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Displayed below are some recent viaLibri matches for books published in 1460


   
Publius Vergilius Maro. Bucolica. Georgica. Aeneis.
      Limitierte Auflage in 1380 Exemplaren. Bibliotheca Rara: deutscher Kommentarband Antonie Wlosok., Rom / Neapel um 1460 (Faksimile-Nachdruck jüngeren Datums). 552 Seiten im Format 31,5 x 22,2cm, mit 38 Miniaturen, davon 11 ganzseitig. Um sein großartiges Heldenepos, die Aeneis, das er in Neapel begonnen hatte, zu vollenden, unternahm Publius Vergilius Maro, kurz Vergil, eine Studienfahrt nach Griechenland und Kleinasien. Auf der Rückreise mit dem Schiff wurde er krank und verstarb 19 v. Chr. in Brindisi. Von den unter seinem Namen überlieferten Werken sind die Eclogae oder Bucolica, die Georgica und die Aeneis die einzigen Texte, deren Echtheit unumstritten ist. Die Bucolica, die von Theokrits Werk Eidyllia inspiriert wurden, bestehen aus zehn kurzen Gedichten, wobei nur zwei mehr als hundert Verse haben. All diese zeichnen sich mit Ausnahme des vierten Gedichtes durch ihren dyllischbukolischen Charakter aus. Die Georgica, ein Werk von nicht zu übertreffender Schönheit, hatte zum Ziel, dem Herrscher Augustus dabei zu helfen, eine Rückbesinnung auf die Kräfte der Natur zu fördern. Sie ist in vier Bücher unterteilt: Im ersten Buch behandelt Vergil den Ackerbau und schließt einen Landsmannkalender und die Witterungszeichen ein, im zweiten wird die Baumzucht, vor allem der Weinbau dargestellt, im dritten die Viehzucht und im vierten die Apikultur: die Bienenzucht.
      [Bookseller: Versandantiquariat Karl Heinz Schmitz]
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AN ILLUMINATED VELLUM MANUSCRIPT LEAF WITH ROUNDELS ILLUSTRATING THE LIFE OF ST. ALEXIUS FROM A BOOK OF HOURS IN LATIN.
   
      northern France, probably Paris, ca. 1460 Single column 13 lines in a pleasing regular gothic book hand. Attractively matted. WITH ONE HISTORIATED INITIAL in the text a "D" enclosing the face of a young nobleman with long hair the text within a three-sided gilt bar border and THE WHOLE WITHIN A FULL ILLUMINATED BORDER FEATURING CONSIDERABLE BRUSHED AND BURNISHED GOLD and with blue and gold acanthus sprays as well as many hairline stems leaves of various sorts strawberries and other fruit ONE SIDE OF THE LEAF WITH A ROUNDEL SHOWING SAINT ALEXIUS STANDING IN CONVERSATION WITH "CANONICUS" AND THE OTHER SIDE WITH A ROUNDEL SHOWING ALEXIUS AND "CLERICUS" BOTH TALKING ANIMATEDLY WITH THEIR HANDS. One small paint chip gone from the cloak of one figure inside a roundel otherwise IN EXTREMELY FINE CONDITION the gold and paint fresh and sparkling. Our leaf depicts scenes from the life of St. Alexius (or Alexis) whose story is worth recounting. Alexius was a beggar a fifth century man of God in Syriac Edessa but over time legend expanded his identity by acquiring a preface and conclusion set in Rome. As his story evolved Alexius was transformed into the son of the Roman senator Euphemianus who arranged a wealthy marriage for him. But the youth enamored of chastity leaves his bride on their wedding night and sails to the East for a life as a beggar. He returns home after 17 years unrecognized to take up his begging under the outer stairs of his ancestral home on the Aventine Hill (where the church dedicated to him stands today). Neither the stairs nor the marriage bed appears in our illustrations so we conclude that our outdoor scenes are set in Edessa. Alexius in one roundel interacts with a pink-robed cleric ("clericus") against a background of sky grass and gold scrolls while in the other roundel in a setting of hills and trees an ecclesiastic with an elaborate black hat ("canonicus") speaks to the seated Alexius. Our hero is not particularly ragged but his short tunic (even if trimmed in gold) and bare feet indicate that he is a beggar. The extraordinarily lavish and animated full borders and the extensive use of brushed and burnished gold here suggest that this leaf comes from a Book of Hours that was commissioned for a person or persons of high rank since it would have been very costly. Previously in the collection of the late Clark Stillman the manuscript included numerous roundels depicting the lives of St. Catherine and the more obscure St. Alexius and it is possible that the Book of Hours belonged to a husband and wife for whom these saints served as patrons. $3600 [Attributes: Hard Cover]
      [Bookseller: Phillip J. Pirages Rare Books (ABAA)]
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St. Germain, Christopher
   
The Dialogue in Betweene a Doctor of Divinitie, and a Student of
      German [Germain], Christopher (?1460- St. 1540). The Dialogue in English, Betweene a Doctor of Divinitie, and a Student of the Lawes of England. Newly Corrected and Imprinted, with New Additions. London: Printed for the Company of Stationers, 1613. [i], 176, [8] pp. Octavo (3-1/2" x 5-1/2"). Full contemporary vellum, soiled, with remnants of ties, title on spine in an early hand. Hinges cracked but holding by one cord. Bookplate to front pastedown, title page mounted. Negligible worming with no loss to text. Neat early marginal annotations throughout, interior otherwise clean. * Written originally in Latin in 1523, this work contains two dialogues between a doctor of divinity and a student of English law, and is known for putting into popular form canonist learning regarding the nature and object of law, the religious and moral standards of law, and other discussions regarding the jurisdiction of Parliament. Pollard & Redgrave, Short-Title Catalogue of Books Printed in England, Scotland, and Ireland 21580.
      [Bookseller: The Lawbook Exchange, Ltd., ABAA ILAB]
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Hundt von Sultzenmoos, W.
   
Metropolis Salisburgensis. Ingolstadt, Sartorius 1582. 2°. 4 Bl., 326 (recte 328) S., 1 Bl. Errata, 1 w. Bl. Flex. Pgt. d. Zt. (etwas fleckig).
      . Adams A, 1161; Stalla 1460; VD 16, H 5929. - Erste Ausgabe der bedeutenden Chronik der bayerischen Stammlande. Neben der allgemeinen Kirchengeschichte, den Bischofs- und Abtsreihen, werden die bayerischen Klostergründungen, aber auch die Geschichte des geistlichen Fürstentums Salzburg behandelt. - Bis zu Blatt 35 oben mit kleiner Feuchtigkeitsspur. Titelblatt etwas gebräunt. - Von guter Innenerhaltung..
      [Bookseller: E+R Kistner · Buch- und Kunstantiquariat]
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BERNT, Walter
   
The Netherlandish Painters of the Seventeenth Century
      hardcover. 3 vols. 1460 reproductions. Tall square 4to, cloth, d.w. (London: Phaidon, 1970). Very Good. Vol. I: Achtschellinck-Heda; Vol. II: Heem-Rombouts; Vol. III: Romeyn-Zyl, Index.
      [Bookseller: Argosy Book Store]
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PERONNE
   
