|
|
|
Displayed below are some recent viaLibri matches for books published in 1513
|
Luther, Martin:
|
| Wolfenbütteler Psalter.
|
- 1513-1515. Vollständige Faksimileausgabe sowie Textband. Herausgegeben von Eleanor Roach und Reinhard Schwarz. Vorworte von Paul Raabe, Gerhard Ebeling und Reinhard Schwarz. 1. Aufl. 2 Bände. Frankfurt/M.: Insel-Verlag, 1983. 558 S. 8°. Originalleder und Originalpappband mit Lederschildchen im Originalschuber. Einband von der Buchbinderei Lachenmaier. Erste Ausgabe. Nr. 32 von 1000 numerierten Exemplaren. Neuwertig. Reformation, Theologie, Leder-Einbände [Attributes: First Edition; Hard Cover]
[Bookseller: Antiquariat Ballon + Wurm] |
| 1. Check availability: AbeBooks
Link/Print |
Scott, Sir Walter
|
| Marmion: A Tale of Flodden Field
|
Philadelphia: Henry Altemus Company. 194 pp, frontispiece and six illustrations, notes at end. Ivory cloth boards, 6 1/4" x 4 3/8". Chipping to corners, moderate edge wear, chipping, a little soiling mainly on spine and back board. Spine has 1/8" strip at top, 1/4" at bottom missing, with some scuffing and sunning. Front board separated from text block, front free end paper missing. Text in very good condition, clean and unmarked. p Silver embossed decorative stamped binding. A maroon, green and black floral design on front board. Spine has silver lettering and four bands with maroon background and ivory flowers outlined in silver. Frontispiece is a portrait of Sir Walter Scott. Six plates tipped in by noted 19th century illustrators Louis Michault Meynelle, Hiram P. Barnes, and others. The plates were under copyright to S.E. Cassino, a 19th and early 20th century publisher. br Publication date not stated, but Altemus was publishing these books in the late 1890s. br A beautiful rendition of this poem in six cantos. Sir Walter Scott tells of events leading up to the Battle of Flodden Field, September 9, 1513, climaxing an ill-fated Scottish invasion of England.. Decorative Cloth. Good/No Jacket. Illus. by Meynelle, Louis Michault; Barnes, Hiram P. et al. 16mo - over 5!" - 6!" tall. Poetry, Epic poem, Scotland, 16th Century. Catalogs: Art and Poetry.
[Bookseller: Orielis' Books] |
| 2. Check availability: Biblio
Link/Print |
Paulus Diaconus
|
| Homiliarus Doctorum
|
- Basilea, Johannes Froben, 1513. In-4°, 172 c., 77 c., 1 c.n.n. Frontespizio con grande raffigurazione silografata (un dragone) ed un alltro con le raffigurazioni dei dottori della legge seduti nello studiolo o mentre passeggiano. Legatura moderna in mezza pergamena. Bella raccolta delle omelie di San Geronimo, Agostino, Ambrogio, Origine, Gregorio, Giovanni Crisostomo nella stampa a due colonne eseguita a Basilea dal Froben.(Cfr. VD 16 P 1052).
[Bookseller: LIBRERIA EDITRICE GORIZIANA] |
| 3. Check availability: AbeBooks
Link/Print |
FERRIER AUGER
|
| AUGERI FERRERI TOLOSATIS MEDICI DOCTISSIMI DE LVE HISPANICA SIVE MORBO GALLICO.
|
Edition originale rare. Absent a' la BNF. Brunet II, 1236. Vignette de titre.'Plein Velin contemporain a' rabats. Dos nu, lacets. Une petite mouillure marginale sur les premieres pages. Quelques rousseurs. 'Auger Ferrier (1513-1588) de Toulouse, fut a' la fois astronome repute, medecin et physicien (il fut un des physiciens prives de Catherine de Medicis). L'ouvrage est un traite de la peste espagnole ou mal espagnol, autrement appele' mal napolitain, qui n'est autre que la Syphillis et qui faisait des ravages en France depuis peu (selon les pays on l'appellera aussi bien le mal francais). Description de la maladie et des remedes. Suit un chapitre destine' aux barbiers et aux remedes qu'ils peuvent employes n'etant pas medecins (des ongles qui tombent, de la pelade), ce traite est suivi de sa traduction, les barbiers n'etant pas savants et ne parlant pas le latin, mais ils pratiquaient souvent diverses operations de chirurgie. apud aegidium Gillium in vico Ioan Lateran, Parisii (Paris) 1564, in 12 (16x10,4cm) 122pp. -5., Un Vol. relie'.
[Bookseller: Librairie Le FEU FOLLET - Paris - France] |
| 4. Check availability: Livre-Rare-Book
Link/Print |
BARTHOLOMAEUS DE PISA
|
| Opus auree & in explicabilis bonitatis & continentie. Conformitatu(m) scilicet vite Beati Fra(ncisci) ad vita(m) d(omini) n(ost)ri Iesu Christi
|
Zanotus Castilioneus, Milan 1513 - Contemporary blindtooled Italian calf over wooden boards (rebacked) Folio . Second, much revised edition of the author's "Liber conformitatum" (1510), edited here by Giovanni Mapello, with a new dedicatory letter and poem on verso of title and new woodcuts. The work includes a full-page woodcut: "in which St. Francis appears at the foot of a tree to which Christ is nailed. From the branches of the tree hand placards containing the forty correspondences between the life of St. Francis and the life of Christ, set into the block in type in small gothic letter. This representation of the material of the text in the form of a tree was part of the original manuscript submitted by Bartholomaeus for approbation in 1399; . This illustration came under attack in a volume of extracts selected and translated by Erasmus Alberus as Der Barfuser Münche Eulenspiegel und Alcoran, Wittenberg, Hans Lufft, 1542, with a preface by Martin Luther. The text was used to expose the idolotry of St. Francis and the illustration was misinterpreted according to this thesis, the upper figure seen as St. Francis in place of Christ, the lower figure as a Franciscan monk worshipping St. Francis. . The 1513 Milan edition of the Liber conformitatum, edited by Giovanni Mapello and printed by Zanoto da Castiglione, had a less dramatic cut, with two figures-St. Francis and a monk-standingat the foot of the tree (reprod. Santoro, Libri illustrati milanesi, p. 144). The 1513 version was copied in Alessandro Benacci's Bologna edition of 1590" (Mortimer, Italian, no. 44; 1510 ed.) 229 leaves (without last blank). With title woodcut title border consisting of five small woodcuts and ornamental pieces; full-page woodcut printed in red and black; text woodcut repeated three times; woodcut initials; title printed in red and black; woodcut printer's device at end. Title-page neatly remargined. Early owner's signature on title. Very nice copy. § IA 102.778; Adams F 906 (under Francis of Assisi); Sander 205; Brunet III, 1052-53. [Attributes: Hard Cover]
[Bookseller: Jeffrey D. Mancevice, Inc.] |
| 5. Check availability: AbeBooks
Link/Print |
|
| DER STAT WORMS REFORMACION: STATUTEN. ORDENUNG SATZUNG. die alle Stetten: communen: Regimenten: fürstenthum. Herrschafften Hauptleiiten... zu guter regierung erschiessen mögen.
|
Ohne Ort u. Dr. (Straßburg, Johann Knobloch d.Ä. (?), 1513).. 4to. 6 n. num. Bl. mit halbseitengroßem Titelholzschnitt (Wappendarstellung), 92 (von 94) num. Bl. m. ganzseitigen Stammbaum in Holzschnitt. Etwas späterer Ppbd mit Pergamentecken (berieben, Rücken sorgfältig überklebt, innen gebräunt, teils braunfleckig und mit durchgehender größerer Nässespur im unteren und seitlichen Rand, im Unterrand auch fingerfleckig, Titel stark gebräunt und mit kleinen Randeinrissen, ohne die Bl. 28 u. 29, Stammbaum unten etwas zu knapp beschnitten). (IBF0028). Vierte Auflage des 1498 erstmals reformierten Stadtrechts von Worms (2. Auflage: 1507; 3. Auflage: 1509). Kaspers bezeichnet die Revision als ein "Kuriosum der Rechtsgeschichte", das zum einen das vorherige Recht fast zur Gänze durch Bestimmungen des römischen Rechts ersetzte und außerdem zugleich ein "populäres 'Lehrbuch des gemeinen Rechts'" bot. Aufgeteilt in sechs Bücher, behandelt der Band Prozeß-, Privat- und Strafrecht. Aufgrund der lehrhaften Darstellung und der für ein Stadtrecht ungewöhnlich starken Betonung der Privilegien der rechtsgelehrten Doctores "als dem Adelsstand zuzurechnenden 'Ritter'" vermutet Kaspers als Verfasser einen der am Wormser Reichskammergericht tätigen Juristen (siehe Kaspers S. 54 zur Ausgabe 1499). - VD16 W 4383.
