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Displayed below are some recent viaLibri matches for books published in 1503


Olivier Maillard
Sermoes De Advetu
      Etienne Guignard 1503 - Tall 8vo (8x5.5") 22 Nov 1503. Lyon. Etienne Guignard. 356pp (x2) All edges bright gilt. Large margins. General title in red & black, trimmed around text block and laid down (NAT). Minor marks. An exceptional copy, crisp and clean. Appears unused. 18th cent French calf with richly gilt spine. Binding rubbed. Not in Adams. Maillard was a celebrated French orator. Died in 1505 [Attributes: Hard Cover]
      [Bookseller: Butler Rare Books]
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Merchant, Paul ( Pseudonym for Harlan
Sex Gang: Violent Stories of Naked Passions
      USA: Nightstand Book # NB 1503 R, 1959, 1st Edition, 2nd Printing - ----------paperback, a solid Very Good copy with very light rubbing to the colours, book is completely square, super cover art of a knife wielding juvenile delinquent terrorizing a scantily clad, buxom woman, a true modern rarity, Nightstand originally published this in 1959, a number of the stories appeared in 1950's Men's Magazines like GENT, ROGUE, etc., contents include: Sex Gang; The Girl with the Horizontal Mind (originally released as The Gal with the Horizontal Mind by Price Curtis ); Wanted: Two Trollops; The Ugly Virgin (originally released as God Bless the Ugly Virgin ); Sin Time ( originally released as The Silence of Infidelity ); The Pied Piper of sex ( originally released as The Pied Piper of Love ); Bayou Sex Cat ( originally released as A Blue Note for Bayou Betty by Derry Tiger ); The lady Had Zilch; Girl with the Bedroom Eyes ( originally released as Jeanie with the Bedroom Eyes ); The Lustful One ( originally released as The Hungry One ); Bohemia for Christie ( originally released as The Bohemia of Arthur Archer ), any image directly beside this listing is the actual book and not a generic photo [Attributes: First Edition; Soft Cover]
      [Bookseller: Leonard Shoup]
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EURIPIDES.
Tragœdiæ Septendecim, ex quib quædam habent commentaria & sunt hae.
      (Venetiis [Venice]: Apud Aldum Mense Februario 1503. Editio princeps, first collected edition, volume I only (of 2), 8vo, 268 leaves. Press device to the final page, one leaf (A5) with a small hole and resultant loss of text, some light spotting, minor worming to the inner margin of some leaves, small marginal stain to the lower margins of the final 30 leaves, fly leaf with three 19th century owner’s signatures, including that of J.A. Symonds, as well as S.M’s, pieces of 13th century English legal manuscript used for endpapers. Old calf, over which a 19th century black morocco chemise has been fitted, covers with a period style gilt interlace design, lower cover with the name stamp of the Catholic writer Leslie A. St. L. Toke and “Ball. [ie Balliol] Coll. Oxford”, some wear to spine ends and edges. The first printing of all of Euripides’ eighteen extant tragedies, although this volume contains only ten - Hecuba, Orestes, The Phoenician Women, Medea, Hippolytus, Alcestis, Andromache, The Suppliants, Iphigenia in Tauris and Iphigenia in Aulis. The last (along with Aeschylus and Sophocles) of the three great Athenian tragedians, he changed the traditional structure to include more women and slaves, satirizing the many heroic characters and focusing on the inner lives of his subjects in a previously unknown way. John Addington Symonds, 1840-1893, Author and Essayist. His signature is suffixed “Ball. Coll. Nov./59” (shortly before he gained a double first in Classics) and the further two 19th century inscriptions also have Oxford College notations. Adams E1030. Brunet II 1095-6. Preceded only by a Florentine edition of 1496 which contained four of the plays.
      [Bookseller: Bow Windows Bookshop]
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MARTIAL (Marcus Valerius)
Epigrammata cum Do. Chalderini ac Geo. Merulae commentariis.
      Impressit Volumen hoc Iacobus Pentius de Leuco Impresorum omnium accuratissimus, s.l. [Venetijs], Die 23 decembris 1503 Anno Leonardi Lauretani.S.Principis altero. - in folio (31 x 21,5 cm), 1f. (faux-titre), 1 feuillet blanc (manque), CLXI, A2-A8 B-T8 V10, plein veau (restaurations mors, coiffes, coupes, coins, usures et épidermures), dos à 3 larges nerfs. (Reliure du 17e siècle).Edition rarissime des Epigrammes de Martial. Première édition donnée par l'imprimeur vénitien Jacobus Pentius de Leucho, qui se place juste après celle donné en 1501 par Alde et qui avait été contrefaite un an plus tard à Lyon. Peu de grandes bibliothèques possèdent notre édition et peu de bibliographes en parlent. La bibliothèque National à Paris possède un exemplaire, la British Library ne possèdent que la seconde édition parue chez le même éditeur en 1510. La Travers Collection de la bibliothèque universitaire du Sussex comprend un exemplaire. La NUC ne relèvent aucun exemplaire au Etats-Unis mais la bibliothèque de l'université de l'Illinois en a acquis un exemplaire en 1988. La bibliothèque Royale de Belgique a égaré son exemplaire et la bibliothèque de l'université de Gand possède un exemplaire dont la collation est la même que notre exemplaire avec en plus la page blanche après le faux-titre. Les Epigrammes de Marcus Valerius Martialis rassemblent quatorze livres contenant de courts poèmes avec de plus, en tête de l'ouvrage, le 'Liber de Speculis' qui dépeint les spectacles qui eurent lieu sous Titien et Domitien. Le treizième et quatorzième livres portent des titres séparés, l'un ''Xenia'' et l'autre ''Apophoreta''. Les commentateurs de ces ouvrages sont Domizio Calderini (1446-1478) et Giorgio Merula (1430-1494) dont Erasme parle avec respect. Le premier feuillet de faux-titre porte des annotations du dix-septième siècle et le haut du feuillet à subit une restauration de papier sans perte de texte. Quelques gloses marginales anciennes à l'encre bistre. Chaque livre est orné d'une lettrine gravée à motifs floral ou allégorique. Certaines lettres dans le texte sont accentuées à l'encre et quelques lignes sont soulignées avec le même procédé. Petite galerie de vers au second feuillet atteignant quelques lettres mais sans aucune gravité. Marque typographique de J. Pentius de Leuco au colophon. Cfr. Panzer II, p. 262. Pas dans Adams, ni dans British STC Italian Books, ni STC North American, ni dans NUC.
      [Bookseller: Librairie Ancienne Minet Frères]
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GREGORIUS I
Moralia Sancti Gregory (in Job).
      (Basel), In officina Nicolai Keller Basilien, 1503, - gr. in-4vo, 2-spaltiger Text, 354 nn. Bl., erste 2 Bl. mit kl. Wurmspuren, im Titel mehrere Spannungsrisse, breitrandig, blindgeprägter Schweinslederband über Holzdeckeln mit 1 Schliesse (statt 2), berieben und verstaubt, Aussenkanten mit Bezugsdefekten. Sonst sauberes Exemplar. Prachtvolle Postinkunabel. Erste Ausgabe des 16. Jahrhunderts. Zweiter Druck durch Kesler, dort erstmals 1496 erschienen.First 16th century edition, scarce. Minor worming at either end, tears to title, else a crisp copy in blindstamped pigskin over wooden boards with 2 catches, 1 clasp missing, dustsoiled and a bit worn. .Für Schweizer Kunden kommen noch 2,4 % MWST hinzu. Our books are stored in our warehouse, not in the shop. Please notify beforehand, if you want to visit and see a specific book. VD 16, G 3132; Stockmeyer-Reber 64; nicht bei der BL und bei Adams. [Attributes: First Edition; Hard Cover]
      [Bookseller: Harteveld Rare Books Ltd.]
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Olivier Maillard
Sermoes De Advetu
      Etienne Guignard 1503 - Tall 8vo (8x5.5") 22 Nov 1503. Lyon. Etienne Guignard. 356pp (x2) All edges bright gilt. Large margins. General title in red & black, trimmed around text block and laid down (NAT). Minor marks. An exceptional copy, crisp and clean. Appears unused. 18th cent French calf with richly gilt spine. Binding rubbed. Not in Adams. Maillard was a celebrated French orator. Died in 1505 [Attributes: Hard Cover]
      [Bookseller: Butler Rare Books]
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[Hutten, Ulrich von, Humanist
Eigenh. Brief mit U. ("Frowin von Hutten").
