENTS THE SUMMA OF AL GASTRONOMIC WORKS PUBBLISCED BOTH IN ITALY AND THE REST OF THE WORLD FROM 1469 TO 1899. PRICE EURO 196,00 FOR THE TWO VOLUME WORK + ADDENDA (NOT SOLD SEPARATELY). CHIMERA MILANO
|
Opera in due volumi, rilegati in tutta tela, cm.21x31 piu' un volume di addenda. Il primo volume di 780 pagine, coprende circa 8000 schede bibliografiche collazionate. Il secondo volume, di 516, e' dedicato agli indici: autori e anonimi, cronologico, titoli abbreviati e categorie.Il volume dell'addenda, di 70 pagine, comprende 100 schede di opere e autori nuovi, correzioni, integrazioni e note. Il prezzo dei due volumi, piu' addenda e' di Euro 196,00. L'opera e' nuova in quanto ancora sigillata
[Bookseller: Studio Bibliografico C.A.R. di F. Ardizz] |
| 66. Check availability: Maremagnum
Link/Print |
BERLAN FRANCESCO
LA INTRODUZIONE DELLA STAMPA IN MILANO A PROPOSITO DEI MIRACULI DE LA GLORIOSA VERZENE MARIA COLLA DATA DEL 1469.
|
Venezia, B. Calore, 1884. In-8 (24 x 17), pp. 180+(2). Legatura coeva mezza pelle con angoli, dorso a 5 nervi con tit. in oro. Qualche fioritura, ma buon es. (5518) Il Berlan sostiene in questo studio, sulla base di numerose prove documentarie, che il primo libro stampato in Milano sarebbe i Miraculi de la Gloriosa Verzene Maria recante la data del 1469, ritenuta invece da molti altri bibliografi un errore tipografico in luogo di 1479. La questione resta tuttora aperta. Al contempo Berlan nelle prime pagine di questa memoria mette pure in discussione il "dogma germanico" in merito all'introduzione della stampa a caratteri mobili. La memoria del Berlan (Venezia, 1821 - Torino, 1876), storico e bibliografo fondatore della Societa' dei Bibliofili, esule in Piemonte dopo la caduta della repubblica di Venezia, apparve postuma, come molti altri suoi scritti (tra cui quelli relativi alla introduzione della stampa in Piemonte). Cfr. D.B.I., IX/pp. 112-4. Ottino-Fumagalli, n. 325.
[Bookseller: Libreria SOAVE - Torino - Italy] |
| 67. Check availability: Maremagnum
Link/Print |
LIVIUS, Titus and Lucius FLORUS.
Von Ankunfft unnd Ursprung des Römischen Reichs, ...(colophon: Strasbourg, Theodosius Rihel, 1574). Small folio. With title printed in red and black in an elaborate woodcut frame by Tobias Stimmer; Rihel's printer's mark (13 x 10 cm); 131 examples of 66 woodcuts by Stimmer and others (10.5 x 14.5 cm); dozens of large (48 mm) and small gothic initial letters. Contemporary elaborately blind-tooled sheepskin parchment, painted in red, green, white and yellow, and gilt; blind-tooled board edges and turn-ins; gilt and gauffered edges with red and uncoloured decorations; headbands in green, yello...
|
(28), 887, (23), (2 blank) pp. Chrisman, Bibl. Strasbourg Imprints A.2.13A; Karlsruhe Virt. Kat.(5 copies); Ritter, Cat. Bib. Mun. Strasbourg 1384; Ritter, Cat. Bib. Nat. & U. Strasbourg III, 1375; not in Adams, OCLC WorldCat. FIRST STRASBOURG EDITION of the best German translation of Livius's classic history of Rome, beautifully illustrated with a new series of woodcuts by Tobias Stimmer and others and in a splendid contemporary binding probably by Caspar Horneffers in Augsburg. The numerous woodcuts illustrate a wide variety of events and scenes from Roman history, each in a frame, with scrollwork, figures, animals and mythical beasts, fruits and vegetables, armour and weapons, etc. Most are initialed, many by Bernard Jobin after Tobias Stimmer and others by Christoph Maurer and Christoffel van Sichem.Titus Livius (59 B.C.-A.D. 17) is known primarily for his great history of Rome, already printed as early as 1469 and published in German in 1505. The present translation by Zacharias Müntzer, first published at Frankfurt in 1568, quickly established itself as the standard and was reprinted many times. Rihel not only adorned it with beautiful woodcuts, but also printed it exquisitely with a wide variety of fine fraktur types and with roman and Greek types by the great French master Robert Granjon.The binding has large arabesque scrollwork stamps in the centres of the boards, that on the back possibly a stylized Augsburg pinecone. The cornerpieces are also scrollwork arabesques, and that used for the lower left and upper right corners on both boards appears to be initialled HG (its mirror image used for the other corners is unsigned). The space around the central stamps is filled with *-shaped stamps and the whole surrounded by a frame of rolls. Additional rolls occupy the compartments on the spine. The watermarks in the endleaves are very close to Briquet 2122 (1568-1581), and Briquet's note after number 2123 suggests that papers with its merchant's mark (inside the shield at the foot) come from Augsburg. In fact, the present mark has the form of the Augsburg coat of arms, but with a bunch of grapes occupying the position of the pinecone. In general style, the present binding resembles one made ca. 1579 by Caspar Horneffers at Augsburg (active 1564-1595), illustrated in Schunke, Die Einbände der Palatina, plate CL.In very good condition and with very large margins, with two tears repaired, slightly affecting one woodcut and the text of one leaf; a few transparent brown stains slightly affecting two woodcuts and the text on a few leaves; a tiny hole affecting two words of the text; and very minor marginal wormholes in a few leaves, not approaching the woodcuts or text. Binding very good, with the hinges and board edges worn and a few minor stains and wormholes. A classic history of Rome, beautifully illustrated and in a splendid contemporary initialled binding.
[Bookseller: Asher Rare Books (Since 1830)]
|
| 70 Check availability: choosebooks ILAB
Link/Print
|
|
|
1468