      revealing a rich picture of this ancient town in Picardy, apparently assembled by members of the families of Dehaussy de Robecourt and Eudel, lawyers and administrators, and chosen to illustrate various aspects of life there and in the wider Bailliage of Peronne. The oldest are three leaves from the town!s records of 1460-1463, one concerned with placing a patient in the town!s leper hospital. 18th c. legal memoranda include a detailed inventory for probate and sale, with valuations, prices realised, buyers and their occupations; the case of a farmer against his son-in-law for theft of crops and equipment with violence; an order against a notary to maintain his natural son; applications to farm certain lands belonging to the Town!s hospital; a tax case, and a will. Other documents show how public office was regarded as a chattel that could be bequeathed, on suitable payments to the revenue, and how the government charged the holder for an increase in the office!s value. The pedigree of the new Marquis de Feuquieres includes an ancestor killed at Agincourt. On the eve of the revolution, the Three Estates are summoned to prepare their grievances and elect deputies to assemble at Versailles; the Jacobin Club of Paris sends a circular letter protesting at a move by Talleyrand and others, which had particular consequences for the clergy at Peronne; and Dehaussy has to get a 4-side identity document. The revolution also brought in equal inheritance by children. In family letters, M. Eudel describes how his attempt to help his brother-in-law to get round the new rule, and exactions by a revolutionary tribunal, all but caused his ruin. Other pieces include a travelling dentist!s advertisement (c. 1780), the setting up of a vaccination committee (1804), and a call-up notice to defend the town in 1870. Altogether the many names and family relations, and the legal and economic details, are a valuable source for the local historian, and may be followed up in Jules Dournel, Histoire General de Peronne (1879) and Les Mayeurs de Peronne: leurs familles et leurs descendants (1896), also Abbe Paul de Cagny, Histoire de l!Arrondissement de Peronne, 2 vols., 1869, which has a note on the measures of Peronne that occur in these documents. Together 30 items or groups of items, about 176 sides in various sizes, with a checklist, 1460 - 1895, CHECKLIST#11;1. 3 leaves from the minutes of the Mayor and Jures (sworn men, echevins) of Peronne:#11;1(a) Tuesday 8th July 1460. Present: Jean Pestel, licencie en droit, mayor (side 1, line 6). On proof that Jean de Cremollu, freeman of the town, son of Fursy, has contracted leprosy, he is assigned to the care of the brothers at the Maison de Sante, and is taken there the same day, accompanied by some friends via the barrier at the Porte Robin.#11;Jean Pestel, mayor 1458-1460, 1463-1465 and 1467-1470, led important negotiations with Louis XI, particularly in 1477 when the Somme towns, so long claimed by, or rented from, Burgundy, became indisputably French. Mentioned also: Simon de Herleville, prebend and chaplain at St Leduc (side 2, line 7).#11;1(b) Thursday 16th December 1462. #11;Present: Jean Desconchy, licencie en lois et en droit, mayor (side 3 line 16), and several named jures, including Roger le Boulanger, who also appears (side 4, line 8) in connection with some corn belonging to the town (side 4 line 6). #11;1(c) Tuesday 21st June 1463.#11;Present: Jean Desconchy, mayor (side 5, line 3), and several named jures. Actions taken following various requests.#11;Together 6 sides 12! x 8!!, 8th July 1460 - 21st June 1463, sides 5 & 6 have a tear mended with old paper without loss, also about ten lines lack a few letters at beginning or end.#11;Desconchy or de Conchy was elected mayor 12 times between 1450 and 1478.#11;2. Single leaf from the arrangements for the Sieur d!Happencourt to pay over certain rents to the damoiselles Marcelet and Dodaucourt (their married names) and their husbands, totalling 2397 livres 10s 4d, the first payment to be on 4th January 1646, and emphasising that the husbands will not be involved in the management of the properties. 2 sides vellum, 11!! x 7!!, [1645].#11;3. Group of 4 receipts for payment to the Revenue, by Conseillers-Secretaires du Roi, of successive increases in the value of their office, to be matched by an increase in salary from named taxes. The payment for 1698 is by J.-B. de la Feuille, the later ones by J.-B. Morgan. In 1698 la Feuille paid 12866 livres 13s 4d, borrowed from several men and women named on the document. Three are countersigned by Controleurs des Finances Louis Phelypeaux, Comte de Pontchartrain (1698), and Philibert Orry, Comte de Vignory (1731, 1745: he brought France!s road system to a high state of repair, and instituted the Paris Salon). Vellum, printed with manuscript additions, 8 sides folio or larger, Paris or Versailles, 1698, 1715, 1731 and 1745.#11;These legal posts in the Treasury were highly sought after and could be inherited or acquired from a predecessor on paying a !survivance! of 1500 livres to the revenue. #11;4. Group of documents transferring J.-B. Morgan!s office (see above) to Jean-Joseph Laborde.#11;(a) Power of attorney to make the transfer, signed by Morgan, Paris, 17th September 1756.#11;(b) Receipt by the treasurer of the Company of Conseillers-Secretaires for 1350 livres paid by Laborde (1200 membership, 150 to the Hopital General et Enfants Trouves), oblong folio, printed with manuscript additions, Paris, 1st December 1756.#11;(c) Receipt by the revenue for 1500 livres paid by Laborde for the right to pass on his office, vellum, oblong folio, Versailles, 11th December 1756.#11;(d) Right of Laborde to pass on his office, with many interesting details, Versailles, large folded vellum, 20th December 1756.#11;(e) Right of Laborde to practice as Conseiller-Secretaire at Bayonne, signed by the Mayor!s clerk, 2 sides folio, 17th April 1758.#11;The document mentions that Laborde, !born in Spain on the frontier!, had been naturalized French in 1749.#11;In two !liasses! with contemporary cover sheets, the items defective at the top, about a quarter of (d) is missing. [The second liasse also mentions Laborde!s actual !provisions! or letter of appointment with three endorsements, not present].#11;Together 6 sides, 1756-1758.#11;5. 2 Summonses to the Sieur [Dehaussy] de Robecourt, at the request of J.-B. Amelot, Receiver of Taxes, to appear before the Intendant at Arras the following Thursday, to account for capitations unpaid by (1) Sieur Devillers and (2) Sieurs Mallemain, Dournel and Maillart, which they say are in Robecourt!s hands, plus 2s per livre for costs, Amelot will !press his advantage! whether Robecourt is !present or absent!, signed by huissier Perceval, together 4 sides 7!! x 6!!, [Arras], Saturday 6th July 1709.#11;6. 6 sets of receipts and expenditure (four in summary form) for the Bailliage of Peronne in the neat hand of Fursy Jean Dehaussy (appointed Treasurer in May 1708), with clear introductions and explanations of overdue items, arranged under the headings of Augmentation de Gages (central funding), from 1710 to 21 March 1716 (2 sides), the rest, from 1708 to 29th November 1712, concern the office of Lieutenant-General d!Epee (held by the Sieur Eudel), the Augmentation de Gages, the office of Treasurer of the Common Purse, the dispute with the Count of Toulouse, and the Common Purse itself. These last two are particularly interesting. The dispute with Toulouse, son of Louis XIV and Admiral of France, was funded by Eudel (600 livres) and the Damoiselle Eleonnorre Eudel, widow of Charles Fournier (500 livres). Expenses include legal fees and sending the town!s charters to Paris. In the days when people paid to hold public office, the Purse received sums ranging from 6 livres for installing a huissier to 112 for a councillor such as Dehaussy, with 162 for the Lieutenant. Payments were made to the locksmith, fuel merchant, woodworker and plasterer for the Council Chamber. Other costs include printing, church services, and an express messenger to Amiens over their dispute with the Intendant. Each account is signed by Eudel, Dehaussy and the other seven councillors, to be retained by Dehaussy. Together 26 sides 11!! x 7!! including cover sheet, Peronne, 21 March 1716 and 29th November 1712.#11;7. Group of 5 documents about applications by husbandmen (!laboureurs!) to work portions of the 151 journaux 28 verges at Forest, Maurepas parish, belonging to the Hotel Dieu (hospital) of Peronne. With interesting details of the sizes, boundaries, rent offered in kind (measured in septiers of corn per journal per year) and money, plus a single payment as !pot de vin!, and of the discussions before the Mayor and Echevins leading to the successful application, with the applicants! and mayors! signatures, that of 16th June 1721 also records the announcements at Maurepas of the forthcoming auction. On 14 January 1732 there is a joint application by several families.#11;A journal of 100 square verges, Peronne measure, is about a British acre. A septier is 12 bushels, probably about 150 litres. Agreements were for nine years, and the new tenant had to repay the previous for seed and labour in the current season.#11;With many names, including surnames Lente (Lante), Thuilly, Le Dez, Colombier, Desfresnes, Boquart, Lecombe, Machoire, Berthot, Lanne, Hubert, Foucquet, Pillot and Tattegrain. 22 sides 10! x 7!!, Peronne, 5th July 1717, 26th April 1720, 16th June 1721, 14th January 1732, and 23rd May 1732.#11;8. Autograph note signed !Nogar!, asking the addressee !to remove from my inventory Marie Filieu wife of Louis Grain for the complete bed which he had bought in her name!, 1 side 7!! x 5!, Peronne, 7th July 1724.#11;9. Inventory of the belongings of Francois Vallincourt, merchant of Peronne !at the sign of St Martin!, deceased, with the estimates of their value and the prices at which they were sold, with the buyers! names and occupations. At the end is a detailed account of credits and debits on the estate. Drawn up by Nicolas Rousseau, Greffier, at the request of Robert Vallincourt & Thomas Hocquet, 32 sides 10! x 7!!, beginning on 30 August 1732. Somewhat worn with occasional loss.#11;With a multitude of local names. The prices realised are consistently a good deal higher than the estimates, for example (side 3, no. 14) !Item an old sabre with two poor swords, a powder horn and several pipes estimated at 20 sols sold and delivered for 33 sols to the said Grain!, other items were sometimes bought by the family, such as !a little musket! to Robert for 3 livres (no. 19).#11;10. Extract from the Register of Cases of the Election of Peronne, the Procureur du Roi against certain named defenders over taxes, recording the judgement on 28th November 1732, with further matters dated 1st December 1732 and 12th October 1733, signed by huissier Augustin Lacourt, 2 sides 9!! x 7!!, 1732-1733.#11;11. 2 bookplates from different plates but with the same coat of arms, one with the name in manuscript of Francois-de-Paul Barthelemi Jean Dehaussy, the other of M. B. Dehaussy de Robecourt (n.d.), 2 sides engraved surface 3!! x 3!!, 1750 and n.d.#11;12. Printed copy of Louis XV!s grant of the rank of Marquis and freedom from taxes to Antoine-Constant de Hamel-Bellanglise [Bellenglise], currently the last representative of Lupart, Sieur de Hamel & Bellenglise, Chatelain of Peronne in 1210, recalling the military services of his relations in the elder branches, now extinct, including Jean, killed at Agincourt, and his own, his father!s and his uncle!s, with two sons mousquetaires in the Garde ordinaire, woodblock pictorial heading and initial L, both with the arms of France, 3 sides 12!! x 8!, Versailles, November 1759, edges a little crumpled, short tears in folds without loss.#11;With much genealogical information.#11;13. Travelling Dentist!s advertisement, by !le Sieur Cazenove de la Faculte de Montpellier!, with a long list of preparations and cosmetics, on the back is a manuscript note addressed to the notaires and others of the Bailliage of Peronne ending !sentence given the 23rd!, right margin defective (words easily supplied, but affecting note on verso), printed, 1 side 7! x 8!, n.p., n.d., c. 1770.