      [Landshut (?)], [16. XII.] 1503. 1 S. 4to. Mit e. Adresse (Faltbrief). An Graf Wilhelm IV. von Henneberg-Schleusingen betr. eines diplomatischen Auftrages, geschrieben am Vorabend des Landshuter Erbfolgekrieges mit Erwähnung der Söldnerwerbung für Herzog Albrecht IV. von Bayern: "[...] ewer gnad haben mir Hans Fuxen halb schreiben laßsen | in aller unthertenigkeit hab ich gelesen und wil den jhen schreiben mit den ich solcher bestellung halb geredt hab | daß ich mich genzlich vorsehe | sie werden ein fyrzehn dag ein beiddungen haben | wie wol ich weiß daß etlich von Herzogs Albrechst wegen umb dienst ersucht sein | die dann noch auff mein anbringen kein zu sagung gethan haben | deß halb gnediger Herr ist an ewer gnad mein underdenig fleißige bit daß ewer gnad gemelten Hans Fuxen sonderlich schreiben lasßen | weß hie zu mein meinung ist [...] | wollen ewer furstlich gnad mein schreiben gnediglich und baß bedenken [...]". - Zwei Wochen vor diesem Schreiben war Herzog Georg der Reiche von Bayern-Landshut verstorben, um dessen Erbe dann der Landshuter Erbfolgekrieg (1503 bis 05) zwischen Albrecht IV. und Ruprecht von der Pfalz entbrennen sollte; dessen Ergebnis war die Vereinigung von Ober- und Niederbayern. - Am 13. Dezember war in Landshut der noch von Georg einberufene Landtag eröffnet worden; Wilhelm von Henneberg gehörte zur pfälzischen Kriegspartei, die er auch mit eigenen Truppen unterstützte. - Papierbedingt etwas gebräunt, die Adreßseite mit kleinen Siegel- und Montagespuren, insgesamt sehr wohlerhalten. Von größter Seltenheit.
      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
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NOSTRADAMUS MICHEL
Propheties . dont il y en a trois cens qui n'ont iamais esté imprimees; trouves en une bibliotecque laissee par l'Autheur. Nouvelle edition, d'après un exemplaire trouvé dans la bibliotheque du célèbre Pascal. Avec la vie de l'Auteur. A Paris, chez les Merchands de Nouveautés, s.a. (ma fine Settecento/primi Ottocento)
      - Cm. 13,5, pp. 252. Leg. del tempo in piena pelle con titoli su tass. e fregi in oro al dorso. Piccola mancanza alla parte alta del dorso, carte di guardia mancanti, sporadiche fioriture. Esemplare nel complesso ben conservato. Opera principale del medico ed astrologo francese Michel de Nostredame (1503-1566). Rara edizione (che include 12 centurie), non rintracciata nelle principali biblioteche italiane ed europee presenti on-line. (S32)
      [Bookseller: Studio Bibliografico Apuleio]
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Varchi, Benedetto.
La prima parte delle Lezzioni di M. Benedetto Varchi. Nella quale si tratta della Natura, della Generazione del corpo humano, e de' MOSTRI. Lette da Lui pubblicamente nella Accademia Fiorentina.
      16° (cm. 17) leg. settecentesca in cart. decorato; 140 carte (pp. 280): forellini di tarlo al margine inferiore bianco; macchietta d'inchiostro nero ha rosicchiato, minimamente, i tagli di alcune carte; stampa sbiadita ad una pagina, ma buon esemplare. Raro. Benedetto Varchi nacque a Firenze nel 1503 da un'importante famiglia originaria di Montevarchi. Primeggiò nello studio e nella composizione latina. Ancora adolescente frequentò gli "Orti oricellari", dove ricevette le attenzioni dell'ormai vecchio Machi
      [Bookseller: Libreria Ai Due Santi Ai Due Santi Libre]
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OVIDIUS PUBLIUS NASO
FASTORUM. LIBRI VI. / DE TRISTIBUS. LIBRI V. DE PONTO. LIBRI IIII. VENETIIS IN ALDI ROMANI ACADEMEI, MENSE IANUARIO 1502 D VENETIIS IN ACADEMIA ALDI MENSE FEBR. 1503.
      In 8vo, legatura novecentesca in marocchino bruno, ad imitazione antica, con dorso a nervetti, ricchi fregi in oro, motivi geometrici in oro e titoli in oro al centro dei piatti; cc. 204 nn., con due colophon, il primo dei quali al verso dell'ultima c. dei OFastorumO', con marca tipografica, il secondo al recto dell'ultima c. (204), al verso della quale si trova la marca tipografica. Caratteri corsivi, chiose marginali di mano coeva in elegante grafia, manine sui margini di varie cc. Buon esemplare. Timbro al frontespizio: OEx Libris F. M. Des JardinsO'. Renouard, pag. 38. La raccolta delle opere di Ovidio si completa con il volume contenente le OMetamorfosiO', pubblicato da Aldo nell'ottobre del 1502.
      [Bookseller: Libreria DOCET - Bologna - Italy]
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Hutten, Ulrich von, Humanist
Eigenh. Brief mit U. ("Frowin von Hutten").
      [Landshut (?)], [16. XII.] 1503. - 1 S. 4to. Mit e. Adresse (Faltbrief). An Graf Wilhelm IV. von Henneberg-Schleusingen betr. eines diplomatischen Auftrages, geschrieben am Vorabend des Landshuter Erbfolgekrieges mit Erwähnung der Söldnerwerbung für Herzog Albrecht IV. von Bayern: "[.] ewer gnad haben mir Hans Fuxen halb schreiben laßsen | in aller unthertenigkeit hab ich gelesen und wil den jhen schreiben mit den ich solcher bestellung halb geredt hab | daß ich mich genzlich vorsehe | sie werden ein fyrzehn dag ein beiddungen haben | wie wol ich weiß daß etlich von Herzogs Albrechst wegen umb dienst ersucht sein | die dann noch auff mein anbringen kein zu sagung gethan haben | deß halb gnediger Herr ist an ewer gnad mein underdenig fleißige bit daß ewer gnad gemelten Hans Fuxen sonderlich schreiben lasßen | weß hie zu mein meinung ist [.] | wollen ewer furstlich gnad mein schreiben gnediglich und baß bedenken [.]". - Zwei Wochen vor diesem Schreiben war Herzog Georg der Reiche von Bayern-Landshut verstorben, um dessen Erbe dann der Landshuter Erbfolgekrieg (1503 bis 05) zwischen Albrecht IV. und Ruprecht von der Pfalz entbrennen sollte; dessen Ergebnis war die Vereinigung von Ober- und Niederbayern. - Am 13. Dezember war in Landshut der noch von Georg einberufene Landtag eröffnet worden; Wilhelm von Henneberg gehörte zur pfälzischen Kriegspartei, die er auch mit eigenen Truppen unterstützte. - Papierbedingt etwas gebräunt, die Adreßseite mit kleinen Siegel- und Montagespuren, insgesamt sehr wohlerhalten. Von größter Seltenheit.
