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Displayed below are some recent viaLibri matches for books published in 1469
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By D. Iancu-Agou
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| Juifs Et Néophytes En Provence L'Exemple D'Aix À Travers Le Destin De Régine Abram De Draguignan (1469-1525), Préface De G. Duby
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Peeters Publishers. Le cheminement d'une jeune juive de Draguignan unie en 1469 à un Juif aixois et qui, convertie et remariée peu après, s'installe pour de nombreuses décennies dans la société chrétienne aixoise, a permis d'observer ses contemporains: sa parenté issue des milieux de médecins juifs provençaux, ses anciens coreligionnaires vivant une fin de XVième siècle précaire dans le Comté français, et ses «semblables» néophytes ayant embrassé plus ou moins tôt le christianisme. individuel féminin, suivi sur un demi-siècle, s'articule autour du phénomène et de la typologie des conversions en Provence: abandons du judaïsme spontanés, «forcés», individuels, collectifs; ou inhérents à l'expulsion, dernier recours vers 1500 d'une partie (la moitié environ) des communautés en déroute. individus identifiés avec anciens et nouveaux noms), mutations professionnelles, familiales, formes extérieures de dévotion, comportements en réseaux, solidarités de groupe, regard des autres (Peeters 2001). 9789042909687. Paperback.
[Bookseller: Alibris] |
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STADLER, Daniel.
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| Tractatus de Duello Honoris Vindice ad Theologiae, et Juris Principia Examinatio. Ingelstad - Würzburg, J.F.X. Crätz - Th. Summer, 1751. 4to. Title-page printed in red and black, full-page engraved frontispiece and engraved headpiece, many woodcut tailpieces. Contemporary blind-stamped pigskin binding, with floral rolls, brass catches, blue edges.
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- (30), 464 pp. De Backer-Sommervogel VI, col. 1469. Attractive copy this study of duels with special attention for judicial aspects. The author basically rejects a duel in favour of solving conflicts in court, but allows it under three conditions: grave offence, serious damage, and blatant miscarriage of justice. Stadler's apparent approval of duels under certain circumstances brought him in conflict with Pope Benedict XIV, who "ayant condamné trois propositions favorables au duel, des PP. Reiffenstuel, Sporer et Milante, deux desquelees le P. Stadler avait aussi soutenues, celui-ci lui écrivit pour prouver qu'il ne les soutenait pas. Le Pape lui répondit, par un bref, du 3 mars 1753, que son ouvrage n'avait pas été nommé dans la condamnation" (De Backer-Sommervogel). Several small corrosion spots, good copy in attractive binding.
[Bookseller: ASHER Rare Books] |
| 2. Check availability: AbeBooks
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1378 Première version des Philippiques
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| Sarthe. Un franc-archer assure la protection de la fabrique de Sargé-sur-Braye.
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Nombre de document : 1 Parchemin 15 x 26 cm. 11/11/1469 brunissures, sceau plaqué de cire brune manquant. Accord passé entre la fabrique de la paroisse Saint-Martin de Sargé-sur-Braye et Colin Hochedé, franc-archer de ladite paroisse. La fabrique, représentée par ses procureurs, Jean Janvier l’Ancien et Jean du Couldray, doit payer à son franc-archer, pour sa protection, la somme de 40 sous tournois, «tant pour salade, gantelez, gorgery, arbaleste, trect, aucton et aultres habillemens qui luy soyent necessaires». En français et latin Nombre de page : 34
[Bookseller: Traces écrites] |
| 4. Check availability: ILAB
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Ripelin Von Strassburg Hugo
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| COMPENDIUM THEOLOGICAE VERITATIS (erroneamente attribuito ad ALBERTO MAGNO), Venetiis, Rampazzettum Antonium, 1588
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- cm. 8 x 12, bella legatura seicentesca mz, perg. con titolo in oro su tassello al dorso, pp.765 (2)+ 22 di indici. Sulla prima pagina bianca manoscritti a pennino degli antichi lettori che sottolineano l'attribuzione a UGO RIPELIN (1200-1210/1268) di quest'opera straordinaria e fondamentale, che prese a modello il relativo "Breviloquium di San Bonaventura". Firme anche al frontespizio. Buon esemplare con piccoli tarli alle sole ultime pagine. L'opera viene stampata per la prima volta nel 1469 a Norimberga con il nome di ALBERTUS MAGNUS, e poi numerose volte ripresentata. La nostra è una buona cinquecentina, ben conservata ed i sette libri sono commentati da Serafino Capponi da Porretta (Bo).
[Bookseller: Ferraguti service s.a.s. - Rivisteria] |
| 5. Check availability: AbeBooks
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Cartan, Henri.- Remmert, R./Serrre,
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| Oeuvres. Collected Works. 3 Volumes.Springer Berlin, 1979,
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- 1469 S. m. 3 Porträts, Originalleinen mit Schutzumschlag (original cloth with dustjacket), Hardcover,wie neu (like new). ISBN 3-540-09189-0 Lexikon bedeut.Math., S. 93. Cartan, Henri (Paul) (1904-2008) Sohn von Elie C., Prof. in Caen, Straßburg u. an der Ecole Normale Sup. in Paris, gehörte ab 1935 etwa 20 Jahre zu dem Kollektiv 'Nicolas Bourbaki', seit 1975 Mitglied der Académie des Sciences in Paris. Seine Hauptarbeitsgebiete sind die Funktionentheorie, die Algebra und die algebraische Topologie. [Attributes: Hard Cover]
[Bookseller: Dr. Martin Saendig GmbH] |
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René 1er 1409 1480
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| Le roi René s'adresse au bailli de Bar.
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- Nombre de document : 1 Vélin 27 x 36 cm 11/12/1469 Sceau manquant. bon Mandement du roi René, duc de Bar et de Lorraine, relatif à une plainte de l'abbé Saint-Vincent de Metz envers les officiers du duché de Bar, «luy empeschant et occupant la justice et juridiction du lieu de Dugney [Dugny-sur-Meuse] et d'anciens villaiges déppendant d'iceluy, aussy plusieurs anciens droiz appartenans audit suppliant à cause de ladite abbaye [.]». Duc d'Anjou, de Bar et de Lorraine, comte de Provence, roi de Naples et de Sicile.
[Bookseller: Traces Ecrites] |
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LIVIUS, Titus and Lucius
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| Von Ankunfft unnd Ursprung des Römischen Reichs, .(colophon: Strasbourg, Theodosius Rihel, 1574). Small folio. With title printed in red and black in an elaborate woodcut frame by Tobias Stimmer; Rihel's printer's mark (13 x 10 cm); 131 examples of 66 woodcuts by Stimmer and others (10.5 x 14.5 cm); dozens of large (48 mm) and small gothic initial letters. Contemporary elaborately blind-tooled sheepskin parchment, painted in red, green, white and yellow, and gilt; blind-tooled board edges and turn-ins; gilt and gauffered edges with red and uncoloured decorations; headbands in green, yellow and white; signed "H" probably Caspar Hornheffers in Augsburg.
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- (28), 887, (23), (2 blank) pp. Chrisman, Bibl. Strasbourg Imprints A.2.13A; Karlsruhe Virt. Kat. (5 copies); Ritter, Cat. Bib. Mun. Strasbourg 1384; Ritter, Cat. Bib. Nat. & U. Strasbourg III, 1375; not in Adams, OCLC WorldCat. FIRST STRASBOURG EDITION of the best German translation of Livius's classic history of Rome, beautifully illustrated with a new series of woodcuts by Tobias Stimmer and others and in a splendid contemporary binding probably by Caspar Horneffers in Augsburg. The numerous woodcuts illustrate a wide variety of events and scenes from Roman history, each in a frame, with scrollwork, figures, animals and mythical beasts, fruits and vegetables, armour and weapons, etc. Most are initialed, many by Bernard Jobin after Tobias Stimmer and others by Christoph Maurer and Christoffel van Sichem.Titus Livius (59 B.C.-A.D. 17) is known primarily for his great history of Rome, already printed as early as 1469 and published in German in 1505. The present translation by Zacharias Müntzer, first published at Frankfurt in 1568, quickly established itself as the standard and was reprinted many times. Rihel not only adorned it with beautiful woodcuts, but also printed it exquisitely with a wide variety of fine fraktur types and with roman and Greek types by the great French master Robert Granjon.The binding has large arabesque scrollwork stamps in the centres of the boards, that on the back possibly a stylized Augsburg pinecone. The cornerpieces are also scrollwork arabesques, and that used for the lower left and upper right corners on both boards appears to be initialled HG (its mirror image used for the other corners is unsigned). The space around the central stamps is filled with *-shaped stamps and the whole surrounded by a frame of rolls. Additional rolls occupy the compartments on the spine. The watermarks in the endleaves are very close to Briquet 2122 (1568-1581), and Briquet's note after number 2123 suggests that papers with its merchant's mark (inside the shield at the foot) come from Augsburg. In fact, the present mark has the form of the Augsburg coat of arms, but with a bunch of grapes occupying the position of the pinecone. In general style, the present binding resembles one made ca. 1579 by Caspar Horneffers at Augsburg (active 1564-1595), illustrated in Schunke, Die Einbände der Palatina, plate CL.In very good condition and with very large margins, with two tears repaired, slightly affecting one woodcut and the text of one leaf; a few transparent brown stains slightly affecting two woodcuts and the text on a few leaves; a tiny hole affecting two words of the text; and very minor marginal wormholes in a few leaves, not approaching the woodcuts or text. Binding very good, with the hinges and board edges worn and a few minor stains and wormholes. A classic history of Rome, beautifully illustrated and in a splendid contemporary initialled binding.