[Bookseller: Keip & von Delft GmbH - Bücher] |
| 6. Check availability: choosebooks
Link/Print |
PEROTTI, Niccolò [1429-1480].
|
| In Hoc Volumine Habentur Haec. Cornucopiae, sive linguae Latinae comentarii diligentissime recofniti: atque ex archetypo emendati.
|
[Colophon on Y7v:] Venice: In Aedibus Aldi, Et Andreae Soceri, November 1513 [but dated May 1517 on K8r]. - folio. ff. 80 (the last blank), cols. 1436, [1 leaf]. italic letter. text in double columns. initial spaces with guide letters. Aldine woodcut anchor device on title, verso of K8 & verso of last leaf. modern vellum (a few small inconsequential wormholes in outer gatherings, occasional marginal stains & soiling & several minor marginal repairs; overall a nice copy with good margins). the Hopetoun copy with engraved armorial bookplate. several early ms. notes, one dated 1523, on 2 blanks at end. Second Enlarged Aldine Edition, Second Issue (first: 1499) of this encyclopedic work by the celebrated Italian humanist. Perotti’s commentary on Book I of Martial’s epigrams presents an exhaustive discussion of the etymology, formation, and derivatives of classical Latin words and much information respecting the culture of ancient Rome. Several editions of the work are cited in Simon’s bibliography of wine books because of the various references made in the text to wine, viticulture and drunkenness. The second Aldine edition was the first to incorporate Varro’s De lingua latina and De analogia, Sextus Pompeius’s Festi fragmenta, and Nonius Marcellus’s Compendia. This second issue is dated ‘May 1517’ at the bottom of col. 1054 (misnumbered 1064). Perotti was one of a number of prominent scholars employed by Pope Nicholas V in the translation of Greek texts. In 1455 he became a papal secretary, and in 1458 Archbishop of Siponto. He served as papal governor in Viterbo (1464-9), Spoleto (1471-2), and Perugia (1474-7). Renouard I pp. 151-52 (no. 9.) & p. 190 (no. 9.). Adams P721. BM STC Italian p. 499. cfSimon, Bibliotheca Bacchica, 494-96.
[Bookseller: D & E LAKE LTD. (ABAC/ILAB)] |
| 7. Check availability: AbeBooks
Link/Print |
PEROTTUS (Nicolaus)
|
| Cornucopiae, sive linguae latinae comentarii diligentissime recogniti: atque ex archetypo emendati. Index copiosissimus dictionum omnium, etc
|
Venetiis, In Aedibus Aldi, et Andreae Soceri, 1513 (Mense Novembris); - . 3 parties en 1 vol. in-folio, 80 ff.n.ch. (le dernier blanc), 1436 colonnes, 1ff.n.ch. blanc avec l'ancre aldine au verso, vélin ivoire ancien. Renouard, p. 63: notre édition est celle qui porte, à la fin de l'ouvrage de Perottus col. 1054 la date "1513 mense septembri". Petits trous de vers sur les 35 premiers feuillets (une trentaine sur les premiers ff., puis 3, 2 et 1 à partir du feuillet 20), galerie de vers de 0 à 3 cm sur les ff. 833/834 à 931/932, petits trous de vers sur les 90 derniers feuillets
[Bookseller: j. lepert] |
| 8. Check availability: AbeBooks
Link/Print |
Titus Livius
|
| T. Livii Patavini historici clarissimi quae extant Decades ad decem diversa exempla acri iudicio repositae. Cum indice literaria serie etiam in epitomen L. Flori, adiectis compluribus prius intermissis, rursus ab Ascensio collecto. Cum praenotamentis, regulis, & omnium vocularum, contructionum, sentiarumq[ue] subdifficilium quae inter legendum occurrerunt, eiusdem explicatione. Cum L. Flori in omneis libros Epitome recognita & literaris ut indice explicari possit, ab eodem Ascensio distincta. Cu[m] annotationibus M. Antonii Sabellic diligenter recognitis. Cu[m]q[ue] primae praefationis familiari Ascensii p[ro]fati explanatione.
|
[Paris], Joanne Paruo et Iodoco Badio Ascensio [Parvus / Jean Petit] 1513. 40 ungezählte und 240 römisch gezählte Blatt. Schweinsleder der Zeit auf 4 Bünden über Holzdeckeln mit zwei intakten Schließen (Einband etwas berieben und bestoßen, Kopfkapital mit einer Fehlstelle, die ersten Blatt mit einer leichten Wasserspur im weißen Rand des Kopfstegs, die Blätter 103 bis 108 mit geringen Buchstabenverlust durch geringen Wurmfraß, sonst sehr gutes und sauberes Exemplar). 2°. Seltene, sehr gut erhaltene Postinkunabel mit einem altkolorierten Titelblatt und schönen Initialen in einem kräftigen Abdruck. - Vgl. BMC French Books, 285.
[Bookseller: Antiquariat Kristen (Inh. Dr. Lorenz Kri] |
| 9. Check availability: prolibri
Link/Print |
|
| Bulla sexte sessionis.; Bulla co(n)tinens materiam Pragmatice: Reformationis Curie Roman.; Bulla seu Cedula in materia fidei.; Bulla seu Cedula Reformation. Officialiu(m) Roman. Curis.; Bulla sine cedula materiam universa
|
s. l. s. e. 1513 - Placchetta in 16° (cm 10 x 14), copertina ricavata da Exultet o Salterio settecentesco, in rosso e nero, cc (8), senza paginazione e con segnatura discontinua, stemma di papa Medici al frontespizio, esemplare in buone condizioni, carta brunita, parzialmente in barbe. Il volumetto contiene il testo, impresso in caratteri gotici, di indizione della Sesta Sessione del Concilio Lateranense V, inaugurato il tre maggio 1512 da Giulio II, morto nel febbraio del '13. Tre mesi dopo viene indetta questa sessione, i cui temi sono importanti. Il nuovo pontefice istituisce una ideale e reale continuità di intenti col suo predecessore, riassumendo i temi ispiratori del sacro consesso, primo fra tutti la lotta alle eresie e agli scismi, interi ed esterni alla Chiesa che siano. La prima è la celebre Bulla di condanna dell'averroismo: il filosofo della scuola di Padova Pomponazzi, asserente che l'anima può essere mortale, secondo una verità filosofica che è altra da quella teologica, viene dannato in questo documento, impreziosito dalla firma di Pietro Bembo, all'epoca Segretario pontificio. Per scongiurare nuovi sviluppi dell'eresia, si stabilisce inoltre che i prelati che intendono insegnare Storia della filosofia debbano, d'ora in avanti, seguire un propedeutico corso di Teologia e Diritto Canonico, della durata di cinque anni. Una Bulla riguarda la riforma e il contenimento di spese e privilegi, uno degli obiettivi del Concilio Laterano V. La terza Bulla impone una tregua di cinque anni ai dissidi tra principi cristiani, preliminare all'organizzazione di una Crociata contro i Turchi che risalendo dai Balcani stanno espandendosi e minacciano l'Europa. Nessun esemplare censito in SBN. "Enciclopedia dei Papi", Treccani 2000.
[Bookseller: Studio Bosio] |
| 10. Check availability: AbeBooks
Link/Print |
Titus Livius
|
| T. Livii Patavini historici clarissimi quae extant Decades ad decem diversa exempla acri iudicio repositae. Cum indice literaria serie etiam in epitomen L. Flori, adiectis compluribus prius intermissis, rursus ab Ascensio collecto. Cum praenotamentis, regulis, & omnium vocularum, contructionum, sentiarumq[ue] subdifficilium quae inter legendum occurrerunt, eiusdem explicatione. Cum L. Flori in omneis libros Epitome recognita & literaris ut indice explicari possit, ab eodem Ascensio distincta. Cu[m] annotationibus M. Antonii Sabellic diligenter recognitis. Cu[m]q[ue] primae praefationis familiari Ascensii p[ro]fati explanatione.
|
[Paris], Joanne Paruo et Iodoco Badio Ascensio [Parvus] 1513. 40 ungezählte und 240 römisch gezählte Blatt. Schweinsleder der Zeit auf 4 Bünden über Holzdeckeln mit zwei intakten Schließen (Einband etwas berieben und bestoßen, Kopfkapital mit einer Fehlstelle, die ersten Blatt mit einer leichten Wasserspur im weißen Rand des Kopfstegs, die Blätter 103 bis 108 mit geringen Buchstabenverlust durch geringen Wurmfraß, sonst sehr gutes und sauberes Exemplar). 2°. Seltene, sehr gut erhaltene Postinkunabel mit einem altkolorierten Titelblatt und schönen Initialen in einem kräftigen Abdruck. - Vgl. BMC French Books, 285.