      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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Missale Romanum. - Canon:
Canon sacratissime misse. vna cum Expositione eiusde(me). vbi in primis premittit pulchra contemplatio ante missam habenda de Cristi pulcritudine [.]. -
      (Nürnberg, Hieronymus Höltzel, 22.Dez. 1503.) - kl.4°. 20 nn.Bl. das letzte weiß. Mit einigen Holzschnitt-Initialen. Das fehlende 1. Blatt mit altem Papier ersetzt: Titel und rückseit. Holzschnitt vorzüglich reproduziert, nur etwas blasser als der Orig.-Druck. Broschur aus Buntpapier des 18. Jahrhunderts. - Sauberes Exemplar mit relativ breiten Rändern (ca. 1,5-meit 2 cm). Proctor 10973. VD 16, M 5521 mit Nachweis von 2 Expln. (München u. Wolfenbüttel), jeweils "19 Bl.", d.h. ohne das bei uns vorhandene letzte leere Bl., der Lage E. Laut VD 16 stammt der Kommentar von "Balthasar aus Geyer" (?); als zutreffend konnten wir nur den Philosophen und Theologen Franciscus Balthasar aus Meißen ermitteln, der lediglich bei Jöcher I mit einer Kurzbiographie und unserem Titel ohne Jahr erwähnt ist ("lebte noch 1498"). - Zum Drucker, aus dessen Werkstatt 1500-1525 mindestens 85 Drucke hervorgingen, vgl. Benzing , S. 352. Der anonyme, ganzseitige - bei uns nach dem Wolfenbütteler, dezent kolorierten Expl. reproduzierte - Holzschnitte im Format ca. 17,5x12,5 cm ist als "von künstlerischem Interesse" ausführlich beschrieben bei Muther, Dt. Bücherillustration I, 1163, und zwar nur nach einer weiteren Verwendung bei Höltzel vom Jahre 1506 in J. Andrea s "Arbor consanguineitatis". Er zeigt "in noch alterthümlich strengem [d.h. gotischem] Stile" den Heiligen Hieronymus mit seinem Löwen, zum Crucifix betend, in einer Landschaft mit Baum, im Hintergrund eine vieltürmige Stadtansicht. 200g [Attributes: Soft Cover]
      [Bookseller: Antiquariat Carl Wegner]
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Dürer, Albrecht (1471-1528)
The Flight Into Egypt
      Albrecht Durer 1503 - AN EXQUISITE WOODCUT FROM ALBRECHT DURER'S GROUNDBREAKING LIFE OF THE VIRGIN SERIES Woodcut ca. 1503 Literature: Bartsch, Le peintre graveur, 89; Meder, Dürer-Katalog, 201, after text; Troyen, Life of the Virgin This exquisite woodcut entitled, "Flight into Egypt," was originally produced for Albrecht Dürer's famed Life of the Virgin cycle. Dürer began assembling the works for the series in 1501, publishing the first complete edition of it in 1511. Life of the Virgin ultimately contained 19 woodcuts by Dürer and a Latin text supplied by Benedictus Chelidonius. The series as a whole and this woodcut in particular marvelously demonstrate Dürer's unparalleled skills as a graphic artist. Indeed, this lush work, which remains in superb condition, beautifully demonstrates Dürer's exemplary and crisp modeling skills, keen awareness of human psychology, and consummate understanding of the Italianate one-point perspective system. The scene depicted in this woodcut portrays an event mentioned only briefly in the Bible. Artists from antiquity through to the Renaissance, however, worked steadily to patch together a more complete narrative of the life of the Virgin Mary, a narrative which served as the female corollary to the life of Christ. The life of the Virgin Mary constituted one of the most favored subject matter amongst Renaissance artists. Not only did it inspire southern artists like the Bellinis, Mantegna and Pollainolo, but also northern artists like Schongauer and Master LCz. While art historians have noted the influence such artists had on Dürer's Life of the Virgin series, Dürer, nevertheless, managed to make the subject matter entirely his own. In this woodcut the Virgin Mary, cradling her young son, is pictured riding sidesaddle and with her back turned towards the viewer. In contrast, Joseph's body is oriented towards the viewer as he escorts Mary's mule along a forest path leading to the edges of the right side of the composition. Nevertheless, Dürer formally and psychologically unified the two figures by having Joseph glance back towards the face of his fragile wife. Surrounding the Holy Family are a number of eye-catching elements, including lizards, a stag, putti, an ox, and a distinctly northern landscape. Indeed, scholars frequently refer to Dürer's treatment of the life of the Virgin narratives as a "vernacularization of the Virgin." Mary, Joseph and the Christ Child are all seen swathed in the garb of German peasants and it would appear that the date palm is the only element in the woodcut not native to Northern Europe. Though Dürer added a number of personal flourishes to his depiction of the Virgin Mary's flight into Egypt, he makes use of classical iconography as well. The palm tree situated on the left side of the composition, for example, references a much-depicted legend in the life of the Virgin narrative. In it, the Christ Child commands the date palm to "bow down" so that his hungry parents can access its fruits. Likewise, the stream located at the bottom right of the composition most probably denotes the body of water that miraculously appeared in order to satisfy Mary's thirst during her arduous trek to the dusty lands of Egypt. The Holy Family embarked on the journey in hopes of escaping the clutches of the murderous King Herod. Dürer, a German painter, engraver, and theoretician, was born in Nuremberg to a goldsmith father. Prior to 1494, he traveled to Colmbar, Basel, Strasbourg and, most significantly, Italy. Dürer's artistic uniqueness resulted from both his keen, and some would say "Northern," sense of observation for realistic detail and his development of a rational system of perspective and bodily proportions. Indeed, in this woodcut Dürer also does a masterful job of representing figures moving through the landscape in a convincing manner. Though art historians frequently praise Dürer's penetrating self-portraits and visually astounding altarpieces, the humanist artist is perhaps best remembere
      [Bookseller: W. Graham Arader III gallery]
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MARTINUS [Strepus].
La Cronique martiniane de tous les papes qui furent iamais et finist iusques au pape Alexa[n]dre derrenier decede mil cinq cens et trios, et avecques ce les additio[n]s de plusiers croniqueurs.
      Paris: [?Couteau for] A. Verard, [c. 1503]. FIRST EDITION. 2 vols, folio. ff. (vi) CLXXXII; (viii)CCLI-CCCCII [but complete, cf. Brunet]. Double column, lettre Bâtarde. Vol I: Rubricated, 4, 6, and 8 line initials in red and red and blue, pages ruled in red, pretty woodcut initials, many white on black in several series, intricate anthropomorphic woodcut initial 'L' on title. Narrow oil stain affecting margins of two leaves and text of last leaf, a few minor repairs to gutters not affecting text, the odd oil spot. Vol II: Calligraphic and anthropomorphic initials in several styles, large woodcut printer's device at end. Title in 19th century excellent printed facsimile, subsequent leaf very slightly browned with neat old repair to outer margin not touching text, four leaves with repairs at gutter, last leaf laid down and outer margin restored, the odd minor or marginal spot, occasional very small wormtracks (just touching one or two letters of text), light small marginal dampstain, two leaves at end repaired at foredge. Very good clean, wide margined copies, vol II even a little wider, in matching French crushed olive morocco richly gilt, PROBABLY FROM THE WORKSHOP OF MACE RUETTE, c. 1620, covers and spines with repeating geometric pattern of gilt swirls and sequins, within gilt-tooled frames, fleurons at corners, spines in seven compartments, lettered in two, a.e.g. Minor repairs at head and foot of spines and some corners, one sympathetic repair to small lack in lower corner of upper cover of vol II . Vol I: 'A Claude Fauchet' in C16th hand in upper blank margin of title, 'Claude de montperlier Marie guiot' in early C17th hand in blank portion below, 'DAVAUCOURT' [i.e. d'Avaugourt, Dukes of Brittany] giltstamped on binding of both volumes , their 17th (?) century ownership stamp with monogram and coronet on t-p., early 19th-c bookseller's notes on fly, tiny stamped monogram (c1900) in lower blank portion of title, Early 19th-c silvered armorial label 'J.G.' inside upper cover. Vol II: almost identical binding to vol I, slight variation in size and detail of tools 'Davaucourt' stamped in lower spine compartment, occasional contemporary marginalia. Claude Fauchet's magnificent copy of this grand French chronicle and history of the popes in a stunning early 17th-century binding for the Dukes of Brittany probably from the workshop of Macé Ruette, one volume rubricated in a contemporary hand. The chronicle in its present form was assembled from the chronicle of Martin Polonus (d. 1278), which ends in 1277 with the burial of John XXI. It was continued up to Urban V (1362) by Echard Verneron (Canon of Liege), and then in the second volume from the texts of 'plusiers croniqueurs', who include: Jean de Troyes, Gaguin, Jean de Montreuil and Jean Castel. Volume I remains an important source for the history of the Avignonese papacy. The second volume comprises a history of France in the period from 1399 to 1503, including the collapse (c. 1500) of the Parisian bridge where Verard' shop was located, forcing him to move to the address we find in the colophon of vol II and giving us a date ante qua non for the production of the work. The second volume is also an important historical document, for the later periods of the Hundred Years War, from the high point of the English conquest right up to their expulsion from the whole of France except Calais. Martinus was Martin Strebski, born in Troppau, a Dominican friar, papal chaplain and penitentiary under Clement IV and succeeding popes, and finally archbishop of Gnesen. His 'Chronica Pontiicum et Imperatorum' is a history of the world, and was "the favourite handbook of the later Middle Ages" (Catholic Encyclopaedia). It enjoyed a broad readership and tremendous popularity. His chronicle includes a version of the (mythical) story of the female Pope, 'Pope Joan', and it is here that that name is first used. Martinus tells the story that after Leo IV (847-55) the Englishman John of Mainz occupied the papal chair two years, seven months and four days. He was, it is alleged, a woman. Taken as a girl to Athens in male clothes by her lover, she made such progress in learning that she was without equal. She came to Rome, where she taught science, and thereby attracted the attention of learned men. She enjoyed the greatest respect on account of her conduct and erudition, and was finally chosen as Pope, but having become pregnant by one of her attendants ('mais Durant sa papalite elle fust engrossie de son familier'), she gave birth to a child during a procession, afterwards dying almost immediately. Claude Fauchet (1530-1601) was a famous French historian, with a celebrated library. Gröber calls him "the man who founded the study of medieval French literature". Forced during civil strife in 1589 to quit Paris with other supporters of Henri III, he nonetheless managed to salvage a portion of his library of some 2,000 volumes and take it with him when seeking refuge in Provence. However, the rest of his library was seized and dispersed by the troops of the Duc de Mayenne, and his house near Montfort-l'Amaury was pillaged. The present volumes appear to have been united in the early 1600s (at the time of the present bindings) and may have come from different sources. It is quite possible therefore that the second volume was not Fauchet's. He was himself a prolific chronicler, publishing the 'Recueil des Antiquitez gauloises et françoises' in 1581, as well as a literary scholar, with his ' Recueil de l'Origine de la Langue et Poesie Françoise'. Manuscripts from his library are now concentrated in the Vatican and French National Libraries. The present work does not appear in the (necessarily partial) list of books in his library compiled by Holmes and Radoff. Macé Ruette was the Paris-based 'Relieur ordinaire du Roy', working from 1606 to 1638. He was the father of Anthoine Ruette, also a bookseller and 'Relieur ordinaire du Roy', and in his exquisite bindings (in the BL) we see the use of the unusual and elegant type of pointillé tool remarkably similar to the one used here. Although more simple than most of his other, elaborate and masterful fanfare bindings, the effect is nonetheless undiminished. This tool was also used by Anthoine, but on grounds of date we can attribute the binding to the circle of Macé rather than Anthoine. Macé is also credited as being the inventor of marbled paper, which has been used for the endpapers of this book. BM STC Fr., p. 305; Fairfax-Murray French, 362; Brunet III, 1504; Graesse IV, p. 431; not in Mortimer French or Tchemerzine; see Gruel I, plate after p. 160 and G.D. Hobson, Fanfare Bindings 1935. Very rare: no copies in RLG or Vatican Library; one copy only in COPAC (the BL copy) and four in the BNF, two copies only sold at auction in the last 25 years.