[Bookseller: ASHER Rare Books] |
| 8. Check availability: AbeBooks
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Ripelin Von Strassburg Hugo
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| COMPENDIUM THEOLOGICAE VERITATIS (erroneamente attribuito ad ALBERTO MAGNO), Venetiis, Rampazzettum Antonium, 1588
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- cm. 8 x 12, bella legatura seicentesca mz, perg. con titolo in oro su tassello al dorso, pp.765 (2)+ 22 di indici. Sulla prima pagina bianca manoscritti a pennino degli antichi lettori che sottolineano l'attribuzione a UGO RIPELIN (1200-1210/1268) di quest'opera straordinaria e fondamentale, che prese a modello il relativo "Breviloquium di San Bonaventura". Firme anche al frontespizio. Buon esemplare con piccoli tarli alle sole ultime pagine. L'opera viene stampata per la prima volta nel 1469 a Norimberga con il nome di ALBERTUS MAGNUS, e poi numerose volte ripresentata. La nostra è una buona cinquecentina, ben conservata ed i sette libri sono commentati da Serafino Capponi da Porretta (Bo).
[Bookseller: Ferraguti service s.a.s. - Rivisteria] |
| 9. Check availability: AbeBooks
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STADLER, Daniel.
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| Tractatus de Duello Honoris Vindice ad Theologiae, et Juris Principia Examinatio. Ingelstad - Würzburg, J.F.X. Crätz - Th. Summer, 1751. 4to. Title-page printed in red and black, full-page engraved frontispiece and engraved headpiece, many woodcut tailpieces. Contemporary blind-stamped pigskin binding, with floral rolls, brass catches, blue edges.
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- (30), 464 pp. De Backer-Sommervogel VI, col. 1469. Attractive copy this study of duels with special attention for judicial aspects. The author basically rejects a duel in favour of solving conflicts in court, but allows it under three conditions: grave offence, serious damage, and blatant miscarriage of justice. Stadler's apparent approval of duels under certain circumstances brought him in conflict with Pope Benedict XIV, who "ayant condamné trois propositions favorables au duel, des PP. Reiffenstuel, Sporer et Milante, deux desquelees le P. Stadler avait aussi soutenues, celui-ci lui écrivit pour prouver qu'il ne les soutenait pas. Le Pape lui répondit, par un bref, du 3 mars 1753, que son ouvrage n'avait pas été nommé dans la condamnation" (De Backer-Sommervogel). Several small corrosion spots, good copy in attractive binding.
[Bookseller: ASHER Rare Books] |
| 10. Check availability: AbeBooks
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[CATALOGUE D'EXPOSITION].
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| Great Exhibition of the Works of Industry of all Nations, 1851. Official descriptive and illustrated catalogue in three volumes. London, William Clowes and Sons, 1851. In-8, percaline bleue illustrée, estampée et dorée, tranches dorées, 1469 pp.
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Dans le premier volume, contient une carte "Geographial view of the great exhibition of 1851. Shewing at one view the relative & territorial distribution of the various localities from whence the raw materials & manufactures contributed to the exhibition have been severally supplied." Le premier et deuxième volumes sont consacrés à la Grande Bretagne ainsi qu'à ses colonies, le troisième volume est quant à lui consacré aux autres pays. Déchirure page 7 de la troisième partie du premier volume, légèrement dérelié, infimes usures au dos et aux mors pour les trois tomes.
[Bookseller: Librairie Chrétien] |
| 11. Check availability: Livre-Rare-Book
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LIVIUS, Titus and Lucius
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| Von Ankunfft unnd Ursprung des Römischen Reichs, ...(colophon: Strasbourg, Theodosius Rihel, 1574). Small folio. With title printed in red and black in an elaborate woodcut frame by Tobias Stimmer; Rihel's printer's mark (13 x 10 cm); 131 examples of 66 woodcuts by Stimmer and others (10.5 x 14.5 cm); dozens of large (48 mm) and small gothic initial letters. Contemporary elaborately blind-tooled sheepskin parchment, painted in red, green, white and yellow, and gilt; blind-tooled board edges and turn-ins; gilt and gauffered edges with red and uncoloured decorations; headbands in green, yello...
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(28), 887, (23), (2 blank) pp. Chrisman, Bibl. Strasbourg Imprints A.2.13A; Karlsruhe Virt. Kat.(5 copies); Ritter, Cat. Bib. Mun. Strasbourg 1384; Ritter, Cat. Bib. Nat. & U. Strasbourg III, 1375; not in Adams, OCLC WorldCat. FIRST STRASBOURG EDITION of the best German translation of Livius's classic history of Rome, beautifully illustrated with a new series of woodcuts by Tobias Stimmer and others and in a splendid contemporary binding probably by Caspar Horneffers in Augsburg. The numerous woodcuts illustrate a wide variety of events and scenes from Roman history, each in a frame, with scrollwork, figures, animals and mythical beasts, fruits and vegetables, armour and weapons, etc. Most are initialed, many by Bernard Jobin after Tobias Stimmer and others by Christoph Maurer and Christoffel van Sichem.Titus Livius (59 B.C.-A.D. 17) is known primarily for his great history of Rome, already printed as early as 1469 and published in German in 1505. The present translation by Zacharias Müntzer, first published at Frankfurt in 1568, quickly established itself as the standard and was reprinted many times. Rihel not only adorned it with beautiful woodcuts, but also printed it exquisitely with a wide variety of fine fraktur types and with roman and Greek types by the great French master Robert Granjon.The binding has large arabesque scrollwork stamps in the centres of the boards, that on the back possibly a stylized Augsburg pinecone. The cornerpieces are also scrollwork arabesques, and that used for the lower left and upper right corners on both boards appears to be initialled HG (its mirror image used for the other corners is unsigned). The space around the central stamps is filled with *-shaped stamps and the whole surrounded by a frame of rolls. Additional rolls occupy the compartments on the spine. The watermarks in the endleaves are very close to Briquet 2122 (1568-1581), and Briquet's note after number 2123 suggests that papers with its merchant's mark (inside the shield at the foot) come from Augsburg. In fact, the present mark has the form of the Augsburg coat of arms, but with a bunch of grapes occupying the position of the pinecone. In general style, the present binding resembles one made ca. 1579 by Caspar Horneffers at Augsburg (active 1564-1595), illustrated in Schunke, Die Einbände der Palatina, plate CL.In very good condition and with very large margins, with two tears repaired, slightly affecting one woodcut and the text of one leaf; a few transparent brown stains slightly affecting two woodcuts and the text on a few leaves; a tiny hole affecting two words of the text; and very minor marginal wormholes in a few leaves, not approaching the woodcuts or text. Binding very good, with the hinges and board edges worn and a few minor stains and wormholes. A classic history of Rome, beautifully illustrated and in a splendid contemporary initialled binding.