[Bookseller: Antiquariat Kristen (Inh. Dr. Lorenz Kri] |
| 11. Check availability: choosebooks
Link/Print |
Ferrerius Zacharias (Leo X)
|
| Lugdunense Somnium De Divi Leonis Decimi Pontificis Maximi Ad Summum Pontificatum Divina Promotione. Angelus Testamenti: Quem Vos Vultis
|
(IN FINE): M.D. XIII. SENZA NOTE TIPOGRAFICHE MA: LUGDUNI, NICOLAUS DE, 1513. [500' LEO X PAPA-VICENZA] (cm.22) cartonato originale con cucitura esterna e rinforzi cartacei originali. --cc. 22 nn. L' ultima è bianca al verso. bellissimo frontis in rosso e nero con grande xilografia al centro con angeli che sorreggono lo stemma papale colorato a mano d' epoca a tempera ocra e rossa. La dedica al verso del frontis è datata: Lugduno XIII Cal. Octobris 1513. Carattere romano, capolettera ornati e uno più grande figurato con un cardinale in lettura. Veramente rarissima bolla di promozione a sommo pontefice di Leone Decimo. Manca all' ADAMS e a molta bibliografia consultata; manca addirittura al BAUDRIER " BIBLIOGRAPHIE LIONNAISE " che cita altre opere dello stesso tipografo ma non questa nostra bolla. Per notizie sull' autore Ferreri Zaccaria di Vicenza vedi: ANGIOLGABRIELLO (PAOLO CALVI) " SCRITTORI DEL TERRITORIO DI VICENZA " 1772-82 IV 20; LANCETTI V. " MEMORIE POETI LAUREATI " 1839 p. 282 e MITTARELLI G. BEN. " LITERATURA FAVENTINORUM " 1775 p. 77 e 186. Un ottimo restauro integrativo interessa il margine lungo di tutte le carte, compresa la legatura integrata con cartone dell' epoca. A volte, alcune parole delle note a margine sono intaccate dal restauro. Un lieve alone al margine bianco basso di poche carte in fine. Altrimenti bell' esemplare marginoso nella sua attraente cartonatura originale. unica citazione bibliografica: BM. STC. FRENCH p. 164.
[Bookseller: Alibris] |
| 12. Check availability: Alibris
Link/Print |
ARISTOTLE]. Pietro Tatareti.
|
| Questio[n]es morales Magistri Petri tatereti in octo capita distinct[et] q[uam] doctissime ab eode[m] disputate atq[ue] discusse nec segniter annotate : atq[ue] noviter eme[n]date sicut lege[n]ti patebit.
|
Paris, [J. Marchant for P. Gaudoul], 11 Aug., 1513. - Title-page woodcut of the Virgin and Child in a ship with a dove and a townscape in the background. Gaudoul's St. Cyr device (Renouard 337). Initials white on black in an early criblé style. The "Prestre Iehan" block on the verso of leaf [i]4 was in use as a device by Guy Marchant in 1499 and passed to Jean Marchant in 1504 or 1505 (Renouard 707). Small gothic letter, gothic marginalia. a-h8, [i]4;(h4 missigned h3); 68 ll. 8°, recent leatherette. Some light waterstaining in first part of book, mainly restricted to upper and outer margins. Sixth edition? Edited by Josse Bade. The first edition appeared under the imprint of Geoffroy de Marnef in 1504. Renouard (@Badius Ascensius, III, 277-9) cites four editions to 1512, the last printed by Jean Marchant for Jean Frellon; he does not record this edition. Printing of this edition is assigned to Marchant on the basis of the printer's device on the t.p.; his name does not appear in the imprint or colophon. Mortimer 509. Not in Brunet, Murray, Renouard @Badius Ascensius or Rothschild. Not in RLIN. NUC: MH [Attributes: First Edition]
[Bookseller: Richard C. Ramer Old and Rare Books] |
| 13. Check availability: AbeBooks
Link/Print |
PLATO
|
| Opera Omnia
|
1513 1513 - PLATO. Omnia Platonis Opera. Venice: Aldus, 1513. Two volumes in one. Thick folio, contemporary full limp vellum, spine title in manuscript. Housed in custom clamshell box. $125,000. First edition in Greek-the editio princeps in Greek and "the basis for all subsequent editions" (Graesse). A beautiful copy. The philosophical dialogues of Plato, reintroduced to the West in the fifteenth century by way of Constantinople, exemplify the spirit of free inquiry that characterized the Renaissance in Europe. "That Plato should be the first of all the ancient philosophers to be translated and broadcast by the printing press was inevitable. His master Socrates had laid the foundation of scientific method in asking the essential question 'What is.?' rather than improvising theories, and this passionate belief in the answerableness of questions and the certainty that good came from knowledge was developed and idealized in the writings of Plato" (PMM 27). With the support of Lorenzo de' Medici, humanist scholars such as Pico della Mirandola launched a Platonic revival in Florence. Marsilio Ficino's translation of Plato's dialogues into Latin was published in 1484, followed, in 1491, by a second Latin translation published in Venice. It was not until 1513, however, that Aldus Manutius produced the first edition of Plato in the original Greek, now considered by scholars the editio princeps, the basis for all later editions for the following 300 years. The Greek Plato in two large folio volumes "was the last great undertaking of the first Aldine press" (Davies). "This is an exceedingly beautiful and valuable edition, which for typographical elegance may justly be ranked among the most beautiful of the productions of this illustrious printer" (Moss). It is considered one of the "noble and historic volumes which, for the first time in history, made the greatest of the philosophers of Athens accessible in print to the scholars of the Renaissance era" (Rosenbach 35:403). Ahmanson-Murphy 97/1-2. Moss II, 423. Dibdin II, 132-33. Renouard I, 104-05. Brunet IV, 694. Graesse V, 314. Norman 1714. Armorial bookplate. Text exceptionally clean, with expert paper repairs and minor spotting to bottom corners of first four and last three gatherings. A few small unobtrusive oil stains to contemporary vellum. A splendid copy. [Attributes: First Edition]
[Bookseller: Bauman Rare Books] |
| 14. Check availability: AbeBooks
Link/Print |
VITRUVIUS.
|
| Vitruvius Iterum Et Frontinus À Iocundo Revisi Repurgatique Quantum Ex Collatione Licuit.
|
Filippo de Giunta ., Florence 1513 - Fine. Architecture & Landscape Design (Colophon) Florence: Filippo de Giunta, 1513. Small 8vo, 18th century vellum, gilt spine label. Bound with FRONTINUS' De Aqueductibus as issued. Title page with e rased penciling at top and small clean tear; faded early ink ownership signature. (i-iv), 1- 187 and (1)-24 (last leaf misnumbered 34) + (24) index. Zii and ziii repaired in margin with loss of text to zii only. Woodcut title border, print er's mark on verso of colophon leaf and 140 woodcut illustrations. Printed entirely in italic, the Italian cursive vernacular type based on 15th century writing, which came into fashion in the early 1 500s in the production of most portable volumes.The first pocket-sized edition of any architectural work and the first "pocket Vitruvius," intended for the use of artisans, merchants and students. Fir st edition thus and an appealing copy. Fowler 394. Berlin Catalogue 1799. [Attributes: First Edition; Hard Cover]
[Bookseller: Braiterman, Marilyn (ABAA member)] |
| 15. Check availability: AbeBooks
Link/Print |
CAESAR, Julius
|
| Commentatiorum de bello Gallico libri VIII
|
1513 1513 - FIRST EDITION. (ALDINE PRINTING) CAESAR, Julius. Commentatiorum de bello Gallico libri VIII. De bello civili pompeiano libri IIII. De bello Alexandrino liber I. De bello Africano liber I. De bello Hispaniensi liber I. [Venice: in aedibus Aldi, et Andreae soceri, April 1513]. Small octavo, contemporary full vellum, tan calf spine label, all edges gilded and gauffered. Housed in a custom clamshell box. $12,000. First Aldine edition of Caesar's Commentaries, with manuscript captions to the illustrations of Massilia and Uxellodunum in a hand very similar to Aldus' own. With a double-page hand-colored woodcut map, five splendid full-page woodcut illustrations, and the anchor and dolphin Aldine device on title-page and on verso of last leaf. "On 28 June 1512, Fra Giocondo of Verona successfully petitioned the Venetian Senate for ten years' protection of editions of various classical authors which he had prepared. These included Commentarii de Cesaro, the basis of Aldus' only edition, which appeared at the end of 1513. The most striking feature of [the edition] is the map, the Pictura totius Galliae. There are five additional woodcuts in the frontmatter, all dealing with Caesar's strategic and tactical operations. The most significant are the two pictorial representations of the sieges of Massilia and Uxellodunum. In many copies of the 1513 Caesar, these woodcuts carry the manuscript captions. Renouard says that this is Aldus' holograph. the script does indeed look like known specimens of Aldus' handwriting. Further, we have numerous reports of Aldus' constant correcting of proofs and finished text; his diligence amazed Erasmus in 1508" (Fletcher, 118). The work was so popular that the Aldine press was to publish a further fourteen editions. Text in Latin. Adams C26. Renouard, 60. Annotations in an early hand. Minor dampstain to margin of first two gatherings, light scattered foxing, intentional early scissor-cut "pointer" to the Uxellodunum woodcut, worm trails to front cover of contemporary vellum. An extremely good copy of a very scarce Aldine printing. [Attributes: First Edition]
[Bookseller: Bauman Rare Books] |
| 16. Check availability: AbeBooks
Link/Print |
PAULUS DIACONUS
|
| HOMILIARUS DOCTORUM BASILEA, JOHANNES FROBEN, 1513. IN-4, 172 C., 77 C., 1 C.N.N. FRONTESPIZIO CON GRANDE RAFFIGURAZIONE SILOGRAFATA (UN DRAGONE) ED UN ALLTRO CON LE RAFFIGURAZIONI DEI DOTTORI DELLA LEGGE SEDUTI NELLO STUDIOLO O MENTRE PASSEGGIANO. LEGATURA MODERNA IN MEZZA PERGAMENA.