      [Bookseller: Sokol Books Ltd.]
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Archimede - Campano da Novara -
Tetragonismus idest circuli quadratura per Campanum Archimedem Syracusanum atque Boetium mathematicae perspicacissimos adinuenta.
      matematica 28 agosto 1503, Venezia - In-4° (199x142 mm), 32 c. Al frontespizio grande silografia raffigurante Archimede, in basso la marca tipografica dei Sessa; numerose figure geometriche nel testo e alcune iniziali istoriate. Legatura della fine del XIX secolo in marocchino rosso, ai piatti stemma e monogramma di Sir William Stirling Maxwell, dorso a due nervi con titolo in oro, tagli dorati. Provenienza: Sir William Stirling Maxwell (ex libris al contropiatto); Lathorp-Harper; Pierre Berès. Ottimo esemplare, un piccolo difetto della carta tocca la numerazione della terza carta, l’angolo bianco della diciottesima carta è stato rifatto. Lievi abrasioni alle cerniere. Prima edizione in latino del De mensura circuli e del De quadratura parabolae di Archimede; se eccettuaimo gli estratti pubblicati da Giorgio Valla nel suo De expetendis et fugientibus rebus (Venezia 1501), si tratta della prima apparizione a stampa di un testo in latino di Archimede. Il De mensura circuli contiene la famosa determinazione del rapporto fra la circonferenza e il diametro di un cerchio che noi oggi indichiamo con p, notazione peraltro mai usata né da Archimede né da alcun altro matematico greco. Per calcolare questo rapporto Archimede parte da un esagono regolare iscritto all’interno della circonferenza, quindi determina i perimetri dei poligoni ottenuti raddoppiando successivamente i lati fino a raggiungere il numero di novantasei. «Il procedimento iterativo da lui usato per questi poligoni si ricollegava a quello che viene talvolta chiamato l’algoritmo archimedeo. Si sviluppa la serie Pn, pn, P2n, p2n, P4n, p4n ove Pn e pn sono i perimetri dei poligoni regolari di n lati circoscritti e inscritti. A partire dal terzo termine si calcola ogni termine in base ai due termini precedenti prendendo alternativamente le loro medie armonica e geometrica. Il suo metodo per calcolare le radici quadrate, per trovare il perimetro dell’esagono circoscritto e per calcolare le medie geometriche era simile a quello usato dai babilonesi. Il risultato del calcolo archimedeo relativo alla circonferenza era costituito da una approssimazione al valore di p espressa dalla diseguaglianza 310/71< p <310/70, che era un valore migliore di quello ottenuto dagli egiziani e dai babilonesi. » (C.B. Boyer, Storia della matematica, Milano 1990, pp. 143-153.) Sempre nel De mensura circuli è contenuta la dimostrazione, ottenuta attraverso il metodo di esaustione, un antecedente greco del moderno calcolo integrale, del teorema secondo cui l’area del cerchio è eguale a quella di un triangolo rettangolo che abbia per lati la circonferenza e il raggio di quello stesso cerchio. Nel preambolo del De quadratura parabolae troviamo enunciato l’assioma di Archimede che sostanzialmente coincide con quello di esaustione già utilizzato da Eudosso per dimostre teoremi concernenti le aree e i volumi delle figure curvilinee: «l’eccesso per cui la maggiore di due aree diseguali supera la minore può, se sommato a se stesso, diventare superiore a qualsiasi area». Questo assioma elimina l’infinitesimo fisso che era stato oggetto di molte discussioni al tempo di Platone. Archimede fornisce poi la dimostrazione della quadratura della parabola, e cioè del calcolo dell’area di una parabola o di una parte di essa, la sezione conica.Nonostante le sezioni coniche fossero note all’epoca di Archimede da quasi un secolo nessuno era riuscito a determinarne l’area. Archimede, utilizzando il metodo di esaustione dimostra che l’area di un segmento parabolico è uguale a quattro terzi dell’area di un triangolo avente la stessa base e eguale altezza. Questa edizione è stata curata da Luca Gaurico che aggiunse ai due trattati di Archimede due altri testi sullo stesso argomento uno di Campano da Novara, il celebre traduttore e commentatore di Euclide, l’altro di Severino Boezio. Riccardi I 40; DSB III 23-29; Sander 1574; Essling 1388.
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BENZI, Ugo, da Siena (Hugo
Expositio aphorismos Hypocratis & super commentum Galieni eius interpretis. [Colophon:] Venetus [Venice]: impressus mandato & sumptibus Octaviani Scoti per Bonetum Locatellum, 1498. [Bound with:]Aurea as omnesque egritudines Consilia noviter correcta & ad optimum ordinem redacta additis multis pri[or] non i[m]pressis eiusdem nuper inventis nonnullisque aliis utillissimis consiliis.
      [Colophon:] Venetus [Venice]: aut sumptu ac expensis heredum Octaviani Scoti per Bonetum de Locatellis, 1503. - 2 works in 1 volume, folio. I: 159 + (1) leaves. II: 88 leaves. Double column, white-on-black woodcut initials, printer’s device on last leaves. Minor dampstaining in first few leaves, minor worming in margin of a few leaves, some slight foxing, generally excellent copies. Seventeenth century vellum, sometime rebacked, upper corners restored, ties missing. Galletti library stamp in lower margin of A2, bookplate on front pastedown. Some annotations in the margins in an early, legible hand (mostly cropped by the later binder). Second edition of Benzi’s commentary on Hippocrates and Galen, together with the third and definitive edition of his consilia. These are the first Venetian printings of these texts, "a magnificent monument of the printer’s art, notable for the care with which text-lemmata, commentary proper, and catch-words of quaestiones are set in three or four fonts easily distinguishable one from another " (Lockwood). Benzi’s commentary on Hippocrates was circulated in manuscript at Parma, where he taught between 1412 and 1416, and first printed in 1493. Medieval physicians of Benzi’s standing wrote commentaries on the main classical and Arabic teaching texts to show their academic proficiency. His commentary on the aphorisms of Hippocrates (which includes commentary on Galen’s commentary on Hippocrates) was the best known and most highly regarded of his works during his lifetime. The writing of "Consilia", or case-books, was a salient feature of clinical medicine in the fourteenth and fifteenth centuries. They consisted of letters of advice and clinical records from the practice of well-known physicians, and were the first mediaeval reports of medical cases which are preserved in an intelligible form. Garrison (p. 167) considers that Benzi’s Consilia, numbering 111 in this definitive edition, are among the most important to be written. His earliest dated consilium is from 1420, and the latest from 1438. They were not the first to be printed, but were preceded by those of only three other physicians. They constitute a clinical history arranged under subjects which include the general preservation of health, the head, the eyes, the nose, the tongue, the mouth, the heart, the lungs, the stomach and intestines, the kidneys and bladder, the uterus, the skin, fevers, and baths. Klebs 1002.2; BMC V, 450; Cushing 164; Osler 171; Celli, Bibliografia Hipocrática, 354 (for the Expositio). See Stillwell III, 308 and 300; also Lockwood, Ugo Benzi, medieval philosopher and physician, 1376–1439, (1951).