[Bookseller: Asher Rare Books (Since 1830)] |
| 12. Check availability: ILAB
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E W Cowell
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| Jataka : Or Stories of the Buddhas Former Births
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AES. New. Contents: Vol. I/translated by Robert Chalmers: Preface. 1. Apannaka-Jataka. 2. Vannupatha-Jataka. 3. Serivanija-Jataka. 4. Cullaka-Setthi-Jataka. 5. Tandulanali-Jataka. 6. Devadhamma-Jataka. 7. Katthahari-Jataka. 8. Gamani-Jataka. 9. Makhadeva-Jataka. 10. Sukhavihari-Jataka. 11. Lakkhana-Jataka. 12. Nigrodhamiga-Jataka. 13. Kandina-Jataka. 14. Vatamiga-Jataka. 15. Kharadiya-Jataka. 16. Tipallatthamiga-Jataka. 17. Maluta-Jataka. 18. Matakabhatta-Jataka. 19. Ayacitabhatta-Jataka. 20. Nalapana-Jataka. 21. Kurunga-Jataka. 22. Kukkura-Jataka. 23. Bhojajaniya-Jataka. 24. Ajanna-Jataka. 25. Tittha-Jataka. 26. Mahilamukha-Jataka. 27. Abhinha-Jataka. 28. Nandivisala-Jataka. 29. Kanha-Jataka. 30. Munika-Jataka. 31. Kulavaka-Jataka. 32. Nacca-Jataka. 33. Sammodamana-Jataka. 34. Maccha-Jataka. 35. Vattaka-Jataka. 36. Sakuna-Jataka. 37. Tittira-Jataka. 38. Baka-Jataka. 39. Nanda-Jataka. 40. Khadirangara-Jataka. 41. Losaka-Jataka. 42. Kapota-Jataka. 43. Veluka-Jataka. 44. Makasa-Jataka. 45. Rohini-Jataka. 46. Aramadusaka-Jataka. 47. Varuni-Jataka. 48. Vedabbha-Jataka. 49. Nakkhatta-Jataka. 50. Dummedha-Jataka. 51. Mahasilava-Jataka. 52. Culajanaka-Jataka. 53. Punnapati-Jataka. 54. Phala-Jataka. 55. Pancavudha-Jataka. 56. Kancanakkhandha-Jataka. 57. Vanarinda-Jataka. 58. Tayodhamma-Jataka. 59. Bherivada-Jataka. 60. Samkhadhamana-Jataka. 61. Asatamanta-Jataka. 62. Andabhuta-Jataka. 63. Takka-Jataka. 64. Durajana-Jataka. 65. Anabhirati-Jataka. 66. Mudulakkhana-Jataka. 67. Ucchanga-Jataka. 68. Saketa-Jataka. 69. Visavanta-Jataka. 70. Kuddala-Jataka. 71. Varana-Jataka. 72. Silavanaga-Jataka. 73. Saccamkira-Jataka. 74. Rukkhadhamma-Jataka. 75. Maccha-Jataka. 76. Asamkiya-Jataka. 77. Mahasupina-Jataka. 78. Illisa-Jataka. 79. Kharassara-Jataka. 80. Bhimasena-Jataka. 81. Surapana-Jataka. 82. Mittavinda-Jataka. 83. Kalakanni-Jataka. 84. Atthassadvara-Jataka. 85. Kimpakka-Jataka. 86. Silavimamsana-Jataka. 87. Mamgala-Jataka. 88. Sarambha-Jataka. 89. Kuhaka-Jataka. 90. Akatannu-Jataka. 91. Litta-Jataka. 92. Mahasara-Jataka. 93. Vissasabhojana-Jataka. 94. Lomahamsa-Jataka. 95. Mahasudassana-Jataka. 96. Telapatta-Jataka. 97. Namasiddhi-Jataka. 98. Kutavanija-Jataka. 99. Parosahassa-Jataka. 100. Asatarupa-Jataka. 101. Parosata-Jataka. 102. Pannika-Jataka. 103. Veri-Jataka. 104. Mittavinda-Jataka. 105. Dubbalakattha-Jataka. 106. Udancani-Jataka. 107. Salittaka-Jataka. 108. Bahiya-Jataka. 109. Kundakapuva-Jataka. 110. Sabbasamharaka-Panha. 111. Gadrabha-Panha. 112. Amaradevi-Panha. 113. Sigala-Jataka. 114. Mitacinti-Jataka. 115. Anusasika-Jataka. 116. Dubbaca-Jataka. 117. Tittira-Jataka. 118. Vattaka-Jataka. 119. Akalaravi-Jataka. 120. Bandhanamokkha-Jataka. 121. Kusanali-Jataka. 122. Dummedha-Jataka. 123. Nangalisa-Jataka. 124. Amba-Jataka. 125. Katahaka-Jataka. 126. Asilakkhana-Jataka. 127. Kalanduka-Jataka. 128. Bilara-Jataka. 129. Aggika-Jataka. 130. Kosiya-Jataka. 131. Asampadana-Jataka. 132. Pancagaru-Jataka. 133. Ghatasana-Jataka. 134. Jhanasodhana-Jataka. 135. Candabha-Jataka. 136. Suvannahamsa-Jataka. 137. Babbu-Jataka. 138. Godha-Jataka. 139. Ubhatobhattha-Jataka. 140. Kaka-Jataka. 141. Godha-Jataka. 142. Sigala-Jataka. 143. Virocana-Jataka. 144. Nanguttha-Jataka. 145. Radha-Jataka. 146. Kaka-Jataka. 147. Puppharatta-Jataka. 148. Sigala-Jataka. 149. Ekapanna-Jataka. 150. Sanjiva-Jataka. Index of proper names.|~|Vol. II/translated by W.H.D. Rouse: 151. Rajovada-Jataka. 152. Sigala-Jataka. 153. Sukara-Jataka. 154. Uraga-Jataka. 155. Gagga-Jataka. 156. Alina-Citta-Jataka. 157. Guna-Jataka. 158. Suhanu-Jataka. 159. Mora-Jataka. 160. Vinilaka-Jataka. 161. Indasamanagotta-Jataka. 162. Santhava-Jataka. 163. Susima-Jataka. 164. Gijjha-Jataka. 165. Nakula-Jataka. 166. Upasalha-Jataka. 167. Samiddhi-Jataka. 168. Sakunagghi-Jataka. 169. Araka-Jataka. 170. Kakantaka-Jataka. 171. Kalyana-Dhamma-Jataka. 172. Daddara-Jataka. 173. Makkata-Jataka. 174. Dubhiya-Makkata-Jataka. 175. Adiccupatthana-Jataka. 176. Kalaya-Mutthi-Jataka. 177. Tinduka-Jataka. 178. Kacchapa-Jataka. 179. Satadhamma-Jataka. 180. Duddada-Jataka. 181. Asadisa-Jataka. 182. Samgamavacara-Jataka. 183. Valodaka-Jataka. 184. Giridanta-Jataka. 185. Anabhirati-Jataka. 186. Dadhi-Vahana-Jataka. 187. Catumatta-Jataka. 188. Sihakotthuka-Jataka. 189. Sihacamma-Jataka. 190. Silanisamsa-Jataka. 191. Ruhaka-Jataka. 192. Siri-Kalakanni-Jataka. 193. Culla-Paduma-Jataka. 194. Manicora-Jataka. 195. Pabbatupatthara-Jataka. 196. Valahassa-Jataka. 197. Mittamitta-Jataka. 198. Radha-Jataka. 199. Gahapati-Jataka. 200. Sadhusila-Jataka. 201. Bandhanagara-Jataka. 202. Keli-Sila-Jataka. 203. Khandha-Vatta-Jataka. 204. Viraka-Jataka. 205. Gangeyya-Jataka. 206. Kurunga-Miga-Jataka. 207. Assaka-Jataka. 208. Sumsumara-Jataka. 209. Kakkara-Jataka. 210. Kandagalaka-Jataka. 211. Somadatta-Jataka. 212. Ucchittha-Bhatta-Jataka. 213. Bharu-Jataka. 214. Punna-Nadi-Jataka. 215. Kacchapa-Jataka. 216. Maccha-Jataka. 217. Seggu-Jataka. 218. Kuta-Vanija-Jataka. 219. Garahita-Jataka. 220. Dhammaddhaja-Jataka. 221. Kasava-Jataka. 222. Cula-Nandiya-Jataka. 223. Puta-Bhatta-Jataka. 224. Kumbhila-Jataka. 225. Khanti-Vannana-Jataka. 226. Kosiya-Jataka. 227. Gutha-Pana-Jataka. 228. Kamanita-Jataka. 229. Palayi-Jataka. 230. Dutiya-Palayi-Jataka. 231. Upahana-Jataka. 232. Vina-Thuna-Jataka. 233. Vikannaka-Jataka. 234. Asitabhu-Jataka. 235. Vaccha-Nakha-Jataka. 236. Baka-Jataka. 237. Saketa-Jataka. 238. Ekapada-Jataka. 239. Harita-Mata-Jataka. 240. Maha-Pingala-Jataka. 241. Sabba-Datha-Jataka. 242. Sunakha-Jataka. 243. Guttila-Jataka. 244. Viticcha-Jataka. 245. Mula-Pariyaya-Jataka. 246. Telovada-Jataka. 247. Padanjali-Jataka. 248. Kimsukopama-Jataka. 249. Salaka-Jataka. 250. Kapi-Jataka. 251. Samkappa-Jataka. 252. Tila-Mutthi-Jataka. 253. Mani-Kantha-Jataka. 254. Kundaka-Kucchi-Sindhava-Jataka. 255. Suka-Jataka. 256. Jarudapana-Jataka. 257. Gamani-Canda-Jataka. 258. Mandhatu-Jataka. 259. Tirita-Vaccha-Jataka. 260. Duta-Jataka. 261. Paduma-Jataka. 262. Mudu-Pani-Jataka. 263. Culla-Palobhana-Jataka. 264. Maha-Panada-Jataka. 265. Khurappa-Jataka. 266. Vatagga-Sindhava-Jataka. 267. Kakkata-Jataka. 268. Arama-Dusa-Jataka. 269. Sujata-Jataka. 270. Uluka-Jataka. 271. Udapana-Dusaka-Jataka. 272. Vyaggha-Jataka. 