#11;14. Order by the Parlement of Paris in the case of the Appeal by Augustin Francois De L!Estrees, notary of Peronne, living at Fins, against sentence at Peronne of 22 March 1771 (whereby he was ordered to pay maintenance to Margueritte Mire for their natural son Adrien Joseph Louis De L!Estrees), that both parties be !put out of court!, in view of a !transaction! on 15th April 1771 between De L!Estrees! lawyer, Jean Marie Louis Ballu (who had power of attorney) and Margueritte Mire, agreeing sums of 250 livres on top of 250 livres already awarded, plus 25 livres every six months for 10 years, and her costs. The transaction, here copied in full, provided that either party might appeal against the original sentence, and in fact De L!Estrees had already so appealed on 26th March 1771. Margueritte Mire took the opportunity to apply for a larger sum, but on 1st July 1772 the Parlement ruled that the transaction must stand. #11;With notes by and signature of Dehaussy de Robecourt. 3 sides 11!! x 7!!, this copy c. 1772.#11;15. Long account by Dehaussy de Robecourt, of the attempts by Augustin Gruzon, !mulquinier! at Gueudecourt on land belonging to the Collegiate Church of St Fursy at Peronne, to obtain redress against his son-in-law Guillaume Cartel senior, daughter Marie Claire, and grandsons Guillaume junior (a farrier), Jean Jacques, and Honore Cartel, for acts going back to 1772, culminating in the theft with violence of crops, horses and plough in 1773. The case was transferred to the Crown at Peronne, where there were suitable prisons, at the request of the procureur of the jurisdiction of St Fursy. The Cartels suffered two heavy civil awards on 19th March 1774 (side 2, lines 4 & 7), followed by criminal sentences of banishment (2nd January 1775) from the Bailliage for six years. However, Guillaume senior simply went back to Gueudecourt.#11;In the hand of Dehaussy de Robecourt, who took over the case for the Crown, with two copy records in another hand (sides 1-3) dealing with Guillaume!s breach of the ban. 4 sides 9!! x 7! and 2 sides 9!! x 6!!, (Peronne), c. 1775.#11;With many names of witnesses, their occupations and ages.#11;16. 2 letters signed !Eudel! to Dehaussy de Robecourt, Avocat du Roi to the Bailliage of Peronne, the first about property in which they have a joint interest, he had well expected lower returns given the fall in the price of wheat last November, urging a quick sale of the property at Mortencourt, and asking him to send M. Preville in Paris 800 livres to be converted into a !rescription! on the dues on tobacco at Quimper, with detailed notes by Dehaussy on the actions he has taken, he has a buyer in mind for Mortencourt at a higher price, 2 sides 9!! x 7!!, from Pont au Buis (Finistere), postmarked !Quimper!, 7th May 1775, in the second he thanks him for news of their relations at Peronne, his elder two sons are at home learning mathematics and drawing, one preparing for !notre partie! (probably the customs service), the other to be a naval engineer, and suggesting a way of getting money transferred to him from Peronne, 2 sides 8!! x 6!! and conjugate address leaf, Rouen, 14th February, 1788.#11;17. Copy of the will of Jean Antoine Choquet, Seigneur de Courcelette, of rue des Chanoines, Peronne, dated 6th June 1768, with the codicil as dictated on 19th May 1777 to notary Louis Antoine Nicolas Vinchon, which added his cousins M. Dehaussy de Robecourt and Mme. Ducauroy in place of their late father and father!s brother, the copy made by and signed !Dehaussy!, 4 sides 10! x 6!!, Peronne, 14th June 1777.#11;The will provides generously for three domestic servants as well as the wife.#11;18. Licence for Theodore Blanchart, born 1758, to practise surgery at Marchelepot near Peronne, 16th November 1784, issued and signed by Daniel Jean Francois Brehou, lieutenant of the !premier chirurgien du Roy!, with an impressive list of Blanchart!s certificates in all branches of medicine, verified and signed on 18th Messidor An XI (7th July 1803) by sousprefet Malafolie, vellum, 2 sides 9!! x 14!!, Peronne, 16th November 1784, soiled on verso but can mostly be made out.#11;19. Autograph note signed !Dehaussy de Robecourt! to notary Le Febvre jeune, in Paris, asking him to pay Mlle de la Roque Coursel 17 livres 13s 3d, being part of the 20 livres interest p.a. due from a shoemaker in Peronne, explaining the deductions and saying how to find her, the writer will reimburse Le Febvre out of his present month!s salary, 1 side 4!! x 6!, n.p., 8th January 1788.#11;20. Ordonnance of Antoine-Adolphe de Seiglieres, Marquis de Feuquieres, as Bailli of Peronne, Montdidier & Roye, summoning the Three Estates of Clergy, Nobles and Commoners within the bailliage to assemble at Peronne on the 16th March 1789, the third estate to a preliminary assembly on the 9th March in order to reduce all their complaints to a single !cahier!, and to elect a quarter of their number to attend on the 16th, so as to debate and record !the needs of the State, the reform of abuses, the establishment of a fixed and lasting order in all parts of the administration, the general prosperity of the realm, and the good of each and every subject of the King!, with the aim of producing a single cahier, or at least one for each estate, and then to elect 2 clergy, 2 nobles and 4 commoners as deputies to the forthcoming assembly at Versailles, 8 sides 4to., printed at St Quentin, 21st February 1789.#11;The first summoning since 1612 of the Three Estates, on the eve of the Revolution. Many politicians (including Talleyrand, Bishop of Autun) rose to prominence by presenting their local cahiers at Versailles. This copy is signed !Ballu de Mont-joie!, (Mayor, 1790), as Greffier (chief clerk) of the bailliage.#11;21. Circular letter of the Jacobin Club of Paris to its network all over France, protesting at the action of certain !petitioners! (including Talleyrand, see p. 3) who have called for the royal veto against the lawful decree of the National Assembly, which had been designed !to put an end to the religious troubles!, and fearing civil war if the wish of the Assembly under the monarch can be overturned so lightly. At the end are the names !Max. Isnard, depute a l!Assemble nationale, president! and other Jacobins, and a note that !this extract! is to be appended to !M. Robespierre!s address!. Apparently the Assembly had simply wished to restrain certain independent-minded priests by an oath of loyalty, while the petitioners wanted them exiled. Printed, 10 sides 8vo, Paris, [December] 1791.#11;At Peronne the parish clergy took the oath to the new Constitution on 23 January 1791 but most retracted the following March. As a result the parish churches were closed and the congregations became attached to the former collegiate church of St Fursy.#11;22. Certificate of residence and identity, with physical appearance, of Jean de Dieu Barthelemi Dehaussy, born 29th November 1728, who has always lived in the Place du Marche aux Herbes at Peronne, with the names and occupations of nine prominent citizens who have vouched for him, signed Charlard by the secretary of the Canton of Peronne, his signature confirmed by Cadot, 4 sides 7!! x 9!!, 23rd Fructidor An V (9th September 1797), wear in upper portion touching three letters.#11;23. Document setting up a Central Vaccination Committee for the arrondissement of Peronne, who will in turn set up local committees in each canton, naming the members headed by Dehaussy-Robecourt (president of the tribunal), Rabache Duquenoy, Mayor, the administrators of the hospital, councillors, lawyers, the local schoolmaster and the cure, !neglecting nothing to support the fatherly view of the Government ... the good of humanity and the increase of the populaton!, signed by sousprefet Malafolie, 2 sides 13! x 9!, Peronne, 16th Thermidor An XII (4th August 1804), a little worn at top without loss.#11;24. Specification, unsigned, for a caleche (open carriage), addressed to master coachmaker Raffard, rue St. Florentin, Paris, new or second hand, to seat four comfortably, with leather curtains, lanterns, !a fine varnish! in green, yellow or cerise, to clear at least 54 inches above the wheels, with a !vache! (luggage boot) which must weigh at most 28 or 30 pounds, for which !a little trunk! could be made, !a good town and country Berlin! would suit if no caleche can be found, 2 sides 8!! x 6!!, n.p., August 1812.#11;25. Letter to the Mayor of Peronne from the Colonel Commandant of the Departement of the Somme, requesting a passport for Lieutenant Francisco Torregrosa, Spanish prisoner of war, who has been given permission to visit Chalons sur Marne, 1 side 9!! x 7!!, Amiens, 24th November 1812, v-shaped tear in top holding without loss.#11;26. Group of 3 letters from Joseph Theodore Eudel, (d. 1850, Director of Customs, Cherbourg), to his nephew, son of his sister Mme Arbellot, about advancing the nephew!s career, Arbellot has been a !verificateur! in the customs at Bremen and is now with the same rank at head office in Paris, commiserating over his misfortunes, however with conscription continuing new vacancies may occur (16th December 1813), he urges Arbellot to see M. De la Pierre in Paris to whom Eudel has proposed 6 new posts in Manche and Calvados, and to act !with spirit, moderation & address! (25th January 1814), congratulating him on settling in at Calais, talking of his daughter Zoe!s marriage to Michel Cousin Despreaux, a rich businessman !d!un caractere precieux pour une femme!, regretting the coolness between !my brother and your Father and Mother!, urging Arbellot to do anything he can to overcome it, also to improve certain turns of phrase which can be out of place in a family, and reassuring him !that all is for the best in the best of all possible worlds! (28th January 1823), together 6 sides 4to or 8vo and address leaves, 1813-1823.#11;27. Autograph copy letter signed !Eudel! in the same hand as those of 1775 and 1788 above, but much shakier, to his brothers, saying he has wanted for many years to explain his own reduced circumstances and the terms of his own will. His brother-in-law Arbellot had been the main beneficiary of Arbellot senior!s will, as was allowed by local custom. When the revolution decreed that all children should share equally, with retrospective effect, the husbands of Arbellot!s three married sisters began to threaten him, so Arbellot followed his late father!s advice and put his estate of La Gasnes in Eudel!s name, with Eudel leaving it in his will back to Arbellot or his heirs. Both had other troubles over this period. Eudel was forced to lend 30,000 francs by a revolutionary court at Limoges, lost his official position almost as soon as he had bought it, made to overstock with tobacco, and the assignats from the sale of his house in Peronne were now worthless. He has in fact survived only with help from Arbellot and one of his sisters. !If you had been in my place, you would have done the same!. 4 sides 9!! x 7!!, Bellac, Haute-Vienne, 17th July 1817.#11;28. Leaf from the mayor!s register of births, describing two foundlings left at the hospital, a boy apparently new-born, and a girl about a month old, and the clothes in which they were found, signed !Seret! from the hospital, also !Ed. Herein!, mayor, who registered them as !Alexandre Damase! and !Sophie Constance!, with on the verso two further registrations (one incomplete at end), of children born the previous day, 2 sides 9!! x 7!, Peronne, n.d. and 12th-14th December 1820, defective in inner margin with loss of several words.#11;29. Printed leaflet from the Council for the Recensement [list of those liable for service] of the National Guard of Peronne, saying the recipient should consult the list (name not filled in), Peronne, 1 side 8!! x 5!!, 22nd August 1870.#11;Peronne was besieged and heavily bombarded from 27th December 1870 - 9th January 1871.#11;30. Document signed by A. Quantin as publisher of the illustrated monthly Le Monde Moderne, stating the right of Paul Eudel, who has received 250 francs for the text and music of Une Nuit Blanche, to publish or translate it after 6 months, lithographed with manuscript additions, 10!! x 8!!, Paris, 31st May 1895, margins a little crumpled and torn, touching signature without loss.
      [Bookseller: Sophie Dupre]
 6.   Check availability:     Biblio   Link/Print  