|
Bella raccolta delle omelie di San Geronimo, Agostino, Ambrogio, Origine, Gregorio, Giovanni Crisostomo nella stampa a due colonne eseguita a Basilea dal Froben.(Cfr. VD 16 P 1052).
[Bookseller: Libreria Editrice GORIZIANA - Gorizia - ] |
| 17. Check availability: Maremagnum
Link/Print |
MANTUANUS BAPTISTA (SPAGNUOLI)
|
| PRIMUS (SECUNDUS ET TERTIUS) OPERUM BAPTISTA MANTUANI.
|
IN AEDIBUS ASCENSIANIS IDUS IUNAS M.D.XIII, [PARIS] 1513 - [LEGATURA-PARIS] (cm. 28) 4 parti in due volumi bella legatura originale su assicelle in pelle di scrofa riccamente impresse a secco ai piatti con figure,emblemi,medaglioni e allegorie disposti su tre fasce entro cinque cornici a doppio filetto. 4 nervi. Con 3 bei ganci metallici (su 4) finemente incisi in bronzo.-- cc. 6 nn., cc. 251 + 1c. bianca; cc. 49 + 1c.b.; cc. 168; cc. 4 nn., cc. 195 + 1c. bianca. Carattere romano, testo inquadrato dal commento, bellissimi capolettera grandi e piccoli a fond crible. Tre magnifici frontis, uno in rosso e nero, entro cornice figurata con simboli e allegorie, al centro la grande marca tipografica. Al verso della sesta carta all' inizio del primo volume dei versi in rosso e nero con 3 grandi capolettera in rosso assai eleganti. E' questa l' edizione più importante e completa, edita in vita dall' autore, che contiene in prima edizione le note e i commenti di S. Murr, J. Bade e S. Brant. All' inizio della IV parte si riporta il carteggio con Pico della Mirandola, Filippo Beroaldo e Baptista Mantovano. Questa poderosa opera contiene vari riferimenti a malattie mentali e psichiche, conservazione dei cibi e della salute, inoltre accenna per la prima volta alle malattie ed epidemie portate dall' America dagli esploratori europei. Difetti ai dorsi della legatura con antichi restauri alle cuffie del II volume. Alcune spellature ai piatti. Una gora bruna al margine delle prime 6 carte del I volume il cui frontis è con difetti e con antico restauro al verso per angolo mancante e disegno della cornice ripreso a mano. Un unico forellino di tarlo restaurato alle prime 5 carte del II volume. Altrimenti esemplare bello e nitido. RENOUARD "ASCENSIUS" II 139 con accuratissima descrizione; RENOUARD "MARQUES TYPOGRAPHIQUES PARISIENNES" p. 322 n° 1005; BRUNET III 1375; GRAESSE IV 369; BM. STC. FRENCH p. 405; ADAMS M 385.
[Bookseller: LIBRI ANTICHI E RARI FRANCESCO&CLAUDIA] |
| 18. Check availability: AbeBooks
Link/Print |
JACOPO FORESTI
|
| NEAPOLI CITTA IN CAMPAGNA - & - GAIETTA CITTA IN CAMPAGNA 1513 VENEZIA
|
Pagina contenente coppia di vedute fantastiche delle citta', tratta dal Supplementum chronicarum orbis ab initio mundi. Giacomo Filippo di Bergamo (1434-1520), della famiglia Foresti, fu eremita agostiniano ed autore anche del Confessionale e del De claris mulieribus. La sua cronaca fu stampata per la prima volta nel 1483 a Venezia e successivamente aggiornata piu' volte; complessivamente sono conosciute sei edizioni incunabolo e sei stampate nel 500, di cui lultima nel 1553. La prima edizione in italiano e' stampata a Venezia nel 1535, e da questa e' tratta questa pagina. Xilografia, finemente colorata a mano, in ottimo stato di conservazione. Dimensioni 90x63. Bibliografia: Cremonini pp. 7/9, 2, 5 e 6. An imaginary view of the city, from the Supplementum chronicarum orbis ab initio mundi. Giacomo Filippo di Bergamo (1434-1520), of the Foresti family, was an Augustin hermit and author of Confessionale and De claris mulieribus. His works have been published for the fist time in Venice in 1483. The first Italian edition, from which the present example is taken, was published in 1535. Woodcut.
[Bookseller: Libreria ANTIQUARIUS - Roma - Italy] |
| 19. Check availability: Maremagnum
Link/Print |
SCHILLING, DIEBOLD.
|
| LUZERNER BILDERCHRONIK 1513. ZUR VI. JAHRHUNDERTFEIER DES EINTRITTES LUZERNS IN DEN BUND DER EIDGENOSSEN. ED. FOR THE COMMUNE OF LUCERNE BY ROBERT DURRER AND PAUL HILBER. 1932 GENEVA, SADAG
|
With 405 illus. on plates, sometimes printed recto and verso (40 in color and some double-page), and 1 heraldic vignette. 4 leaves, 289 pp., 1 leaf index. Folio. Orig. vellum with the coats of arms of the 13 cantons on both covers, spine gilt. Geneva, Sadag, 1932. Numbered copy of the de luxe edition bound in full vellum, of a total edition of 1000 copies. One of the most beautifully produced chronicles in facsimile. It was written by Diebold Schilling the Younger (1460-1522?) from Lucerne around 1513, and it offers a detailed account of daily life in the 15th century, treating such diverse topics as trade, fortification, topography, dress rules, etc. The technique of the illustrations is unique for the time: painted in opaque colors, with bold outlines in black ink, it is meant to convey the impression of paintings rather than colored pen drawings. - Wyss 141-143; Feller/Bonjour 66f.; Zemp, Schweizer. Bilderchroniken (1897), p. 99f.; Bodmer, Chroniken und Chronisten im Spaetmittelalter (1976), p. 50f. CHRONICLES / CHRONIKEN ; HELVETICA: LUZERN-UNTERWALDEN ; VARIA ; FACSIMILES ;
[Bookseller: Antiquariat HELLMUT SCHUMANN - Zuerich -] |
| 20. Check availability: Maremagnum
Link/Print |
By Christian Brockmann
|
| Die Handschriftliche Überlieferung Von Platons Symposion
|
Reichert Verlag. Zum äSymposionô wie auch zu anderen Überlieferungen des äCorpus Platonicumô fehlte bisher eine gründliche Aufarbeitung der Textgeschichte. Platons äSymposionô ist in 55 Handschriften aus dem byzantinischen Mittelalter und der Renaissance (vom 9. bis 16. Jh. ) sowie in einem spätantiken Papyrus (etwa die Hälfte des Textes) überliefert. Mit einbezogen in die Untersuchung ist die Editio Princeps, 1513 von Aldus Manutius in Venedig herausgebracht, mitsamt den unmittelbar von ihr abhängigen frühen Ausgaben sowie Marsilio Ficinos lateinische Übersetzung, die zuerst 1484 in Florenz erschienen ist. Umfangreiche Partien wurden in allen Textzeugen verglichen. Aufgrund dieser Kollationen lieáen sich nach den Grundlagen der Textkritik die Abhängigkeiten der Handschriften voneinander bestimmen. Anhand dieser Erkenntnisse kann eine neue Edition des äSymposionô erstellt werden. Ein anderer Aspekt widmet sich der Paläographie und Handschriftengeschichte. Die Beschäftigung mit der Tradierung des platonischen Werkes ist gleichzeitig eine Beschäftigung mit der Geschichte des Platonismus. Die mittelalterlichen Handschriften verweisen häufig direkt in die Kreise berühmter byzantinischer Gelehrter und Humanisten. Ziel der Arbeit ist über die Erstellung eines vollständigen Stemmas hinaus die Erhellung des Zusammenhanges von Texttradierung, Geistes-und Kulturgeschichte. 346p, 64(Reichert 1992). 9783882265545. Hardback.