273. Kacchapa-Jataka. 274. Lola-Jataka. 275. Rucira-Jataka. 276. Kuru-Dhamma-Jataka. 277. Romaka-Jataka. 278. Mahisa-Jataka. 279. Satapatta-Jataka. 280. Puta-Dusaka-Jataka. 281. Abbhantara-Jataka. 282. Seyya-Jataka. 283. Vaddhaki-Sukara-Jataka. 284. Siri-Jataka. 285. Mani-Sukara-Jataka. 286. Saluka-Jataka. 287. Labha-Garaha-Jataka. 288. Macch-Uddana-Jataka. 289. Nana-Cchanda-Jataka. 290. Sila-Vimamsa-Jataka. 291. Bhadra-Ghata-Jataka. 292. Supatta-Jataka. 293. Kaya-Vicchinda-Jataka. 294. Jambu-Khadaka-Jataka. 295. Anta-Jataka. 296. Samudda-Jataka. 297. Kama-Vilapa-Jataka. 298. Udumbara-Jataka. 299. Komaya-Putta-Jataka. 300. Vaka-Jataka.|~|Vol. III/translated by H.T. Francis and R.A. Neil: 301. Cullakalinga-Jataka. 302. Mahaassaroha-Jataka. 303. Ekaraja-Jataka. 304. Daddara-Jataka. 305. Silavimamsana-Jataka. 306. Sujata-Jataka. 307. Palasa-Jataka. 308. Javasakuna-Jataka. 309. Chavaka-Jataka. 310. Sayha-Jataka. 311. Pucimanda-Jataka. 312. Kassapamandiya-Jataka. 313. Khantivadi-Jataka. 314. Lohakumbhi-Jataka. 315. Mamsa-Jataka. 316. Sasa-Jataka. 317. Matarodana-Jataka. 318. Kanavera-Jataka. 319. Tittira-Jataka. 320. Succaja-Jataka. 321. Kutidusaka-Jataka. 322. Daddabha-Jataka. 323. Brahmadatta-Jataka. 324. Cammasataka-Jataka. 325. Godha-Jataka. 326. Kakkaru-Jataka. 327. Kakati-Jataka. 328. Ananusociya-Jataka. 329. Kalabahu-Jataka. 330. Silavimamsa-Jataka. 331. Kokalika-Jataka. 332. Rathalatthi-Jataka. 333. Godha-Jataka. 334. Rajovada-Jataka. 335. Jambuka-Jataka. 336. Brahachatta-Jataka. 337. Pitha-Jataka. 338. Thusa-Jataka. 339. Baveru-Jataka. 340. Visayha-Jataka. 341. Kandari-Jataka. 342. Vanara-Jataka. 343. Kuntani-Jataka. 344. Ambacora-Jataka. 345. Gajakumbha-Jataka. 346. Kesava-Jataka. 347. Ayakuta-Jataka. 348. Aranna-Jataka. 349. Sandhibheda-Jataka. 350. Devatapanha-Jataka. 351. Manikundala-Jataka. 352. Sujata-Jataka. 353. Dhonasakha-Jataka. 354. Uraga-Jataka. 355. Ghata-Jataka. 356. Karandiya-Jataka. 357. Latukika-Jataka. 358. Culladhammapala-Jataka. 359. Suvannamiga-Jataka. 360. Sussondi-Jataka. 361. Vannaroha-Jataka. 362. Silavimamsa-Jataka. 363. Hiri-Jataka. 364. Khajjopanaka-Jataka. 365. Ahigundika-Jataka. 366. Gumbiya-Jataka. 367. Saliya-Jataka. 368. Tacasara-Jataka. 369. Mittavinda-Jataka. 370. Palasa-Jataka. 371. Dighitikosala-Jataka. 372. Migapotaka-Jataka. 373. Musika-Jataka. 374. Culladhanuggaha-Jataka. 375. Kapota-Jataka. 376. Avariya-Jataka. 377. Setaketu-Jataka. 378. Darimukha-Jataka. 379. Neru-Jataka. 380. Asanka-Jataka. 381. Migalopa-Jataka. 382. Sirikalakanni-Jataka. 383. Kukkuta-Jataka. 384. Dhammaddhaja-Jataka. 385. Nandiyamiga-Jataka. 386. Kharaputta-Jataka. 387. Suci-Jataka. 388. Tundila-Jataka. 389. Suvannakakkata-Jataka. 390. Mayhaka-Jataka. 391. Dhajavihetha-Jataka. 392. Bhisapuppha-Jataka. 393. Vighasa-Jataka. 394. Vattaka-Jataka. 395. Kaka-Jataka. 396. Kukku-Jataka. 397. Manoja-Jataka. 398. Sutano-Jataka. 399. Gijjha-Jataka. 400. Dabbhapuppha-Jataka. 401. Dasannaka-Jataka. 402. Sattubhasta-Jataka. 403. Atthisena-Jataka. 404. Kapi-Jataka. 405. Bakabrahma-Jataka. 406. Gandhara-Jataka. 407. Mahakapi-Jataka. 408. Kumbhakara-Jataka. 409. Dalhadhamma-Jataka. 410. Somadatta-Jataka. 411. Susima-Jataka. 412. Kotisimbali-Jataka. 413. Dhumakari-Jataka. 414. Jagara-Jataka. 415. Kummasapinda-Jataka. 416. Parantapa-Jataka. 417. Kaccani-Jataka. 418. Atthasadda-Jataka. 419. Sulasa-Jataka. 420. Sumangala-Jataka. 421. Gangamala-Jataka. 422. Cetiya-Jataka. 423. Indriya-Jataka. 424. Aditta-Jataka. 425. Atthana-Jataka. 426. Dipi-Jataka. 427. Gijjha-Jataka. 428. Kosambi-Jataka. 429. Mahasuka-Jataka. 430. Cullasuka-Jataka. 431. Harita-Jataka. 432. Padakusalamanava-Jataka. 433. Lomasakassapa-Jataka. 434. Cakkavaka-Jataka. 435. Haliddiraga-Jataka. 436. Samugga-Jataka. 437. Putimamsa-Jataka. 438. Tittira-Jataka.|~|Vol. IV/translated by W.H.D. Rouse: 439. Catu-Dvara-Jataka. 440. Kanha-Jataka. 441. Catu-Posathika-Jataka. 442. Samkha-Jataka. 443. Culla-Bodhi-Jataka. 444. Kanhadipayana-Jataka. 445. Nigrodha-Jataka. 446. Takkala-Jataka. 447. Maha-Dhamma-Pala-Jataka. 448. Kukkuta-Jataka. 449. Matta-Kundali-Jataka. 450. Bilari-Kosiya-Jataka. 451. Cakka-Vaka-Jataka. 452. Bhuri-Panha-Jataka. 453. Maha-Mangala-Jataka. 454. Ghata-Jataka. 455. Mati-Posaka-Jataka. 456. Junha-Jataka. 457. Dhamma-Jataka. 458. Udaya-Jataka. 459. Paniya-Jataka. 460. Yuvanjaya-Jataka. 461. Dasaratha-Jataka. 462. Samvara-Jataka. 463. Supparaka-Jataka. 464. Culla-Kunala-Jataka. 465. Bhadda-Sala-Jataka. 466. Samudda-Vanija-Jataka. 467. Kama-Jataka. 468. Janasandha-Jataka. 469. Maha-Kanha-Jataka. 470. Kosiya-Jataka. 471. Mendaka-Jataka. 472. Maha-Paduma-Jataka. 473. Mittamitta-Jataka. 474. Amba-Jataka. 475. Phandana-Jataka. 476. Javana-Hamsa-Jataka. 477. Culla-Narada-Jataka. 478. Duta-Jataka. 479. Kalinga-Bodhi-Jataka. 480. Akitta-Jataka. 481. Takkariya-Jataka. 482. Ruru-Jataka. 483. Sarabha-Miga-Jataka. 484. Salikedara-Jataka. 485. Canda-Kinnara-Jataka. 486. Maha-Ukkusa-Jataka. 487. Uddalaka-Jataka. 488. Bhisa-Jataka. 489. Suruci-Jataka. 490. Panc-Uposatha-Jataka. 491. Maha-Mora-Jataka. 492. Taccha-Sukara-Jataka. 493. Maha-Vanija-Jataka. 494. Sadhina-Jataka. 495. Dasa-Brahmana-Jataka. 496. Bhikkha-Parampara-Jataka. 497. Matanga-Jataka. 498. Citta-Sambhuta-Jataka. 499. Sivi-Jataka. 500. Sirimanda-Jataka. 501. Rohanta-Miga-Jataka. 502. Hamsa-Jataka. 503. Sattigumba-Jataka. 504. Bhallatiya-Jataka. 505. Somanassa-Jataka. 506. Campeyya-Jataka. 507. Maha-Palobhana-Jataka. 508. Panca-Pandita-Jataka. 509. Hatthi-Pala-Jataka. 510. Ayoghara-Jataka. |~|Vol. V/translated by H.T. Francis: 511. Kimchanda-Jataka. 512. Kumbha-Jataka. 513. Jayaddisa-Jataka. 514. Chaddanta-Jataka. 515. Sambhava-Jataka. 516. Mahakapi-Jataka. 517. Dakarakkhasa-Jataka see Mahaummagga-Jataka. 518. Pandara-Jataka. 519. Sambula-Jataka. 520. Gandatindu-Jataka. 521. Tesakuna-Jataka. 522. Sarabhanga-Jataka. 523. Alambusa-Jataka. 524. Samkhapala-Jataka. 525. Culla-Sutasoma-Jataka. 526. Nalinika-Jataka. 527. Ummadanti-Jataka. 528. Mahabodhi-Jataka. 529. Sonaka-Jataka. 530. Samkicca-Jataka. 531. Kusa-Jataka. 532. Sona-Nanda-Jataka. 533. Culla-Hamsa-Jataka. 534. Maha-Hamsa-Jataka. 535. Sudhabhojana-Jataka. 536. Kunala-Jataka. 537. Maha-Sutasoma-Jataka.|~|Vol. VI/translated by E.W. Cowell and W.H.D. Rouse: 538. Muga-Pakkha-Jataka. 539. Mahajanaka-Jataka. 540. Sama-Jataka. 541. Nimi-Jataka. 542. The Khandahala-Jataka. 543. Bhuridatta-Jataka. 544. Mahanaradakassapa-Jataka. 545. Vidhurapandita-Jataka. 546. The Maha-Ummagga-Jataka. 547. Vessantara-Jataka.|~|Vol. VII: Index. . ISBN: 81-206-1469-0.