AN ILLUMINATED VELLUM MANUSCRIPT LEAF WITH A BEAUTIFUL MINIATURE PAINTING OF THE CORONATION OF THE VIRGIN FROM A BOOK OF HOURS IN LATIN.
   
TEXT FROM THE OPENING OF COMPLINE.
      Paris, ca. 1460 Single column 13 lines of text in a regular gothic book hand. Attractively matted. Rubrics in red recto featuring two very pretty three-line initials in blue or pink with white tracery on a burnished gold ground and containing scrolling ivy leaves and with the text flanked by rinceaux panel borders the verso WITH A STRIKING MINIATURE PAINTING OF THE CORONATION OF THE VIRGIN within an arched compartment and above three lines of text and a very prominent three-line initial (in the style of those on the recto) the whole surrounded by a very wide full border of swirling ivy leaves on hairline stems acanthus leaves strawberries and other vegetation. Mounting traces on the side without the miniature otherwise IN ESPECIALLY FINE CONDITION THE GOLD SPARKLING and the vellum and paint very clean fresh and bright. Our miniature focuses as it should on the Virgin who kneels full of humility at center left as an angel in white reaches over from behind to settle a crown on her head. God the Father sits on a canopied throne to the right his right arm upraised in blessing his left on the orb in his lap. In the background to the left two delightful young angels hold a very large book and behind them bright orange seraphim watch from a gallery. Everything about this miniature indicates that it comes from a lavish manuscript made for a person of considerable means. It is large for a Book of Hours leaf (especially in terms of its width) and the level of artistry is impressive as we can see for example in the amazing delicacy of the architectural filigree at the top left in the very convincing folds of the garments and in the faces which are subtle and realistic in their detail even under magnification. In terms of style our leaf is reminiscent of both the mainstream Parisian illuminator Maître François whose scenes were frequently dramatic and generally painted in bright colors as well as the Coëtivy Master (about whom see item #42 below). $8500
      [Bookseller: Phillip J. Pirages Rare Books (ABAA)]
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Feliciano Veronese, F.
   