      [Bookseller: Nigel Phillips ABA ILAB]
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Petrarca Francesco ant 80
Librorum Francisci Petrarche impressorum annotatio
      Venetiis per Simonem Papiensem Bivilaquam 1503 - Vita Petrarche edita per Hieronymum Squarzaficum Alexandrinum. Epistole rerum senilium. Item epistole (.) eiusdem poete. De ignorantia suiipsius et multorum . Un volume in buonissimo stato di conservazione (fatta eccezione per i gravi difetti alla legatura). Contiene alcuni tra i più importanti componimenti in prosa e in poesia del P., in particolare le Epistole senili, le E. familiari, l?Africa, il Bucolicum Carmen, il De vita solitaria ecc. Dal confronto con la segnatura mancano le cc.: C1,8; E4,5; G4,5; O3,4,5,6; V4,5; X4,5; a4,5; b2,3,4,5,6,7, k2,7; y2,3,6,7. Strappo al taglio davanti dell occhietto, tagli bruniti in modo variabile, ma mai grave. Contiene anche il Bucolicum Carmen commentato da Benvenuto da Imola, con occhietto e colophon (in questo leggiamo "per me Marcum horigono de Venet. ." e la data, evidentemente errata, 1416). Gore di umido alle ultime cento carte circa. Per richiedere immagini dettagliate vi preghiamo di conttare la nostra libreria
      [Bookseller: Vallerini Andrea Libreria Antiquaria]
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The Book of Hours of Bonaparte Ghislieri (Fine Facsimile Illuminated Edition)
      Franco Cosimo Panini. New This highly sophisticated Book of Hours was produced in 1503 at the behest of Bonaparte Ghislieri, a member of an important Bolognese family. In commissioning this codex Ghislieri wanted to bring together several of the most famous artists of the period, each one of whom was called upon to create a full-page miniature. The intention was to offer a sort of miniature anthology of the best that the Bologna school of illumination could produce in those years. We thus see a succession of works by the likes of Amico Aspertini with his Adoration of the Shepherds, Perugino with his Saint Sebastian, Costa with King David and his Lyre, Francia with his Saint Jerome and, probably, Matteo da Milano, to whom the Annunciation is attributed. The admirable decoration forming the borders of the miniatures should also be mentioned, abounding in classical references, with several clear borrowings from the decoration of the Domus Aurea. Bologna was also the home of the scribe, Pierantonio Sallando, who taught grammar at the University of Bologna and was to become a famous professor of writing. The codex passed from the Ghislieris to the Albani family of Urbino, where it is documented in the eighteenth century; the following century it reached England, where it was purchased by Henry Yates Thompson in 1897. Since 1941 it has been kept in the British Library. Description of the work: o An unabridged reproduction of the codex cataloged as Yates Thompson Ms 29 in the British Library in London. O The volume is composed of 274 pages, 145 x 207 mm. O It is printed with a unique system featuring the use of powdered gold. O The binding has been done entirely by hand. O The cover is in kidskin featuring gold embossing applied dry. O Intarsia featuring intertwined floral motifs with gold impression applied under heat and other colors bonded to silk satin in various hues. O Two mountings in gold-plated silver with semi-precious stones in both the cover plates. O In the center of the front place...
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Solinus, Caius Julius
Solinus de memorabilibus Mundi accuratissime recognitus et indicio alphabetico annotatus
      J. Lambert [1503?], Paris - 4to (19 x 12.5 cm), [1], xxxviii, [2] leaves plus a blank at end. Printer's woodcut device on title-page with border. 19th century half morocco & mottled boards, spine lettered in gilt, raised bands. Soiling to title-page, creases to first four leaves and to lower corners of about half the contents, light dampstaining to lower portion of some of the leaves, early ink name to lower margin of title, old inscription to verso of last leaf (a blank), else very good. Rare early 16th century printing of this popular geographical treatise which was widely used in schools and universities from medieval times through the 16th century. Written by Solinus around the third century A.D., and revised in the sixth century, the work was based largely on Pliny's Natural History and Mela's Cosmographia. There are descriptions of numerous parts of Europe and Asia, as well as North Africa, with facts about their origins, history, customs and products. The description of the British Isles speaks of the absence of snakes in Ireland. This is one of three undated Paris editions edited by Jodicus Badius, all of which have the dedication dated 15 July 1503, though the actual date of publication might be sometime over the succeeding decade. [Attributes: Signed Copy; Hard Cover]
      [Bookseller: Hudson Street Books]
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Estienne, R. Edited by.]
Biblia. R. Stephanus Lectori., En tibi Biblioru[m] vulgata editio, in qua iuxta Hebraicorum versuum rationem singula capita versibus distincta sunt, numeris praefixis, qui versuum numeris quos in Concordantiis nostris nouis & integris, post literas marginales A B C D E F G addidimus, respondent: vt quaerendi molestia leueris, quum tibi tanquam digito, quod quaeris demonstrabunt.
      [Geneva]: Oliua Roberta Stephani, M. D. LV. Badius, Conrad, d. , [printer]. Estienne, Robert, 1503?-1559 [printer]., 1555, 1562 - Octavo, 167x107mm. In a modern tan calf binding. Four raised bands on spine, which is sunned. Title, printer and date of publication gilt in the compartments; raised bands gilt-outlined with gilt decoration at inner edge of boards where the raised bands and boards meet. Inner gilt roll with floral motifs. All edges washed red. Marbled end-papers. Modern bookplate of Ranulph Brocas Hunter (by Sidney Hunt) on verso of front free end-paper. [11], 303, [1], 74, [2] leaves. Signatures: *8,**4, a-z8, aa-pp8, A-I8, K4 (leaf pp8 blank). Printer's device on the title-page with motto: 'Noli altum sapere'; ownership inscription at head of title-page 'Ex libris E. Harrold 1779' with 'Ex dono Joh: Shelton. Acm' below. Minor repair to lower foredge margin of *5 and *6 without loss. Colophon, sig. K4 recto: Excudebat Roberto Stephano | Conradus Badius, anno M.D. | LV. VIII. idus Aprilis. Close trimmed at foredge, just touching marginal notes in some places. Printed in double columns, with references, variants, and section letters in the margins. The beginning of each verse is marked by a paragraph, followed by its number. Darlow & Moule, 6135: 'R. Stephanus' third octavo edition, the text in which follows the folio editions of 1538-40 and 1546 This is generally considered to be the earliest Latin Bible to exhibit R. Stephanus' division of the text into numbered verses; the text, however, is not broken up, but printed in solid columns'. Adams B1051. A very good example of this early Vulgate Bible. Crisp, clean and tight. (Digital photographs may be available on request.)
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EURIPIDES.
Tragœdiæ Septendecim, ex quib quædam habent commentaria & sunt hae.
      (Venetiis [Venice]: Apud Aldum Mense Februario 1503. Editio princeps, first collected edition, volume I only (of 2), 8vo, 268 leaves. Press device to the final page, one leaf (A5) with a small hole and resultant loss of text, some light spotting, minor worming to the inner margin of some leaves, small marginal stain to the lower margins of the final 30 leaves, fly leaf with three 19th century owner’s signatures, including that of J.A. Symonds, as well as S.M’s, pieces of 13th century English legal manuscript used for endpapers. Old calf, over which a 19th century black morocco chemise has been fitted, covers with a period style gilt interlace design, lower cover with the name stamp of the Catholic writer Leslie A. St. L. Toke and “Ball. [ie Balliol] Coll. Oxford”, some wear to spine ends and edges. The first printing of all of Euripides’ eighteen extant tragedies, although this volume contains only ten - Hecuba, Orestes, The Phoenician Women, Medea, Hippolytus, Alcestis, Andromache, The Suppliants, Iphigenia in Tauris and Iphigenia in Aulis. The last (along with Aeschylus and Sophocles) of the three great Athenian tragedians, he changed the traditional structure to include more women and slaves, satirizing the many heroic characters and focusing on the inner lives of his subjects in a previously unknown way. John Addington Symonds, 1840-1893, Author and Essayist. His signature is suffixed “Ball. Coll. Nov./59” (shortly before he gained a double first in Classics) and the further two 19th century inscriptions also have Oxford College notations. Adams E1030. Brunet II 1095-6. Preceded only by a Florentine edition of 1496 which contained four of the plays.
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HEGIUS, Alexander.
Dialogi.
      Deventer, R. Pafraet, 1503, Dec. 31th. - 4to. Boards. Large blue painted initial, rubricated throughout. (85) lvs. Deventer post-incunable with the Latin dialogues by Alexander Hegius (1420-1498), a pupil of Rudolph Agricola, and since 1469 rector of the famous Deventer "Illustre school". His erudition attracted many pupils, among whom Erasmus, Murmellius, Herman Busschius, Henricus Agricola, Johannes Caesarius and Herman Torrentinus. Under Hegius's direction the Deventer school soon counted over 2200 pupils. He was an advocate of the study of the Greek language for a better knowledge of the New Testament. His works were published after his death by one of his pupils, Jacobus Faber. The present edition contains a preface by Aldus Manutius, dated 1501. It is nicely printed, in a small `bâtarde', ca. 40 lines to a page, and rubricated. Good copy.- (Spine dam.; title and last lf. sl. soiled; small ms. label mounted on lower margin of first text leaf; sl. waterst.; last blank lacking). Nijhoff-Kronenberg 1042. [Attributes: Hard Cover]
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CORDOBA (Alfonso de);
Tabule Astronomice Elisabeth Regine.