[Bookseller: Alibris] |
| 21. Check availability: Alibris
Link/Print |
GRUYTRODE (Jacobus de])]
|
| Lauacrum conscientie
|
- (Lavacrum conscientiae omnium sacerdotum). [Paris], [Pierre Gaudoul], [vers 1513], in-8 gothique, vélin ivoire souple du XVIIe siècle. 110 ff. et 2 ff.n.ch. (A-O 8). Renouard. Les marques typographiques parisiennes, n°337. Renouard et Brigitte Moreau. Inventaire chr. des éd. parisiennes du XVIe s. II, n°643. Edition parisienne, portant au recto du premier feuillet la marque de Pierre Gaudoul, libraire de 1508 à 1537. Les lettrines et le matériel typographique sont de Jean de Gourmont. La marque permet de situer l'édition de ce Baptême de la conscience vers 1513. Jacob de Gruytrode, mort en 1472, était prieur de la chartreuse des Douze Apôtres à Liège. Quelques notes manuscrites anciennes à la plume au cahier F. Inscription Le Clerc à l'encre sépia sur le premier feuillet [Attributes: Signed Copy]
[Bookseller: CHAMONAL] |
| 22. Check availability: AbeBooks
Link/Print |
Titus Livius
|
| T. Livii Patavini historici clarissimi quae extant Decades ad decem diversa exempla acri iudicio repositae. Cum indice literaria serie etiam in epitomen L. Flori, adiectis compluribus prius intermissis, rursus ab Ascensio collecto. Cum praenotamentis, regulis, & omnium vocularum, contructionum, sentiarumq[ue] subdifficilium quae inter legendum occurrerunt, eiusdem explicatione. Cum L. Flori in omneis libros Epitome recognita & literaris ut indice explicari possit, ab eodem Ascensio distincta. Cu[m] annotationibus M. Antonii Sabellic diligenter recognitis. Cu[m]q[ue] primae praefationis familiari Ascensii p[ro]fati explanatione.
|
[Paris], Joanne Paruo et Iodoco Badio Ascensio [Parvus] 1513. 40 ungezählte und 240 römisch gezählte Blatt. Schweinsleder der Zeit auf 4 Bünden über Holzdeckeln mit zwei intakten Schließen (Einband etwas berieben und bestoßen, Kopfkapital mit einer Fehlstelle, die ersten Blatt mit einer leichten Wasserspur im weißen Rand des Kopfstegs, die Blätter 103 bis 108 mit geringen Buchstabenverlust durch geringen Wurmfraß, sonst sehr gutes und sauberes Exemplar). 2°. Seltene, sehr gut erhaltene Postinkunabel mit einem altkolorierten Titelblatt und schönen Initialen in einem kräftigen Abdruck. - Vgl. BMC French Books, 285.
[Bookseller: Antiquariat Kristen (Inh. Dr. Lorenz Kri] |
| 23. Check availability: prolibri
Link/Print |
|
| Trattato della Sanctissima Charita
|
Siena per Symeone di Nicolo & Gionanni Alexandro librai Adi 17 del Mese di Otobre 1513 - In 4° (cm 14 x 21,2), legatura piena pergamena, cc (4), 180, (2), numerosi errori di numerazione e segnatura, lievi difetti su poche cc, foro ad una carta con perdita di poche sillabe. Suggestiva incisione silografica a piena pagina al frontespizio, raffigurante l'A. (1355?-1419) in abito domenicano che, deposto a terra accanto a se' il cappello cardinalizio, col capo irraggiante l'aureola del Beato, presenta, spalancato, il suo libro al Crocefisso; in cielo, sole e luna in sembianze antropomorfe si curvano intenti, in un paesaggio mosso di nuvole, rocce, vegetazione, il tutto racchiuso in cornice con fregio. Al colophon, dati tipografici in forma di croce, in caratteri gotici: l'opera fu impressa "ad instantia delle. suore mantellate di S. Caterina del Paradiso" del terz'ordine domenicano di Siena e "di ciaschedunaltra persona: che di questo Libro legendo pigliara alcuna consolatione spirituale". Il testo è preceduto da un'"Epistola" del "Reverendo Padre Frate N.", Predicatore, con data al fondo errata "1413", dove viene brevemente delineata la Vita dell'A.: dopo un'adolescenza "lubrica", preso con fervore l'abito dei Predicatori, si distinse quale riformatore dell'Ordine, fondatore del convento domenicano di Fiesole, eccellente predicatore a Firenze e Venezia, autore versatile ed eruditissimo in teologia, diritto canonico, filosofia, logica, matematica; legato pontificio in Ungheria, ove si adoperò per "extirpare et spegnere la heresia dei Boemi"; si spense a Buda. Il Trattato è, declinato in innumerevoli delicatissimi vibranti toni e stili, nello scorrevole volgare trecentesco, l'inno alla Carità mutuato da S. Paolo e da mille esempi della vita pratica e quotidiana, armoniosa sorprendente mescolanza di sacro e profano: non mancano ricette contro le enfiagioni, la cura del fegato, i fenomeni atmosferici quali neve grandine saette, il tutto finalizzato e volto a spiegare bellezza e necessità della "Charita" nella vita cristiana. Un esemplare in SBN, uno in KVK. Fairfax Murray, Catalogo 1899, p. 114, n. 631. Sander 1, 2466; Olschki, 4474: "Volume fort rare".
[Bookseller: Studio Bosio] |
| 24. Check availability: AbeBooks
Link/Print |
CAESAR, Julius
|
| Commentatiorum de bello Gallico libri VIII
|
1513 1513 - FIRST EDITION. (ALDINE PRINTING) CAESAR, Julius. Commentatiorum de bello Gallico libri VIII. De bello civili pompeiano libri IIII. De bello Alexandrino liber I. De bello Africano liber I. De bello Hispaniensi liber I. [Venice: in aedibus Aldi, et Andreae soceri, April 1513]. Small octavo, contemporary full vellum, tan calf spine label, all edges gilded and gauffered. Housed in a custom clamshell box. $12,000. First Aldine edition of Caesar's Commentaries, with manuscript captions to the illustrations of Massilia and Uxellodunum in a hand very similar to Aldus' own. With a double-page hand-colored woodcut map, five splendid full-page woodcut illustrations, and the anchor and dolphin Aldine device on title-page and on verso of last leaf. "On 28 June 1512, Fra Giocondo of Verona successfully petitioned the Venetian Senate for ten years' protection of editions of various classical authors which he had prepared. These included Commentarii de Cesaro, the basis of Aldus' only edition, which appeared at the end of 1513. The most striking feature of [the edition] is the map, the Pictura totius Galliae. There are five additional woodcuts in the frontmatter, all dealing with Caesar's strategic and tactical operations. The most significant are the two pictorial representations of the sieges of Massilia and Uxellodunum. In many copies of the 1513 Caesar, these woodcuts carry the manuscript captions. Renouard says that this is Aldus' holograph. the script does indeed look like known specimens of Aldus' handwriting. Further, we have numerous reports of Aldus' constant correcting of proofs and finished text; his diligence amazed Erasmus in 1508" (Fletcher, 118). The work was so popular that the Aldine press was to publish a further fourteen editions. Text in Latin. Adams C26. Renouard, 60. Annotations in an early hand. Minor dampstain to margin of first two gatherings, light scattered foxing, intentional early scissor-cut "pointer" to the Uxellodunum woodcut, worm trails to front cover of contemporary vellum. An extremely good copy of a very scarce Aldine printing. [Attributes: First Edition]
[Bookseller: Bauman Rare Books] |
| 25. Check availability: AbeBooks
Link/Print |
AILLY, Cardinal Pierre d')
|
| Questiones
|
- Magistri Petri de Alliaco Cardinalis cameracensis super primû tertium et quartum sententiarum. Parisii in vico Sancti Jacobi ad intersignium Lilii in domo Joannis Parvi. (colophon) ". Impèsis honesti viri Johannis Petit.". [Paris, Jean Petit], (circa 1513), in 8º, caractère gothique à 2 col. de 42 lignes, 24 ff.n.ch. 295 ff. et 1 f. n.ch., marque de J. Petit au titre et nombreuses lettrines à fond criblé. pl. vélin à recouvrement. Petite mouillure claire en marge de qq. feuillets, sinon bel exemplaire. Post-incunable parisien non daté, longtemps considéré comme incunable, il a été récemment déclassé. Anciennement estimé comme datant de 1499, les bibliographes du Renouard considèrent maintenant qu'il n'est qu'une réimpression de l'édition Jean Petit de 1508 (elle-même anciennement considérée comme incunable). Le célèbre théologien Pierre d'Ailly, de son nom latin Petrus de Alliaco fut surnommé L'aigle des docteurs de la France et le Marteau des hérétiques. Il est né à Compiègne en 1350 et fut nommé Grand Maître du collège de Navarre en 1384. Il eut pour élèves Gerson et Clémangis, devint chancelier de l'Université puis confesseur de Charles VI. Il fit instituer la fête de la Sainte-Trinité et joua un rôle éclatant au Concile de Constance et finit comme légat du Pape à Avignon. Hain nº840 (date estimée 1499) - Pellechet I/nº542 (date estimée 1499) - Goff A.482 (pour l'édit. de 1508) - IGI 391 - Renouard imp. parisiens III.207 - B. Moreau II.998 - Nouv. Cat. Incunables B.N. A.260 ter (avec une nouvelle date estimée de 1513)
[Bookseller: L'intersigne Livres anciens] |
| 26. Check availability: AbeBooks
Link/Print |
OVIDIUS P.N.