[Bookseller: Vedams eBooks (P) Ltd] |
| 14. Check availability: Biblio
Link/Print |
Balbus, Johanes. [Johann
|
| [Catholicon.]
|
[Mainz:] [Peter Schoeffer (?) for Konrad Humery (?),] [ca. 1469.] Royal folio. Single leaf. Single leaf from volume one with entries fro "cohors" to "color", 66 lines, double column. Type: 82G cast on two-ine slugs. Printed on Galliziani paper, the half of the sheet without the watermark, but with the characteristic shadows at wire-line intervals of ca. 5mm. Rubricated with one-line red Lombard initials and red paragraph marks. Very clean in a acid-free green mat with decription panel calling it the 1460 Gutenberg printing (incorrectly). First Edition, second impression. "A single leaf from the first edition, second impression of the Catholocon, printed from two-line slugs on Galliziani paper in 1468 or 1469. As early as 1905 Gottfred Zedler recognized that the Catholicon edition dated Mainz 1460 exists in three impressions printed from a single setting of type but associated with three presses (with different pinhole patterns) and printed on three distinct paper stock. In 1982 Paul Needham presented evidence that the three issues were printed at different times, according to the datable use of their paper stocks: copies on Bull's Head paper (with which are classed the vellum copies) in 1460, copies on Galliziani paper ca. 1469, and copies on Crown and Tower papers ca. 1472. Moreover, Needham argued that the three impressions were produces, not from standing type, but from two-line 'slugs' cast from the type and capable of being reassembled for subsequent impressions. According to this theory, the first impression of the Catholicon was produced by Gutenberg himself in 1460, the 'slugs' then passed into the possession of Konrad Humery with Gutenberg's other typographic material after the latter's death in 1468 and were re-used by Humery probably with the help of Peter Schoeffer, ca. 1469. In this view, which has aroused prolonged controversy among incunabulists, the 1460 Catholicon represents not only Gutenberg's last production but also final achievement, the invention of an early form of stereotyping." [Christie's Nakles Collection of Incunabula, 2000 lot #2] This leaf is almost certainly from those acquired by E. Byrne Hackett and broken up by him for the Brick Row Book Shop in 1936,and sold with an essay on the book by Margaret Stillwell (not present here). Hain/Copinger 2254*. BMC I,39. BSB B8. CIBN B13. GW 3182. Walsh/Harvard B28. Proctor 146. Goff B20.
[Bookseller: Krown & Spellman, Booksellers] |
| 15. Check availability: ILAB
Link/Print |
BALBUS, JOHANES. [JOHANN
|
| [CATHOLICON.] [MAINZ:] [PETER SCHOEFFER (?) FOR KONRAD HUMERY (?),] [CA. 1469.]
|
Royal folio. Single leaf. Single leaf from volume one with entries fro "cohors" to "color", 66 lines, double column. Type: 82G cast on two-ine slugs. Printed on Galliziani paper, the half of the sheet without the watermark, but with the characteristic shadows at wire-line intervals of ca. 5mm. Rubricated with one-line red Lombard initials and red paragraph marks. Very clean in a acid-free green mat with decription panel calling it the 1460 Gutenberg printing (incorrectly). First Edition, second impression. "A single leaf from the first edition, second impression of the Catholocon, printed from two-line slugs on Galliziani paper in 1468 or 1469. As early as 1905 Gottfred Zedler recognized that the Catholicon edition dated Mainz 1460 exists in three impressions printed from a single setting of type but associated with three presses (with different pinhole patterns) and printed on three distinct paper stock. In 1982 Paul Needham presented evidence that the three issues were printed at different times, according to the datable use of their paper stocks: copies on Bull's Head paper (with which are classed the vellum copies) in 1460, copies on Galliziani paper ca. 1469, and copies on Crown and Tower papers ca. 1472. Moreover, Needham argued that the three impressions were produces, not from standing type, but from two-line 'slugs' cast from the type and capable of being reassembled for subsequent impressions. According to this theory, the first impression of the Catholicon was produced by Gutenberg himself in 1460, the 'slugs' then passed into the possession of Konrad Humery with Gutenberg's other typographic material after the latter's death in 1468 and were re-used by Humery probably with the help of Peter Schoeffer, ca. 1469. In this view, which has aroused prolonged controversy among incunabulists, the 1460 Catholicon represents not only Gutenberg's last production but also final achievement, the invention of an early form of stereotyping."[Christie's Nakles Collection of Incunabula, 2000 lot #2]This leaf is almost certainly from those acquired by E. Byrne Hackett and broken up by him for the Brick Row Book Shop in 1936,and sold with an essay on the book by Margaret Stillwell (not present here). Hain/Copinger 2254*. BMC I,39. BSB B8. CIBN B13. GW 3182. Walsh/Harvard B28. Proctor 146. Goff B20.
[Bookseller: Booksellers KROWN & SPELLMAN - Culver Ci] |
| 16. Check availability: Maremagnum
Link/Print |
LIVIUS, Titus and Lucius
|
| Von Ankunfft unnd Ursprung des Römischen Reichs, .(colophon: Strasbourg, Theodosius Rihel, 1574). Small folio. With title printed in red and black in an elaborate woodcut frame by Tobias Stimmer; Rihel's printer's mark (13 x 10 cm); 131 examples of 66 woodcuts by Stimmer and others (10.5 x 14.5 cm); dozens of large (48 mm) and small gothic initial letters. Contemporary elaborately blind-tooled sheepskin parchment, painted in red, green, white and yellow, and gilt; blind-tooled board edges and turn-ins; gilt and gauffered edges with red and uncoloured decorations; headbands in green, yellow and white; signed "H" probably Caspar Hornheffers in Augsburg.
|
- (28), 887, (23), (2 blank) pp. Chrisman, Bibl. Strasbourg Imprints A.2.13A; Karlsruhe Virt. Kat. (5 copies); Ritter, Cat. Bib. Mun. Strasbourg 1384; Ritter, Cat. Bib. Nat. & U. Strasbourg III, 1375; not in Adams, OCLC WorldCat. FIRST STRASBOURG EDITION of the best German translation of Livius's classic history of Rome, beautifully illustrated with a new series of woodcuts by Tobias Stimmer and others and in a splendid contemporary binding probably by Caspar Horneffers in Augsburg. The numerous woodcuts illustrate a wide variety of events and scenes from Roman history, each in a frame, with scrollwork, figures, animals and mythical beasts, fruits and vegetables, armour and weapons, etc. Most are initialed, many by Bernard Jobin after Tobias Stimmer and others by Christoph Maurer and Christoffel van Sichem.Titus Livius (59 B.C.-A.D. 17) is known primarily for his great history of Rome, already printed as early as 1469 and published in German in 1505. The present translation by Zacharias Müntzer, first published at Frankfurt in 1568, quickly established itself as the standard and was reprinted many times. Rihel not only adorned it with beautiful woodcuts, but also printed it exquisitely with a wide variety of fine fraktur types and with roman and Greek types by the great French master Robert Granjon.The binding has large arabesque scrollwork stamps in the centres of the boards, that on the back possibly a stylized Augsburg pinecone. The cornerpieces are also scrollwork arabesques, and that used for the lower left and upper right corners on both boards appears to be initialled HG (its mirror image used for the other corners is unsigned). The space around the central stamps is filled with *-shaped stamps and the whole surrounded by a frame of rolls. Additional rolls occupy the compartments on the spine. The watermarks in the endleaves are very close to Briquet 2122 (1568-1581), and Briquet's note after number 2123 suggests that papers with its merchant's mark (inside the shield at the foot) come from Augsburg. In fact, the present mark has the form of the Augsburg coat of arms, but with a bunch of grapes occupying the position of the pinecone. In general style, the present binding resembles one made ca. 1579 by Caspar Horneffers at Augsburg (active 1564-1595), illustrated in Schunke, Die Einbände der Palatina, plate CL.In very good condition and with very large margins, with two tears repaired, slightly affecting one woodcut and the text of one leaf; a few transparent brown stains slightly affecting two woodcuts and the text on a few leaves; a tiny hole affecting two words of the text; and very minor marginal wormholes in a few leaves, not approaching the woodcuts or text. Binding very good, with the hinges and board edges worn and a few minor stains and wormholes. A classic history of Rome, beautifully illustrated and in a splendid contemporary initialled binding.
[Bookseller: ASHER Rare Books] |
| 17. Check availability: AbeBooks
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BESSARION, Johannes Basilius of
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| Adversus Calumniatorem Platonis. -- Correctio Librorum Platonis de Legibus Georgio Trapezuntio interprete. -- De Natura et Arte adversus Georgium Trapezuntium.