      Venise Pierre Lichtenstein 28 déc. 1503 Grand in-8 de 52 ff. ; veau blond, dos à nerfs orné, triple filet doré encadrant les plats, dentelle intérieure, tranches dorées (Petit succr de Simier). Edition originale rare. Elle est imprimée en caractères gothiques et on trouve au dernier feuillet la marque typographique bicolore de Lichtenstein représentant deux sphères armillaires, surmontées d'un cimier, lui-même surmonté d'une sphère armillaire. On ne sait d'Alfonso de Cordoba que ce qui est indiqué dans ses ouvrages, qu'il était originaire de Séville et Docteur ès Arts et Médecine. Actif entre 1470 et 1517, il fut astronome du roi de Portugal et médecin du cardinal Borgia. Il édita à venise en 1496 l'Almanach perpetuum celestium d'Abraham Zacuto paru la même année au Portugal. De cet ouvrage, qui a sans doute servi de modèle à Cordoba, ont été tirées les tables astronomiques utilisées par Vasco de Gama. Les tables de Cordoba, dédiées à Isabelle la Catholique et Ferdinand d'Aragon, sont calculées à partir du méridieen de Séville. Très bel exemplaire. Ex-libris Paul Helbronner. Adams, C-2622 ; Houzeau-Lancaster, 12712 ; Palau, 61824 ; Honeyman, 760 ; Toda Y G¥ell, 1339.
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EURIPIDE
Euripidis tragoediae septendecim
      Venetiis, 1503. 2 volumes reliés en 1 in-8, plein veau havane, roulette dorée autour des plats, doslisse refait, pièce de titre originale conservée, tranches jaspées. Reliure du XVIIIè siècle. 170 x 104 mm. "PREMIÈRE ET RARE ÉDITION D'EURIPIDE, DONT IL N'AVAIT ENCORE ÉTÉ IMPRIMÉ QUE QUATRE TRAGÉDIES VERS 1496 À FLORENCE". Renouard, 43/10. Adams, E 1036. EXEMPLAIRE A BELLES MARGES DE CETTE PRECIEUSE ORIGINALE.
      [Bookseller: Librairie Patrick Sourget]
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Libro de Horas de Carlos V. Biblioteca Nacional de España, Cod. Vitr. 24-3. Edición de tirada única de 565 ejemplares certificados. .poca: Siglo XVI (c. 1503.).
      Madrid: Biblioteca Nacional de España / Club Bibliófilos Versol Editores, 1999. 4to. 320 a página completa y 3 a doble página. Libro de estudio: Comentarios y Estudio del Texto y las Miniaturas. Autores: Julián Martín Abad, Anna Muntada, Elisa Varela y Francisco M. Gimeno Blay. Miniaturas: 320. Casi todas a página completa y tres a doble página. Encuadernación artesanal. Piel natural sobre tabla y cantoneras metálicas. Perfecto estado.
      [Bookseller: Librer'a Antonio Castro]
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LES CONTENANCES DE LA TABLE.
      [Lyons, Pierre Mareschal & Bernabé Chaussard, c. 1503]. Small 4to, ff. [4], with large woodcut letter 'L', and with woodcut printer's device on title; the first leaf with section of outer margin restored (not affecting text); lightly washed; traces of central, horizontal fold-marks; late 19th-century red crushed morocco, by Lortic. AN EXTRAORDINARY SURVIVAL: A PRECIOUS BOOKLET WITH INSTRUCTIONS ON BEHAVIOUR, MORALS AND TABLE MANNERS FOR CHILDREN, written in verse for easy memorizing in best medieval tradition The copy offered here shows faint signs of earlier folding, indicating it may have been intended as a hand-out, which would account for its extreme rarity today. This is one of several editions printed by Pierre Mareschal and Bernabé Chaussard.

'Issued a few decades after the invention of printing, this French rhymed treatise on table manners is a courtesy book addressed to children of humble as well as noble rank. It has been argued that this is the first printed book (apart from elementary Latin grammars) intended to be read specifically by children. The unknown author of Les Contenances offers his advice in the form of quatrains, each beginning "Enfant ..."' (Pierpont Morgan Library, Early Children's Books and their Illustration p. 32).

'Contenances de table ... sont appelées de ce nom de courtes pièces de vers qui énoncent les règles de la bonne tenue à table (c'est un thème de composition très répandue à la fin du Moyen Âge) et qui, de ce fait, contiennent de précieux renseignements sur la vie privée de ce temps. S'inspirant de poèmes latins médiévaux comme le Liber Faceti, De curialitatibus in mensa conservandis, le Modus cenandi, ces textes sont au nombre de trois: le premier, de soixante vers octosylabiques, composé à la fin du XIIIe, recommande en particulier de penser aux pauvres, de s'essuyer les lèvres avant de boire (il n'y a souvent qu'un verre pour toute la table), de ne pas tremper son morceau de viande dans la salière, de se laver les mains après le repas (la fourchette est encore inconnue) ...; le second, de quarante-sept distiques, dérive du précédent (il mentione la serviette); le troisième, écrit au XVe, comporte trente-sept quatrains que suit une ballade; il emprunte beaucoup au poème no 2, qu'il dilue et amplifie' (Dictionnaire des Lettres Françaises, Le Moyen Age, p. 330). The printed Contenances offered here are of the third version, written in thirty-seven quatrains, and ending with a ballad. Anonymously published, they may originate from the same author, as La doctrine du pere au fils, Le doctrinal d's nouveaux mariez, Le doctrinal des filles, and La voye d'padis. These four opuscules, similar in style, and with the same woodcut printer's device on the title, are found bound together in a Sammelband preserved in the Bibliothèque Impériale.

Enfant se tu es ung yvroigne
Par trop boire il est deshonneste
Et si en as mal en ta teste
Et puis apres honte et vergoigne...

Enfant ce test chose honteuse
Se tu as serviete ou drap
De boire dedans ton hanap
La bouche toute orde et baveuse

Much sought after since the time of publication, a facsimile edition, limited to 35 copies - one printed on vellum - was published in 12mo by Bulmer and Co. for the Roxburghe Club in 1816. Another facsimile, limited to 20 copies, was published in Paris, c. 1850, with a copy being offered in Pierre Berès's catalogue Nourritures of 1991 for Ff 8000.

Baudrier XI 483 (listing a copy at Fribourg); Brunet II 244; Cat. Firmin Didot, 1879, 219; Vicaire 207-8; although ISTC provides several entries, the earliest there being described as 'Lyons, Printer of the Complainte de l'âme damnée, about 1485-90', no certain sequence of editions - none are dated - has been established. A total of six copies - none in the British Library - of the various Paris and Lyons printings are recorded in ISTC: two at Chantilly, two at the Bibliothèque Nationale, Paris, one at the Bodleian Library, Oxford, and one at the Bayerische Staatsbibliothek, Munich; the only American location is Pierpont Morgan Library, New York (the only known copy of the first edition: see Fairfax Murray 106).
      [Bookseller: Bernard Quaritch Ltd.]

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VINDEL, FRANCISCO
I. MAPAS DE AMERICA EN LOS LIBROS ESPANOLES DE LOS SIGLOS XVI AL XVIII (1503-1798). II. MAPAS DE AMERICA Y FILIPINAS EN LOS LIBROS ESPANOLES DE LOS SIGLOS XVI AL XVIII. APENDICE A LOS DE AMERICA; ADICION A LOS DE FILIPINAS
      [Reedicion limitada y numerada de lujo de este famoso libro, tomando como base las ediciones de 1955 y 1959, de las que conserva integramente el texto y las reproducciones].- Madrid: Ministerio de Asuntos Exteriores, 1991.- 2 Vols. (525; 170 pp.): con profusion de mapas, portadas y colofones de libros en color; in folio (34 x 24 cm.); gran papel verjurado; Enc. en Media Piel marron con camisas en papel pergamino, lomera lisa y planos o tapas decorados con mapas facsimiles, estuche forrado en moire de seda en color marfil con la cabeza y pie en piel marron con rueda dorada en los bordes.- Edicion numerada de 1000 ejemplares siendo estos el 351 (Tomo 1) y el 410 (Tomo 2). El papel es el verjurado SVECIA ANTIQUA fabricado por Svecia Antiqua Ltd. con los metodos tradicionales de 1777, en color CHAMOIS tono marfil amarillento. En esta edicion se han incluido a todo color las reproducciones, utilizando para ello las impresiones antiguas originales de mapas y libros, a diferencia de las de 1955 y 1959 que solo iban en negro y algunas en negro y rojo. Solamente cuando no ha sido posible obtener los documentos originales, se han reproducido los mapas de estas anteriores ediciones de Vindel tal y como estaban. BELLISIMA EDICION DE LUJO.*
      [Bookseller: Libreria Miguel MIRANDA - Madrid - Spain]
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Pius II [Piccolomini, Aeneas
[Historia Bohemica] [...] Epistola ad Leonardum Arretinum de morte Hieronymi Hus Bohemi [...]