Alphabetum Romanum. Hrsg. von G. Mardersteig. verona, Officina Bodoni (1960). 4to. 140 S. Mit handkolorierter Titelvignette, 5 Tafeln sowie 25 handkolorierten großen Initialen. Brauner Orig.-Maroquinbd. mit Deckelsignet in Gold, Rückentiel u. Kopfgoldschnitt. In Orig.-Schuber.
      . . Druck der Officina Bodoni, hier eines von 50 Exemplaren der Vorzugsausgabe in Oasenmaroquin. Das um 1460 entstandene Alphabet des Veronesers Felice Feliciano hat für die Geschichte der Schrift eine besondere Bedeutung. Es ist das erste Traktat und die erste Zeichnung einer Konstruktion von klassischen römischen Majuskeln innerhalb eines Kreises und Quadrates. In diesem Handpressendruck sind die 25 Buchstaben des Originals handkoloriert wiedergegeben. Tadelloses Exemplar. - Mardersteig 120 mit 2 farb. Abb. - Schauer Bd. II,79 mit Abb.
      [Bookseller: Antiquariat Schmidt & Günther]
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Rusting, Salomon van
   
De vol-geestige werken, van Salomon van Rusting, Med. Doct. bestaande in Lust en Onlust in den hemel, Aran en Titus gemetamorphozeert. Wapenstryt tusschen Ajax en Ulisses. Alsmede Apollos majesteyt. Ondergang der Goden op Jupiters verjaar-feest. En vaarzen van Dionisius Cato. Beneffens d'Iliaden van Homerus. Ulisses in Pheaka. Prognosticatie op het jaar 1693. En meer andere geestigheden, 4e druk. Amsterdam, Jan van Heekeren en Jan Graal, 1712.
      8º: * 8 A-2X 8 (-2X8, blanco?), gepag.: [16] 700 [2] pp. Ongesigneerde gegraveerde titelpagina, waarop de 'Lust en onlust in den hemel' en 'De quakzalver op de markt' zijn afgebeeld. Contemporain perkament, inhoud iets bruin, maar mooi exemplaar. Waller 1460 Muller, Populaire prozaschrijvers der XVIIe en XVIIIe eeuw p.65; Peereboom, 'Salomon van Rusting: rehabilitatie van een drekpoëet', in: Literatuur 95-1 pp. 9-16; F & vd B p.676; Kalff V, p.452-454; Witsen Geysbeek V, p.199 Omvangrijke verzameling burleske gedichten van de Groot-Schermerse arts Salomon van Rusting (Amsterdam 1652 - ca. 1710), voor een groot deel bestaande uit kolderieke parodieën op mythologische verhalen uit de oudheid, waarin de verheven dichttaal is vervangen door een levendige volkstaal, vol (al dan niet platte) grappen en met veel aandacht voor alles wat met de stoelgang te maken heeft. Aan dat laatste dankt hij de kwalificatie "drekpoëet", voor het eerst door de dichter Pieter Langendijk gebruikt in een grafschrift. Behalve gedichten en rijmen vol "snakery en koddigheit", zoals hij het zelf noemt, heeft Rusting - door Marianne Peereboom omschreven als "een nuchter, pragmatisch en intelligent man" - ook medische onderwerpen behandeld, bijvoorbeeld in 'Nieuwe veld-medicine en chirurgie' (1693). De kennis daarvoor had hij ongetwijfeld opgedaan toen hij als heelmeester diende in het leger van stadhouder Willem III. 'De vol-geestige werken' verschenen aanvankelijk in twee delen bij Jan ten Hoorn in Amsterdam, in 1685 en 1687; in 1693 volgde een tweede druk in één deel en in 1698 verscheen, ook weer bij Ten Hoorn, een nieuw tweede deel, waarvan in ieder geval sommige dichtstukken - 'De kat in 't vagevuur', 'Duvels leven onder de duvelen' en een tweede parodie op de 'Aran en Titus' van Jan Vos - eerder afzonderlijk waren gedrukt. Dit tweede deel is opmerkelijk genoeg nooit meer herdrukt, in tegenstelling tot het eerste deel waarnaar de vraag - ongetwijfeld als gevolg van "de voorliefde onzer vaderen voor vieze grappen, waarbij 'struiven' en 'veesten' de hoofdrollen vervullen" (Frederik Muller) - onverminderd groot bleef: in 1699 bracht Ten Hoorn een derde én een vierde druk op de markt. Deze uitgave uit 1712 bij Van Heekeren en Graal is een titeluitgave van die vierde druk uit 1699.
      [Bookseller: Antiquariaat A.G. van der Steur]
 9.   Check availability:     ILAB   Link/Print  


Une rente du XVe siècle en corvées et chapons.
   
Constitution d'une rente annuelle et perpétuelle pour deux masures, au Tremblay (paroisse de Gournay-le-Guérin, Eure), cinq quartiers de terre et cinq journaux de terre. «Et par ce faisant ledit preneur les hoirs et les ayans cause trois corvées par chacun an aux saisons acoustumées pour les deux masures qu'il a naguère prises [...] et un chapon au terme de Noel [...]».
      parchemin Nombre de document : 1 Nombre de page : 1 19 x 20 cm 18/06/1460 Ecrit et signé par le tabellion Pierre Guibelet. Transcription complète jointe. froissé
      [Bookseller: Traces écrites]
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Schlegel. -
   
Athenaeum. Eine Zeitschrift von A.W. Schlegel und F. Schlegel. 5 Teile (von 6) in 3 Bdn. Bln. u. Darmstadt, Vieweg u.a. 1798-1799 u. 1960. Abweichend gebunden (2 Pp. d. Zeit, 1 flexibles OLn., die alten Bände bestoßen).
      . Erste Ausgabe. - Goedeke VI,10,9 u. 21,19; Diesch 1275; Kippenberg I,1460. - Diese bedeutende Zeitschrift der Frühromantik mit vielen Erstdrucken u.a. A.W. und F. Schlegels, mit Novalis' Epigrammen "Blütenstaub", Schleiermachers "Fragmenten" und Hülsens Schrift "Ueber die natürliche Gleichheit der Menschen". - Ohne den Band 2/2. Band 3 (1800) im Reprint. - Ein Vorsatz mit Spuren eines entfernten Exlibris. Wenig gebräunt. - Gestochenes Exlibris..
      [Bookseller: E+R Kistner · Buch- und Kunstantiquariat]
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COLONNA (GALATINO), PIETRO (CA. 1460-1540).
   
OPUS TOTI CHRISTIANE REIPUBLICE MAXIME UTILE, DE ARCANIS CATHOLICAE VERITATIS, CONTRA OBSTINATISSIMAM IUDAEORUM NOSTRAE TEMPESTATIS PERFIDIAM: EX TALMUD, ALIISQUE HEBRAICIS LIBRIS NUPER EXCERPTU: ET QUADRUPLICI LINGUARUM GENERE ELEGANTER CONGESTUM. O
      In folio (cm 30); legatura del XVIII secolo in piena pergamena rigida con tassello e titolo in oro al dorso, taglio azzurro (piccola mancanza alla parte inferiore del dorso, ma nel complesso come nuova); cc. CCCXI, (1). Testo in carattere romano, greco ed ebraico. Titolo e 12 pagine entro bella bordura in legno su fondo nero. Numerose iniziali ornate su fondo nero. Ex-libris Biblioteca Broxbourniana (cfr. Catalogue of valuable printed books from the Broxbourne Library, the second portion, London, 1978, nr. 413). Piccoli restauri al verso del frontespizio che ledono leggermente la cornice xilografica in due punti, restauro al margine superiore della carta CCLII senza perdita di testo, piccolo foro alla carta XCII che comporta una minima perdita di testo, per il resto bellissima copia a pieni margini su carta forte.PRIMA EDIZIONE, dedicata all'imperatore Massimiliano I, del primo libro stampato ad Ortona, uscito dai torchi dell'officina tipografica di Gerson Soncino, che nella citta' abruzzese stampo' solamente quattro libri. "Most interesting of all of these is the work of Petrus Galatinus the Franciscan On the Mystery of the Catholic Truth... How shocking to orthodox Jewish minds must have been the catholicity of taste and interest of this master printer [Gerson Soncino] we find among his publications the ancient classics as well as Catholic publications of most unimpeachable orthodoxy, and most remarkable of all the book of Galatinus, which was not only Catholic but distinctly anti-Jewish in purpose, introduced to the public in Hebrew verses by the author or some apostate editor as a book filled with loveliness, expounding the secrets of the Talmud in which may be found the very foundation of Christian Messianism the unity of Father, Son and Holy Ghost. The desire to find support in the Hebrew books for the doctrine of the Trinity arose out of the spread of Cabalism, a so-called science, through which Jewish mystics attempted to explain the mysteries of heaven and earth, and which had many Christian devotees, among them the famous Cardinal Egidio of Viterbo, who in this very year 1518 had assisted in the establishment of a Hebrew press in the city of Rome" (D. Amram, The Makers Hebrew Books in Italy, London, 1563, pp. 124-126).Edit16, CNCE20134. BMSTCItalian, p. 192. Adams, C-2418. Sandal, op. cit., pp. 88-89, nn. 54-55 (varianti tipografiche). G. Manzoni, Annali tipografici dei Soncino, Bologna, 1883-1886, nr. 108. Brunet, II, 1447. Hebraica: Il mondo ebraico nell'interpretazione cristiana nei secoli XV-XVIII, Catalogo della mostra pubblicato con la Biblioteca Casanatense di Roma, Milano, 2000, nr. 61, pp. 47-48.
      [Bookseller: Libreria GOVI Alberto]
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CRUCIFIXION
   