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Roman & Greek type. 10-line initial opening text in red & blue with purple pen work decoration & extensions, 7-line initials opening subsequent books in red or blue, headings in red, chapter numbers in red in margins, paragraph marks alternating in red & blue. 231 leaves (lacking the first & final two blanks). Folio (280 x 197 mm.), 18th cent. sheep (a few small wormholes in first two & final three quires, some spotting & browning), sides ruled in blind, spine gilt, contrasting leather lettering piece on spine. Rome: C. Sweynheym & A. Pannartz, [before 28 Aug. 1469]. First edition of "one of the most important texts in the history of Platonism."J. Hankins, Plato in the Italian Renaissance, p. 215. Bessarion wrote this book to counter the attacks of George of Trebizond, who, in his translation of the Laws of Plato, had sharply criticized their author, exalting Aristotle instead. In defending Plato, Bessarion provides a general exposition of Platonic philosophy. It was one of the earliest expositions on Platonism to appear in print, published well in advance of any of Plato's own works, and therefore contributed greatly to disseminating and popularizing Platonic philosophy in the West. Bessarion's work was not merely a defense of Plato, but a defense of Greek culture and heritage. One of his main strategies in countering Trebizond was to prove the deficiency of Latin translations of Plato's works, which consequently resulted in western misconceptions. Included in this edition is Bessarion's detailed and sharp enumeration of the faults in Trebizond's own translation and commentary of Plato's Laws. Bessarion (1403-72), united the two worlds of Byzantine and Renaissance Italian culture. After 1440, the cardinal remained in Italy for most of the rest of his life and established himself as a dominant figure in Italian culture. At Rome, the house of Bessarion functioned as a humanist academy, frequented by Poggio, Filelfo, Trebizond (until the quarrel), Argyropulus, Cusanus, and Regiomontanus. The cardinal's promotion of Greek no doubt helped to turn the minds of Nicholas V and Duke Federico of Urbino to the patronage of Greek studies. Bessarion's immense collection of Greek manuscripts represents a major landmark in the transmission of classical Greek culture to Renaissance Italy. His collection of 800 Greek manuscripts was given by him in 1468 to the Republic of Venice and today forms the nucleus of the famous library of St. Mark's. Bessarion had considerable mathematical interests which are reflected in the present book. He received lessons in the subject from Gemistus Pletho in the early 1430s and, during his reorganization of the University of Bologna, planned to provide four professorships in mathematics. "At Rome the Byzantine cardinal became a close friend of Cusanus, that dedicated admirer of Archimedes. The influence of Cusanus can be seen in Bessarion's great work In Calumniatorem Platonis (directed against Trapezuntius), where the author defends Plato as a mathematician and adduces Archimedes in support of his contention...While on a mission to Nuremberg and Vienna (1460-1461), Bessarion met the astronomers Peurbach and Regiomontanus, then at Vienna University. Following the death of Peurbach, Bessarion persuaded the younger astronomer to accompany him back to Italy in 1461, thus introducing Regiomontanus to the humanists and mathematicians of Rome and Venice."Rose, The Italian Renaissance of Mathematics, p. 44. A fine copy of this handsome book printed by Sweynheym and Pannartz, who introduced the art of printing into Italy. It is known that this work was printed in an edition of three hundred copies. Goff B-518.
[Bookseller: Jonathan A. Hill, Bookseller, Inc.] |
| 18. Check availability: ILAB
Link/Print |
René 1er
|
| Le roi René s'adresse au bailli de Bar.
|
Nombre de document : 1 vélin 27 x 36 cm 11/12/1469 Sceau manquant. bon Mandement du roi René, duc de Bar et de Lorraine, relatif à une plainte de l'abbé Saint-Vincent de Metz envers les officiers du duché de Bar, «luy empeschant et occupant la justice et juridiction du lieu de Dugney [Dugny-sur-Meuse] et d'anciens villaiges déppendant d'iceluy, aussy plusieurs anciens droiz appartenans audit suppliant à cause de ladite abbaye [...]». Duc d'Anjou, de Bar et de Lorraine, comte de Provence, roi de Naples et de Sicile.
[Bookseller: Traces écrites] |
| 19. Check availability: ILAB
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René 1er 1409 1480
|
| Le roi René s'adresse au bailli de Bar.
|
- Nombre de document : 1 Vélin 27 x 36 cm 11/12/1469 Sceau manquant. bon Mandement du roi René, duc de Bar et de Lorraine, relatif à une plainte de l'abbé Saint-Vincent de Metz envers les officiers du duché de Bar, «luy empeschant et occupant la justice et juridiction du lieu de Dugney [Dugny-sur-Meuse] et d'anciens villaiges déppendant d'iceluy, aussy plusieurs anciens droiz appartenans audit suppliant à cause de ladite abbaye [.]». Duc d'Anjou, de Bar et de Lorraine, comte de Provence, roi de Naples et de Sicile.
[Bookseller: Traces Ecrites] |
| 20. Check availability: AbeBooks
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[CATALOGUE D'EXPOSITION].
|
| Great Exhibition of the Works of Industry of all Nations, 1851. Official descriptive and illustrated catalogue in three volumes. London, William Clowes and Sons, 1851. In-8, percaline bleue illustrée, estampée et dorée, tranches dorées, 1469 pp.
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Dans le premier volume, contient une carte "Geographial view of the great exhibition of 1851. Shewing at one view the relative & territorial distribution of the various localities from whence the raw materials & manufactures contributed to the exhibition have been severally supplied." Le premier et deuxième volumes sont consacrés à la Grande Bretagne ainsi qu'à ses colonies, le troisième volume est quant à lui consacré aux autres pays. Déchirure page 7 de la troisième partie du premier volume, légèrement dérelié, infimes usures au dos et aux mors pour les trois tomes.
[Bookseller: Librairie Chrétien] |
| 21. Check availability: Livre-Rare-Book
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Chodowiecki, N. Daniel
|
| 12 Blätter zu Aug. von Kotzebue, die Indianer in England.
|
o. J.. Darst.Gr. je 8,5 x 4,9 cm, Pl.; 23 x 36,5 cm., Radierung, WvzNr. Bauer 1469 - 1480, Engelmann 631 II., Zust. gut erhalten.. B. 1469 - 1480, E. 631 II. Schöne kräftige Abdrücke auf festem Papier, mit ca. 6 - 8 mm Rand. [273]
[Bookseller: Kunst & Graphik Kabinett] |
| 22. Check availability: zvab
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Sarthe. Un franc-archer assure la
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| Accord passé entre la fabrique de la paroisse Saint-Martin de Sargé-sur-Braye et Colin Hochedé, franc-archer de ladite paroisse. La fabrique, représentée par ses procureurs, Jean Janvier l'Ancien et Jean du Couldray, doit payer à son franc-archer, pour sa protection, la somme de 40 sous tournois, «tant pour salade, gantelez, gorgery, arbaleste, trect, aucton et aultres habillemens qui luy soyent necessaires». En français et latin
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Parchemin Nombre de document : 1 15 x 26 cm. 11/11/1469 brunissures, sceau plaqué de cire brune manquant.
[Bookseller: Traces écrites] |
| 23. Check availability: Livre-Rare-Book
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Machiavelli, Niccolò
|
| Opere. 6 vol.Cambiagi Firenze (Gaetano Cambiagi), 1782-1786,
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- C, 451 S.; 420 S.; 490 S.; 392 S.; 475 S.; 532 S.; 4o, Pergament der Zeit mit Rückenschildern, die Rücken sind teilweise ersetzt, bei zwei Bänden sind die vorderen Gelenke,angeplatzt, im ganzen schönes und dekoratives Exemplar. Graesse IV, S. 325; Ebert II, S. 12642. Machiavelli, Niccolò (1469-1527) ital. politischer Schriftsteller./ Die Bände 5 und 6 auf BLAUEM PAPIER!! Breitrandiges Exemplar mit dem Stempel: Großherzogliche Bibliothek Neustrelitz.
[Bookseller: Dr. Martin Saendig GmbH] |
| 24. Check availability: AbeBooks
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STADLER, Daniel.
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| Tractatus de Duello Honoris Vindice ad Theologiae, et Juris Principia Examinatio. Ingelstad - Würzburg, J.F.X. Crätz - Th. Summer, 1751. 4to. Title-page printed in red and black, full-page engraved frontispiece and engraved headpiece, many woodcut tailpieces. Contemporary blind-stamped pigskin binding, with floral rolls, brass catches, blue edges.
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(30), 464 pp. De Backer-Sommervogel VI, col. 1469 . Attractive copy this study of duels withspecial attention for judicial aspects. The author basically rejects a duel in favour of solving conflicts in court, but allows it under three conditions: grave offence, serious damage, and blatant miscarriage of justice. Stadler's apparent approval of duels under certain circumstances brought him in conflict with Pope Benedict XIV, who "ayant condamné trois propositions favorables au duel, des PP. Reiffenstuel, Sporer et Milante, deux desquelees le P. Stadler avait aussi soutenues, celui-ci lui écrivit pour prouver qu'il ne les soutenait pas. Le Pape lui répondit, par un bref, du 3 mars 1753, que son ouvrage n'avait pas été nommé dans la condamnation" (De Backer-Sommervogel). Several small corrosion spots, good copy in attractive binding.
[Bookseller: Asher Rare Books (Since 1830)] |
| 25. Check availability: ILAB
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Machiavelli, Niccol°
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| Opere. 6 vol.Cambiagi Firenze (Gaetano Cambiagi), 1782-1786,
|
C, 451 S.; 420 S.; 490 S.; 392 S.; 475 S.; 532 S.; 4o, Pergament der Zeit mit Rückenschildern, die Rücken sind teilweise ersetzt, bei zwei Bänden sind die vorderen Gelenke,angeplatzt, im ganzen schönes und dekoratives Exemplar.. Graesse IV, S. 325; Ebert II, S. 12642. Machiavelli, Niccol° (1469-1527) ital. politischer Schriftsteller.Die Bände 5 und 6 auf BLAUEM PAPIER!! Breitrandiges Exemplar mit dem Stempel: Großherzogliche Bibliothek Neustrelitz..