|
| METAMORPHOSEON LIBRI XV. Raphaelis Regii Volterrani explanatio. Cum . addictionibus Lactantii Placiti in singulas fabulas argumenta . Coelii Rhodigini, Jo.B. Egnatii, H. Glareani, G. Longolii, et Jac. Fanensis . attotationes . continentur. Venetiis, Nicolaum Moretum, 1586.
|
(cm. 32,0) cc. 6nn. + pp. 315 + pp. 3 nn. + 1 C.bianca. Legatura Piena Pergamena coeva, titolo al dorso, tracce di lacci. Carattere corsivo e rotondo, testo incorniciato dal commento, anche in greco, eleganti fregi tipogr. Nel testo, 61 incisioni in xilogr. di cm. 8,5 x 6, alcune appena più grandi. Antiche firme al frontis ed in fine; vecchio restauro a pag. 189 che intacca il testo. Segni d'uso per lo più marginali ed aloni sparsi più evidenti alle prime carte. Piccoli difetti alla legatura, ma nel complesso buon esemplare, completo dell'ultima carta bianca con ex libris "his liber est Joannis Baptista Bini". - Edizione importante non solo per i dotti commenti, ma anche per le illustrazioni, impresse con i legni originali usati per le celebri edizioni veneziane del 1513, 1517, 1521 e 1527 citate dal Sander e dall'Essling. Manca al BM STC. Il CENSUS ICCU registra 15 copie in Italia. - Adams, O 502.
[Bookseller: Maria Calabrò Studio Bibliografico] |
| 27. Check availability: AbeBooks
Link/Print |
PLATO
|
| Opera Omnia
|
1513 1513 - PLATO. Omnia Platonis Opera. Venice: Aldus, 1513. Two volumes in one. Thick folio, contemporary full limp vellum, spine title in manuscript. Housed in custom clamshell box. $125,000. First edition in Greek-the editio princeps in Greek and "the basis for all subsequent editions" (Graesse). A beautiful copy. The philosophical dialogues of Plato, reintroduced to the West in the fifteenth century by way of Constantinople, exemplify the spirit of free inquiry that characterized the Renaissance in Europe. "That Plato should be the first of all the ancient philosophers to be translated and broadcast by the printing press was inevitable. His master Socrates had laid the foundation of scientific method in asking the essential question 'What is.?' rather than improvising theories, and this passionate belief in the answerableness of questions and the certainty that good came from knowledge was developed and idealized in the writings of Plato" (PMM 27). With the support of Lorenzo de' Medici, humanist scholars such as Pico della Mirandola launched a Platonic revival in Florence. Marsilio Ficino's translation of Plato's dialogues into Latin was published in 1484, followed, in 1491, by a second Latin translation published in Venice. It was not until 1513, however, that Aldus Manutius produced the first edition of Plato in the original Greek, now considered by scholars the editio princeps, the basis for all later editions for the following 300 years. The Greek Plato in two large folio volumes "was the last great undertaking of the first Aldine press" (Davies). "This is an exceedingly beautiful and valuable edition, which for typographical elegance may justly be ranked among the most beautiful of the productions of this illustrious printer" (Moss). It is considered one of the "noble and historic volumes which, for the first time in history, made the greatest of the philosophers of Athens accessible in print to the scholars of the Renaissance era" (Rosenbach 35:403). Ahmanson-Murphy 97/1-2. Moss II, 423. Dibdin II, 132-33. Renouard I, 104-05. Brunet IV, 694. Graesse V, 314. Norman 1714. Armorial bookplate. Text exceptionally clean, with expert paper repairs and minor spotting to bottom corners of first four and last three gatherings. A few small unobtrusive oil stains to contemporary vellum. A splendid copy. [Attributes: First Edition]
[Bookseller: Bauman Rare Books] |
| 28. Check availability: AbeBooks
Link/Print |
MONDINO DE LUZZI.
|
| De omnibus humani corporis interioribus menbris [sic] Anathomia.
|
[Colophon] Impressit Argentine [Strasbourg]: Martinus Flach, 1513. 4to: 40 unnumbered leaves. Gothic letter, 2 woodcuts in the text, woodcut initials as well as spaces with guide letters; rubricated throughout with initial letters and paragraph marks. Title-leaf a little dust-soiled, old repair to blank lower margin of B2, some inner margins dampstained, light spotting and paper discolouration, but a good fresh and large copy (213 x 151 mm) with some deckle edges showing in the lower and outer margins. Recent half morocco. Duplicate from the Bayerische Staatsbibliothek with very faint stamp on A1r, A1v, K4r, and on A2v (with release stamp). Signature of Walter Pagel and book label of B. E. J. Pagel on front endpaper. First printing of Johannes Adelphus’ recension of Mondino’s Anatomia, the first modern work devoted solely to anatomy and the first monograph on the subject to appear in print. It was completed in 1316, and first published in 1478. The editor of this edition added some notes to the text. “One of these (Sign F4v) is accompanied by a small woodcut printed in the text with reversed letters, , and representing the heart, particularly the Ventriculus medius, which was thought to be between the two halves of the heart, and the orifices of the coronory vessels” (Cholant/Frank). A large woodcut of a man with dissected thoracic and abdominal cavities, and surrounded by the signs of the zodiac with lines drawn to parts of the body, appears on the last printed page. Mondino (Mundinus, c. 1275–1290) is recognised as the founder of anatomy in the Middle Ages. He reintroduced human dissection, which had been neglected for 1500 years before him. His practical dissection is evident from the text of his book, which was easily the most successful book on anatomy for more than half a century, appearing in many editions, either on its own or combined with the works of Ketham or Berengario. Despite the large number of editions, all are rare; of those published on its own, the two most likely to appear on the market are those of Leipzig 1493, which has become a valuable book, and the present 1513 edition, all the others being very hard to find. Choulant/Frank pp. 88–96. See G&M 361; Parkinson, Breakthroughs, 1316; and Stillwell, The awakening interest in science, 679.
[Bookseller: Nigel Phillips] |
| 29. Check availability: ILAB
Link/Print |
MARSICANUS (Leo "Cardenal de
|
| CHRONICA SACRI CASINENSIS
|
- Chronica sacri Casinensis Coenobii nuper impressoriae arti tradita, ac nunquam alias impressa, in qua totius monasticae religionis summa consistit.- (Al fin) Impressum Venetiis per Lazarum Soardis diexii Martii M. D. Xiii (1513); en 8º mayor plena piel chagren marrón con orla tipo renacimiento gofrada en tapas y pequeños hierros dorados, adornos gofrados y tejuelos dorados en lomo, firmada por Luna, 8 hojas, incluida portada, con preliminares e índice, 215 folios. Letra redonda romana a una columna. Pequeñas capitulares grabadas y marca del impresor en último folio. Excelente papel. El ejemplar que ofrecemos tiene las siguientes faltas: La portada sufrió la amputación de unos 5 cm de papel en su parte inferior afectando en el anverso a parte del grabado xilográfico que representa a los santos Placido, Benedicto y Mauro; y, en el reverso a otro grabado en madera que representa a la Virgen del Rosario (se remarginó con papel blanco): En la 2ª hoja perdida de la esquina inferior derecha remarginada con papel blanco, que afecta a unas 5 líneas de texto. Puntos de polilla tapados en parte blanca superointerna de folios 1 a 15 y sintapar en parte blanca interna cerca del cosido desde el folio 65 al 88 sin afectar al texto. Se trata de la primera edición rarísima de la crónica que cuenta la historia del Monasterio de Monte Casino escrita por el Cardenal León Marsicano (1045 - 1115). El ejemplar que ofrecemos que muestra el exlibris de la Biblioteca del Duque de Medinaceli, pese a los defectos descritos es de gran belleza, destacando por su limpieza. Brunet, tomo 3º, 982.