Illuminated miniature of the Crucifixion, from a Book of Hours. Bruges, c. 1460-
      The crucified Christ in the centre of the miniature flanked by the Virgin and St. John on the left and the centurion and his followers on the right. Landscape background, with rocky hillside and in the far distance a view of Jerusalem depicted by pinnacled and round-topped buildings. Full border of coloured acanthus leaves, soft fruit, flowers and gold leaves on hair-line stems (right hand border perhaps unfinished). Size of miniature: 118 x 74mm. Size of leaf: 192 x 135mm. Verso blank. 1475 A Flemish miniature made for the English market, from a Book of Hours, of the Use of Sarum. It is one of a group of miniatures produced in Bruges in the style of William Vrelant (also illustrated in Duschnes' catalogue 169, December 1964). Our miniature introduce Nones in the Hours of the Cross. A few tiny worn areas affecting the miniature, also a stain at the top, but border in excellent condition.
      [Bookseller: Maggs Bros. Ltd ABA ILAB BA]
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Publius Vergilius Maro. Bucolica. Georgica. Aeneis. Limitierte Auflage in 1380 Exemplaren.
      Bibliotheca Rara: deutscher Kommentarband Antonie Wlosok., Rom / Neapel um 1460 (Faksimile-Nachdruck jüngeren Datums).. 552 Seiten im Format 31,5 x 22,2cm, mit 38 Miniaturen, davon 11 ganzseitig.. Um sein großartiges Heldenepos, die Aeneis, das er in Neapel begonnen hatte, zu vollenden, unternahm Publius Vergilius Maro, kurz Vergil, eine Studienfahrt nach Griechenland und Kleinasien. Auf der Rückreise mit dem Schiff wurde er krank und verstarb 19 v. Chr. in Brindisi. Von den unter seinem Namen überlieferten Werken sind die Eclogae oder Bucolica, die Georgica und die Aeneis die einzigen Texte, deren Echtheit unumstritten ist. Die Bucolica, die von Theokrits Werk Eidyllia inspiriert wurden, bestehen aus zehn kurzen Gedichten, wobei nur zwei mehr als hundert Verse haben. All diese zeichnen sich mit Ausnahme des vierten Gedichtes durch ihren dyllischbukolischen Charakter aus. Die Georgica, ein Werk von nicht zu übertreffender Schönheit, hatte zum Ziel, dem Herrscher Augustus dabei zu helfen, eine Rückbesinnung auf die Kräfte der Natur zu fördern. Sie ist in vier Bücher unterteilt: Im ersten Buch behandelt Vergil den Ackerbau und schließt einen Landsmannkalender und die Witterungszeichen ein, im zweiten wird die Baumzucht, vor allem der Weinbau dargestellt, im dritten die Viehzucht und im vierten die Apikultur: die Bienenzucht.
      [Bookseller: Versandantiquariat Karl Heinz Schmitz]
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BENOIT, Pierre Jacques.
   
Voyage a Surinam. Description des possessions néerlandaises dans la Guyane. Bruxelles, Société des beaux-arts, De Wasme et Laurent, 1839. Large folio. With wood-engraved vignette on title. Lithographed additional title and 99 lithographed illustrations on 49 plates, all mounted on China paper. Original half black morocco, spine gilt.
      (4), 1-69, (3), 75-76, (2) pp. Muller, America 1460; Sabin 4737; Suriname-cat. UBA 0508a. First edition, with illustrations on Surinam. The lively plates include topograpic views, botanical, ethnographical and zoological subjects, and scenes from the life of the native Indians, the African-Americans and the white colonists. The plates are preceded by a historical survey of Surinam. According to the text on the title-page, there are one hundred plates (cent dessins ), but the list with illustrations in the book mentions only 99 illustrations, mainly half-page, on 49 plates. It is probable that the full-page lithographed title is included in the cent dessins. The Table des figures and the Table des matières have been bound in, in that order, after the plates. Binding rubbed, some browning or foxing. Good copy of this important work on Surinam.
      [Bookseller: ASHER Rare Books]
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Cicero [M Tullii Ciceronis]: Nobbe, C. F. [Editor]
   
Ciceronis Opera Omnia Uno Volumine Comprehensa Curis Secundis Emendatiora Et Adnotationibus Indicibusque Auctiora
      Lipsiae: Caroli Tauchnitii, 1850. 4to. Contemporary gilt tooled full brown calf, all edges gilt (some minor scratches-otherwise near Fine). Pp. v + vii + 1460 (with previous owner's inscription).
      [Bookseller: Alibris]
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155 Guerre de Cent Ans. Archers du duc d'Orléans. 1414.
   
Comptes du Duc de Bourgogne.
      Nombre de document : 1 Parchemin Nombre de page : 1 27 x 8 cm 17/10/1460 un petit trou hors texte. Jehan de Melles du Malemaison, bailli de Bonnembercq (?) confesse avoir reçu de Pierre Carbonnes «trésorier de Boullenois la somme de dix livres... pour les gaiges ac. dudit office...». Document faisant également état de comptes envers monseigneur le duc de Bourgogne. Nombre de page : 1
      [Bookseller: Traces écrites]
 17.   Check availability:     ILAB   Link/Print  


   
Publius Vergilius Maro. Bucolica. Georgica. Aeneis.
      Limitierte Auflage in 1380 Exemplaren. Bibliotheca Rara: deutscher Kommentarband Antonie Wlosok., Rom / Neapel um 1460 (Faksimile-Nachdruck jüngeren Datums). 552 Seiten im Format 31,5 x 22,2cm, mit 38 Miniaturen, davon 11 ganzseitig. Um sein großartiges Heldenepos, die Aeneis, das er in Neapel begonnen hatte, zu vollenden, unternahm Publius Vergilius Maro, kurz Vergil, eine Studienfahrt nach Griechenland und Kleinasien. Auf der Rückreise mit dem Schiff wurde er krank und verstarb 19 v. Chr. in Brindisi. Von den unter seinem Namen überlieferten Werken sind die Eclogae oder Bucolica, die Georgica und die Aeneis die einzigen Texte, deren Echtheit unumstritten ist. Die Bucolica, die von Theokrits Werk Eidyllia inspiriert wurden, bestehen aus zehn kurzen Gedichten, wobei nur zwei mehr als hundert Verse haben. All diese zeichnen sich mit Ausnahme des vierten Gedichtes durch ihren dyllischbukolischen Charakter aus. Die Georgica, ein Werk von nicht zu übertreffender Schönheit, hatte zum Ziel, dem Herrscher Augustus dabei zu helfen, eine Rückbesinnung auf die Kräfte der Natur zu fördern. Sie ist in vier Bücher unterteilt: Im ersten Buch behandelt Vergil den Ackerbau und schließt einen Landsmannkalender und die Witterungszeichen ein, im zweiten wird die Baumzucht, vor allem der Weinbau dargestellt, im dritten die Viehzucht und im vierten die Apikultur: die Bienenzucht.
      [Bookseller: Versandantiquariat Karl Heinz Schmitz]
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Huse, Norbert; Wolters, Wolfgang
   