[Bookseller: Wissenschaftliches Antiquariat Dr. Marti] |
| 26. Check availability: choosebooks
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DE CARNE GASTON
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| LES CHEVALIERS BRETONS DE SAINT MICHEL
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LES CHEVALIERS BRETONS DE SAINT-MICHEL (depuis la fondation de l'ordre en 1469, jusqu'à l'ordonnance de 1669), notices recueillis par le COMTE D'HOZIER, un vol. in 8 relie demi chagrin noir à coins, de 475 p. exemplaire numéroté 160/500 ; N Vincent Forest et Emile Grimaud, imprimeurs-éditeurs à Nantes. peu courant
[Bookseller: Livre Ancien d'Aleth] |
| 27. Check availability: Livre-Rare-Book
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LIVIUS, Titus and Lucius
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| Von Ankunfft unnd Ursprung des Römischen Reichs, .(colophon: Strasbourg, Theodosius Rihel, 1574). Small folio. With title printed in red and black in an elaborate woodcut frame by Tobias Stimmer; Rihel's printer's mark (13 x 10 cm); 131 examples of 66 woodcuts by Stimmer and others (10.5 x 14.5 cm); dozens of large (48 mm) and small gothic initial letters. Contemporary elaborately blind-tooled sheepskin parchment, painted in red, green, white and yellow, and gilt; blind-tooled board edges and turn-ins; gilt and gauffered edges with red and uncoloured decorations; headbands in green, yellow and white; signed "H" probably Caspar Hornheffers in Augsburg.
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(28), 887, (23), (2 blank) pp. Chrisman, Bibl. Strasbourg Imprints A.2.13A; Karlsruhe Virt. Kat. (5 copies); Ritter, Cat. Bib. Mun. Strasbourg 1384; Ritter, Cat. Bib. Nat. & U. Strasbourg III, 1375; not in Adams, OCLC WorldCat. FIRST STRASBOURG EDITION of the best German translation of Livius's classic history of Rome, beautifully illustrated with a new series of woodcuts by Tobias Stimmer and others and in a splendid contemporary binding probably by Caspar Horneffers in Augsburg. The numerous woodcuts illustrate a wide variety of events and scenes from Roman history, each in a frame, with scrollwork, figures, animals and mythical beasts, fruits and vegetables, armour and weapons, etc. Most are initialed, many by Bernard Jobin after Tobias Stimmer and others by Christoph Maurer and Christoffel van Sichem.Titus Livius (59 B.C.-A.D. 17) is known primarily for his great history of Rome, already printed as early as 1469 and published in German in 1505. The present translation by Zacharias Müntzer, first published at Frankfurt in 1568, quickly established itself as the standard and was reprinted many times. Rihel not only adorned it with beautiful woodcuts, but also printed it exquisitely with a wide variety of fine fraktur types and with roman and Greek types by the great French master Robert Granjon.The binding has large arabesque scrollwork stamps in the centres of the boards, that on the back possibly a stylized Augsburg pinecone. The cornerpieces are also scrollwork arabesques, and that used for the lower left and upper right corners on both boards appears to be initialled HG (its mirror image used for the other corners is unsigned). The space around the central stamps is filled with *-shaped stamps and the whole surrounded by a frame of rolls. Additional rolls occupy the compartments on the spine. The watermarks in the endleaves are very close to Briquet 2122 (1568-1581), and Briquet's note after number 2123 suggests that papers with its merchant's mark (inside the shield at the foot) come from Augsburg. In fact, the present mark has the form of the Augsburg coat of arms, but with a bunch of grapes occupying the position of the pinecone. In general style, the present binding resembles one made ca. 1579 by Caspar Horneffers at Augsburg (active 1564-1595), illustrated in Schunke, Die Einbände der Palatina, plate CL.In very good condition and with very large margins, with two tears repaired, slightly affecting one woodcut and the text of one leaf; a few transparent brown stains slightly affecting two woodcuts and the text on a few leaves; a tiny hole affecting two words of the text; and very minor marginal wormholes in a few leaves, not approaching the woodcuts or text. Binding very good, with the hinges and board edges worn and a few minor stains and wormholes. A classic history of Rome, beautifully illustrated and in a splendid contemporary initialled binding.
[Bookseller: ASHER Rare Books] |
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P. CORNELII SEVERI
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| AETNA, & QUAE SUPERSUNT FRAGMENTA, CUM NOTIS ET INTERPRETATIONE JOS. SCALIGERI, FRID. LINDENBRUCHII & THEOD. GORALLI. ACCESSIT PETRI BEMBI AETNA. ASTELAEDAMI, APUD HENRICUM SCHELTE, 1703. IN 8 (CM. 15,8) LEGATURA ORIGINALE IN PIENA PELLE CON NERVI, TASSELLO E RICCHI FREGI AL DORSO; 1 C.BIANCA, 3 CC.NN., PP. 224, 12 CC.NN. (INDEX). ALL'ANTIPORTA TAVOLA RIPIEG., INCISA IN RAME, CON BELLA VEDUTA DELLA CITTA' E PORTO DI CATANIA CON L'ETNA IN ERUZIONE, A FIRMA J.LAMSVELT (CA.1664-1725). IL TESTO DEL POEMA E' STAMPATO A SINISTRA E SULLA PAGINA A FRONTE C'E' L'INTERPRETAZIONE. TAGLI SPRUZZATI. PICCOLE ABRASIONI ALLA LEG., ALTRIMENTI BELLISSIMO ESEMPLARE FRESCO E NITIDO.
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La prima edizione di quest'opera, attribuita al poeta romano Lucilius, apparve sotto il nome di Virgilio intorno al 1469. Questa nostra e' la prima ediz. di Amsterdam, alla quale ne segui' una seconda nel 1715. Piuttosto rara, manca alla biblioteca siciliana del Moncada.
[Bookseller: Studio bibliografico CALABRO' Maria] |
| 29. Check availability: Maremagnum
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PITRE-CHEVALIER (P.-M.-F. Chevalier
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| La Bretagne ancienne et moderne
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s.d. demi-basane bleu nuit, dos lisse orné, titre doré (reliure de l'époque). nombreuses rouss., coiffes frottées. 2 vol. gr. in-8, 656 pp. en pagination continue, frontispice en couleurs, carte, 21 vignettes gravées sur acier, 6 pl. chromolithographiées (blasons), 34 pl., nbses gravures sur bois in-t., ìdition originale. Dédiée à M. le vicomte de Châteaubriand dont la réponse est imprimée à la suite de la préface et précédée d'une gravure reproduisant le portrait de l'écrivain par Girodet. Contient des chants inédits, communiqués par M. de la Villemarqué. Illustrée par A. Leleux et O. Penguilly. Kerviler, V, 1469 (indique 2 cartes).
[Bookseller: Clavreuil - Fabrice Teissèdre] |
| 30. Check availability: Livre-Rare-Book
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Isabella and Ferdinand V
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| The Document That Made ColumbusÕs Discovery of America Possible.