[Bookseller: LIBRERIA ANTICUARIA SANZ] |
| 30. Check availability: AbeBooks
Link/Print |
SENEQUE (Lucius Annaeus
|
| Senecae Tragediae.
|
S.l.n.d. [Au colophon : Florence, Philippe de Giunta, 1513]. - 1 vol. in-8°, maroquin rouge, dos à nerfs orné de fleurons dorés, pièce de titre en maroquin vert, large roulette dorée encadrant les plats, cartouche central délimité par une autre roulette dorée avec fleurons aux angles, fleuron doré au centre, roulette dorée sur les coupes, roulette dorée intérieure, tranches mouchetées. Reliure italienne du XVIIIe s., charnières épidermées en partie fendillés, coins râpés. Impression en car. ital., lettres blanches, (8) ff., 215 ff. Signatures : [a-z]8 &8 [A-D]8 Rousseurs éparses. Manque le dernier f. blanc (D8). Seconde édition parue chez les Giunta de Florence de cette version des tragédies de Sénèque par Benedetto Ricardini (en latin Benedictus Philologus), l'un des plus habiles correcteurs et collaborateurs du libraire florentin dont l'officine concurrençait celle des Alde. Cette version avait d'abord paru en 1506. Elle est imprimée avec le même caractère italique inventé par Alde Manuce. Rare impression juntine en maroquin du XVIIIe s. Renouard (Alde), XXXVII, n°42; manque à Adams.
[Bookseller: Librairie Ancienne J.-Marc Dechaud] |
| 31. Check availability: AbeBooks
Link/Print |
Plinius Secundus Gaius (antichi e di
|
| C. Plinij Secundi Veronensis Historiae naturalis libri XXXVII aptissimis figuris exculti ab Alexandro Benedicto Ve. physico emendatiores redditi.
|
Venezia Melchiorre Sessa 1513 - Segue: Avenzoar, Abhomeron Abynzohar Colliget Averroys Un volume in buono stato di conservazione. Ex libris e note relative all acquisto del precedente possessore sul contropiatto, note di possesso antiche al front. Bella marca tipografica di Sessa con un gatto che tiene in bocca un topo, sormontato da una corona e dalle iniziali MS. Front. in rosso e nero. Velatura all?angolo superiore delle prime e delle ultime 20 carte circa. Gore di umido molto evidenti, ma che non interessano il testo alle ultime due decine di cc. Segue, legato insieme: (occhietto) Abhomeron Abynzohar Colliget Averroys (explicit: correctus atque emendatus per.Hieronymum Surianum), Venezia, Gregorio de Gregori 1514. Opera di Avenzoar medico, letterato e giurista, nato a Siviglia nel 1092 e ivi morto nel 1161, maestro del filosofo Averroè. L?esemplare e? completo, ma presenta una posposizione dei fascicoli da c. 33 a c. 68, opportunamente segnalata a margine da un antico lettore.
[Bookseller: Vallerini Andrea Libreria Antiquaria] |
| 32. Check availability: AbeBooks
Link/Print |
|
| Expositio pulcherrima hymnorum per annum secundum Curiam non amplius impressa
|
per Simonem de Luere. In contrata Sancti Cassiani, 1513., Venetijs, - In 8° (150x100). 56 carte numerate (a-o), termina l'opera con la tavola degli inni per ordine alfabetico. Vignetta silografica al frontespizio raffigurante un re nello studiolo, intento alla consultazione di testi e contornato dai classici oggetti intelligibili della cultura dell'epoca; sovrasta l'immagine un cielo stellato, la chiude un paesaggio. La silografia fu usata precedentemente nel 1488 da Nicola Balager "detto Castilia" per un calendario volante; e ancora più tardi nel 1510 nel 1511 in altri due testi sempre stampati da Simone de Luere. Capolettera figurati in legno, carattere corsivo. Pieno marochino rosso moderno con dorso a nervi e titolo impresso in oro, dentelle dorate. Ottimo esemplare ad ampi margini, nota manoscritta al piede del frontespizio; presenta lieve arrossatura solo a poche carte. Rara edizione di Simone di Luere (Lovere), tipografo originario di Lovere presso Bergamo, attivo a Venezia dal 1489. Usò materiale tipografico già appartenuto a Lazzaro Soardi.Essling, III, 267; 9 identificazioni su ICCU.
[Bookseller: libreria antiquaria perini] |
| 33. Check availability: AbeBooks
Link/Print |
Paulus Diaconus
|
| Homiliarus Doctorum
|
- Basilea, Johannes Froben, 1513. In-4°, 172 c., 77 c., 1 c.n.n. Frontespizio con grande raffigurazione silografata (un dragone) ed un alltro con le raffigurazioni dei dottori della legge seduti nello studiolo o mentre passeggiano. Legatura moderna in mezza pergamena. Bella raccolta delle omelie di San Geronimo, Agostino, Ambrogio, Origine, Gregorio, Giovanni Crisostomo nella stampa a due colonne eseguita a Basilea dal Froben.(Cfr. VD 16 P 1052).
[Bookseller: LIBRERIA EDITRICE GORIZIANA] |
| 35. Check availability: AbeBooks
Link/Print |
SPAGNUOLI (Battista) dit Mantuanus,
|
| Oeuvres]. Primus [-Secundus, Tertius] operum B. Mantuani tomus [Suivi de:] de Patientia aurei libri tres cum indicibus Et vocabulorum difficiliorum explanatiuncula. Eiusdem de Vita Beata libellus optimus : Cum Augustini Dathi de eadem commentatione.
|
- [Parisiis], Ascensianus (Josse Bade) & Dionysii Roce, 1513. 4 parties reliées en un volume in folio (284 x 206 mm), pleine peau de truie sur ais de bois garnie d’un motif d’encadrement de larges roulettes de fleurs et feuillages estampées à froid (lég. passé), dos à nerfs orné de grands fers à froid entrenerfs (reliure de l’époque), (6), ccli f., (1) f. blanc ; clxviii f. ; (4), cxcv f., (1) f. blanc et xlix f., (qqs trous de vers, un cahier lég. débroché), caractères romains, manchettes, titres - dont un noir et rouge - dans un bel encadrement historié à la grande marque de Denis Roce, lettrines sur fond criblé. Edition donnée du vivant de l’auteur, la troisième et la meilleure, partagée entre Badius Ascensius, Denis Roce, Jean Petit et les frères de Marnef. Elle est la première à contenir l’appareil critique de préfaces, commentaires, notes et documents annexes par Josse Bade, Sébastian Murr et Sébastian Brant. La préface de Josse Bade, datée de juin 1513, figure en tête de la première partie ; un poème sur une page est imprimé en noir et rouge au verso du dernier feuillet de table. Le verso du titre de la troisième partie contient une préface de l’auteur à François Fantucius. Les feuillets préliminaires de la quatrième partie renferment une correspondance entre Jean Pic de La Mirandole, Baptiste de Mantoue, Philippe Béroalde, etc., ainsi qu’une table et un poème. Le ‘De Patientia’ en xlix [49] feuillets, a été placé en fin. Traité sur les maladies physiques et mentales, il renferme l’une des premières références sur les maladies en Amérique et les épidémies qui venaient d’être introduites en Europe par les explorateurs de retour. On y trouve également des discussions sur la santé et les moyens de la conserver par une alimentation appropriée. Il contient, à sa suite, ‘De Vita Beata libellus optimus’ ('Églogue de la vie bien heureuse'). Les contemporains du Mantouan le regardèrent comme un autre Virgile. Son buste en marbre, couronné de laurier, fut placé, par sa patrie reconnaissante, à côté de celui de l’auteur de l’Énéide, né comme lui à Mantoue. (Adams, M.385. Brunet, III, 1375. Renouard, ‘Josse Badius Ascensius’, II, p. 139-143. Renouard, ‘Inventaire chronologique’, n°723. Renouard, ‘Marques typographiques parisiennes’, n°1005, p. 322). Petit cachet de congrégation en coin du titre et étiquettes au dos. Très bon exemplaire, bien complet, dans sa première reliure de vélin estampé. [Attributes: Hard Cover]
[Bookseller: Librairie Hatchuel] |
| 36. Check availability: AbeBooks
Link/Print |
Mantuanus, B(aptista), d.i. Giovan
|
| Opera. Primus (et Secundus) Tomus (von dreien). Cum Commentariis Murrhonis, Brantii et Ascensii. Mit 2 zweifarbigen Titeln mit Darstellung der Druckerwerkstatt und (geringf. ankolorierter) Randbordure.
|
Paris, in aedibus ascens. 1513. - 2 Bände. 4°. 11 ungez. Bll. (die 5 ersten leer), 251 Bll., 5 leere Bll.; 4 leere Bll., 168, 49 Bll. Ldr der Zt mit Deckelprägung, restauriert und teilweise ergänzt. Teils wasserrandig. 2 Wurmgänge mit Buchstabenverlust. Größerer Wurmgang an einem hinterem Innendeckel. Die beiden ersten von drei Teilen. Brunet III.1375. Graesse IV.369. - Spagnoli war General des Karmeliterordens und wichtiger Renaissancepoet; 1885 wurde er seliggesprochen. Die vorliegende Ausgabe erschien zu Lebzeiten (*1446-1516+). Wilpert, Lex. der Weltliteratur 1255f.: 'Vf. zahlr. relig. Werke in lat. Sprache, wodurch er zu e. der bekanntesten neulat. Dichter wurde. Bezeichnend für s. christl. Latinität ist die Gestaltung bibl. Stoffe im Stile Vergils'.