The Art of Renaissance Venice: Architecture, Sculpture, and Painting, 1460-1590 (ART HISTORY, ITALIAN ART, ARCHITECTURE)
      Univ of Chicago Pr, Chicago, Illinois, U.S.A. 1993 FLAWLESS COPY, AVOID WEEKS OF DELAY ELSEWHERE. -- clean and crisp, tight and bright pages, with no writing or markings to the text.
      [Bookseller: Atelier Books & Art]
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Birbari, Elizabeth
   
Dress in Italian Painting 1460-1500
      John Murray 1975 Green cloth with gilt lettering, VG in VG dust jacket [Attributes: Hard Cover; In Dust Jacket]
      [Bookseller: Source Book Store]
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Wolf, Johannes
   
Geschichte der Mensural-Notation von 1250 - 1460. Drei Bände in einem Buch. Bd. 1: Geschichtliche Darstellungen. Bd. 2: Musikalische Schriftproben des 13. - 15. Jahrhunderts. Bd. 3: 78 Kompositionen des 13. - 15. Jahrhunderts
      Georg Olms, Hildesheim 1965 ges. 773 S., geringe Lagerspuren, Besitzerstempel im Vorsatz, sonst tadellos [Attributes: Hard Cover]
      [Bookseller: Dorothe Schwämmlein]
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AN ILLUMINATED VELLUM MANUSCRIPT LEAF WITH A VERY FINE MINIATURE DEPICTING THE CRUCIFIXION FROM A BOOK OF HOURS IN LATIN.
   
      Paris, ca. 1460-75 A Very Fine Crucifixion by theMost Important Parisian Artist of the Period Single column verso with 12 lines written in a pleasing early bâtarde script. Attractively matted. Verso with one-line brushed gold initials on a blue or red ground line fillers in the same colors and gold and a pretty panel border of flowers leaves and gold ivy on swirling wispy stems RECTO WITH A BEAUTIFULLY REALIZED MINIATURE OF THE CRUCIFIXION an emaciated Christ spilling much blood from wounds at his hands feet head and side the bereft Virgin in prayer at the left consoled by a figure in white partly hidden behind her (apparently St. John); at the right Joseph of Arimathea and Nicodemus (looking ever so much like 15th century elderly Parisian burghers) along with a contingent of soldiers behind them represented by helmets and six lances the whole set against a verdant backdrop of hills and trees beneath the miniature three lines of text as well as a charming three-line modelled initial enclosing strawberries on a gold ground the whole surrounded by a full border of acanthus other vegetation fruit flowers and a bird taking flight. Just a hint of fading to some of the paint in the panel borders but IN EXTREMELY FINE CONDITION the especially bright and fresh miniature without any paint erosion. The artist has done beautiful work here. The colors are rich and carefully applied; the composition is remarkably successful given the constraints of the scene’s limited space; and there are some lovely touches foremost of which might be the consoling arm supporting the Virgin and the rendering of Christ whose hair on head arms and legs is painted with almost astonishing delicacy and whose torso contours are convincingly depicted with subtle shading. The work is in the style of the celebrated Coëtivy Master. He is understood in Avril & Renaud as being identified with Colin d’Amiens who made a great name for himself in Paris (not as was previously thought with Henri de Vulcop who made a great name for himself in the Loire region). In any case the master takes his name from the Book of Hours (now in the Austrian National Library) that he painted for Olivier de Coëtivy and his wife Marie de Valois one of some 30 works that have been identified as his. Although there is considerable Flemish influence that can be seen in his work (he has links for example with Simon Marmion) Colin d’Amiens was active in Paris during the third quarter of the 15th century and with Barthélmy van Eyck and Jean Fouquet was among the three great artists of this period patronized by the French court (Avril & Renaud says flatly that our master was "the most important artist practicing in Paris in the third quarter of the century from about 1450 to 1485"). For more on the Coëtivy Master see Avril & Reynaud pp 58-69. $9500
      [Bookseller: Phillip J. Pirages Rare Books (ABAA)]
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Escrite Par Un Greffier De l'Hotel De Ville De Paris
   
HISTOIRE DE LOUYS XI ROY DE FRANCE : ET DES CHOSES MEMORABLES ADVENVES DE SON REGNE, DEPUIS L'AN 1460 JUSQUES A 1483 AULTREMENT DICTE, LA CHRONIQUE SCANDALEUSE
      IMPRIMEE SUR LE VRAY ORIGINAL, Paris MDCXX IMPRIMEE SUR LE VRAY ORIGINAL. MDCXX. Parchment covers: endpaper with signature of Ch. Brumeul a Gisone.Title page, Au Lecteur, Woodcut portrait du Louys XI frontispiece, decorated page 3 titled Les Chroniques Du Treschrestien & tres-victorieux Lovys de Valois,feu Roy de France ( que Dieu absolue) unzieesme de ce Nom,pp. 396 +pp.20 Table Des Matieres Contenues en Ceste Chronique.Exceptionally RARE. [Attributes: Hard Cover]
      [Bookseller: Apocalypse Books]
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ROYE (Jean de);
   
Chronique scandaleuse ou Histoire des estranges faicts arrivez soubs le Regne de Louys XI, Roy de France. Depuis l'an 1460 jusques à 1483. Escrite par un Greffier de l'Hostel-de-ville de Paris.
      Imprimée sur le vray Original 1620 In-4 de (32)-338 p., vélin souple de l'époque. Portrait gravé de Louis XI. Assez bel exemplaire malgré une mouillure marginale en fin de volume. Histoire XVIe,Histoire;Moyen-âge,Histoire;
      [Bookseller: Bonnefoi Livres Anciens]
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EYCK, Barthélemy D'
   
EL LIBRO DEL CORAZON PRENDIDO. Facsímil
      Ediciones Reales Sitios 290 x 200 rom. 18 folios (36 páginas). Encuadernado en terciopelo sobre tabla. Herrajes y molduras de fundición. En esta ocasión estará a cargo de S. Martín Esteban, galardonado en dos ocasiones con el premio nacional de Encuadernación. Estuche de Metacrilato. Papel pergaminata 190gr. Volumen complementario de estudios sobre las Miniaturas. Tirada única de 500 ejemplares, numerados y certificados notarialmente.El libro del corrazón prendido realizado por René de Anjou y miniado por Barthélemy d'Eyck, convierten al códice en una de las Joyas más importantes del Arte Borgoñón del Siglo XV.Su belleza es asombrosa, las 16 Miniaturas que un artista excepcional realizó en 1460, y que nos invita a viajar, y volver al tiempo de los Caballeros Medievales.El Manuscrito que se conserva en la Biblioteca Nacional de Viena, lo han situado como uno de los libros más bellos de amor que jamás se han realizado y que constituye el más claro ejemplo de la espiritualidad del renacimiento.La luz, el Amanecer, el Mediodía, el sol que nace, la noche solo plasmadas por auténticos genios del Arte Flamenco.La belleza de las miniaturas es desbordante. Mediante los pensamientos amorosos que el autor nos narra en forma de sueño. El caballero Corrazón quien acompañado de su fiel escudero Deseo, va en busca de su Dama, encontrarán en su camino a las personificaciones de Deseo, Orgullo, Amistad, Generosidad, Cólera, Tristeza, Celos.
      [Bookseller: Librería Sagasta]
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CICERON/GRUTER
   