      Venetiis [Venice] per Bernardinum Venetum de Vitalibus 1503 [16th December].. 4to., 80 leaves, signed [aa-uu]4. Without the final gathering comprising the second part. Covers ruled in gilt with blind-tooled inner border of foliage, inner margins of covers of a lighter colour, spine in six compartments, all gilt-ruled, with gilt D and ducal coronet (Devonshire) at top, gilt sides, dentelles in blind, covers a bit scratched, sympathetically repaired, new red morocco gilt label. All edges yellow. Chatsworth bookplate. Stamp on title-page of H. Cavendish. First post-incunable edition, overall the third (located) of the history of Bohemia of Pope Pius II (1405-1464) (see bibliography). It was issued also with a gathering after the colophon, containing a letter from Poggio Bracciolini to Leonardo Aretino. This part is advertised on the title-page and found in the Cambridge (Adams) copy, although it does not appear in the foliation given on the Italian online census. It is not present here. It is worth bearing in mind that it was common practice in incunable publishing (observable elsewhere in Bernardino de Vitalibus's surviving output) to produce books in separable parts. This important history, begun the summer before the Pope's election in 1458 and finished by the time of his death, describes the Hussite wars (1420-1434) and subsequent events into the reign of Pius's contemporary George Podiebrad (reigned 1458-1471), with whom he clashed over the issue of Hussitism. Pius visited the kingdom as an ambassador for the Emperor Frederick III in 1451. In the sixteenth century Pius's history was a popular account of Bohemia. A copy from the Chatsworth library of the Dukes of Devonshire. Adams P 1337 (Cambridge University Library). Zibrt II 1195 (recording three prior incunable editions, cf. the two in ISTC). Rare. COPAC lists a copy in BL; WorldCat gives Ambassador University Library, Texas. A set of works by Pius in Princeton seems to be lacking this part..
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STELLA GIOVANNI.
VITA ROMANORUM IMPERATORUM. VENEZIA, BERNARDINO VITALI, 1503. 1503
      "In-4; 32 cc.; legatura moderna in tutta pergamena antica. Grande figura xilografica al frontespizio (imperatore assiso sul trono con ai lati due paggi e lo stemma dell'aquila a due teste). Bell'esemplare con alcune antiche sottolineature e note marginali in rosso." Prima edizione. L'autore, sacerdote a S. Maria Formosa in Venezia, dopo aver composto questo agile ma esaustivo prontuario, che parte da Giulio Cesare per arrivare a Massimiliano d'Asburgo, non privo di curiosita' e di interessanti osservazioni storico-politiche, scrisse pure una raccolta di biografie di tutti i pontefici, stampata sempre da Bernardino Vitali nel 1505. Di particolare pregio la grande xilografia giustamente valorizzata dallo Essling. Essling 1390 (e si veda la riproduzione alla tav. 88). Sander 7073.
      [Bookseller: Libreria Antiquaria MEDIOLANUM - Milano ]
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ARCHIMEDES / BOETHIUS / CAMPANO DA
Tetragonismus id est circuli quadratura per Cãpanu, Archimede Syracusanu atqz boetium mathematicae perspicacissimos adinuenta.
      Venice Ioan. Bapti. Sessa 1503 First Latin edition of De Mensura Circuli and De Quadratura Parabolae, containing Archimedes’ application of the method of exhaustion (the early form of integration) and the earliest theoretical calculation of pi; apart from Valla’s excerpts of 1501, the first printed Latin texts of Archimedes (Rose, p. 50).
      [Bookseller: Martayan Lan, Inc.]
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Pius II [Piccolomini, Aeneas
[Historia Bohemica] [...] Epistola ad Leonardum Arretinum de morte Hieronymi Hus Bohemi [...]
      Venetiis [Venice] per Bernardinum Venetum de Vitalibus 1503 [16th December].. 4to., 80 leaves, signed [aa-uu]4. Without the final gathering comprising the second part. Covers ruled in gilt with blind-tooled inner border of foliage, inner margins of covers of a lighter colour, spine in six compartments, all gilt-ruled, with gilt D and ducal coronet (Devonshire) at top, gilt sides, dentelles in blind, covers a bit scratched, sympathetically repaired, new red morocco gilt label. All edges yellow. Chatsworth bookplate. Stamp on title-page of H. Cavendish. First post-incunable edition, overall the third (located) of the history of Bohemia of Pope Pius II (1405-1464) (see bibliography). It was issued also with a gathering after the colophon, containing a letter from Poggio Bracciolini to Leonardo Aretino. This part is advertised on the title-page and found in the Cambridge (Adams) copy, although it does not appear in the foliation given on the Italian online census. It is not present here. It is worth bearing in mind that it was common practice in incunable publishing (observable elsewhere in Bernardino de Vitalibus's surviving output) to produce books in separable parts. This important history, begun the summer before the Pope's election in 1458 and finished by the time of his death, describes the Hussite wars (1420-1434) and subsequent events into the reign of Pius's contemporary George Podiebrad (reigned 1458-1471), with whom he clashed over the issue of Hussitism. Pius visited the kingdom as an ambassador for the Emperor Frederick III in 1451. In the sixteenth century Pius's history was a popular account of Bohemia. A copy from the Chatsworth library of the Dukes of Devonshire. Adams P 1337 (Cambridge University Library). Zibrt II 1195 (recording three prior incunable editions, cf. the two in ISTC). Rare. COPAC lists a copy in BL; WorldCat gives Ambassador University Library, Texas. A set of works by Pius in Princeton seems to be lacking this part..
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LUCIANUS
OPERA (GRAECE). ICONES PHILOSTRATI..
      Eiusdem Heroica, Vitae Sophistarum, Icones iunioris. Descriptiones Callistrati. (p. 449:) Venetiis, in aedibus Aldi mense Feb. M.DIII, (in fine:) mense Iunio, (1503), in-folio, pp. (2), 571, (2), legatura francese della seconda meta' del XVIII secolo in marocchino verde oliva, filetti e bordura stilizzata impressi in oro ai piatti, al centro dei quali venne aggiunta da Ridge e Storr per volonta' di J.H. Thorold l'ancora aldina tra 1824 e 1831. Prima edizione aldina, e seconda assoluta, che segue la rarissima originale di Francesco Alopa del 1496, delle opere di Luciano di Samosata (II sec.d.C.), tra i piu' complessi e raffinati scrittori in lingua greca. Sebbene non sia considerata tra le piu' corrette edizioni aldine, rimane una splendida elegante impressione di un testo assai affascinante. Ha la caratteristica di essere il primo impresso da Aldo che presenti la numerazione delle pagine, recto e verso, in alto al centro. L'opera di Luciano termina alla p. 447 ed e' seguita dagli scritti di Filostrato e Callistrato in edizioni originali. Ancora aldina al tit., latino e greco, e piu' grande entro riquadro in fine. Bell'esemplare, molto marginoso e genuino, completo e immune dalle censure che spesso si trovano negli altri esemplari: l'Indice usava sopprimere il "de morte Peregrini" (p. 386) ed il dialogo "Philopatris" (p. 436), oppure eliminare le pag. 385-392 e 435-440; (lievi aloni al primo e all'ultimo f.).Illustre provenienza: Syston Park library, Thorold: "The Syston Park library had ben started, about 1785, by Sir J. Thorold...his son, Sir John Hayford Thorold, was truly a great collector. From 1824, till his death, he built up in an incredibily short time, a beautiful collection of incunabula and Aldines" (SEYMOUR DE RICCI, pp. 159-160). Adams L-1602. Dibdin II, 190: ""It exhibits in some places a purer text than the Florentine edition, although, upon the whole, it is not so accurate"". Renouard p.39, n.3: "imprimee sur un papier d'une beaute parfaite". Laurenziana 75. STC 396. Venetiae/Bizantium 17.
      [Bookseller: Libreria Antiquaria PREGLIASCO - Torino ]
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PLATINA (SACCHI BARTOLOMEO).
DE HONESTE VOLUPTATE ET VALITUDINE. VEL DE OBSONIIS E ARTE COQUINARIA LIBRI DECEM. VENEZIA, GIOVANNI TACUINO DA TRINO, 1503
      in-4 antico, ccnn 87 (compresa lultima bianca), bella leg. ottocentesca p. pelle blu con tit. oro al d. e filetto in oro ai piatti, dentelles. Risguardi in carta marmorizz. Tagli dorati. Graziosi e gr. capilett. in legno. Pregevole edizione e la prima cinquecentesca di uno dei piu' noti e ricercati testi di gastronomia dellA.(1421-1481) originario di Piadena, vicino a Cremona, e che per molti anni soggiorno' a Roma al seguito di Francesco Gonzaga a Roma. Tratta della qualita' dei cibi, delle proprieta' di alcuni, esponendo anche le ricette e abbinando le vivande ai condimenti nelle diverse occasioni. Per la prima volta compaiono abbinamenti con spezie particoli e dal gusto forte, il cinnamonio, il coriandolo, il ginger. Nei 10 capitoli tratta dei formaggi, olii e aceti, frutti e verdure, farine e derivati, pesci, carni, con ricette per frittelle, torte, etc... Nel capitolo finale capitolo tratta anche dei vini. Iccu 34375 registra solo 3 esemplari di questa edizione nelle biblioteche italiane. Paleari, 381. Manca a Bing, Simon, Vicaire e Westbury. Oberle' p. 48 segg. per notizie sullA., non cita questa ediz. Ottimo esempl., marginoso e fresco: unica menda la pagine di tit. legg. sporca. [389]
      [Bookseller: Libreria SCRIPTORIUM - Mantova - Italy]
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SCOT (SCOTUS), Michael (? - ca.