[Bookseller: Antiquariat Schmetz Am Dom] |
| 37. Check availability: AbeBooks
Link/Print |
ADELPHUS, Johannes (= Johann Adolf
|
| Die Türckisch Chronica won [sic] irem Ursprung Anefang und Regiment, biß uff dise Zeyt, sampt irem Kriegen und Streyten mit den Christen begangen, erbärmklich zu lesen.(Colophon:) Strasbourg, Johann Knoblouch, 1516. With 19 large woodcut illustrations (13.5 x 13.5 cm) plus 7 repeats (1 on the title and the rest in the text), and several woodcut border strips.WITH: EUSEBIUS, Pamphili, bishop of Caesarea and others. En Damus Chronicon Divinum plane opus eruditissimorum autorum, repetitum ab ipso mundi initio, ad annum usque salutis. M.D.XII.Basel, Henricus Petri, (colophon: March) 1529.WITH: KOEBEL, Jakob. Glaubliche Offenbarung, wie vil fürtreffenlicher Reych und Kayserthumb auff Erdtrich gewesen, wa das Römisch Reich herkom(m), auß was Ursa
|
- (60), 207, (1); (48); (22); (22) ll. Adelphus: BMC STC German, p. 3; Chrisman, Bibl. Strasbourg Imp. V9.1.3b; VD 16, A-237; cf. Adams A-148 (1513 ed.); not in FairMur (G); Navari, Ottoman World (Atabey Coll.).Eusebius: Adams E-1075; JCB, p. 100; VD 16, E-4266; cf. Alden & Landis 518/3 (1518 Estienne ed.); Mortimer (French) 217 (1518 Estienne ed.); Sabin 23114 (1512 Estienne ed.); not in BMC STC German.Koebel: BMC STC German, p. 475; VD 16, K-1622; not in Adams; FairMur (G).Landsperger: Karlsruher Virt. Kat. (7 copies); not in Adams; BMC STC German; FairMur (G); OCLC WorldCat. Second edition (the last published during the author's life) of Adelphus's German chronicle of the Ottoman Empire from its beginnings to 1500, with special emphasis on the Crusades and with numerous woodcut illustrations. Bound with it is one of the earliest editions of Eusebius's Latin world chronicle to include the 1512 continuation with its reference to "savages" brought from the "new world" in 1509. Bound with these are an early edition of Koebel's illustrated account of the structure, organization and protocol of the Holy Roman Empire and its nobility, and the rare first and only edition of Landsperger's list of the religious and secular nobility of the Holy Roman Empire in 1541, both in German.Adelphus (1485-1523) first published his Turkish chronicle at Strasbourg in 1513. The woodcuts show battles and other scenes from the Middle East, presenting Ottomans, European kings and noblemen, and crusaders bearing the cross on their clothes and banners. Some appear on horseback, others in European or Eastern ships, others in fortified cities. Some woodcuts show a perspective and style reminiscent of mediaeval art, while others are good examples of Renaissance work showing modern perspective and rendering each figure with personal character.Eusebius's chronicle originally extended only to the year 329, but was continued by Saint Jerome (to 381), Saint Tiro Prosper Aquitanus (to 448), Mattia Palmieri (in two stages to 1481) and Joannes Multivallis (to 1512). Parts were first published ca. 1475, all but Multivallis's continuation in 1483 and the complete text as we now know it by Estienne in Paris in 1512. The present edition probably follows Estienne's 1518 edition, which for some reason presented Multivallis's continuation anonymously. Like the 1483 edition, it names Johannes Gutenberg as the inventor of printing under the year 1457 (when Fust & Schöffer, without Gutenberg, published the Mainz Psalter, the first printed book to bear a date) and erroneously dates his invention to 1440, establishing a tradition that still reigned until the celebrations of 1940. When Multivallis wrote his continuation in 1512, Columbus's 1492 landing in America had not yet been elevated to the canon of great dates in history, but the book has long been listed under Americana for its report of "savages" from the "new world" ("Septem homines sylvestres ex ea insula, quæ terra nova dicitur") brought to Rouen in 1509. Multivallis's description led people to believe these were Brazilian or Canadian Indians, but Desrey's prologue to the 1518 edition of Gaguin's La Mer des Croniques, after noting an event of 1510, uses nearly the same words to describe people brought to Rouen from the island of Oran in present-day Algeria ("Et de ceste isle appellee terre neufue furent. sept ho(m)mes saulvaiges": Davies in Fairfax Murray (French) 184).Koebel (ca. 1460-1533) first published the present account of the Holy Roman Empire at his own Oppenheim press in 1512. It is especially interesting for its woodcuts, with a double-page topographic view showing the buildings, fortifications and coats of arms of twelve German cities (each city enlarged far beyond the scale of the view itself, so that they show a great deal of detail). The other double-page view shows the Emperor, the seven Electors and more than twenty other noblemen of the Empire, each with his coat of arms. As works of art, however, t
[Bookseller: ASHER Rare Books] |
| 39. Check availability: AbeBooks
Link/Print |
Concilium Lateranense V].
|
| Nomina et tituli revere[n]dissimo[rum] d[omi]no[rum] S. R. E. Cardinaliu[m].
|
[Rom, Marcello Silber, um 1513]. - 4 unnum. SS. Mit Holzschnittvignette (Papstwappen Leo X.) und vierteiliger ornamentaler Holzschnittbordüre am Titel. 4to. Das zweite nachweisbare Exemplar des Verzeichnisses der am 5. Laterankonzil (1512-17) teilnehmenden Kardinäle, gegliedert in "Cardinales Episcopi", "Cardinales Presbiteri" und "Cardinales Dyaconi", innerhalb dessen nach dem ernennenden Papst (Sixtus IV., Alexander VI., Julius II. und der amtierende Leo X.). Einige ungefähr zeitgenöss. hs. Marginalien und Ergänzungen (so beim niederländischen Kardinal Hadrianus der Hinweis auf seine spätere Papstkür im Jahre 1522); am Schluß siebenzlg. Nachschrift von derselben Hand. - Minimale Papierschäden im Innenrand (keine Textberührung); insgesamt sauber. Nicht in der Vaticana, nicht im OCLC, kein Exemplar in Amerika. Nur ein Exemplar in internationalen Bibliothekskatalogen über Edit 16 nachweisbar (Biblioteca dell'Accademia nazionale dei Lincei e Corsiniana, Roma), Edit 16, CNCE 54236. Tinto (Ann. tip. Silber) 93. Nicht bei Adams oder BM-STC Italian.
[Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH] |
| 40. Check availability: AbeBooks
Link/Print |
Ariosto, Alexandro
|
| Enchiridion sive interrogatoriu[m] p[er]utile [pro] [animabus] rege[n]dis]
|
[Philippus Pincius], Venice 1513 - 8vo (16 x 11 cm), 152 (of 153), [2 (of 3)] leaves (lacks title page and final blank leaf). Gothic type, woodcut initials. Missing title page replaced by hand-written leaf, perhaps contemporary with binding (mid 20th c.?). Quarter-leather binding over marbled boards, marbled endpapers. Leaves toward beginning end with significant chipping at corners, occasional old ink marginalia, otherwise a very good copy, solidly bound. [Attributes: Hard Cover]
[Bookseller: Hudson Street Books] |
| 41. Check availability: AbeBooks
Link/Print |
Waldseemüller, Martin (c. 1470 - c.
|
| Octava Euro" from Ptolemy’s Geographia
|
| Martin Waldseemuller, Jacobus Eszler, Gorgeous Abalone and Johann Schott, Strassburg 1513 - SPECTACULAR ORIGINAL COLOR Martin Waldseemuller, a highly accomplished student of geography, merged the science of map making and the art of printing in these maps and the atlas from which they came- the most grou | |