M. M. Tulli Ciceronis Opera omnia quae existant ex fola fere codd mss. Fide emendata studio ato industria Jani Guglielmii Jani Gruteri additis notis & indd, accura tiff : confectis.
      M. Tulli Ciceronis Opera omnia quae existant ex fola fere codd mss. Fide emendata studio ato industria Jani Guglielmii Jani Gruteri additis notis & indd, accura tiff : confectis.§Première édition. Un titre frontispice et vignette de l'imprimeur aux trois autres pages de titre. Impression sur 2 colonnes avec numérotation linéaire. Nous n'avons pas trouvé cette édition dans les catalogues français, pas plus qu'anglais. Un exemplaire à la bibliothèque Palatine en Allemagne.§'Quoiqu'elle soit mal imprimée et sur mauvais papier, cette édition mérite d'être citée comme une des principales de notre auteur. Elle a servi de base à presque toutes celles qui ont paru dans le XVIIe siècle et le commencement du XVIIIe. C'est d'ailleurs la première où le texte de Cicéron soit divisé en chapitres.' Brunet II, 8.§Plein Vélin d'époque, dos à nerfs. Grands médaillons centraux sur les plats. Traces de lacets. Le premier volume n'a plus de dos et le second a perdu ses 2 caissons inférieurs. Rousseurs éparses.§Cette édition de Froben rassemble les textes d'une édition donnée en France par jean Guillaume, elle est ici annotée et commentée par Jean Gruter. Froben est issu d'une célèbre dynastie d'imprimeurs dont l'élément le plus célèbre fut Johannes Froben (1460-1527) qui travailla très tôt avec Erasme et Holbein, il était établi à Bâle.§Jan Gruter (1560-1627) est né à Anvers, il fut philologue et professeur d'histoire ainsi que bibliothécaire à l'université de Wittemberg. Il était considéré comme un travailleur infatigable et ses ouvrages furent prisés dans l'Europe entière.§Ex libris bibliothèque des professeurs St Stanislas Mons.-ex bibliopolio Frobeniano, Hamburgi (Hambourg) 1617, in Folio (40,5x26cm) (20) 255pp., 590pp., 417pp., 461pp., 4 tomes en 2 Vol. relié.
      [Bookseller: Librairie le Feu Follet]
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Walters, Henry.
   
Incunabula Typographica. A descriptive catalogue of the books printed in The Fifteenth Century (1460-1500) in the library of Henry Walters.
      Officinae Aldinae,, Baltimore [Florencia] 1906 26x19 cm. 522 páginas, 1hoja. Una lámina en color. Ilustraciones dentro de texto. Impreso a dos tintas. Encuadernado en plena piel con nervios y gofrados en los planos. Corte superior dorado. Precioso ejemplar. Tirage limitado en papel de hilo.
      [Bookseller: Llibreria Antiquària Delstres]
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0LSCHKI, LEO S Compiled
   
Incunabula Typographica a Descriptive Catalogue of the Books Printed in the Fifteenth Century (1460-1500) in the Library of Henry Walters
      Baltimore 1906 Arts and Crafts style leather covers with raised bands on spine extending across front and back covers with fleur de lis motifs. Colour frontis, black and white plates illustrations and facsimiles, head piece and some initial letters printed in scarlet, 519pp + errata leaf. Contents in fine condition, binding tight, some rubbing to edges of covers.
      [Bookseller: Jackdaw Books]
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Walters, Henry.
   
Incunabula Typographia: A Descriptive Catalogue of the Books Printed in the Fifteenth Century (1460-1500) in the Library of Henry Walters.
      Baltimore 1906 Large 8vo. vii, 522 pp. Full brown textured calf. Pages untrimmed. Color frontispiece. With b&w illustrations throughout (some full-page plates). Spine with four compartments. Corners bumped. General wear to cover. In good condition.
      [Bookseller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)]
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OLSCHKI , LEO S.
   
Incunabula typographia: a descriptive catalogue of the books printed in the fifteenth century (1460-1500) in the Library of Henry Walters.
      Baltimore 1906 4to, pp. [8], 522; printed in red and black, facsimile illustrations throughout; fine copy in original tan calf, faux thongs on covers, t.e.g., gilt-lettered spine and upper cover. Beautifully printed catalogue (typis officinae Aldinae Florenentiae) compiled by Leo S. Olschki. [Attributes: Hard Cover]
      [Bookseller: Rulon-Miller Books (ABAA / ILAB)]
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Manni Grazioni
   
I SIGNORI DELLA PROSPETTIVA. Le Tarsie dei Canozi e dei Canoziani (1460-15200) II.
      Mirandola 2002 217pp 252 illus. 250x310mm. Mint. Early Italian inlaid wood perspectives.italian text. H.B.
      [Bookseller: Don Kelly Books]
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Manni, Graziano
   
I Signori della Prospettiva: Le Tarsie dei Canozi e dei Canoziani (1460-1520), II
      Mirandola 2002 Band 2 über die intarsierten Renaissance Chorgestühle der Familie Canozi und ihrer Schüler. 25 x 30,5 cm. Geb. mit SU. 9 S/W Abb. und 245 Farbige. 218 S. [Attributes: Hard Cover]
      [Bookseller: Versandbuchhandlung Kurt Götz]
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Graziano Manni
   
I Signori Della Prospettiva .Le Tarsie Dei Cenozi e Del Canoziani ( 1460-1520 ) Volume Primo e Secondo
      Cassa Di Risparmio Di Mirandola, Mirandola 2001 I Signori della Prospettiva.Le Tarsie dei Canozi e dei Canoziani ( 1460-1520 ) a cura di Graziano Manni.Mirandola 2001 e 2002 Volume primo e secondo - Cassa di Risparmio di Mirandola pagine 197 ills.247 + pagine 218 ills.242 in bianco/nero e colori Due volumi rilegati in quarto - sono vendibili anche separatamente )- prezzo dei due volumi Euro 320,00./xx [Attributes: Hard Cover; In Dust Jacket]
      [Bookseller: Luigi De Bei]
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FOLLOWER OF GIOVANNI DI PAOLO
   
Large historiated initial (140 x 130mm.) on a full illuminated leaf on vellum, from a Gradual. Italy (?Siena), c.
      Gold frame enclosing a large initial with a scene of the Virgin lying in state with her arms crossed, attended by a host of saints who include St. Peter reading, St. John carrying a girdle book an another saint holding a holy water stoop, while Christ appears to bear way the Virgin's soul in the form of a baby and to bless his mother's body. Also, saints' emblems and a kneeling figure's hat picked out in burnished gold. Full border on two sides composed of lush acanthus foliage painted in red, green and pink, and with gold bezants. Square musical notation on red 4-line staves, original foliation written in red at top.Size of leaf: 525 x 370mm. 7 lines of interlinear text in a rounded gothic hand, with several headings written in red 1460. A very fine initial painted by an artist from the school of the influential Siennese painter Giovanni di Paolo (c. 1403-1482), and was perhaps a member of the workshop which this artist directed in the province of Pistoia. Giovanni di Paolo was a highly individual artist who developed his own intense approach. He looked back towards the International Gothic style of Gentile da Fabriano, which he distorted for his own purposes: his figures are tortured and chiselled.The historiated initial "G" introduces the introit for the Assumption of the Virgin: "Gaudeamus omnes in domino . . . ".References: M. G. Cardi Dupré, La libera di coro dell' Osservanza e la miniatura Senese del 400, in L'Osservanza di Siena, Milan, 1984. F. Todini, Una Collezione di Miniatura Italiane, Longari, II, 1994, pp. 50-3, no. 9. The art of painting in Florence and Siena,1250-1500 Exhibition catalogue, London, 1965.Provenance: From the collection of Dr. F. G. Zeileis his catalogue Piu ridon le carte: Buchmalerei aus Mittelalter und Renaissance, 2004, item 78.
      [Bookseller: Maggs Bros Ltd.]
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Orts- und Landeskunde/ Genealogien - -
   
Urkundenbuch des in der Grafschaft Wernigerode belegenen Klosters Isenburg. 2 Bände. Erste Hälfte. Die Urkunden von J. 1003-1460. Mit fünf Lichtsteindruck facsimilierten Urkundenanlagen. Zweite Hälfte. Die Urkunden v. J. 1461-1597 nebst verschiedenen Auszügen, Einleitung, Siegeltafeltext und Registern. Bearb. im Auftrage von Otto zu Stolberg-Wernigerode von Ed. Jacobs. Mit sieben Siegeltafeln.
      Geschichtsquellen der Provinz Sachsen und angrenzender Gebiete. Hrsg. von den Geschichtlichen Vereinen der Provinz. Sechster Band. Halle, Verlag der Buchhandlung des Weisenhauses,, 1875/77. 16 x 23 cm. 708 Seiten. Stockfleckig. Halbleinenband der Zeit mit hs. Rückenschildchen.
      [Bookseller: Antiquariat Klaus Schubert]
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TAYLOR, ADDINGTON
   
Rocket projectiles for purposes of war. patent number: 1460 20 May 1870
      London, Eyre