Liber Phisionomie. - (Colophon:)
      Venezia, Sessa, 1503 4to. Contemp. blind-stamped calf, rebacked and extremities repaired. Largewoodcut on title, 2 woodcut initials and printer's device at beginning and end. (32) ff.; neatly washed and one leaf misbound. Very rare edition of a noteworthy book in the history of science (first edn.: 1477). It is the only medical treatise which can be definitely ascribed to the Scottish philosopher, alchemist and astrologer. He was one of the great scholars of the 13th century and scientific adviser to Emperor Frederick II. The first section contains a detailed treatise on the process of generation with anatomical and physiological information on obstetrics and sexual behaviour. Books II and III contain the Physionomia proper, the signs of complexion and the meaning of every detail of the human body, from hair to feet, including the teeth. Cf. DSB IX,, 361 and Thorndike II, 307-337. Essling, 1597, Sander, 6908 and Durling, 4163 quote a Sessa edn. of 1508 with the same woodcut; this edn. not in BL STC, Adams, and Wellcome.
      [Bookseller: Libreria Antiquaria C.E. Rappaport]
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BENZI, Ugo, da Siena (Hugo
Expositio…aphorismos Hypocratis & super commentum Galieni eius interpretis. [Colophon:] Venetus [Venice]: impressus mandato & sumptibus…Octaviani Scoti…per Bonetum Locatellum, 1498. [Bound with:] Aurea as omnesque egritudines…Consilia noviter correcta & ad optimum ordinem redacta additis multis pri[or] non i[m]pressis eiusdem nuper inventis nonnullisque aliis utillissimis consiliis.
      [Colophon:] Venetus [Venice]: aut sumptu ac expensis heredum…Octaviani Scoti…per Bonetum de Locatellis, 1503. 2 works in 1 volume, folio. I: 159 + (1) leaves. II: 88 leaves. Double column, white-on-black woodcut initials, printer’s device on last leaves. Minor dampstaining in first few leaves, minor worming in margin of a few leaves, some slight foxing, generally excellent copies. Seventeenth century vellum, sometime rebacked, upper corners restored, ties missing. Galletti library stamp in lower margin of A2, bookplate on front pastedown. Some annotations in the margins in an early, legible hand (mostly cropped by the later binder). Second edition of Benzi’s commentary on Hippocrates and Galen, together with the third and definitive edition of his consilia. These are the first Venetian printings of these texts, “a magnificent monument of the printer’s art, notable for the care with which text-lemmata, commentary proper, and catch-words of quaestiones are set in three or four fonts easily distinguishable one from another…” (Lockwood). Benzi’s commentary on Hippocrates was circulated in manuscript at Parma, where he taught between 1412 and 1416, and first printed in 1493. Medieval physicians of Benzi’s standing wrote commentaries on the main classical and Arabic teaching texts to show their academic proficiency. His commentary on the aphorisms of Hippocrates (which includes commentary on Galen’s commentary on Hippocrates) was the best known and most highly regarded of his works during his lifetime. The writing of “Consilia”, or case-books, was a salient feature of clinical medicine in the fourteenth and fifteenth centuries. They consisted of letters of advice and clinical records from the practice of well-known physicians, and were the first mediaeval reports of medical cases which are preserved in an intelligible form. Garrison (p. 167) considers that Benzi’s Consilia, numbering 111 in this definitive edition, are among the most important to be written. His earliest dated consilium is from 1420, and the latest from 1438. They were not the first to be printed, but were preceded by those of only three other physicians. They constitute a clinical history arranged under subjects which include the general preservation of health, the head, the eyes, the nose, the tongue, the mouth, the heart, the lungs, the stomach and intestines, the kidneys and bladder, the uterus, the skin, fevers, and baths. Klebs 1002.2; BMC V, 450; Cushing 164; Osler 171; Celli, Bibliografia Hipocrática, 354 (for the Expositio). See Stillwell III, 308 and 300; also Lockwood, Ugo Benzi, medieval philosopher and physician, 1376–1439, (1951).
      [Bookseller: Nigel Phillips]
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Johannes Chrysostomus.
Opera. (Bd. I: Accipe candidissime lector opera Diui Joannis chrisostomi archiepiscopi constantinopolitani). 6 Tle. in 6 Bdn.
      Venedig, Bernardinus Stagninus & Gregorius de Gregoriis, 9. Febr. 1503.. Fol. Mit zahlr. Hzschn.-Init. u. einer Druckermarke, im 2. Bd. (= 6. Tl.) die Kapitelüberschrift in Rot gedruckt. Mod. Hldr.-Bde. mit gepr. Rtitel.. Panzer VIII, 358, 163. Graesse II, 151 ("4 part. en 2 vol. - edition tres rare").- Sehr seltene, hier mit 6 Teilen in 6 Bänden vollständige, offenbar erste Gesamtausgabe der Werke des Heiligen Chrysostomus. Mit Widmungsbrief des Korrektors Thomas Ianuensis de Valerano; als Übersetzer sind genannt Anianus Celedensis, Franciscus Accoltus, Ambrosius Traversarius, Mutianus Scholasticus und Girolamo Donati. (Kollation: Bd. I/Tl. 1: 1 (statt 10; 9 verbunden) nn. Bll., 62 num. Bll.- Bd. I/Tl. 2: 104 num. Bll.- Bd. I/Tl. 3: 140 num. Bll.- Bd. II/Tl.1: 184 num. Bll.- Bd. II/Tl. 2: 117 num. Bll., 1 w. Bl., 25 nn. Bll. (diese Bll. verbunden. 9 Bll. gehören zu Bd. I/Tl. 1. 16 Bll. gehören zu Bd. II/Tl. 1).- Bd. II/Tl. 3: 168 (recte 169) num. Bll.- Erhaltungszustand Bd. I/Tl. 1: Titelbll. u. 2 weitere Bll. stark läd. u. Fehlstellen im Rand ergänzt (jedoch nur minimaler Buchstabenverlust), oben wasserrandig, stellenw. etw. braunfleckig.- Bd. I/Tl. II: bei 1 Bl. im Rand kl. Fehlstelle ergänzt, vereinzelt gering fleckig, sonst zumeist eher in gutem Erhaltungszustand.- Bd. I/Tl. 3: bei 2 Bll. im Rand kl. Fehlstellen ergänzt, vereinzelt gering fleckig, sonst zumeist eher in gutem Erhaltungszustand.- Bd. II/ Tl. 1: bei 1 Bl. im Rand kl. Fehlstelle ergänzt, stellenw. braun- u. fingerfleckig, oben gering wasserrandig.- Bd. II/Tl. 2: letztes Bl. stark. läd. u. Fehlstellen im Rand ergänzt, stellenw. braun- u. fingerfleckig, gegen Ende wasserrandig.- Bd. II/Tl. 3: bei 1 Bl. im Rand kl. Fehlstelle ergänzt, stellenw. etw. braunfleckig, gegen Ende wasserrandig.- Bei allen Teilen stellenw. zeitgenöss. hs. Anmerkungen u. Anstreichungen.- Johannes von Antiochien (* 349 oder 344; 14. September 407 in Comana Pontica) war Patriarch von Konstantinopel und gilt als einer der größten christlichen Prediger. Im 6. Jahrhundert wurde ihm der Name Chrysostomos beigelegt, (v. griech.: "Goldmund"), unter dem er heute bekannt ist. In den östlich-orthodoxen Kirchen wird er seit dem 10. Jahrhundert als einer der drei heiligen Hierarchen verehrt, zusammen mit Basilius dem Großen und Gregor von Nazianz. Für die Katholische Kirche ist er einer der vier Kirchenlehrer des Ostens (zusammen mit Athanasius von Alexandria, und den erwähnten Basilius und Gregor). Er war für seine Begabung in der öffentlichen Rede wie auch wegen seines Auftretens gegen den Missbrauch der kirchlichen und staatlichen Autorität bekannt. Er wurde als Asket verehrt. Umstritten sind seine massiv negativen Äußerungen über Juden in seinen frühesten erhaltenen Predigten.
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PETRARCA,Francesco.
Opera Latina.Bucolicum carmen..cum commneto Benvenuti imolensis.
      Due parti in un volume in 2° ( 305x205 mm ).Caratteri semigotici al titolo della prima opera,poi lettere romane,una o due colonne,61-62 linee,alla carta a5 all'inizio del De Rebus Familiaribus,grande cornice architettonica,ripresa,con leggere varianti,dal Venezia,Simon Bevilaqua,e Venezia,Marco Origono 1503-1496 ? neolatin Rebus bibliografico.L'Opera latina è sottoscritta e datata 1503,mentre il Bucolicum Carmen ha in fine una sottoscrizione data 1416 certamente errore per 1496.L'ipotesi più accreditata è quella che Marco Origono,che come stampatore avrebbe impresso soltant
      [Bookseller: Studio Bibliografico Pampaloni]
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