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The Document That Made ColumbusÕs Discovery of America Possible.The Original Amnesty of Zamora.It United Christian Spain Under Ferdinand and Isabella, and Decided the Fate of the New World ~In the Middle Ages, Spain was not a unified nation, but a group of separate states. Castille and Leon ran down the middle of the Iberian Peninsula and over atop Portugal to the west. Aragon was to the northeast, while the Moorish kingdom of Granada remained in the southeast. In 1469, Princess Isabella (1451-1504), sister of King Henry IV of Castille and Leon and heir to its throne, married Prince Ferdinand (1452-1516), son of King Juan II of Aragon and heir to its throne. Ferdinand and Isabella would one day inherit and join together their two kingdoms, which composed some 90% of Spain. Then, once the Moors were driven out, Spain would be united under their rule. That was the intention. However, this plan would not go unchallenged by strong and determined forces. Upon the death of her brother in 1474, IsabellaÕs right to the throne of Castille and Leon was hotly contested. The rival claimant was Juana (called ÒLa BeltranejaÓ), wife of King Alfonso V of Portugal, which was then a wealthy and powerful nation. Juana was theoretically King HenryÕs daughter, but was popularly thought to be the illegitimate child of a Beltran de la Cueva (as Henry was widely believed to be impotent). Like Ferdinand and Isabella, Alfonso had a vision of unification; his, however, was incompatible with theirs. Through his wife, he claimed the throne of Castille and Leon for Portugal, thus hoping to unite the two states into a regional super-power, led from Lisbon, which would dominate the rest of the Iberian Peninsula. Although most Castilians favored Isabella, Juana had very substantial support.Zamora is a town northwest of Madrid, near Salamanca, and not far from the Portugese border. The town sympathized with JuanaÕs cause and the fortress there was held by supporters of Portugal at the start of the contest for the throne. Ferdinand took the initiative, and starting in 1475, a Castilian force led by him besieged Zamora. King Alfonso led a Portuguese army of 8,500 to Zamora's relief in February 1476. The Portuguese, being well equipped with artillery and arquebusiers, bombarded the Castilian positions for two weeks before moving in the direction of nearby Toro. Ferdinand pursued and caught the Portuguese five miles from Toro at 4 pm on March 1, 1476, as they negotiated a narrow pass beside the River Duero. The Portuguese formed up beyond the hills and allowed the Castilians through the gap to face them. Some of Ferdinand's infantry got left behind in the rapid pursuit, so he was slightly outnumbered. The Castilian right was disordered by the Portuguese arquebusiers facing them and the action of the Portuguese cavalry. However, reinforced by late arrivals, the Castilians rallied at the pass and returned to the battle. Toward evening, after 3 hours of fighting, the Portuguese began to give, and they finally broke when their flank was turned by a massed charge of the Castilian cavalry. In the end, at this, the famed Battle of Toro, some 2,000 Portuguese were killed; and badly beaten, Alfonso returned to Portugal empty handed, his hope of ruling Spain frustrated. Although their patron was defeated at Toro and had fled, pro-Juana Spanish leaders still held Zamora and its Fortress. Ferdinand understood that as long as they remained holed up there, his work was incomplete. There would still be armed resistance to his rule, the Portugese might again try to relieve the city, or the garrison might hold out and become a rallying point for his adversaries. So he would have to besiege Zamora and risk the fortunes of war. The forces within Zamora were well aware that a siege was imminent, and knowing there was realistically no hope of being relieved from Portugal, saw that their cause was now ultimately doomed. They preferred to surrender the Fortress and transfer their allegi [Attributes: Signed Copy]
[Bookseller: Raab Collection] |
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Balbus, Johanes. [Johann
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| [Catholicon. ]
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[Peter Schoeffer (? ) for Konrad Humery (? ), ], [ca. 1469. ]. Royal folio. Single leaf. Single leaf from volume one with entries fro "cohors" to "color", 66 lines, double column. Type: 82G cast on two-ine slugs. Printed on Galliziani paper, the half of the sheet without the watermark, but with the characteristic shadows at wire-line intervals of ca. 5mm. Rubricated with one-line red Lombard initials and red paragraph marks. Very clean in a acid-free green mat with decription panel calling it the 1460 Gutenberg printing (incorrectly). First Edition, second impression. "A single leaf from the first edition, second impression of the Catholocon, printed from two-line slugs on Galliziani paper in 1468 or 1469. As early as 1905 Gottfred Zedler recognized that the Catholicon edition dated Mainz 1460 exists in three impressions printed from a single setting of type but associated with three presses (with different pinhole patterns) and printed on three distinct paper stock. In 1982 Paul Needham presented evidence that the three issues were printed at different times, according to the datable use of their paper stocks: copies on Bull's Head paper (with which are classed the vellum copies) in 1460, copies on Galliziani paper ca. 1469, and copies on Crown and Tower papers ca. 1472. Moreover, Needham argued that the three impressions were produces, not from standing type, but from two-line 'slugs' cast from the type and capable of being reassembled for subsequent impressions. According to this theory, the first impression of the Catholicon was produced by Gutenberg himself in 1460, the 'slugs' then passed into the possession of Konrad Humery with Gutenberg's other typographic material after the latter's death in 1468 and were re-used by Humery probably with the help of Peter Schoeffer, ca. 1469. In this view, which has aroused prolonged controversy among incunabulists, the 1460 Catholicon represents not only Gutenberg's last production but also final achievement, the invention of an early form of stereotyping. " [Christie's Nakles...
[Bookseller: Alibris] |
| 33. Check availability: Alibris
Link/Print |
Balbus, Johanes. [Johann
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| Catholicon.]
|
[Peter Schoeffer (?) for Konrad Humery (?),] [Mainz:] [ca. 1469.] Royal folio. Single leaf. Single leaf from volume one with entries fro "cohors" to "color", 66 lines, double column. Type: 82G cast on two-ine slugs. Printed on Galliziani paper, the half of the sheet without the watermark, but with the characteristic shadows at wire-line intervals of ca. 5mm. Rubricated with one-line red Lombard initials and red paragraph marks. Very clean in a acid-free green mat with decription panel calling it the 1460 Gutenberg printing (incorrectly). First Edition, second impression. "A single leaf from the first edition, second impression of the Catholocon, printed from two-line slugs on Galliziani paper in 1468 or 1469. As early as 1905 Gottfred Zedler recognized that the Catholicon edition dated Mainz 1460 exists in three impressions printed from a single setting of type but associated with three presses (with different pinhole patterns) and printed on three distinct paper stock. In 1982 Paul Needham presented evidence that the three issues were printed at different times, according to the datable use of their paper stocks: copies on Bull's Head paper (with which are classed the vellum copies) in 1460, copies on Galliziani paper ca. 1469, and copies on Crown and Tower papers ca. 1472. Moreover, Needham argued that the three impressions were produces, not from standing type, but from two-line 'slugs' cast from the type and capable of being reassembled for subsequent impressions. According to this theory, the first impression of the Catholicon was produced by Gutenberg himself in 1460, the 'slugs' then passed into the possession of Konrad Humery with Gutenberg's other typographic material after the latter's death in 1468 and were re-used by Humery probably with the help of Peter Schoeffer, ca. 1469. In this view, which has aroused prolonged controversy among incunabulists, the 1460 Catholicon represents not only Gutenberg's last production but also final achievement, the invention of an early form of stereotyping." [Christie's Nakles Collection of Incunabula, 2000 lot #2] This leaf is almost certainly from those acquired by E. Byrne Hackett and broken up by him for the Brick Row Book Shop in 1936,and sold with an essay on the book by Margaret Stillwell (not present here). Hain/Copinger 2254*. BMC I,39. BSB B8. CIBN B13. GW 3182. Walsh/Harvard B28. Proctor 146. Goff B20.
[Bookseller: Krown & Spellman, Booksellers] |
| 36. Check availability: AbeBooks
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BALBUS, JOHANES. [JOHANN
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| [CATHOLICON.] [MAINZ:] [PETER SCHOEFFER (?) FOR KONRAD HUMERY (?),] [CA. 1469.]
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Royal folio. Single leaf. Single leaf from volume one with entries fro "cohors" to "color", 66 lines, double column. Type: 82G cast on two-ine slugs. Printed on Galliziani paper, the half of the sheet without the watermark, but with the characteristic shadows at wire-line intervals of ca. 5mm. Rubricated with one-line red Lombard initials and red paragraph marks. Very clean in a acid-free green mat with decription panel calling it the 1460 Gutenberg printing (incorrectly). First Edition, second impression. "A single leaf from the first edition, second impression of the Catholocon, printed from two-line slugs on Galliziani paper in 1468 or 1469. As early as 1905 Gottfred Zedler recognized that the Catholicon edition dated Mainz 1460 exists in three impressions printed from a single setting of type but associated with three presses (with different pinhole patterns) and printed on three distinct paper stock. In 1982 Paul Needham presented evidence that the three issues were printed at different times, according to the datable use of their paper stocks: copies on Bull's Head paper (with which are classed the vellum copies) in 1460, copies on Galliziani paper ca. 1469, and copies on Crown and Tower papers ca. 1472. Moreover, Needham argued that the three impressions were produces, not from standing type, but from two-line 'slugs' cast from the type and capable of being reassembled for subsequent impressions. According to this theory, the first impression of the Catholicon was produced by Gutenberg himself in 1460, the 'slugs' then passed into the possession of Konrad Humery with Gutenberg's other typographic material after the latter's death in 1468 and were re-used by Humery probably with the help of Peter Schoeffer, ca. 1469. In this view, which has aroused prolonged controversy among incunabulists, the 1460 Catholicon represents not only Gutenberg's last production but also final achievement, the invention of an early form of stereotyping."[Christie's Nakles Collection of Incunabula, 2000 lot #2]This leaf is almost certainly from those acquired by E. Byrne Hackett and broken up by him for the Brick Row Book Shop in 1936,and sold with an essay on the book by Margaret Stillwell (not present here). Hain/Copinger 2254*. BMC I,39. BSB B8. CIBN B13. GW 3182. Walsh/Harvard B28. Proctor 146. Goff B20.
[Bookseller: Booksellers KROWN & SPELLMAN - Culver Ci] |
| 37. Check availability: Maremagnum
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SCHMITT, CHARLES B
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| GIANFRANCESCO PICO DELLA MIRANDOLA (1469-1533) and his critique of ARISTOTLE
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| Martinus Nijhoff, The Hague - Netherlands 1967 Archives Internationales d'Histoire des Ideés / International Archives of the History of Ideas - No. 23. Contents: I). Gianfrancesco Pico's life. II). Gianfrancesco Pico's general attitude toward philosophy. III). The general attack on Aristotle. IV). The rejection of Arestotelian 'Science'. V). The critique of Arestotle's Physics. VI). The influence of the Examen Vanitatis on later thought. VII). Appendices: A). The works of Gianfrancesco Pico - The manuscripts and printed editions where these may be found - The secondary literature which refers to him. B). A comparison of Gianfrancesco Pico's translation of Sextus Empiricus' outlines of Pyrrhonism with Henri Estienne's translation. C). Did Gianfrancesco Pico influence Agrippa? With index. XIV + 252 pag. [Attributes: Hard Cover]
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